Saturday, April 26, 2025

Radio History: April 27


➦In 1791...Samuel Morse was born Samuel Finley Breese Morse (Died – April 2, 1872). He was an American painter and inventor.

After having established his reputation as a portrait painter, in his middle age Morse contributed to the invention of a single-wire telegraph system based on European telegraphs. He was a co-developer of the Morse code, and helped to develop the commercial use of telegraphy.

In 1825 New York City had commissioned Morse to paint a portrait of Lafayette in Washington, DC. While Morse was painting, a horse messenger delivered a letter from his father that read, "Your dear wife is convalescent". 

The next day he received a letter from his father detailing his wife's sudden death.   Morse immediately left Washington for his home at New Haven. By the time he arrived, his wife had already been buried.  Heartbroken that for days he was unaware of his wife's failing health and her death, he decided to explore a means of rapid long distance communication.

While returning by ship from Europe in 1832, Morse encountered Charles Thomas Jackson of Boston, a man who was well schooled in electromagnetism. Witnessing various experiments with Jackson's electromagnet, Morse developed the concept of a single-wire telegraph. The original Morse telegraph, submitted with his patent application, is part of the collections of the National Museum of American History at the Smithsonian Institution.  In time the Morse code, which he developed, would become the primary language of telegraphy in the world. It is still the standard for rhythmic transmission of data.

➦In 1927..In Pacific Coast Biscuit Company launched KPCB in 1927 from Seattle.  Queen City Broadcasting took over the station in 1935, changing the call letters to the KIRO.  The station boosted its signal to 1,000 watts in 1937, and CBS soon moved its Seattle affiliation to KIRO. On June 29, 1941, KIRO's new 50,000-Watt transmitter on Maury Island became operational.

During the radio’s golden age in the 1940s and 1950s, KIRO recorded countless hours of CBS programming for time-delayed broadcast.  Many of these discs are the only extant recordings of CBS’ news coverage of World War 2, according to Faded Signals.

Bonneville International purchased KIRO-AM-FM-TV in 1964. By this time, KIRO-AM was carrying a full-service format of news, talk and middle-of-the-road music.  In 1973, it dropped CBS and affiliated with Mutual.  The station became “KIRO Newsradio 71” in 1974, replacing most music programming with news and talk.  The station spent the 1980s, 1990s and 2000s at the top of Seattle’s radio ratings.

On August 12, 2008, KIRO began simulcasting their programming on sister station KBSG-FM, which dropped their long-running classic hits format. This began the transition of KIRO Newsradio from AM to FM.  To complete the transition, KIRO switched to a sports radio format (as 710 ESPN Seattle) on April 1, 2009, and began carrying Seattle Mariners games, beginning in the 2009 season. KIRO also simulcasts the Seattle Seahawks games with KIRO-FM, and has extensive team-related programming throughout the year. KIRO-FM continues the news/talk format.

Bonneville sold KIRO-TV to Belo in 1995 and then sold KIRO-AM-FM to Entercom.  Bonneville bought back the stations in 2007.

➦In 1932...Kemal Amin "Casey" Kasem born in Detroit (Died at age 82 – June 15, 2014).  He was the host of several music radio countdown programs, notably American Top 40 from 1970 until his retirement in 2009. He also provided the voice of Norville "Shaggy" Rogers in the Scooby-Doo franchise from 1969 to 1997, and again from 2002 until 2009.

Artist Claims Wokeism Is 'Killing' Country Music

Benny Johnson and John Rich

Country singer John Rich, known for his work with Big & Rich and as a solo artist, has publicly discussed what he perceives as troubling aspects of the music industry, particularly in Nashville’s country music scene. His comments focus on issues like ideological pressures, censorship, and exploitative practices.

Rich has argued that the country music industry, traditionally seen as conservative-leaning, has been overtaken by liberal ideologies and "wokeism." 

In a 2022 interview with PragerU, he claimed that artists are pressured by publicists, managers, and record labels to avoid expressing conservative views or criticizing progressive ideologies. He stated, “These artists are being told… ‘Don’t even think about putting out a post that pushes against that… No, you cannot record that song because it says this.’”

He suggested that this pressure creates a “threat of cancellation,” discouraging conservative artists from speaking out to maintain their careers, such as securing radio play or award show invitations. Rich emphasized that this dynamic is deeper than cancel culture, as artists self-censor to avoid repercussions.
In 2024, he reiterated that “wokeness” is “killing” country music, claiming iconic figures like Johnny Cash or Loretta Lynn would struggle to succeed in today’s industry due to their unfiltered, authentic voices clashing with current industry norms.

In an interview with X Media influencer Benny Johnson, Rich alluded to manipulative practices in the broader music industry, specifically referencing the case of Sean “Diddy” Combs. He claimed that powerful industry figures “blackmail big talent” to control their actions, stating, “I know people who have been [to those events]… they walked in and ran out. Dark situation.”

Nashville’s music industry is dominated by major labels (e.g., Universal Music Group, Sony Music), radio conglomerates, and award show gatekeepers. These entities prioritize commercial viability, which can lead to pressure on artists to conform to market-friendly themes or avoid controversial stances. Rich’s claims about censorship align with this, but his assertion of a liberal bias is debated, as the industry often caters to its predominantly conservative audience.

The music industry’s history of exploitative contracts, predatory agents, and gatekeeping (e.g., payola scandals, artist blacklisting) aligns with Rich’s broader “dark side” narrative.

Diddy Defense To Argue Combs a Swinger, Not A Rapist


Sean "Diddy" Combs' legal team, led by attorney Marc Agnifilo, revealed their defense strategy for his upcoming sex trafficking and racketeering trial, set to begin with jury selection on Monday, May 5. 

They plan to argue that Combs was living a consensual "swinger" lifestyle, not engaging in the criminal acts alleged by federal prosecutors. Agnifilo stated in a Manhattan federal court hearing that Combs believed his participation in group sexual activities, referred to as "freak offs," was acceptable within the swinger community, emphasizing that such a lifestyle is common and does not equate to rape or trafficking. 

He argued that Combs' intent was not criminal, as he thought these activities were consensual.

During the same hearing, prosecutors disclosed that Combs rejected a plea deal, the terms of which were not publicly detailed. This decision indicates Combs' intent to fight the charges at trial, facing potential life imprisonment if convicted. The judge, Arun Subramanian, ruled that Combs' lawyers could present the swinger argument but barred them from naming other prominent figures allegedly involved in similar lifestyles or who hired sex workers, to avoid prejudicing the trial.

Combs, arrested on September 16, 2024, faces charges of sex trafficking, racketeering conspiracy, and transportation to engage in prostitution, with allegations dating back to 2008. 

Prosecutors claim he coerced women into sexual performances with male sex workers, using drugs, threats, and violence to ensure compliance. A 2016 hotel security video showing Combs assaulting his ex-girlfriend Cassie Ventura was ruled admissible as evidence, despite defense claims of manipulation. Combs has pleaded not guilty and remains detained at Brooklyn’s Metropolitan Detention Center after multiple bail denials.

The defense’s strategy hinges on portraying Combs’ actions as consensual within a specific lifestyle, challenging the prosecution’s narrative of coercion and abuse. This approach comes amid numerous civil lawsuits and allegations from over 100 accusers, including claims of sexual assault and abuse spanning decades, which Combs denies.

Twin Cities Radio: Paul Charchian Is Leaving KFAN

Paul Charchian

Longtime Minnesota radio personality Paul Charchian is leaving KFAN after over 30 years to relocate to Utah with his wife, seeking a new chapter in life. Announcing his departure on Friday, Charchian expressed mixed emotions about leaving behind loved ones and a storied career but felt the timing was right to explore new adventures, like hiking and camping, while still young.

"I'm scared to leave the people I love, but I feel it's time to try something new," Charchian said. "Minnesota is great, but if it doesn't work out, I'll come crawling back."

Known for founding fantasy sports ventures like Guillotine Leagues, Charchian has been a key KFAN contributor, particularly alongside "9-to-Noon" host and Vikings announcer Paul Allen for over 15 years. Their collaboration shone during the "Friday Football Feast," a long-running tradition broadcasting from Twin Cities Buffalo Wild Wings.

An emotional Paul Allen marked the end of an era, saying, "Paul Charchian is leaving behind a multi-decade legacy at KFAN. I’m going to miss you and thank you for everything you’ve contributed."


Charchian called the decision the hardest of his life, reflecting on the bonds built over years of broadcasting with Allen. "Leaving friends and the chance to spew nonsense on 100,000 watts of radio is tough," he said. "Spending three hours a week with you for 15 years—those are times I can never have again anywhere else."

Charchian did not specify any future role with KFAN. The full announcement can be viewed in the video segment.

Music Acts Disappearing From Late Night TV


The decline of musical performances on late-night television is a notable trend, driven by changes in viewership, budgets, and cultural shifts.

Data from Consequence shows that musical act bookings on late-night TV have plummeted since their peak of over 800 annually between 2011 and 2013. By 2023, bookings dropped to around 200, well below even pandemic-era levels.

Shows like Late Night with Seth Meyers have eliminated musical guests entirely, following budget cuts that led to the dismissal of its house band, led by Fred Armisen, in June 2024. The Late Show with Stephen Colbert has also scaled back, booking only 50 musical performances in 2023 compared to over 150 annually under David Letterman.

Shifting Viewer Habits: The rise of streaming platforms and social media has reduced the cultural relevance of late-night TV. Many viewers prefer watching highlights on YouTube or TikTok the next morning rather than tuning in live, diminishing the live broadcast’s impact. Younger audiences, who are key for new music discovery, are less likely to watch traditional TV, opting instead for platforms like Tiny Desk Concerts or KEXP sessions, which offer more songs and creative freedom without the high production costs of TV.

Budget Constraints: Shrinking audiences have led to reduced budgets for late-night shows. Musical performances are costly, with expenses ranging from $150,000 to $225,000 per act, and up to $700,000 for high-profile slots like Saturday Night Live. These costs include creative directors, stylists, and production elements, which are harder to justify with declining viewership.

Comcast Compensation For CEO Brian Roberts Took a Hit in 2024


Comcast Chairman and CEO Brian Roberts saw his total compensation decrease by approximately 4.5% to $33.9 million, down from $35.5 million in 2023, according to Comcast’s proxy statement filed with the SEC on Friday. 

Brian Roberts
The 2024 pay package included a base salary of $2.5 million, stock awards valued at $17.9 million, option awards worth $5.75 million, a $7.5 million cash bonus, and $200,483 in other compensation, primarily $190,483 for personal use of company-provided aircraft. The reduction aligns with a 14% drop in Comcast’s stock price in 2024, despite the company reporting increased revenue, earnings, and adjusted net income, though free cash flow declined by 3%.
 
Comcast praised Roberts for providing “invaluable long-term vision and stability” amid competitive challenges, as noted in the proxy statement. 

The filing also disclosed that Comcast President Michael Cavanagh’s compensation similarly dipped by 4.5% to $28.3 million. Meanwhile, other executives like CFO Jason Armstrong saw a 30% pay increase to $15.1 million. The compensation adjustments come as Comcast prepares to spin off its cable network portfolio, including MSNBC, into a new entity called SpinCo by the end of 2025, a move aimed at focusing on growth areas like streaming and theme parks.

NBC, MSNBC In Tug-of-War Over William Geist

NBC, MSNBC's William Geist

Comcast is splitting NBC News and MSNBC, with the latter set to lead a new company, SpinCo, alongside USA, CNBC, and E!. NBC News will stay with NBCUniversal, retaining its core programming but losing some familiar faces.

As the networks divide on-air talent, most anchors must choose one or have the decision made for them, according to Politico.

Willie Geist, host of Morning Joe and weekend Today, is a standout exception. 

Deemed too valuable by both networks, staffers say NBC News and MSNBC have agreed to share the 49-year-old anchor, avoiding a tug-of-war at 30 Rockefeller Center, where MSNBC will relocate within the complex.

Other moves include MSNBC’s Steve Kornacki and Andrea Mitchell shifting to NBC News, while Jose Diaz-Balart, whose show was based at MSNBC’s soon-to-close Miami studio, is also leaving. Stephanie Ruhle will stay with MSNBC but may lose her NBC News senior business analyst title and Today guest spots. Today’s Jacob Soboroff is likely headed to MSNBC, favored by its leadership.

Staffers told Politico that most talent MSNBC wants are those NBC News is willing to let go, with Geist as the sole anchor both fiercely desire. The spinoff, months away, continues to reshape both networks’ rosters.

Huge Payout For Ex-Paramount Boss Bob Bakish In 2024


In 2024, former Paramount Global CEO Bob Bakish's total compensation surged 178% to $86.96 million, up from $31.3 million in 2023, according to the company’s SEC filings. 

This dramatic increase was largely driven by a $69.3 million severance package following his exit as CEO in April 2024. 

Bob Bakish
The severance included $6.2 million in salary continuation, $24.8 million in bonus continuation, a $10.36 million pro-rated bonus, $27.81 million in accelerated equity awards, and smaller amounts for benefits and outplacement assistance. 

Beyond severance, Bakish’s 2024 pay comprised a $2.61 million base salary, $15.08 million in stock awards, $10.4 million in non-equity incentive compensation, and $58.9 million in “other” compensation, which included pension value changes.

Bakish stepped down amid tensions with controlling shareholder Shari Redstone and Paramount’s board, particularly over his opposition to a merger with Skydance Media, which he believed would dilute shareholder value. 

He remained a senior advisor until October 31, 2024, earning a monthly salary of $258,333 during this transition. His departure coincided with Paramount’s shift to an “Office of the CEO” led by George Cheeks, Chris McCarthy, and Brian Robbins, who earned $22.2 million, $19.5 million, and $19.61 million, respectively, in 2024.

Redstone Due Huge Severance When Paramount-Skydance Deal Closes


In 2024, Shari Redstone, the non-executive chairwoman and controlling shareholder of Paramount Global, received a total director compensation of $523,387, making her the fourth highest-paid member of Paramount’s board of directors. 

This information comes from an amended 10-K filing with the U.S. Securities and Exchange Commission. 
Her compensation package included:
  • $300,000 in fees.
  • $198,227 in stock awards.
  • $160 reflecting a change in pension value and non-qualified deferred compensation earnings.
  • $25,000 in “other” compensation, which consisted of matching contributions for donations made to eligible tax-exempt organizations on her behalf by Paramount in 2024.
The Paramount board collectively received $3.8 million in compensation for the year. Redstone’s compensation reflects her role as a non-executive director, and she is set to exit the board following the completion of Paramount’s $8 billion merger with Skydance Media, expected to close in the first half of 2025. Under this merger, Skydance will acquire National Amusements, Redstone’s family holding company, which controls 77.4% of Paramount’s Class A voting stock.

Additionally, reports indicate Redstone is in line to receive significant financial benefits from the merger. She holds a 20% stake in National Amusements, potentially yielding around $350 million from its sale, along with $180 million in severance and benefits. 

Crackdown: A-G Bondi Puts Journalists On Notice


Attorney General Pam Bondi on Friday announced that federal authorities may resume seeking reporters’ phone records and compelling their testimony in leak investigations, overturning a Biden administration policy designed to shield journalists from intrusive efforts to identify and prosecute leakers.

In an internal Justice Department memo, Ms. Bondi justified the policy shift as essential to protect “classified, privileged, and other sensitive information”—a broader category of government secrets than those covered by criminal laws, which primarily prohibit sharing classified information.

Since 2017, President Trump has frequently criticized leaks of various kinds. He himself faced a dismissed criminal indictment for allegedly mishandling classified information after leaving office.

First Amendment advocates, anticipating Mr. Trump’s adversarial stance toward the press, expected his administration to repeal Biden-era journalist protections. However, the memo’s vague language suggests a potentially broader approach beyond merely reinstating prior policies.

The NY Times reports Ms. Bondi’s memo stated that federal prosecutors would “continue to employ procedural protections” to limit the use of compulsory legal processes against journalists, such as requiring senior Justice Department approval for court orders. Specific protections were not detailed.

The Justice Department, Ms. Bondi emphasized, “will not tolerate unauthorized disclosures that undermine President Trump’s policies, victimize government agencies, and cause harm to the American people.” Even for investigations extending beyond classified information, prosecutors would need to persuade judges that a crime may have occurred to obtain a warrant.

Sydney Station Confirms Use of AI Radio Personality


Sydney’s CADA 96.1 FM radio station, owned by the Australian Radio Network (ARN), faced significant backlash after it was revealed that its show Workdays with Thy, airing weekdays from 11 AM to 3 PM, was hosted by an AI-generated persona named “Thy” for six months without listener disclosure. The controversy, which surfaced in April 2025, sparked debates about transparency, ethics, and diversity in media.

“Thy” was presented as a real human host, with promotional materials featuring a single image of a young Asian woman and a show description encouraging listeners to engage with her for a “vibe” to lift their mood. The show, which began in November 2024, played hip-hop, R&B, and pop, reaching an estimated 72,000 listeners based on March 2025 ratings.

Thy was created using ElevenLabs, a generative AI audio platform that converts text into lifelike speech. Her voice and likeness were modeled after a real ARN employee from the finance department, though it’s unclear if the employee was compensated or fully consented to the use of her identity.

Journalist Stephanie Coombes raised suspicions in her newsletter The Carpet after noting Thy’s lack of a last name, biography, social media presence, or any public footprint beyond a single photo on CADA’s website. Her investigation revealed identical voice patterns in phrases like “old school,” confirming Thy was AI-generated.

Teresa Lim, Vice President of the Australian Association of Voice Actors, called the deception “extremely disappointing,” emphasizing that “authenticity and truth are so important for broadcast media.” She advocated for mandatory AI labeling to prevent unregulated AI voices dominating airwaves.



ARN confirmed Thy was an AI experiment, with a spokesperson stating they were “trialling AI audio tools” to explore how new technology could “enhance the listener experience.” They claimed the trial provided “valuable insights” but also “reinforced the power of real personalities in driving compelling content.”

Zoom Event To Unveil Groundbreaking Christian AI Chat Assistant


Christian FM Media Group is hosting a free virtual webinar to introduce Contemporary Christian radio professionals to a new AI-powered tool tailored for faith-based media. The session will showcase a Christian AI Chat Assistant developed by Gloo, designed to enhance listener engagement and streamline station operations.

Scheduled for Tuesday, April 30 at 12 PM ET via Zoom, the webinar aims to equip stations with “practical support” amid tight budgets and limited staffing. Organizers highlight the AI’s ability to manage tasks like answering listener queries, providing scripture insights, handling prayer requests, and supporting donor engagement.

Christian FM notes that the assistant operates 24/7, costs $1–2 per hour, and can interact with hundreds of users simultaneously. It complements staff by handling repetitive tasks and flagging messages requiring human attention.

Key features include:
  • Real-time responses to station and song inquiries
  • Interaction with prayer walls and donor systems
  • Management of music requests, contests, and follow-ups
  • Scriptural references and explanations
  • Listener insights for programming and fundraising
The webinar will feature a live Q&A and an undisclosed “major bonus” for attendees. The tool will also be discussed at the upcoming CMB Momentum conference, but Christian FM encourages station leaders to preview it on April 30.

Radio History: April 26


➦In 1916...Vic Perrin born (Died of cancer at age 73 – July 4, 1989). He was a  radio, film, and television actor, perhaps best remembered for providing the "Control Voice" in the original version of the television series The Outer Limits.  He was also a radio scriptwriter as well as a narrator in feature films and for special entertainment and educational projects, such as the original Spaceship Earth ride at Epcot at the Walt Disney World Resort in Florida.

During the 1940s and 1950s, Perrin was a regular performer on many commercial radio programs. In 1941 he became a staff announcer for NBC, staying there for several years before moving to ABC and becoming chief announcer at the Blue Network.  His first credited role came in 1943, when he served as the announcer for "The Last Will and Testament Of Tom Smith", a radio episode of Free World Theatre, which was produced and directed by Arch Oboler.  He narrated too "A Star With Two Names", part of the segment "Behind The Scenes Hollywood Story" of The Hollywood Music Hall radio program. At the same time, he joined Charles Laughton's theatrical repertory group.

Perrin was also a regular guest star on the radio version of Gunsmoke, and he wrote or co-wrote five scripts for that popular Western series between 1959 and 1961.  Perrin was a series regular as well on the anthology radio drama Family Theatre, played Ross Farnsworth on One Man's Family, and was featured as cavalry trooper Sergeant Gorse in Fort Laramie in 1956. He performed too as several characters in Escape, Pete Kelly's Blues, Dragnet, Yours Truly, Johnny Dollar, and Have Gun – Will Travel. In an uncredited role, he also impersonated Clyde Beatty on The Clyde Beatty Show.

He played supporting roles on TV, many of them as a voicist on cartoons, for more than 30 years.

➦In 1921…Radio station WEW was the first to broadcast weather news and forecasts.

Saint Louis University established the station 9YK around 1912, using Morse code to communicate seismological and weather information.

Brother George E. Rueppel, assistant director of the Meteorological Observatory at SLU, worked with 9YK before he founded WEW in 1921.

Audio transmissions began at 10:05 a.m. on April 26, 1921; the first voice heard was SLU president Rev. William Robison. The station received radio license #560 to broadcast on 618.6 kHz (wavelength 485 meters) as WEW on 23 March 1922.

➦In 1924...WHO Des Moines is believed to have signed-on, although the actual on-air start date is in dispute.

A WHO memo from June 14, 1951 states that the first broadcast was on April 10, 1924; this is contradicted by Barry Mishkind Database which states that the First Broadcast License was effective on April 10, 1924 (the FCC's records indicate that the license took effect on April 15, 1924) with the first broadcast on April 26, 1924.

Friday, April 25, 2025

Major News Outlets Plan To Cover Funeral of Pope Francis


Pope Francis’ funeral, set for Saturday, April 26, 2025, at 10 a.m. local time (4 a.m. ET) in St. Peter’s Square, Vatican City, has prompted major U.S. news outlets to deploy comprehensive coverage plans.


Here is a detailed overview of how ABC, CBS, NBC, Fox News, CNN, and other major news outlets are preparing to cover the event, based on the latest available information.

ABC News
  • Coverage Details: ABC News will broadcast Celebrating Francis: The People’s Pope, starting at 3:30 a.m. ET, live from St. Peter’s Square. David Muir will anchor, joined by Deborah Roberts, chief international correspondent James Longman, senior national correspondent Terry Moran, foreign correspondent Maggie Rulli, and reporters Ines de La Cuetara, Mike Marza, and David Ono. Contributors include Father Jim Martin, Father John Wauck, and Helen Alvaré for theological and cultural insights.
  • Platforms: Coverage will air on ABC’s 24/7 streaming channel, ABC News Live, Disney+, and Hulu. A live blog on ABCNews.com will provide real-time updates from the Vatican.
  • Additional Context: ABC has been reporting on-site, with correspondent Peter Reevell covering the 250,000 mourners who paid respects over three days. The network emphasizes Francis’ legacy as a reformist pope.
CBS News
  • Coverage Details: CBS News begins coverage at 3:45 a.m. ET, anchored by Norah O’Donnell and John Dickerson from a rooftop overlooking St. Peter’s Basilica and the Sistine Chapel. Correspondents Chris Livesay and Seth Doane will report, with analysis from Vatican expert Delia Gallagher, Father Anthony Figueiredo, and Crux editor John Allen. A replay of O’Donnell’s April 2024 interview with Pope Francis will air at midnight Arizona time (3 a.m. ET).
  • Platforms: The funeral will air on CBS television stations, CBS News 24/7, and stream on the CBS News app and CBSNews.com, with a replay at 7 a.m. ET.
  • Additional Context: CBS highlights the funeral’s blend of Catholic tradition and Francis’ request for simplicity, such as using a single wooden coffin.
NBC News
  • Coverage Details: NBC News will provide live coverage starting just before 4 a.m. ET, focusing on the funeral Mass and its historical significance. Specific anchors were not detailed in initial reports, but correspondents like Kelly Cobiella, who covered the Vatican’s preparations, are expected to contribute. Coverage will include insights into Vatican rituals and the upcoming conclave to elect a new pope.
  • Platforms: The funeral will stream on Peacock and air on NBC platforms, including NBC News NOW and NBCNews.com.
  • Additional Context: NBC has emphasized the global attendance, including U.S. President Donald Trump and former President Joe Biden, and the funeral’s role as a diplomatic stage.
Fox News
  • Coverage Details: Fox News starts coverage at 3 a.m. ET, anchored by Martha MacCallum from Rome. A special, The Funeral of Pope Francis, will begin at midnight Arizona time (3 a.m. ET), with Jonathan Savage reporting on-site. The network will cover the funeral’s geopolitical implications, given the presence of 130 foreign delegations.
  • Platforms: Coverage will span Fox News Channel, Fox News Audio, Fox News Digital, and Fox Nation, with a livestream on FOXNews.com and Fox Nation from 3–7 a.m. ET. Fox News Radio will provide regular updates.
  • Additional Context: Fox News has framed the event as a moment of global unity, with a focus on Francis’ impact on conservative Catholic audiences.
CNN
  • Coverage Details: CNN’s special, The Funeral of Pope Francis, begins at 3 a.m. ET (9 a.m. CET), anchored by Anderson Cooper. Vatican correspondent Christopher Lamb and chief international correspondent Clarissa Ward will provide analysis. Coverage will extend until 5 a.m. Arizona time (8 a.m. ET).
  • Platforms: The funeral will air on CNN, CNN International, CNN en Español, CNN.com, CNN apps, and Max, ensuring global reach.
  • Additional Context: CNN has been covering Vatican logistics, including the sealing of Francis’ coffin on April 25, and will highlight his legacy as “The People’s Pope.”
Other Major News Outlets
  • BBC News (International): As a global leader in news, BBC News will cover the funeral starting at 1 a.m. ET with Maryam Moshiri, transitioning to Reeta Chakrabarti at 4:30 a.m. ET for the Mass. Coverage will air on BBC World News and stream on BBC.com, focusing on the Vatican’s traditions and Francis’ global influence.
  • The Associated Press (AP): AP is providing extensive written and photographic coverage, reporting on the 250,000 mourners and logistical details like the funeral’s simplified rites. While not a broadcast outlet, AP’s feeds will supply content to other networks.
  • The New York Times: The Times is covering the funeral through in-depth journalism, with articles on Vatican preparations, the conclave, and Francis’ burial at the Basilica di Santa Maria Maggiore. It does not offer live broadcasts but will provide real-time updates on NYTimes.com.
  • NPR (National Public Radio): NPR will offer radio coverage, including live updates and analysis from Vatican correspondent Sylvia Poggioli or other religion reporters. Streaming will be available on NPR.org and the NPR app, focusing on Francis’ social justice legacy.

FCC, Paramount Talking About Skydance Deal


The FCC has initiated talks with Paramount Global regarding the steps needed to gain approval for its proposed merger with Skydance Media, according to The Wall Street Journal citing sources familiar with the matter. 

One condition said to be under discussion is Paramount’s commitment to refrain from certain corporate diversity, equity, and inclusion (DEI) initiatives. 

FCC Chairman Brendan Carr has pushed for media and telecom companies to scale back DEI policies as a prerequisite for merger approvals. The Paramount-Skydance deal, which involves transferring CBS’s broadcast television licenses, has been under FCC scrutiny for months with little progress.

Carr has indicated that a third-party complaint about alleged news distortion in a 60 Minutes interview with Kamala Harris in 2024 could influence the FCC’s review. Separately, Paramount is navigating a lawsuit filed by President Trump against CBS News, alleging the network edited the Harris interview to favor her 2024 presidential campaign. Initially seeking $10 billion in damages in October 2024, Trump increased the claim to $20 billion in February 2025. Mediation for this case is set to begin the following week.

The recent dialogue between Paramount and the FCC marks a small step in a lengthy process, complicated by Trump’s public criticism of Paramount. Shari Redstone, Paramount’s nonexecutive chair and controlling shareholder, supports settling the Trump lawsuit, believing it could facilitate merger approval. Redstone has also publicly criticized some CBS News and 60 Minutes coverage.

Earlier this week, 60 Minutes Executive Producer Bill Owens announced his resignation, citing a loss of editorial independence. Inside CBS News, some oppose settling with Trump, particularly if it involves an apology, fearing it could be perceived as a concession. Additionally, certain Paramount executives and directors worry that a settlement might be interpreted as an attempt to influence a public official, potentially exposing them to legal risks.

New Survey: Global Podcast Listening Is Maturing


YouGov's data on podcast listenership suggests a stabilization in audience engagement, reflecting a maturing medium that continues to hold strong appeal globally. 

YouGov findings and related insights:
  • According to YouGov's 2024 Global Profiles data, 40% of consumers across 47 markets listen to podcasts for more than one hour per week, with 10% listening for over 10 hours weekly. This indicates a consistent engagement level, particularly among regular listeners.
  • In the U.S., YouGov reports that 56% of Americans listened to podcasts in 2023, up from 46% in 2021, with 22% listening for 5+ hours per week. This growth has leveled off, suggesting a stable but engaged audience base.
  • In the UK, 50% of respondents in 2022 reported listening to podcasts in the past year, compared to a global average of 61%. While growth is slower in the UK, listenership remains steady, particularly among younger demographics.
  • Younger audiences, particularly Gen Z and Millennials (18-34 years), drive podcast consumption. In the U.S., 27% of 18-34-year-olds listen daily, and 26% listen weekly, with similar trends globally.
  • Gender splits vary slightly; for example, in the UK, 58% of listeners are male, and 42% are female. Women are more likely to listen while doing chores (55% vs. 43% for men), while men favor listening during workouts (32% vs. 26%).
  • Older demographics (55+) show lower engagement, with 61% of Australians aged 55+ reporting no podcast consumption, indicating stability but limited growth in this group.
  • YouGov highlights that podcasts are consumed during multitasking activities, reinforcing their integration into daily routines. Common situations include household chores (49%), commuting (42%), working out (29%), and cooking/baking (29%). This consistency in listening contexts supports stable engagement.

Alphabet Reports Stronger-Than-Expected Revenue Growth


Alphabet Inc, Google's parent company, reported strong first-quarter 2025 earnings, surpassing analyst expectations. However, uncertainty surrounding the impact of tariffs proposed by the Trump administration on the second quarter raised concerns among investors and analysts. 

Alphabet's Q1 2025 Earnings Highlights

  • Earnings Per Share (EPS): $2.81, beating estimates of $2.01, a 49% year-over-year (YoY) increase.
  • Total Revenue: $90.23 billion, exceeding estimates of $89.1 billion, up 12% YoY (14% in constant currency).
  • Revenue Excluding Traffic Acquisition Costs (Ex-TAC): $76.49 billion, surpassing estimates of $75.4 billion, up 13% YoY.
  • Google Services Revenue: $77.3 billion, up 10% YoY, with YouTube advertising revenue growing 14% to $8.93 billion (slightly below estimates of $8.94 billion).
  • Google Cloud Revenue: $12.26 billion, up 28.1% YoY but below estimates of $12.32 billion, with growth slowing from 30.1% in Q4 2024.
  • Operating Income: $30.6 billion, up 20% YoY, with an operating margin expansion of 2 percentage points to 34%.
  • Net Income: $34.5 billion, up 46% YoY.

The rollout of Gemini 2.5 boosted AI engagement, and combined Google One and YouTube subscriptions reached over 270 million. Alphabet's stock rose approximately 4-5% in after-hours trading, reflecting investor confidence in the results.

While Alphabet's Q1 performance was strong, the potential impact of tariffs proposed by the Trump administration, which took effect in early 2025, remains a significant concern for the second quarter. 

The Trump administration implemented tariffs, including 25% on imports from Canada and Mexico (effective March 4, 2025, with some exemptions until April 2), 20% on Chinese imports (increased from 10% on March 4), and potential tariffs on semiconductors, pharmaceuticals, and the European Union. These tariffs are projected to raise the U.S. average effective tariff rate to 11.3%, the highest since 1943, and could increase consumer prices and reduce GDP.

Houston Radio: Nash Icon 104.1-HD2 Now Airing


Cumulus Media announces that it has launched Houston’s newest Country station, Nash Icon 104.1 KRBE-HD2, bringing the most iconic Country music from the 80s, 90s, early 2000s, and today to Houstonians. 

Nash Icon features today’s biggest artists, along with Country’s Kings and Queens including Blake Shelton, Carrie Underwood, Luke Combs, Alan Jackson, Reba McEntire, Garth Brooks, and Texas’ own King of Country Music, George Strait. The station was previously formatted as Classic Hits station, “Good Time Oldies.”

 Leslie Whittle, 104.1 KRBE and Q99.7 Regional Content Director, Cumulus Houston and Atlanta, said: “Houston clearly has an appetite for Country music, and we’re delivering the very best Country music has to offer. If you went to the Houston Rodeo in the Astrodome, this is the station for you. Long live the ICONS of Country music on their new home at Nash Icon 104.1 KRBE-HD2!"

Trump Not Happy With Fox News Polling


President Donald Trump publicly criticized Fox News and its owner, Rupert Murdoch, via a Truth Social post after the network aired a poll revealing his declining economic approval ratings. 

The Fox News poll, conducted April 18-21 with 1,104 registered voters, showed Trump’s overall job approval at 44%, down five points from March, and his economic approval at a record low of 38%, with 56% disapproving. The poll highlighted public skepticism about Trump’s tariff policies, with 72% believing tariffs would raise product costs and 55% saying they hurt the economy.


Trump’s outburst targeted Murdoch’s “Trump-hating, fake pollster,” claiming the pollster consistently misrepresented him and his MAGA base. He also criticized The Wall Street Journal, another Murdoch outlet, as “China-loving” and urged changes. This marked only his second attack on Fox News during his second term, escalating his grievances to Murdoch himself.

Shannon Sharpe On Leave From ESPN


Shannon Sharpe, a Pro Football Hall of Famer and ESPN contributor, announced Thursday he is temporarily stepping away from his ESPN duties, specifically his role on First Take, amid a $50 million civil lawsuit filed against him in Clark County, Nevada. 

The lawsuit, filed on Sunday, April 20, 2025, by a woman identified as Jane Doe, accuses Sharpe of rape, sexual assault, battery, and intentional infliction of emotional distress during a nearly two-year relationship that began in 2023.

The plaintiff, who was 19 or 20 when she met Sharpe at a Los Angeles gym in 2023 (Sharpe was 54 or 56), alleges that their initially consensual relationship became "rocky" and manipulative. She claims Sharpe exhibited controlling behavior, including demanding control over her time and body, and became verbally abusive and violent. 

Pew: Americans Concerned About Press Freedoms

Most Americans continue to be concerned about potential restrictions on press freedoms in the U.S., according to a Center survey conducted Feb. 24-March 2. But there have been major shifts in partisan views since Trump retook office in January. 

In 2024, during the Biden administration, 47% of Republicans and independents who lean Republican said they were extremely or very concerned about restrictions on press freedoms. Fewer Democrats and Democratic leaners (38%) said the same. 

Under the new Trump administration, a majority of Democrats (60%) are highly concerned about press freedoms – about double the share of Republicans (28%).


Americans who have been paying closer attention to news about the actions and initiatives of the Trump administration are more likely to be concerned about potential restrictions on press freedoms. Among those who say they have been following this news very or fairly closely, about half (49%) say they are extremely or very concerned.

Those who have not been following this kind of news closely are less concerned. About three-in-ten (29%) express high levels of concern about press freedoms.

ABC Bracing For Potential Strahan-Ripa Conflicts

7 Hudson Square: Locations of New ABC Studios

The New York Post has published a story claiming "ABC staffers bracing for meltdown with rivals Michael Strahan, Kelly Ripa forced back under same roof: sources." The story goes on to detail tensions at ABC as former Live! with Kelly and Michael co-hosts Kelly Ripa and Michael Strahan are set to work in close proximity again due to ABC’s consolidation of its studios. 

Happier Times
The article draws on insider sources to highlight the ongoing rift between the two TV personalities, nearly a decade after their high-profile fallout in 2016, and the network’s efforts to manage potential conflict.

ABC is moving its flagship programs, including Live with Kelly and Mark (hosted by Ripa and her husband, Mark Consuelos) and Good Morning America (where Strahan is a lead anchor), to a new, state-of-the-art headquarters in downtown Manhattan. 

The article revisits the 2016 fallout when Strahan abruptly left Live! to join Good Morning America full-time. Ripa was reportedly blindsided by the announcement, learning of it just before it went public, which led her to take a week-long hiatus from the show in protest. The incident sparked a public feud, with Ripa feeling humiliated and betrayed, while Strahan later claimed he was not at fault, stating the network mishandled the situation. Sources say the two have not spoken since, and their relationship remains “icy.”

 ABC executives are reportedly “scrambling” to prevent awkward encounters between Ripa and Strahan, fearing a “meltdown” that could disrupt the workplace or generate negative publicity. A network producer cited in the article states, “If you’re hoping for a surprise selfie or reconciliation, keep hoping. This isn’t going to be a warm reunion. This is two professionals keeping it strictly business.”

The consolidation of studios reflects ABC’s strategy to streamline operations, but it risks reigniting old tensions. The network’s efforts to keep Ripa and Strahan apart suggest a proactive approach to damage control, but the article implies that any misstep could fuel tabloid coverage or affect staff morale.

Edison: Radio Reaches Beyond The Receiver


Despite the rise of digital audio platforms, Americans aged 13 and older still dedicate the largest share of their daily audio time to AM/FM radio, which accounts for 35% of total audio consumption.
 
AM/FM radio has embraced streaming, enabling listeners to access content via smartphones, computers, connected TVs, and smart speakers, offering convenience similar to YouTube, music streaming, and podcasts. According to Edison’s Share of Ear® data from Q1 2025, 12% of AM/FM radio listening occurs through streamed sources, while the remaining 88% is via traditional over-the-air receivers.

Listening location significantly influences streaming’s share of AM/FM radio time. In cars, where AM/FM radio dominates, only 1% of radio listening is streamed, with over-the-air broadcasts prevailing. At work, streamed AM/FM radio accounts for 16% of radio time, and at home, it rises to 22%. The highest share of streamed AM/FM radio occurs in “other” locations—like grocery stores, gyms, or while walking—where nearly one-third of radio listening is via streams.

Share of Ear® offers detailed insights into how, where, and when people engage with audio platforms, providing a comprehensive view of audio consumption trends.

Wichita Radio: Dave Wilson Gets Wake-Up Duty At KEYN-FM

 

Audacy announces Dave Wilson as morning show host on 103.7 KEYN in Wichita. Wilson will be heard weekdays from 6:00 a.m. to 10:00 a.m. CT beginning Monday April 28.

“With over three decades of experience in radio, Dave has consistently shown a commitment to enhancing the listeners’ experience and connecting with his local community,” said Becky Domyan, Senior Vice President and Market Manager, Audacy Wichita and St. Louis. His passion, energy and dedication make him the perfect voice to start the day for Wichitans, and we’re excited to have him take the reins.”

Dave Wilson
“I have been extremely grateful to have had the chance to be on this iconic Wichita radio station for the past five years in various dayparts,” said Wilson. “Now, I am so excited to host KEYN mornings full-time and help our listeners start their day.” 

Wilson began his radio career as the Operations Manager in 1989 at sister station KNSS (KNSS-AM/FM). Over the years, he’s held key roles across several media companies, including News Director, News Reporter and Program Director. This move marks Wilson’s return to morning radio, as he previously co-hosted KTLI’s morning show from 2001 to 2004.

Listeners can tune in to 103.7 KEYN (KEYN-FM) in Wichita on air and nationwide on the Audacy app and website. Fans can also connect with the station via X, Facebook and Instagram. 

Twin Cities Radio: Tom Barnard To Exit Podcast


Tom Barnard, a legendary Minneapolis radio personality, announced he will step away from The Tom Barnard Podcast in November 2026, handing the show to his children, Andy and Alex Barnard. 

After a 37-year tenure hosting the morning show at KQRS-FM, where he earned accolades like the 2006 Marconi Award and inductions into the National Radio Hall of Fame (2017) and Minnesota Broadcasters Hall of Fame (2018), Barnard transitioned to podcasting with Hubbard Radio in 2023 following his controversial exit from KQRS in December 2022. 

Cumulus Media, KQRS’s parent company, called it a “retirement,” but Barnard claimed he was forced out without severance despite decades of top ratings.

The podcast, airing live weekdays from 7-10 a.m. CT with on-demand streaming, features Barnard, his wife Kathryn, and their children, focusing on humor and guest interviews. Despite a loyal fanbase, Barnard expressed discomfort with podcasting, citing less support compared to radio and a lack of enthusiasm, though fans urged him not to quit. 

Barnard’s career began in 1971, with early stints at WDGY and KSTP, where he was known as “The Catman.” His KQRS show, peaking as the nation’s highest-rated morning program in the 1990s, was known for its candid humor but stirred controversy when he shifted to political commentary post-9/11, costing him his moderate reputation and voiceover work. His podcast aimed to return to comedy roots, but Barnard, now 73, will continue hosting until November 2026, with no firm plans beyond that.

S-F Radio: Longtime Reporter Doug Sovern Retires At KCBS Radio


After 35 years on air, veteran KCBS reporter Doug Sovern is retiring from broadcasting to focus on family and writing, he announced Thursday on social media. 

Sovern, who joined KCBS in 1990 after working at K-101 and KGO, began his Bay Area journey in 1985 as a bassist for Nice Boys From New York. 

As KCBS’s political reporter, he covered major events like the 1992 Los Angeles riots, the Tour de France, and every presidential campaign during his tenure, interviewing top candidates from both parties. 

A 2017 Bay Area Radio Hall of Fame inductee, Sovern earned multiple Edward R. Murrow Awards. Since 2020, he has co-hosted KCBS’s “The State of California,” a weekday political talk show at 3:30 p.m. 

An accomplished fiction writer, Sovern has Pushcart Prize-nominated short stories and is working on a novel, All Great and Precious Things, set for release in 2026. 

His final “State of California” episode airs April 30.

Nashville Radio: 103.3 Country, 95.5 NASH ICON Host CMA Fest Week


Country music fans, get ready to kick off CMA Fest week in style! Cumulus Media’s Nashville Country radio stations 103.3 Country (WKDF-FM) and 95.5 NASH ICON (WSM-FM) have partnered with AEG Presents to bring a packed line-up of star-studded Country hitmakers for its popular annual “Country Kickoff Concert.” 

The concert will be held at downtown Nashville’s rooftop stage, Skydeck on Broadway (5055 Broadway Pl., Nashville, TN) on Tuesday, June 3, 2025. This unforgettable night of live music will feature performances by Country superstars Justin Moore, Brothers Osborne, rising sensation Dasha, and breakout artist Preston Cooper.

Set against the vibrant backdrop of downtown Nashville, Skydeck will come alive with the energy and spirit of Country music. Whether you’re a longtime fan or discovering your next favorite artist, this event promises something for everyone.

Travis Daily, Vice President of Country, Cumulus Media, and Operations Manager, 103.3 Country and 95.5 NASH ICON, said: "What began as a boutique showcase of artists has evolved into unforgettable performances with Nashville’s Broadway as the backdrop. We are immensely grateful to our friends and colleagues at The Valory Music Co., EMI Records Nashville, and Warner Records, along with their incredible artists Justin Moore, Brothers Osborne, Dasha, and Preston Cooper, for supporting live and local stations like 103.3 Country and 95.5 NASH ICON."

Jennipher Miller, Marketing & Promotions Director, 103.3 Country and 95.5 NASH ICON, added: “There’s nothing quite like it – standing in a crowd of strangers and suddenly realizing you’re not strangers at all. That’s the magic of live music. You’re singing the same songs, feeling the same chills, and losing yourself in the same melodies. Instant connection is our goal with every event and Country Kickoff is our contribution to the Nashville music community.”

Doors to Skydeck on Broadway open at 6:00 p.m. CT on June 3 and tickets are on sale now. To purchase tickets or for more information, visit www.1033country.com or www.955nashicon.com.

Fox News Media To Cover Services For Pope Francis


FOX News Media will present special live coverage of the services commemorating the life of Pope Francis on Saturday, April 26th in Rome across FOX News Channel (FNC), FOX News Audio, FOX News Digital and FOX Nation.

Anchored by FNC’s executive editor and anchor of The Story Martha MacCallum, the network will broadcast “The Funeral of Pope Francis” beginning at 3 AM/ET on Saturday live from Rome. The special will also feature contributions from chief religion correspondent Lauren Green, contributor Jonathan Morris and correspondents Alex Hogan and Connor Hansen. MacCallum will helm coverage leading up to and throughout Pope Francis’ funeral mass which will begin at 4 AM/ET in St. Peter’s Square.

FOX Nation, FOX News Media’s streaming service, will live stream coverage of the funeral services from 3-7 AM/ET.

FOX News Audio will provide continuous coverage of the services across its platforms. FOX News Radio (FNR) will deliver top-of-the-hour and bottom-of-the-hour news updates for affiliates across the nation with FNR’s Jonathan Savage reporting live from Rome. 

FOX News Podcasts will also feature special content surrounding the ceremony with the FOX News Hourly Update podcast providing updates during the service and contributor Jonathan Morris joining the FOX News Rundown Podcast to break down the conclave process.

FOX News Digital’s coverage will feature original reporting, analysis and up-to-the-minute updates on its live blog which begins at 12 AM/ET on Saturday. A livestream will be available on FOXNews.com.