Tuesday, September 1, 2026

NBC News Supports MTP's Kristen Welker


NBC News is defending “Meet the Press” moderator Kristen Welker after President Donald Trump said he would report her to the FCC over her description of his 2026 primary endorsement record. 

“Kristen is one of the best in the business and we stand by her,” an NBC News spokesperson said in a statement provided to USA TODAY

In a Sunday Truth Social post, Trump accused Welker of a “purposeful inaccuracy” after she said on a local NBC affiliate that he has had “some mixed results” with primary endorsements. He said she would be “reported to the FCC for rebuke or punishment.” 

Trump cited recent Senate and House wins and claimed near-perfect success rates. Welker’s remarks, made in a pre-show live shot, noted that Trump would “loom large” over the midterms. She said he had “some mixed results” in primaries but had recently helped Sen. Darline Graham win a South Carolina runoff. 

Trump-endorsed Republicans have won the vast majority of 2026 GOP primaries. Several high-profile candidates he backed have lost, including Florida Rep. Cory Mills, Tennessee Rep. Andy Ogles, Georgia Lt. Gov. Burt Jones and South Carolina Lt. Gov. Pamela Evette. 

The FCC has limited authority in such cases. It licenses individual broadcast stations, not networks such as NBC, and its website states that broadcasters—not the government—select what they air. The First Amendment and the Communications Act bar the agency from censoring program content. 

The clash is not the first between Trump and Welker. In June he walked out of a “Meet the Press” interview after she pressed him on unsubstantiated claims of election fraud in California. Welker later said they spoke afterward and he agreed to another interview.

FCC Commissioner Anna Gomez, a Biden appointee, called the threat “dangerous,” writing that the agency “has no authority to punish journalists this administration doesn’t like” and that such threats undermine press freedom.

Lionel Richie Hospitalized Following St. Louis Performance

Lionel Richie

Lionel Richie, the 77-year-old Grammy-winning singer and “American Idol” judge, was hospitalized in intensive care after a concert in St. Louis on Saturday.

The “All Night Long” performer checked himself into a local hospital for testing, TMZ reported Monday. Witnesses told the outlet that Richie appeared to struggle through the end of the show and asked for a chair while singing his closing number, “All Night Long.”

The incident occurred during a live performance in St. Louis. 

Details of his specific condition and the results of the tests have not been publicly released. Richie has not issued a personal statement.


Richie rose to fame with the Commodores in the 1970s before launching a solo career defined by hits including “Hello,” “Easy,” “Say You, Say Me,” and “Dancing on the Ceiling.” He has remained a prominent live act and television personality for decades. 

Fans and fellow musicians typically respond to health scares involving veteran performers with messages of support while awaiting official updates from the artist or his representatives.

Dolly's Music Returns to Billboard's Hot 100


Two iconic Dolly Parton recordings have reached the Billboard Hot 100 top 40 for the first time following the entertainer’s death, with “Jolene” reentering the Sept. 5-dated chart at No. 16 and “I Will Always Love You” debuting at No. 27.

Parton died Aug. 25 in Nashville at age 80. 

The surge lifts her career total of Hot 100 top 40 hits to 10 and marks her first appearance in that region in more than 20 years, since Brad Paisley’s “When I Get Where I’m Going” (featuring Parton) peaked at No. 39 and spent a week at No. 40 on the March 18, 2006, chart.

Both 1974 songs were written solely by Parton, reportedly on the same day. “Jolene” was her first of 23 career Hot 100 entries, peaking at No. 60 that March; the original “I Will Always Love You” had never charted on the Hot 100. Each topped Hot Country Songs and became the second and third of her record 25 No. 1s on that list among women. 

A 1982 re-recording of “I Will Always Love You” reached No. 53 on the Hot 100—her only version of the ballad to chart there until now. Whitney Houston’s cover held No. 1 for a then-record 14 weeks in 1992-93; BeyoncĂ©’s 2024 remake of “Jolene” peaked at No. 7.In the Aug. 21-27 tracking week, “Jolene” earned 10.2 million official U.S. streams (up 583%), 5.5 million in radio airplay audience and 15,000 sales, according to Luminate. 

“I Will Always Love You” drew 6.5 million streams (up 1,128%), 5.1 million in radio reach and 16,000 sales. Both radio and sales figures rose from nominal totals the prior week.

Three other Parton favorites also reentered the Hot 100: “9 to 5” at No. 18, “Islands in the Stream” (with Kenny Rogers) at No. 26 and “Here You Come Again” at No. 44.“9 to 5,” which in 1981 became the first of Parton’s two Hot 100 No. 1s, posted 9.5 million streams (up 520%), 7.2 million airplay impressions and 15,000 sales. “Islands in the Stream,” a 1983 chart-topper, returned with 7.2 million streams (up 1,472%), 4.2 million in radio listenership and 13,000 sales. “Here You Come Again,” her first top 40 hit and the first of three top 10s (No. 3 in 1977), totaled 5 million streams (up 1,088%), 2.9 million in airplay audience and 10,000 sales.

Programmatic Ad Buying Expected To Accelerate At Radio


Programmatic buying still accounts for only about one-third of U.S. digital audio advertising—versus roughly 90% of digital ads overall—even as marketers pour more money into podcasts, streaming and, increasingly, over-the-air radio.

U.S. digital audio revenue reached about $8.4 billion in 2025, up 10.2%, according to IAB/PwC. 

Podcast ads grew faster, to about $2.9 billion, up 17.6%. Audio’s share of internet ad spending stayed near 2.8%. Industry estimates put programmatic digital audio at roughly $2.3 billion to $2.6 billion in 2026. By one 2026 count, 82% of marketers and agencies now buy some programmatic audio, up from 65% a year earlier.

The newest shift is broadcast radio entering the same pipes as streaming and podcasts. On Monday, Triton Digital and RCS said they are linking Triton’s ad platform to RCS’s Zetta playout software so stations can sell selected over-the-air spots programmatically without extra insertion hardware. Triton is starting with programmatic-guaranteed deals, not open auctions. Amazon DSP is separately working with iHeartMedia and aims to bring broader U.S. commercial radio and Sirius inventory into its omnichannel mix in 2027.

Podcasts are moving from show-level buys to episode-level targeting. Dynamic ad insertion now covers most podcast placements. Comscore’s Proximic tools and Integral Ad Science have added transcript-based brand safety and pre-bid controls on major platforms including Spotify. Host-read ads still command higher CPMs, often cited in a $12-to-$40 range.

AI is entering buying, targeting and creative. Agencies such as Butler/Till are testing agentic buying on iHeart streaming and podcast inventory. Platforms are also generating scripts and voice tracks for smaller advertisers. Local performance ads are the next contested budget, as identity and attribution tools try to fix podcasting’s weak listener IDs.

The limits remain: thin supply on the open market, video podcasts counted as video rather than audio, incomplete measurement in marketing-mix models, and stations’ reluctance to dump premium spots into cheap auctions. 

The 2026–27 race is less about inventing programmatic audio than putting radio and podcasts where digital buyers already spend.

Boston Radio: WEEI's Will Flemming Apologizes For Comments


Boston Red Sox radio announcer Will Flemming apologized Monday for saying a Red Sox pitcher should “drill” a New York Yankees batter during Sunday’s 16-1 loss in the Bronx.

Flemming, WEEI’s play-by-play voice, made the remarks in the eighth inning with the Yankees ahead by a wide margin. After Yankees second baseman Jazz Chisholm stole two bases with a six-run lead, Flemming called him a “bush-league” player and later said, “Wouldn’t you sort of like to see [Jovani] Morán drill [Austin] Wells right here?” 

When Wells homered, Flemming added that Morán “should fight Chisholm” and that Chisholm “plays the game the wrong way.”

On X, where he had not posted since December 2025, Flemming wrote that he was receiving “nonstop calls and threats” and that his comments “crossed a line.” 

Will Flemming

“I’m emotional and a fan at heart and that bled into the broadcast,” he said. In a follow-up, he added that he meant no disrespect to the Yankees and “could and should have used different words.”

Chisholm leads the American League with 40 stolen bases. The first steal came after Boston chose not to hold him on first. Analyst Will Middlebrooks tried to keep the call on the action as Flemming’s frustration spilled over.

The loss dropped the Red Sox four games behind New York for the first wild-card spot and gave the Yankees the season-series tiebreaker. Flemming had also spent several innings criticizing a fifth-inning no-catch ruling on Ceddanne Rafaela that stood after replay, asking if officials in the replay center “had [their heads] on straight.”

Flemming has been in the Red Sox radio booth since 2019 and became the lead voice after Joe Castiglione retired following the 2024 season. The Boston Globe reports he declined comment by text Monday morning. A message to Red Sox broadcasting executive Colin Burch was not immediately returned.

Richmond Radio: Jeff Katz Extends At Audacy's WRVA


Jeff Katz has renewed his contract with Audacy’s WRVA in Richmond and will remain the station’s afternoon-drive host, entering his 14th year in the slot and his 35th year in talk radio.

Jeff Katz
Katz is a longtime fixture on the heritage news/talk station and a regular presence on Newsmax TV. He has been named a Talkers Magazine Top 100 talk host for decades, won Talkers’ 2022 Humanitarian of the Year award, and readers of the Richmond Times-Dispatch have repeatedly voted his show the market’s favorite afternoon program.

Off the air, Katz has helped raise more than $1 million for Central Virginia charities and is an advocate for special-needs children and law enforcement. 

Virginia Gov. Glenn Youngkin appointed him to the Virginia Board for People with Disabilities. Local businesses have named food items after him, including the JK Hot Dog, JK Sandwich, JK Blend of Olive Oil, Jeff Katz Milkshake and Jeffeweizen summer beer.

Katz previously hosted in Boston, Philadelphia, San Francisco and Las Vegas before settling in Richmond, where he has said the community’s welcome for his family made the market a lasting home.

NBC Crew Bullied By Masked Israeli Settlers


An NBC News crew and the Palestinian woman they were interviewing were attacked by masked Israeli settlers in the occupied West Bank over the weekend, correspondent Matt Bradley said after footage of the assault aired Sunday on Today with Willie Geist. 

The attack happened Saturday in Jalud, near Nablus, while Bradley was interviewing Aida Ahmed Abdullah, 51, who said settlers had driven her family from their home. 

A gray car with Israeli plates pulled up, and at least four masked men got out and beat Abdullah and the journalists with rocks and sticks. “They jumped out, beat us, then jumped back in the car,” Bradley said.


On Today, he added that the attackers smashed the NBC windshield, struck the crew with clubs and beat Abdullah unconscious. Abdullah was taken to a hospital and later released. Bradley was hit twice on the arm and treated at a local clinic, as were producer Lawahez Jabari and camera operator Khaldoon Eid, who suffered minor injuries. 

Jabari said the men had sticks and that she saw a gun that was not used. Eid, a West Bank resident, said the crew did not expect an attack next to Palestinian homes. 

Prime Minister Benjamin Netanyahu on Saturday condemned “criminal acts of violence” in Jalud and nearby Qusra by what he called a “handful of rioters,” saying the attacks harmed Israel’s standing and asking security forces to apprehend those responsible. No arrests in the NBC case were immediately reported. 

U.S. Ambassador to Israel Mike Huckabee has separately condemned recent settler attacks on Palestinian families in the West Bank as the work of “Israeli terrorists.”

Lester Holt To Host New Podcast


Leter Holt will host an all new Dateline podcast, Before & After with Lester Holt, beginning September 14.

The six-episode series features deeply personal interviews with those whose lives were transformed in an instant by violence, survival, loss, injustice or an unexpected turn of fate. The conversations explore what it takes to endure the unimaginable, rebuild a life, and find meaning and purpose in the aftermath. The first episode, featuring Colin Kaepernick, debuts September 14. A preview of the interview will be available tomorrow on NBCNews.com.

Holt will also speak with Jeremy Renner, Rebecca Scofield, Gabby Giffords, Adrianne Haslet and more.

Click here to listen to the trailer. Dateline Premium subscribers can listen early beginning September 7.

This is Holt’s second original podcast, following last year’s chart-topping series, The Last Appeal

Dateline original podcasts have seen more than 43 million downloads in 2026. Dateline’s podcast portfolio includes The Thing About Pam, Mommy Doomsday, Deadly Mirage, Trace of Suspicion, Mortal Sin, Something About Cari, 13 Alibis, The Girl in the Blue Mustang, Dateline: Missing in America, among others.

Before & After with Lester Holt is a production of Dateline and NBC News and is produced by Dan Slepian and Liz Brown Kuriloff. Paul Ryan is executive producer and Liz Cole is senior executive producer of Dateline.

As Tim Cook Exits A New Era Starts At Apple

Tim Cook Says Goodbye

Tim Cook marked his final day as Apple CEO on Monday with a company-wide memo, ending a 15-year run at one of the world’s most valuable companies. 

Hardware chief John Ternus takes over Tuesday. 

Under Cook, Apple’s annual revenue nearly quadrupled to more than $416 billion, and its market value rose from about $350 billion to roughly $4.6 trillion, second only to Nvidia. Cook will remain at Apple as executive chairman and help manage the company’s political relationships. 

“The truth is, whatever there is to say about my success, I know it is all because of you,” Cook wrote, according to Bloomberg’s Mark Gurman. “You have brought out the best in me.” 

He said Apple’s culture mattered more than anything an annual report could capture and that the company has both the opportunity and the responsibility to leave the world better than it found it.

Ternus has spent 25 years at Apple. He became vice president of hardware engineering in 2013 and senior vice president in 2021, overseeing generations of Macs, iPads, iPhones, AirPods and Apple Watches, as well as the shift to Apple’s custom silicon. Cook said he would miss leading the company but took “enormous comfort” in handing the job to Ternus. 

“Few people understand what it takes to build products that change the world the way John does,” he wrote. The handover comes just before Apple’s Sept. 9 “Surprise and shine” event at the Steve Jobs Theater in Cupertino. The company is widely expected to unveil a foldable iPhone, a new iPhone Pro and possibly updated Apple Watches. Ternus is expected to lead that event.

These Streamers Benefit Most Often After Cutting Cords


Nearly one in three Americans who cancel traditional pay TV sign up for a new streaming service within a month, and they do so at five times the normal rate, according to new data from Antenna.

In the first quarter of 2026, Paramount+ was the most common first choice for those leaving cable or satellite, attracting 13.7% of new cord-cutters. Peacock also ranked among the top destinations. Both services combine large on-demand libraries with live sports from CBS and NBC, suggesting that sports and familiar programming remain priorities even as households leave bundled TV. 


Many appear willing to split those offerings across cheaper apps rather than keep a single expensive pay-TV package.Netflix, already widely adopted, is less likely to be the first new subscription after a cancellation. 

Antenna also found that three of the top four — and six of the top 10 — plans chosen by recent cord-cutters are ad-free, indicating that many former pay-TV customers will pay more to avoid commercials.

The shift is not limited to lower-income households. Antenna estimates that 61% of people who canceled pay TV between January 2024 and March 2026 had household incomes under $100,000 — matching that group’s share of the overall population.

Cable operators such as Cox and Xfinity continue to lose subscribers as streaming options multiply and traditional TV prices rise. Antenna’s figures show what many of those departing customers do first: they replace the bundle quickly, often with a sports-heavy or ad-free streamer rather than another full cable-like package.

R.I.P.: Darrell Aunem, Oregon Sportscaster

Darrell Aune, the longtime radio voice of Oregon State University football and men’s basketball, died last week at age 83. 

Aune called Beavers games for 29 seasons from 1970 to 1999, becoming a familiar presence for generations of fans in an era when televised college sports were far less common. For 20 of those years he also served as sports director at Portland’s KEX radio, and he was named Oregon Sportscaster of the Year 12 times. 

Oregon State Athletics announced his death Friday, calling him “the Voice of the Beavers for 29 years” and offering condolences to his family. His successor, Mike Parker, described him as “a master of the craft” and said that for a generation and beyond, Aune remains “the true Voice of the Beavers.” 

Aune was best known for the exuberant catchphrase “Holy jumping up and down, Martha!” One of his most remembered calls came on the final play of the 1998 Civil War, when Ken Simonton scored the overtime walk-off touchdown that gave Oregon State a 44-41 victory over Oregon. He also helped popularize the “Orange Express” nickname for the Beavers during a 1980s resurgence. After leaving Oregon State following the 1999 season, Aune continued broadcasting. 

He called University of Portland men’s basketball, then football and basketball at Linfield College, and later home football and men’s and women’s basketball games for Western Oregon University. He was a two-time past president of the Oregon Sportswriters and Sportscasters Association. A native of the Colfax, Washington, area, Aune graduated from Washington State University in 1966 with a degree in speech-communications. 

He began his career at KWSU in Pullman before working at KKAM in Pueblo, Colorado, and joining KEX in Portland. Even while calling Oregon State games, he remained a Washington State fan except when the Cougars played the Beavers. Aune is survived by his wife, Catherine, sons David and Brian, and daughter Marilou.

Radio History: Sep 1


➦In 1887…Inventor Emile Berliner filed for a patent for the lateral-cut, flat-disk gramophone he invented, a device better known as a record player.

A year earlier Berliner began experimenting with methods of sound recording. He was granted his first patent for what he called the "Gramophone" later in 1887. The patent described recording sound using horizontal modulation of a stylus as it traced a line on a rotating cylindrical surface coated with an unresisting opaque material such as lampblack, subsequently fixed with varnish and used to photoengrave a corresponding groove into the surface of a metal playback cylinder.

In practice, Berliner opted for the disc format, which made the photoengraving step much less difficult and offered the prospect of making multiple copies of the result by some simpler process such as electrotyping, molding or stamping. In 1888 Berliner was using a more direct recording method, in which the stylus traced a line through a very thin coating of wax on a zinc disc, which was then etched in acid to convert the line of bared metal into a playable groove.

Berliner also invented what was probably the first radial aircraft engine (1908), a helicopter (1919), and acoustical tiles (1920s).

➦In 1900...Don Wilson was born (Died from a stroke at age 81 – April 25, 1982). He  is remembered best as the rotund announcer and comic foil to the star of The Jack Benny Program.

Don Wilson
Wilson began his radio career as a singer over Denver radio station KFEL in 1923.By 1929, he was working at KFI, and shortly afterwards for Don Lee at KHJ, in Los Angeles. In a 1978 appearance on Tomorrow with Tom Snyder, Wilson claimed he was fired from KHJ because he had bought a Packard from Earle C. Anthony, the business arch-rival of Cadillac dealer Don Lee and owner of KFI and KECA.

Though best known for his comedy work with Benny, Wilson had a background as a sportscaster, covering the opening of the 1932 Summer Olympics. Don appeared in two Broadway shows in the 1930s, "The Passionate Pilgrim", which opened October 19, 1932, and "The First Legion", which opened October 1, 1934.

Wilson first worked with Benny on the broadcast of April 6, 1934, he possessed a resonant voice, a deep belly laugh, and a plump figure, all of which would become important parts of his character with Benny.

➦In 1934...CKLW radio Windsor moved from 840 KHz to 1030 KHz with 5000 watts.

CKLW first came on the air on June 2, 1932 as CKOK on 540 kilocycles.  The Station was built by George Storer and was sold to a group of Windsor-area businessmen led by Malcolm Campbell, operating as "Essex Broadcasters, Ltd." CKOK became CKLW and moved to 840 kHz in 1933, when Essex Broadcasters, Ltd. merged with the London, ON Free Press and its station CJGC (now CFPL), and became "Western Ontario Broadcasting", which was co-owned by Essex Broadcasters, and the London Free Press. The "LW" in the callsign is said to have stood for "London, Windsor", considered to be the two chief cities in the station's listening area.

In 1934, when London Free Press's station CJGC pulled out of the agreement, the station's ownership became wholly owned by Western Ontario Broadcasters. CJGC later evolved into today's CFPL 980, while CKLW moved from 840 to 1030 kc. in 1934, before settling on its present frequency of 800 kHz in 1941, thanks to a shuffle of frequency allocations.

CKLW for most of its history had a distinct American accent to its programming, and for a number of years served as the Detroit affiliate of the Mutual Broadcasting System, an affiliation that began with its switch from CBS to Mutual September 29, 1935, and which would last from then until its purchase by RKO General in 1963.

After RKO General took over the station and its FM sister (93.9) in 1963, CKLW began to shed the variety-format approach and, as "Radio Eight-Oh", began focusing more aggressively on playing contemporary hits and issuing a record survey. Davies, Knowles, Dave Shafer, Tom Clay, Tom Shannon, Larry Morrow (as "Duke Windsor"), Terry Knight, and Don Zee were among the "Radio Eight-Oh" personalities during this time. The station did well thanks to its huge signal, and beat the local competition in Cleveland, Ohio, though in the local Detroit ratings CKLW still lagged well behind competing hit outlet WKNR.

However, on April 4, 1967, CKLW got a drastic makeover with Bill Drake's "Boss Radio" format, programmed locally by Paul Drew. Initially known as "Radio 8" with PAMS jingles, within a few months the station's final transformation into "The Big 8," with new jingles sung by the Johnny Mann Singers, was complete, and the station was on a rapid ratings upswing. In July 1967, CKLW claimed the number one spot in the Detroit ratings for the first time, and WKNR was left in the dust, switching to an easy listening format as WNIC less than five years later.

Monday, August 31, 2026

Networks Warned To Not Mix Nielsen Measurement Ratings


Nielsen told television networks they may not mix its ratings with internal or third-party data when making comparative audience claims in the press, a reminder issued as the measurement firm rolls out major methodology changes ahead of a packed sports season.

The agency said “mixing internal or third-party data with Nielsen metrics to make comparative statements in the press is not permissible.” 

Front Office Sports reports the rule is not new, but networks have often blended figures when reporting live sports audiences.

NBC has regularly used Total Audience Delivery numbers that combine Nielsen’s Big Data + Panel measurements with Adobe Analytics digital data. The issue sharpened during this summer’s FIFA World Cup, when Fox released strictly Nielsen figures while NBCUniversal-owned Telemundo used the TAD blend and highlighted growing appeal among non-Spanish speakers. Nielsen has since increased scrutiny of competitive claims built on mixed data.

Trump Orders FCC To Punish NBC's Meet the Press Program

Trump and Welker

President Donald Trump said Sunday he is reporting NBC News’s Kristen Welker to the FCC for “rebuke and punishment” after she described his record of endorsing Republican primary candidates as having “mixed results.”

Trump made the announcement on Truth Social minutes after Welker’s comment on Meet the Press. 

He said his 2026 endorsement success rate is in the high 90s and called her characterization a “purposeful inaccuracy.”

“Kristen Welker, the Unpopular ‘Hostess’ of the once great Meet the Press, now considered Meet the Fake Press, just stated that Donald Trump has ‘mixed results’ on his Endorsements of Candidates, when the recent WINS of Darline Graham and Mike Mazzei, stand at 100% for the U.S. Senate, and 98% for the U.S. House, recently and over the longterm,” Trump wrote. 

WW1 Ending America In the Morning


Westwood One has informed affiliates that it will end its long-running syndicated news magazine America in the Morning on Friday, September 18, after nearly 42 years on the air. 

The one-hour weekday program, hosted by John Trout, currently airs locally from 5 to 6 a.m. on Federal News Network (1500 WFED) in Washington. The network will replace it the following Monday, September 21, with The Bongino Report AM, a new one-hour show hosted by Dan Bongino. The program is slated to feed from 5 to 6 a.m. ET, with affiliates able to air it later in the morning. 

Westwood One President Collin Jones framed the move as doubling Bongino’s presence on the network after the recent launch of The Bongino Report PM. It is not yet known whether WFED will carry the new Bongino morning program. 

Earlier this week, sister Cumulus station WMAL added The Bongino Report PM to its lineup, carrying Bongino’s two-hour evening segment on weeknights. 

Streamers Squeezing More Out Of Subscribers


Apple TV raised its prices immediately on Friday, lifting a monthly subscription to $14.99 from $12.99 and an annual plan to $119.99 from $99.99 — the streaming service’s fourth increase in four years.

Apple One individual bundles that include Apple Music, Apple Arcade, iCloud storage and other services also rose $2, to $21.95 a month. 

Unlike several rivals, Apple TV does not offer a cheaper ad-supported tier.

The move follows a wave of industry price hikes as streamers try to offset rising programming costs. Netflix recently increased its most expensive plan to $27 a month. Peacock raised its ad-supported tier to $12.99 and its premium plan to $19.99 earlier this month. ESPN will lift its unlimited plan to $31.99 a month in September. Amazon Prime Video, Netflix and YouTube Premium also raised prices earlier this year.

Apple launched Apple TV+ in 2019 at $4.99 a month as a low-cost perk for device owners and still offers a free three-month trial with a new Apple product purchase. The company has since positioned the service around high-end originals, now numbering more than 300 movies and series, including “Ted Lasso,” which returned for a fourth season this month, and “Severance.”

Apple TV also carries Formula 1 races in the United States plus Major League Baseball and Major League Soccer games. Several of its shows have drawn awards attention: “The Studio” won 13 Emmys last year, and “Widow’s Bay” and “Pluribus” are nominated for 19 and 18 awards this year.