Friday, April 3, 2026

Are Cable News 1Q Ratings Surge For Real?


Fox News remained the undisputed leader in cable news during the first quarter of 2026, averaging 2.7 million primetime viewers and extending its streak to 97 consecutive quarters at No. 1. Its flagship program, The Five, led all cable news broadcasts with roughly 4 million viewers per episode.

But the most striking development of the quarter came from CNN, which posted a 54% increase in primetime viewership compared to the previous quarter — its strongest performance since early 2022. The sharp rise, alongside gains at MSNBC and NewsNation, has fueled speculation that global military tensions may be driving renewed audience interest in cable news.

A closer look, however, suggests a different explanation.

Rather than a traditional “crisis bump” — where one network’s surge typically comes at the expense of another — all major cable news outlets experienced simultaneous, often double-digit growth. 

Historically, audience spikes tied to major geopolitical events redistribute viewership within the category, not elevate every player at once. The across-the-board gains point less to organic audience expansion and more to a structural shift in how viewership is being measured.

That shift comes from Nielsen and its rollout of the Big Data + Panel measurement system, which blends traditional audience panels with large-scale set-top box and smart TV data. The updated methodology appears to be inflating reported totals across the industry, creating the appearance of a broad-based ratings resurgence.

The impact is particularly evident at smaller networks. NewsNation touted an 85% increase in primetime viewership, but that growth comes from a relatively modest base of approximately 191,000 viewers — underscoring how percentage gains can exaggerate momentum when starting from a smaller audience.

Even with the industrywide lift, the competitive hierarchy remains unchanged. Fox News continues to command a dominant lead, while CNN and MSNBC trail by significant margins, and emerging networks like NewsNation operate at a much smaller scale.

The bottom line: the headline-grabbing ratings surge in early 2026 could be driven less by a sudden wave of viewer demand and more by a fundamental change in how those viewers are counted.

MLB: See It On the Radio


Audacy reports a growing shift in how fans follow Major League Baseball, with audio increasingly serving as a key companion to live game viewing. In a new Insights report, the company says today’s mobile, multitasking audience is turning to audio for a more flexible and personalized experience. According to the findings, 36% of MLB fans now pair play-by-play audio with live television, frequently choosing local announcers to deepen their sense of connection and authenticity.

The report, authored by Audacy SVP of Research & Insights Ray Borelli, underscores how audio fits seamlessly into fans’ daily routines. Whether commuting, working, or managing other tasks, listeners are able to stay engaged with games in ways traditional viewing alone may not allow. This dual-consumption behavior reflects broader changes in media habits, as audiences seek greater control over how and where they consume content.

Audacy’s analysis suggests that audio’s portability and immediacy are key drivers behind the trend, particularly as fans navigate increasingly busy, on-the-go lifestyles. The ability to sync local radio calls with national or regional TV broadcasts also gives fans a more customized experience, reinforcing loyalty to hometown teams and broadcasters.

The findings point to a continued evolution in sports consumption, where audio is no longer a secondary option but an integral part of the fan experience, complementing video and expanding access beyond the traditional living room setting.

After Separating From NBCUniversal, MS NOW Is Having a Moment


MS NOW has reached a new level of success since breaking away from NBCUniversal, posting its strongest quarter under its rebrand while waging a bruising talent-and-resources battle with its former partner.

The rebranded cable network averaged 1.4 million total viewers in Q1 2026, a 19% increase year-over-year, with March its most-watched month since October 2024, network figures show. Industry executives say the Iran war has boosted ratings across cable news, but MS NOW’s gains mark a notable recovery and momentum after the split.

The gains have come amid an increasingly acrimonious separation from NBCUniversal. MS NOW president Rebecca Kutler opted to build a standalone operation rather than continue paying NBC an eight-figure service fee, a decision that allowed the network to reinvest in programming and pursue direct audience relationships — moves executives say were decisive in luring talent.

Peter Alexander
That strategy has included aggressive recruitment from NBC. Peter Alexander’s high-profile move to MS NOW after 22 years at NBC became the headline example; he is the tenth prominent journalist to jump. Sources describe the post-separation relationship as less an amicable parting than a custody-like feud, with both sides sparring over on-air talent and resources. NBC made retention efforts but could not match MS NOW’s offer of Alexander his own show and a direct line to viewers.

“MS NOW can offer a level of loyalty and engagement that NBC can't at this moment,” a source familiar with the negotiations told Status, underscoring the network’s pitch to defecting journalists.

For context, Fox News remained the cable leader in the quarter with about 3 million primetime viewers; CNN pulled roughly 898,000 primetime viewers, up 11%. Still, MS NOW executives and supporters point to the Q1 spike as validation of Kutler’s independent strategy and the network’s investment in marquee talent and audience-facing shows.

MS NOW’s leadership says the separation freed the network to pursue a more direct business model focused on subscriptions, stronger talent deals and programming that converts viewers into long-term audience relationships. Critics counter that the talent raids and resource disputes have burned bridges with a former corporate partner and escalated industry tensions.

As MS NOW rolls into the rest of 2026, its challenge will be sustaining growth amid geopolitical-driven viewership bumps and heightened competition. For now, the network’s improved ratings and high-profile hires provide a clear signal that the break from NBCUniversal has, at least initially, translated into measurable gains.

Ft. Meyers TV: WINK Fires, Sues Meteorologist


Fort Myers Broadcasting Company (FMBC), owner of WINK News, sued former meteorologist Matt Devitt Wednesday, alleging breach of contract and breach of fiduciary duty for operating a competing weather business, gambling during work, and violating a non‑compete agreement. The station seeks more than $100,000 in damages and a temporary or permanent injunction blocking Devitt’s competing online forecasting activities and ordering removal of allegedly false or defamatory social‑media posts.

The complaint says Devitt, fired Jan. 8, ran Weatherview (formerly Matt Devitt Weather) while employed at WINK, recruited colleagues, and used company resources in violation of his contract. FMBC alleges one Facebook post by Devitt after his termination was “false, misleading, and/or defamatory,” caused “considerable public backlash,” and prompted death threats against FMBC representatives.

FMBC also accuses Devitt of on‑duty gambling, claiming he frequented the Seminole Casino Hotel and other gaming venues and was observed gambling “almost every night on his break,” according to messages cited in the suit. The filing alleges he served as an expert witness in legal matters without approval and formed his competing company well before his termination.

The station argues Devitt’s conduct threatens FMBC’s reputation and goodwill in Southwest Florida and could cause irreparable harm. FMBC counters Devitt’s claim that his firing was a “shock,” saying the termination followed months of HR meetings, written warnings and a suspension. The case will proceed through the courts.

Philly Radio: Life After WIP, Devan Kaney Likely Going National


Devan Kaney, the Philadelphia sportscaster recently laid off from 94 WIP, is pursuing national opportunities after his departure from the longtime local station.

Kaney built her profile covering Philadelphia sports on 94 WIP, where she developed a local audience and experience in daily radio production and on-air hosting. Her exit is part of broader shifts at local sports talk outlets that have led several on-air personalities to seek wider platforms.

Industry sources and talent strategists say Kaney’s path to a national stage likely will include pitching syndicated radio slots, developing a podcast or video show aimed at a national audience, pursuing fill-in and contributor roles on cable or streaming sports networks, and leveraging social media to expand reach. Agents and industry executives note that broadcasters with strong local brands and proven production chops often transition to national roles by packaging show concepts, building subscription or Patreon models, or signing with digital-first networks.

Kaney’s move comes amid growing demand from national sports platforms for distinct voices and local expertise to fill commentary and analysis slots, especially during high-profile events and sports seasons. Success will depend on converting his Philadelphia following into broader, cross-market appeal and securing the right distribution deals or network partnerships.

Good Morning! The Pulse Starts The Day For Friday, April 3


Radio Broadcasting

Executive Change: iHeartMedia has promoted Ann Marie Licata to CEO of its Multiplatform Group, the company’s largest operating segment, overseeing 860+ local broadcast radio stations, Premiere Networks, TTWN, live events, and data-targeting product. She was previously EVP of Sales Operations and Client Success at iHeart following a role at Madison Square Garden. Reporting to Licata will be Julie Donohue, President of the Enterprise Development Group, and Julie Talbott, President of Premiere Networks.

MLB Fans Are Listening: Audacy says MLB fans are increasingly turning to audio as a flexible companion to live games, reflecting a shift toward mobile, multitasking consumption. In a new Insights report, the company finds 36% of fans now pair play-by-play audio with TV broadcasts—often opting for local announcers to deepen connection and authenticity. The report notes audio helps fans stay engaged while commuting, working, or on the move.

Atlanta Exit: Cumulus Alternative WNNX (99X)/Atlanta has made a change in mornings as longtime Morning X co-host Leslie Fram has stepped away from the 6-10am show to focus on her new consulting company, Former 99X traffic reporter and longtime Atlanta radio & TV personality Crash Clark teams with Steve Barnes for The Morning X with Barnes & Crash.


Media Industry

Is 60-Minutes Next? CBS News editor in chief Bari Weiss is poised for a major shakeup at “60 Minutes” — with layoffs slated for this summer that could engulf some of the show’s top talent and producers, The NY Post reports. The bloodbath is slated for June, a source with knowledge said. That’s after CBS News last month slashed 6% of its workforce — between 60 and 70 people — including the surprise shuttering of its 99-year-old radio division.

WaPo Rehiring: The Washington Post has been quietly rehiring some laid-off staffers after axing a third of its newsroom in a brutal round of cuts earlier this year. After getting rid of over 300 journos across nearly all news departments in February, the Jeff Bezos-owned paper quietly contacted at least 10 of those staffers to gauge their interest in returning to the company in new roles, the Status newsletter reported Wednesday. Several staffers have accepted those return offers, according to Status. 

The core question: Should the “marketplace” decide the conflict between Donald Trump and The Media. Debate centers on whether the “marketplace” should resolve the conflict between Donald Trump and the media, raising issues of free speech, corporate power, and democratic norms. By 2026, the conflict has included legal actions—lawsuits and proposals to regulate news organizations.


U-S News

Pam Sent Packing: Acting Attorney General Todd Blanche was adamant Thursday that Pam Bondi’s handling of government files related to sex predator Jeffrey Epstein did not play a role in President Trump’s decision to fire her.  “A lot of what you just said about what happened to the attorney general is simply not true,” Blanche told Fox News host Jesse Watters, in his first interview since being elevated to acting AG.  “I have never heard President Trump say that the attorney general –  that anything that happened to her – had anything to do with the Epstein files,” Blanche asserted. 

Top Soldier Fired During War! Pentagon chief Pete Hegseth asked Gen. Randy George, the U.S. Army's top officer, to step down from his position and immediately retire. George had served as the chief of staff of the Army since 2023. Hegseth wanted someone who could better implement his and President Donald Trump's vision in the Army, according to CBS News. Top Pentagon spokesperson Sean Parnell confirmed George's immediate retirement on X. The Pentagon "is grateful for General George’s decades of service to our nation. We wish him well in his retirement."

Tiger's Life Tanks: Tiger Woods was seen in body camera footage released Thursday by the Martin County (Florida) Sheriff's office talking on the phone as he was approached by police in the wake of a rollover crash that led to his arrest last week. 

After he got off the phone, he told an officer he was “just talking to the president.” Woods was arrested on suspicion of DUI after crawling out of his rolled-over vehicle following a two-vehicle crash on Jupiter Island on March 27.

WWOne To Provide Full-Court Audio Coverage Of NCAA Hoops


Cumulus Media’s Westwood One, the exclusive national audio broadcast partner of the NCAA, will present comprehensive live audio coverage of the 2026 NCAA Men’s Final Four and national championship game live from Indianapolis, Indiana in both English and Spanish. The network will also broadcast the NCAA Women’s Final Four and national championship game live from Phoenix, Arizona. 

Westwood One’s coverage of the Men’s Final Four will begin at 3:00 p.m. ET on Saturday, April 4 with “The Final Four Show” followed by the game broadcast at 4:00 p.m. ET. The first national semifinal, between the Illinois Fighting Illini and the Connecticut Huskies tips off at 6:09 p.m. ET. The second national semifinal, between the Michigan Wolverines and the Arizona Wildcats will begin 50 minutes after the conclusion of the first game.

On Monday, April 6 audio coverage will commence at 6:00 p.m. ET with the “Championship Monday” pregame show followed by game coverage at 7:00 p.m. ET. The men’s national championship game will tip off at 8:50 p.m. ET. 

Westwood One will also broadcast all three men’s games in Spanish, presented by Werner Ladder. Spanish-language coverage of the Final Four commences at 6 p.m. ET on Saturday, April 5 and at 8:30 p.m. ET on Monday, April 6 for the national championship game. 

Westwood One will also provide complete play-by-play coverage of the Women’s Final Four® on Friday, April 3 beginning at 6:00 p.m. ET when the defending Champion South Carolina Gamecocks take on the Connecticut Huskies. Immediately following, the network will air the second national semifinal, between the Texas Longhorns and the UCLA Bruins. Coverage of the women’s national championship game on Sunday, April 5 at 3:30 p.m. ET. Westwood One’s broadcasts of all three women’s games will be presented by Intuit TurboTax. 

Where to Listen:   Westwood One’s complete NCAA men’s tournament coverage can be heard on terrestrial radio stations nationwide and via SiriusXM. The Final Four and national championship Division I men’s and women’s games will also be streamed online for free and the Westwood One Sports mobile app. Additionally, the broadcasts will be available for free via the NCAA March Madness Live apps or The Varsity Network app. Fans can also access live audio via Alexa-enabled devices by asking to “Open Westwood One Sports.”  TuneIn premium subscribers can also hear all the action live.  

For a complete schedule of games, announcer bios, exclusive audio content, and a list of radio stations airing Westwood One’s broadcast of the NCAA Men’s Division I Basketball Championship, Click HERE. 

TV Ratings: Fox News Channel Sets Double Digit Growth In March


In March, FNC’s coverage of the ongoing war in Iran drew 3 million viewers and 323,000 in the 25-54 demo during primetime, posting double-digit gains in both categories compared to February 2026. 

In total day, FNC averaged 1.9 million viewers, also delivering double-digit growth month-over-month. FNC’s The Five was the number one program in March with 4.1 million viewers (381,000 A25-54). The program continued its historic streak as the top non-primetime program in cable news for the 18th consecutive quarter. Jesse Watters Primetime led in the advertiser coveted 25-54 demo, nabbing 387,000 A25-54 (3.7 million viewers). 

Ratings Graphics Courtesy of RoadMN


Late-night success, Gutfeld! continued to soar, drawing in 3 million viewers and 351,000 in 25-54 during the 10 PM/ET hour. Easily outpacing its cable news competition, Gutfeld! also outranked all broadcast and late-night television, including CBS’ The Late Show with Stephen Colbert (2 million viewers; 265,000 A25-54), ABC’s Jimmy Kimmel Live! (2 million viewers; 299,000 A25-54) and NBC’s The Tonight Show with Jimmy Fallon (1.2 million viewers; 250,000 A25-54) and Late Night with Seth Meyers (830,000 viewers; 173,000 A25-54). Gutfeld! reigned supreme in March with 3.2 million viewers, beating all late-night.

Fox News Media Sets YouTube Video Record


FOX News Media closed out Q1 2026 delivering a record setting 1.5 billion YouTube video views, outpacing all news brands in the competitive set, according to Emplifi. 

During the quarter, FOX News led its closest competitor MS NOW (974 million views) by almost 500 million views, doubled CNN (707 million views), and topped ABC News (440 million views), NBC News (364 million views) and CBS News (194 million views) combined. For the sixth straight quarter, FOX News surpassed all news brands on YouTube and grew 21% compared to the prior year and 51% quarter-over-quarter with video views. FOX Business’ YouTube saw 193 million video, a 25% advantage over the previous quarter. Notably, FOX News Media’s combined platforms accrued nearly 2 billion video views on YouTube for the quarter.

In Q1 2026, FOX News ranked number one in social engagement, nabbing 426 million social media interactions across Facebook, Instagram, X and TikTok, according to Emplifi. FOX News garnered 219 million Facebook interactions (up 52% vs 2025), 75 million Instagram interactions (up 25% versus Q4 ‘25), 20 million X interactions (up 20% vs 2025) and, according to Comscore Social, 115.9 million TikTok interactions (up 35% vs. 2025).

Additionally, FOX News was number one on YouTube during the month of March, delivering its highest month of YouTube video views ever with 621 million video views. During March, FOX News led MS NOW (320 million views), CNN (265 million views), ABC News (177 million views), NBC News (156 million views) and CBS (73 million views). FOX News grew 46% year-over-year and 68% month-over-month during March. FOX Business continued its reign during the month, driving 67 million video views, according to Comscore Social, and earning its spot as the number one business for the 52nd consecutive month.

iHM Names Ann Marie Licata to Head Multiplatform Group


iHeartMedia promoted Ann Marie Licata to CEO of its Multiplatform Group, the company’s largest operating segment, overseeing 860+ local broadcast radio stations, Premiere Networks, TTWN, live events, and data-targeting products.

Licata succeeds Hartley Adkins, who retired last year. She was previously EVP of Sales Operations and Client Success at iHeart following a role at Madison Square Garden. Reporting to Licata will be Julie Donohue, President of the Enterprise Development Group, and Julie Talbott, President of Premiere Networks.

Ann Marie Licata
Bernie Weiss, formerly Markets Group COO, was promoted to Markets Group President and will manage operations across iHeart’s 160 markets. The Digital Audio Group remains led by CEO Conal Byrne; the Audio and Media Services Group continues under CEO Mark Gray.

The Multiplatform Group comprises iHeartMedia’s Markets Group (operating 860+ local broadcast radio stations), iHeart live events and sponsorships, radio networks including Premiere and TTWN, the Enterprise Business Development Group, and broadcast radio data-targeting and attribution products.

iHeartMedia Chairman and CEO Bob Pittman praised Licata’s appointment as key to growing the Multiplatform Group’s businesses—podcasting, iHeartRadio, live events, and data-driven programmatic buying—while President and COO Rich Bressler highlighted the company’s diversified structure and said he was pleased Licata is taking on the role at a pivotal time.

Instead of Media Threats, Why Not Let The Marketplace Decide?


The core question—should the “marketplace” decide the conflicts between Donald Trump and the media?  That question raises clashes among free speech, concentrated corporate/platform power, and democratic norms.

Debate centers on whether the “marketplace” should resolve the conflict between Donald Trump and the media, raising issues of free speech, corporate power, and democratic norms. By 2026, the conflict has included legal actions—lawsuits against outlets such as CBS and the Des Moines Register—and proposals to regulate news organizations.

Arguments from recent developments include:
  • Pro-marketplace (freedom of choice):
    Supporters say a free market lets consumers decide which outlets succeed; perceived bias drives audiences to alternatives, reducing the need for government intervention.
  • Anti-marketplace/regulation (power imbalance): Critics contend the market isn’t neutral, pointing to media conglomerates and a president using official power to pressure outlets. They warn that threats to revoke licenses or weaponize lawsuits against unfavorable coverage undermine press freedom.
  • Platform responsibility: Some argue that dominant private platforms, given their central role in public discourse, should avoid arbitrary censorship while upholding consistent policies.
  • “Free media” phenomenon: Analysts note Trump has historically exploited market incentives—generating high ratings that prompted extensive coverage, often prioritizing engagement over editorial scrutiny.
Overall, the clash involves a president attempting to reshape the media environment while legal challenges and market forces play out simultaneously.

Nexstar Tells Judge TRO Can't Be Fully Implemented


A federal judge’s temporary restraining order has paused Nexstar’s $6.2 billion acquisition of Tegna, and Nexstar’s lawyers say the TRO cannot be fully implemented without causing immediate operational harm, regulatory conflicts, and a governance vacuum.

The TRO was issued by U.S. District Judge Troy L. Nunley in the Eastern District of California in an antitrust suit brought by DirecTV and bars the companies from proceeding with integration. The court has requested further filings and scheduled an in-person hearing for April 7, 2026.

In a March 31 filing, Nexstar and Tegna notified the court that steps taken at closing and existing legal obligations make compliance with parts of the TRO impossible to reverse. The companies argued that integration already underway cannot be frozen like a conventional hold-separate order and warned the TRO could jeopardize assets and operations.

BFOA Exceeds in Nationwide Charity Ratings


It is with great pride that the Broadcasters Foundation of America (BFOA) announces it has received the highest scores from two independent organizations that track commitment to accountability and impact for 501(c)(3) charities: a Platinum Seal of Transparency from Candid, a 100% Give With Confidence Score from Charity Navigator, and a Four-Star Rating, also from Charity Navigator.

“Our Board of Directors is comprised of a team of broadcast industry executives who are dedicated to ensuring full transparency and maximum effectiveness from the Broadcasters Foundation,” noted Scott Herman, Chair of the BFOA Board of Directors. “Our goal is to help every broadcaster who qualifies for aid, and we must always have the funds to do so.”

“Our donors have often commented on the fact that they see the money going where it belongs -- to the hard-working individuals in our business who are suffering from debilitating illness or disaster and simply need a hand-up during a trying time,” said Tim McCarthy, President of the BFOA. “These top-tier ratings are a further affirmation of our ongoing commitment to providing aid to broadcast radio and television professionals in critical need -- whether behind the mic, in front of the camera, or at a desk,”

The Platinum Seal of Transparency from Candid is the highest level of recognition for U.S. nonprofits, indicating a top-tier commitment to accountability and impact. It requires organizations to share in-depth data on goals, strategies, metrics, and board demographics, and is achieved by fewer than 1% of nonprofits.

A Four-Star Rating from Charity Navigator is achieved only when a charitable organization exceeds or meets best practices and industry standards and is likely to be “highly effective.” To receive a 100% “Give With Confidence” rating a charity must meet in four key metrics, including, accountability and finance; impact and measurement; leadership and adaptability; and culture and community.

FOX Signs Former Miami Mayor Francis X. Suarez as Contributor


FOX News Media has signed lawyer and former Miami Mayor Francis X. Suarez as a contributor. In this role, Suarez will provide legal and political analysis across all network platforms. 

Francis X Suarez
He made his debut on FOX News Channel’s Special Report last evening with chief political anchor and executive editor Bret Baier.

Previously, Suarez served as mayor of the city of Miami for two terms from 2017 to 2025. During his tenure, Miami saw historic economic growth, including the lowest unemployment rate among major U.S. cities, the lowest homicide rate in more than 50 years, and the lowest homelessness rate in over a decade. From 2022 to 2023, he also served as President of the U.S. Conference of Mayors.

Currently, Suarez serves as President of Alpha Wave Global, an investment firm with nearly $30 billion in assets under management, and is Of Counsel at Quinn Emanuel Urquhart & Sullivan. He is a graduate of Florida International University and earned his law degree from the University of Florida.

Radio History: April 3


➦In 1930...The Second Academy Awards: "The Broadway Melody", Warner Baxter & Mary Pickford win. First time Academy Awards are broadcast on the radio.

➦In 1939...The radio crime drama 'Mr. District Attorney' debuted on NBC Radio. Later it carried by ABC Radio  until it ended June 13, 1952. The series focused on a crusading D.A., initially known only as "Mister District Attorney," or "Chief", and was later translated to television. On television the D.A. had a name, Paul Garrett, and the radio version picked up this name in the final years when David Brian played the role.

➦In 1942...'People Are Funny' was first heard on NBC Radio.  The game show was created by John Guedel and aired from 1942 to 1960.  Contestants were asked to carry out stunts in order to prove that "People Are Funny." Many of these stunts lasted weeks, months, or even years. But contestants who were successful received prizes. "People Are Funny" rarely had celebrities, focusing instead on everyday people. As a result, few recordings of the show were saved.

On October 1, 1943, host Art Baker was replaced by Art Linkletter, who continued for the rest of the series. For a memorable stunt of 1945, Linkletter announced that $1,000 would go to the first person to find one of 12 plastic balls floating off California. Two years later, an Ennylageban Island native claimed the prize.

As the popularity of the program escalated, a movie musical titled People Are Funny was released in 1946, offering a fictional version of the show's origin in a tale of rival radio producers. Phillip Reed appeared as Guedel, with Linkletter and Frances Langford portraying themselves. Also in the cast were Jack Haley, Helen Walker, Ozzie Nelson and Rudy Vallée.

The radio series moved to CBS from 1951 to 1954, returning to NBC from 1954 to 1960.

➦In 1948…The Louisiana Hayride debuted on KWKH 1130 AM in Shreveport, LA.  The country music show broadcast from the Shreveport Municipal Memorial Auditorium in Shreveport, Louisiana, that during its heyday from 1948 to 1960 helped to launch the careers of some of the greatest names in American country and western music. Elvis Presley performed on the radio version of the program in 1954 and made his first television appearance on the television version of Louisiana Hayride on March 3, 1955.

Elvis
Within a year of its debut, the program was so popular that a regional 25-station network was set up to broadcast portions of the show, and was even heard overseas on Armed Forces Radio. The popularity of Louisiana Hayride spawned various incarnations in other parts of the United States, most notably in Cincinnati on WLW radio and later television; its version was dubbed Midwestern Hayride.

The Hayride was where talented, but virtual unknowns, were also given exposure to a large audience. Over the years, country music greats such as Hank Williams, Webb Pierce, Kitty Wells, Jimmie Davis, Will Strahan, Slim Whitman, Floyd Cramer, Sonny James, Hank Snow, Faron Young, Johnny Horton, Jim Reeves, Claude King, Jimmy Martin, George Jones, John and The Three Wise Men, Johnny Cash, Frankie Miller, Tex Ritter, Cowboy Jack Hunt & Little Joe Hunt of the Rhythm Ranch Hands, Nat Stuckey, and Lefty Frizzell, among many others, performed on Louisiana Hayride.

On October 16, 1954, Elvis Presley appeared on the radio program. Presley's performance of his debut release on the Sun Records label, "That's All Right".  Presley was signed to a one-year contract for future appearances. Presley became so popular that after his final appearance on Hayride in 1956, emcee Horace Logan announced to the crowd a phrase that would become famous: "Elvis has left the building."

Within a few years, rock and roll had come to dominate the music scene, and on August 27, 1960, Louisiana Hayride ended its primary run.

➦In 1949...The Martin and Lewis radio show debuted on the NBC Radio Network and continued until July 14, 1953.