Saturday, May 3, 2025

Radio History: May 4


➦In 1886...The graphophone, the bridge between the earlier gramophone and the modern phonograph, was patented, featuring wax cylinders which conducted music better than Thomas Edison's original tinfoil ones.

It was invented at the Volta Laboratory established by Alexander Graham Bell in Washington, D.C., United States.

Its trademark usage was acquired successively by the Volta Graphophone Company, then the American Graphophone Company, the North American Phonograph Company, and finally by the Columbia Phonograph Company (later to become Columbia Records), all of which either produced or sold Graphophones.

It took five years of research under the directorship of Charles Sumner Tainter and Chichester Bell at the Volta Laboratory to develop and distinguish their machine from Thomas Edison's phonograph.

Among their other innovations, the researchers experimented with lateral recording techniques as early as 1881. Contrary to the vertically-cut grooves of Edison phonographs, the lateral recording method used a cutting stylus that moved from side to side in a "zig zag" pattern across the record. While cylinder phonographs never employed the lateral cutting process commercially, this was later to become the primary method of phonograph disc recording.

Bell and Tainter also developed wax-coated cardboard cylinders for their record cylinders, instead of Edison's cast iron cylinder which was covered with a removable film of tinfoil (the actual recording medium) which was prone to damage during installation or removal.  Tainter received a separate patent for a tube assembly machine to automatically produce the coiled cardboard tubes which served as the foundation for the wax cylinder records. The shift from tinfoil to wax resulted in increased sound fidelity as well as record longevity.

Besides being far easier to handle, the wax recording medium also allowed for lengthier recordings and created superior playback quality. Additionally the Graphophones initially deployed foot treadles to rotate the recordings, then wind-up clockwork drive mechanisms, and finally migrated to electric motors, instead of the manual crank that was used on Edison's phonograph.

➦In 1922...WJR Detroit sign-on as WCX, owned by the Detroit Free Press newspaper, operating at 580 kHz from the Free Press Building. It shared this frequency with WWJ, another station owned by The Detroit News.  In 1925, the Jewett Radio & Phonograph Company of Pontiac, Michigan purchased WCX. Sometime thereafter the station became known as WCX/WJR.  Also by 1925, WWJ was at 850 kHz, and both stations were broadcasting with 5000 watts of power. On November 11, 1928, it moved to 750 as a result of the FRC's General Order 40 (it has broadcast on 950 AM since 1941).

On December 16, 1928, the station moved from the newspaper's offices to its current location in the Fisher Building. It began identifying as "WJR Detroit, from the Golden Tower of the Fisher Building," which soon became famous across the country. Goodwill Stations Inc., formed by George A. Richards (who also owned the Detroit Lions), acquired WJR in 1929, and it became known as "The Goodwill Station" (along with WGAR in Cleveland and KMPC in Los Angeles).

WCX ceased to exist, and WJR acquired all its assets. In 1931, the station raised its power to 10,000 watts; four years later, it would broadcast with 50,000 watts.  On March 29, 1941, WJR moved from 750 to 760 kHz in accordance with the NARBA frequency reallocations. Before North American Regional Broadcasting Agreement of 1941, 750 kHz was a clear channel under 1928 rules.

The Fisher Building, a National Historic site in the City's New Center area, is home to the Fisher Theatre, with the WJR radio antenna

Logo '70s-'80s


WJR became a CBS affiliate on September 29, 1935, after having been affiliated with NBC-Blue. On the same date, WJR's officials formally dedicated the station's new 50,000 W transmitter.

Richards died in May 1951, and in 1964, Goodwill Stations was sold to Capital Cities Communications, which later merged with ABC and later with the Walt Disney Company. Upon the sale, WJR's air slogan became "The Great Voice of the Great Lakes". Also in 1964, WJR acquired full rights to Detroit Tigers baseball games with announcers Ernie Harwell and George Kell. The station became the flagship of the "Tiger Baseball Network." In the late 1960s, WJR also became the flagship station for Detroit Red Wings hockey and Detroit Pistons basketball.

Logo Today

The station is also remembered among many Metro Detroiters for its advertising campaigns and jingles including "W-J-R ... Radio 76 ... Cares About Detroit." Another: "This is America's finest - AM stereo 76." Regularly on his show, J.P. McCarthy would state in a nonchalant way "This is the world's greatest radio station, WJR Detroit," with a manner that made it seem like the most obvious of facts.

WJR signed on an FM outlet in 1948 at 96.3 MHz. The station was known as WJR-FM until 1982 when it became WHYT. It is now WDVD.

Music programming on WJR has been phased out almost entirely over the past two decades. As of June 2014.

WJR was sold with other ABC Radio stations to Citadel Broadcasting in January 2006. Citadel merged with Cumulus Media on September 16, 2011.

➦In 1922...KNX-AM, Los Angeles, California signed-on.

Nielsen's 3-Minute Rule Results In Uptick for Radio


A reported 15% AQH increase for the average radio station in Q1 2025 compared to Q4 2024, was cited recently by the Pennsylvania Association of Broadcasters, and is driven by Nielsen’s January 2025 shift to a three-minute AQH credit rule in PPM markets. 

This change boosted AQH by +24% in PPM markets and +10% nationally, with the 15% figure likely averaging PPM and diary market performance. News events, younger demographics (+28% for 18–34), and formats like all-news and Urban Contemporary fueled the growth, enhancing radio’s advertising value and competitive edge over TV.

In January 2025, Nielsen updated its Portable People Meter (PPM) methodology in 48 U.S. markets, reducing the minimum listening time required for AQH credit from five minutes to three minutes within a 15-minute period. AQH measures the average number of listeners tuned in for at least three minutes in a quarter-hour, making it a key metric for advertisers and broadcasters. This “3-minute rule” was designed to capture shorter listening occasions, reflecting modern consumption patterns where listeners engage briefly, especially via digital streams or in-car radio.



Key impacts of this change:

  • PPM Markets: Nielsen projected a +24% increase in AQH listening in PPM markets, driven by a +19% increase in time spent listening (TSL) and a +4% increase in cumulative audience (cume). Younger demographics saw higher gains, with 18–34-year-olds experiencing a +28% AQH increase, and 18–49 and 25–54 groups seeing +27% increases.
  • National Impact: When combining PPM markets (about two-thirds of the U.S. population) with diary markets (the remaining third, unaffected by the change), total U.S. AM/FM radio listening was expected to rise by +10% in 2025.
  • Specific Evidence: A March 2025 Radio Research Consortium (RRC) analysis found that 44 of 45 PPM markets saw increases in AQH Persons or TSL in January 2025 compared to January 2024, with seven markets hitting post-pandemic highs for both metrics. Public radio station WXPN, for example, saw its AQH share rise from 2.2 in 2024 to 2.9 in January 2025, a 31.8% increase.

The 15% AQH increase cited by the Pennsylvania Association of Broadcasters likely represents an average across all radio stations, blending the +24% PPM market growth with minimal or no change in diary markets. This figure is consistent with Jon Miller, Nielsen’s VP of Audience Insights, who reported a 14% AQH increase from January 2024 to January 2025, though he noted an expected 8–9% attrition in listening over 2024, suggesting the net gain aligns with the projected range.

Orlando Radio: WMMO Adds Brandi For Breakfast


Cox Media Group’s Classic Rock 98.9 WMMO in Orlando has brought on Brandi Britain to co-host its morning show alongside Jay Edwards. 

Britain, a seasoned radio personality, previously spent 11 years at Atlanta’s “Rock 100.5” WNNX from 2010 to 2021, where she progressed from board operator to producer and eventually co-host of the “Bailey & Southside” morning show. For the past three years, she has worked as a traffic reporter for iHeart’s Total Traffic & Weather Network. Britain describes herself as a “roller skating and joke-telling radio personality.

Jay Edwards, a 25-year veteran of Orlando radio, joined WMMO in March 2023 as an afternoon host before moving to mornings earlier in 2025. He also hosts middays at Cox’s sister station, Country “K92.3” WWKA, and has prior experience as a producer and host at Cox’s News/Talk 580/107.3 WDBO from 2022 to 2023. Before that, Edwards spent 25 years at Audacy’s Hot AC “Mix 105.1” WOMX, including 21 years on its morning show. 

He expressed enthusiasm about the new pairing, stating, “Twenty-five plus years on the radio in Orlando and now I get to start the next chapter with an incredibly talented and very funny co-host! My mornings just got better and I think Orlando will agree, theirs did too!”

Steve Stewart, Cox Media Group Orlando’s Director of Operations and Program Director, highlighted Britain’s appeal, noting, “I’m thrilled to have such a popular talent join our WMMO family. Brandi is going to be loved by our Orlando listeners, just as she was in Atlanta.” The addition of Britain aims to strengthen WMMO’s morning show, leveraging her experience and local recognition to connect with the station’s classic rock audience, which enjoys hits from the 1970s, 1980s, and 1990s.

San Antinio Radio: Erik & Jenny Get Wake-Up Duty at Y100


Cox Media's Country Y100 (KCYY) San Antonio is launching a new morning show Monday with Erik Smith and Jenny Lee, replacing the previous team of Frito & Katy, who departed in January 2025 after three years. 

Christi Brooks, KCYY’s Director of Branding and Programming, highlighted Smith’s “unmatched energy and creativity” and Lee’s “authenticity and warmth,” noting their potential to build something fresh for Y100’s audience. She emphasized Lee’s community involvement, particularly her volunteer work.

Previously Smith co-hosted “The Morning Bullpen” at Audacy’s Country “100.3 The Bull” KILT-FM in Houston until the show ended in December 2024. He joined KILT-FM in October 2021. He also spent 13 years as executive producer and co-host of the “Heidi & Frank” show on Meruelo Media’s Classic Rock 95.5 KLOS in Los Angeles.

For Jenny Lee she returns to Cox. Sher previously worked at Cox’s Hot AC “Hits 105.3” KSMG in San Antonio from 2013 until November 2024, serving as Assistant Program Director (APD), Music Director (MD), and morning co-host alongside Tony Cortez. The Wisconsin native who began her career at Mid-West Family Broadcasting in Madison as a producer and hosted nights at iHeartMedia’s CHR “Z104” WZEE in Madison for two years before moving to San Antonio.

The duo over the Y100 slot previously held by Frito & Katy, who ironically moved to KILT-FM in Houston, replacing Smith’s “Morning Bullpen” team.

CEO Says CPB Is Not Under The President's Control


The Corporation for Public Broadcasting (CPB) is contesting President Donald Trump’s Thursday evening, executive order to eliminate federal funding for National Public Radio (NPR) and the Public Broadcasting Service (PBS), arguing that the president lacks legal authority over the nonprofit organization.

“CPB is not a federal executive agency under the President’s control,” stated CPB President and CEO Patricia Harrison on May 2, 2025. “Congress established CPB as an independent, private nonprofit corporation, free from federal government oversight.”

Patricia Harrison
Harrison referenced the 1967 Communications Act, which created CPB and explicitly bars any federal entity from directing or controlling educational broadcasting, CPB, or its grantees and contractors.

Signed aboard Air Force One en route to Florida, the executive order directs CPB to halt direct funding to NPR and PBS, instructs federal agencies to terminate all support for the networks, and calls for revising CPB’s 2025 General Provisions to enforce the ban. A White House fact sheet claims the order seeks to stop NPR and PBS from using taxpayer funds for “partisanship and left-wing propaganda” to the fullest extent legally possible.

The order also mandates federal departments to review and cancel grants or contracts involving NPR and PBS and tasks the Federal Communications Commission and other agencies with probing the networks for alleged unlawful discrimination.

NPR and PBS rely on diverse funding, including private donations, corporate sponsorships, and grants, with CPB funds comprising a small but vital portion of their budgets, particularly for local public radio and TV stations dependent on CPB grants for operations.

The executive order is expected to face legal challenges regarding executive overreach and Congress’s authority over federal appropriations.

PBS CEO Claims Trump EO "Blatantly Unlawful"


PBS has covered President Donald Trump’s executive order, signed on Thursday, aiming to cut federal funding for the Public Broadcasting Service (PBS) and National Public Radio (NPR), with a focus on the order’s implications, its legality, and the broader context of public media’s role. 

PBS, through its CEO and President Paula Kerger, has strongly condemned the executive order as “blatantly unlawful.” In a statement issued on Friday, Kerger emphasized that the order threatens PBS’s ability to serve the American public with educational programming, a mission it has upheld for over 50 years. 

Paula Kerger
She argued that the Corporation for Public Broadcasting (CPB), which distributes federal funds to PBS and NPR, is not subject to the president’s authority, as it is a private, nonprofit corporation created by Congress in 1967 to be independent of government control. Kerger stated that PBS is “exploring all options” to oppose the order and support its member stations, indicating a readiness to pursue legal action or other measures to maintain funding.

In a PBS News report Friday, Kerger reiterated the importance of federal funding, noting that it constitutes about 15% of PBS’s revenue on average, with a higher impact on smaller and rural stations. She highlighted PBS’s role in providing educational content like Sesame Street, local news, and emergency alerts, framing the cuts as a disruption to “essential services” for millions of Americans. The report also contextualized the order as part of Trump’s broader efforts to target institutions he perceives as biased, citing his administration’s actions against the U.S. Agency for Global Media and other media outlets.


PBS’s coverage, primarily through PBS NewsHour and its online platform, has framed the executive order as both a political and legal overreach:

Legal Challenges: PBS News reported that the CPB, which distributes approximately $535 million annually to public media, is suing the Trump administration over the order and related actions, such as the attempted firing of three CPB board members on April 28, 2025. The CPB argues that these moves violate its congressional mandate to operate independently, as the 1967 Public Broadcasting Act explicitly prohibits federal interference in its operations. A hearing for the CPB’s lawsuit is scheduled for May 14, 2025.

Nielsen Gauge Shows Ad-Supported At 72% Of All TV Viewing


Nielsen, a global leader in audience measurement, data and analytics, has launched The Ad Supported Gauge—a new extension of The Gauge™. The new quarterly report provides the most comprehensive look at the portion of television that delivers advertising across broadcast, cable and streaming. With these new insights, advertisers and agencies will have an essential view of opportunities to connect with consumers across ad-supported platforms ahead of the 2025 TV Upfronts.

In Q1 of 2025, 72.4% of TV viewing was on ad-supported platforms, compared to 27.6% for ad-free platforms. "Traditional TV" (cable and broadcast) are tied at about 29% to account for 58% of total ad supported TV. 



"Every day our clients use our data to make informed decisions about their business. As we head into the Upfront, this ad supported layer to our industry defining Gauge report provides deeper levels of analysis to help guide advertising strategies," said Karthik Rao, CEO of Nielsen.

The new insights are made possible by enhancements to Nielsen Streaming Platform Ratings leveraging the Streaming Meter, which is available to clients who subscribe. The Ad Supported Gauge provides a quarterly view of the landscape, with the next edition available ahead of the fall TV season.

Belichick's Weeklong PR Nightmare


During one of the longest weeks of his career, Bill Belichick fumbled and stumbled during and after his cringey interview with CBS last Sunday. Former players and NFL pundits asked: How can the 73-year-old coach put his career and legacy in the hands of 24-year-old girlfriend Jordon Hudson? 

Sources tell Front Office Sports Belichick’s biggest problem is the absence of his secret weapon: Berj Najarian. 

During Belichick’s 24-year run with the New England Patriots, Najarian stood by his side as the coach’s “consigliere,” according to the New York Times. One of his official titles was “chief of staff.” But reporters knew Najarian as the “gatekeeper” for the six-time Super Bowl–winning coach, according to the Times—and as Belichick’s “right-hand man” per CBS News. Belichick largely delegated his media relations to Najarian, allowing him to focus on football. As director of football/head coach administration, Najarian handled damage control from mundane stories to crises like Spygate. 

Jordan Hudson, Coach
The two first met when Belichick was coaching the Jets. After bringing Najarian with him from the Jets to the Pats, the duo won six Super Bowls together. Belichick and Berj had connecting offices at 1 Patriot Place. Najarian had a “ton of power,” recalled former quarterback Drew Bledsoe to the Times. “Berj worried about stuff so Bill didn’t have to,” he said.

Najarian joined former Patriots OC Bill O’Brien at Boston College as chief of staff after Belichick was fired by Pats owner Robert Kraft in early 2024. That left Belichick adrift without his key media advisor and protector. Since then, Belichick has tried to put Hudson in Najarian’s role, according to former Pats players like Julian Edelman. “From what I’ve heard, Jordon is playing the Berj role,” Edelman said on his podcast with Rob Gronkowski.

That’s led to obvious problems since the ex-cheerleader doesn’t yet have the training or experience to pull it off.

“Belichick has had a personal PR guy for 20 years. But he doesn’t have Berj anymore,” said one source directly familiar with Najarian’s confidante role with the Pats. “Berj works for Bill O’Brien at BC now. So Bill’s all by himself.”

Los Angeles Times Cuts 14 From Newsroom


The Los Angeles Times laid off 14 newsroom staffers Friday, marking its third round of newsroom job cuts in three years. 

The latest reduction represents approximately 6% of the newsroom, which had about 230 staffers prior to the layoffs. The Los Angeles Times Guild Unit Council and Bargaining Team expressed devastation, stating, “This will leave the Los Angeles Times ever more decimated,” and noted that the cuts could shift as they negotiate the layoff’s effects in the coming weeks.

These layoffs follow significant workforce reductions earlier in 2025, including 40 newsroom employees accepting voluntary buyouts in February and dozens of layoffs across the company’s operations and communications sections in March. 

The newspaper, owned by billionaire Dr. Patrick Soon-Shiong, has faced ongoing financial struggles, reportedly losing around $50 million in 2024, compounded by a loss of 25,000 paying subscribers, with digital subscribers at about 250,000 and print subscribers at 75,000. The Pacific Palisades fires further eroded print subscriptions, which generate three times the revenue of digital ones.


The broader context reveals a newsroom grappling with instability. 

In January 2024, The Times cut over 20% of its newsroom (115 staffers), one of the largest reductions in its 142-year history, disproportionately affecting journalists of color due to union seniority clauses.

The guild criticized management’s “middling strategy” and lack of clear direction, while Soon-Shiong has pushed for a more ideologically balanced approach, including a controversial AI-powered “bias meter” launched in March 2025 that drew criticism for downplaying the KKK’s racist history.

Staff morale is low. The Times remains the largest newsroom in the western U.S., but its repeated layoffs reflect broader industry challenges, with advertising revenue collapsing and digital transitions failing to offset losses.

R.E.M. Rereleases ‘Radio Free Europe’ Single


The rock band R.E.M. has rereleased a special edition of their debut single, “Radio Free Europe,” to support Radio Free Europe/Radio Liberty (RFE/RL), a U.S.-funded media outlet facing funding cuts from the Trump administration.

RFE/RL, which delivers independent news in 27 languages to 23 countries with restricted media, is among the U.S. government-funded services targeted by the administration as wasteful and biased. On April 29, 2025, a federal judge ordered the restoration of $12 million in congressionally appropriated funds to RFE/RL, which its lawyers said was critical to avoid shutdown by June after 75 years of operation.

According to the Associated Press, R.E.M.’s Michael Stipe, whose song opens with “Decide yourself if radio’s gonna stay,” emphasized press freedom, stating, “Censorship anywhere threatens truth everywhere.” 

On World Press Freedom Day, Friday he saluted RFE/RL’s journalists. RFE/RL President Stephen Capus noted that R.E.M.’s music embodies freedom, aligning with the organization’s mission to inform audiences in oppressive regions.



Originally released in 1981 on a small independent label, “Radio Free Europe” introduced the Athens, Georgia band, later inducted into the Rock and Roll Hall of Fame before disbanding in 2011. The song, also enshrined in the Library of Congress’ National Recording Registry for shaping indie rock, is reissued as a five-song EP. It includes the original track, a 2025 remix by Jacknife Lee, the B-side “Sitting Still,” an instrumental “Wh. Tornado,” and an unreleased “Radio Free Dub” remix.

Supervised by original producer Mitch Easter, the EP began streaming Friday. A limited vinyl edition is available at independent record stores and R.E.M.’s online store, with all vinyl proceeds benefiting RFE/RL.

Diddy Trial: From RICO Charges to 'Freak Offs'


The trial of Sean “Diddy” Combs, set to begin with jury selection on Monday in New York City, is a high-profile federal case involving charges of racketeering conspiracy, sex trafficking, and transportation to engage in prostitution. Key elements, include RICO charges, the Cassie Ventura surveillance tape, the “Freak Offs,” and other critical aspects of the case, drawing from available information.

Sean Combs known by aliases like Puff Daddy, P. Diddy, and Love, faces a federal indictment unsealed in September 2024, accusing him of running a criminal enterprise through his entertainment empire, including Bad Boy Records, for his “sexual gratification” over decades. The charges include:

Racketeering Conspiracy (RICO): Prosecutors allege Combs led a racketeering conspiracy from 2008 to 2024, engaging in sex trafficking, forced labor, kidnapping, arson, bribery, and obstruction of justice. The Racketeer Influenced and Corrupt Organizations Act (RICO), typically used against organized crime, is applied here to frame Combs’ alleged activities as a coordinated criminal enterprise involving his businesses and employees.

Sex Trafficking by Force, Fraud, or Coercion: Combs is accused of using force, fraud, or coercion to recruit and transport women across state lines for prostitution, particularly in events called “Freak Offs.” A third superseding indictment added a sex trafficking charge related to “Victim-2” for activities between 2021 and 2024.

Transportation to Engage in Prostitution: This charge involves allegations that Combs arranged for victims and sex workers to travel for “Freak Offs,” with his staff facilitating logistics and payments.

If convicted, Combs faces a minimum of 15 years and up to life in prison. He has pleaded not guilty to all charges and denied civil allegations, with his legal team asserting that his sexual encounters were consensual and part of a “swinger” lifestyle.

Casandra “Cassie” Ventura, a singer and Combs’ former girlfriend of over a decade (2007–2018), is central to the case as “Victim-1” and a key witness who will testify under her real name. Her allegations sparked the legal scrutiny that led to Combs’ indictment:

In May 2024, CNN released hotel security footage from March 5, 2016, showing Combs kicking, dragging, and throwing a vase at Ventura in a Los Angeles hotel hallway. The video corroborated an incident described in her lawsuit and the indictment. Combs issued a public apology, calling his behavior “inexcusable” and stating he sought therapy and rehab, but his legal team later argued the video was part of a consensual, complex relationship and accused the Department of Homeland Security of leaking it to prejudice the case. Judge Arun Subramanian ruled on April 25, 2025, that the video is admissible, rejecting defense claims of manipulation, as CNN denied altering the footage.

“Freak Offs” are described by prosecutors as “elaborate and produced sex performances” orchestrated by Combs, often lasting days, involving female victims and male sex workers. 

These events allegedly involved drugs like cocaine, methamphetamine, ecstasy, ketamine, and GHB to keep participants “obedient and compliant.” Combs is accused of directing, masturbating during, and recording the acts, using the footage to ensure victims’ silence. His staff reportedly booked hotel suites, arranged travel, stocked supplies (e.g., drugs, baby oil, lubricants), and provided IV fluids for recovery from physical exertion and drug use.

Even if acquitted, Combs’ reputation and business empire, once valued at over a billion dollars, are severely damaged. His legal team has rejected plea deals, signaling a fight to clear his name, but civil lawsuits could still result in significant financial penalties. The trial’s outcome will likely hinge on the credibility of Ventura and other witnesses, the interpretation of “Freak Off” videos, and whether jurors view Combs’ actions as consensual or coercive.

Kelly Clarkson Kicks Off Summer Concert Series on TODAY Tuesday


This summer, TODAY will celebrate 30 years of its iconic summer concert series and heat up Rockefeller Plaza with sizzling performances and hot new music. Kelly Clarkson will kick off the 2025 “Citi Concert Series on TODAY” Tuesday, May 6. The full star-studded lineup was announced this morning on NBC’s TODAY: https://bit.ly/4lWm1Oo

The 2025 roster features performances by Blake Shelton, Ciara, Jonas Brothers, Cynthia Erivo, FINNEAS, Sebastián Yatra, Zac Brown Band, Role Model and more. For the tenth consecutive year, Citi is the sponsor of the “Citi Concert Series on TODAY.”

“We’re proud to continue our partnership with the ‘Citi Concert Series on TODAY,’ bringing live performances to fans across the country,” said Pam Habner, Head of Branded Cards & Lending at Citi. “Whether you’re watching from Rockefeller Plaza or tuning in from home, these shows are a celebration of culture, connection, and the power of music to unite us all.”

To attend the concerts, viewers can register for Fan Passes at TODAY.com/Concerts. Fan Passes allow priority access to the show ahead of General Admission. In addition to Fan Passes, viewers can join the General Admission line the morning of the concert and will be admitted if space permits. The entrance is located at 48th Street and Rockefeller Plaza in New York City.

 
Below is a list of the concerts scheduled to date, with additional performances to be announced in the coming weeks. The performances will be available on TODAY.com following the broadcast.

Bobby Bones Hosts ACM Awards Special On Prime


Radio and TV personality Bobby Bones hosts Bobby Bones’ ACM Awards 60th Celebration Special, now streaming on Prime Video taking viewers through six decades of the Academy of Country Music Awards.
 
Bones traces the ACM Awards’ evolution, showcasing iconic performances, pivotal moments, and legendary artists who shaped country music and the show’s lasting legacy as it approaches its 60th ceremony on May 8, 2025.
 
The special features interviews with Brooks & Dunn, Keith Urban, and Lainey Wilson, who discuss the ACM’s influence on their careers and the genre. Bones shares his top 10 ACM Awards moments and honors host Reba McEntire, highlighting her trailblazing role as a longtime ACM host, performer, and industry icon.
 
A five-time ACM winner, Bones will also appear at the May 8 awards, conducting candid artist interviews throughout the evening.

Radio History: May 3


➦In 1904...Harry Lillis "Bing" Crosby born (some sources list May 2 – Died from heart attack October 14, 1977).

Bind Crosby
He was the first multimedia star, Crosby was a leader in record sales, radio ratings, and motion picture grosses from 1931 to 1954.  His early career coincided with recording innovations that allowed him to develop an intimate singing style that influenced many male singers who followed him, including Perry Como, Frank Sinatra, Dick Haymes, and Dean Martin. Yank magazine said that he was "the person who had done the most for the morale of overseas servicemen" during World War II.   In 1948, American polls declared him the "most admired man alive", ahead of Jackie Robinson and Pope Pius XII.  Also in 1948, Music Digest estimated that his recordings filled more than half of the 80,000 weekly hours allocated to recorded radio music.

Crosby won an Academy Award for Best Actor for his role as Father Chuck O'Malley in the 1944 motion picture Going My Way and was nominated for his reprise of the role in The Bells of St. Mary's opposite Ingrid Bergman the next year, becoming the first of six actors to be nominated twice for playing the same character. In 1963, Crosby received the first Grammy Global Achievement Award.  He is one of 33 people to have three stars on the Hollywood Walk of Fame, in the categories of motion pictures, radio, and audio recording.  He was also known for his collaborations with longtime friend Bob Hope, starring in the Road to... films from 1940 to 1962.

Crosby influenced the development of the postwar recording industry. After seeing a demonstration of a German broadcast quality reel-to-reel tape recorder brought to America by John T. Mullin, he invested $50,000 in a California electronics company called Ampex to build copies. He then convinced ABC to allow him to tape his shows. He became the first performer to pre-record his radio shows and master his commercial recordings onto magnetic tape. Through the medium of recording, he constructed his radio programs with the same directorial tools and craftsmanship (editing, retaking, rehearsal, time shifting) used in motion picture production, a practice that became an industry standard. In addition to his work with early audio tape recording, he helped to finance the development of videotape, bought television stations, bred racehorses, and co-owned the Pittsburgh Pirates baseball team.

On September 2, 1931, Crosby made his nationwide solo radio debut. Before the end of the year, he signed with both Brunswick and CBS Radio. Doing a weekly 15-minute radio broadcast, Crosby became a hit.

Friday, May 2, 2025

Trump EO Terminates NPR, PBS Public Funding


President Donald Trump issued an executive order to eliminate federal funding for NPR and PBS, the White House announced, escalating his efforts to defund institutions he perceives as biased. 

Reuters reports the order directs the Corporation for Public Broadcasting (CPB), which allocates funds to NPR and PBS stations, to terminate direct funding, labeling the outlets as partisan.

The order, released late Thursday, mandates the CPB to halt existing funding to the fullest extent legally possible and prohibit future allocations. NPR and PBS have warned that such cuts would severely impair their ability to deliver critical local and national news, especially during emergencies.

NPR said in a statement early Friday that the broadcaster’s editorial practices and decisions are independent and free from outside influences, including political parties.

“Eliminating funding for the Corporation for Public Broadcasting would have a devastating impact on American communities across the nation that rely on public radio for trusted local and national news, culture, lifesaving emergency alerts and public safety information,” the statement said.

Trump’s administration has repeatedly targeted institutions like NPR, PBS, Harvard, and Columbia, accusing them of leftist bias, and threatened their funding. Human rights groups have voiced concerns about threats to free speech and academic freedom. 

Since January, Trump and ally Elon Musk have pursued aggressive cost-cutting, slashing over 200,000 federal jobs and attempting to dismantle agencies.

The administration also tried to shutter Voice of America, Radio Free Asia, and Middle East Broadcasting Networks, but a federal judge blocked these moves in April. Thursday’s order further seeks to block indirect funding to NPR and PBS by ensuring CPB recipients do not use federal funds for these outlets.

The CPB, which supports over 1,500 public radio and TV stations, filed a lawsuit against the White House on Monday after Trump attempted to oust three of its five board members. Reports indicate the administration may push Congress to cut $1.1 billion in CPB funding, equivalent to two years’ budget.

NPR employs over 900 staff, per its website, while PBS had over 550 employees as of late 2022, according to a media report.

Court Ruling Allows Trump To Withhold USAGM Radio Funding


On Thursday night, the United States Court of Appeals for the Federal Circuit in Washington issued a ruling allowing the Trump administration to temporarily continue withholding federal funding from Radio Free Europe/Radio Liberty (RFE/RL), Radio Free Asia (RFA), and Middle East Broadcasting Networks (MBN). 

These organizations, supported by U.S. government grants, deliver independent news and information to regions with restricted press freedoms, including parts of Eastern Europe, Central Asia, and the Middle East.

The decision partially overturns two lower-court rulings from April 2025, which had blocked the administration’s efforts to defund these outlets. Those earlier rulings came in response to the Trump administration’s attempts to shutter the organizations, citing their alleged bias and redundancy. The lower courts had argued that cutting funds would undermine the outlets’ ability to provide credible, uncensored journalism in authoritarian regimes, potentially harming U.S. interests in promoting democracy and countering state-controlled narratives abroad.

The appeals court’s ruling grants the administration temporary authority to suspend funding while legal challenges proceed, marking a significant victory for President Trump’s broader agenda to reduce federal support for media organizations he has labeled as partisan or misaligned with his administration’s priorities.

RFE/RL, RFA, and MBN, overseen by the U.S. Agency for Global Media (USAGM), collectively reach millions of viewers and listeners in over 60 languages, often serving as critical sources of information in countries with heavy censorship or state-controlled media. For instance, RFE/RL has been a vital outlet for independent reporting in Russia and Ukraine, while MBN provides Arabic-language programming to counter extremist narratives in the Middle East. The organizations employ hundreds of journalists and support staff, many of whom work in challenging or dangerous environments.

Critics of the administration’s defunding efforts, including press freedom advocates and Democratic lawmakers, argue that withholding funds threatens the outlets’ operations and jeopardizes global perceptions of U.S. commitment to free expression.

Reports Allege Redstone Asked 60 Minutes to Hold Trump Stories


The Daily Beast reported on May 1, 2025, that Shari Redstone, the controlling shareholder of Paramount Global, CBS’s parent company, allegedly instructed 60 Minutes producers to delay stories critical of President Donald Trump until federal authorities approved a critical merger between Paramount and Skydance Media. 

The story from The Daily Beast, cited a Puck investigation, claims Redstone’s directive was motivated by the need for Trump administration approval, particularly from FCC Chair Brendan Carr, for the $28 billion deal.
 
The report highlights tensions at CBS, exacerbated by the abrupt resignation of 60 Minutes executive producer Bill Owens last week. Owens cited interference from Paramount executives, stating he could no longer make independent editorial decisions. During a broadcast on April 27, 2025, 60 Minutes correspondent Scott Pelley publicly criticized Paramount’s increased scrutiny of content, linking it to the merger and suggesting it compromised the show’s journalistic integrity.
 
Shari Redstone
Puck’s investigation revealed that Redstone’s concerns began in October 2024, when she reportedly took issue with 60 Minutes’ coverage of the Israel-Gaza conflict’s one-year anniversary, deeming it imbalanced against Israel. 

This, combined with the merger’s looming approval, allegedly emboldened her to exert influence, including appointing former CBS News president Susan Zirinsky to oversee editorial standards, a move insiders saw as a proxy for Redstone’s control. Sources claim Redstone asked CBS CEO George Cheeks if critical Trump stories could be postponed until after the merger’s approval.

The backdrop includes Trump’s ongoing $20 billion lawsuit against CBS, filed in October 2024, alleging 60 Minutes deceptively edited a Kamala Harris interview to favor her during the 2024 election. Trump has also repeatedly attacked the show, calling for its termination and urging FCC penalties, amplifying pressure on CBS. Paramount’s efforts to settle the lawsuit, despite CBS denying wrongdoing, are seen as an attempt to secure merger approval, though 60 Minutes journalists, including Owens, have resisted acknowledging fault.

R.I.P.: Jill Sobule, Singer-Songwriter, Dies at 66 in House Fire

Jill Sobule (1959-2025)
Jill Sobule, the acclaimed folk-pop singer-songwriter and human rights activist, tragically died in a house fire in Woodbury, Minnesota, a suburb of Minneapolis, on Thursday. She was 66 years old. 

Her death was confirmed by her publicist, David Elkin, and her manager, John Porter, in statements to multiple outlets. The cause of the fire is under investigation by local authorities, with Woodbury Public Safety reporting that firefighters responded to a call around 5:30 a.m. to find the house fully engulfed in flames. Sobule was staying with friends at the time, and the fire claimed not only her life but also the home and the friends’ pets.

Born on January 16, 1959, in Denver, Colorado, Sobule emerged as a distinctive voice in the music industry with her debut album, Things Here Are Different (1990), produced by rock legend Todd Rundgren. Her breakthrough came with her 1995 self-titled album, which featured the groundbreaking single “I Kissed a Girl.” The song, a playful yet poignant folk-pop anthem about a lesbian flirtation, became the first openly queer song to reach the Billboard Top 20 on the Alternative Airplay chart (then Modern Rock Tracks) and peaked at No. 67 on the Hot 100. It was a cultural milestone, paving the way for greater LGBTQ+ representation in mainstream music. 

SiriusXM Targets Terrestrial Radio For New Listeners


SiriusXM has launched an innovative ad-supported, no-cost subscription tier called the Free Access Plan to attract new listeners and compete more directly with traditional AM/FM radio and streaming services. 

Announced during the company’s Q2 2024 earnings call, this scaled-down version of its satellite radio service targets price-sensitive consumers and aims to expand SiriusXM’s reach, particularly among younger audiences and non-subscribers. Below is a detailed overview of the initiative, its features, strategic goals, and implications, drawing on available information from web sources and posts on X.

Key features of the Free Access Plan include:

  • No Subscription Fees: Users can activate the plan directly from their vehicle’s dashboard without providing credit card information, removing financial barriers to entry.
  • Ad-Supported Content: Advertisements are integrated into music, talk, sports, and comedy channels, aligning the plan with the commercial model of traditional AM/FM radio.
  • In-Vehicle Only: The plan is restricted to in-car listening and does not provide access to the SiriusXM mobile app or other streaming devices, ensuring it complements rather than competes with premium streaming offerings.
  • Invitation-Only with 360L Radios: Currently, the plan is available only in vehicles equipped with SiriusXM’s 360L hybrid radios, which support two-way connectivity for personalized ads and content. This limits its immediate reach but aligns with the growing adoption of 360L technology.
  • Usage Requirement: To maintain active status, users must access the service at least once every 60 days. Failure to do so results in permanent deactivation, a measure to ensure engagement and manage system resources.

WaPo Grapples with Subscriber Losses


The Washington Post faced significant subscriber backlash following its decision not to endorse Vice President Kamala Harris in the 2024 presidential election, coupled with a controversial shift in its editorial policy. 

Reports indicate the newspaper lost approximately 325,000 subscribers in the wake of these changes, a figure representing a substantial portion of its digital subscriber base. The Post has not publicly disclosed whether it has regained these lost subscribers through reactivations or new sign-ups, leaving the extent of its recovery unclear.

In response to the subscriber exodus, the Post has intensified efforts to attract new readers, emphasizing aggressive marketing and outreach campaigns. The newspaper reported a significant uptick in new subscriptions, stating that it added 100,000 more new subscribers in the first four months of 2025 compared to the same period in 2024. This growth suggests a strategic pivot to rebuild its audience, though it remains uncertain whether these gains have fully offset the earlier losses.

Tech Companies Sue GA Over New Kid's Social Media Law


A new law will go into effect in Georgia July 1 that state lawmakers say will protect children’s activities online. It contains a few parts:

  • Children under 16 must have their parents’ permission to create social media accounts.
  • Websites must verify customer ages.
  • Certain online advertising will be limited for child users.

The idea is to reduce cyberbullying and the mental health risks kids face on social media, according to The Atlanta Journal-Constitution.

Tech companies fight back: Several major companies are now suing the state to overturn the law, saying it violates First Amendment rights of children, teens and the tech companies themselves.

The suit was brought by NetChoice, a technology industry group that represents Facebook, Google, YouTube, X, Amazon and other companies.

Georgia is now the eighth state to be sued over age-related restrictions on websites. NetChoice already successfully challenged similar laws in Arkansas and Ohio.

A tough battle for parents and leaders: Unfettered access to social media and the internet poses known mental health and safety risks to young users, but it’s been a challenge to find effective means of protection — after all, how do you keep a generation shaped by social media off social media?

Social media platforms, for example, already ban users under 13, which doesn’t stop persistent and tech-savvy preteens. Pew Research Center numbers show more than a third of the 95% of teens 13 to 17 who use a social media platform do so “almost constantly.”


R.I.P.: Ruth Buzzi, Comic Star For Laugh-In

Ruth Buzzi (1937-2025)

Actress and comedian Ruth Buzzi, best known for her role on NBC’s Rowan & Martin’s Laugh-In (1968-1973), passed away on May 1, 2025, at age 88.

Her family shared on Facebook: “Ruthie left us peacefully yesterday evening at home, sleeping. She’d been in hospice care, disabled by a 2022 stroke, after an Alzheimer’s diagnosis a decade earlier.”

Born July 24, 1936, in Westerly, Rhode Island, Buzzi began her career at 19, touring with singer Rudy Vallee in a musical-comedy act during college summer break. After graduating, she moved to New York City, landing a lead in an off-Broadway musical revue, the first of 19 she performed on the East Coast.

Buzzi debuted on TV in 1964 on The Garry Moore Show, joined the ensemble of The Entertainers in 1965, and appeared on The Monkees in 1967. She played Margie “Pete” Peterson on That Girl and guested on Night Gallery, Here’s Lucy, and Love, American Style before her breakout on Laugh-In.
Reflecting on Laugh-In at a 2011 Television Critics Winter Press Tour, Buzzi said, “We laughed, and laughed, and laughed. It never felt like work. It was pure spontaneous fun.”

One of only four cast members to stay for all six seasons, Buzzi’s memorable Laugh-In characters included spinster Gladys Ormphby, gossip columnist Busy-Buzzi, boozy Doris Swizzler, a Burbank Airlines Stewardess, and Flicker Farkle.

PBS CEO Calls Budget Cuts "Gravest Challenge"


PBS is grappling with a severe financial threat as President Donald Trump pushes to eliminate its federal funding, potentially stripping over $1 billion if Congress approves. In a Tuesday interview on PBS News Hour with Amna Nawaz, PBS CEO Paula Kerger called this the gravest challenge in her public broadcasting tenure.

The Corporation for Public Broadcasting (CPB), which funnels funds to PBS, NPR, and about 1,500 local stations, is also suing the Trump administration for unlawfully firing three CPB board members, asserting the president lacks such authority.

PBS News faces risks if CPB funding is cut, as it relies on CPB and PBS for 35% of its budget, with the rest from donations, grants, and sponsorships. Kerger emphasized that most CPB funds directly support local stations, not national entities like PBS. “Taking away these resources would have tremendous implications for our stations’ operations,” she said.



Nawaz cited Pew Research showing 57% of Americans are skeptical or opposed to federal funding for public media. Kerger countered that local communities deeply value their stations, saying, “They treasure what they do and want to see them continue.”

NFL Declines To Testify at Media Rights Hearing


Senator Ted Cruz, chairman of the Senate Commerce Committee, has called executives from major U.S. sports leagues to testify Tuesday, May 6, 2025, hearing focused on the shift of sports media from traditional broadcast television to streaming platforms. 

Invitations were extended to representatives from Major League Baseball (MLB’s Kenny Gersh), the National Basketball Association (NBA’s Bill Koenig), and the National Hockey League (NHL’s David Proper), all of whom have confirmed their attendance. The National Football League (NFL), however, declined to participate, a decision that comes amid heightened scrutiny following an antitrust verdict related to its Sunday Ticket package.

While the hearing is unlikely to produce immediate policy changes, it serves as a platform for lawmakers to spotlight concerns about the evolving sports media landscape. Senate hearings often prioritize political posturing over substantive outcomes, but Cruz’s invitation letter to NFL Commissioner Roger Goodell included a pointed reference to the league’s unique legal status. 

He wrote, “Given the unique federal statutes that apply to the NFL’s broadcasting rights, such as the Sports Broadcasting Act of 1961, the Committee is especially interested in understanding how the League balances commercial innovation and its legal responsibilities.” This statement underscores ongoing questions about the NFL’s antitrust exemption, which has shielded its broadcasting practices for decades.

Apple’s $95.36B Q2 Revenue Exceeds Expectations


Apple reported Thursday on a stellar January-to-March quarter, surpassing Wall Street forecasts with $95.36 billion in revenue, cementing its position as the world’s most valuable company. 

The results, which marked a 5.1% year-over-year increase, outperformed analyst expectations of $94.26 billion, according to Zacks Investment Research. During the earnings call, CEO Tim Cook addressed the impact of President Trump’s proposed tariffs, estimating an additional $900 million in costs for the current quarter due to the administration’s trade policies.

The quarter’s strength was driven by a record-breaking $26.65 billion in revenue from Apple’s Services division, which includes Apple TV+, Apple Music, iCloud, and other subscription-based offerings. This 11.64% year-over-year increase in Services revenue, following a $26.34 billion record in Q4 2024, helped offset a slight sales dip in China, where Apple faces growing competition and economic challenges.

Notably, Apple’s official press release omitted any mention of tariffs, China, or President Trump, despite intense scrutiny from investors and analysts regarding the potential impact of new U.S. trade policies. As a company that manufactures most of its products in China, Apple remains a focal point in discussions about how tariffs could disrupt global supply chains and increase consumer prices.

Key Financial Highlights from Apple’s Q2 2025 Report:
  • Revenue: $95.36 billion, up 5.1% from $90.75 billion in Q2 2024, exceeding Zacks’ consensus estimate of $94.26 billion.
  • Net Income: $24.78 billion, a nearly 5% rise from $23.63 billion in the prior year.
  • Earnings Per Share: $1.65 per diluted share, topping analyst projections of $1.61.
  • iPhone Sales: Revenue from Apple’s flagship product grew 1.9% to $46.84 billion, a notable rebound after a reported decline in iPhone sales during Q4 2024. The uptick contributed to Apple’s record-breaking quarterly revenue.
  • Services: The Services segment achieved $26.65 billion in sales, up 11.64% year-over-year, marking its second consecutive record-breaking quarter. Apple did not disclose specific contributions from Apple TV+ or Apple Music, consistent with its practice of not breaking out individual service revenues.
  • Wearables, Home, and Accessories: This category, including Apple Watch and AirPods, saw a 4.94% sales decline to $7.52 billion, the only segment to report a year-over-year drop.
The company’s ability to navigate tariff-related cost pressures and maintain growth will remain a key focus for investors, particularly as U.S.-China trade tensions persist.

Ad Sales, Prime Subs Boost Amazon 1Q Earnings


Amazon exceeded Wall Street projections for its first-quarter performance, driven by a robust 18% surge in advertising revenue. The company’s advertising services segment, which encompasses revenue from sponsored ads, display, and video advertising sold to sellers, vendors, publishers, authors, and others, generated $13.9 billion. When adjusted for foreign exchange rate impacts, this segment’s revenue growth reached 19%.

The subscription services segment also saw solid growth, with net sales rising 9% to $11.72 billion. This segment includes revenue from Amazon Prime memberships (both annual and monthly fees) and digital offerings such as video, audiobooks, music, e-books, and other non-Amazon Web Services (AWS) subscriptions.

Key financial highlights for the quarter include:
  • Net income: $17.1 billion, a significant increase from $10.4 billion in the same quarter last year.
  • Earnings per share: $1.59 per diluted share, surpassing the $1.35 anticipated by analysts polled by Zacks Investment Research.
  • Net sales: $155.7 billion, reflecting a 9% year-over-year increase, compared to the $154.56 billion expected by Zacks analysts. Excluding a $1.4 billion unfavorable impact from foreign exchange rate fluctuations, net sales grew 10% compared to Q1 2024.
  • Operating income: $18.4 billion, up from $15.3 billion in the prior year’s first quarter.
Amazon’s strong results underscore the growing importance of its advertising and subscription businesses, which continue to complement its e-commerce and cloud computing segments, driving profitability and reinforcing its diversified revenue streams.

K-C Radio: Steel City Promotes 3 At Country KBEQ-FM


Steel City Media Kansas City has announced three key leadership appointments, strengthening its management team across programming and sales. Dale Carter has been named Program Director of KBEQ (New Country Q104), Steve Serrano has been promoted to Operations Manager for the station cluster, and Cherie Ramirez has been appointed Director of Sales.

Dale Carter:  a Country Radio Hall of Famer with over 40 years in the industry, will continue his long-standing role as Program Director and morning host at sister station KFKF (Country 94.1), a position he has held since 1995. Carter’s new responsibilities at KBEQ fill a vacancy left by Todd Nixon’s departure in December 2024. “Dale’s deep expertise and passion for country music have been central to KFKF’s success,” said Marc Harrell, Market Manager for Steel City Media Kansas City. “His leadership across both stations will create stronger alignment, amplifying our connection with country music audiences.”

Steve Serrano:  who began his career at Steel City Media as an intern in 2008, has been promote to Operations Manager for the Kansas City cluster. Serrano previously served as Program Director for Top 40 station KMXV (Mix 93.3), showcasing his growth within the company. “Steve’s rise from intern to Operations Manager reflects his dedication and adaptability,” Harrell noted. “His strategic insight will play a critical role in shaping our programming vision.”

Cherie Ramirez:  a 20-year veteran of Steel City Media since joining in 2004, steps into the role of Director of Sales. With extensive experience in spot sales, non-traditional revenue (NTR), digital advertising, and out-of-home (OOH) campaigns,