Saturday, May 31, 2025

Radio History: June 1


➦In 1921...Conductor & musician  Nelson Riddle was born in Oradell New Jersey.  His career stretched from the late 1940s to the mid-1980s. His work for Capitol Records kept such vocalists as Frank Sinatra, Ella Fitzgerald, Nat King Cole, Judy Garland, Dean Martin, Peggy Lee, Johnny Mathis, Rosemary Clooney and Keely Smith household names.

He found commercial and critical success again in the 1980s with a trio of Platinum albums with Linda Ronstadt. His orchestrations earned an Academy Award and three Grammy Awards.

He died of liver ailments Oct 6, 1985 at age 64.

➦In 1936...the NBC Blue network’s Lux Radio Theater moved from New York City to Hollywood. On the first show from Tinseltown, program host and “producer” Cecil B. DeMille introduced Clark Gable and Marlene Dietrich in The Legionnaire and the Lady. It attracted a remarkable (for the era) listening audience of 40 million.

➦In 1945...WLB-AM in Minneapolis MN changed call letters to KUOM.

➦In 1961..WVNJ 100.3 FM signed-on (today it is iHeartMedia's WHTZ Z100). 100.3's origins date back to 1942 when it was WMGM, licensed to New York. The station went off the air in February 1955. During 100.3's down time, the frequency was allocated to WFHA in Red Bank. On June 1, 1961, 100.3 was resurrected as WVNJ, now licensed to Newark. WVNJ featured an easy listening/jazz format that continued until August 2, 1983, when WHTZ "Z100" was born.

➦In 1961...FM stereo began.  At 12:01 a.m., GE's WGFM 99.5 FM (now WRVE) Schenectady, NY became the first FM station in the United States to broadcast in stereo.  The station, which had been simulcasting WGY 810 AM,  started airing classical music.

The first commercial FM broadcasting stations were in the United States, but initially they were primarily used to simulcast their AM sister stations, to broadcast lush orchestral music for stores and offices, to broadcast classical music to an upmarket listenership in urban areas, or for educational programming.

By the late 1960s FM had been adopted by fans of "Alternative Rock" music ("A.O.R.—'Album Oriented Rock' Format"), but it wasn't until 1978 that listeners to FM stations exceeded those of AM stations in North America.

During the 1980s and 1990s, Top 40 music stations and later even country music stations largely abandoned AM for FM. Today AM is mainly the preserve of talk radio, news, sports, religious programming, ethnic (minority language) broadcasting and some types of minority interest music. This shift has transformed AM into the "alternative band" that FM once was.


➦In 1967
...The Beatles released 'Sgt. Pepper's Lonely Hearts Club Band' album.

➦In 1968...'Mrs. Robinson' by Simon and Garfunkel hit Number One

Don Imus
➦In 1968...Don Imus started at KUTY in Palmdale, CA.  He stayed at the station until 1969 when he left for a job at KJOY, a small radio station in Stockton, California. He was later fired for saying "hell" on air.  After being fired in Stockton, he went to KXOA in Sacramento, California.

Three years later, he landed the morning spot at WNBC in New York City before his firing in 1977.

Lester Holt Steps Away From NBC Nightly News


Lester Holt signed off as anchor of NBC Nightly News on May 30, 2025, concluding a decade-long tenure that began on June 18, 2015.

His final broadcast was an emotional farewell, where he was joined by his wife, Carol Hagen, and expressed gratitude to his staff, colleagues, and viewers for their support over the years. Holt, the first Black solo anchor of a major network evening news broadcast, delivered a heartfelt goodbye, reflecting on memorable moments and the privilege of anchoring one of television’s iconic news programs. His signature sign-off, inspired during the COVID-19 pandemic, became a hallmark of his tenure, emphasizing care and connection during challenging times.

Holt is not leaving NBC but transitioning to a full-time role at Dateline NBC, where he has been a principal anchor since 2011. This move allows him to engage in deeper investigative reporting and storytelling, including projects that may take months to develop, such as stories on the asthma crisis and economic issues. 



Tom Llamas, a senior national correspondent and anchor of Top Story with Tom Llamas on NBC News NOW, succeeded Holt as anchor and managing editor of NBC Nightly News starting June 2, 2025. Llamas, the first Latino anchor for the weeknight broadcast, was announced as Holt’s replacement in March 2025. He joined NBC in 2021 after a stint at ABC News and has been praised for his versatility and strong ratings when filling in for Holt. Llamas will continue anchoring Top Story alongside his new role.

CBS Mulls Trading PSA Time To Settle Trump Lawsuit


There's proposed settlement to resolve the ongoing legal dispute between Paramount Global, the parent company of CBS News, and President Donald Trump. 

The dispute centers on a $20 billion lawsuit filed by Trump in October 2024, alleging that CBS’s 60 Minutes deceptively edited an interview with then-Vice President Kamala Harris to mislead voters, violating a Texas consumer protection law. The lawsuit, which initially sought $10 billion, was amended to $20 billion in February 2025. Paramount has maintained that the broadcast was not doctored or deceitful, calling the lawsuit baseless and an affront to First Amendment rights.

According to news reports, a proposal has emerged to break the deadlock in settlement negotiations. The plan involves CBS airing millions of dollars in public service announcements (PSAs) for causes favored by the Trump administration. 

Sources indicate that Trump’s legal team and Paramount are considering this as part of mediation efforts to resolve the $20 billion lawsuit. Specifically, posts on X from May 30, 2025, suggest that the PSAs would be for initiatives aligned with the administration’s priorities, though exact details on the causes or the value of the ads were not specified.

This proposal comes amid broader tensions. 

Paramount offered $15 million to settle the suit, which Trump rejected, with his team reportedly seeking at least $25 million and an apology from CBS. The negotiations are complicated by Paramount’s pending $8.4 billion merger with Skydance Media, which requires approval from the Trump-appointed FCC chair, Brendan Carr. Some speculate that settling the lawsuit could smooth the merger’s regulatory path, though Paramount insists the lawsuit and merger are unrelated.

However, the idea of a settlement, particularly involving PSAs, has raised concerns. 

Democratic Senators Elizabeth Warren, Bernie Sanders, and Ron Wyden, along with the Freedom of the Press Foundation, have warned that such a deal could violate federal anti-bribery laws and undermine journalistic integrity. They argue it might signal that politically motivated lawsuits can succeed, chilling investigative reporting. CBS News staff, including 60 Minutes producers, have also expressed alarm, with some viewing the lawsuit as a “shakedown” and fearing a settlement would set a dangerous precedent.

Taylor Swift Buys Back Control of Her Early Masters


Taylor Swift announced Friday she had purchased the master recordings from Shamrock Capital, along with related assets like music videos, album art, and unreleased tracks. 

Key points:
  • Price: While not disclosed, sources estimate Swift paid around $360 million, close to what Shamrock paid in 2020. Rumors of $600 million to $1 billion are considered inflated.
  • Why It Matters: Swift now owns her entire catalog, giving her full autonomy over how her music is used. She described it as a “dream come true,” emphasizing the emotional weight of reclaiming “my memories and my sweat and my handwriting.”
  • Fan Support: Swift credited her fans’ support for the re-recordings and her record-breaking Eras Tour (grossing over $2 billion) for giving her the financial leverage to buy back the masters.
  • Shamrock’s Role: Swift praised Shamrock for offering fair terms, unlike her experiences with Big Machine and Braun, who she felt restricted her ability to negotiate
Master recordings are the original, finalized versions of a song or album, distinct from the song's composition (the lyrics and melody, which Swift retained as the songwriter). Owning the masters grants control over: Distribution, Licensing and  Monetization.

Without owning the masters, an artist like Swift would need permission from the rights holder (previously Scooter Braun’s Ithaca Holdings, then Shamrock Capital) to use her own music in certain ways, and the rights holder would profit from those uses.

Background of the Dispute
  • 2004–2018: Swift signed with Big Machine Label Group at age 14, releasing her first six albums. The label owned the master recordings, a common industry practice at the time, as they funded production and promotion.
  • 2018: Swift’s contract with Big Machine expired, and she signed with Universal Music Group/Republic Records, securing ownership of masters for future albums (Lover, Folklore, etc.).
  • 2019: Big Machine was sold to Scooter Braun’s Ithaca Holdings for around $300 million, transferring Swift’s masters to Braun. Swift publicly criticized the sale, calling it her “worst case scenario” and alleging she wasn’t given a fair chance to buy her masters outright. She accused Braun of “manipulative bullying,” citing past conflicts involving Braun’s client Kanye West.
  • 2020: Braun sold the masters to Shamrock Capital for over $300 million (reportedly around $360 million). Swift again claimed she was denied a reasonable opportunity to purchase them without restrictive conditions, like signing an NDA.
To regain control, Swift began re-recording her first six albums, creating new versions labeled “Taylor’s Version.” As the songwriter, she owned the publishing rights, allowing her to legally re-record the songs after a contractual waiting period. These re-recordings: Devalued the Original Masters: By releasing nearly identical versions she owned, Swift encouraged fans and licensors to use “Taylor’s Version” instead, reducing the commercial value of the originals held by Shamrock.

The Great Generational Media Divide Imperils Local News


The way Americans consume television and news is more divided than ever, with profound implications for local media's future. 

Data from media analyst Evan Shapiro reveals a stark generational split: the median age of cable news viewers is around 70, primetime broadcast TV viewers average 65, while digital platforms like Instagram and podcasts attract much younger audiences, with median ages of 34 and YouTube at 38.


Nearly two-thirds of Americans over 65 rely on traditional linear TV for news, compared to just 10% of 18–29-year-olds, who prefer social media (46%) and other digital platforms. These contrasting preferences signal an urgent need for legacy broadcasters and digital innovators to rethink how they deliver local content.



Shapiro’s data highlights a clear divide. Baby Boomers and the Silent Generation (61–100+) anchor traditional TV and print news. Gen X (46–60) leans traditional but is shifting, while Millennials (31–45) and Gen Z (13–30) are digital natives, favoring mobile, on-demand, and algorithm-driven content. For local news, this means “community” and “relevance” differ sharply by age. Older audiences value scheduled broadcasts and trusted anchors, while younger ones seek bite-sized, interactive content on platforms like Instagram, YouTube, and TikTok.

To stay relevant, local media must adapt with hybrid strategies:
  • Meet Audiences Where They Are Simulcast and Stream: Deliver live, platform-native newscasts on YouTube, Facebook, and TikTok with interactive features like Q&As and clickable maps.
  • Short-Form, Mobile-First: Create 60–90-second news updates for Instagram Reels, YouTube Shorts, and TikTok to hook younger viewers and guide them to deeper coverage.
  • Geo-Targeted Content: Use AI to deliver hyper-local news—like weather alerts or school updates—directly to users’ feeds.
  • Foster Inter-Generational Engagement Co-Viewing Initiatives: Develop programming on shared community issues, pairing traditional segments with digital roundtables featuring younger voices.
  • Mentorship and Collaboration: Team veteran reporters with young digital storytellers to blend credibility with fresh perspectives.
  • Fact-Checking Partnerships: Work with schools to promote media literacy, combat misinformation, and nurture future journalists.
If local media fails to adapt, only older Americans will access verified community news, leaving a fragmented landscape ripe for misinformation and weakened civic engagement.

PBS Sues Trump Over Defunding Attempt


PBS filed a lawsuit Friday against President Donald Trump to stop his attempt to eliminate federal funding for the public broadcaster.
 
In its filing with the U.S. District Court in Washington, D.C., PBS argued that the U.S. Constitution and the 1967 Public Broadcasting Act prohibit Trump from defunding PBS or controlling its programming.

 The lawsuit, joined by a PBS member station in Minnesota, follows a similar legal action by NPR against Trump and his administration three days earlier.

“After careful consideration, PBS determined that legal action was essential to protect public television’s editorial independence and the autonomy of its member stations,” a PBS spokesperson told CNBC.

Both nonprofit public media organizations seek to overturn Trump’s May 1 executive order, which directed the Corporation for Public Broadcasting and all executive agencies to end federal funding for NPR and PBS.
 
The order claimed that government funding for news media is “outdated, unnecessary, and undermines the appearance of journalistic independence,” while accusing PBS and NPR of delivering biased and inaccurate reporting to taxpayers.

Song Forgotten By Time Returns


Sixty-four years ago, Connie Francis recorded “Pretty Little Baby” during an intense two-week session that produced three albums. Initially overlooked, the song was relegated to the B-side of her 1962 single “I’m Gonna Be Warm This Winter” in Britain and largely forgotten thereafter.

Decades later, TikTok’s knack for reviving old tracks has brought “Pretty Little Baby” back into the spotlight. In recent weeks, the song has exploded on the platform, featured in over 600,000 posts and climbing to top spots on Spotify’s Viral 50 global and U.S. charts. Celebrities like Nara Smith, Kylie Jenner, and Kim Kardashian with her daughter North have fueled its resurgence by lip-syncing to it in viral videos.

ABBA’s Agnetha Fältskog, a longtime fan of Francis, used the song in a TikTok clip, praising her as her favorite singer. Similarly, Broadway actress Gracie Lawrence, currently portraying Francis in the Bobby Darin-inspired play Just in Time, posted a lip-sync video in full 1960s costume.


This unexpected revival marks a new chapter in Francis’s storied career. In 1960, she became the first woman to top the Billboard Hot 100, selling 42 million records by age 26 with two more chart-topping singles. Yet “Pretty Little Baby,” recorded in seven languages, was so obscure that Francis, now 87, recently told People she had no memory of it. TikTok has given this forgotten gem a new life for a modern audience.

FOX Nation To Stream Debate With PA Senators


The Edward M. Kennedy Institute for the United States Senate and the Orrin G. Hatch Foundation announced that the sixth installment of The Senate Project series will feature US Senators John Fetterman (D-Pennsylvania) and David McCormick (R-Pennsylvania).

The discussion will be held Monday, June 2 at 9AM/ET in the Kennedy Institute’s full-sized replica of the United States Senate Chamber. Shannon Bream, anchor of Fox News Sunday, will moderate the conversation, which will be live streamed on FOX Nation and FOXNews.com with FOX News Media as the exclusive media partner for The Senate Project.


“Vigorous and open dialogue is an essential part of our democracy and having these two senators from opposite sides of the aisle discuss important issues of the day is a valuable contribution to the public discourse,” Kennedy Institute Chairman Bruce A. Percelay said.

Hatch Foundation Executive Director Matt Sandgren added, “Now entering our sixth installment, The Senate Project series continues to underscore the importance of bipartisan dialogue. This unique partnership between the Orrin G. Hatch Foundation and the Edward M. Kennedy Institute is a model for achieving civility and solutions. We are thrilled that Senators McCormick and Fetterman have agreed to participate.”

Sean Combs' Assistant Is Cross-Examined


On Friday, Sean Combs’ former assistant, testifying under the pseudonym “Mia” to protect her identity, continued her testimony. 

On Thursday, she described Combs as an abusive and controlling employer who assaulted her multiple times, including an alleged rape. On Friday, she testified that Combs used these attacks to blackmail her. The defense challenged her with positive social media posts she made about Combs during the alleged abuse, questioning their consistency with her claims.

Mia also recounted witnessing Combs violently assault Cassie Ventura, causing her head to bleed, and described a tense atmosphere in Combs’s home before his alleged 2011 break-in at Scott Mescudi’s (Kid Cudi) residence, triggered by Mescudi’s relationship with Ventura.


Combs has pleaded not guilty to charges of sex trafficking, racketeering conspiracy, and transportation for prostitution, which could lead to life in prison if he’s convicted. While his defense acknowledges his violence toward Ventura, they argue it doesn’t support the criminal charges. Combs denies any sexual assault allegations.

According to The Washington Post, the trial week concluded with texts revealing Mia’s despair when her employment with Combs ended in December 2016. “I’m going to kill myself — my life is over,” she wrote. Defense attorney Brian Steel questioned why losing a job she described as torturous wasn’t a relief. Mia explained that, after eight years of being immersed in Combs’s world 24/7, leaving felt devastating at the time, though she now sees it differently.

St. Louis Radio: Christian Broadcaster Wins KDHX Auction


Gateway Creative Broadcasting, a nonprofit Christian radio group based in St. Louis, operates two stations in the market: Christian Adult Contemporary “99.1 Joy-FM” (KLJY) and Christian Hip Hop “Boost 95.5” (KXBS). 

Gateway Friday won a bankruptcy court auction for the broadcast license and tower of 88.1 KDHX, a community radio station owned by Double Helix Corporation, with a bid of $8.75 million. 

This outbid a competing offer from K-Love Inc., a national Christian radio network, which had proposed $8.5 million after an initial agreement with Double Helix for $4.35–$4.85 million, depending on the closing timeline.

The auction followed Double Helix’s Chapter 11 bankruptcy filing in March 2025, driven by $2 million in debt and internal conflicts, including the dismissal of volunteer DJs and leadership disputes. 

Gateway’s involvement began in December 2024 with a $5.2 million letter of intent and a $400,000 loan to Double Helix, but K-Love’s subsequent offer prompted the auction. Both bids included provisions to maintain KDHX’s current programming on an HD subchannel, ensuring some continuity of its community-driven format. The sale awaits final approval from U.S. Bankruptcy Judge Kathy A. Surratt-States on June 9, 2025.

KDHX 88.1 FM (44 Kw)

Gateway, with an annual budget of approximately $9 million, aims to expand its presence in St. Louis, market No. 24, where K-Love currently has no stations. 

The acquisition has sparked opposition from KDHX supporters, including the League of Volunteer Enthusiasts (LOVE), who argue it violates the station’s nonprofit mission and bylaws. Despite local efforts to preserve KDHX’s independent status, no alternative bids materialized. Gateway’s win marks a significant shift for KDHX, founded in 1987 as a volunteer-run, listener-supported station known for its diverse music programming.

Why Radio is Adapting To Time-Shifting


In a world dominated by on-demand media, traditional radio is quietly evolving through strategic rebroadcasts, blending its live roots with modern listener habits. Stations in various markets are re-airing popular shows or curated “best-of” segments later in the day, mimicking the flexibility of podcasts and streaming platforms.

According to Dave Van Dyke, President of Bridge Ratings Media Research, this isn’t just about filling airtime—it’s a deliberate response to shifting listener schedules, influenced by remote work, busy lives, or content overload. Many miss their favorite morning or midday programs, so stations are replaying them in afternoons, evenings, or overnight to capture these audiences.

The approach is paying off. Rebroadcasts create new sponsorship opportunities, boost ratings in weaker time slots, and enhance listener retention through promos and social media that highlight “second-chance” listening. This reassures audiences: “Missed it? We’ve got you covered.”

A prominent Country Format Consultant agreed more stations are seeing the benefits of time-shifting, even in Country format. An example: A station could provide their morning show again starting at 5 pm, even if it's an hour or two.

Like podcasts, this semi-flexible model lets listeners engage on their terms, with low overhead for stations. Some focus on replaying high-impact segments—interviews, humor, or breaking news—for a curated feel. Hosts benefit from greater exposure, while stations maximize their best content without extra production costs.

Radio’s embrace of time-shifting shows it can borrow from digital platforms while staying live, local, and relevant. Sometimes, the second airing steals the show.

Bay Area Radio: KNBR Officially Moves To New Studios


For 103 years, KNBR-AM/FM, a San Francisco institution, broadcast from the city. That era ended as parent company Cumulus relocated the station to a new facility in Daly City, with “The Sports Leader” airing its first broadcasts from there Thursday afternoon.

The “Papa and Silver” midday show signed off from the 750 Battery St. studios before 2 p.m., and after a break, the “Dirty Work” afternoon show went live from 2001 Junipero Serra Blvd., near Daly City’s Century Theatres, sharing space with Bonneville.

In the final 20 minutes of the last San Francisco broadcast, hosts Greg Papa and Greg Silver reflected on KNBR’s evolution, especially over the past two years, name-checking legends like Gary Radnich, Tom Tolbert, and Tony Salvadore. “It’s not like we’re pulling the plug forever,” Papa said. “But this marks a new era for KNBR.”



Cumulus now shares the Daly City space with Bonneville, another Bay Area radio group. Meanwhile, Audacy (88 Kearny St.) and iHeart Radio (340 Townsend St.), along with public stations KQED-FM and KALW-FM, continue to broadcast from San Francisco.

KNBR, a sports radio mainstay, had broadcast from San Francisco since its debut as KPO-AM on April 17, 1922, at 901 Market St., under Hale Brothers department store ownership. It moved to 680 AM in the late 1920s, where it remains, and cycled through studios at 420 Taylor St. (1942), Fox Plaza (1967), 1700 Montgomery St. (1978), and 55 Hawthorne St. in SoMa (1991–2015) before landing at Battery and Broadway in 2015. KNBR became sports-only in 1992.

3rd Arrest Made In Reporter's Death

Adan Manzano and suspect Danette Colbert

Authorities announced Friday that a third person, Christian Anderson of New Orleans, was arrested in connection with the death of Adan Manzano, a Telemundo reporter found dead in his Kenner, Louisiana, hotel room while covering the Super Bowl, according to the Kenner Police Department.

Manzano, a reporter for KGKC Telemundo Kansas City and Tico Sports, was discovered face-down on a pillow on February 5. The Jefferson Parish coroner determined his death resulted from a combination of Xanax, alcohol, and positional asphyxia.

Colbert
Police previously arrested Danette Colbert, who was seen entering Manzano’s hotel room hours before his death, and another accomplice. Manzano’s cellphone and credit card were recovered from Colbert’s home.

The Kenner Police Department stated that text messages and digital communications revealed Anderson, 33, and the other suspects “actively participated in a coordinated scheme to target victims, drug them, and steal their property.”

According to Kenner police, Anderson rented a car used by Colbert on the day Adam Manzano died.
Police stated, “Evidence indicates Anderson provided logistical support, communicated with Colbert after the crime, and aided in efforts to profit from the victim’s stolen assets. Records also show extensive post-incident communication between Anderson and Colbert, with Anderson contributing to the group’s ongoing criminal activities.”

Anderson is charged with principal to simple robbery, purse snatching, access device fraud, illegal transmission of monetary funds, bank fraud, and computer fraud. He is currently held at the Jefferson Parish Correctional Center.

Colbert was arrested shortly after Manzano’s death, initially facing property crimes such as theft and fraud. Following the autopsy, she was charged with second-degree murder. Rickey White, another suspect, faces similar property crime charges.

R.I.P.: Alf Clausen, Emmy-Winning Composer


Alf Clausen, the Emmy-winning composer best known for scoring The Simpsons for 27 years, passed away on Thursday, at his home in Valley Village, Los Angeles. He was 84. His daughter, Kaarin Clausen, confirmed his death, noting he had battled Parkinson’s disease for about eight years.

Born on March 28, 1941, in Minneapolis, Minnesota, Clausen was a prolific composer whose work shaped the sound of iconic TV shows. He scored over 560 episodes of The Simpsons from 1990 to 2017, starting with the “Treehouse of Horror” episode in Season 2. His versatile scores, performed with a 35-piece orchestra, ranged from jazz to show tunes to parodies of film scores, earning him two Emmy Awards (1997 for “We Put the Spring in Springfield” and 1998 for “You’re Checkin’ In”) and 21 Emmy nominations for the series. He also won five Annie Awards and holds a record for 30 career Emmy nominations, making him one of the most-nominated composers in Emmy history.
Clausen’s other notable works include:
  • Moonlighting (1985–1989):
    Composed for 63 episodes, earning six Emmy nominations and two wins for “The Dream Sequence Always Rings Twice” (1985) and “Atomic Shakespeare” (1986).
  • ALF (1986–1990): Scored nearly 100 episodes and wrote the theme song, jokingly claiming he “granted them the rights to use my face as a likeness.”
  • Other Projects: Contributed to The Critic, Bette, Ferris Bueller’s Day Off, The Naked Gun, and variety shows like Donny & Marie. He also worked with big bands led by Buddy Rich and Ray Charles.
Clausen began his musical journey playing French horn and piano, inspired by Henry Mancini. He studied at North Dakota State University, the University of Wisconsin, and Berklee College of Music, where he earned a diploma in arranging and composition in 1966. Moving to Los Angeles in 1967, he started as a music copyist for shows like MASH* before becoming a full-time composer.

In 2017, Clausen was fired from The Simpsons after 27 years, replaced by Bleeding Fingers Music, a collective using synthesized music to cut costs by 40%. Producers cited dissatisfaction with his work on the hip-hop-themed episode “The Great Phatsby” and claimed he delegated tasks to his son, Scott, without permission. Clausen sued Disney and Fox in 2019, alleging age and disability discrimination due to his Parkinson’s diagnosis. The lawsuit was partially dismissed in 2020, and Clausen dropped it in 2022 after an appeal seemed unlikely to succeed. He was later credited as “Composer Emeritus” for his contributions

Radio History: May 31


➦In 1898...Author, Columnist and radio minister Dr. Norman Vincent Peale was born in Bowersville Ohio. For 54 years (from 1935 to 1989), Peale hosted the weekly radio program The Art of Living.  He was best known for the best selling book The Power of Positive Thinking.  He served as mentor to televangelist Robert Schuller. He died Dec 24, 1993 at age 95.

➦In 1908...Entertainer Don Ameche was born Dominic Felix Amici (Died at age 85 from cancer – December 6, 1993), He was an Actor, voice artist and comedian. After playing in college shows, stock, and vaudeville, he became a major radio star in the early 1930s, which led to the offer of a movie contract from 20th Century Fox in 1935.

As a handsome, debonair leading man in 40 films over the next 14 years, he was a popular star in comedies, dramas, and musicals. In the 1950s he worked on Broadway and in television, and was the host of NBC's International Showtime from 1961 to 1965. Returning to film work in his later years, Ameche enjoyed a fruitful revival of his career beginning with his role as a villain in Trading Places (1983) and won the Academy Award for Best Supporting Actor for his performance in Cocoon (1985).

In 1924..the Chicago Tribune announced a significant shift for its radio station, WGN, marking a new era in broadcasting. The station, previously known as WDAP, was relocated to the Drake Hotel in Chicago after the Tribune acquired its equipment from Zenith Radio Corporation. This move aimed to reduce interference and improve broadcast quality, reflecting early efforts to refine radio’s technical infrastructure. The announcement highlighted the station’s new call letters, WGN, and its goal to enhance service for listeners, a pivotal moment in establishing WGN as a major player in American radio.

➦In 1943...The comic strip Archie Andrews came to radio on the Blue Network for the first time. Archie, Veronica and the gang remained on network radio for some nine years.

➦In 194?..Longtime Philadelphia and NYC Radio Personality Ross Brittain was born.

Friday, May 30, 2025

R.I.P. Loretta Swit, Portrayed 'Hot Lips' Houlihan


Loretta Swit, beloved by MASH* fans as Major Margaret "Hot Lips" Houlihan, has passed away at 87, her publicist Harlan Boll confirmed to Entertainment Weekly. She died early Friday.

Swit rose to fame as the spirited head nurse in the CBS comedy’s Mobile Army Surgical Hospital, earning two Emmys from 10 nominations over the show’s 11-year run. Her character’s beauty and allure were central to the scripts, notably in her humorous, long-running affair with Major Frank Burns (Larry Linville). Swit, however, pushed for depth, eventually urging writers to end the affair, citing its demeaning nature.

“They were making her smarter and him sillier,” she once said. “I told them, ‘She’d break it off with Frank—it’s going nowhere, and she has no respect for his skills as a doctor.’”


Swit took pride in Houlihan’s evolution into a strong feminist figure. “She was ambitious, caring, and wanted to be the best nurse in Korea,” Swit noted. “She was a trailblazer.”

Born in New Jersey, Swit honed her acting and singing at the American Academy of Dramatic Arts. Her early career included theater roles, like a Pigeon sister in a Los Angeles production of The Odd Couple with Don Rickles and Ernest Borgnine. She appeared on TV in Ironside, Love, American Style, and Hawaii Five-0, and originated Det. Christine Cagney in the Cagney & Lacey TV movie before Sharon Gless took over in the series.

Connoisseur CEO Sues Soros Management Fund


Jeff Warshaw, CEO of Connoisseur Media, is suing Soros Fund Management, alleging they breached an agreement related to plans to acquire Cox Radio and Audacy. 

Jeff Warshaw
Warshaw claims he played a significant role in orchestrating these deals but was excluded by Soros Fund Management, who denied any formal agreement existed and refused to compensate him for his contributions. This legal action follows Warshaw's recent acquisition of Alpha Media, which expanded Connoisseur Media's portfolio to 218 stations across 47 markets. 

In 2022, Jeff Warshaw, CEO of Connoisseur Media, began collaborating with Soros Fund Management’s Del Nin to acquire Cox Media Group’s radio division, signing a non-disclosure agreement in July 2023.

 The deal fell apart in September 2023 due to unspecified issues. 

Around the same time, Warshaw identified an opportunity to acquire Audacy’s debt from another investment firm, with Cumulus Media as a potential buyer. Warshaw alleges he shared this opportunity with Del Nin only after Del Nin agreed to appoint him as Audacy’s CEO or provide 5% of the fund’s profits from the deal. 

George Soros
According to Warshaw, Del Nin, representing Soros Fund Management, accepted these terms, prompting Warshaw to disclose Audacy as the target and refrain from pitching it to other investors.

After Soros Fund Management became Audacy’s largest shareholder following its Chapter 11 bankruptcy restructuring, Warshaw claims he emailed Del Nin to confirm their agreement and seek compensation. 

The lawsuit states Del Nin called Warshaw, denying their partnership, claiming no business relationship existed, and dismissing any contract as “fabricated.” Warshaw’s plan involved merging his Connecticut stations into the new venture, with Connoisseur’s Long Island, NY stations placed in a divestment trust to comply with market ownership limits.

iHM's Bob Pittman On 50-Years In Media


The Wrap has published
an in-depth story and interview with iHeartMedia CEO Bob Pittman, titled "Bob Pittman on 50 Years in Media and What He's Not Saying About the Future." 

The article explores Pittman's extensive career, the current state of iHeartMedia, and his perspectives on the media industry's future. Below is a detailed summary of the story and interview based on available information.

The article highlights Pittman's journey from a teenage DJ in Mississippi to a media titan who co-founded MTV and now leads iHeartMedia, the largest radio company in the U.S. with nearly 900 stations across 151 markets and $3.8 billion in annual revenue. It emphasizes the resilience of radio, noting that iHeartRadio has more listeners today than a decade ago, despite predictions that TV, satellite radio, and podcasts would diminish its relevance. 

CEO Pittman
Pittman asserts radio's unique role as a trusted companion, reaching 90% of Americans monthly through broadcast and streaming platforms, and contrasts this with the declining reach of TV and other media like Spotify (43% monthly reach among adults 18-34), YouTube Music (35%), and Pandora/Apple Music (18% each).

The story also addresses iHeartMedia's financial challenges, including a $5 billion debt and a stock price drop to $1.40, down 30% in 2025. Pittman avoids commenting directly on the stock price but emphasizes operational efficiency and leveraging new technologies to strengthen the company's position. He discusses iHeartMedia's multi-platform strategy, encompassing broadcast radio, digital streaming, podcasts, and live events, positioning it as a leader in audio media.

May TV Ratings: Growth For FNC, Double Digits Loses For MSNBC, CNN


In May, Fox News maintained strong ratings growth, outpacing cable news competitors MSNBC and CNN, both of which experienced year-over-year declines. 

MSNBC debuted a new nighttime lineup, with The Weeknight at 7 p.m. ET, Rachel Maddow hosting once weekly at 9 p.m. ET, and Jen Psaki anchoring Tuesday through Thursday in that slot. Despite some recovery from post-election viewership drops, MSNBC and CNN saw double-digit declines compared to 2024, a presidential election year when viewership typically spikes.

In primetime, Fox News averaged 2.46 million viewers (up 23%), MSNBC had 877,000 (down 24%), and CNN had 426,000 (down 18%). In the 25-54 demographic, Fox News drew 262,000 viewers (up 32%), CNN had 76,000 (down 21%), and MSNBC had 73,000 (down 34%). For total day viewership, Fox News averaged 1.56 million (up 21%), MSNBC had 545,000 (down 33%), and CNN had 353,000 (down 24%). In the 25-54 demo, Fox News averaged 180,000 (up 22%), CNN had 59,000 (down 27%), and MSNBC had 49,000 (down 41%).

MSNBC’s top show, The Rachel Maddow Show, averaged 1.89 million viewers, while The Briefing with Jen Psaki drew 950,000, down from Alex Wagner Tonight’s 1.3 million in the same Tuesday-Friday slot from 2022 to 2025. 

Psaki’s show outperformed its lead-in, All In with Chris Hayes, which averaged 912,000. The Weeknight, hosted by Symone Sanders Townsend, Michael Steele, and Alicia Menendez, averaged 772,000 viewers, compared to ReidOut’s 955,000 in its final month.


Fox News’ The Five led cable news with 3.77 million viewers, followed by Jesse Watters Primetime (3.23 million), Gutfeld! (2.92 million), Special Report (2.81 million), and Hannity (2.73 million). In the 25-54 demo, The Five had 368,000 viewers, followed by Jesse Watters Primetime (363,000), Gutfeld! (328,000), Hannity (299,000), and The Ingraham Angle (297,000). Nielsen provided these figures through May 23, as reported by Fox News.

NewsNation saw growth, with primetime viewership up 15% to 113,000 from May 2024 and total day viewership at 52,000 (up from 43,000). Its top show, Cuomo, averaged 175,000 viewers, a 48% increase year-over-year.

MSNBC Struggles With New Line-Up


MSNBC’s viewership has plummeted just weeks after launching a new primetime lineup to reverse declining ratings. Leaked Nielsen figures show a 41% drop in the primetime 25-54 demographic and a 34% decline in total day viewership for May compared to May 2024.

Jen Psaki, who replaced Rachel Maddow in the 9 p.m. ET slot from Tuesday to Friday starting May 5, has struggled to gain traction. Maddow, MSNBC’s long-time top host, expressed confidence in Psaki, Biden’s former press secretary, but Psaki’s The Briefing with Jen Psaki drew only 973,000 total viewers on May 22, missing the 1 million mark, compared to Fox News’ Hannity at 2.3 million in the same slot. In the 25-54 demo, Psaki’s show had 55,000 viewers, while Hannity attracted 210,000.

Maddow, who briefly hosted five nights a week to cover Trump’s first 100 days, now anchors only Mondays. Her show averaged 1.8 million viewers since the lineup change, down 24% from last year’s 2.4 million. Psaki’s viewership is down 46% from Maddow’s 1.82 million during the Trump coverage and 20% lower than Alex Wagner’s average in the same slot last year.

The Weeknight

MSNBC’s new 7 p.m. show, The Weeknight, hosted by Symone Sanders Townsend, Michael Steele, and Alicia Menendez, replaced Joy Reid’s ReidOut, canceled in February due to poor ratings and Reid’s controversial social media posts. On May 22, The Weeknight drew 707,000 total viewers, with only 56,000 in the 25-54 demo. Its average of 770,000 viewers is 36% below the 1.2 million who watched MSNBC’s 7 p.m. slot a year ago.

CNN trails Fox News but outperforms MSNBC in the 25-54 demo across most shows, except for Abby Phillip’s 10 p.m. program. Fox News continues to dominate cable news ratings.

ESPN's Stephen A Smith Claims Democrats Are Tone Deaf


ESPN personality Stephen A. Smith appeared on Fox News’ Hannity Thursday night, where he made headlines by claiming that President-elect Donald Trump is gaining traction among Democratic voters and criticized the Democratic Party for being “tone deaf.”

The segment focused on the political fallout following the 2024 presidential election, particularly in light of the release of Jake Tapper and Alex Thompson’s book, Original Sin: President Biden’s Decline, Its Cover-Up, and His Disastrous Choice to Run Again. Below is a detailed summary of Smith’s appearance, his claims, and the context surrounding the discussion, based on available information from X posts and related sources.


Key Points from Stephen A. Smith’s Appearance

Claim Trump Gaining Traction with Democrats: Smith asserted that Trump is gaining support among traditionally Democratic voter groups, specifically mentioning Black and young voters. He stated, “Trump is gaining traction within the Democratic Party. Black voters, young voters.” This claim was framed as a reflection of growing dissatisfaction with the Democratic Party’s approach, particularly in the wake of Trump’s decisive victory over Vice President Kamala Harris in the 2024 election. Smith suggested that Trump’s appeal is resonating with these demographics due to the Democrats’ failure to address key voter concerns effectively.

Criticism of Democrats as “Tone Deaf” Smith described the Democratic Party as “tone deaf” for its disconnect with voters, particularly on issues like the economy and border security. He argued that the party’s messaging and candidate selection have failed to resonate, pointing to their loss in the 2024 election as a “referendum” on their approach. He emphasized the need for candidates with “sizzle” who can influence hearts and minds, criticizing the Democrats for anointing candidates who lack broad appeal.

Criticism of Democratic Hypocrisy on Biden’s Decline Smith went “scorched earth” on the Democrats for labeling Trump an “existential threat” for years while allegedly covering up President Joe Biden’s cognitive decline, a central theme of Tapper’s book. He argued that this hypocrisy undermined the party’s credibility, stating, “To me, when you’ve walked around as a party labeling Donald Trump an existential threat for years, for years — and then a book comes [out]…” (referring to Original Sin). This critique tied into the broader narrative of the interview, which highlighted public and media discussions around Biden’s fitness for office.

TV Ratings: Yankees-Dodgers Rivalry Reignites


The New York Yankees and Los Angeles Dodgers will renew their storied rivalry this weekend at Dodger Stadium in their only regular-season series of 2025, running Friday through Sunday. Following last year’s thrilling World Series, which the Dodgers won in five games, the matchup is generating significant buzz among fans and broadcasters, fueled by the star power of Aaron Judge and Shohei Ohtani.

Both teams feature MVP frontrunners, with Judge and Ohtani off to strong starts and favored to claim the 2025 Most Valuable Player awards. The series, a highlight of a season already marked by a surge in MLB attendance and drama surrounding stars like the Mets’ Juan Soto and Pirates’ Paul Skenes, will be nationally televised. Apple TV+ will stream Friday’s opener, Fox will broadcast Saturday’s game, and ESPN will air the finale on Sunday Night Baseball. 

Front Office Sports reports the Sunday game is expected to rival or exceed the 2.54 million viewers who watched the Mets-Yankees Subway Series finale on May 18.

The Dodgers, perennial leaders in MLB attendance with an average of 50,231 fans per game, are seeing ticket resale prices for the series start at nearly $100, double the get-in prices for their upcoming home series against the Mets. Last year’s World Series, the most-watched since 2017, continues to drive interest in this matchup.

Aaron Judge returns to Dodger Stadium, where a 2023 collision with the outfield wall injured his toe, derailing a promising season. Now primarily a right fielder after playing center last year, Judge anchors a red-hot Yankees team that has won 16 of its last 20 games, boasting the American League’s second-best record after a roster overhaul following Soto’s departure. 

Meanwhile, the Dodgers, tied for the National League’s third-best record, have struggled with a 13-12 May and over $102 million in payroll sidelined by injuries—more than the total payrolls of six MLB teams. Ohtani, while excelling at the plate, is also working toward a return to starting pitching post-All-Star break.

Jake Tapper’s CNN Show Hits Ratings Low


In May 2025, CNN’s The Lead with Jake Tapper recorded its lowest-rated month in nearly a decade, despite Jake Tapper’s high-profile promotional tour for his new book. Co-authored with Axios reporter Alex Thompson, Original Sin: President Biden’s Decline, Its Cover-Up, and His Disastrous Choice to Run Again was released amid significant media attention. 

The book, which alleges a Biden White House cover-up regarding the former president’s fitness for office, fueled intense news coverage.

Tapper’s extensive book tour included appearances on podcasts, talk shows, and cable news, with heavy promotion across CNN’s platforms. However, the increased visibility failed to translate into viewership gains for The Lead. From April 28 to May 25, the show averaged just 525,000 total viewers, a 25% drop from the same period in 2024, marking Tapper’s worst performance since August 2015.

In contrast, Fox News’ The Five and Special Report with Bret Baier dominated the timeslot with 3.3 million viewers, capturing 68% of the cable news audience share. MSNBC also outperformed Tapper, averaging slightly over 1 million viewers and securing a 21% share, while The Lead managed only 11%. 

The stark ratings gap underscores a challenging period for Tapper and CNN, despite the book’s role in shaping recent political discourse.

Network Broadcast Newscasts Enjoy Spike


In the week before Memorial Day, the flagship evening newscasts of the three major broadcast networks saw viewership increases. "NBC Nightly News" and "CBS Evening News" reported double-digit growth in the 25-54 age demographic (A25-54), the key group for linear TV advertisers.

ABC’s "World News Tonight" led with an average of 7.2 million viewers over the four-day week, followed by "NBC Nightly News" with 5.8 million and "CBS Evening News" with 3.9 million. In the A25-54 demographic, ABC had 969,000 viewers, NBC had 872,000, and CBS had 555,500.

Friday’s ratings were excluded as the networks rebranded their programs, anticipating lower viewership due to the holiday weekend. NBC Universal noted that "NBC Nightly News" has been closing the gap with ABC in the A25-54 demographic since September and in total viewers since November.

Post-election ratings for network and cable news typically decline, but renewed interest in geopolitical and economic issues has driven a resurgence in viewership.

NYTimes, Amazon Reach Licensing Agreement


The New York Times Company announced on Thursday a multiyear agreement to license its editorial content to Amazon for use in the company’s AI platforms. 

The deal includes news articles, as well as content from NYT Cooking and The Athletic, integrating Times material into various Amazon customer experiences.

This marks The Times’s first licensing deal centered on generative AI technology. In 2023, The Times filed a lawsuit against OpenAI and Microsoft, alleging copyright infringement for using millions of its articles to train chatbots without compensation, claims both companies denied. 

Financial details of the Amazon agreement were not disclosed.

Media companies are increasingly licensing content to AI firms like OpenAI, Microsoft, and ProRata to train models or enhance AI search and chatbot functionalities. These deals often include attribution, traffic referrals, and access to AI tools for product development, reflecting a strategic shift toward integrating AI while protecting revenue streams.

Legal Tensions: While some publishers embrace licensing, others, like The New York Times, Raw Story, The Intercept, and News Corp (in a separate lawsuit against Perplexity), pursue legal action against AI companies for alleged copyright infringement, highlighting a divide in the industry.

Revenue and Attribution Focus: Recent deals emphasize attribution, traffic referrals, and revenue-sharing models over traditional training data licenses, as publishers aim to maintain visibility and monetize content in AI-driven ecosystems.

Music and Social Media: Music licensing deals, such as those with Meta and YouTube, underscore the growing influence of social media platforms on content consumption, with negotiations focusing on fair artist compensation and AI usage rights.