Saturday, February 8, 2025

Radio History: Feb 9


➦In 1902...radio actor Chester H. Lauck was born in Allene Arkansas.  With fellow Arkansan Norris Goff he would create one of radio’s alltime favorite programs, “Lum & Abner,” hillbilly proprietors of the “Jot ‘Em Down Store” in Pine Ridge Arkansas. 

Their idea was a switch on Amos ‘n’ Andy. He died Feb. 21 1980, 12 days after his 78th birthday.

➦In 1934...FCC granted 500kw license to WLW for W8XO.

Powel Crosley studio of radio station WLW

On March 22, 1922, the Crosley Broadcasting Corporation began broadcasting with the call sign WLW and 50 watts of power. Crosley was a fanatic about the new broadcasting technology, and continually increased his station's capability. The power went up to 500 watts in September 1922, 1000 watts in May 1924, and in January 1925 WLW was the first broadcasting station at the 5000 watt level. On October 4, 1928, the station increased its power to 50 kilowatts.  Again it was the first station at this power level, which still is the maximum power currently allowed for any AM station in the United States.

At 50 kilowatts, WLW was heard easily over a wide area, from New York to Florida. But Powel Crosley still wasn't satisfied. In 1933 he obtained a construction permit from the Federal Radio Commission for a 500 kilowatt superstation, and he spent some $500,000 ($9.02 million in 2014) building the transmitter and antenna.

Cooling Pond
It was the first large amplifier used in the United States for public domestic radio broadcasting and was in operation between 1934 and 1939. It was an experimental amplifier and was driven by the radio station's regular 50 kW transmitter. It operated in class C with high-level plate modulation. The amplifier required a dedicated 33 kV electrical substation and a large pond complete with fountains for cooling. It operated with a power input of about 750 kW (plus another 400 kW of audio for the modulator) and its output was 500 kW.

In January 1934 WLW began broadcasting at the 500 kilowatt level late at night under the experimental callsign W8XO.   In April 1934 the station was authorized to operate at 500 kilowatts during regular hours under the WLW call letters. On May 2, 1934, President Franklin D. Roosevelt pressed a ceremonial button that officially launched WLW's 500-kilowatt signal.

As the first station in the world to broadcast at this strength, WLW received repeated complaints from around the United States and Canada that it was overpowering other stations as far away as Toronto. In December 1934 WLW cut back to 50 kilowatts at night to mitigate the interference, and began construction of three 50 ft. tower antennas to be used to reduce signal strength towards Canada.

With these three antennas in place, full-time broadcasting at 500 kilowatts resumed in early 1935. However, WLW was continuing to operate under special temporary authority that had to be renewed every six months, and each renewal brought complaints about interference and undue domination of the market by such a high-power station.

The FCC was having second thoughts about permitting extremely wide-area broadcasting versus more locally oriented stations, and in 1938, the US Senate adopted the "Wheeler" resolution, expressing it to be the sense of that body that more stations with power in excess of 50 kilowatts are against the public interest.

As a result, in 1939 the 500-kilowatt broadcast authorization was not renewed, bringing an end to the era of the AM radio superstation. Because of the impending war and the possible need for national broadcasting in an emergency, the W8XO experimental license for 500 kilowatts remained in effect until December 29, 1942. In 1962 the Crosley Broadcasting Corporation again applied for a permit to operate at 750 kilowatts, but the FCC denied the application.

📻For more, visit Jim Hawkins WLW Transmitter Page: Click Here.

➦In 1958...the CBS Radio Network first aired “Frontier Gentleman” starring John Dehner.  The classy western production came too late in the OTR era to achieve the success it deserved, and it was pulled from the schedule that November.

➦In 1964...ABC's American Bandstand  moved from Philadelphia to the ABC Television Center in Los Angeles (now known as The Prospect Studios), which coincidentally was the same weekend that WFIL-TV moved from 46th and Market to their then-new facility on City Line Avenue as well as the day before the Beatles first appeared on The Ed Sullivan Show.

➦In 1964...The Beatles made the first of three record-breaking appearances on “The Ed Sullivan Show”. The audience viewing the Fab Four on CBS TV was estimated at 73,700,000 (34 percent of the American population).

Ed Sullivan and the Beatles

NOLA: Suspect In Reporter's Death Called 'A Career Criminal'

Adan Manzano

A woman from Slidell Louisiana, 48-year-old Danette Colbert has been arrested after allegedly using credit cards belonging to deceased Telemundo journalist Adan Manzano. Manzano, who was in town to cover the Super Bowl, He was found dead in a hotel in Kenner on Wednesday, February 5.

Security footage from the hotel shows Colbert with Manzano entering his room early that morning, after which she left alone later that day. As of midday on February 7, Colbert has not been charged in connection with Manzano's death but has a history of similar crimes.

Danette Colbert
Kenner Police Chief Keith Conley described Colbert during a Friday press conference as a "career criminal" known to New Orleans police for targeting men in the French Quarter. Her criminal record includes multiple arrests:

  • In 2012, Colbert was arrested in New Orleans for robbery, pleading guilty and receiving two years probation along with a $2,700 fine.
  • In 2014, she was implicated in another theft where she allegedly drugged a tourist near Lafayette Square, stealing cash, credit cards, and a $4,000 Rolex. She was later caught on camera using the stolen cards and assaulted a store manager when confronted, leading to charges of intimidation, battery, bank fraud, theft, and burglary. She was sentenced to five years probation.
  • By 2016, she was back in court in Orleans Parish for purse snatching and burglary, again receiving probation.

Her criminal activities continued into 2022 in Las Vegas, where she was arrested for grand larceny and administering a drug in the commission of a felony after allegedly drugging a man and stealing valuables worth nearly $100,000. Despite her denials, she was charged again later that year while out on bond for a similar incident at the Wynn.

Colbert's pattern of crime, particularly targeting individuals in hotel settings, has led to her frequent appearances in police reports and courtrooms across states. 

The Wichita Eagle reports Manzano had been documenting his 2025 Super Bowl experience on social media earlier this week. "We've arrived in New Orleans to kick off our Super Bowl LIX coverage! ," he wrote in a joint Instagram post with Telemundo Kansas City on Sunday, February 2. 

"We are ready to bring you all the excitement, interviews, reactions and more, so you don't miss the best of this great event, by Telemundo Kansas City, channel 39. And channel 36 on Columbia and Jefferson City."

The next day, he was present at the opening ceremonies. "‘Opening Night' officially kicks off Super Bowl LIX week! ," a Monday, February 3, post on his Instagram read. "The teams, the excitement and all the stories surrounding this big event as Chiefs' quest for the coveted tri-championship start here. Don't miss any details of this great event by Telemundo Kansas City!" 

The journalist previously covered the 2023 and 2024 Super Bowl games for the Telemundo affiliate, both of which the Kansas City Chiefs won.

News Outlets Reject Accusations of Media 'Payoff'


Several major news outlets including Politico and the Associated Press have rejected unsubstantiated accusations by President Donald Trump and right-wing influencers that the U.S. Agency for International Development paid millions of taxpayer dollars to newsrooms in exchange for coverage favoring the Democratic Party.

Trump wrote on social media on Thursday: 

Prominent Trump supporters, including billionaire Elon Musk, amplified the narrative about USAID directly funding some news outlets including Politico and the New York Times.

Reuters reports The White House and USAID did not immediately respond to a Reuters request for comment about the claims

Trump on Thursday accused Politico, which he referred to as "the left wing 'rag'," of receiving $8 million from USAID. White House press secretary Karoline Leavitt announced a day earlier the government would cancel more than $8 million of subscription expenditure to the news organization.

The NY Times reports Saturday: That wasn’t true. The website had received about $44,000 from U.S.A.I.D. for subscriptions to its premium environmental and energy publication over two years, and more than $8 million in subscription revenue from a variety of agencies, including the Department of Energy.

According to The Times, that set off a round of other misleading claims about USAID granting money to the BBC and The New York Times. (The agency has instead granted money to an independent charity that shares a name with the BBC. The most viral claim about The New York Times was based on an inaccurate search of government records that included grants to unrelated, but similar-sounding groups, like New York University. In a statement, The Times said that the payments it had received were for subscriptions; government data shows it has also received some advertising revenue from the government. In a memo to staff, Politico’s leaders said the publication had “never been a beneficiary of government programs or subsidies.”)

"Government agencies that subscribe do so through standard public procurement processes—just like any other tool they buy to work smarter and be more efficient,” the statement said.

A spokesperson for the Associated Press, which also faced accusations from pro-Trump online accounts that it was funded by the aid agency, said it had not received any money from USAID.

“Our business is providing factual, nonpartisan news and information to customers worldwide,” the spokesperson said.

“The U.S. government has long been an AP customer – through both Democratic and Republican administrations."

More Media Booted From Pentagon Office Space

The U.S. Defense Department on Friday doubled the number of news organizations that must vacate their Pentagon office spaces to be replaced by other media outlets under a new "annual media rotation program."

The department said in a memo it was adding CNN, the Washington Post, the Hill and the War Zone to the outlets that must give up their dedicated space. Those organizations did not immediately respond to requests for comment, according to
Reuters
.

In the first round, the Defense Department said a week ago the New York Times, NBC News, Politico and the National Public Radio had to vacate their dedicated workspaces at the Pentagon.

Incoming media outlets include the New York Post, Breitbart, the Washington Examiner, the Free Press, the Daily Caller, Newsmax, the Huffington Post and One America News Network, most of whom are seen as conservative or favoring Republican President Donald Trump, who took office on January 20.

Outgoing outlets will remain members of the Pentagon Press Corps, the memo said, adding that the rotation expressed a desire to make room for other media outlets.

More than two dozen news organizations operate out of the Pentagon, including Reuters, reporting on the daily activities of the U.S. military.

The Pentagon Press Association, which represents journalists who cover the Defense Department, said it was "shocked and deeply disappointed by the Defense Department's decision to double the number of news organizations it is removing in two weeks from their dedicated workspaces in the Pentagon from four to eight."

56% of Super Bowl LIX Viewers Expected to Stream


With Super Bowl LIX tomorrow the Kansas City Chiefs versus the Philadelphia Eagles at the Superdome in New Orleans, the event is poised to lead television viewership once again. New data from VegasSlotsOnline indicates that streaming will play a significant role in how the game is watched.

Approximately 56% of the total Super Bowl audience, or about 67 million people, are expected to stream the game. This insight comes from surveying 1,000 individuals online, where 64% of Gen Z and Millennial adults (ages 18-34) plan to watch via streaming, compared to only 19% of those aged 65 and above.

For the first time, the game will be available to stream on the ad-supported Tubi platform, alongside Fox Sports' streaming options on YouTube TV, Fubo TV, Hulu + Live TV, Sling TV, and the NFL App.

Media Player News reports the average viewer streaming the Super Bowl is anticipated to spend around $53.59 per month on streaming services, leading to an estimated total of $1.23 billion being spent on streaming the event across the U.S.

The data also shows that nearly 70% of viewers will use multiple platforms during the event, indicating a trend towards engaging with sports through a mix of traditional and digital means. This includes using second screens for social media and exclusive content, merging sports watching with digital entertainment.

Moreover, pop culture influences viewing habits, with Taylor Swift significantly attracting younger demographics. About 9.6 million viewers are tuning in hoping to see a "Swiftie moment," with 13% of viewers in the 18-24 and 35-44 age groups specifically watching for Taylor Swift highlights, reflecting her influence on streaming trends.

This "Taylor Swift Effect" is drawing in a younger audience, many of whom stream the game on smartphones and tablets while also engaging with Swift-related content on social media. This represents a shift towards a comprehensive digital experience where streaming, social media, and live moments blend together.

FOX Super Bowl Coverage: Hour by Hour



Fox Sports
and Fox Deportes will “geaux” marching into New Orleans for Super Bowl LIX on Sunday, Feb. 9, delivering comprehensive programming across Fox and Fox Deportes.

From the historic streets of the French Quarter to the famed Superdome, fans can expect a weeklong celebration that culminates in a highly anticipated Super Bowl matchup.

Below is a rundown of the network-by-network coverage leading up to and following Super Bowl Sunday, all times Eastern.

Fox

Super Bowl Sunday on Fox (Feb. 9) “Road to the Super Bowl” (11 a.m.)
  • The award-winning NFL Films series kicks off Super Bowl Sunday on Fox with classic slow-motion footage and insights from players and coaches wired for sound.
  • “The Madden Cruiser: A Bayou Adventure With Bill Belichick” (Noon)
  • Eight-time Super Bowl champion Bill Belichick embarks on a road trip aboard the legendary Madden Cruiser, joined by special guests Tom Brady, Michael Strahan, Curt Menefee, Ed Reed, Ty Law, Archie Manning, Tyrann Mathieu and Rocsi Diaz.
  • “Fox Super Bowl LIX Pregame” (1 p.m.)
  • Coming live from multiple New Orleans locations, including the Fox Sports set on Bourbon Street, Curt Menefee, Terry Bradshaw, Howie Long, Michael Strahan, Jimmy Johnson and Rob Gronkowski host five-and-a-half hours of pregame coverage. Jay Glazer provides breaking news and exclusive updates from around the league, while Charissa Thompson, Charles Woodson, Julian Edelman, Michael Vick, Peter Schrager, Kristina Pink and Cooper Manning deliver interviews, analysis and special segments.
  • Super Bowl LIX (6:30 p.m.)
  • Fox’s lead NFL announce team of Kevin Burkhardt and seven-time Super Bowl champion Tom Brady call the action, with Erin Andrews and Tom Rinaldi reporting from the sideline. Mike Pereira adds expert rules analysis. The game is available on Fox, Fox Deportes, Tubi, Telemundo and across NFL digital properties.
  • “Fox Super Bowl LIX Postgame Show” (10 p.m.)
  • Immediately following the final whistle, Menefee, Bradshaw, Long, Strahan, Johnson and Gronkowski break down the day’s biggest moments and interview players from the winning team. Coverage also includes the Lombardi Trophy presentation.

Super Bowl Eve on Fox (Feb. 8)
  • “Global Rise of Flag Football” (7 p.m.)
  • An in-depth look at the burgeoning popularity of flag football around the globe, featuring youth participants, elite flag athletes and NFL players united by a dream of seeing the sport in the Los Angeles Olympic Games in 2028.
  • “Super Bowl Soulful Celebration” (8 p.m.)
  • The only NFL-sanctioned inspirational concert airs live from New Orleans’ Mahalia Jackson Theater. Hosted by Bill Bellamy and Rocsi Diaz, this year’s event showcases performances spanning R&B, gospel and country. During the program, Michael Strahan is honored with the Lifetime of Inspiration Award for his achievements both on and off the field.

Super Bowl 2025 Halftime Show: Who Is Performing


The Super Bowl halftime show has always been a major part of the annual NFL event, and is America's most-watched musical performance of the year.

Reuters takes a look at Sunday's halftime show during the match between Philadelphia Eagles and Kansas City Chiefs in New Orleans, Louisiana.


WHO IS PERFORMING AT THE SUPER BOWL HALFTIME SHOW 2025?

The halftime show will be performed by Kendrick Lamar, who has won 22 Grammy Awards throughout his career, including five this year for his song 'Not Like Us', which bagged the prestigious 'Song of the Year' and 'Record of the Year' awards on Sunday.

Lamar is the first solo rapper to headline the halftime show.

The 37-year-old also performed at Super Bowl 2022, alongside Dr Dre, Snoop Dogg, Eminem and Mary J. Blige. It was the first halftime show to be centred entirely around hip-hop music.

Lamar, who started out freestyling and battle rapping at school, released his debut studio album "Section.80" in 2011. The album sold 130,000 copies in the U.S. over the next three years.

Lamar has released five more studio albums, along with other records, selling over 17.9 million album-equivalent units worldwide. He has achieved five number-one singles in the U.S.

Singer-songwriter SZA will join Lamar as a special guest in the performance, which will be directed by Hamish Hamilton, who has directed the halftime show since 2010.


WHO IS SPONSORING THE SUPER BOWL HALFTIME SHOW?

Apple Music, the music, audio and video streaming service of Apple Inc. is the sponsor of this year's halftime performance.

The company took over sponsorship in 2023, when Rihanna performed, replacing Pepsi who had been sponsor since 2013.

WHERE CAN I WATCH THE SUPER BOWL HALFTIME SHOW?

The Super Bowl is scheduled to kick off at 6:30 p.m. ET, on Sunday, Feb. 9, with the halftime show expected to begin between 8 p.m. and 8:30 p.m.

The event will be broadcast live on FOX, FOX Deportes and streamed on Tubi.


A HISTORY OF THE SUPER BOWL HALFTIME SHOW

In the beginning, the show mainly featured college marching bands, before progressing to drill teams and performance ensembles, but it all changed in 1991 when boy band New Kids on the Block were the headline act.

The rest of the Nineties had artists such as Michael Jackson, Diana Ross, Stevie Wonder and Gloria Estefan perform.

At the turn of the century, a number of different acts performed together. In 2000 Phil Collins, Christina Aguilera, Enrique Iglesias and Toni Braxton appeared and the following year brought Aerosmith and NSYNC together.

U2 replaced Janet Jackson in 2002, and the band performed a tribute to the victims of the 9/11 attacks. Jackson would get her chance in 2004, where her performance created controversy due to an infamous "wardrobe malfunction".

Justin Timberlake joined Jackson onstage, and at the end of the song "Rock Your Body" he tore off part of her top, briefly revealing her breast.

The incident led to a change for the next few years, with just one artist or group performing, mainly mainstream rock acts such as Paul McCartney, the Rolling Stones, Prince and Bruce Springsteen.

In 2011, contemporary artists made a return, with the previous format of a headline act and a number of guests.

Since then, Madonna, Beyonce, Bruno Mars, Katy Perry, Lady Gaga, Dr. Dre and Eminem have all performed at the show which guarantees them massive exposure, and a significant increase in album sales and digital downloads.

The Commercials: Humor and Celebs Return


As the Kansas City Chiefs aim for an unprecedented third consecutive Super Bowl win against the Philadelphia Eagles, advertisers are gearing up for one of the year's most watched events. CNN reports over 50 brands have secured slots during the game, expected to draw over 120 million viewers, focusing on humor and celebrity endorsements rather than the once-popular themes of gambling and cryptocurrency.

According to Paul Hardart, a clinical professor of marketing at New York University's Stern School of Business, capturing viewer attention in today's media environment is challenging. Brands are therefore leveraging celebrities, mascots, and well-known intellectual properties to ensure their messages resonate. 

A prime example is Instacart's inaugural Super Bowl advertisement, which stars a lineup of familiar consumer mascots like Mr. Clean, Chester the Cheetah from Cheetos, and the Pillsbury Doughboy. This 30-second spot humorously illustrates "one epic delivery" only possible through Instacart.



Other companies are also tapping into celebrity power. Uber Eats features Martha Stewart and Kevin Bacon in a playful ad suggesting that football was created to sell food, with a humorous twist on the Roman numerals in Super Bowl LIX ("licks"). Stella Artois reunites with David Beckham and adds a Matt Damon appearance, while Coffee mate uses Shania Twain to introduce its new cold foam with a custom song.

The trend isn't limited to traditional advertising; artificial intelligence is also making its mark. A Meta commercial stars Chris Pratt, Kris Jenner, and Chris Hemsworth showcasing AI-powered glasses, and the Muppets use Booking.com's new AI tool to plan a trip.

Hardart notes the cyclical nature of Super Bowl advertising themes, highlighting how past years focused on cryptocurrency and betting apps. "No better way to say we're the mainstream one than by being featured in the Super Bowl," he remarked, explaining the strategic shift towards AI and back to humor and celebrity in this year's lineup.

Philly TV: Fox29 Sees Super Bowl Ad Revenue Spike


With just a just a day remaining until kickoff of Super Bowl LIX, WTXF Fox29 General Manager Dennis Bianchi is feeling quite good about having the broadcast rights to the championship rematch between the hometown Philadelphia Eagles and the Kansas City Chiefs.

Fox29 carried the first Super Bowl between the Eagles and Chiefs two years ago, and Bianchi said there has been a 50% spike in ad sales this year compared to the 2023 game.

Bo Koelle, vice president of advertising sales at NBCUniversal in Philadelphia, said NBCU's local stations NBC10, NBC Sports Philadelphia and Telemundo62 were already 10% over their revenue target and had surpassed the 2023 performance of their Super Bowl coverage that includes pre-game and postgame shows.

The Philadelphia Business Journal reports the increase in advertising revenue for both stations has been driven by increased interest in the game and the growth of digital platforms as targets for advertisers, Bianchi and Koelle said. Viewers are anxious to see the Eagles avenge their 38-35 loss to the Chiefs in Super Bowl LVII, and the opportunities to tap into that local audience have increased in the two years since thanks to the expansion of digital product offerings and advertisers' understanding of them.

Bianchi said Fox29 has been trying to leverage its status as the local home of the Super Bowl by sending its morning news anchors Mike Jerrick and Alex Holley to broadcast live from New Orleans. What’s changed from two years ago is the growth of the station's livestreaming capabilities. Anchor and reporter Bill Anderson is livestreaming from Radio Row for five and a half hours a day this week, speaking with athletes and other celebrities making the rounds.

“We're doing fantastic numbers with people tuning into the stream,” Bianchi said. “And we hope that they see our brand on the stream, what we're capable of — even when we're not on television — and come back a whole lot in the future.”

While Fox29 was streaming two years ago, it could only be viewed on the station’s website. Now the streaming has enhanced distribution through the Fox Local app, which can be downloaded on smart televisions that have video-on-demand options.


NBC to Air First-Ever Episode of ‘SNL’


NBC will mark the 50th anniversary of “Saturday Night Live” by rebroadcasting the first-ever episode of the show on Feb. 13. The episode originally aired on Oct. 11, 1975 under the name “Saturday Night,” and was hosted by George Carlin with musical guests Billy Preston and Janice Ian.

The Wrap reports the first “SNL” episode will re-air on NBC on Feb. 15 at 11:30 p.m. ET/PT and features the iconic Not Ready for Primetime Players: Dan Aykroyd, John Belushi, Chevy Chase, Jane Curtin, Garrett Morris, Laraine Newman and Gilda Radner. The episode also features Andy Kaufman and Jim Henson. The making of the episode was fictionalized in Jason Reitman’s 2024 film “Saturday Night.”

Right before the “SNL” presentation, NBC will air an encore of the incredible Questlove-directed documentary “Ladies and Gentlemen… 50 Years of SNL Music” at 8 p.m. ET/PT on the network.

NBC will mark the 50th anniversary of “Saturday Night Live” by rebroadcasting the first-ever episode of the show on Feb. 13. The episode originally aired on Oct. 11, 1975 under the name “Saturday Night,” and was hosted by George Carlin with musical guests Billy Preston and Janice Ian.

The first “SNL” episode will re-air on NBC on Feb. 15 at 11:30 p.m. ET/PT and features the iconic Not Ready for Primetime Players: Dan Aykroyd, John Belushi, Chevy Chase, Jane Curtin, Garrett Morris, Laraine Newman and Gilda Radner. The episode also features Andy Kaufman and Jim Henson. The making of the episode was fictionalized in Jason Reitman’s 2024 film “Saturday Night.”

Right before the “SNL” presentation, NBC will air an encore of the incredible Questlove-directed documentary “Ladies and Gentlemen… 50 Years of SNL Music” at 8 p.m. ET/PT on the network.

PBS Goes On the Offense


Amid a wave of Republican initiatives to cut funding for public broadcasters, PBS has released a new poll demonstrating significant backing from Trump supporters. 

According to Axios, The poll, internally conducted with YouGov and obtained by Axios, reveals that 65% of Trump voters believe PBS is either underfunded or sufficiently funded. 

Why it matters: Eliminating PBS's budget would have dire consequences for the 54-year-old organization, with government funding making up approximately 15% of its total budget, which supports PBS and its numerous local stations.

By the numbers: The survey, which included over 2,000 participants with 792 identifying as Trump voters, found that 82% of all voters, including 72% of Trump voters, value PBS for its educational and children's programming. This year, PBS shifted to YouGov's methodology to better understand political party sentiments.

Reality check: This poll serves as a gauge for PBS's public perception, especially as it faces scrutiny alongside NPR regarding funding issues. 

Noteworthy: While the Trump administration has criticized NPR for perceived biases, PBS has not faced similar accusations. However, last week, a Defense Department memo mandated that NPR, along with other major news outlets, vacate their long-standing offices in the Pentagon.

What to watch: Congresswoman Marjorie Taylor Greene (R-Ga.) has summoned the CEOs of NPR and PBS to testify before the DOGE subcommittee in March. The focus is on what Greene labels as "systemically biased content" from publicly funded media. This will be the first hearing of its kind for the subcommittee, highlighting its focus on media oversight.

What they're saying: PBS has expressed gratitude for bipartisan congressional support, emphasizing their noncommercial and nonpartisan contributions to local communities. They are eager to clarify their role in the upcoming hearing. NPR, on its part, stands by its commitment to impartial journalism, looking forward to discussing the importance of public media.

CNN Incorrectly ID's Bin Laden As 'Obama' Rather Than Osama


CNN suffered yet another embarrassment Friday after using a graphic with the name 'Obama bin Laden' on air. 

The struggling network faces large job cuts as ratings circle the drain and CEO Mark Thompson attempts to shed the network's liberal image.

Anchor Boris Sanchez was presenting a story on the network Friday afternoon regarding the relocation of illegal migrants to Guantanamo Bay Detention Center under Donald Trump. 

At one point, they brought up the treatment of a known associate of the terrorist Osama bin Laden, Abu Zubaydah, America's longest-held prisoner in the war against terror. 

The network graphic headlined the bin Laden pal as: 'OBAMA BIN LADEN ASSOCIATE: ABU ZUBAYDAH.'

CNN's error mixes up the name of the mastermind behind the September 11 attacks in 2001 with former President Barack Obama. 

The Daily Mail reports the network did not appear to reference the mistake, though social media immediately jumped on it.

The Day After Will Be A Holiday For Millions


 Despite Super Bowl Sunday not being a federal holiday, many still make the Monday after a holiday. 

According to USA TODAY last year, The Harris Poll for The Workforce Institute at UKG coined the term "Super Bowl flu," in response to the millions who call out of work after the big game. They estimated that nearly 16.5 million employees across the U.S. planned to miss work the day after Super Bowl 59, according to a survey of 1,192 Americans.

They also found that as many as 14.5 million employed U.S. adults have called in sick to work when they weren't actually sick.

An estimated 28% of employees say they will be less productive on that day. Outplacement company Challenger, Gray & Christmas previously estimated lost productivity from absent and distracted workers on Super Bowl Monday at $6.5 billion.

K-EARTH 101 Invites Listeners To “Buy Breakfast For A Firefighter”


This Valentine’s Day, Audacy’s K-EARTH 101 (KRTH-FM) in Los Angeles is turning love into action by honoring the heroic first responders who battled the devastating fires in January. 

On February 14 from 6:00 a.m. to 10:00 a.m. PT, the station will invite listeners to “Buy Breakfast for a Firefighter” at HomeState, a Pasadena restaurant that survived the fire, to show appreciation for the local first responders and buy them breakfast. Morning show hosts Gary Bryan and Lisa Stanley will broadcast live from the event. 

“We are deeply grateful for the brave first responders who tirelessly worked to combat the fires and safeguard our community,” said Jeff Federman, Regional President, Audacy Southern California. “This Valentine’s Day, we’re excited to unite with our fellow community members and HomeState to honor these heroes’ unwavering resilience and sacrifice.”

“We’re in the middle of so much of the impacted area near Altadena, right on the corner of Altadena and Pasadena where homes as close as two blocks from here were unfortunately lost in the fires,” said Andy Valdez, Director of Marketing, HomeState. “We’re so excited to open our doors to the community once again and show some love that they need right now. Nothing says love like tacos and warm hospitality.”

HomeState is a Texas Kitchen in Southern California that shares breakfast tacos, queso, brisket, house-made flour tortillas and genuine hospitality. Following the fires, they have shared 7,000 meals with the community out of their parking lot in conjunction with World Central Kitchen. HomeState Pasadena continues to provide meals to first responders, volunteers and neighbors impacted by the fire, supported by World Central Kitchen and its Guest Wildfire Relief Fund. 

For more information about “Buy Breakfast for a Firefighter,” please click here. 

K-EARTH 101’s “Buy Breakfast for a Firefighter" is a part of Audacy’s commitment to making a meaningful difference at scale. Audacy uses its reach and personal connection with listeners to advance causes that promote strong mental health and build sound communities.

Listeners can tune in to K-EARTH 101 in Los Angeles on air and nationwide on the Audacy app and website. Fans can also connect with the station on social media via X, Facebook and Instagram.  

Radio History: Feb 8


➦In 1922...President Warren G. Harding had the first  radio installed in The White House.

➦In 1924...From a banquet hall at the Congress Hotel in Chicago one man could be heard simultaneously in New York, Jacksonville, Denver, San Francisco, and even Havana, Cuba. This was the first coast-to-coast radio broadcast and it was accomplished less than a decade after the first coast-to-coast telephone call was placed in 1915. The future of broadcasting had arrived.






General John J. Carty, a vice president at Bell Telephone Company, spoke from Chicago, addressing by name the various telephone managers in each city where he was being heard. Only about 10% of Americans had a radio set in 1924, but "millions" of others also heard the broadcast, all tuning in with the new radio sets which were quickly becoming quite a coveted new piece of tech for American homes.

➦In 1929...KOY-AM, Phoenix signed-on.

KOY was the first radio station in the state of Arizona, signing on in 1921 as Amateur Radio station 6BBH on 360 meters (833 kHz). Earl Neilsen was the holder of the 6BBH callsign (there were no country prefixes for hams prior to 1928). At that time, broadcasting by ham radio operators was legal.

In 1922, the station received its broadcast license, under the Neilsen Radio & Sporting Goods Company business name, with the callsign KFCB. While the KFCB call letters were sequentially assigned, the station adopted the slogan "Kind Friends Come Back" to match the callsign.

A Phoenix teenager and radio enthusiast named Barry Goldwater was one of the new station's first employees.

When the AM broadcast band was opened in 1923 by the Department of Commerce, KFCB moved around the dial, as did many stations at the time. It was on 1260, 1230, 1310, and 1390 before moving to its long-time home of 550 kHz in 1941. KFCB became KOY on February 8, 1929.  Today the station is owned by iHeaertMedia and is branded as "93.7 El Patrón", simulcasting on an FM translator.

Dick Clark
➦In 1960... U.S. Congressional investigators began exploring the influence of payola in the radio and record industries. Alan Freed and “American Bandstand” host, Dick Clark, among others, were called to testify.

The term Congressional Payola Investigations refers to investigations by the House Subcommittee on Legislative Oversight into payola, the practice of record promoters paying DJs or radio programmers to play their labels' songs. Payola can refer to monetary rewards or other types of reimbursement, and is a tool record labels use to promote certain artists.

Alan Freed
Other forms of payola include making arrangements to purchase certain amounts of advertising in exchange for staying on a station's playlist, forcing bands to play station-sponsored concerts for little or no money in order to stay in a station's good graces, and paying for stations to hold "meet the band" contests, in exchange for air time for one of the label's newer, lesser-known bands.

Alan Freed, who was uncooperative in committee hearings, was fired as a result. Dick Clark also testified before the committee, but survived, partially due to the fact that he had divested himself of ownership interest in all of his music-industry holdings.

After the initial investigation, radio DJs were stripped of the authority to make programming decisions, and payola became a misdemeanor offense. Programming decisions became the responsibility of station program directors.

➦In 1985...actor Marvin Miller died at age 71 after a heart attack.  He was best known as the Signal Oil announcer on CBS Radio’s memorable series The Whistler, and as Michael Anthony, the man who passed out a weekly cheque on CBS-TV’s hit series The Millionaire in the late 1950’s.

Marvin Miller 1958
For the Mutual Broadcasting System, he narrated a daily 15-minute radio show entitled The Story Behind the Story, which offered historical vignettes. He also served as announcer on several Old Time Radio shows of the 1940s and 1950s, including The Jo Stafford Show and the long-running mystery series The Whistler.

In 1945–47, he was the announcer for Songs by Sinatra.

In 1952, Miller had a one-man program, Armchair Adventures, on CBS. He did "all voices and narration" in the 15-minute dramatic anthology. He also recorded 260 episodes of a program described in a 1950 trade publication as "Marvin Miller: Famous radio voice in series of five minute vignettes about famous people." The program was syndicated via electrical transcription by The Cardinal Company.

He also won Grammy Awards in 1965 and 1966 for his recordings of Dr. Seuss stories.

➦In 1994...Barry Manilow launched a $28M dollar lawsuit against Los Angeles radio station KBIG over its pledge to not play his music and its TV ad campaign in support of the “No Manilow” policy.  Hastings, Clayton & Tucker, a Nevada-based entertainment firm that owned the promotional and marketing rights to Barry Manilow's name, filed suit in Orange County Superior Court against Utah-based Bonneville International Corp.  The station used Manilow's name in promos for its  "No Manilow" music policy.  The legal action was dropped a few days later after KBIG agreed to withdraw the promotional spot.

➦In 1996...the "Telecommunications Act of 1996" de-regulated Radio ownership.

Friday, February 7, 2025

Suspect Questioned After Death of Telemundo Reporter In NOLA

Adan Manzano and suspect

Two days after a Kansas City Telemundo reporter visiting the New Orleans area to cover Super Bowl LIX was found dead in his hotel room, Kenner police have announced the arrest of a woman seen leaving his room and later using his credit cards at several local stores. 

Danette Colbert, 48, of Slidell, is only facing fraud and theft charges, said Deputy Chief Mark McCormick of the Kenner Police Department. But authorities noted that she has a criminal history that includes allegations of drugging men, theft and credit card fraud. Colbert has convictions in Jefferson and Orleans Parish for targeting tourists on Bourbon Street and illegally using the credit cards.

Adan Manzano, 27, of Topeka, Kansas, was working as a sideline reporter for KBKC, Kansas City's Telemundo affiliate, according to the station. 

He was found dead in a hotel room in Kenner on Wednesday, police said. His cause of death has not yet been determined. The Jefferson Parish Coroner's Office is awaiting the results of further testing. 

Colbert's charges could be upgraded pending Manzano's toxicology and autopsy report. No contraband was found in the hotel room. The investigation is ongoing.

Manzano died less than a year after his wife, Ashleigh Boyd, was killed in an April car crash. They are both survived by their daughter, Eleanor.

Manzano had already filed several stories from Super Bowl 59, including a report from opening night and interviews with fans in New Orleans.

He was an enthusiastic and energetic team player who was well liked and respected," a statement from Tico Sports reads. "Adan was a devoted father to his young daughter, a helpful colleague, and loyal friend. He will be greatly missed by our TICO Family and will live on in our hearts and memories."

Kansas City-based Tico Sports is the official Spanish-language radio broadcaster for both the Chiefs and Philadelphia Eagles during the Super Bowl.

Manzano was set to be a sideline reporter for the Spanish broadcast crew during Sunday's game.

FCC Issues Payola Warning


The Enforcement Bureau of the FCC has issued a Enforcement Advisory to ensure compliance with federal law regarding artist performances at radio station events or festivals:

Enforcement Advisory: Neither broadcast licensees nor their staff members are permitted to force or accept undisclosed free or discounted performances from musicians in exchange for enhanced airplay. 

The advisory serves as a reminder that engaging in "payola" violates the United States Criminal Code and can lead to sanctions under the Communications Act of 1934, as amended. Specifically, this advisory highlights the issue of payola where radio stations or their employees covertly manipulate airplay based on an artist's participation in station promotions or events without receiving appropriate compensation or expense coverage.

Definition of Payola:

Payola involves the unreported payment to, or acceptance by, broadcast station employees, program producers, or suppliers of any form of compensation to secure airplay for specific content. 

Legal Obligations:

  • Under Section 507 of the Act, any involved party must disclose such payments or agreements to the broadcast station licensee prior to the broadcast.
  • Section 317 of the Act mandates that the licensee must then announce that the program content is sponsored and disclose the identity of the sponsor.
  • Diligence Requirements: Sections 317(c) of the Act and 73.1212(b) of the FCC's rules stipulate that each licensee must show "reasonable diligence" in gathering necessary information from employees and others to meet the sponsorship identification obligations under Section 317.
  • There is an expectation of heightened diligence from stations whose formats or contexts render them more prone to payola, especially those contributing to record chart services, compared to stations with formats like all-news which are less likely to encounter these issues.

The advisory underscores the importance of transparency and compliance to maintain the integrity of broadcast practices.

The warning comes after U-S Senator Marsha Blackburn (R-TN) sent a letter to FCC's Carr concerning the relationship between radio stations and music artists, particularly regarding concert promotions. 

FCC Chair Brendan Carr has directed the FCC's Enforcement Bureau to examine these allegations, calling it an "important issue" and questioning if there has been any "payola" misconduct by broadcasters.

Marsha Blackburn
Senator Blackburn has pushed for an investigation, suggesting that radio stations giving more airtime to artists who perform at free concerts might represent a modern version of pay-for-play. She has not detailed specific artists or stations involved but highlighted that stations might "pressure" artists into performing at events like listener appreciation or charity concerts, with increased airplay as a reward. Blackburn labeled this practice as "exploitative" and unacceptable.

In a letter last Friday to FCC  Chair Carr, Blackborn wrote "From what we have learned, it appears that to sidestep these restrictions, radio stations and networks have adopted a troubling new tactic," Blackburn wrote. "Instead of demanding cash or lavish perks from record labels in exchange for airplay, they now pressure artists to perform 'free radio shows'— also referred to as 'listener appreciation shows' or 'charitable concert events.' We have heard the new scheme works in this manner: radio stations and networks offer more airtime for an artist’s songs if the artist performs a free show.” 

However, some in the broadcasting industry suspect political motives behind Blackburn's call for investigation, noting that it coincided with her reintroduction of the American Music Fairness Act (S.326), legislation aimed at mandating radio stations to pay performance royalties for music played on air.

Trump: Scrap All Media Contracts


The Trump administration directed the General Services Administration (GSA), a critical agency that supports other government departments, to terminate all its media contracts following outrage over federal funds being allocated to news outlets, according to a report.

An email from a White House official to the GSA, which was obtained by Axios on Thursday, outlined the directive:

"GSA team, please do two things," the official wrote. "Pull all contracts for Politico, BBC, E&E (Politico sub) and Bloomberg.

"Pull all media contracts for just GSA – cancel every single media contract today for GSA only," according to the Axios report.

The GSA, an independent agency, is responsible for managing federal property and enhancing government operational efficiency, as stated on its website.

This action came after revelations by Elon Musk and his Department of Government Efficiency (DOGE) about significant federal spending on Politico Pro subscriptions. Politico Pro is known in Washington for real-time tracking of "policy, legislation and regulations with news, intelligence and a suite of data products," according to the company.

During a Wednesday press briefing, White House Press Secretary Karoline Leavitt confirmed that the administration would cease funding for these subscriptions, noting that the government had previously spent over $8 million on the service. 

"The DOGE team is working on canceling those payments now," Leavitt stated, emphasizing a comprehensive review of federal expenditures under this administration.

President Trump took to Truth Social to claim that the payments to Politico were akin to a "payoff" to encourage positive coverage of Democrats.

In response, Politico's CEO Goli Sheikholeslami and Editor-in-Chief John Harris clarified in a letter to readers that Politico does not receive government subsidies. They described the payments as typical transactions for services akin to buying research or software. They also criticized the spread of misinformation, stating, "Some online voices are deliberately spreading falsehoods. Let's be clear: Politico has no financial dependence on the government and no hidden agenda. We cover politics and policy — that's our job."

1A Advocates Concerned Over KCBS Investigation


The FCC has launched an investigation into KCBS, a San Francisco-based radio station, for its reporting on immigration enforcement activities in San José last month. This action has raised alarms among press freedom advocates and has sparked criticism from right-wing commentators directed at the station.

In a Fox Digital News interview, FCC Chairman Brendan Carr explained that the investigation was initiated because KCBS disclosed real-time locations and descriptions of vehicles used by immigration officials on January 26.

"We have issued a letter of inquiry, formally starting an investigation into this issue, giving them just days to respond and clarify how this aligns with their public interest responsibilities," Carr stated.

Advocates for the First Amendment are concerned that such an investigation might deter media outlets from covering the Trump administration's large-scale deportation initiatives.

"Immigration enforcement, like other law enforcement actions, concerns the public interest," said David Loy, legal director at the First Amendment Coalition told KQED-FM . "The public has a right to know about these events through various media. This investigation could suggest the FCC is being used to suppress journalism the administration dislikes."

Loy further expressed concern that this could intimidate other news entities, suggesting that even without formal charges, the threat of government scrutiny can be punitive.

"It's an exercise in intimidation. The process itself becomes the punishment," Loy remarked. "Journalists might have to constantly worry about government retaliation for reporting on unfavorable topics."

In the aftermath, KCBS faced a backlash on social media, with many users calling for the station's license to be revoked. By Thursday afternoon, the initial reports were no longer visible on the station's website. Neither KCBS nor its parent company, Audacy, have responded to requests for comment.

Last year, Carr had previously criticized the FCC's decision to approve aspects of Audacy's bankruptcy plan involving investment from George Soros's fund, which has been a target for conservative criticism. Carr pledged to reevaluate this decision after his appointment by Trump to head the FCC.

Commissioner Claims FCC Has Been Weaponized Against CBS


FCC Commissioner Anna Gomez has advocated for the termination of an investigation into CBS and its affiliated stations, following a review that found no violations of FCC rules. Gomez criticized the agency for making details of the ongoing probe public, calling this action "unprecedented and reckless."

The investigation was sparked by complaints against CBS for allegedly manipulating a news segment featuring an interview with former Vice President Kamala Harris. After examining the claims, the FCC's Enforcement Bureau determined that the edits were typical for journalism and not intended to deceive viewers.

The issue escalated when former President Donald Trump filed a lawsuit against CBS, claiming the edited interview amounted to election interference. The FCC released the unedited version of the interview, which showed Harris addressing Trump's remarks on immigrants in Springfield, OH. CBS defended their edits, asserting they were made for clarity and conciseness, aligning with standard broadcast practices.

Gomez voiced her worries that publicizing the investigation's details could politicize FCC enforcement and compromise its neutrality. She argued that the FCC should prioritize consumer protection and network security over involvement in political disputes.

In response to the controversy, the FCC has invited public comments, emphasizing transparency in their assessments. CBS has stood by its journalism, supporting its position with complete transcripts and videos submitted to the FCC.

This case represents a pivotal moment for the FCC, testing the limits of regulatory oversight versus media freedom. The public and media experts' input could shape how the FCC handles similar issues in the future.

Nielsen: Radio, TV Prove To Be Vital Sources During Disasters


Extreme weather events, such as the devastating fires in Los Angeles in January 2025, are becoming an increasingly frequent part of daily life, as explored in Nielsen’s recent climate change report

These events not only disrupt communities, but also highlight the critical role of trusted local media. Los Angeles’ local television stations, their digital platforms, and local radio stations kept locals informed on Jan. 8, 2025, when fires spread quickly through several neighborhoods across the city—demonstrating the importance of multiplatform audience strategies to meet urgent information needs.
The power of local media in a crisis

During the LA fires, local news became a lifeline for millions. On Jan. 8, Los Angeles viewers recorded over 1.1 billion minutes of local TV news alone, while impressions of that same news content on digital platforms alone surged by an astounding 1,693% over the average of the three weekdays prior. Similarly, local radio, with its ability to deliver hyper-local and timely updates, logged more than 97 million gross minutes, a 40% increase over the average of the seven days prior. These platforms proved indispensable as more than 200,000 people were evacuated from their homes, seeking real time, accurate information to navigate the crisis.

LA audiences spent over 1.1B minutes with local news on Jan. 8, 2025

Among radio listeners, news-talk formats saw a remarkable rise, with the average quarter hour share among persons age 12 and older doubling to 20%. This means that 20% of all radio listeners in the market at that time were tuned into news-talk stations. For adults 25-54, the share climbed to nearly 13%, reflecting the format’s ability to engage audiences across diverse age groups during critical moments.




Multiple audience segments relied on local broadcast TV and radio. Hispanic households consumed nearly half a billion minutes of local TV on Jan. 8 representing a 321%* increase, while radio listening climbed to nearly 22 million minutes. Black audiences logged 121 million minutes of TV viewing, up 216%*, and nearly 5.5 million minutes of radio. Even younger audiences 18-34, demonstrated a notable shift in behavior during the fires, with linear TV viewing up by 324%.

2025 Marks Westwood One’s 52nd Super Bowl Broadcast

  • Kevin Harlan, Hall of Famer Kurt Warner, Gene Steratore, and Laura Okmin Call the Action Live from New Orleans
  • Scott Graham and Three-Time Super Bowl Champion Devin McCourty Anchor Pregame, Halftime, and Postgame Coverage
  • Westwood One Will Air the Apple Music Super Bowl LIX Halftime Show for the First Time

Cumulus Media’s Westwood One, America’s largest audio network and the official audio partner of the National Football League (NFL), will present comprehensive live coverage and play-by-play of Super Bowl LIX on Sunday, February 9, 2025, when the AFC champion Kansas City Chiefs meet the NFC champion Philadelphia Eagles at Caesars Superdome in New Orleans, Louisiana. Super Bowl LIX will be the 52nd time Westwood One will broadcast America’s biggest sporting event.

Kevin Harlan will handle play-by-play duties for the Super Bowl for the 15th straight year, with Super Bowl XXXIV MVP and Hall of Fame quarterback Kurt Warner returning for the seventh consecutive year as lead analyst. Gene Steratore re-joins the radio broadcast booth as rules analyst for this year’s Super Bowl, and, for the sixth time, Laura Okmin will patrol the sidelines.

Scott Graham and three-time Super Bowl champion Devin McCourty will host Westwood One’s pregame, halftime, and postgame coverage live from Caesars Superdome, with former NFL offensive lineman Ross Tucker also contributing to the pregame coverage.

For the first time ever, Westwood One will broadcast the Apple Music Super Bowl LIX Halftime Show featuring Grammy-Award winning artist Kendrick Lamar. Lamar has won 22 Grammys thus far in his career and became the first non-classical, non-jazz musician to win a Pulitzer Prize for his 2017 album DAMN. SZA will join Lamar onstage as a guest during the performance.


Westwood One’s Complete Gameday Broadcast Schedule:

  • 2:00 p.m. ET “Super Bowl Preview” with Scott Graham, Ross Tucker, and Kurt Warner
  • 3:00 p.m. ET “Super Bowl Insider” with Scott Graham and Devin McCourty
  • 4:00 p.m. ET “Super Sunday” pregame show hosted by Scott Graham
  • 5:00 p.m. ET Super Bowl LIX Game Broadcast with Kevin Harlan, Kurt Warner, Gene Steratore, Laura Okmin, Scott Graham, and Devin McCourty
  • 6:30 p.m. ET Super Bowl LIX Kickoff  

Listeners can hear Westwood One’s Super Bowl LIX coverage on approximately 600 terrestrial radio stations nationwide as well as on westwoodonesports.com, SiriusXM, NFL+ and via the NFL App. The broadcast can also be heard worldwide via the American Forces Radio Network, which provides programming to America’s military forces. The network serves more than one million men and women in uniform, Department of Defense personnel, American Embassies and Consulates in more than 170 countries and territories as well as on more than 200 U.S. Navy, U.S. Coast Guard, and Military Sealift Command ships at sea. The NFL on Westwood One reaches more than 56 million listeners each season.