Monday, March 17, 2025

Audacy Announces Executive Leadership Update


Audacy, Inc. today announced executive changes, including the appointment of Kelli Turner as President and Chief Executive Officer, Chris Oliviero as Chief Business Officer and Bob Philips as Chief Revenue Officer.  

Turner, an accomplished media leader, has been serving as Interim President and CEO since January when former President and CEO David Field stepped down. Oliviero and Philips are highly regarded industry leaders with more than a half-century of experience combined serving Audacy and its predecessors. Oliviero was most recently Market President for Audacy New York, and Philips was President of Audacy Networks and Multi-Market Sales. 

Kelli Turner
“On behalf of the Audacy board, we are delighted that Kelli Turner has agreed to take on the permanent President and CEO role and lead Audacy through its next phase of reinvention and growth,” said Michael Del Nin, Chairman, Audacy. “She is an exceptional media executive who, along with Chris Oliviero and the rest of the Audacy team, will ensure we continue to invest in high-quality content to engage our audiences and provide best-in-class solutions to our partners.”  

Turner has served on the Audacy Board since September 2024. Turner has also served on the boards of directors of several advertising and music technology companies, including DoubleVerify, Downtown Music Holdings and Central European Media Enterprises Ltd. Turner was most recently Managing Director and Chief Financial Officer of Sun Capital Partners, a leading private investment firm. Prior to joining Sun Capital Partners, she was President and Chief Operating Officer of SESAC Holdings, a leading music licensing and rights management company owned by Blackstone. She has also served in various executive and leadership roles in the investment and media industries, including RSL Group, Martha Stewart Living, Time Warner, Allen & Company and Citigroup. 

Chris Oliviero
“It’s a privilege to lead Audacy at this exciting moment in its impressive history and the evolution of audio,” said Turner. “This is one of the most dynamic businesses in media and entertainment, and I am looking forward to partnering with Chris Oliviero and all of our teams to build on our momentum with audiences, creators and advertisers. I’m especially excited by the appointments of Chris and Bob, who know Audacy’s businesses inside out and whose track records in management, programming and sales are second to none.”

Bob Phillips
Oliviero has served as Market President in New York since 2020 and spent more than 23 years at CBS Radio (which became part of Audacy in 2017). He started his career as a production assistant on “The Howard Stern Show” and took on progressively more senior programming roles.

Philips joined CBS Radio in 1996 and later served as Chief Revenue Officer for CBS Radio and  Entercom. Following Entercom's rebranding as Audacy in 2021, Philips transitioned into his most recent role as President of Audacy Networks and Multi-Market Sales.

The company concurrently announces the departures of Chief Operating Officer Susan Larkin, Chief Digital Officer J.D. Crowley, Chief Marketing Officer Paul Suchman and Executive Vice President and General Counsel Andrew Sutor. Mike Dash has been named Executive Vice President and General Counsel, succeeding Sutor, who will stay on for a transition period. Dash has been with Audacy’s companies for nearly two decades.

NuVoodoo: PPM Ratings Up 14% In January

Nielsen’s Portable People Meter (PPM) ratings have seen a notable increase due to a significant methodological change implemented in January 2025. This change involved reducing the minimum listening time required to credit a quarter-hour of radio audience measurement from five minutes to three minutes. The adjustment was made to better align with modern listening habits, where shorter bursts of engagement are increasingly common due to shifting media consumption patterns and shorter attention spans.

While the specific figure of a 14% increase isn’t universally cited across all markets or analyses, it aligns with broader trends observed in the wake of this new rule. Nielsen’s analysis prior to the change projected an average market-level radio audience growth of around 24% across all PPM markets, with variations depending on demographics, formats, and dayparts. 

For instance, younger demographics like 18-34 and 25-54 were expected to see boosts as high as 27-28%, while the overall average quarter-hour (AQH) listening was anticipated to rise significantly due to capturing previously uncredited three- to four-minute listening sessions—estimated to account for nearly a quarter of all radio occasions.

According to NuVoodoo Research, the 14% figure could reflect a more conservative or specific outcome observed in certain contexts, such as particular formats or markets, rather than the broader projected average.

The shift in Nielsen’s Portable People Meter (PPM) methodology from a five-minute to a three-minute minimum listening threshold for crediting a quarter-hour of radio audience measurement has had a pronounced impact on younger demographics, particularly those aged 18-34 and 25-54. This change, implemented in January 2025, aligns with the listening habits of these groups, who tend to engage with media in shorter, more fragmented bursts compared to older audiences.

Younger listeners, often characterized by higher mobility and shorter attention spans, are more likely to tune in briefly—say, during a commute, a workout, or while multitasking with other digital platforms.

 Under the previous five-minute rule, a significant portion of their listening (three- to four-minute sessions) went uncredited, underrepresenting their actual engagement with radio. Nielsen’s analysis prior to the change estimated that these brief sessions accounted for nearly a quarter of all radio listening occasions. By lowering the threshold to three minutes, the new rule captures this previously unmeasured behavior, resulting in substantial audience growth for these age groups.

Specifically, Nielsen projected that the 18-34 demographic could see average quarter-hour (AQH) listening increases of up to 28%, while the 25-54 group was expected to experience gains around 27%.

These boosts stem from the fact that younger listeners are less likely to stay tuned for extended periods but still contribute meaningfully to a station’s cumulative audience (cume). For example, a 20-year-old switching stations during a car ride or a 30-year-old catching a few minutes of a podcast-style radio segment now registers as part of the AQH, where they wouldn’t have before.

This shift has ripple effects across formats popular with younger audiences, like contemporary hit radio (CHR), rhythmic CHR, and urban stations, which often see higher turnover in listenership. The increased ratings reflect not just more credited listeners but also a higher time spent listening (TSL) metric, as brief engagements accumulate over time. For instance, weekend listening and off-peak hours—times when younger demographics might casually tune in—have shown double-digit AQH growth in early 2025 data, amplifying their measured presence.

For advertisers, this means better visibility into a coveted but elusive demographic, driving up the value of radio ad inventory targeting 18-34 and 25-54 listeners. Programmers, in turn, can leverage this data to tailor content—shorter segments, punchier ads, or music-driven blocks—to retain these listeners, knowing their brief tune-ins now count. The result is a more accurate picture of radio’s reach among younger audiences, strengthening its relevance in a media ecosystem where they’re often assumed to favor streaming or social platforms over traditional broadcasts.

Fox News Channel Resonates With 'Middle America'


Fox News Channel has continued to achieve numerous milestone accomplishments in Nielsen ratings, reflecting its dominance in the cable news landscape. 

One of the most significant milestones is Fox News' 23 consecutive years as the No. 1 cable news network in both total day and primetime viewers, a streak that continued into 2025. This longevity underscores its sustained popularity among audiences. In January 2025, Fox News posted its highest-rated January in history, averaging 1.9 million total day viewers and 2.78 million in primetime, far surpassing MSNBC (734,000) and CNN (522,000) in primetime viewership. This marked a 40% increase from the previous year, highlighting a significant surge in audience engagement.

February 2025 was another landmark month, ranking as Fox News’ fifth highest-rated month ever and its most-watched February of all time. The network averaged 3.091 million primetime viewers, achieving its third-highest share of the cable news audience ever. This period saw Fox News dominate with the top five highest-rated cable news shows, including "The Five" (4.699 million viewers), "Jesse Watters Primetime" (4.186 million), "Hannity" (3.597 million), "Special Report with Bret Baier" (3.585 million), and "The Ingraham Angle" (3.485 million). The month also included standout moments like Sean Hannity’s interview with Elon Musk and President Trump, which drew 5.4 million viewers, the second highest-rated cable telecast of February.

A particularly notable achievement came in the first week of March 2025 (March 3-9), when Fox News surpassed the major broadcast networks—ABC, CBS, and NBC—in primetime viewership. Averaging 4.8 million viewers, it outpaced CBS (4.2 million), NBC (3.4 million), and ABC (2.6 million), a feat that reinforced its position as a leading force in television news, not just cable. "The Five" maintained its status as the most-watched cable news program during this period, averaging 4.7 million viewers..

In the coveted Adults 25-54 demographic, Fox News has consistently led, averaging 353,000 primetime viewers in January 2025 (up 61% from the prior year) and 387,000 in February, dwarfing CNN and MSNBC. This strength in the advertiser-preferred demo further solidifies its market position.

Reporter Whose Mic Bumped Trump IDed as From NPR

 
An incident occurred at Joint Base Andrews in Maryland where President Donald Trump was accidentally bumped in the face by a reporter’s boom microphone during a press gaggle. Trump was speaking to journalists before boarding Air Force One, following a speech at the Department of Justice in Washington, D.C., when the mishap took place. Video footage captured the moment: as Trump responded to a question about the Gaza situation, a fuzzy windscreen-covered boom mic—commonly called a “dead cat”—swung into view and struck his mouth and cheek. The impact was softened by the mic’s covering, designed to reduce wind noise during outdoor filming.

Trump reacted by tilting his head back, closing his eyes briefly, and then glaring at the off-camera mic operator with raised eyebrows. A woman’s voice, presumed to be the reporter or a crew member, can be heard apologizing, saying, “I’m so sorry.” After a brief pause, Trump quipped, “She just made television tonight. She just became a big story tonight, right? Did you see that?” His mix of irritation and humor turned the awkward moment into a viral clip, widely shared across platforms like X.

The identity of the reporter or mic operator remains unconfirmed by official sources. However, posts on X from conservative activist Laura Loomer pointed to Danielle Kurtzleben, a newly appointed NPR White House correspondent, alleging it was intentional based on Kurtzleben’s past critical coverage of Trump. 

No mainstream outlet or the White House has verified this claim, and the woman in footage—wearing a beige trench coat and headphones—has not been officially named.

The Secret Service has not announced an investigation, and the White House has not commented further.

The incident underscores the chaotic, close-quarters nature of press interactions with high-profile figures like Trump, amplified by his knack for turning off-script moments into media spectacles. While minor, it briefly stole focus from his DOJ remarks and policy discussions, highlighting both his media savvy and the polarized lens through which such events are viewed.

2025 iHeartRadio Music Awards Return


The 2025 iHeartRadio Music Awards are back, spotlighting the year’s most-played artists and tracks across iHeartRadio stations.

Set for Monday night at the Dolby Theatre in Los Angeles, the event promises a star-studded lineup of awards, electrifying performances, and sneak peeks at new music, all broadcast live. This year, the show will also honor Los Angeles’ recovery from recent wildfires, channeling donations to FireAidLA.org to support immediate relief and long-term fire prevention efforts.

Hip-hop legend LL Cool J will take the stage as host for the 2025 ceremony.

Leading the nominees are Kendrick Lamar, Morgan Wallen, Post Malone, Sabrina Carpenter, and Taylor Swift, each vying for top honors. Special recognitions include the 2025 Innovator Award for Lady Gaga, the Icon Award for Mariah Carey, and the Landmark Award for Nelly, celebrating his enduring cultural impact through albums.

The performance roster features heavy hitters like Bad Bunny, Billie Eilish, GloRilla, Gracie Abrams, Kenny Chesney, Muni Long, and Nelly, among others. Guest appearances will add flair, with names like Becky G, Billy Idol, Feid, Jenny McCarthy-Wahlberg, Joel McHale, Kekoa Kekumano, Kelsea Ballerini, Offset, Robin Thicke, Scott Caan, Sexyy Red, and Victoria Monét set to appear.

The awards air Monday, March 17, from 7 to 10 p.m. CT on FOX, with simultaneous broadcasts on iHeartRadio stations and the free iHeartRadio app. Fans can stream via services carrying FOX, such as Hulu + Live TV, Fubo, DirecTV Stream, or Video.

Trump Budgets Cuts Impact VOA, Radio Marti


Employees at Radio and TV Martí, headquartered in Miami, have been placed on administrative leave following significant budget cuts to Voice of America and other government-funded, pro-democracy media outlets under the Trump administration.

Late Friday, after Congress approved its latest funding bill, President Trump instructed his administration to scale back several agencies to their legal minimums. This directive affected the U.S. Agency for Global Media, which oversees Voice of America, Radio Free Europe, Radio Free Asia, and Radio Martí—the latter broadcasting Spanish-language news into Cuba.

Michael Abramowitz, the director of VOA, said in a Facebook post on Saturday that he was placed on leave, along with “virtually the entire staff” of 1,300. The announcement comes one day after President Trump signed an executive order to gut VOA’s parent agency.

Some of VOA’s local-language radio stations have stopped broadcasting news reports and switched over to music to fill the airtime, according to listeners.

Even top editors at VOA have been ordered to stop working, so employees expect the broadcaster’s worldwide news coverage to grind to a halt, according to half a dozen sources who spoke with CNN on the condition of anonymity.

“The Voice of America has been silenced, at least for now,” a veteran correspondent told CNN.

Kari Lake
The U.S. Agency for Global Media (USAGM), VOA’s parent agency, under the guidance of Senior Advisor Kari Lake—a former news anchor and Trump appointee—terminated contracts with major wire services, including The Associated Press (AP), Reuters, and Agence France-Presse (AFP), on March 14. Lake estimated this would save $53 million, arguing that VOA should produce its own news rather than rely on external providers. She stated on X, “We should be producing news ourselves—and, if that’s not possible, the American taxpayer should know why.” This decision has sparked backlash, with the AP suing after being banned from White House press pools, signaling broader tensions with traditional media.

Named by Trump in December 2024 as his pick to lead VOA, Lake has pushed a vision of “accurate and honest reporting” aligned with Trump’s policies. Her appointment and subsequent actions reflect the administration’s long-standing criticism of VOA, which Trump once called “the voice of the Soviet Union” during his first term, accusing it of promoting foreign propaganda. The White House justified the cuts by citing past VOA coverage—such as stories on white privilege and Russian election interference—as evidence of “radical propaganda.

USAGM also runs networks like Radio Free Europe, Radio Free Asia, and Middle East Broadcasting Networks. Those networks are also on Trump’s chopping block, as networks’ contracts with the operators have been terminated.

Billboard 200: 'Mayhem' Debuts At Number One


Lady Gaga's latest album, MAYHEM, debuted at No. 1 on the Billboard 200 chart, marking a significant achievement in her career. Released on March 7, 2025, this seventh solo studio album secured her seventh chart-topping position on the Billboard 200, reinforcing her status as a dominant force in pop music. 

The album achieved 219,000 equivalent album units in its first week in the U.S., according to Luminate, making it the biggest debut by a female artist in 2025 up to that point and the largest opening week for a woman in over six months. This figure surpasses the previous high set by Sabrina Carpenter’s Short n’ Sweet, which debuted with 362,000 units in September 2024.

Of MAYHEM’s impressive first-week performance, traditional album sales accounted for 136,000 units, making it the top-selling album of the week. Streaming also played a major role, with 80,500 streaming equivalent album (SEA) units, translating to 108.05 million on-demand official streams—Gaga’s biggest streaming week ever. This streaming success also propelled MAYHEM to a No. 1 debut on the Billboard Top Streaming Albums chart. Additionally, track equivalent album (TEA) units contributed 2,500 to the total. The album’s vinyl sales were particularly notable, with 74,000 copies sold, marking Gaga’s largest week ever for vinyl purchases.

ZZ Top Drummer Frank Beard Takes Medical Leave

Frank Beard

Frank Beard, the longtime drummer of ZZ Top, has temporarily stepped away from the band’s ongoing Elevation Tour to address an unspecified health issue.

The announcement was made by ZZ Top’s management, Shelter Music Group, on Saturday, March 15, 2025, via a statement shared on the band’s social media channels. The statement indicated that Beard’s health condition requires his immediate focus, though no specific details about the nature of the issue or the procedure he will undergo were disclosed. It was noted, however, that Beard is optimistic about a speedy recovery.

Beard, a co-founder of ZZ Top alongside guitarist/vocalist Billy Gibbons and the late bassist Dusty Hill, has been with the band since 1969, making him a key part of its 55-year legacy. During his absence, ZZ Top has enlisted John Douglas, a fellow Texan and longtime drum technician for the band, to fill in on drums. Douglas has a history with ZZ Top, having previously stepped in for Beard in October 2002 when the drummer underwent an emergency appendectomy during a European tour stop in Paris. His familiarity with the band ensures continuity as they continue their tour.

The Elevation Tour, which kicked off its latest leg earlier this month, following an initial U.S. run in late 2024, will proceed without Beard for the time being. The tour is scheduled to run through April 2025, with upcoming performances across the U.S., followed by dates in Australia and New Zealand alongside George Thorogood & The Destroyers as part of the Red Hot Summer series. Additional North American dates are planned thereafter, though it remains unclear when Beard will return to his position behind the drum kit.


ZZ Top, known for hits like “La Grange,” “Sharp Dressed Man,” and “Legs,” has maintained a remarkable career, with Beard being the only member not typically sporting the band’s iconic long beards—ironically, he’s usually seen with just a mustache, though he grew a short beard in 2013.

Stephen A. Smith’s $100M ESPN Deal Signals a Shift


The Stephen A. Smith record-breaking five-year, $100 million contract, underscores a seismic shift in media: sports personalities, not news anchors, are now the marquee faces of corporate giants.

In the 1980s and ’90s, network anchors like Dan Rather, Tom Brokaw, and the late Peter Jennings were the gold standard, embodying credibility and gravitas for their broadcasters. Today, it’s sports figures like Smith, Charles Barkley, Pat McAfee, Cris Collinsworth, Troy Aikman, Tony Romo, Tom Brady, and Al Michaels who define brands like Disney/ESPN, NBC, Fox, Amazon Prime Video, and TNT.

Front Office Sports reports these sports stars command blockbuster salaries and wield influence far beyond the field, spilling into politics and pop culture. Smith, for instance, opines on national issues across CNN, MSNBC, Fox News, and NewsNation, with chatter growing about a potential 2028 Democratic presidential run. Later this month, he’ll join Bill O’Reilly and Chris Cuomo for a “Three Americans Live” special. Meanwhile, Mike Tirico’s standout coverage of the Paris Olympics for NBC supercharged the Olympic brand’s global clout.

Key hires like ESPN poaching Troy Aikman and Joe Buck from Fox for Monday Night Football and Amazon tapping Kirk Herbstreit and Michaels for Thursday Night Football rank among the most transformative media moves—not just in sports. Aikman and Buck vaulted ESPN’s NFL booth from lackluster to elite, while Herbstreit and Michaels’ big-game pedigree instantly elevated Prime’s TNF to rival legacy networks.

Network news, once the pinnacle of glamour, is faltering. ABC News renewed George Stephanopoulos, but the Good Morning America co-anchor reportedly took a pay cut, per the New York Post. Norah O’Donnell exited CBS Evening News after five years, once Walter Cronkite’s domain. MSNBC axed Joy Reid’s 7 p.m. slot in February, Chuck Todd left Meet the Press, and veterans like Hoda Kotb (NBC), Neil Cavuto (Fox News), and CNN’s Jim Acosta, Don Lemon, and Chris Wallace parted ways with their networks. With Lester Holt stepping down from NBC Nightly News, Mediate’s managing editor Joe DePaolo sees the end of an era for iconic anchors.

What’s driving this? Sports now reign supreme, claiming 85 of 2024’s top 100 telecasts (Nielsen) despite a presidential election’s usual drag on ratings. Meanwhile, trust in mass media has cratered to a 50-year low, with Gallup finding just 31% of Americans have “great” trust in it, while 36% have none, per The Hill.

NBC Poll: Trump Approval "Makes Strong" Move


A new NBC News poll reveals that President Donald Trump is experiencing a notable level of approval from voters early in his second term, with his job approval rating reaching 47%—tying the highest mark of his political career in NBC’s polling history. Conducted from March 7-11, 2025, the survey polled 1,000 registered voters via telephone interviews and an online survey sent through text messages, carrying a margin of error of ±3.1%. 

Here’s a detailed breakdown of the findings and their context:

Overall Approval Rating: Trump’s approval stands at 47% (37% “strongly approve,” 10% “somewhat approve”), with 51% disapproving. This matches his peak approval from previous NBC polls, a significant uptick from the 45% recorded in March 2017 during his first term, though it remains below the honeymoon highs of other modern presidents.

Right Direction Sentiment: A striking 44% of voters say the country is on the “right track”—the highest since early 2004—though 54% still see it as the “wrong track.” This optimism reflects a surge in positive sentiment among Republicans post-election, with 35% of Americans overall saying things are going well, up from 29% in January 2025.

Issue-Specific Approval: Trump scores highest on immigration, with 51% approving (a 7-point increase from his first-term peak), driven by stricter enforcement policies. However, economic concerns drag his numbers down: 54% disapprove of his handling of the economy (44% approve), and 55% disapprove on inflation and cost of living (42% approve). His management of the Russia-Ukraine war also sees 55% disapproval.

Economic Doubts: Despite Trump’s approval hitting a personal best, voters are souring on his economic stewardship. Only 18% rate the economy as “excellent” or “good”—a low not seen in NBC polling since 2014—down from higher marks during Biden’s term. This shift follows Trump’s trade war escalation, with tariff threats spooking markets and raising inflation fears to 4.9% (per University of Michigan data), the highest in nearly two years.

Analysts’ Take: NBC’s Steve Kornacki notes that while Trump’s overall approval is a bright spot, “doubts loom” over the economy and government cuts, potentially foreshadowing challenges. Democratic pollster Jeff Horwitt remarked, “While this survey shows a mixed result for Donald Trump, Democrats are the ones in the wilderness right now,” pointing to the Democrats’ record-low 27% net favorability.

CNN Poll: Dems Hit Record Low Favorability


A new CNN poll conducted by SSRS reveals the Democratic Party’s favorability among Americans has sunk to an all-time low, driven partly by growing disillusionment among its own base.

Frustration within the party is palpable, with many Democrats publicly urging leaders to tougher opposition against President Donald Trump. The poll, taken March 6-9, 2025, shows 57% of Democrats and Democratic-leaning independents favoring a strategy to block the Republican agenda, compared to 42% who support collaborating with the GOP majority to weave Democratic priorities into legislation.

The sentiment comes on the heels of a contentious vote on March 11, when 10 Democratic senators, including Minority Leader Chuck Schumer, joined Republicans to push forward a GOP-drafted spending bill to avoid a government shutdown—a move that irked fellow Democrats and progressive voices.

This combative shift marks a stark reversal from early in Trump’s first term. In September 2017, 74% of Democrats and leaners favored cooperation with Republicans to advance their goals, with only 23% pushing for resistance—a near inversion of today’s numbers.

The poll also highlights internal discontent: 52% of Democratic-aligned adults say party leadership is steering them in the wrong direction, edging out the 48% who approve. Eight years ago, this metric leaned positive, underscoring a growing rift.

Nationwide, the Democratic Party’s favorability sits at a mere 29%—the lowest in CNN’s records since 1992 and a 20-point plunge from January 2021, when Trump left office amid the January 6 Capitol riot fallout. The Republican Party, by comparison, holds a 36% rating.

This slump stems partly from faltering support within Democratic ranks. Only 63% of Democrats and leaners view their party favorably, down from 72% in January 2025 and 81% at the start of Biden’s term. The drop spans ideologies, with both liberals and moderates reporting an 18-point decline since 2021.

Meanwhile, the GOP enjoys stronger internal loyalty, with 79% of Republicans and leaners rating their party positively. Independents remain skeptical of both, with just 19% favoring Democrats and 20% the Republicans.

Media Swatting Probe Ongoing


On Friday, FBI Director Kash Patel announced an investigation into a wave of swatting incidents targeting prominent conservative media personalities, following reports of multiple attacks last week.

“I want to address the alarming rise in ‘Swatting’ incidents targeting media figures,” Patel posted on social media Friday morning. “The FBI is aware of this dangerous trend, and my team and I are already taking action to investigate and hold those responsible accountable.”

Patel emphasized a nonpartisan stance, stating, “This isn’t about politics—weaponizing law enforcement against ANY American is not only morally reprehensible but also endangers lives, including those of our officers.”

Swatting involves hoax calls designed to provoke armed police responses to unsuspecting victims’ homes, a prank that has proven deadly in past cases. “That will not be tolerated,” Patel declared. “We are fully committed to working with local law enforcement to crack down on these crimes.” He promised further updates as the investigation unfolds.

Atlanta Radio: Buck Belue Gets A New Show Time At The Fan


Buck Belue, a veteran sports talk host at 680/93.7 The Fan for over 24 years, is shifting from his morning slot to a new evening show on weekdays, along with a fresh Saturday morning gig.

Belue, who teamed up with John Kincade for nearly 20 years until Kincade’s exit in 2020 amid the pandemic, had been hosting a one-hour daily show at 10 a.m. This week, The Fan switched things up, moving him to a two-hour evening slot at 6 p.m. and adding a Saturday morning show from 9 a.m. to noon.

Scott McFarlane, The Fan’s operations manager, said Belue will rotate co-hosts throughout the year based on the sports season. Kicking things off, he’ll pair with Barrett Sallee, the recently hired Atlanta Braves pregame and postgame host.

“Mixing in different voices will keep the show lively,” Belue told The Atlanta Journal-Constitution.

Forever etched in history as the quarterback who guided the University of Georgia to a 1980 national title, Belue has become a steady presence at The Fan. At 65, he’s still got no plans to hang it up.

“I love this gig,” he said. “Great people, great city—Atlanta’s home.”

With The Fan broadcasting Atlanta Braves games, Belue’s evening show will take a backseat at times during baseball season. “I did the math,” he said. “I’ll be off about 36% of the time through fall.” His Saturday show, though, will stay consistent.

Reflecting on his long run with Kincade, who now works at a sports station in his native Philadelphia, Belue said, “We played up the North-South rivalry.” It clicked in Atlanta, a melting pot of locals and Northern transplants. Off-air and on, he’d rib Kincade about his Philly sports fixation.

Post-Kincade, Belue teamed with ex-UGA quarterback Hutson Mason before going solo, bouncing ideas off his studio engineer.

The new schedule also frees up Belue’s days to hit the golf course, where he boasts a solid 8 handicap. “I can play as much as I want now!” he said.

Watch Any Micro Dramas Yet?


Micro dramas, often referred to as two-minute TV shows or short-form dramas, are a rapidly emerging entertainment trend characterized by ultra-short episodes—typically ranging from 60 seconds to 2 minutes—that deliver fast-paced, dramatic storytelling. 

Originating in China, where they’ve become a cultural phenomenon, these bite-sized series are now gaining traction globally, including in the U.S.. Designed for mobile viewing, they cater to short attention spans and on-the-go consumption, often shot vertically for platforms like TikTok, Reels, and dedicated apps such as ReelShort and DramaBox.

Origins and Growth: Micro dramas exploded in China during the pandemic, offering escapism with their over-the-top plots and fairytale resolutions. By 2023, the industry hit $6.9 billion in revenue in China, surpassing the domestic box office, according to DataEye. Production is remarkably cost-efficient—a series of 50-100 episodes can be shot for as little as $14,000 to $110,000, compared to $8 million for a traditional 20-30 episode TV show. Filming often wraps in days; for example, a 55-episode series like Chasing His Wife, But Failing was completed in four days with a $53,000 budget. This low barrier to entry has fueled a boom, with projections estimating a $14 billion market by 2027.

In the U.S., apps like ReelShort have capitalized on this model, releasing nearly 200 titles in 2024 alone and opening a Los Angeles studio in September 2024. Globally, short-drama apps earned $1.2 billion in 2024, with 60% from the U.S., per Sensor Tower, reflecting a shift toward mobile-first entertainment.

Younger Demos Driving YouTube Music Growth


YouTube Music has firmly established itself as a powerhouse among the world’s fastest-growing music subscription services. In a landmark update, YouTube announced it has crossed 125 million paid subscribers worldwide for YouTube Music and Premium combined, including trial users.

This reflects a remarkable gain of 25 million subscribers in just one year—averaging over 2 million new subscribers monthly since its last reported milestone of 100 million in February 2024.

YouTube Music’s swift ascent is reshaping the streaming wars. By contrast, Spotify, the reigning giant in audio-only subscriptions, grew by 27 million paid users in 2024, reaching 263 million subscribers. While Spotify holds the lead, YouTube Music’s blend of audio, video, Shorts (its answer to TikTok), and bundled Premium offerings is carving out a distinct and expanding niche.

YouTube’s growth is fueled by its versatile subscription strategy. The platform recently introduced its Premium Lite pilot to the U.S., a budget-friendly tier at $7.99 per month that offers ad-free video playback but retains ads for music and Shorts. Meanwhile, a full YouTube Premium subscription runs $13.99 monthly, and the standalone YouTube Music Premium plan sits at $10.99 per month. This tiered approach broadens its appeal across diverse user bases.

The U.S. is a major contributor to YouTube Music’s subscriber base. Historical data shows U.S. subscribers grew from 20 million in 2020 to 27.9 million in 2024, suggesting a current estimate of around 30-35 million in 2025 given the global 25 million increase. With high internet penetration (90%+) and a standard subscription price of $10.99/month for YouTube Music Premium, the U.S. likely accounts for 25-30% of total subscribers.

Age Demographics: YouTube’s broader audience skews young:

  • 25-34 Years: Globally, this group is YouTube’s largest demographic (21.3% of users), with males at 12% and females at 9.7%. For YouTube Music, this millennial/older Gen Z segment (born 1991-2000) probably dominates, comprising 30-40% of subscribers. Their preference for hip-hop, R&B, and pop aligns with top genres.
  • 18-24 Years: Young adults (15.5% of YouTube’s base) are another core group, likely 20-25% of subscribers. Gen Z’s affinity for Shorts and video-integrated music (e.g., Chappell Roan’s rise) drives adoption.
  • 35-44 Years: This cohort (18.5% of YouTube users) may account for 15-20% of subscribers, favoring rock and established artists like Bruno Mars
  • Under 18 and Over 44: Teens and older adults (45+) are smaller segments. Kids’ content thrives on YouTube, but subscriptions may be parent-driven, while Baby Boomers (15% of U.S. users) adopt slower, possibly 5-10% each.

WH Spox To Skip WHCA Dinner

Karoline Leavitt

White House Press Secretary Karoline Leavitt has decided not to attend the upcoming White House Correspondents’ Association (WHCA) dinner, scheduled for April 26, 2025, at the Washington Hilton in Washington, D.C. 

The decision marks a notable departure from tradition for a press secretary and aligns with a broader pattern of the Trump administration distancing itself from the event and the WHCA.

The WHCA dinner, a longstanding tradition since 1921, typically brings together journalists, politicians, and celebrities to celebrate the First Amendment and raise scholarship funds for aspiring journalists. This year’s event, headlined by comedian Amber Ruffin—the second Black woman to host after Wanda Sykes in 2009—continues that legacy. However, Leavitt’s decision comes amid the Trump administration’s efforts to reshape White House media relations. Since taking office in January 2025, her team has challenged the WHCA’s authority, notably by seizing control of the press pool in February 2025 and opening briefings to “new media” like podcasters and influencers, bypassing traditional outlets.

Leavitt, at 27 the youngest press secretary in history, has been vocal about adapting to a “new media landscape.” In her debut briefing on January 28, 2025, she criticized legacy media and introduced a “new media” seat in the briefing room, a move she reiterated in subsequent sessions. Her decision to skip the dinner could reflect both personal conviction and alignment with Trump’s media strategy, which prioritizes direct communication over engaging with what they view as a hostile press establishment. The administration’s recent actions—banning the Associated Press from the press pool and facing legal pushback—further underscore this tension.

R.I.P.: Ron Nessen, President Ford's Press Spox

(1935-2025)
Ron Nessen, who served as President Gerald R. Ford’s press secretary from 1974 to 1977 and vowed to usher in transparency following the Watergate scandal, passed away on Wednesday in Bethesda, Maryland, died March 12, 2025 at age 90. His often contentious relationship with the White House press corps marked his tenure. 

A veteran journalist with experience at wire services and NBC News, Nessen (right) stepped into the White House role during a turbulent period. President Richard M. Nixon had resigned amid Watergate-related impeachment threats, Vice President Ford had assumed the presidency and issued a controversial pardon, and both the public and press—disillusioned by years of deceit—viewed the new administration with skepticism.

The situation was complicated by Ford’s initial press secretary, J.F. terHorst, resigning just a month into the job, unwilling to defend the pardon that shielded Nixon from prosecution—unlike other Watergate figures and Vietnam draft evaders who faced legal consequences.

Tasked with rebuilding trust after a two-year cover-up sparked by the 1972 break-in at the Democratic National Committee’s Watergate offices, Nessen pledged his primary allegiance to the public. He committed to releasing “as much news as possible” and told his former press colleagues, “If I lie or mislead you, I think you are justified in questioning my continued usefulness in this job.”

Radio History: March 17


Kate Smith
➦In 1931...Kate Smith started to become a major star of radio. She began with her twice-a-week NBC series, Kate Smith Sings (quickly expanded to six shows a week), followed by a series of shows for CBS: Kate Smith and Her Swanee Music (1931–33), sponsored by La Palina Cigars; The Kate Smith Matinee (1934–35); The Kate Smith New Star Revue (1934–35); Kate Smith's Coffee Time (1935–36), sponsored by A&P; and The Kate Smith A&P Bandwagon (1936–37).

The Kate Smith Hour was a leading radio variety show, offering comedy, music, and drama with appearances by top personalities of films and theater for eight years (1937–45). The show's resident comics, Abbott and Costello and Henny Youngman, introduced their comedy to a nationwide radio audience aboard her show, while a series of sketches based on the Broadway production of the same name led to The Aldrich Family as a separate hit series in its own right in 1940.

Smith continued on the Mutual Broadcasting System, CBS, ABC, and NBC, doing both music and talk shows on radio until 1960.

Phil Baker
➦In 1933...Phil Baker was heard on network radio for the first time when The Armour Jester was heard on the old NBC Blue network. Baker rapidly rose to the top of the radio ratings, and was quizmaster on the original $64 Question (Take It Or Leave It).

➦In 1935...Major changes on KSO Clarinda, Iowa as it gained a sister station in Des Moines, KRNT. To accommodate the new station, KSO moved to 1430 kc, a frequency previously used by KWCR, Cedar Rapids.  KWCR moved to Des Moines and given to KSO-AM call-sign.