Thursday, January 2, 2025

Atlanta Radio: A Not So Happy New Year At Salem's Fish Stations


Salem Media Group's Fish 104.7, a contemporary Christian pop station in Atlanta for the past quarter century, is leaving the airwaves on Feb. 1 after selling its music stations to Educational Media Foundation, owner of K-LOVE and Air1, for $80 million.

Rodney Ho at ajc.com reports this means the end of the market’s longest running morning show featuring Kevin Avery and Taylor Scott, which began in 2000, and the station’s local presence with annual charity events such as its Christmas Wish program. Every year, the station changes to a Christmas format before Thanksgiving for more than a month and often lands at the top of the Nielsen ratings chart for a few weeks.

All Atlanta-based employees at Fish are losing their jobs in a month including midday host Kim Fitz and afternoon host Beth Bacall.

“We’re all in shock, disbelief and grief,” wrote Greg Eaton, a Fish senior media strategist on Facebook Monday evening after the news first broke. “It’s been an honor and a privilege to have contributed and been a part of one of the greatest radio stations in America.”

Mike Blakemore, program director at Fish 104.7, said any media queries need to go to Salem headquarters in Camarillo, California.

“We have made a strategic decision to exit the contemporary Christian music format in order to pay off all of Salem’s long-term debt,” said Edward G. Atsinger, Salem’s chairman and cofounder, in a press statement.

EMF, a nonprofit based out of Santa Rosa, California, already operates its K-LOVE syndicated Christian contemporary format at 106.7 out of Gainesville, which it purchased in 2019. It’s unclear if EMF will simulcast that format on 104.7, though whatever it chooses to do, the station that replaces Fish will have no local presence.

There are also local Fish stations six other markets: Cleveland, Ohio; Colorado Springs, Colorado; Dallas; Los Angeles; Portland, Oregon; and Sacramento, California.

TV Ratings: FOX Business Overtakes CNBC In Total Day


FOX Business Network (FBN) closed out 2024 as the leading business network in television, overtaking CNBC for the first time with total day viewers and for the third consecutive year with business day viewers (M-F 9:30 AM-5 PM/ET), according to Nielsen Media Research.

Larry Kudlow’s eponymous Kudlow (weekdays, 4 PM/ET) and Stuart Varney’s Varney & Co. (weekdays, 9 AM-12 PM/ET) once again landed atop the business news ranker for the third year in a row. Meanwhile, CNBC hit historic lows across primetime, notching its lowest-rated year since 1993 in total viewers, and lowest-rated year in the demo dating back to 1992.

Delivering an audience of 193,000 business day viewers, FBN scored a 3% advantage over CNBC as it topped the legacy business network for the third year in a row. Across total day, FBN notched 129,000 viewers, besting CNBC by 5% and marking the network’s first total day yearly win in history. Additionally, FBN grew its primetime audience across the board, setting its highest-rated year in the primetime demo since 2017 and delivering 5% year-over-year growth with younger viewers.

As the leading program in business news for the year, Kudlow netted 299,000 total viewers, setting a 71% advantage over its CNBC competition Closing Bell. Moreover, Kudlow led FBN to its second highest-rated year ever during the 4 PM/ET hour in total viewers, following 2022. Stuart Varney’s market-open program Varney & Co. crushed CNBC’s Squawk on the Street and Money Movers for the third year in a row with 239,000 total viewers. The program placed second overall in business news with total viewers.


 Several of FBN’s core business programs also topped their CNBC competition, including Maria Bartiromo’s Mornings with Maria (weekdays, 6-9 AM/ET) which outpaced CNBC’s Squawk Box by 15% in total viewers (108,000 P2+) for the second consecutive year. Cavuto: Coast to Coast (weekdays, 12 PM/ET) drew in 148,000 total viewers, The Big Money Show (weekdays, 1 PM/ET) saw 133,000 total viewers, Charles Payne’s Making Money with Charles Payne (weekdays, 2 PM/ET) scored 146,000 total viewers and The Claman Countdown (weekdays, 3 PM/ET) secured 152,000 total viewers. Notching its third consecutive year as number one in its time slot, FBN’s post market program The Evening Edit with Elizabeth MacDonald (weekdays, 5PM/ET) delivered 173,000 viewers, which beat CNBC’s Fast Money/Options Action by a 12% advantage in total viewers. Additionally, FBN’s The Bottom Line (weekdays, 6 PM/ET) nabbed its second yearly win over CNBC’s marquee show Mad Money with Jim Cramer, garnering a 13% advantage in the 6 PM/ET timeslot, scoring 148,000 viewers. Maria Bartiromo’s Wall Street (Fridays, 7-7:30 PM/ET) captured 81,000 P2+ viewers and Barron’s Roundtable (Fridays, 7:30-8 PM/ET) commanded 53,000 P2+ viewers.

Notably, FBN notched double digit increases across its viewership post-election to date while CNBC struggled to maintain its audience levels. Since November 5th, FBN’s primetime ratings have skyrocketed 46% in total viewers and 108% with the A25-54 demo, compared to October 2024 while ushering in viewership gains of 14% in total day viewers and 45% in the 25-54 demo.

Sourcing: Nielsen, Live + SD 2024td (1/1/24-12/27/24). Business Day (M-F 9:30am-5pm), Market Hours (M-F 9am-4pm), M-F Total Day (Based on each network’s Nielsen defined programming day). Business News Ranker M-F 5am-8pm Business Programs (Excludes Specials & Repeats). 2024 Post Election (11/5/24-12/27/24) vs Oct’24 (09/30/24-10/27/24)

TV Ratings: Americans Love Sports


TV numbers are in for 2024 - and there's plenty of proof America still loves its sports.

75 of the 100 most-watched telecasts over the past year were sporting events, including a record-breaking Super Bowl LVIII.

The NFL dominates the list, but there were positive signs for the MLB and NCAA women's basketball over the past twelve months. The February Super Bowl showdown between the Kansas City Chiefs and San Francisco 49ers was a huge draw for audiences. Millions of fans tuned in to watch the Chiefs win back-to-back Lombardi's, making it the most-watched US telecast in history. An average of 120 million viewers viewed the game on CBS, with an average of 123.4 watching across all platforms.

Football bosses will be delighted to see 45 NFL broadcasts feature in the Top 100, per Variety. You have to go down to No. 12 before finding a telecast not related to sports.

September's presidential debate, held by ABC, raked in 20.3 million viewers. Also on the list are the Oscars, as well as four editions of CBS' 60 Minutes.

TV Ratings Graphics Courtesy of RoadMN


But otherwise, it was another year sports dominated our screens, with America's appetite for sporting drama seemingly at an all-time high.

All five MLB World Series games appear on the list, as neutral fans found themselves drawn to the Los Angeles Dodgers/New York Yankees matchup. And for the first time, the NCAA Men’s Basketball Championship didn’t make the top 100, but the Women’s Championship Game did.

The WNBA has enjoyed a bumper year, with the success of rookies Caitlin Clark and Angel Reese driving ratings, according to The Sun.

TV Ratings: 2024's Big News Winners..FOX and Trump


Fox News topped primetime in 2024, averaging 2.38 million viewers, up 30% from a year earlier. MSNBC averaged 1.22 million, up 1%, and CNN posted 685,000, up 18%. In the 25-54 news demo, Fox News was up 40% to an average of 294,000, followed by CNN with 147,000 up 17%, and MSNBC with 133,000 up 9%.

In total day, Fox News averaged 1.46 million viewers, up 21%, followed by MSNBC with 791,000, up 2%, and CNN with 481,000, which was flat. In the 25-54 demo, Fox News averaged 186,000, up 26%, followed by CNN with 91,000, down 3%, and MSNBC with 84,000, down 2%.

Since the election, Fox News said it has drawn 72% of the primetime cable news audience, with MSNBC averaging 576,000 viewers, down 57% from the period of 2024 up to Election Day, and CNN averaging 378,000, down 49%.

For the year, the highest-rated cable news show was Fox News’ The Five, averaging 3.4 million viewers, followed by Jesse Watters Primetime with 3.1 million, Hannity with 2.8 million, Gutfeld! with 2.54 million and The Ingraham Angle with 2.51 million. In the 25-54 demo, Gutfeld! topped with 355,000, followed by Jesse Watters with 352,000, Hannity with 341,000, The Five with 331,000 and Ingraham Angle with 278,000.

Ratings Graphics Courtesy of RoadMN






 Adweek provides a comprehensive overview of how major news networks performed in 2024. Here are some key highlights:

  • ABC News: Achieved significant viewership milestones, including the most-watched presidential debate in 16 years and strong performances from "Good Morning America" and "World News Tonight with David Muir".

  • CNN: Recorded its highest viewership for the presidential debate between Biden and Trump, and saw notable digital engagement.

  • Fox News: Maintained its position as the top-rated network during the presidential election season, with strong performances from shows like "The Five" and "Gutfeld!".

  • NBC News: "Today" show and "NBC Nightly News with Lester Holt" had impressive viewership, with "Today" becoming the No. 1 morning show.

  • MSNBC: Achieved its best performance ever for a presidential election, with strong viewership during major news events.

You can find the full article:  HERE

Advertisers Shy Away From News, Other Sensitivities


Marketers have long been wary about running ads in the news media, concerned that their brands will land next to pieces about terrorism or plane crashes or polarizing political stories.

The Wall Street Journal reports advertising no-go zone seems to keep widening. It is a headache that news publishers can hardly afford. Many are also grappling with subscriber declines and losses in traffic from Google and other tech platforms, and are now making an aggressive push to change advertisers’ perceptions. 

Advertisers’ aversion to news was on full display in the past election, when many marketers paused campaigns, and it hasn’t fully abated, according to industry executives. The news cycle since the election has remained hectic and unattractive to advertisers, with stories about President-elect Donald Trump’s controversial cabinet picks, global wars and the shooting of a health-insurance executive in New York.

News organizations recently began publicizing studies that show it really isn’t dangerous for a brand to appear near a sensitive story. At the same time, they say, blunt campaign-planning tools wind up fencing off even harmless content—and those stories’ potentially large audiences—from advertisements. 

Forty percent of the Washington Post’s material is deemed “unsafe” at any given time, said Johanna Mayer-Jones, the paper’s chief advertising officer, referencing a study the company did about a year ago. “The revenue implications of that are significant.” 

While some brands avoid news entirely, many take what they consider to be a more surgical approach. They create lengthy blacklists of words or websites that the company considers off-limits and employ ad technology to avoid such terms. Over time, blacklists have become extremely detailed, serving as a de facto news-blocking tool, publishers said.

A recent blacklist from Microsoft included about 2,000 words, including variations and translations. Words listed include: “attack,” “Biden,” “Trump,” “boycott,” “cocaine,” “collapse,” “Gaza,” “guns,” “racism” and “sink hole,” according to a list viewed by The Wall Street Journal. Microsoft declined to comment.  

The lists are used in automated ad buying. Brands aim their ads not at specific websites, but at online audiences with certain characteristics—people with particular shopping or web-browsing histories, for example. Their ads are matched in real time to available inventory for thousands of websites.

Actor Sues NYTimes Over ‘Defamatory’ Story

Justin Baldoni, Blake Lively

In the latest twist in the “It Ends With Us” legal drama, director and actor Justin Baldoni has filed a lawsuit against the New York Times accusing the news outlet of publishing a “false and defamatory article” about his co-star Blake Lively’s allegations against him.

The complaint, filed in Los Angeles County Superior Court, alleges that the New York Times relied on “Lively’s unverified and self-serving narrative” and disregarded “an abundance of evidence that contradicted her claims” in its Dec. 21 article on the lawsuit Lively filed.

“Given the breadth of the article and the coordinated drop, it is readily apparent that The Times had been quietly working in concert with Lively’s team for weeks or months,” the suit states.

Lively has accused Baldoni of engaging in sexual harassment on the set of the Sony Pictures movie and mounting a smear campaign against her in the media.

Baldoni’s lawsuit, first reported by Variety, was filed Tuesday against the New York Times for libel, false light invasion of privacy, promissory fraud and breach of implied-in-fact contract.

A spokesperson for the New York Times said in a statement shared with the L.A. Times that the company stands by its journalism and intends to vigorously defend against the lawsuit in court.

On Dec. 20, Lively filed a legal complaint against Baldoni accusing him, as well as a producer on the film, of inappropriate behavior including sexual remarks and physical touching without consent. Lively says she was pressured into performing more nudity than agreed upon. She also accused him of enlisting a crisis PR team to wage a retaliatory smear campaign against her.

The New York Times’ article, headlined “‘We Can Bury Anyone’: Inside a Hollywood Smear Machine,” relied heavily on text messages between Baldoni and his PR team that were used as evidence in Lively’s complaint.

The new lawsuit filed by Baldoni accuses the New York Times of cherry-picking texts, stripping them of context and deliberately splicing them to mislead readers.

Two More Reporters Flee WaPo


Two top Washington Post reporters have defected from the Jeff Bezos-owned paper as it continues to reel following the billionaire’s decision to kill an endorsement of Kamala Harris.

The NY Post reports political correspondents Ashley Parker and Michael Scherer were poached by The Atlantic — owned by Laurene Powell Jobs — and will join the left-leaning magazine ahead of President-elect Donald Trump’s second inauguration.

Their departures come on the heels of a report Monday by Puck News that White House correspondent Tyler Pager and investigative reporter Josh Dawsey have been “mulling a transfer or have already decided to exit.”

The Washington Post has suffered an exodus of top talent — and a reported loss of more than 200,000 subscribers — since Bezos blocked the editorial board from endorsing the Democratic candidate just weeks before the election. Three Opinions section members — David Hoffman, Molly Roberts and Robert Kagan — quit following the decision not to endorse any candidate for the first time in decades.

Bezos, the second-richest person in the world with a net worth valued by Bloomberg Billionaires Index at $241 billion, was a frequent target of Trump during his first term in office — mainly due to the Washington Post’s coverage of his administration. He defended his decision shortly after the initial outcry from staff that it was based on him trying to toady up to Trump.

“Presidential endorsements do nothing to tip the scales of an election. No undecided voters in Pennsylvania are going to say, ‘I’m going with Newspaper A’s endorsement.’ None,” he wrote in an op-ed for the Washington Post.

The fury among staffers was brewing long before his decision, as editors clashed over a planned reorganization by the paper’s new CEO Will Lewis, who took the helm in January.

Sally Buzbee, WaPo’s first female executive editor, abruptly resigned in June — instead of accepting a new role as head of the social media division. Others who have since jumped ship include managing editor Matea Gold, who was hired away by the Times, and staff writer Shane Harris, who left for The Atlantic.

Last week, tech reporter Kara Swisher was said to be working toward assembling a group of investors to purchase the paper from Bezos.  “The Post can do better … it’s so maddening to see what’s happening. … Why not me? Why not any of us?” Swisher told Axios.

Radio History: Jan 2


➦In 1904... Bernardine Flynn born (Died at age 73  – March 20, 1977). She was a radio actress and announcer best known for playing the role of Sade Gook on the long-running comic radio serial Vic and Sade.

Bernadine Flynn
Flynn graduated from the University of Wisconsin–Madison (Class of 1926), moving to Chicago in 1927. In Chicago, Flynn became a radio actress and announcer. She was used as a radio announcer, a rarity for women in the 1920s, as she was known for controlling her emotions. This quality of not becoming emotional was exploited in the Vic and Sade show, where she would play the role of straight man to the comic daffiness.

One of Flynn's earliest activities on radio was on WJZ in New York City. She replaced Virginia Carter in the ingenue's role on the Empire Builders program. The following year, she was heard on Rin Tin Tin. Also in the summer of 1931, she portrayed Mrs. Jones in The Private Affairs of the Jones Family. Sponsored by Montgomery Ward, the show was one of four tested by the company to test audience response. A newspaper story about it related, "Miss Flynn [has] been heard in many dramatic productions from Chicago stories." She was heard in Malik Mystery Drama in 1932.

In 1932, Paul Rhymer chose Flynn to play Sade as the character lacked a sense of humor. Even in the most humorous of situations, Flynn's emotional self-control ensured that Sade would never break character.  The 15-minute program was aired from 1932 to 1945, and in 1946, it was put back on the air as a one-hour show.

Flynn and Durward Kirby co-starred in Daytime Radio Newspaper in 1943. The 15-minute program on CBS had Kirby delivering straight news items and Flynn handling human-interest reports.

➦In 1904...Singer and radio actor James Melton born (Died from pneumonia at age 56 – April 21, 1961)  He was a popular singer in the 1920s and early 1930s, later began a career as an operatic singer when tenor voices went out of style in popular music around 1932–35.

John Melton
Melton usually catered to popular music fans, singing romantic songs and popular ballads in a sweet style. He was born in Moultrie, Georgia but was raised in Citra, FL. In 1920, he graduated from high school in Ocala, and then attended the University of Florida, Vanderbilt University and the University of Georgia. He received vocal instruction from Gaetano de Luca in Nashville from 1923 to 1927 before moving to New York where he studied with Beniamino Gigli's teacher, Enrico Rosati. Melton also worked in dance bands, playing saxophone in a college jazz ensemble and performing with Francis Craig's Orchestra in Atlanta in 1926.

The following year, he began singing on New York radio for no pay. He joined "Roxy's Gang", a cabaret group led by Samuel Roxy Rothafel, who worked with the Sieberling Singers. He made records for Victor Records, singing as one of the tenors with The Revelers and for Columbia Records with the same group under the pseudonym of The Singing Sophomores. He frequently sang with popular singer Jane Froman and appeared with her in film as well.

Melton recorded his first songs under his own name for Columbia in the autumn of 1927. On radio, Melton was heard on The Firestone Hour in 1933, on Ward's Family Theater in 1935, The Sealtest Sunday Night Party (1936), The Palmolive Beauty Box Theater (1937), The Song Shop (1938), the Bell Telephone Hour (1940), Texaco Star Theater (1944) and Harvest of Stars (1945). In 1941, a newspaper columnist described Melton as "currently one of radio's busiest singers."  In the thirties, Melton also sang and acted on the Jack Benny Radio Shows.

➦In 1908...announcer Ben Grauer was born in New York City. Grauer's greatest fame lies in his legendary 40-year career in radio. In 1930, the 22-year-old Benjamin Franklin Grauer joined the staff at NBC. He quickly rose through the ranks to become a senior commentator and reporter. He was the designated announcer for the popular 1940s Walter Winchell's Jergens Journal. Perhaps, most importantly, he was selected by Arturo Toscanini to become the voice of the NBC Symphony Orchestra. Grauer took over as announcer in late 1942, and remained until the orchestra was disbanded in June 1954. Toscanini said he was his favorite announcer.

Ben Grauer
Starting in 1932, Grauer covered the Olympic Games, presidential inaugurations and international events. During his radio career, Grauer covered nearly every major historic event, including the Morro Castle fire, the Paris Peace Conference and the US occupation of Japan. Millions remember his NBC coverage of the New Year's celebrations on both radio and TV. Between 1951 and 1969, Grauer covered these events 11 times live from New York's Times Square. He continued covering New Year's Eve for Guy Lombardo's New Year's Eve specials on CBS in the 1970s, with his last appearance on December 31, 1976, the year before both he and Lombardo died.

From the mid-1950s until the mid-1960s, Grauer's reports were part of the NBC television network's The Tonight Show, where he worked with Johnny Carson and prior to that, Jack Paar, and Steve Allen. Grauer was also one of NBC Radio's Monitor "Communicators" from 1955 to 1960.

Grauer as the host of WNBT-TV's (later WNBC-TV) tenth anniversary special. He provided the commentary for NBC's first television special, the opening in 1939 of the New York World's Fair. In 1948, Grauer, working with anchor John Cameron Swayze, provided the first extensive live network TV coverage of the national political conventions.

In 1954, NBC began broadcasting some of their shows in living color, and in 1957, the animated Peacock logo made its debut. It was Grauer who first spoke the now famous words, "The following program is brought to you in living color on NBC," behind the Peacock graphic. During his 40-year broadcast career, he hosted numerous TV programs on NBC, including game shows, quiz shows, concerts and news programs.

Grauer suffered a heart attack at age 68 and died May 31 1977.

Courtesy of oldradio.org

➦In 1921...KDKA 1020 AM in Pittsburgh aired the first religious program on radio.  Listeners heard Dr. E.J. Van Etten of the local Calvary Episcopal Church preach. The service became a regular Suday program and aired until 1962.

➦In 1930...Pop singer and radio personality Julius La Rosa born (Died  of natural causes at age 86 – May 12, 2016). Hired  in 1951 to be a member of Arthur Godfrey’s performer on his radio & TV shows, Larosa has the distinction of being fired on the air after he hired an agent and manager, contrary to Godfrey’s wishes.  Godfrey told the press Larosa was terminated because he “lacked humility.”

In 1970, the singer/actor became a very successful and amiable disc jockey at one of America's biggest radio stations in the top market, Metromedia's WNEW 1130 AM (now WBRR) in New York City.

➦In 1936...Bing Crosby began a 10-year tenure as host of the "Kraft Music Hall" on the NBC Radio Network.


➦In 1944...WJZ 770 AM (later WABC) transmitter moved to Lodi, NJ.

Wednesday, January 1, 2025

Sugar Bowl Postponed To Thursday Night


The Sugar Bowl, which was set for Wednesday night at the Superdome in New Orleans, has been postponed until Thursday following the deadly terror attack on the city’s famed Bourbon Street which left 15 people dead and dozens others injured.

ESPN’s Laura Rutledge said that, according to the coach of the Georgia Bulldogs, the college team is “sheltering in place” in their hotel as police continued to search the French Quarter.

The game will see Notre Dame’s Fighting Irish taking on the University of Georgia team.

Sugar Bowl CEO Jeff Hundley said at a news conference on Wednesday that the game will now take place at Thursday at 8:45 p.m. ET.

Security camera footage captured the moment suspected terrorist Shamsud Din Jabbar barreled down a packed Bourbon Street in New Orleans on New Year’s Day, killing at least 10 people and injuring 35 others.

The footage obtained by Fox 8 New Orleans shows Jabbar’s white pickup truck with Texas plates and an ISIS flag inching through Canal Street traffic before taking a sharp turn down Bourbon Street.


Radio History: Jan 1


➦In 1923...the very first radio broadcast of the Rose Bowl aired in Los Angeles over KHJ radio — some 42 years before 93/KHJ became Boss Radio.

➦In 1925...Lucrezia Bori and John McCormack of the famous Metropolitan Opera made their singing debuts on radio. The broadcast over New York’s WEAF Radio soon to be the NBC flagship.

➦In 1927...The Blue Network aired its first program.   The Blue Network (previously the NBC Blue Network) was the on-air name of the now defunct American radio production and distribution service, which ran from 1927 to 1945. Beginning as one of the two radio networks owned by the National Broadcasting Company, the independent Blue Network was born of a divestiture in 1942, arising from anti-trust litigation, and is the direct predecessor of the American Broadcasting Company (ABC..see below) - organized 1943-1945 as a separate independent radio network and later TV broadcaster.

The Blue Network dates to 1923, when the Radio Corporation of America acquired WJZ Newark from Westinghouse (which had created the station in 1921) and moved it to New York City in May of that year. When RCA commenced operations of WRC, Washington on August 1, 1923, the root of a network was born, though it did not operate under the name by which it would later become known. Radio historian Elizabeth McLeod states that it would not be until 1924 that the "Radio Group" formally began network operations.

The core stations of the "Radio Group" were RCA's stations WJZ and WRC; the Westinghouse station WBZ, then in Springfield, Massachusetts; and WGY, the General Electric station in Schenectady, New York.

RCA's principal rival prior to 1926 was the radio broadcasting department of the American Telephone & Telegraph Company. AT&T, starting in 1921, had been using this department as a test-bed for equipment being designed and manufactured by its Western Electric subsidiary.

The RCA stations operated at a significant disadvantage to their rival chain; AT&T used its own high-quality transmission lines, and declined to lease them out to competing entities, forcing RCA to use the telegraph lines of Western Union, which were not as well calibrated to voice transmission as the AT&T lines.

Nevertheless, the WJZ network sought to compete toe-to-toe with the AT&T network, which was built around WEAF (today's WFAN). For example, both stations sent announcer teams to cover the 1924 Democratic National Convention, which was held in Madison Square Garden in New York City. Promotional material produced in 1943 claimed certain "firsts" in broadcasting by WJZ, such as the first educational music program in April 1922, the first World Series broadcasts in 1922, and the first complete opera broadcast, The Flying Dutchman, from the Manhattan Opera House.

RCA (as well as its consortium partners General Electric and Westinghouse) were to receive a break in 1926, when AT&T made a corporate decision to exit the broadcasting business and focus on its telecommunications business.

The Decatur Review (Illinois) for Sunday, December 12, 1926 reported the following in an article describing a broadcast to be sponsored by the Victor Talking Machine Company and aired the following New Year's Day, January 1, 1927, which is a description of this first Blue Network broadcast—note that it makes it clear that January 1, 1927 marked the debut of the Blue Network:

"TWO BIG NETWORKS: The network to be used for the first concert will consist of a combination of chains of stations affiliated with WEAF and WJZ, New York. It is also announced that this opening Victor program inaugurates a new chain system to be operated by the National Broadcasting Company, with WJZ as the "key" station. This new chain, which will be known as the "blue" network, will allow simultaneous broadcasting from WJZ through WBZ, Springfield and Boston, KDKA, Pittsburgh, and KYW, Chicago. For broadcasting of the first program, therefore, the "blue" network will be joined with the "red" network, as the WEAF chain is designated, as well as other stations in various cities. Following the New Year's night program, the concerts will be given bi-monthly, through the "blue" network (...)

Allegedly, the color designations came from the way the networks were represented on maps, with red lines (or pushpins) denoting the WEAF network circuits, and blue the WJZ circuits.

➦In 1927...the very first coast-to-coast network radio broadcast of the Rose Bowl was made. Graham McNamee provided the play-by-play on NBC Radio.The Rose Bowl football game was aired for the first time, coast-to-coast, on network radio.

➦In 1930..."The Cuckoo Hour" was broadcast for the first time on the NBC-Blue Network (it later became the ABC Radio Network).

➦In 1934...the classic radio horror show Light’s Out was heard for the first time on WENR Chicago. The show became an ‘almost midnight’ NBC thriller 16 months later.

➦In 1940…Broadcasting from the Empire State Building in New York City, radio station W2XDG, the first FM station licensed by the U.S. Federal Communications Commission, became the first to broadcast with the new Frequency Modulation technology.\

➦In 1941...Lorne Greene was appointed first announcer for the Canadian Broadcasting Corporation's new national radio news service. His authoritative baritone on nightly wartime newscasts caused him to be nicknamed ‘The Voice of Doom’, nearly two decades before his reincarnation as Pa Cartwright on NBC-TV’s popular western series, Bonanza.

➦In 1947...WKSE, Buffalo signed on as WHLD-FM in 1947. It changed its call sign to WZIR in 1980, WRXT in 1984, and the current call sign in 1985.  It currently runs a Top 40 format, which has been in place since September 1984. The station is now owned by Entercom.

➦In 1950... 26-year-old disc jockey Sam Phillips opened his Memphis Recording Service (later renamed Sun Studios) at the corner of Union and Marshall in the Tennessee city. Some 3 and 1/2 years later, Elvis Presley walked in and spent $3.98 to make his first recording.

➦In 1953...legendary Hank Williams died at the young age of 29 from a drug/alcohol-related heart attack.  Hank wrote or co-wrote: “Cold, Cold Heart”, “Half as Much”, “Jambalaya”, “Your Cheatin’ Heart”, “Hey, Good Lookin”, & “I’m So Lonesome I Could Die.” Indisputedly the biggest star in the history of country music, Williams’ legacy is being carried on by his son, Hank Williams, Jr.

Tuesday, December 31, 2024

S-F Radio: Iconic KGO Call Letters To Disappear January 1


Starting January 1, KGO San Francisco 810 will adopt the KSFO call letters, replacing the short-lived sports-wagering format "810 The Spread." The KSFO calls will move from 560 to 810, and KSFO will adopt the new calls KZAC.

The KGO calls have been associated with the 50,000-watt 810 frequency in the Bay Area since January 8, 1924. The station was a dominant force in San Francisco radio for decades, consistently topping the ratings for nearly 30 years under the management of Mickey Luckoff. Chris Berry, Executive VP of News/Talk Programming at iHeartMedia, described KGO as a "crown jewel" in ABC's portfolio of radio stations.

However, by 2010, KGO's historic streak had ended. All-news KCBS added an FM signal, more listeners left the AM dial, and measurement methods changed. That year also saw the high-profile exit of Luckoff, who managed the station for 35 years. Luckoff lamented the disappearance of the legendary call letters, attributing it to inferior operators.

KGO's ratings, stature, and billings declined over the years, and in September 2022, owner Cumulus Media announced it would retire the station's long-running news/talk format

KGO Building 1926

➦In 1924...After several late-night test broadcasts, using the experimental call letter 6XG, radio station KGO signed on the air from General Electric's Oakland, electrical facility (the original two-story brick building, constructed specifically for the station on East 14th Street, still exists on the site), as part of a planned three-station network comprising WGY in Schenectady, New York, and KOA in Denver, Colorado.


Salem Catches Fish Buyer, Pays Off Entire Debt Load


Salem Media Group, Inc has  announced it has entered into a series of transactions pursuant to which it has repurchased all $159.4 million of its outstanding 7.125% Senior Secured Notes due 2028 at a $37.1 million discount, including accrued interest, has issued $40 million of a new series of convertible preferred stock, and has agreed to sell seven radio stations and enter into a marketing agreement for total consideration of $90 million.

David Santrella, Salem’s Chief Executive Officer said, “Upon the closing of these three transactions, we will have transformed and significantly improved Salem’s balance sheet and capital structure. With the exception of its revolving line of credit, Salem will have no outstanding debt. Salem will also have the benefit of working with an important new strategic investor that is expected to bring significant new opportunities to the company as well as offer incredible expertise in the area of digital media.” David Santrella added, “As a result of these transactions, our ability to service our national ministry partners and listeners with the important content provided by Salem has been greatly enhanced.”

On December 23, 2024, the Company entered into an agreement with Educational Media Foundation (“EMF”), the owner of the nation's two largest Christian music radio networks (K-LOVE and Air1) with over 1,000 broadcast signals across all 50 states, for the sale of the Company’s Contemporary Christian Music formatted radio stations in Atlanta (WFSH-FM), Cleveland (WFHM-FM), Colorado Springs (KBIQ-FM), Dallas (KLTY-FM), Los Angeles (KFSH-FM), Portland (KFIS-FM) and Sacramento (KKFS-FM) for aggregate consideration of $80 million, and will enter into an advertising and marketing agreement for $10 million. 

The Radio Stations Sale is subject to customary closing conditions and is expected to close in the first half of 2025. EMF will start operating the Stations pursuant to an Affiliation Agreement on or about February 1, 2025. In addition, the Company issued EMF a senior secured promissory note due 2027 in the principal amount of $72 million, a portion of the proceeds of which were used for the repurchase of the 2028 Notes. The Promissory Note, which will be terminated upon consummation of the Radio Stations Sale, is secured by substantially all of the assets of the Company and certain subsidiary guarantors and will bear interest at 3-month SOFR + 1.00% starting July 1, 2025.

Regarding the sale, Edward G. Atsinger, the Company’s Executive Chairman and co-founder said, “We have made a strategic decision to exit the Contemporary Christian Music format in order to pay off all of Salem’s long-term debt. We could not be more delighted that the buyer is EMF. EMF has demonstrated over many years a unique ability and dedication to creating and distributing the highest quality Christian music content to its listeners in a positive and encouraging way. I am confident that their impact on listeners and their communities will be incredibly effective.”

Tampa Radio: Roxanne Wilder Exits Q105 Morning Show


Roxanne Wilder is stepping down as co-host of the "MJ Morning Show" on WRBQ-FM (Q105) Tampa. She has been with Q105 for over 8 years, previously co-hosting mornings with Mason Dixon and serving as the midday personality on the Beasley Media Rock outlet. Wilder is also known for her 14 years with FoxSportsFlorida.com.

In a heartfelt Facebook post, Wilder shared, "I won't be coming back to Q105 after the holidays. Q105, and the listeners will always hold a special place in my heart. For four years, and during both my pregnancies, I worked with radio legend Mason Dixon. Being a part of the morning show with Mason, Bobby, and Andrew was what I can best describe as good for the soul."

In a post shared to social media, Wilder wrote:

“I’m moving to the Bahamas…just kidding. Ahhh, but I won’t be coming back to Q105 after the holidays. Q105 and the listeners will always hold a special place in my heart. For 4 years and during both my pregnancies, I worked with radio legend, Mason Dixon. Being a part of the morning show with Mason, Bobby, and Andrew was what I can best describe as good for the soul. Andrew, thank you for meeting me at my car every single morning during both my pregnancies to carry my stuff and open doors. One of a kind human. In the fall of 2020, what a surprise to find out the legendary MJ Morning Show was coming back to Tampa, and I was going to be a part of it. We had lots of laughs…and lots of characters from Cajun Fester to Hal Herman. Speaking of Froggy, whenever he walked in the studio something (Big/Crazy/Fun) was about to happen. I never take for granted the honor of you, the listener, choosing to hear what I have to say. And my intention was always to elevate your mood….”

MJ and Dom ‘Fester’ Siciliano remain in mornings at WRBQ-FM.

2024: Media's Digital Transformation Became Reality


When 170 music festivals vanished and radio continued its dramatic downsizing, most saw chaos. Bridge Ratings saw a data-driven narrative of media's most profound digital transformation yet.

Our research in 2024 revealed a seismic shift: AI isn't just changing media measurement—it's rewriting the rules of content creation, distribution, and consumption, according Dave Van Dyke, President & CEO at Bridge Ratings Media Research.
Three insights that captured the industry's imagination this year:

"Music Festivals Cratered in '24: What Happened?"
Despite an 8.7% increase in concert grosses, average show revenue fell 6.9%. This wasn't just an event decline—it was a structural market recalibration.

"The Downsizing of Radio"
Pre-holiday layoffs became so predictable that industry professionals now update resumes monthly. This isn't just job churn—it's an industry in fundamental transformation.

"The Era Where Everyone's a Creator"
Content creation democratization is fragmenting audiences, challenging traditional monetization models.

Key Research Milestones:

• Integrated AI-powered analytics into StreamStats, providing unprecedented streaming behavior insights
• Expanded Podcastalytics to map emerging audio consumption trends
• Published definitive studies on music festival market dynamics
• Enhanced digital tracking capabilities in our TeenTrends research

Looking to 2025: The convergence of traditional and digital media demands new measurement approaches. Bridge Ratings isn't just observing this transition—they're engineering the analytical tools that will define it.

The media landscape doesn't just change. It transforms. And transformation requires precision, not just prediction.

Philly Radio: 94.1 WIP Names New Eagles Sideline Reporter


Devan Kaney will handle sideline reporting duties for WIP for the rest of the season, joining the broadcast alongside veteran broadcasters Merrill Reese and Mike Quick.

Devan Kaney
Kaney joined WIP in 2022 and was quickly added to the station’s new morning show alongside Joe DeCamara, Jon Ritchie, James Seltzer, and Rhea Hughes. Kaney is also a weekend sports anchor for Fox 29.

“Beyond excited and grateful for the opportunity to cover the Eagles sideline,” Kaney wrote on social media ahead of Sunday’s game against the Dallas Cowboys.

Howard Eskin announced his sudden departure from the station last week. So far, no reason has been given for the abrupt end of his nearly 40-year tenure with the station.

Kaney joins one of the most respected radio broadcasts in the NFL. Reese is the league’s longest-tenured announcer, in his 47th season calling Eagles games. He has shared the booth with Quick, a former Eagles wide receiver, for 27 years.

“I have extolled a few times on the air my deep appreciation and admiration for Merrill and Mike,” longtime CBS announcer Jim Nantz told The Inquirer ahead of the season. “I think they’re the best hometown team in the NFL.”

R.I.P.: Aaron Brown, Former CNN, ABC News Anchor

Aaron Brown (1948-2024)

Aaron Brown, the renowned CNN anchor who gained prominence for his coverage of the September 11 attacks and his role in shaping the network’s evening news format, died Sunday at the age of 76, his family said.

Brown’s career in journalism began in local television in Seattle before anchoring ABC’s overnight news program “World News Now.” He later joined CNN, where he became known for his incisive reporting. From 2001 to 2005, he anchored “NewsNight,” a program that combined breaking news with in-depth analysis, and earned acclaim for his ability to handle complex stories with sensitivity and insight.

CNN’s Anderson Cooper called Brown “a great writer and broadcaster.”

“Thoughtful, funny, and diligent, he had a truly unique talent and a beautiful way with words,” Cooper said.

Brown’s coverage from New York City of the 9/11 attacks, which marked his first day on air at CNN, established him as a trusted figure during one of the darkest moments in American history, according to CNN’s John Vause, who also reported from New York that day.

On 9/11, Brown began his broadcast earlier than scheduled, and, when the South Tower of the World Trade Center collapsed, his calm demeanor and humanizing approach struck a chord with viewers, Vause said.

“When he was live on air, he just stopped and looked at it. And paused. And he shared this moment that everybody was thinking, ‘Good Lord, there are no words,’” Vause said.

“In the pre-talk era of broadcast journalism, Aaron was first and foremost a writer and a craftsman. That was one of his many skills that earned the respect of his colleagues across the media landscape,” said former CNN producer Jon Auerbach, who worked with Brown.

Following his departure from CNN, he served as the Rhodes Chair in Public Policy and American Institutions at Arizona State University’s Walter Cronkite School of Journalism and Mass Communication, where his influence on broadcast journalism continued to resonate.

Radio History: Dec 31


➦In 1910...Actor Dick Kollmar was born in Rigewood NJ. He starred as 'Boston Blackie' in the long-running radio show, and co-hosted a WOR New York chat show with his wife, gossip columnist Dorothy Kilgallen.  On TV he hosted the series Broadway Spotlight & Guess What. He died Jan. 7 1971, an apparent suicide at age 60.

➦In 1914...Roy Rogers’ sidekick Pat Brady was born in Toledo Ohio. He appeared in more than 100 episodes of TV’s Roy Rogers Show, after hooking up with Roy in films & on radio.   He also sang with the western group Sons of the Pioneers. He died in a car accident Feb. 27 1972 at age 57.

➦In 1920...cowboy actor & narrator Rex Allen was born on a ranch in Arizona. Although he sang on radio’s WLS National Barn Dance, published over 300 songs, and starred in 19 Republic western movies, he is best remembered today for his distinctive narration of dozens of Disney films & TV shows.  He died Dec 17, 1999 just days short of his 79th birthday, after being accidently run over in his own driveway.

➦In 1923...In London,, the BBC began using the distinctive Big Ben chime ID.

➦In 1923...the first transatlantic radio broadcast of a voice occurred between Pittsburgh and Manchester, England.

➦In 1926...KOMO signed on the air in Seattle at AM 980.  Today the longtime Fisher Broadcasting outlet has an all-news format at AM 1000.

KOMO Control circa 1948 (Photos courtesy of  nwradiohistory.com)

In July 1926, KOMO was founded on Harbor Island as KGFA 980 by two owners: Birt F. Fisher, whose lease on Seattle radio station KTCL was about to run out, and the Fisher brothers of Fisher Flouring Mills, who had been on the island since 1911. (The Fisher Brothers and Birt Fisher were not related.) In preparation for the switch to the new station, Birt Fisher changed KTCL's call sign to KOMO.

In December, his lease ended, and he took the call letters with him to KGFA. KOMO 980's first broadcast was December 31, 1926. The studios moved to Downtown Seattle in 1927. The station also began a long-running affiliation with NBC Radio that year as well, primarily with the Red Network, but also with the short-lived West Coast NBC Orange Network from 1931 to 1933. Over the following years, KOMO's frequency would go from 980 to 1080, back to 980, down to 920, up to 970, then back to 920, and settled at 950 after the NARBA frequency shakeup in 1941.

Circa 1948





Fisher's Blend Station, owner of KOMO, bought NBC Blue Network affiliate KJR from NBC in 1941. In 1944, KOMO switched frequencies with KJR (then at 1000 kHz) and sold KJR off two years later. At its new frequency, KOMO began broadcasting with 50,000 watts of power from its current transmitter site on Vashon Island in 1948. New studios at the corner of Fourth and Denny, near what is now the Seattle Center, were dedicated in February 1948.

➦In 1928...For the first time Auld Lang Syne was played by Guy Lombardo and his Royal Canadians to bring in 1929, during the band’s annual New Year’s Eve Party at  New York’s Hotel Roosevelt Grill. The event was heard on the CBS radio network, and became the longest running annual special program in broadcast history.

➦In 1940...ASCAP prevented the radio industry from playing any ASCAP-licensed music. The ban lasted for ten months. It was in reaction to a dispute between the radio networks and ASCAP, the American Society of Composers and Publishers.

➦In 1943...Singer John Denver was born Henry John Deutschendorf.  Denver was killed At age 53 on Oct 12, 1997, when his home-built high-performance aircraft he was piloting over Monterey Bay, California. crashed.

➦In 1961...LA radio station KFWB hired the Beach Boys for $300, appearing under that name for the first time, to perform at their Ritchie Valen’s Memorial Dance in Long Beach.   Previously the group had played California nightclubs as The Pendletones, as Kenny and the Cadets, and as Carl and the Passions.

➦In 1963...The "Dear Abby Show" premiered on the CBS Radio network. The 5-minutes program aired for 11 years.

➦In 1967...Radio stations across the nation had to comply with an FCC mandate that AM/FM outlets in major cities had to air non-duplicated programming.  The limit was 50 percent for simulcasts. Here's a NY Times story dated December 31, 1966 concerning NYC stations...

Monday, December 30, 2024

As 2025 Approaches, Radio Still Rules The Road


In this age of streaming and Apple CarPlay, you might wonder if having a functioning car radio even matters.

That was the subject of discussion at the recent WorldDAB Summit 2024, where one speaker talked about the importance of keeping the radio prominent on the center console screen present in many new cars.

“It’s really important to keep radio prominent, to have an easy findability [for the listener],” said Gregor Pötzsch, radio product owner of the Volkswagen Group’s CARIAD and chair of the WorldDAB Automotive Working Group, according to Radio World.

The article also noted that conversely, per Pötzsch, “radio stations need to provide multimedia content that looks compelling on a car’s dashboard video screen.”

Although, dashboard screens are increasingly dangerous, as a Daily Dot investigation discovered. And that concern around new technology may be a good thing.

A Statista chart from August shows that 70% of U.S. drivers 18 and over use a radio in the car, compared to 55% using online audio, 32% listening to podcasts, and one in four still using the tried-and-true CD. As the chart title noted, “Radio still rules the road.”

With in-car entertainment systems that connect to smartphones via Apple CarPlay or Android Auto more and more common in modern cars, digital music consumption has been catching up in recent years, but for now the good old radio remains America's most popular roadside companion.

13 Anonymous Media Executives Make Predictions


It’s a holiday tradition: Anonymous media executives make their 2025 industry predictions.

In honor of the 12 days of Christmas, CNBC gives 12 predictions from some of the most powerful media and entertainment executives in the world, weighing in on the condition of anonymity so they can speak candidly about their visions of the year ahead. And then, because we have holiday cheer, we give you a bonus one. A baker’s dozen!

Executive 1: Comcast will acquire the studio and streaming assets of Warner Bros. Discovery and merge them with NBCUniversal Second time’s the charm! Warner Bros. Discovery is separating its linear assets from the rest of the company. Comcast is spinning out most of its cable networks. It has to mean something, right?

Executive 2: Comcast will acquire Charter and spin off the rest of NBCUniversal   That’s right, Comcast may have SpinCo 1 and SpinCo 2! This executive predicts Comcast will test the Donald Trump regulatory administration and try to combine the two largest U.S. cable companies, 10 years after dropping its bid to buy Time Warner Cable — which used to be the second-largest U.S. cable provider before it was acquired by Charter — after concluding the government would block the deal.

Executive 3: Fox will acquire most of Warner Bros. Discovery’s assets After selling the majority of its entertainment assets to Disney in 2019, Fox will shock the media world by again gaining scale, acquiring HBO, the movie studio, the Turner networks and the streaming assets of Warner Bros. Discovery, according to this executive. For what it’s worth, another executive predicted Fox would sell, given the unknown future of the Murdoch family trust.

Executive 4: Dana Walden will leave Disney at year-end when she doesn’t get the CEO job  Disney has already said it plans to delay naming a new CEO until early 2026, so this prediction assumes the company will slightly move up the announcement. Walden, Disney’s co-chairman of Disney Entertainment, is the ultimate Hollywood insider who many view as the front-runner for the job. The board is taking its time vetting candidates after the handoff from Iger to Bob Chapek in 2020 did not go very well.