Friday, October 27, 2017

Chicago Radio: 'The Wild I-Talian' Is About To Hit The Big Screen


The finishing touches are being put on "The Dick Biondi Film," a documentary about the legendary WLS radio disc jockey and the experience of listening to him while growing up in Chicago in the 1960s.

Pam Pulice
According to The Daily Herald, the film, expected to debut sometime next year, is the passion project of lifelong Biondi fan Pamela Pulice.

Since 2014, she's been slowly compiling interviews about Biondi with dozens of celebrities, including Bobby Rydell, Brian Wilson, Frankie Valli, broadcasters Bob Sirott and John Landecker, Chicago saxophonist Walter Parazaider, and former New Colony Six member Ronnie Rice.

In these interviews, the stars talk about Biondi's profound impact on rock 'n' roll as one of the nation's most powerful and popular DJs in the 1960s. They also share stories about what it was like to listen to him on WLS 890 AM or WJMK 104.3 FM, or be the recipient of his kindness back when they were unknown musicians.

"It's a nostalgic piece on what it was like to grow up with Dick Biondi. It's from the standpoint of the fan," said Pulice. "It's how that voice on the radio touched us and affected us."


Biondi, who turned 85 on Sept. 13, still lives in Chicago and deejays on weekends at WLS 94.7 FM. He's been off the air since April while recovering from a leg ailment.

While he declined an interview request, his close friend and former producer Scott Miller, who saw him at his casino-themed birthday party last month, says he's doing well and "is still the same Dick Biondi." He's just waiting for his doctors to give him the OK to return to work, Miller said.

During Biondi's six-decade radio career -- which landed him in the National Radio Hall of Fame and the Rock and Roll Hall of Fame, among other accolades -- he's been the subject of many TV segments and feature stories. "The Dick Biondi Film" is by far the biggest, Miller said.

R.I.P.: 'The Jingle King" Dick Noel Dead at 90

Dick Noel
Dick Noel, a crooner with the Ray Anthony Orchestra who went on to be known as "The King of the Jingles" for his work on commercials, died Friday in Escondido, California, after a long illness, his friend Hank Jones said.

He was 90, according to The Hollywood Reporter.

A Time for Love, his highly regarded 1978 album made in collaboration with pianist Larry Novak, featured world-weary renditions of such ballads as "Send in the Clowns" and "Here's That Rainy Day," and he was praised in the liner notes by famed jazz vocalist Mel Torme.

After serving in the U.S. Navy during World War II, Noel toured the country with Anthony in the late 1940s and sang with his orchestra on several hits, including "Count Every Star."

The Brooklyn native also recorded for Decca and Columbia before launching his own label, Fraternity Records, which had hits with Cathy Carr's "Ivory Tower" and Jimmy Dorsey's "So Rare."

Noel hosted several radio programs, sang regularly on The Ruth Lyons Show in Cincinnati and then joined Don McNeill's popular Breakfast Club for which he was the lead singer on that Chicago-based radio show for years.

He made his first television appearances on Arthur Godfrey's Talent Scouts at CBS and in 1962 became a featured performer on The Tennessee Ernie Ford Show at ABC.

Noel left Ford's variety program in 1965 and returned to Chicago, where he sang on a multitude of national TV and radio commercials. "The King of the Jingles" was said to have recorded 15,000 spots, including those for United Airlines and McDonald's, during his career.



Noel retired to the San Diego area in the late 1980s.

October 27 Radio HIstory


➦In 1920...Westinghouse's radio station in East Pittsburgh, KDKA was issued the first-ever commercial radio license.  But it would be another week before it took to the air .. with the Harding-Cox election returns Nov. 2.   The audience was approximately 1,000 people.


KDKA's roots began with the efforts of Westinghouse employee Frank Conrad who operated KDKA's predecessor 75 watt 8XK from the Pittsburgh suburb of Wilkinsburg from 1916. Conrad, who had supervised the manufacturing of military receivers during WWI, broadcast phonograph music and communicated with other amateur radio operators via 8YK. On September 29, 1920, the Joseph Horne department store in Pittsburgh began advertising amateur wireless sets for $10, which could be used to listen to Conrad’s broadcasts.

Westinghouse vice president and Conrad’s supervisor, Harry P. Davis, saw the advertisement and recognized the economic potential of radio.  Instead of it being limited as a hobby to scientific experimenters, radio could be marketed to a mainstream audience. Consequently, Davis asked Conrad to build a 100-watt transmitter, which would air programming intended to create widespread demand for Westinghouse receivers.

The KDKA call sign was assigned sequentially from a list maintained for the use of US-registry maritime stations, and on November 2, 1920, KDKA broadcast the US presidential election returns from a shack on the roof of the K Building of the Westinghouse Electric Company "East Pittsburgh Works" in Turtle Creek, Pennsylvania.

According to Britannica.com, the first voice and music signals heard over radio waves were transmitted in December 1906 from Brant Rock, Massachusetts (just south of Boston), when Canadian experimenter Reginald Fessenden produced about an hour of talk and music for technical observers and any radio amateurs who might be listening. Many other one-off experiments took place in the next few years, but none led to continuing scheduled services. On the West Coast of the United States, for example, Charles (“Doc”) Herrold began operating a wireless transmitter in conjunction with his radio school in San Jose, California, about 1908. Herrold was soon providing regularly scheduled voice and music programs to a small local audience of amateur radio operators in what may have been the first such continuing service in the world.

The radio hobby grew during the decade before World War I, and the ability to “listen in” with earphones (as there were no loudspeakers) and occasionally hear voices and music seemed almost magical. Nevertheless, very few people heard these early broadcasts—most people merely heard about them—in part because the only available receivers were those handmade by radio enthusiasts, the majority of them men and boys.

Among these early receivers were crystal sets, which used a tiny piece of galena (lead sulfide) called a “cat’s whisker” to detect radio signals. Although popular, inexpensive, and easy to make, crystal sets were a challenge to tune in to a station. Such experiments were scattered, and so there was little demand for manufactured receivers. (Plug-in radio receivers, which, through the use of loudspeakers, allowed for radio to become a “communal experience,” would not become widespread until after 1927.) Early broadcasters in the United States, such as Herrold, would continue until early 1917, when federal government restrictions forced most radio transmitters off the air for the rest of World War I, stalling the growth of the medium.

After the war, renewed interest in radio broadcasts grew out of experimenters’ efforts, though such broadcasts were neither officially authorized nor licensed by government agencies, as would become the practice in most countries by the late 1920s.

Westinghouse application for licenses
Another early station appeared in Canada when station XWA (now CFCF) in Montreal began transmitting experimentally in September 1919 and on a regular schedule the next year. (The first commercially sponsored stations in Canada appeared in 1922.)

Broadcasting got an important boost in the huge American market when about 30 radio stations took to the air in different cities in 1920–21. Most of these developed out of amateur operations, each dedicated to a different purpose. “Doc” Herrold returned to the air in 1921, but he soon had to sell his station for lack of operating funds. The University of Wisconsin’s WHA began as a physics department transmitter, but as early as 1917 it was sending wireless telegraph agricultural market reports by Morse Code to Wisconsin farmers. WHA, the first American educational outlet, probably began voice broadcasts in early 1921, though several other universities soon initiated stations with similar aims. KDKA in Pittsburgh, most often cited as the first radio outlet in the United States, had begun as the amateur station 8XK in 1916, but it was forced off the air in World War I. It reappeared on November 2, 1920, as a “commercial” voice-and-music service operated by the Westinghouse electrical manufacturer to help sell the company’s radio receivers. Westinghouse added other stations in different cities over the next two years, and General Electric and the newly formed Radio Corporation of America (RCA) soon entered the radio business as well. Detroit’s amateur operation 8MK (which debuted on August 20, 1920) soon became WWJ, the first station to be owned by a newspaper (The Detroit News).

➦In 1947...“This is Nora Drake” premiered on NBC radio. Nora solved domestic, social and child-raising problems in its daily soap slot until January 2, 1959.

➦In 1947..."You Bet Your Life" made its debut on ABC Radio with Groucho Marx as quizmaster and George Fenneman as his announcer and straight man. The program continued on radio until 1959 and ran on TV from 1950 to 1961.


Father Coughlin
➦In 1979…Radio evangelist Father Charles Coughlin, one of the first political leaders to use radio to reach a mass audience, died at age 88. In the 1930s, his weekly broadcasts had an audience of 30 million people.

Coughlin began his radio broadcasts in 1926 on station WJR, in response to cross burnings by the Ku Klux Klan on the grounds of his church, giving a weekly hour-long radio program. His program was picked up by CBS four years later for national broadcast.  Until the beginning of the Depression, Father Coughlin mainly covered religious topics in his weekly radio addresses, in contrast to the political topics which dominated his radio speeches throughout the 1930s. He reached a very large audience that extended well beyond his own Irish Catholic base.

➦In 1980...John Lennon's killer purchases the .38 revolver (a five-shot Charter Arms "Off Duty" special) with which he will eventually kill his idol.

➦On 1999...composer/arranger/conductor Frank DeVol, a veteran of both radio & TV, died of congestive heart failure at age 88. In the 40′s and early 50′s he directed the orchestra nightly for CBS radio’s “Jack Smith Show.”  He composed the theme songs for TV’s The Brady Bunch, Family Affair, Gidget, and My Three Sons. DeVol also played “Happy Kyne” on TV’s Fernwood Tonight.

➦In 2003...XM Satellite Radio announced it had reached the 1 million subscriber milestone.

➦In 2003…Announcer (The Price Is Right, Soap)/former disc jockey (KOST-Los Angeles, KLIF-Dallas, WKBW-Buffalo, KQV-Pittsburgh, KOMA-Oklahoma City) Rod Roddy died of colon and breast cancer at 66.

After graduating from Texas Christian University (TCU), Roddy began his professional broadcasting career as a disc jockey and talk show host on KLIF and KNUS-FM (Dallas, Texas). He also worked overnights and mid-days at the Buffalo, New York radio station WKBW-AM, a big-signal station covering the Eastern Seaboard of the United States, and at other high-profile stations. Returning to KLIF and KNUS during the 1970s, Roddy hosted a call-in program, "Rod Roddy's Hotline," whose controversial host and topics made him a frequent target of death threats. He conducted a long-running on-air feud with an elderly woman (dubbed "Granny Hate"), who claimed to represent the local Ku Klux Klan.

Thursday, October 26, 2017

Cumulus Releases Preliminary Operating Results

For the three months ended September 30, 2017, Cumulus Media expects to report net revenue in a range of $286.0 million to $288.0 million, net (loss) income in a range of $(0.3) million to $1.7 million, and Adjusted EBITDA in a range of $60.0 million to $62.0 million.

When adjusting for the impact of $14.4 million of one-time expenses in the three months ended September 30, 2016 related to the resolution of disputed syndicated programming and inventory expenses with CBS Radio Inc., Adjusted EBITDA performance for the three months ended September 30, 2017 is expected to show growth in a range of 3% to 6% year-over-year.

The Company will issue third quarter 2017 operating results Thursday, November 9th.

Mary Berner
Mary Berner, President and Chief Executive Officer of Cumulus Media Inc., said, “The strong preliminary results for the third quarter provide further evidence that our turnaround plan is taking hold. We are encouraged by our continuing operating and financial momentum in the face of negative industry trends. This quarter, we delivered our seventh straight quarter of ratings share growth at the station group along with revenue share gains for our fifth straight quarter at the station group and third straight quarter at Westwood One. Most importantly, it was the second straight quarter of year-over-year growth in revenue and Adjusted EBITDA.”

“In addition to successfully executing on our foundational operating initiatives, we continue to develop innovative products and service offerings, such as the Westwood One ROI Guarantee, the first industry-wide ROI guarantee in the audio space; C-Endorsement Videos, the first video endorsement product at scale in the radio industry; and our initial Voice First initiative, the launch of Amazon Alexa skills for nearly 300 stations and over 100 Westwood One brands.”

Ms. Berner continued, “While the Company has ample cash to operate our business, Cumulus continues to be constrained by an excessive debt load. With the assistance of outside advisors, we are proactively exploring a range of alternatives with our lenders and noteholders to restructure the balance sheet and reduce debt. Our objective is to be able to redirect more of our time and resources to where they can have the greatest impact on our future – investing in our employees, in key technologies and in initiatives that drive growth.”

Comcast Reports Loss Of Subs, Beats Earnings Expectations

Comcast delivered third-quarter quarter earnings that topped Wall Street expectations even as the cable arm posted a loss of 134,000 residential video subscribers and NBCUniversal faced tough year-over-year comps due to the 2016 summer Olympics.

Variety reports Comcast reported earnings of 55 cents per share, up 19.6% from the year-ago quarter. Analysts had been expecting around 49 cents per share. Total revenue dropped 1.6% to $20.98 billion while adjusted earnings were up 5% to $7.18 billion.

Despite the high hurdle from year-over-year comparisons, Comcast cited strong performances from the theme park wing, the theatrical release of “Despicable Me III” and content licensing gains across film and TV for powering NBCUniversal’s quarter.

Brian Roberts
On the cable side, a net gain of 214,000 high-speed Internet customers helped drive a 5.1% gain in revenue to $13.2 billion. But the residential video loss of 134,000 continues the trend of MVPD losses this quarter — a swing from this time last year when Comcast and other large providers posted modest gains in video subs.

CEO Brian Roberts told  CNBC's Squawk Box after the report that this was the 63rd consecutive quarter of cash flow growth for Comcast.

"The cash flow of the company – which is, I think, the main metric that we judge ourselves – was up 5 percent across the company for the first nine months," Roberts said. "Now a majority of that cash flow comes out of the broadband business."

Strauss said the third quarter was the most competitive in recent history, adding that Hurricane Harvey was also to blame for the losses. That means a deepening of losses from the previous quarter, bringing Comcast's total video customers to 22.4 million.

The company, which owns NBCUniversal, announced several "smart-home" offerings in August amid a push to diversify beyond its cable options. The company wants to offer more services in the home to increase revenues and create more loyal customers.

Next FCC Vote: Rollback Media Ownership Regs

The FCC wants to rollback landmark media ownership regulations that prohibit owning a television station and newspaper in the same market and making it easier to acquire additional TV or radio stations, Chairman Ajit Pai said on Wednesday.

If approved at the FCC’s November meeting, the move would be a win for newspapers and broadcasters that have pushed for the change for decades, but was criticized by Democrats who said it could usher in a new era of media consolidation, according to Reuters.

The FCC in 1975 banned cross-ownership of a newspaper and broadcast station in the same market, unless it granted a waiver, to ensure a diversity of opinions. The rule was made before the explosion of internet and cable news and Republican President Donald Trump and Pai have vowed to reduce government regulation.

“We must stop the federal government from intervening in the news business,” Pai told a congressional panel, noting that many newspapers have closed and many radio and TV stations are struggling. Pai moved earlier this year to make it easier for some companies to own a larger number of local stations.


November FCC vote could eliminate cross ownership rules from CNBC.


Pai said the marketplace no longer justifies the rules, citing Facebook Inc and Alphabet Inc’s Google dominance of internet advertising.

“Online competition for the collection and distribution of news is greater than ever. And just two internet companies claim 100 percent of recent online advertising growth; indeed, their digital ad revenue this year alone will be greater than the market cap of the entire broadcasting industry,” Pai said.

Pai also proposes to make it easier for companies to own multiple TV and radio stations in the same market and he would allow two local stations among the top four in a market to petition the FCC to merge.

The National Association of Broadcasters said it backs Pai’s plan, noting that policymakers have approved numerous “mega-mergers” among phone, cable and satellite programmers “while at the same time blocking broadcast/newspaper or radio/TV combinations in single markets.”

Free Press, an advocacy group, said the proposal would make it easier for Sinclair Broadcast Group Inc (SBGI.O) to complete its $3.9 billion acquisition of Tribune Media Co (TRCO.N) with fewer divestitures.

The “disastrous proposal is tailor-made for Sinclair and other giant broadcast chains that push often slanted or cookie-cutter content over the public airwaves,” the group said.

Radio Sustains Its Dominance Of Audio

In the decade since the iPhone debuted, the world has been transformed by mobile devices. Despite this ubiquitous adoption of smartphones, AM/FM radio sustains its dominance in the audio space.

This year alone, adults in the U.S. (18+) will consume 700 BILLION more minutes of AM/FM radio than pure-play streams. That’s an advantage of nearly 50 BILLION quarter hours, based on annualized national audience data from Nielsen Audio’s Comparative Metrics Report, Q1 2017. 

What makes AM/FM radio’s continued strength in a mobile age possible? In a single word: Employment.



“Everyone in radio can recite statistics about reach, but that’s only part of the story. The ongoing power of radio rests with our employed audience, which consumes enormous amounts of AM/FM radio in the car and at-work. Best of all for advertisers, this audience has money to spend,” said Andrew Curran, President and COO of DMR/Interactive.

When economic headlines mention 5% unemployment rate, the obvious assumption is that 95% of adults are working. By extension, this same logic would indicate that every advertising platform is equally effective at reaching these most sought after consumers. However, according to the Bureau of Labor Statistics, that is simply not the case. 40% of U.S. adults are out of the workforce. That means 150 million Americans work (60%) and 100 million American adults do not.

Heavy listeners of radio are overwhelmingly employed with 85% of consumption among A25-54 being driven by people with jobs. Even on the younger end, among P18-24, approximately 63% of listening across markets and major formats is driven by employed persons.

The reason for this difference in listening isn’t due to smart phones or overly simplified theories about millennials, who are already the largest generation in the workforce, it is because P18-24 are always less employed than their older counterparts. Decade after decade, this younger demographic has never been the driving force behind radio listening.

As station programming super-serves its employed audience, radio sellers need a more compelling story, not just to win ad dollars from other radio stations, but more importantly away from local TV and print.

“The employment angle is compelling, not simply because it’s a long held programming fundamental, but because these are the consumers who advertisers want to target and reach, people with a paycheck and money to spend,” says Doug Smith, Vice President, Marketing Strategy with DMR/Interactive.

As recent natural disasters remind us, radio stations take their unique public service mandate seriously.  A similar public interest obligation can be brought to life by the sales team in terms of radio’s ongoing impact on the local economy. By putting advertisers in direct contact with employed persons, radio’s ability to deliver ROI and help businesses grow, which leads to job creation (and more listening) is enormous.

These employment and consumption insights were recently discussed by Erica Farber, President and CEO of the Radio Advertising Bureau and Andrew Curran from DMR/Interactive on the Radio on Main Street Podcast.

NBC Suspends Veteran Journalist Mark Halperin

Mark Halperin
NBC announced Thursday veteran journalist Mark Halperin was being suspended hours after he was accused of sexual harassment by five female former coworkers.

“We find the story and the allegations very troubling,” the network told a CNN reporter. “Mark Halperin is leaving his role as a contributor until the questions around his past are fully understood.”

Halperin, who is currently contracted as a political analyst for NBC News, was accused of a range of alleged predatory behavior including propositioning coworkers for sex, groping women’s breasts and kissing them without consent, according to CNN.

Halperin is apologizing for what he terms “inappropriate” behavior after five women claimed he sexually harassed them while he was a top ABC News executive.

The co-author of the best-selling book “Game Change” told CNN Wednesday night that he’s “deeply sorry” and is taking a “step back” from day-to-day work to deal with the situation. He’s currently an analyst for NBC News.



The AP reports his statement came after CNN reported allegations that Halperin propositioned, fondled and pushed himself against five women in the early 2000s while he was ABC News’ political director.

The women, who asked to remain anonymous, said they didn’t report Halperin’s conduct because they feared retribution or were embarrassed.

Halperin says he pursued relationships, sometimes with junior co-workers, but CNN says he denies the groping allegations.

Sinclair Confirms It's Talking To Bill O'Reilly

Bill O'Reilly
Bill O'Reilly, the former Fox News anchor, has been negotiating for a position with the Sinclair Broadcast Group, the nation's largest television-station owner, according to Claire Atkinson at NBC News.

Sinclair, known for its conservative commentary, is continuing with the talks despite the sexual harassment cases that cost O'Reilly his job at Fox this year, the sources said. Last week, The New York Times reported that O’Reilly had settled a $32 million sexual harassment claim against him by a former legal analyst, Lis Wiehl. Sources said the news does not appear to have sidelined the talks.

"They took a pause but it didn't really change anything for them," one of the sources said.

O’Reilly has said the Times article was designed to hurt him in the marketplace. He told The Times that the report was “politically and financially motivated.”


The company did not initially return calls from NBC News about the latest round of talks, but after this article was first published, a spokeswoman denied that Sinclair was in discussions with O'Reilly.

Nonetheless, one of the sources, who is close to O’Reilly, said on Tuesday that the two sides were "about midway" through negotiations. A second source explained that Sinclair is considering putting O’Reilly on its local stations.

Sinclair currently owns or operates 173 U.S. television stations. In May, the company reached a deal to pay $3.9 billion for Tribune Media, and if the deal is approved by regulators, the company would control more than 220 stations.

“What you are going to see is a syndicated show, not a news channel,” said a source familiar with talks, “I know they’ve been talking about doing something in syndication and something that could air on WGN,” Tribune's flagship station.

The source said Sinclair is considering a two-hour block for O'Reilly, possibly beginning at 6 or 7 p.m.

Cumulus Extends Local Talent Endorsements To Video

Video Endorsement: HOT 106's Bekah Berger for T-Mobile. Cumulus Providence
As one of the largest producers of live and local audio content in the country, Cumulus Media is intimately connected to its listeners. Because on-air endorsements represent one of the most effective and powerful ways that Cumulus delivers marketing messages for its local advertisers, the company has developed a unique way to extend that trusted relationship between our talent and their audience to digital video with the launch of C-Endorsement Videos, the first video endorsement product at scale in the radio industry.

C-Endorsement Videos are the latest addition to Cumulus’ recently launched company-wide local digital marketing solutions platform, the Cumulus Digital C-Suite. These local personality-branded video endorsements will appear as pre-roll video ads before content on popular and reputable third-party websites visited by consumers within a local advertiser’s specific target audience including age, gender, geography, and behavioral characteristics.

“Radio personality endorsements are effective marketing solutions because of the trusted relationship listeners have with their favorite local DJs and hosts. With audiences spending up to four hours every day with these personalities, research shows that nearly 80% trust on-air personalities like friends. Given the combination of the time spent and the trust built, it is no wonder that over 50% of the audience reports their favorite personalities influence their opinions. Now is the perfect time to harness the tremendous influence our talent has with local audiences into the digital world via C-Endorsement Videos as part of the growing Cumulus Digital C-Suite,” said Larry Linietsky, VP, Digital Operations and Business Development, Cumulus Media.

For more information on C-Endorsement Videos and C-Suite, contact Larry.Linietsky@cumulus.com.

Westwood One Offers Guaranteed ROI For Advertisers

Westwood One, as the largest radio network in the United States, is announcing a new program to help advertisers feel more secure in their radio ad purchases.

In a first for the industry, Westwood One is giving their ad partners an ROI guarantee, according to AdWeek.

Its partnership with Nielsen proves there’s strong evidence for radio’s positive ROI across multiple brand categories. That partnership connected radio listening with purchasing data, and when combined with Westwood One’s new audience delivery guarantee, the radio network can give its advertisers an ROI guarantee.

With the Westwood One ROI Guarantee program, creative for these commercials will be pre-tested against industry audio creative test norms and Nielsen will measure return on advertising spend on behalf of the radio campaign. Those tests will run across the entire broadcast radio landscape, giving clients a wider scope of the industry.

Suzanne Grimes, evp of corporate marketing of Cumulus Media and president of Westwood One, hopes this will be a step toward brand safety and a more secure metric of performance across radio.

“We’ve been working for the past couple of years to help break some of the myths and misunderstandings of radio,” Grimes told Adweek. “Historically, radio hasn’t been able to step up and participate in discussions of data, insights and confidence. With this new program, we’re able to marry reach of radio and results from our listeners.”



Westwood One currently reaches 245 million listeners each week across 8,000 affiliated broadcast stations and media partners. If the ROI is not positive, clients who qualify for the ROI Guarantee program will receive no-cost supplemental media weight from Westwood One to deliver the guaranteed ROI.

NC Radio: Chris Edge Named SVP/Programming for iHM

Chris Edge
iHeartMedia announced Wednesday that Chris Edge has been named Area Senior Vice President of Programming for Raleigh and Greensboro, effective immediately.

Edge is currently responsible for spearheading the programming strategies for all stations in the Raleigh market, a position he has held for the past five years. As Area Senior Vice President of Programming, he will also oversee programming for iHeartMedia Greensboro’s five stations.

“Chris has had exceptional success in Raleigh and we’re thrilled he’s taking on a larger role for our brands in the area,” said Meg Stevens, Executive Vice President of Programming for iHeartMedia’s Northeast Division. “His leadership skills and dynamic personality make him right for the job.”

“iHeartMedia Greensboro is fortunate to have a fantastic group of radio stations and a great programming and on-air team,” said Bill McMartin, Area President for iHeartMedia’s Virginia-Carolina Region. “I am very excited to have Chris as our Area Senior Vice President of Programming. His experience will only help our team continue to grow and our stations get stronger.”

In 2012, Edge returned to iHeartMedia Raleigh as the Senior Vice President of Programming, where he also serves as an on-air host for 95X, Raleigh’s New Rock Alternative. He previously was Program Director of iHeartMedia Raleigh’s Top 40 WDCG-FM from 1999 to 2003. Edge’s background also includes programming roles at stations in Hartford, Connecticut; Indianapolis, Indiana; and Austin, Texas. In 2016, iHeartMedia named him Senior Vice President of Programming of the Year for the Northeast Division.

“I’m looking forward to collaborating with the team in Greensboro, learning new things from them, and contributing to the long-term success of our brands,” said Edge. “Thank you to the entire iHeartMedia team for affording me this opportunity. I look forward to rolling up my sleeves and getting to work.”

The Turtles Lose Court Battle In Florida

The Florida Supreme Court on Thursday ruled against Flo & Eddie Inc., a company created by the singers, finding Florida common law does not recognize an exclusive right of public performance in pre-1972 sound recordings. According to law.com, that means Sirius XM Radio was not skirting  state law when it broadcast Turtles songs without paying royalties to Flo & Eddie.

“Flo & Eddie essentially asks this court to recognize an unworkable common law right in pre-1972 sound recordings that is broader than any right ever previously recognized in any sound recording,” Justice Charles Canady wrote in a unanimous opinion. “Doing so would require this court to, among other things, ignore the lengthy and well-documented history of this topic — something we decline to do.”

Sirius XM previously settled with Flo & Eddie, which filed class actions in Florida, New York and California on behalf of owners of pre-1972 sound recordings. The settlement, approved by a California federal judge in May, put Sirius XM on the hook for at least $25 million in payments to the class as well as a 10-year license. But the value of the settlement would have been higher if the Florida Supreme Court had ruled in favor of Flo & Eddie.

The question came before the court from Flo & Eddie’s Miami federal case. U.S. District Judge Darrin Gayles in Miami initially ruled for Sirius XM, but the U.S. Court of Appeals for the Eleventh Circuit asked for clarification on Florida law from the state’s justices because there was no case law that directly addressed the issue.

The Florida Supreme Court examined the history of  copyright law, which has long required broadcasters to license songs from the owner of a musical composition, usually the songwriter or publisher. In 1995, federal law began requiring companies like Sirius XM to obtain a license from the owner of the song recording — the performer or the record company — but only for post-1972 song recordings.

The court disagreed with Flo & Eddie’s reliance on a 1943 Florida case involving one magician suing another for copying his public performance. The justices found the case concluded a dramatic composition or intellectual production that is not covered by federal copyright law loses any exclusive right of public performance the moment it’s published.

“Florida common law has never previously recognized an exclusive right of public performance for sound recordings,” Canady wrote. “To recognize such a right for the first time today would be an inherently legislative task. Such a decision would have an immediate impact on consumers beyond Florida’s borders and would affect numerous stakeholders who are not parties to this suit.”

Both litigants had lawyers who once sat on the Third District Court of Appeal: former Judge David Gersten, now with Gordon Rees Scully Mansukhani in Miami, represented Sirius XM, and former Judge Angel Cortiñas of Gunster in Miami represented Flo & Eddie.

Gersten said he was “very pleased” with the court’s opinion.

“It was well-thought-out,” Gersten said. “Justice Canady did a superb job of addressing everything. As I suspected, the district court judge, Judge Gayles, got it right. I think it really settles the issue in the state of Florida. It gets in line certainly with New York. It’s just a good, common-sense opinion.”

Cortiñas did not respond to a request for comment by deadline.

U-S Ad Market Flattens In Q3

U.S. advertising market revenue in the third quarter of 2017 -- and for the month of September -- was virtually flat with the respective periods of a year ago.

Third-quarter media spend was up 0.6% and and September was 1% higher, and for the first nine months of 2017, the U.S. advertising market gained 2.3% over the same period a year ago, says Standard Media Index (SMI).

Digital media continues to be the main positive driver -- gaining 11% in the third quarter and 5% in September. Traditional TV was down 1% for September, and off 11% for the entire third quarter -- largely due to unfavorable comparisons to 2016, when NBC’s Rio Summer Olympics aired.

Only two TV segments showed growth in September -- local TV advertising 14% higher, and national syndication adding 4%.National broadcast was down 5%; national cable networks were off 2%; and local cable sank 12%.

Cable networks saw automotive advertising spending dip 5% lower, while entertainment advertisers in cable were down a massive 275%; and telecommunications were off 11%. Gaining categories include quick-service restaurants were up 7%; beauty marketers were 4% higher; and travel/tourism was 47% more.

Accofrding to MediaPost, virtually all other traditional media was down as well for the month: Magazines lost 16%, newspapers were off 12%, and radio slipped 3%. Only out-of-home media had a uptick, adding 9%.

Fox Welcomes The Ingraham Angle With D-C Party


Laura Ingraham was the toast of Fox News on Wednesday evening as the number-one cable news channel hosted a star-studded bash at a steakhouse just across the street from the U.S. Capitol to celebrate the premiere of “The Ingraham Angle” on Monday, October 30, at 10 p.m.

“It will be great, I’m sure. I’m very confident,” Rupert Murdoch, executive chairman of News Corp., told LifeZette..

He warmed up the crowd by boasting of Fox News' status as the No. 1 cable news channel. Murdoch said the addition of Ingraham will mean the channel has the most female talent of any news channel, and that with the addition of Shannon Bream's 11 p.m. show, Fox News will be live from 6 a.m. to midnight.

Ingraham promised to hear all sides, and said she was grateful to Murdoch for the opportunity to discuss the nation's issues in the 10 p.m. time slot.

"I've always been home but I really feel like I've come home now," said Ingraham, who was hired as a Fox News contributor in 2007. "Tonight, I am exceedingly grateful ... This is going to be a new exciting chapter."

Murdoch, Cruz, Hall
Ingraham, the most listened-to female talk-radio host in the country and a New York Times best-selling author, has made frequent appearances on Fox News over the past decade. In late July she was approached to host a new show in the prime-time lineup. Sean Hannity's show was moved to 9 p.m., and "The Five" was moved back to 5 p.m. in the reshuffling.

Several Fox News heavyweights arrived at the party to toast Ingraham, including Chris Wallace, host of "Fox News Sunday"; Bret Baier, host of "Special Report with Bret Baier"; and Shannon Bream, the news network's night anchor. Peter Doocy, D.C. correspondent for Fox News and son of "Fox & Friends" co-host Steve Doocy, was also there.

The White House sent top advisers to the president Kellyanne Conway and Stephen Miller, along with Mercedes Schlapp, the communications aide handling tax reform issues. Trump's former deputy campaign manager, Dave Bossie, also stopped by.

Longtime friends of Ingraham who were there included Pat Buchanan, Sen. Rand Paul (R-Ky.), and Bill Bennett, the former education secretary under President Ronald Reagan.

Sens. Orrin Hatch (R-Utah), Ted Cruz (R-Texas), and Lindsey Graham (R-S.C.) were there, as were Rep. Mo Brooks (R-Ala.) Grover Norquist, founder of Americans for Tax Reform and former Bush press secretary Ari Fleischer.

The event caps quite a month for Ingraham, who has been on a promotion tour for her new book on the 2016 presidential campaign, "Billionaire at the Barricades: The Populist Revolution from Reagan to Trump."