Friday, October 30, 2026

Carr, Gomez Clash Over FCC Warning To Broadcasters


FCC Chairman Brendan Carr said his warning about “fake” election polls targets fabricated surveys, not good-faith reporting. Commissioner Anna Gomez countered that airing a poll—even one later shown to be fabricated—does not, by itself, meet the legal standards for news distortion or a broadcast hoax.

Asked whether there was evidence that broadcasters had aired the polls Carr cited, he said he did not know. He also said he was unaware of an FCC investigation, but urged the public to file complaints. Carr named polling outlets he alleged were inventing results, saying politicians in both parties had complained that the polls harmed their fundraising and campaigns.

Commissioner Gomez
Gomez said the rules require deliberate distortion of factual reporting or knowingly broadcasting false information about a crime or catastrophe that causes immediate harm. “Simply reporting on a poll that turns out later to be inaccurate or … fabricated” does not meet that standard, she said. Gomez said she knew of no broadcaster or investigation involving such a case.

The exchange followed the FCC’s October open meeting, where commissioners unanimously approved eight items, none directly targeting broadcasters. Reporters also asked about the agency’s review of Disney’s broadcast licenses and political advertising rates.

Chairman Carr
No timeline for Disney decision


The FCC has not set a timeline for deciding whether to renew Disney’s broadcast licenses, Chairman Brendan Carr said.

The agency is reviewing documents related to its diversity, equity and inclusion investigation and petitions seeking to block early renewal of Disney’s licenses, Carr said. He did not say whether the FCC would wait for a ruling in Disney’s lawsuit before acting.

Commissioner Anna Gomez said she did not know the status of the review. She added that Disney would prevail in its legal challenge on First Amendment grounds.

Republicans Sue FCC Over 'Lowest Unit Charge'


The Republican National Committee and the Texas Republican Party filed a lawsuit Wednesday asking a federal judge to invalidate a longstanding campaign advertising rule they say gives Democrats an unfair advantage.

The suit, brought in the final days of the midterm elections, targets the “lowest unit charge” provision of the Federal Communications Act of 1971. That rule requires television and radio stations to offer political candidates the lowest advertising rate they charge any commercial advertiser during a specified pre-election period, but it does not extend the same rate to political parties. The plaintiffs argue the distinction benefits Democrats and have asked the court to strike it down.

The case was filed in the U.S. District Court for the Northern District of Texas and assigned to Judge Matthew J. Kacsmaryk. The parties contend that limiting the lowest-unit-charge benefit to candidates rather than the party committees that support them creates an uneven playing field in campaign advertising.

The lowest unit charge (LUC) rule requires broadcast stations to sell political advertising time to legally qualified candidates at their lowest commercial rates during the final weeks before an election. It is designed to prevent candidates from being priced out of media markets so they can communicate with voters.

SiriusXM Raised Outlook Based On Revenue From Audacy Sports Deal


SiriusXM raised its full-year 2026 outlook by $25 million across its three guidance metrics, citing subscription value from sports programming that now includes Audacy’s local sports stations. The 24 stations, added September 1, would rank third among SiriusXM’s sports destinations by listenership, behind NFL Radio and ESPN Radio, the company said.

CEO Jennifer Witz said more than 80% of Audacy-station listeners are tuning in outside their home markets, following familiar local voices covering teams such as Philadelphia’s Eagles, Phillies, 76ers and Flyers. Nineteen Audacy news/talk stations are expected to join later this year.

SiriusXM now forecasts about $8.55 billion in 2026 revenue. Third-quarter revenue was approximately $2.2 billion, essentially unchanged year over year, while net income increased 7% to $317 million.

Advertising revenue edged up to $456 million in the quarter and rose 3% to $1.32 billion for the first nine months. Growth in podcasting, programmatic advertising and technology fees helped offset weaker streaming-music and satellite-ad demand. Pandora and off-platform advertising revenue increased 1% to $419 million.

Pandora’s audience metrics declined: ad-supported listening hours fell 10% to 2.25 billion, monthly active users dropped 7% to 38.8 million, and self-pay Pandora Plus and Premium subscribers decreased 3% to about 5.5 million. Revenue per thousand listening hours rose to $91.63 from $91.24.

Bari Weiss Downplays Concerns Over Weak 60 Minutes Ratings


CBS News editor-in-chief Bari Weiss addressed the network’s ratings performance during her tenure in remarks at an industry conference on Wednesday, stating that she does not prioritize precise viewership figures for individual 60 Minutes segments.

Speaking at an event organized by the tech publication The Information, which did not offer press credentials, Weiss said, “I could never build anything if I were focused on the precise number of people that happen to tune in to the second feature on 60 Minutes on a given Sunday.” She described the program as doing “tremendously well” overall.

Weiss overhauled 60 Minutes in late May, removing the executive producer and parting ways with three top correspondents, including Scott Pelley. The show has not matched last season’s average of 9.1 million viewers per episode. Its most recent episode drew 5.64 million viewers, which Variety described as one of the smallest audiences for the program in years and the lowest-rated sixth episode this century. 

Ratings for the show are influenced by whether it follows a highly watched NFL game. The Oct. 4 episode averaged more than 10 million viewers.

Weiss was also asked about parent company Skydance’s recent merger with Warner Bros. Discovery, CNN’s parent company. Although she had been mentioned in speculation about a potential role at CNN, Skydance chief executive David Ellison retained CNN CEO Mark Thompson in place for the time being. When asked if she might be interested in running CNN, Weiss said, “I want to focus on doing CBS News, trust me. This is a big enough challenge.”

She said she is not focused on criticism of her tenure at CBS News, which has come from inside and outside the organization. Her stated approach has been to “put the blinders on, tune out the noise and focus,” adding, “I’m not doing anything I’m doing for popularity’s sake.”

TODAY Wins First October In Total Viewers In 15-Years

 

  • TODAY Delivers Its Biggest October Total Viewer Advantage Over GMA in 15 Years
  • TODAY Is the Only Morning Show to Grow Total Viewership Year Over Year, Marking 9 Consecutive Months of Growth
NBC News’ TODAY won in total viewers and the key demo A25-54 for the month, marking its first and largest October total viewer win over GMA in 15 years. TODAY is the only morning show to grow in total viewers year over year, marking 9 months of consecutive growth.

Graphic Courtesy of RoadMN

For the month of October, TODAY averaged 2.832 million total viewers, beating GMA by +136,000 (+5%) and CBS by +1.064 million (+60%).

In A25-54, TODAY averaged 602,000 viewers, leading GMA by +149,000 (+33%) and CBS by +303,000 (+101%). TODAY has won the key demo for 38 consecutive months, capturing the largest October share of morning news A25-54 viewers (44.5%) in 15 years.

Knoxville Radio: Matt Brodie New Programmer at WCYQ-FM


SummitMedia has appointed Matt “Brodie” Lesley brand manager of its four-station Knoxville cluster. Lesley will also host middays on country station WCYQ (100.3 The Wolf), bringing more than 20 years of programming and on-air experience to the market.

Lesley most recently served as program director and afternoon host for WNOK in Columbia, South Carolina, and WWXM in Myrtle Beach, South Carolina, from 2019 to 2026. During that period, he also curated music for iHeartMedia CHR stations in Cincinnati, Fresno and Austin.

Matt Brodie
His previous experience includes a decade at KCHZ (95-7 The Vibe) in Kansas City, where he held roles as assistant program director, music director and morning host. He also programmed WSEA (Power 100.3) and WSYN (Sunny 103.1) in Myrtle Beach, and KQLK (Hot 97.7) in Lake Charles, Louisiana.

“I’ve gone country!” Lesley said. “I’m excited to start this new chapter with SummitMedia and WCYQ and help bring great country radio to East Tennessee.”

SummitMedia Executive Vice President of Programming John Olsen called Lesley “a smart programmer, an outstanding air talent and a proven leader,” adding that he is a strong fit to lead the Knoxville stations and host middays on The Wolf.

K-C Radio: 106.5 The Wolf Imports Mo & StyckMan

Mo & StyckMan

106.5 The Wolf (WDAF-FM), an Audacy station in Kansas City, is adding “Mo & StyckMan” to its weekday lineup. The duo will be heard evenings from 3:00 p.m. to 7:00 p.m. CT starting November 2.

106.5 The Wolf’s new weekday programming lineup:
  • 6:00 a.m: “Jenny and Jagger in the Morning”
  • 10:00 a.m: “Katie & Company” with Katie Neal
  • 3:00 p.m: “Mo & StyckMan”
  • 7:00 p.m: “The Rob and Holly Show”
Mo and StyckMan can also be heard weekday afternoons on US 101 (WUSY-FM) in Chattanooga, TN, and Big 98.5 (WRXL-HD2) in Richmond, VA, and weekday mornings on 99.7 The Wolf (WLFP-FM) in Memphis. The duo also hosts “3rd Shift Country,” Audacy’s nationwide overnight show.

The duo brings a stunning legacy of industry recognition. Together, Mo and StyckMan are Marconi Award winners (2022) and have won three CMA and two ACM Broadcast Personality of the Year awards as a team. In addition to their accolades, the duo has recently been nominated for another Marconi Award and a CMA Award. Mo is a Gracie Award winner and has earned a career total of six CMAs and four ACMs. StyckMan boasts an incredible seven CMA Awards and five ACM Awards for broadcast personality.

📻Listeners can tune in to 106.5 The Wolf (WDAF-FM) in Kansas City, on-air and nationwide on the Audacy app and website. Fans can also connect with the station via X, Facebook and Instagram.

Streaming Growth Leads To Revenue Increase At Universal


Universal Music Group’s third-quarter revenue rose 11.7% to €3.39 billion ($3.87 billion), led by subscription streaming growth and the integration of Downtown Music Group. Excluding Downtown, revenue increased 5.3%. Results topped analysts’ expectations of about €3.37 billion.

Subscription streaming revenue climbed 17.9% to €1.81 billion, with Downtown contributing €146 million. Adjusted EBITDA rose 9% in constant currency to €729 million, while the adjusted EBITDA margin expanded 0.4 percentage points to 21.5%.

Recorded music revenue grew 14.7% in constant currency to €2.56 billion, supported by subscription streaming, ad-supported streaming and physical sales. Top sellers included Mrs. Green Apple, Olivia Rodrigo, Stray Kids, Ariana Grande and The Beatles. Music publishing revenue increased 7.5% in constant currency, while merchandise revenue fell 4.6% amid fewer major tours.

UMG CEO Lucian Grainge called Downtown the company’s most important acquisition since EMI. The company also continues a cost-cutting program announced in 2024, which it says is expected to generate €250 million in annual savings by the end of 2026.

Nexstar Settles FCC Violations for $80,500


Nexstar Media Group has agreed to pay an $80,500 fine to the FCC to resolve violations concerning children's television programming, political advertising public inspection files, and station modification filings.

The settlement brings a close to a regulatory dispute that initially featured a proposed $182,000 fine in 2022. The children's television violations involved improper commercial airings during episodes of "Team Hot Wheels" in 2018—a legacy issue from stations Nexstar acquired from Tribune Media in 2019. Furthermore, 43 of Nexstar's stations failed to make political advertising files available for public inspection in a timely manner, as mandated by federal regulations.

Affected stations include:
  • KDVR (Denver)
  • KFCT (Fort Collins)
  • KIAH (Houston)
  • KTLA (Los Angeles)
  • KTXL (Sacramento)
  • WGN-TV (Chicago)
  • WGNO (New Orleans)
  • WDAF-TV (Kansas City)

Radio History: Oct 30


➦In 1745
...Invention of the Leyden jar (the first capacitor) by Dean Ewald Jurgen von Kleist of the Cathedral of Cammin.

➦In 1907...Actor and songwriter Renzo Cesana was born in Rome Italy.  He is best remembered as The Continental, the suave debonair “latin lover” host of his own early TV series. He is also credited with creating the radio programs “Art Linkletter’s House Party”, “Stop That Villain”, and the “Radio Hall of Fame.” Cesana succumbed to lung cancer November 8 1970 at age 63.

Fred Friendly with Edward R Murrow

➦In 1915...Broadcaster Fred W. Friendly was born Ferdinand Friendly Wachenheimer in NYC (Died from a series of strokes at age 82 – March 3, 1998). He was a president of CBS News and the creator, along with Edward R. Murrow, of the documentary television program 'See It Now'.  He originated the concept of public-access television cable TV channels.

He entered radio broadcasting in 1937 at WEAN in Providence, Rhode Island, where he reversed the order of his middle and last names, and began using Friendly as his last name. In World War II, he served as an instructor in the Army Signal Corps and reported for an Army newspaper in the Pacific Theater (The CBI Roundup) before mustering out as a master sergeant in 1945.

By the late 1940s, Friendly was an experienced radio producer. It was in this role that Friendly first worked with Murrow on the Columbia Records historical albums, I Can Hear It Now. The first entry in the series, released on Thanksgiving Day 1948, covered the crisis and war years 1933–1945. It was a ground-breaker in that it used clips of radio news coverage and speeches of the major events from that twelve-year time span. Friendly created the concept after noticing the new use of audiotape in regular radio news coverage, as opposed to wire or disc recordings that had been an industry standard. Periodically, Friendly created recordings of news events when such recordings didn't exist or, recreated ones that were considered too chaotic to use on an album.

Although Murrow was an established CBS name and at the time Columbia Records was owned by CBS, Friendly's next full-time work came as a news producer at NBC. It was there that Friendly originated the idea for the news-oriented quiz show Who Said That?, first hosted by NBC newsman Robert Trout, followed by Walter Kiernan, and John Charles Daly. The program, which Friendly edited, ran irregularly on NBC and then ABC between 1948 and 1955.

Friendly later wrote, directed, and produced the NBC Radio series The Quick and the Dead during the Summer of 1950. It was about the development of the atomic bomb. It featured Trout, Bob Hope, and New York Times writer Bill Laurence, who had won a Pulitzer Prize for his coverage of the Manhattan Project.

➦In 1925...KUT-AM in Austin Texas began broadcasting.

The actual beginning date of radio broadcasting on the UT-Austin campus has never been fully substantiated. There is an unofficial reference to an on-campus radio operation as early as 1912. But the most reliable information indicates that the first broadcast license — bearing the call letters 5XY — was issued to the University on March 22, 1921.

A year later, a new license was issued, bearing new call letters WCM, which the station used to identify itself until 1925.

In these first years, the station was used for a number of purposes, beginning as a demonstration project in the Physics Department, whose Professor Simpson L. Brown had persuaded the administration to let him build the station in the first place.

Beginning in 1923, though, funding concerns prompted a transfer of operational control to the University's Extension Division for extension teaching. One of the stipulations of the transfer agreement was that funds would be provided for operations and maintenance to put the station in a "first-class" condition. The funds, however, did not materialize and broadcasting suffered until a state agriculture official needed a means to broadcast daily crop and weather reports.

A deal between the official and UT's Extension Division allowed agriculture broadcasts for one hour per day in exchange for equipment maintenance. At other times of the day, the University would broadcast items of interest from the campus, including a number of faculty lecture series.

But by the end of 1924, the Physics Department decided it wanted the station back, and with the approval of the Board of Regents, the Physics Department regained control in the summer of 1925. They had a new license granted on October 30 and it bore, for the first time, the call letters KUT.

KUT's early years were ambitious but, by 1927, ambition had outrun the funding. The expense of operating and maintaining the station had simply become too great for the Physics Department to sustain. University President Harry Benedict appointed a committee to study the matter, and the committee recommended that the project be discontinued. The station was dismantled and the equipment returned to the Physics labs for experimentation.

KUT would not re-emerge for 30 years.

➦In 1931...NBC began installing a TV transmitter on top of New York’s Empire State Building. The first experimental TV broadcast from the building was on December 22, 1931.

➦In 1938...Orson Welles's radio adaptation of HG Wells's War Of The Worlds caused panic in the US by convincing many listeners that Martians had really landed in New Jersey.

During the '30s, Welles worked extensively in radio as an actor, writer, director and producer, often without credit.  Between 1935 and 1937 he was earning as much as $2,000 a week, shuttling between radio studios at such a pace that he would arrive barely in time for a quick scan of his lines before he was on the air.

Thursday, October 29, 2026

SCOTUS To Hear Nielsen-Comulus Dispute In Weeks


The U.S. Supreme Court will consider on Nov. 13 whether to take up Nielsen’s antitrust appeal against Cumulus Media, a case that challenges a lower court ruling preventing Nielsen from requiring broadcasters to buy local radio ratings in order to access its full national ratings service. The justices could agree to hear the case, deny review, or delay a decision, with an announcement possible shortly after the conference.

The dispute stems from a July decision by the Second Circuit Court of Appeals that upheld a preliminary injunction against Nielsen’s ratings sales policy. The injunction bars Nielsen from tying access to its nationwide ratings to the purchase of local ratings services and prohibits the company from charging commercially unreasonable prices for standalone national ratings.

Agenda Preview: CRS 2027 to Spotlight Radio’s Future


Country Radio Seminar has unveiled an early look at its CRS 2027 agenda, featuring general sessions focused on music discovery, audience measurement, transparency, career transitions, and the evolving ways the industry gauges artist and radio success. The event, set for March 17-19 in Nashville, will also include a new four-part “Cycle of a Song” series and the return of its popular label luncheons.

Among the featured sessions, “Fundamentals of Finding Music” will examine radio’s unique role in breaking artists and building fans, while “The New Radio Scoreboard: Measuring Success With or Without Ratings” explores how stations can evaluate performance beyond traditional ratings metrics. Other sessions include “Life After Layoff,” featuring professionals who share their career journeys after workforce reductions, and “Certified Human: Trust & Transparency,” which focuses on the role transparency plays in maintaining listener, advertiser, and industry confidence. “Beyond Vanity Metrics” will bring together industry leaders to discuss how radio, streaming, social media, and fan engagement data can provide a more complete picture of audience growth.

The new “Cycle of a Song” series will follow music from creation to airplay, highlighting the writers, artists, labels, and radio partners involved in developing careers and hit records. Sessions include a look at Drew Baldridge’s path to a No. 1 hit with “She’s Somebody’s Daughter,” a discussion on women’s impact across the industry, an exploration of artist development and career-building strategies, and a songwriter-focused panel on the craft and business of hit-making.

CRS 2027 will also bring back its daily luncheon showcases, featuring Warner Records Nashville, Team MCA at the Ryman, and Big Machine Records’ Friday finale. Bob Kingsley’s Acoustic Alley will return as a centerpiece event, offering additional live music performances and networking opportunities.

The seminar will take place March 17-19 at the Omni Nashville Hotel. Organizers are also offering a one-day Fall Sale on Oct. 29, providing a 10% discount on the current three-day registration rate at CountryRadioSeminar.com.

SiriusXM Reports Revenue Wobbles Lower, Subs Remain Flat


Sirius XM Holdings reported third-quarter 2026 revenue of $2.15 billion, down slightly from a year earlier mainly because of lower equipment sales tied to higher memory costs. Net income rose 7% to $317 million, while earnings per diluted share fell 7% to $0.78 from $0.84, reflecting the accounting treatment of convertible notes, including fair-value adjustments and assumed dilution.

Adjusted EBITDA increased 3% to $694 million, and the margin expanded one percentage point to 32%. The gains came from stable revenue and tighter expense control, including lower programming costs, more automation in customer care, and reduced sales and marketing spending. Free cash flow climbed 14% to $293 million, helped by higher adjusted EBITDA, favorable working capital, lower interest expense, and reduced capital expenditures.


The company raised its full-year financial guidance, citing progress in stabilizing the subscriber base, improving engagement, and growing its advertising platform.

“Our third-quarter performance reflects the progress we're making in building a stronger, more durable SiriusXM,” CEO Jennifer Witz said. She pointed to deeper subscriber engagement through differentiated content, expanded advertising reach via partnerships such as YouTube Audio, and greater long-term value from enhanced subscription offerings."


Average listening time rose about 5% year over year across all subscriber tenure groups. Year-to-date app trends are on pace for the highest average listening time and most active days per listener since the current app launched in late 2023. Exclusive programming included the Dolly Parton Tribute Channel, which became the year’s most-listened-to artist pop-up channel, along with performances by Shania Twain and John Mayer and special programming featuring Billy Joel and Talking Heads. “Life with John Mayer” ranked as the top streamed artist channel.

SiriusXM Delivers The Soundtrack To The Holidays


SiriusXM is making spirits bright with the return of its beloved holiday music lineup, bringing the sounds of the season to listeners with 25 handcrafted festive channels. From traditional holiday staples to seasonal hits, this year's lineup has something for everyone, including Hallmark Radio, Trans-Siberian Orchestra Radio, Mannheim Steamroller Channel and more. The most wonderful time of the year starts Monday, November 2 on SiriusXM, with many channels launching in-car and streaming on the SiriusXM app.

SiriusXM's highly anticipated holiday lineup brings nonstop cheer to listeners with a merry mix of festive music curated by fan-favorite personalities and brands that bring the magic of the season to life. From timeless holiday classics and traditional Christmas carols to Radio Hanukkah and genre-specific channels featuring holiday pop, country Christmas, seasonal soul and more, SiriusXM has the perfect hand-picked soundtrack for every holiday moment.

TV Ratings: Fox News Channel Notches Week-to-Week Growth

  • FNC Leads All of Cable in Total Day with Total Viewers for 41st Consecutive Week
  • CBS’ ‘60 Minutes’ Posts Lowest-Rated Episode of the Season, Draws Smallest 6th-Episode Audience Since the Year 2000

FOX News Channel (FNC) concluded the week of October 19th with 2.1 million weekday primetime viewers, according to Nielsen Media Research Big Data + Panel. In Monday – Sunday primetime, FNC landed 1.7 million viewers.

Graphic Courtesy of RoadMN



 In Monday – Sunday total day, FNC averaged 1.2 million viewers, notching week-to-week growth in both total viewers and the 25-54 demo. FNC also led all of cable in total day with total viewers for the 41st consecutive week. Markedly, on October 25th, CBS’ 60 Minutes posted its lowest-rated episode of the season and smallest 6th-episode audience since the year 2000, delivering 5.6 million total viewers and 586,000 viewers in the 25-54 demo.

FNC Continues As No.1 Cable Network In Primetime Viewers

  • FNC is Pacing to be Highest Rated Midterm Year with Total Day Viewers
  • The Network Notches 99 of the top 100 Cable News Telecasts in October
  • FOX News Drives Nearly 1 Billion More YouTube Video Views than Any Other News Brand
  • ‘CBS Mornings’ and '60 Minutes' Each Post Lowest-Rated October in History with Viewers
  • MS NOW Racks up 12 Year October Lows in Total Viewers and 24 Year Lows in A25-54 Demo for Midterm Year

FOX News Media continued to dominate across linear and digital platforms in October, leading cable news viewership while outpacing competitors on YouTube and digital platforms. According to Nielsen Media Research, FOX News Channel (FNC) finished as the number one cable network in total day with 1.1 million viewers, commanding more than 50% of the cable news audience in total day and primetime and beating CNN and MS NOW combined. 


FNC also remained the top cable network in primetime year-to-date and the only cable network averaging more than 1 million total day viewers, outperforming ESPN despite the return of college football and Monday Night Football. 

NAB's LeGeyt Affirms Collaboration On 1A Protections


National Association of Broadcasters President and CEO Curtis LeGeyt said the trade group will continue working with FCC Commissioner Anna Gomez and other policymakers to protect broadcasters’ First Amendment rights and strengthen local stations’ ability to deliver trusted news and information.

In a statement issued October 27, LeGeyt responded to Gomez’s October 22 letter calling for a more forceful industry defense of local stations. “We appreciate Commissioner Gomez’s recognition of the value of local broadcasters and her commitment to the First Amendment principles that underpin a free press,” LeGeyt wrote. “We will continue working with her and all policymakers to protect broadcasters’ rights and strengthen local stations’ ability to deliver trusted news and information to the communities they serve.”

Gomez had urged the NAB to take a harder public stand against what she described as a coordinated administration effort to pressure stations, particularly over election-related coverage. While crediting the association for opposing the FCC’s early license-renewal order, she said the volume of that response “has not yet matched the scale of what your members are facing.”