Friday, April 25, 2025

Major News Outlets Plan To Cover Funeral of Pope Francis


Pope Francis’ funeral, set for Saturday, April 26, 2025, at 10 a.m. local time (4 a.m. ET) in St. Peter’s Square, Vatican City, has prompted major U.S. news outlets to deploy comprehensive coverage plans.


Here is a detailed overview of how ABC, CBS, NBC, Fox News, CNN, and other major news outlets are preparing to cover the event, based on the latest available information.

ABC News
  • Coverage Details: ABC News will broadcast Celebrating Francis: The People’s Pope, starting at 3:30 a.m. ET, live from St. Peter’s Square. David Muir will anchor, joined by Deborah Roberts, chief international correspondent James Longman, senior national correspondent Terry Moran, foreign correspondent Maggie Rulli, and reporters Ines de La Cuetara, Mike Marza, and David Ono. Contributors include Father Jim Martin, Father John Wauck, and Helen Alvaré for theological and cultural insights.
  • Platforms: Coverage will air on ABC’s 24/7 streaming channel, ABC News Live, Disney+, and Hulu. A live blog on ABCNews.com will provide real-time updates from the Vatican.
  • Additional Context: ABC has been reporting on-site, with correspondent Peter Reevell covering the 250,000 mourners who paid respects over three days. The network emphasizes Francis’ legacy as a reformist pope.
CBS News
  • Coverage Details: CBS News begins coverage at 3:45 a.m. ET, anchored by Norah O’Donnell and John Dickerson from a rooftop overlooking St. Peter’s Basilica and the Sistine Chapel. Correspondents Chris Livesay and Seth Doane will report, with analysis from Vatican expert Delia Gallagher, Father Anthony Figueiredo, and Crux editor John Allen. A replay of O’Donnell’s April 2024 interview with Pope Francis will air at midnight Arizona time (3 a.m. ET).
  • Platforms: The funeral will air on CBS television stations, CBS News 24/7, and stream on the CBS News app and CBSNews.com, with a replay at 7 a.m. ET.
  • Additional Context: CBS highlights the funeral’s blend of Catholic tradition and Francis’ request for simplicity, such as using a single wooden coffin.
NBC News
  • Coverage Details: NBC News will provide live coverage starting just before 4 a.m. ET, focusing on the funeral Mass and its historical significance. Specific anchors were not detailed in initial reports, but correspondents like Kelly Cobiella, who covered the Vatican’s preparations, are expected to contribute. Coverage will include insights into Vatican rituals and the upcoming conclave to elect a new pope.
  • Platforms: The funeral will stream on Peacock and air on NBC platforms, including NBC News NOW and NBCNews.com.
  • Additional Context: NBC has emphasized the global attendance, including U.S. President Donald Trump and former President Joe Biden, and the funeral’s role as a diplomatic stage.
Fox News
  • Coverage Details: Fox News starts coverage at 3 a.m. ET, anchored by Martha MacCallum from Rome. A special, The Funeral of Pope Francis, will begin at midnight Arizona time (3 a.m. ET), with Jonathan Savage reporting on-site. The network will cover the funeral’s geopolitical implications, given the presence of 130 foreign delegations.
  • Platforms: Coverage will span Fox News Channel, Fox News Audio, Fox News Digital, and Fox Nation, with a livestream on FOXNews.com and Fox Nation from 3–7 a.m. ET. Fox News Radio will provide regular updates.
  • Additional Context: Fox News has framed the event as a moment of global unity, with a focus on Francis’ impact on conservative Catholic audiences.
CNN
  • Coverage Details: CNN’s special, The Funeral of Pope Francis, begins at 3 a.m. ET (9 a.m. CET), anchored by Anderson Cooper. Vatican correspondent Christopher Lamb and chief international correspondent Clarissa Ward will provide analysis. Coverage will extend until 5 a.m. Arizona time (8 a.m. ET).
  • Platforms: The funeral will air on CNN, CNN International, CNN en Español, CNN.com, CNN apps, and Max, ensuring global reach.
  • Additional Context: CNN has been covering Vatican logistics, including the sealing of Francis’ coffin on April 25, and will highlight his legacy as “The People’s Pope.”
Other Major News Outlets
  • BBC News (International): As a global leader in news, BBC News will cover the funeral starting at 1 a.m. ET with Maryam Moshiri, transitioning to Reeta Chakrabarti at 4:30 a.m. ET for the Mass. Coverage will air on BBC World News and stream on BBC.com, focusing on the Vatican’s traditions and Francis’ global influence.
  • The Associated Press (AP): AP is providing extensive written and photographic coverage, reporting on the 250,000 mourners and logistical details like the funeral’s simplified rites. While not a broadcast outlet, AP’s feeds will supply content to other networks.
  • The New York Times: The Times is covering the funeral through in-depth journalism, with articles on Vatican preparations, the conclave, and Francis’ burial at the Basilica di Santa Maria Maggiore. It does not offer live broadcasts but will provide real-time updates on NYTimes.com.
  • NPR (National Public Radio): NPR will offer radio coverage, including live updates and analysis from Vatican correspondent Sylvia Poggioli or other religion reporters. Streaming will be available on NPR.org and the NPR app, focusing on Francis’ social justice legacy.

FCC, Paramount Talking About Skydance Deal


The FCC has initiated talks with Paramount Global regarding the steps needed to gain approval for its proposed merger with Skydance Media, according to The Wall Street Journal citing sources familiar with the matter. 

One condition said to be under discussion is Paramount’s commitment to refrain from certain corporate diversity, equity, and inclusion (DEI) initiatives. 

FCC Chairman Brendan Carr has pushed for media and telecom companies to scale back DEI policies as a prerequisite for merger approvals. The Paramount-Skydance deal, which involves transferring CBS’s broadcast television licenses, has been under FCC scrutiny for months with little progress.

Carr has indicated that a third-party complaint about alleged news distortion in a 60 Minutes interview with Kamala Harris in 2024 could influence the FCC’s review. Separately, Paramount is navigating a lawsuit filed by President Trump against CBS News, alleging the network edited the Harris interview to favor her 2024 presidential campaign. Initially seeking $10 billion in damages in October 2024, Trump increased the claim to $20 billion in February 2025. Mediation for this case is set to begin the following week.

The recent dialogue between Paramount and the FCC marks a small step in a lengthy process, complicated by Trump’s public criticism of Paramount. Shari Redstone, Paramount’s nonexecutive chair and controlling shareholder, supports settling the Trump lawsuit, believing it could facilitate merger approval. Redstone has also publicly criticized some CBS News and 60 Minutes coverage.

Earlier this week, 60 Minutes Executive Producer Bill Owens announced his resignation, citing a loss of editorial independence. Inside CBS News, some oppose settling with Trump, particularly if it involves an apology, fearing it could be perceived as a concession. Additionally, certain Paramount executives and directors worry that a settlement might be interpreted as an attempt to influence a public official, potentially exposing them to legal risks.

New Survey: Global Podcast Listening Is Maturing


YouGov's data on podcast listenership suggests a stabilization in audience engagement, reflecting a maturing medium that continues to hold strong appeal globally. 

YouGov findings and related insights:
  • According to YouGov's 2024 Global Profiles data, 40% of consumers across 47 markets listen to podcasts for more than one hour per week, with 10% listening for over 10 hours weekly. This indicates a consistent engagement level, particularly among regular listeners.
  • In the U.S., YouGov reports that 56% of Americans listened to podcasts in 2023, up from 46% in 2021, with 22% listening for 5+ hours per week. This growth has leveled off, suggesting a stable but engaged audience base.
  • In the UK, 50% of respondents in 2022 reported listening to podcasts in the past year, compared to a global average of 61%. While growth is slower in the UK, listenership remains steady, particularly among younger demographics.
  • Younger audiences, particularly Gen Z and Millennials (18-34 years), drive podcast consumption. In the U.S., 27% of 18-34-year-olds listen daily, and 26% listen weekly, with similar trends globally.
  • Gender splits vary slightly; for example, in the UK, 58% of listeners are male, and 42% are female. Women are more likely to listen while doing chores (55% vs. 43% for men), while men favor listening during workouts (32% vs. 26%).
  • Older demographics (55+) show lower engagement, with 61% of Australians aged 55+ reporting no podcast consumption, indicating stability but limited growth in this group.
  • YouGov highlights that podcasts are consumed during multitasking activities, reinforcing their integration into daily routines. Common situations include household chores (49%), commuting (42%), working out (29%), and cooking/baking (29%). This consistency in listening contexts supports stable engagement.

Alphabet Reports Stronger-Than-Expected Revenue Growth


Alphabet Inc, Google's parent company, reported strong first-quarter 2025 earnings, surpassing analyst expectations. However, uncertainty surrounding the impact of tariffs proposed by the Trump administration on the second quarter raised concerns among investors and analysts. 

Alphabet's Q1 2025 Earnings Highlights

  • Earnings Per Share (EPS): $2.81, beating estimates of $2.01, a 49% year-over-year (YoY) increase.
  • Total Revenue: $90.23 billion, exceeding estimates of $89.1 billion, up 12% YoY (14% in constant currency).
  • Revenue Excluding Traffic Acquisition Costs (Ex-TAC): $76.49 billion, surpassing estimates of $75.4 billion, up 13% YoY.
  • Google Services Revenue: $77.3 billion, up 10% YoY, with YouTube advertising revenue growing 14% to $8.93 billion (slightly below estimates of $8.94 billion).
  • Google Cloud Revenue: $12.26 billion, up 28.1% YoY but below estimates of $12.32 billion, with growth slowing from 30.1% in Q4 2024.
  • Operating Income: $30.6 billion, up 20% YoY, with an operating margin expansion of 2 percentage points to 34%.
  • Net Income: $34.5 billion, up 46% YoY.

The rollout of Gemini 2.5 boosted AI engagement, and combined Google One and YouTube subscriptions reached over 270 million. Alphabet's stock rose approximately 4-5% in after-hours trading, reflecting investor confidence in the results.

While Alphabet's Q1 performance was strong, the potential impact of tariffs proposed by the Trump administration, which took effect in early 2025, remains a significant concern for the second quarter. 

The Trump administration implemented tariffs, including 25% on imports from Canada and Mexico (effective March 4, 2025, with some exemptions until April 2), 20% on Chinese imports (increased from 10% on March 4), and potential tariffs on semiconductors, pharmaceuticals, and the European Union. These tariffs are projected to raise the U.S. average effective tariff rate to 11.3%, the highest since 1943, and could increase consumer prices and reduce GDP.

Houston Radio: Nash Icon 104.1-HD2 Now Airing


Cumulus Media announces that it has launched Houston’s newest Country station, Nash Icon 104.1 KRBE-HD2, bringing the most iconic Country music from the 80s, 90s, early 2000s, and today to Houstonians. 

Nash Icon features today’s biggest artists, along with Country’s Kings and Queens including Blake Shelton, Carrie Underwood, Luke Combs, Alan Jackson, Reba McEntire, Garth Brooks, and Texas’ own King of Country Music, George Strait. The station was previously formatted as Classic Hits station, “Good Time Oldies.”

 Leslie Whittle, 104.1 KRBE and Q99.7 Regional Content Director, Cumulus Houston and Atlanta, said: “Houston clearly has an appetite for Country music, and we’re delivering the very best Country music has to offer. If you went to the Houston Rodeo in the Astrodome, this is the station for you. Long live the ICONS of Country music on their new home at Nash Icon 104.1 KRBE-HD2!"

Trump Not Happy With Fox News Polling


President Donald Trump publicly criticized Fox News and its owner, Rupert Murdoch, via a Truth Social post after the network aired a poll revealing his declining economic approval ratings. 

The Fox News poll, conducted April 18-21 with 1,104 registered voters, showed Trump’s overall job approval at 44%, down five points from March, and his economic approval at a record low of 38%, with 56% disapproving. The poll highlighted public skepticism about Trump’s tariff policies, with 72% believing tariffs would raise product costs and 55% saying they hurt the economy.


Trump’s outburst targeted Murdoch’s “Trump-hating, fake pollster,” claiming the pollster consistently misrepresented him and his MAGA base. He also criticized The Wall Street Journal, another Murdoch outlet, as “China-loving” and urged changes. This marked only his second attack on Fox News during his second term, escalating his grievances to Murdoch himself.

Shannon Sharpe On Leave From ESPN


Shannon Sharpe, a Pro Football Hall of Famer and ESPN contributor, announced Thursday he is temporarily stepping away from his ESPN duties, specifically his role on First Take, amid a $50 million civil lawsuit filed against him in Clark County, Nevada. 

The lawsuit, filed on Sunday, April 20, 2025, by a woman identified as Jane Doe, accuses Sharpe of rape, sexual assault, battery, and intentional infliction of emotional distress during a nearly two-year relationship that began in 2023.

The plaintiff, who was 19 or 20 when she met Sharpe at a Los Angeles gym in 2023 (Sharpe was 54 or 56), alleges that their initially consensual relationship became "rocky" and manipulative. She claims Sharpe exhibited controlling behavior, including demanding control over her time and body, and became verbally abusive and violent. 

Pew: Americans Concerned About Press Freedoms

Most Americans continue to be concerned about potential restrictions on press freedoms in the U.S., according to a Center survey conducted Feb. 24-March 2. But there have been major shifts in partisan views since Trump retook office in January. 

In 2024, during the Biden administration, 47% of Republicans and independents who lean Republican said they were extremely or very concerned about restrictions on press freedoms. Fewer Democrats and Democratic leaners (38%) said the same. 

Under the new Trump administration, a majority of Democrats (60%) are highly concerned about press freedoms – about double the share of Republicans (28%).


Americans who have been paying closer attention to news about the actions and initiatives of the Trump administration are more likely to be concerned about potential restrictions on press freedoms. Among those who say they have been following this news very or fairly closely, about half (49%) say they are extremely or very concerned.

Those who have not been following this kind of news closely are less concerned. About three-in-ten (29%) express high levels of concern about press freedoms.

ABC Bracing For Potential Strahan-Ripa Conflicts

7 Hudson Square: Locations of New ABC Studios

The New York Post has published a story claiming "ABC staffers bracing for meltdown with rivals Michael Strahan, Kelly Ripa forced back under same roof: sources." The story goes on to detail tensions at ABC as former Live! with Kelly and Michael co-hosts Kelly Ripa and Michael Strahan are set to work in close proximity again due to ABC’s consolidation of its studios. 

Happier Times
The article draws on insider sources to highlight the ongoing rift between the two TV personalities, nearly a decade after their high-profile fallout in 2016, and the network’s efforts to manage potential conflict.

ABC is moving its flagship programs, including Live with Kelly and Mark (hosted by Ripa and her husband, Mark Consuelos) and Good Morning America (where Strahan is a lead anchor), to a new, state-of-the-art headquarters in downtown Manhattan. 

The article revisits the 2016 fallout when Strahan abruptly left Live! to join Good Morning America full-time. Ripa was reportedly blindsided by the announcement, learning of it just before it went public, which led her to take a week-long hiatus from the show in protest. The incident sparked a public feud, with Ripa feeling humiliated and betrayed, while Strahan later claimed he was not at fault, stating the network mishandled the situation. Sources say the two have not spoken since, and their relationship remains “icy.”

 ABC executives are reportedly “scrambling” to prevent awkward encounters between Ripa and Strahan, fearing a “meltdown” that could disrupt the workplace or generate negative publicity. A network producer cited in the article states, “If you’re hoping for a surprise selfie or reconciliation, keep hoping. This isn’t going to be a warm reunion. This is two professionals keeping it strictly business.”

The consolidation of studios reflects ABC’s strategy to streamline operations, but it risks reigniting old tensions. The network’s efforts to keep Ripa and Strahan apart suggest a proactive approach to damage control, but the article implies that any misstep could fuel tabloid coverage or affect staff morale.

Edison: Radio Reaches Beyond The Receiver


Despite the rise of digital audio platforms, Americans aged 13 and older still dedicate the largest share of their daily audio time to AM/FM radio, which accounts for 35% of total audio consumption.
 
AM/FM radio has embraced streaming, enabling listeners to access content via smartphones, computers, connected TVs, and smart speakers, offering convenience similar to YouTube, music streaming, and podcasts. According to Edison’s Share of Ear® data from Q1 2025, 12% of AM/FM radio listening occurs through streamed sources, while the remaining 88% is via traditional over-the-air receivers.

Listening location significantly influences streaming’s share of AM/FM radio time. In cars, where AM/FM radio dominates, only 1% of radio listening is streamed, with over-the-air broadcasts prevailing. At work, streamed AM/FM radio accounts for 16% of radio time, and at home, it rises to 22%. The highest share of streamed AM/FM radio occurs in “other” locations—like grocery stores, gyms, or while walking—where nearly one-third of radio listening is via streams.

Share of Ear® offers detailed insights into how, where, and when people engage with audio platforms, providing a comprehensive view of audio consumption trends.

Wichita Radio: Dave Wilson Gets Wake-Up Duty At KEYN-FM

 

Audacy announces Dave Wilson as morning show host on 103.7 KEYN in Wichita. Wilson will be heard weekdays from 6:00 a.m. to 10:00 a.m. CT beginning Monday April 28.

“With over three decades of experience in radio, Dave has consistently shown a commitment to enhancing the listeners’ experience and connecting with his local community,” said Becky Domyan, Senior Vice President and Market Manager, Audacy Wichita and St. Louis. His passion, energy and dedication make him the perfect voice to start the day for Wichitans, and we’re excited to have him take the reins.”

Dave Wilson
“I have been extremely grateful to have had the chance to be on this iconic Wichita radio station for the past five years in various dayparts,” said Wilson. “Now, I am so excited to host KEYN mornings full-time and help our listeners start their day.” 

Wilson began his radio career as the Operations Manager in 1989 at sister station KNSS (KNSS-AM/FM). Over the years, he’s held key roles across several media companies, including News Director, News Reporter and Program Director. This move marks Wilson’s return to morning radio, as he previously co-hosted KTLI’s morning show from 2001 to 2004.

Listeners can tune in to 103.7 KEYN (KEYN-FM) in Wichita on air and nationwide on the Audacy app and website. Fans can also connect with the station via X, Facebook and Instagram. 

Twin Cities Radio: Tom Barnard To Exit Podcast


Tom Barnard, a legendary Minneapolis radio personality, announced he will step away from The Tom Barnard Podcast in November 2026, handing the show to his children, Andy and Alex Barnard. 

After a 37-year tenure hosting the morning show at KQRS-FM, where he earned accolades like the 2006 Marconi Award and inductions into the National Radio Hall of Fame (2017) and Minnesota Broadcasters Hall of Fame (2018), Barnard transitioned to podcasting with Hubbard Radio in 2023 following his controversial exit from KQRS in December 2022. 

Cumulus Media, KQRS’s parent company, called it a “retirement,” but Barnard claimed he was forced out without severance despite decades of top ratings.

The podcast, airing live weekdays from 7-10 a.m. CT with on-demand streaming, features Barnard, his wife Kathryn, and their children, focusing on humor and guest interviews. Despite a loyal fanbase, Barnard expressed discomfort with podcasting, citing less support compared to radio and a lack of enthusiasm, though fans urged him not to quit. 

Barnard’s career began in 1971, with early stints at WDGY and KSTP, where he was known as “The Catman.” His KQRS show, peaking as the nation’s highest-rated morning program in the 1990s, was known for its candid humor but stirred controversy when he shifted to political commentary post-9/11, costing him his moderate reputation and voiceover work. His podcast aimed to return to comedy roots, but Barnard, now 73, will continue hosting until November 2026, with no firm plans beyond that.

S-F Radio: Longtime Reporter Doug Sovern Retires At KCBS Radio


After 35 years on air, veteran KCBS reporter Doug Sovern is retiring from broadcasting to focus on family and writing, he announced Thursday on social media. 

Sovern, who joined KCBS in 1990 after working at K-101 and KGO, began his Bay Area journey in 1985 as a bassist for Nice Boys From New York. 

As KCBS’s political reporter, he covered major events like the 1992 Los Angeles riots, the Tour de France, and every presidential campaign during his tenure, interviewing top candidates from both parties. 

A 2017 Bay Area Radio Hall of Fame inductee, Sovern earned multiple Edward R. Murrow Awards. Since 2020, he has co-hosted KCBS’s “The State of California,” a weekday political talk show at 3:30 p.m. 

An accomplished fiction writer, Sovern has Pushcart Prize-nominated short stories and is working on a novel, All Great and Precious Things, set for release in 2026. 

His final “State of California” episode airs April 30.

Nashville Radio: 103.3 Country, 95.5 NASH ICON Host CMA Fest Week


Country music fans, get ready to kick off CMA Fest week in style! Cumulus Media’s Nashville Country radio stations 103.3 Country (WKDF-FM) and 95.5 NASH ICON (WSM-FM) have partnered with AEG Presents to bring a packed line-up of star-studded Country hitmakers for its popular annual “Country Kickoff Concert.” 

The concert will be held at downtown Nashville’s rooftop stage, Skydeck on Broadway (5055 Broadway Pl., Nashville, TN) on Tuesday, June 3, 2025. This unforgettable night of live music will feature performances by Country superstars Justin Moore, Brothers Osborne, rising sensation Dasha, and breakout artist Preston Cooper.

Set against the vibrant backdrop of downtown Nashville, Skydeck will come alive with the energy and spirit of Country music. Whether you’re a longtime fan or discovering your next favorite artist, this event promises something for everyone.

Travis Daily, Vice President of Country, Cumulus Media, and Operations Manager, 103.3 Country and 95.5 NASH ICON, said: "What began as a boutique showcase of artists has evolved into unforgettable performances with Nashville’s Broadway as the backdrop. We are immensely grateful to our friends and colleagues at The Valory Music Co., EMI Records Nashville, and Warner Records, along with their incredible artists Justin Moore, Brothers Osborne, Dasha, and Preston Cooper, for supporting live and local stations like 103.3 Country and 95.5 NASH ICON."

Jennipher Miller, Marketing & Promotions Director, 103.3 Country and 95.5 NASH ICON, added: “There’s nothing quite like it – standing in a crowd of strangers and suddenly realizing you’re not strangers at all. That’s the magic of live music. You’re singing the same songs, feeling the same chills, and losing yourself in the same melodies. Instant connection is our goal with every event and Country Kickoff is our contribution to the Nashville music community.”

Doors to Skydeck on Broadway open at 6:00 p.m. CT on June 3 and tickets are on sale now. To purchase tickets or for more information, visit www.1033country.com or www.955nashicon.com.

Fox News Media To Cover Services For Pope Francis


FOX News Media will present special live coverage of the services commemorating the life of Pope Francis on Saturday, April 26th in Rome across FOX News Channel (FNC), FOX News Audio, FOX News Digital and FOX Nation.

Anchored by FNC’s executive editor and anchor of The Story Martha MacCallum, the network will broadcast “The Funeral of Pope Francis” beginning at 3 AM/ET on Saturday live from Rome. The special will also feature contributions from chief religion correspondent Lauren Green, contributor Jonathan Morris and correspondents Alex Hogan and Connor Hansen. MacCallum will helm coverage leading up to and throughout Pope Francis’ funeral mass which will begin at 4 AM/ET in St. Peter’s Square.

FOX Nation, FOX News Media’s streaming service, will live stream coverage of the funeral services from 3-7 AM/ET.

FOX News Audio will provide continuous coverage of the services across its platforms. FOX News Radio (FNR) will deliver top-of-the-hour and bottom-of-the-hour news updates for affiliates across the nation with FNR’s Jonathan Savage reporting live from Rome. 

FOX News Podcasts will also feature special content surrounding the ceremony with the FOX News Hourly Update podcast providing updates during the service and contributor Jonathan Morris joining the FOX News Rundown Podcast to break down the conclave process.

FOX News Digital’s coverage will feature original reporting, analysis and up-to-the-minute updates on its live blog which begins at 12 AM/ET on Saturday. A livestream will be available on FOXNews.com.

iHM Adds New EVP/Chief Legal Officer


iHeartMedia, Inc. announced Thursday David Hillman has been named its Executive Vice President, Chief Legal Officer and Secretary.

In his new role, Hillman will oversee all legal matters for the company, including the compliance, regulatory and corporate governance functions, as well as the company’s Government Affairs, Business Affairs and Privacy teams.

David Hillman
Hillman comes to iHeart with broad media experience. Most recently he served as Chief Legal Officer and member of the founding leadership team of Venu Sports, a sports streaming joint venture between ESPN, FOX and Warner Bros. Discovery. Prior to Venu, Hillman worked at Paramount Global, last serving as EVP and General Counsel of CBS Sports and CBS News & Stations. He also served as General Counsel at both Simon & Schuster and Westwood One.

“David has very relevant experience across a range of media businesses, as well as specific familiarity with the audio industry,” said Bob Pittman, Chairman and CEO of iHeartMedia, Inc. “We believe his wealth of experience will make him an ideal addition to the iHeart executive team as we continue to grow our momentum as the #1 audio company in America.”

“iHeart is the leader in the audio space in America, backed by a management team deeply committed to growth and innovation, and I’m excited to join and contribute to what’s next,” said Hillman. “I look forward to working with iHeart’s leadership, partners, and the talented Legal team to help advance the company across every corner of the audio landscape.”

Radio History: April 25


➦In 1874...Guglielmo Marconi born (Died – 20 July 1937).  He was an Italian inventor and electrical engineer, known for his pioneering work on long-distance radio transmission, development of Marconi's law, and a radio telegraph system. He is credited as the inventor of radio, and he shared the 1909 Nobel Prize in Physics with Karl Ferdinand Braun "in recognition of their contributions to the development of wireless telegraphy".

Marconi was also founder of The Wireless Telegraph & Signal Company in the United Kingdom in 1897 (which became the Marconi Company). He succeeded in making an engineering and commercial success of radio by innovating and building on the work of previous experimenters and physicists

His father was a wealthy land owner and his mother was a member of Ireland’s Jameson family of distillers. Marconi was educated by tutors and at the Livorno Technical Institute and the University of Bologna.

Marconi 1901

In 1894 Marconi became fascinated with the discovery by German physicist Heinrich Rudolf Hertz of “invisible waves” generated by electromagnetic interactions. Marconi built his own wave-generating equipment at his family’s estate and was soon sending signals to locations a mile away. After failing to interest the Italian government in his work, Marconi decided to try his luck in London.

The 22-year-old Marconi and his mother arrived in England in 1896 and quickly found interested backers, including the British Post Office. Within a year Marconi was broadcasting up to 12 miles and had applied for his first patents. A year later, he set up a wireless station on the Isle of Wight that allowed Queen Victoria to send messages to her son Prince Edward aboard the royal yacht.

By 1899 Marconi’s signals had crossed the English Channel. The same year, Marconi traveled to the United States, where he gained publicity offering wireless coverage of the America’s Cup yacht race from off the coast of New Jersey.

Marconi joined the Italian Fascist party in 1923. In 1930, Italian dictator Benito Mussolini appointed him President of the Royal Academy of Italy, which made Marconi a member of the Fascist Grand Council.

Marconi died in Rome on 20 July 1937 at age 63, following a series of heart attacks, and Italy held a state funeral for him. As a tribute, all radio stations throughout the world observed two minutes of silence on the next day.  His remains are housed in the Villa Griffone at Sasso Marconi, Emilia-Romagna, which assumed that name in his honor in 1938.

In 1943, the Supreme Court of the United States handed down a decision on Marconi's radio patents restoring some of the prior patents of Oliver Lodge, John Stone Stone, and Nikola Tesla.  The decision was not about Marconi's original radio patents and the court declared that their decision had no bearing on Marconi's claim as the first to achieve radio transmission, just that since Marconi's claim to certain patents were questionable, he could not claim infringement on those same patents.

➦In 1908...Edward Roscoe Murrow born  at Polecat Creek, near Greensboro, NC (Died from lung cancer at age 57 – April 27, 1965), He was a broadcast journalist and war correspondent. He first gained prominence during World War II with a series of live radio broadcasts from Europe for the news division of CBS. His live, shortwave broadcasts relayed on CBS electrified radio audiences as news programming never had: previous war coverage had mostly been provided by newspaper reports, along with newsreels seen in movie theaters; earlier radio news programs had simply featured an announcer in a studio reading wire service reports.

During the war he recruited and worked closely with a team of war correspondents who came to be known as the Murrow Boys.

A pioneer of radio and television news broadcasting, Murrow produced a series of reports on his television program See It Now which helped lead to the censure of Senator Joseph McCarthy.

➦In 1949…An article in LOOK magazine predicted that radio was doomed because if the growing popularity of television.  However, radio reinvented itself as a local service and became bigger than ever, while LOOK disappeared in 1971.

Thursday, April 24, 2025

LABF To Honor The 2025 Giants Of Broadcasting


The Library of American Broadcasting Foundation (LABF) will celebrate a remarkable group of industry pioneers for their lifetime contributions at the 2025 Giants of Broadcasting & Electronic Arts Awards Luncheon. The event is set for Friday, November 14, from 11:30 a.m. to 2:00 p.m. at Gotham Hall in New York City. 

Bill Whitaker, a 2018 Giant Honoree and correspondent for 60 Minutes and CBS News, will return as the event’s emcee.


The 2025 honorees are:
  • Kelsey Grammer: Award-winning actor and producer known for TV, stage, and film.
  • David Muir: Anchor and managing editor of ABC World News Tonight and co-anchor of 20/20.
  • Lynn Beall: Retired EVP and COO of Media Operations at TEGNA Inc., recognized for her innovative strategies.
  • Dick Ferguson: Distinguished radio executive and retired EVP of Cox Radio Group.
  • Rick Dees: Legendary radio host, entertainer, and entrepreneur.
  • Gary Sandy: Beloved actor, iconic for playing Andy Travis on WKRP in Cincinnati.
  • John R. Feore, Jr.: Esteemed communications attorney and trusted industry advisor.
  • Lesley Visser: Hall of Fame sportscaster with a 50-year career at the Boston Globe, CBS Sports, ABC, and HBO.
  • Steven Portnoy: ABC News Radio National Correspondent, who will also receive the 2025 LABF Excellence in Broadcast Preservation Award for his dedication to preserving broadcast history.
“This event shines a spotlight on the visionaries who’ve shaped media,” said LABF Co-chairs Heidi Raphael, Beasley Media Group’s Chief Communications Officer, and Jack Goodman, a veteran DC communications attorney. “We’re thrilled to honor these trailblazers for their lasting impact on broadcasting and American culture.”

For more details on the honorees, sponsorships, tables, or tickets, contact Debbie Beagan-Carcich, 2025 Giants of Broadcasting Event Producer, at debbie@giantsofbroadcasting.org or 732-245-7799, or visit www.tvradiolibrary.org/giants.

Audacy Has Named A New Chief Marketing Officer


Audacy has announced a new Chief Marketing Office.  She is Jenny Nelson.

Jenny Nelson
In this role, Nelson will oversee all of Audacy’s marketing efforts, including brand/design, research, B2B marketing/activation and corporate communications. She will also continue to focus on sales enablement and supporting Audacy’s local and national sales. 

Nelson has a proven track record of success at Audacy, where she has held senior roles since 2008. Her previous position as Executive Vice President, Marketing Solutions & Strategy, was pivotal in shaping the company's strategic sales strategies and managing sales enablement.

Her career also includes experience at media companies, ad agencies and marketing firms, including Susquehanna Radio Group and BBDO, a global leader in advertising. Nelson earned a Bachelor's degree from Emory University and a Master of Business Administration from San Francisco State University.

Audacy’s Other Recent Senior Leadership Changes:

  • Kelli Turner was appointed permanent President and CEO, having served as interim CEO since January 2025 when David Field stepped down.
  • Chris Oliviero was named Chief Business Officer, and Bob Philips became Chief Revenue Officer.

Four senior executives departed: Chief Operating Officer Susan Larkin, Chief Digital Officer J.D. Crowley, Chief Marketing Officer Paul Suchman, and General Counsel Andrew Sutor. Mike Dash was promoted to Executive Vice President and General Counsel to succeed Sutor.

CBS Evening News Anchors Address Exiting Producer


"CBS Evening News" anchors John Dickerson and Maurice DuBois paid tribute to outgoing "60 Minutes" producer while being candid about the corporate pressure the network is facing from President Donald Trump. 

"Finally, tonight, a story that is personal for us here at CBS News," Dickerson told viewers at the end of Tuesday's newscast. "Our friend and colleague, Bill Owens, announced today he is stepping down as executive producer of ‘60 Minutes.’"

"In its more than half a century on the air, '60 Minutes' has prided itself on independent reporting, but Owens said he was no longer allowed to run the broadcast as it had been run and to make independent decisions," DuBois said. 


Fox News Digital reports Dickerson went on to acknowledge that "60 Minutes" was at the center of Trump's lawsuit against the network, but then said, "CBS’ parent, Paramount Global, is trying to resolve this suit as it works to complete a merger that needs government approval." 

Paramount Global plans to merge with Skydance Media, which requires authorization from Trump's Federal Communications Commission (FCC). 

"Owens has stood firm, insisting ‘60 Minutes’ has done nothing wrong, and he would not apologize," DuBois said. 

"Bill Owens was also the supervising producer of this broadcast. He’s a man of great integrity. We will always be grateful to him for his wisdom, his guidance and above all, his friendship," Dickerson said.

"And we cannot thank him enough," DuBois added.

CBS News in Turmoil Over Redstone Pressure


An article published by The Wrap Wednesday evening , titled “CBS News in Turmoil Over ‘Perfect Storm’ at ‘60 Minutes’ and CBS News.

Bill Owens
The story detailed significant internal unrest at CBS News, driven by a combination of external pressures and leadership changes. The turmoil stems from President Donald Trump’s $20 billion lawsuit against CBS over a 60 Minutes interview with Kamala Harris, the abrupt resignation of 60 Minutes executive producer Bill Owens, and Paramount Global’s (CBS’s parent company) potential settlement to secure a merger with Skydance Media. 

The article described CBS News as facing a “perfect storm” of challenges, including pressure from the Trump administration, internal leadership upheaval, and corporate priorities tied to Paramount’s Skydance merger.

The resignation of 60 Minutes executive producer Bill Owens on Tuesday, after 24 years at CBS, was a focal point. Owens cited a lack of autonomy, stating in a staff memo that he could no longer make “independent decisions” or run the show as he had previously. Sources told The Wrap that Owens held back tears during a staff meeting, saying, “I am the corporation’s problem,” reflecting his resistance to corporate pressure to settle Trump’s lawsuit.


Trump’s lawsuit, filed under the Texas Deceptive Trade Practices Act, alleges that 60 Minutes deceptively edited an October 2024 interview with Kamala Harris to favor her in the 2024 election by cutting a “word salad” response about the Israel-Hamas conflict. CBS released the full transcript in February 2025, but mediation talks signal a likely settlement, which critics view as capitulation.

Paramount’s pending merger with Skydance Media, which requires approval from the Trump-appointed Federal Communications Commission (FCC) chair Brendan Carr, is seen as driving Redstone’s willingness to settle. The article quoted sources saying CBS News is “already weathered plenty of changes,” and further concessions could erode its credibility.

CNN's Jake Tapper Rips CBS' Shari Redstone For Capitulation


CNN anchor Jake Tapper made sharp criticisms of Shari Redstone, the controlling shareholder of Paramount Global (CBS’s parent company), on his show The Lead on this week, accusing her of compromising CBS News’ journalistic integrity by likely settling a $20 billion lawsuit filed by President Donald Trump against CBS. 

Tapper’s comments framed Redstone’s potential settlement as “bending the knee” to Trump to protect a lucrative merger with Skydance Media, prioritizing profit over principles. Below is a detailed breakdown of Tapper’s remarks, their context, and their relevance to the user’s interest in media dynamics, drawing on provided web sources and X posts.

Tapper’s key comment, “It seems as if Shari Redstone is likely to bend the knee to Trump and settle this allegedly frivolous lawsuit,” suggesting Redstone is sacrificing CBS’s editorial independence to appease Trump.  He concluded with a pointed jab: “Hope the money’s worth it, Shari,” implying Redstone’s motives are driven by financial gain rather than journalistic values.

Tapper explained that Trump’s lawsuit, filed under the Texas Deceptive Trade Practices Act, alleges CBS’s 60 Minutes deceptively edited an October 2024 interview with then-Vice President Kamala Harris to favor her in the 2024 election. Trump claims the network cut a “word salad” response about the Israel-Hamas conflict, airing a shorter version to make Harris appear more coherent.

Tapper defended CBS’s actions, noting, “This is just editorial discretion. Editors do it all the time with recorded interviews, including all the time with taped interviews by Fox [News].” He cited legal experts who call the lawsuit “frivolous” and likely to fail in court.

Tapper linked Redstone’s potential settlement to Paramount’s proposed multibillion-dollar merger with Skydance Media, which requires approval from the Trump administration’s Federal Communications Commission (FCC), led by Trump-appointed chair Brendan Carr. He said, “Shari Redstone is the majority owner of Paramount, and she stands to make a fortune if this merger goes through.”

MSNBC To Launch Two New Prime-Time Shows Next Week


MSNBC has announced premiere dates for its new primetime lineup, set to debut the week of May 5, 2025, as part of a broader schedule overhaul. 

The changes include new shows anchored by prominent figures, reflecting the network’s strategic shift to leverage high-profile talent and adapt to evolving viewer preferences.
 
New Primetime Shows and Premiere Dates:


The Weeknight Premiere Date: Monday, May 5, 2025, at 7:00 p.m. ET Hosted by the anchors of MSNBC’s weekend program The Weekend—Symone Sanders Townsend, Michael Steele, and Alicia Menendez—will occupy the 7:00 p.m. slot. The program is expected to build on the conversational, multi-perspective format of The Weekend, which has been praised for its diverse viewpoints. The move to primetime reflects MSNBC’s confidence in the trio’s ability to engage audiences during a high-visibility timeslot.


The Briefing with Jen Psaki Premiere Date: Tuesday, May 6, 2025, at 9:00 p.m. ET (airing Tuesday through Friday). Psaki, former White House Press Secretary under President Joe Biden, The Briefing will take over the 9:00 p.m. slot previously occupied by Alex Wagner Tonight. Psaki, who already anchors a Monday 8:00 p.m. show and hosts Inside with Jen Psaki on Sundays, brings her political expertise and insider perspective to primetime. The show is expected to offer sharp political commentary and interviews, leveraging Psaki’s experience in government and media.
 
Psaki’s move to the 9:00 p.m. slot coincides with Rachel Maddow returning to a once-weekly Monday schedule at 9:00 p.m., freeing up the Tuesday-through-Friday slot for Psaki. Alex Wagner will transition to a senior political analyst role, continuing to contribute to MSNBC’s coverage.

MSNBC’s primetime changes, outlined in a memo by network president Rebecca Kutler on February 24, 2025, aim to refresh the lineup amid competitive pressures and a shifting political landscape. The cancellation of The ReidOut and the reassignment of Alex Wagner signal a pivot toward new voices and formats.
 
The promotion of The Weekend anchors to The Weeknight and Psaki’s expanded role reflect MSNBC’s focus on personalities with established audience appeal and political credibility. This move may also be an effort to broaden the network’s ideological range, as Michael Steele (a former Republican National Committee chair) brings a conservative perspective to balance Sanders Townsend and Menendez.

Alongside the programming changes, MSNBC is establishing a new Washington, D.C., bureau with its own team of correspondents, signaling a commitment to robust political reporting. This infrastructure supports the new primetime shows, which will likely rely on on-the-ground reporting and insider analysis.

NYC Radio: John Sterling Launches Show On 77WABC


John Sterling, the legendary radio voice of the New York Yankees from 1989 to 2024, launched a new one-hour sports talk show on 77WABC in New York, airing Saturdays from 4:00 p.m. to 5:00 p.m. ET, starting this weekend. 

This marks Sterling’s return to radio after retiring from Yankees play-by-play duties in April 2024, followed by a brief postseason cameo in October 2024. The show reflects Sterling’s enduring passion for sports broadcasting and his desire to stay connected with fans in a less demanding format.
 
Sterling, known for his colorful commentary and deep sports knowledge, will offer insights, stories, and his signature wit. He told The Athletic, “I watch everything,” indicating discussions will extend beyond baseball to appeal to a wide audience.

“This is a thrill...the ballgame’s NOT over,” said Sterling. “I am eager to connect with sports fans on 77 WABC and looking forward to bringing the biggest names in sports on the air to share their stories and insights with listeners.”

“I’ve had the honor of working with a legend such as John previously, and I know that with his expertise in the sports world and professionalism in broadcasting he will hit it out of the park!” stated Chad Lopez, President of Red Apple Media and 77 WABC. “John is known, loved, and respected in the sports world, and we’re excited that he is joining our on-air team of high-profile personalities.”

A 12-time Sports EMMY Award winner, Sterling was the play-by-play voice of the New York Yankees for 35 years, from 1989 until he announced his retirement in 2024. He called 5,060 consecutive Yankees games from 1989 to 2019 and announced eight World Series games. He also worked alongside Suzyn Waldman on the Yankees Radio Network, starting in 2005, and during the 1980s, he provided play-by-play for The New Jersey Nets and the New York Islanders.

 🎧Listeners can tune in via 770 AM, online at wabcradio.com, or through the 77WABC app.

Comcast Earnings: Better Than Expected


Comcast reported its first-quarter earnings for 2025 today , beating Wall Street’s expectations despite losing 199,000 broadband customers. This means they made more money than analysts predicted, even though fewer people signed up for their internet service. 

The company’s overall revenue was $29.89 billion, slightly above the expected $29.77 billion, and adjusted earnings per share were $1.09, topping the forecasted 98 cents. However, their stock dropped about 3% in premarket trading because investors were worried about the broadband losses, which is a key part of their business.

Even with fewer broadband customers, Comcast made more money by charging higher rates, boosting broadband revenue by 1.7% to $6.56 billion. Their newer businesses, like Xfinity Mobile (which added customers) and the streaming service Peacock, also helped. Additionally, their film studios and theme parks contributed to the strong results, despite some challenges.

NBCUniversal, Comcast’s media and entertainment division, played a significant role in the earnings beat, though it had both wins and losses. 

Here’s how it impacted the results:
  • Peacock’s Growth:Peacock, NBCUniversal’s streaming service, was a bright spot. It grew to 41 million paid subscribers, beating analyst estimates of 37.21 million. This is a big jump from 36 million at the end of 2024.
  • Revenue for Peacock increased 16% to about $1.3 billion, and its losses shrank to $215 million, compared to $639 million in the same quarter last year. This shows Peacock is moving toward profitability, which is good news for Comcast.
  • The media segment, which includes Peacock, saw revenue rise 1% to $6.44 billion, with Peacock’s growth driving a 21% increase in adjusted EBITDA (a measure of profit) to $1 billion. This helped offset other media weaknesses.
The theme parks division, also part of NBCUniversal, was a weak point. Revenue fell 5% to $1.88 billion due to lower attendance, partly because of the Los Angeles wildfires. This dragged down the Content and Experiences segment’s overall performance.

Despite the drop, Comcast is optimistic about future growth with the upcoming Universal Epic Universe park opening in Florida on May 22, 2025, which they call their “most ambitious parks experience ever.”

Cumulus 'Delisted', What Does That Mean, What Happens Now?


Cumulus Media, which owns over 400 radio stations and operates the Westwood One network, has been removed from the NASDAQ stock exchange as of May 2, 2025. 

This happened because their stock price kept falling below $1 per share for too long, and they didn’t meet other NASDAQ requirements, like having enough shareholder equity (a measure of the company’s financial health). 

Their stock price dropped 90% over the past year, hitting just $0.27 recently, and they’ve been struggling with a huge debt of $797 million while burning through cash quickly.

Instead of fighting the decision, Cumulus chose not to appeal and will now have its stock traded on the OTCQB market, a less prestigious platform for smaller or struggling companies. 

This move won’t directly affect their radio stations or daily operations, but it’s a sign of financial trouble.

The company is trying to grow its digital side, like podcasts and online marketing, but the traditional radio business is facing tough times with declining ad revenue. Think of it like a big store chain being kicked out of a fancy mall for not making enough money—they can still sell stuff, just in a less prominent spot.

The radio industry in 2025 continues to navigate a complex landscape shaped by technological advancements, shifting consumer behaviors, and economic pressures.

Radio is moving online to keep up with how people listen today. Traditional AM/FM stations are losing ground to streaming services like Spotify, podcasts, and internet radio because listeners want music or talk shows on their phones or smart speakers whenever they want. For example, Nielsen reports that audio (including radio, podcasts, and streaming) accounts for nearly 20% of Americans’ daily media time, with 67% of ad-supported audio time going to radio, but younger listeners (18-34) spend 32% of their audio time on podcasts.

Radio makes money mostly from ads, but companies are spending less on traditional radio ads because they’re putting more money into digital ads on platforms like Google or social media. In 2023, U.S. radio ad revenue was about $12 billion, but it’s expected to drop to $11.28 billion by 2029. Local radio ads are holding up better than national ones, but overall, the industry is struggling.

However, People still love radio for local news, sports, and familiar DJs. A 2025 TechSurvey found that 61% of listeners tune in for radio personalities, more than for music (56%).

Watchdog Sues Broadcast Networks Over Garcia Coverage


The Center for American Rights (CAR), a conservative advocacy group, filed a new “news distortion” complaint with the Federal Communications Commission (FCC), targeting major broadcast networks ABC, NBC, and CBS. 

The complaint alleges that these networks disseminated “false or misleading information” in their coverage of the deportation of Kilmar Abrego Garcia, a Salvadoran immigrant.  CAR claims this coverage represents a “failure of their responsibilities under the public interest standard” mandated for broadcast licensees.

The filing marks the latest in a series of actions by CAR and FCC Chair Brendan Carr to challenge perceived biases in mainstream media, particularly in the context of immigration-related reporting, amid a politically charged post-2024 election environment.


Allegations accuse the networks of misrepresenting facts surrounding Abrego Garcia’s deportation. Specifically, CAR asserts that the networks portrayed Abrego Garcia in a manner that downplayed his immigration status or legal issues, presenting him as a sympathetic figure without fully disclosing relevant details.

Kilmar Campos Garcia, a Salvadoran immigrant, was deported from the United States in early 2025. The controversy surrounding his deportation appears to stem from media portrayals that CAR and Carr claim misrepresented his status.