Monday, December 29, 2025

Radio's Future Ad Sales Success Is Digital


Borrell Associates forecasts a resilient 2026 for radio advertising, with the industry facing the smallest year-over-year decline among traditional media—just 0.9%—despite conflicting predictions elsewhere. The overall U.S. local advertising market is expected to grow 3%.

This relative stability stems from radio's successful integration of digital offerings, which offset declines in traditional spot sales. 

iHeartMedia stands out as the only major publicly held media company reporting total ad revenue growth through Q3 2025, thanks to a 12% digital increase that countered a 5% drop in core radio revenue. Other firms, like Beasley Media Group (digital up 4.6% amid 15.8% core decline) and Townsquare (digital up 2.6% despite 11% core drop), show similar trends.

Gordon Borrell
Gordon Borrell, the firm's CEO, noted: “Radio seems to just have a really good message, and they might have found the formula.”

Streaming audio is projected to grow 9.2% in 2026—faster than OTT video or any other tracked format—driven by platform partnerships, cross-media buying, and radio inventory in digital marketplaces.

Radio's future success will hinge less on spot ad rebounds and more on strong digital sales execution, bundling, and positioning. 

When combined effectively, radio and digital enhance advertiser recall, brand awareness, and multichannel reach.AI is reshaping expectations, with 10% of small and medium-sized businesses already using it for marketing recommendations and 23% planning to adopt it soon. Radio sellers must adapt to automation-driven budget shifts and educate advertisers on the evolving media mix, ROI strategies, and AI tools to seize new opportunities.

Radio/TV Broadcasting & Media Stories: Month-by-Month


2025 was a pivotal year for broadcasting and media, marked by regulatory deregulation, accelerating NextGen TV (ATSC 3.0) adoption, major mergers, AI-driven production tools, and the ongoing decline of traditional cable networks amid cord-cutting and streaming dominance.

January
  • Wildfires devastated Los Angeles production facilities and local broadcast operations.
  • CES 2025 showcased AI in content creation and early NextGen TV receiver advancements.
  • FCC began reviewing media ownership rules, signaling potential deregulation.
February
  • NAB Show preparations emphasized AI and NextGen TV innovations.
  • Ongoing recovery from 2023 strikes impacted radio and TV production schedules.
March
  • Realscreen Summit highlighted unscripted content trends.
  • FCC advanced ownership rule proceedings.
April
  • NAB Show Las Vegas (April 6-9) focused on ATSC 3.0 deployments, AI tools, and cloud virtualization.
  • U.S. Court of Appeals vacated FCC's Top-4 TV ownership prohibition, easing local mergers.
May
  • TV Upfronts: Networks unveiled slates amid ad shifts to streaming.
  • International events like CABSAT discussed regional media trends.
June
  • FCC NPRMs on ATSC 3.0 flexibility and ownership rules progressed.
  • BroadcastAsia emphasized global broadcasting advancements.
July
  • FCC approved Paramount-Skydance merger with conditions on viewpoint diversity.
  • Court decision enabled more top-four TV station combinations.
August
  • NAB Show New York prep intensified AI discussions.
  • Streaming dominance: Netflix led U.S. viewing share, Disney+ bundles gained traction.
September
  • IBC 2025 (Amsterdam) featured AI Media Zone and NextGen TV progress.
  • FCC launched 2022 Quadrennial Review of local radio/TV ownership and dual network rules.
October
  • INMA World Congress focused on news media transformation.
  • Nexstar-TEGNA merger advanced toward FCC review.
November
  • FCC eased LPTV/translator operations.
  • Political scrutiny on public media funding and bias.
December
  • FCC revised LPTV rules after decades.
  • Major deals: Netflix pursued Warner Bros. assets; Paramount-Skydance closed.
  • Cable networks shut down (e.g., Universal Kids, HBO Family); NextGen TV reached ~75% U.S. coverage.
Overall, 2025 saw deregulation easing consolidation (e.g., mergers, station swaps), NextGen TV maturation with new receivers and services, AI integration in production, and cable's continued decline as streaming solidified its lead. Challenges like cord-cutting persisted, but local broadcasters gained flexibility to compete.

Key FCC Initiatives Impacting News Media in 2025


Under Chairman Brendan Carr (appointed January 2025), the FCC prioritized deregulation, empowering local broadcasters, and addressing perceived bias in media. These efforts focused on broadcast TV and radio, which remain core to news delivery, though the agency has limited direct authority over online platforms.

Empowering Local Broadcasters and Modernizing Rules
  • Accelerated Next Gen TV (ATSC 3.0) transition: Promoted this technology to modernize over-the-air TV, enhancing local news and information delivery.
  • Deregulation of broadcast rules: Eliminated 98 obsolete rules (some from the 1970s) to reduce burdens on broadcasters.
  • Review of ownership rules: Launched the 2022 Quadrennial Review to assess local TV/radio limits and dual network restrictions, citing digital competition (e.g., streaming). This could lead to relaxed caps on station ownership in markets.
  • Approved mergers with conditions: Approved Skydance's acquisition of Paramount (CBS parent), requiring commitments to viewpoint diversity in programming, measures to address bias in national news, and enhanced local reporting.
Investigations and Accountability
  • Public interest obligations: Launched inquiries into network-affiliate relationships and held broadcasters accountable for obligations.
  • News distortion probes: Reopened or pursued complaints against networks (e.g., CBS "60 Minutes" editing), emphasizing editorial independence while investigating alleged bias.
Other Actions
  • Eliminated DEI initiatives: Rescinded prior DEI programs, advisory groups, and related priorities.
  • No net neutrality reinstatement: A 2025 court ruling invalidated prior efforts to restore rules, aligning with Carr's opposition.
These initiatives emphasized localism, reduced regulation, and trust in media amid competition from digital platforms. Carr described 2025 as "historic" for advancing these goals, though critics raised First Amendment concerns over content-related actions. 

For details, see FCC announcements and Carr's year-end summary.

Indy Reporter's MN Fraud Story Goes Viral On Social Media


A viral investigation by independent journalist Nick Shirley has ignited outrage over alleged widespread fraud in Minnesota's Child Care Assistance Program (CCAP), with claims that taxpayer-funded daycares—many operated by Somali-owned businesses—received millions despite appearing empty and nonoperational.

In a 42-minute video posted on December 26, 2025, titled "I Investigated Minnesota’s Billion Dollar Fraud Scandal," the 23-year-old content creator and his team visited multiple licensed Minneapolis daycares. 

They reported no children or active operations visible during business hours, even as public records showed facilities licensed for 99+ kids and receiving substantial funds (e.g., one center allegedly got $1.9 million in 2025 alone, with up to $4 million total).Shirley claims his one-day probe uncovered over $110 million in potential fraud, calling it "open and blatant" and accusing state officials, including Gov. Tim Walz (D), of complicity through poor oversight. The video amassed tens of millions of views on X and YouTube, amplified by shares from figures like Elon Musk and Rep. Tom Emmer (R-MN), who demanded explanations from Walz.

The allegations tie into broader ongoing federal and state probes into Minnesota's social services, including the high-profile "Feeding Our Future" nutrition fraud case (involving over 70 indictments) and estimates of billions lost across programs since 2018—some allegedly linked to Somali communities and even foreign transfers.

No new charges stem directly from Shirley's video, and critics note his claims rely on on-site footage and public records without full independent verification. Supporters praise it as citizen journalism exposing taxpayer waste, while others caution against unproven allegations and potential inflammatory framing.

MN Fraud Viral Video Largely Ignored By MSM


Mainstream news outlets have largely ignored Nick Shirley's viral 42-minute video exposing alleged fraud in Minnesota's Child Care Assistance Program (CCAP), with no coverage from major sources like The New York Times, Washington Post, CNN, MSNBC, ABC, or CBS.

Right-leaning and conservative media, however, have amplified the report extensively. Fox News published a detailed article highlighting the "misspelled learning center" with no children visible despite receiving millions in funds, tying it to broader criticism of Gov. Tim Walz (D) and demanding explanations. 

Other outlets like Mediaite, American Greatness, PJ Media, The Wrap, Twitchy, and KOMO News echoed similar coverage, focusing on the empty facilities, confrontations with staff, and political fallout, including Rep. Tom Emmer (R-MN) calling for Walz to respond.

The video has exploded online, surpassing 30 million views on X in under 24 hours (over 100 million combined with clips), with shares from figures like Elon Musk (who called for Walz's prosecution) and praise from conservative commentators. 

Nick Shirley
Supporters hail Shirley as a citizen journalist exposing taxpayer waste amid ongoing federal probes into Minnesota's social services fraud (estimated in billions across programs like Feeding Our Future).

Criticism and skepticism are limited but present, mostly in online forums. Some Reddit users accuse Shirley of grifting, staging elements, or inflating claims, noting that daycare violations are common and not always indicative of fraud. 

Others dismiss the video as racially charged or partisan. 

No formal fact-checks debunking the core allegations have emerged yet, though critics argue the footage relies on visual observation without full verification of records or operations.

Overall, the response remains polarized: widespread enthusiasm on social media and right-leaning platforms, silence from legacy media, and scattered online pushback.

Atlanta Journal-Constitution Ending Print Edition


The Atlanta Journal-Constitution (AJC), a major newspaper serving Atlanta and the Southeast for over 157 years, announced in August 2025 that it would end its printed edition and transition to a fully digital-only model starting January 1, 2026.

The final print edition was published on December 31, 2025 — marking the end of physical newspaper production after more than a century and a half. This shift was driven by rapid changes in media consumption, with far more readers engaging via digital platforms (website, app, podcasts, video) than print. 

Publisher Andrew Morse noted in his announcement that digital audiences had already surpassed print significantly, and the move allows the AJC to focus resources on expanding journalism, including new reporting hires, podcasts, newsletters, and video content.

Key Details
  • Historical Context — The AJC traces its roots to The Atlanta Constitution (founded 1868) and The Atlanta Journal (1883), which merged in 2001. It was owned by Cox Enterprises since the 1930s/1950s.
  • Subscriber Impact — At the time of the announcement, the AJC had about 115,000 total paid subscribers, with roughly 75,000 digital-only and around 40,000 still receiving print. The goal was to grow digital subscribers to 500,000.
  • What Continues — The AJC remains active with daily journalism on AJC.com, a new/updated mobile app, an ePaper replica (digital version of the print layout), newsletters, podcasts, and more. Print subscribers were encouraged to transition to digital plans (e.g., $9.99/month or $99/year).
  • Job Impact — The change resulted in the elimination of about 30 full- and part-time roles related to print design and distribution.
  • Broader Significance — This made Atlanta the largest U.S. metro area without a major daily printed newspaper, though smaller local papers continue. The decision reflects industry trends: declining print circulation (from over 600,000 at its peak in the early 2000s) and the need to adapt to digital revenue and audience growth.
The AJC emphasized that it is not stepping away from local journalism but evolving to deliver it more effectively in a digital era.

Trump Snaps At Reporter For 'Dumb Question'


President Donald Trump snapped at a reporter on Sunday, calling a question about signing security guarantees for Ukraine "dumb" just moments before entering high-stakes peace talks with Ukrainian President Volodymyr Zelenskyy at Mar-a-Lago in Palm Beach, Florida.

]The exchange occurred as the two leaders greeted each other outside the resort and posed for photos. When a reporter asked if Trump was prepared to sign a security agreement that day, he responded sharply: "What a dumb question. Nobody even knows what the security agreement is going to say." He added that there would be "a strong agreement" with significant European involvement in protection efforts, describing their role as "terrific."


The incident highlighted ongoing tensions over security guarantees, a core element of Zelenskyy's revised 20-point peace plan (now about 90% complete), which seeks NATO Article 5-style protections, maintenance of Ukraine's 800,000-troop army, a demilitarized zone in Donbas, substantial aid, and EU membership timelines.

Trump, who has shown no commitment to direct U.S. military defense of Ukraine, expressed optimism about broader talks, calling them in the "final stages" with both Russia and Ukraine eager to end the conflict. Earlier that day, he had a "good and very productive" phone call with Russian President Vladimir Putin and planned to brief Zelenskyy on it before calling Putin again.

Discussions covered Donbas, the Zaporizhzhia nuclear plant, air defense, and sanctions, with a joint call to European leaders planned. No firm deadline was set for a deal, and reporters were briefly allowed into the dining room before being escorted out.

This was the sixth meeting between Trump and Zelenskyy in 2025, following improved relations after a heated February Oval Office clash.

Tulsa Radio: Call Letters To Shuffle at Country Stations


Griffin Media will swap the call letters of its two country music radio stations in Tulsa effective January 5, 2026, as part of preparations to celebrate the 100th anniversary of the iconic KVOO calls in 2026.

The heritage KVOO calls, which originated on AM 1170 in June 1926 and later moved to 98.5 FM, will transfer to the Classic Country outlet at 99.5 FM (currently KXBL, branded as "Big Country 99.5").

Meanwhile, the 98.5 FM station (currently KVOO, branded as "98.5 The Bull") will adopt the KXBL calls to better align with its modern country "Bull" branding.

This change honors the historic legacy of KVOO, a pioneering country station that broadcast live from Cain’s Ballroom with legends like Bob Wills and helped launch careers of artists including Reba McEntire, Garth Brooks, Toby Keith, and Blake Shelton.

The swap will not affect programming, personalities, or formats. 

Griffin Media Director of Radio Operations & Programming Don "DC" Cristi described it as "an incredible honor to carry forward the legacy of KVOO" while enhancing brand alignment for both stations.

Netlfix Targets YouTube In Video Podcast Battle

Netflix is aggressively positioning video podcasts as the modern equivalent of traditional daytime talk shows, striking major exclusive deals to flood its platform with low-cost, evergreen conversational content that drives extended, background viewing.

The streamer has secured multiyear partnerships for video episodes starting in early 2026:
  • iHeartMedia — More than 15 shows, including The Breakfast Club (co-hosted by Charlamagne tha God), My Favorite Murder, Dear Chelsea (with Chelsea Handler), Bobby Bones Presents: The Bobbycast, and This Is Important (from Workaholics stars).
  • Barstool Sports — Pardon My Take, The Ryen Russillo Podcast, and Spittin’ Chiclets.
  • Spotify (earlier deal) — 16 titles from Spotify Studios and The Ringer, such as The Bill Simmons Podcast, The Rewatchables, and The Zach Lowe Show.
These agreements make full video versions exclusive to Netflix, while audio remains available on other platforms. The push directly targets YouTube, where podcast viewership on living-room devices (like TVs) exceeded 700 million hours monthly in late 2025—up from around 400 million the prior year—often as passive, multitasking background content similar to classic daytime TV.

Netflix sees these shows as ideal for ambient consumption: long runtimes, unscripted talk, and companion-like appeal during chores, travel, or downtime. This strategy aims to capture daily viewing habits and boost overall engagement in a landscape where traditional TV is declining.

Creators remain split—some doubt video's long-term value for established audio audiences, while others note the format's growing demand. Netflix is betting these partnerships will help redefine "daytime" entertainment for streaming, competing head-on for attention with YouTube's dominance in the space.

Christian Genre Music Surged During 2025


Christian and gospel music is surging in popularity, defying a broader decline in streams for new releases, according to The Associated Press citing a Luminate’s 2025 Report.

While overall streams of music from the last 18 months fell compared to the previous year, Christian/gospel emerged as one of the fastest-growing genres in the U.S., driven by artists like Forrest Frank, Brandon Lake, and Elevation Worship. 

These acts are attracting a younger, streaming-savvy audience—60% female and 30% millennial—who engage heavily with playlists and repeat listens.

For the first time in 11 years, two contemporary Christian songs broke into the Billboard Hot 100's all-genre Top 40: Frank’s “Your Way’s Better” and Lake’s “Hard Fought Hallelujah” (featuring Jelly Roll). This crossover success has blurred lines between sacred and secular music, with traditionally mainstream artists like Jelly Roll, Killer Mike, and T.I. earning nominations in Christian categories at the 2026 Grammys.

Industry leaders credit the genre’s lyrical focus—centered on faith rather than sonic style—for its broad appeal. 

Holly Zabka, president of Provident Entertainment (a Sony subsidiary), notes that Christian music now spans rap, hip-hop, rock, and country, competing directly on streaming platforms without being seen as a “lesser” alternative to mainstream hits.

Artists like Lauren Daigle and Elevation Worship’s Chris Brown highlight improved production quality and artistic freedom, moving beyond past criticisms of the genre as formulaic. Streaming’s democratization, combined with social media discovery and a perceived resurgence of faith among young people, has created what Zabka calls “a perfect storm.”

While the share of Americans identifying as Christian has declined for years, recent data from Pew Research Center’s 2025 survey indicates the drop may be slowing or stabilizing. This cultural shift aligns with Christian music’s mainstream breakthrough, as younger listeners embrace faith-infused tracks in everyday listening.

Radio History: Dec 29

➦In 1891...Thomas A. Edison patented "transmission of signals electrically" (radio).

Wendell Niles, Marilyn Monroe

➦In 1904...one of the prominent announcers of big-time radio & early TV Wendell Niles was born in Twin Valley Minnesota.

Niles worked on such radio shows as The Charlotte Greenwood Show, Hedda Hopper's Hollywood, The Adventures of Philip Marlowe, The Man Called X, The Bob Hope Show, The Burns & Allen Show, The Milton Berle Show and The Chase and Sanborn Hour. On February 15, 1950, Wendell starred in the radio pilot for The Adventures of the Scarlet Cloak along with Gerald Mohr.

Wendell Niles
He began in entertainment by touring in the 1920s with his own orchestra, playing with the Dorsey Brothers and Bix Beiderbecke. In the early 1930s, Niles was an announcer at radio station KOL in Seattle. He moved to Los Angeles, California, in 1935 to join George Burns and Gracie Allen.

He and his brother, Ken, developed one of the first radio dramas, which eventually became Theatre of the Mind.

He toured with Bob Hope during World War II. Among his film credits are Knute Rockne, All American (1940) with Ronald Reagan and Hollywood or Bust (the last Martin & Lewis comedy, 1956) as himself.

Wendell Niles was the announcer for TV's "America's Show Of Surprises"... It Could Be You, and for the Hatos-Hall production Your First Impression. Niles was also the original announcer for Let's Make a Deal during that show's first season in 1963 and 1964; he was later replaced by Jay Stewart.

Niles and his brother, Ken, are the first brothers to have stars on the Hollywood Walk of Fame.

He died March 28 1994 at age 89.

➦In 1945...Sheb Wooley recorded the first commercial record made in Nashville. The song was recorded at the studios of WSM-AM and released by the Bullet label; but it would be 13 years before Wooley would finally score with a big hit (“The Purple People Eater” was #1 for six weeks in 1958.)

WSM is credited with helping shape Nashville into a recording industry capital. Because of WSM's wide reach, musical acts from all across the eastern United States came to Nashville in the early decades of the station's existence, in hopes of getting to perform on WSM.  Over time, as more acts and recording companies came to Nashville, the city became known as the center of the country music industry. Disc jockey David Cobb is credited with first referring to Nashville as "Music City USA", a designation that has since been adopted as the city's official nickname by the local tourism board.

➦In 1945...The mystery voice of "Mr. Hush" was introduced to the audience of the radio show, "Truth or Consequences", which was hosted by Ralph Edwards.

Ralph Edwards
Born in Merino, Colorado,  Edwards worked for KROW Radio in Oakland, California while he was still in high school.  Before graduating from high school in 1931, he worked his way through college at the University of California, Berkeley, earning a B.A. in English in 1935. While there, he worked at every job from janitor to producer at Oakland's KTAB, now KSFO. Failing to get a job as a high school teacher, he worked at KFRC and then hitchhiked across the country to New York, where, he said, "I ate ten-cent ($2 as of 2014),  meals and slept on park benches".

After some part-time announcing jobs, he got his big break in 1938 with a full-time job for the Columbia Broadcasting System on WABC (now WCBS-AM), where he worked with two other young announcers who would become broadcasting fixtures - Mel Allen and Andre Baruch.

It was Edwards who introduced Major Bowes every week on the Original Amateur Hour and Fred Allen on Town Hall Tonight. Edwards perfected a chuckling delivery, sounding as though he was in the midst of telling a very funny story. This "laugh in the voice" technique served him well when 20th Century Fox hired him to narrate the coming-attractions trailers for Laurel and Hardy movies. He later used the conspiratorial chuckle frequently when surprising someone on his programs.

In 1940, Edwards created the game show Truth or Consequences, which aired for 38 years on radio and television. Contestants were asked to perform (often ridiculous) stunts for prizes of cash or merchandise.

➦In 1958...the first radio broadcast from space occurred when the voice of President Dwight D. Eisenhower said, "To all mankind, America's wish for Peace on Earth & Good Will to Men Everywhere".






➦In 1963...Much to the chagrin of the disc jockeys at 50,000-watt 77WABC in New York, the 5,000-watt blowtorch known as WMCA 570 AM and its famed “Good Guys” became the first New York radio station to play the Beatles’ “I Want to Hold Your Hand”. It didn’t take long for WABC to get revenge. WABC played the record an hour later and started calling itself the “official” Beatles station (W-A-Beatle-C).

Throughout the 1960s, WMCA would continue to beat other radio stations on most Beatles' promotions, scoring firsts, causing headaches in particular for rival WABC - most notably when Capitol Records printed a photograph of the "Good Guys" line-up - on the back of a limited edition record sleeve for the single, "I Want to Hold Your Hand" (Side 2: "I Saw Her Standing There"). WMCA's Good Guys were also featured at both of the Beatles' concerts at Shea Stadium, on August 15, 1965 and on August 23, 1966.

WMCA Good Guys: Johnny Dark, Joe O'Brien, Jack Spector, B. Mitchel Reed. Harry Harrison









WABC responded in different ways, scoring a success during the Beatles' second New York visit in August 1964 - when the band stayed at the Delmonico Hotel, rousing thousands of teenage fans into a frenzy - while broadcasting from one floor above the Beatles' rooms.  WABC later went against its own music policies, promising promoter Sid Bernstein that it would play a new group he was handling before any other New York City radio station - if it could get exclusive access to the Beatles. WABC never added records "out of the box" - but it did for Sid Bernstein when it played The Young Rascals' "I Ain't Going To Eat Out My Heart Anymore" - before other radio stations.

Since WABC knew WMCA already had a relationship with the Beatles, with tapes of the group promoting the station - what could WABC do to achieve the same? In August 1965, WABC came up with what it thought was a brilliant idea - issuing "medals" called "The Order of the All-Americans" - tied to its own DJs.  The strategy was to present the medals to each of the Beatles the next time they were in New York. Everything was set. The goal was to get each Beatle to comment on the "medal" - and then to get each to say the station's call letters, "W-A-B-C." These in turn could be used in station IDs and promotions, etc. - thus matching WMCA's success at getting the Beatles to promote WMCA and its Good Guys. But WABC's plan backfired. The station got its interviews, but none of the band's members would utter WABC's call letters. According to Beatles' historian Bruce Spizer, manager Brian Epstein ordered the Beatles to stop "giving away valuable promotional spots to radio stations for free."

Ted Danson is 78
🎂HAPPY BIRTHDAYS
  • Actor Jon Voight is 87. 
  • Actor Ted Danson is 78. 
  • Singer-actor Yvonne Elliman is 74. 
  • Actor Patricia Clarkson is 66. 
  • Comedian Paula Poundstone is 66. 
  • Guitarist-singer Jim Reid of The Jesus and Mary Chain is 64. 
  • Actor Michael Cudlitz (“The Walking Dead”) is 61. 
  • Singer Dexter Holland of The Offspring is 60. 
  • Actor Jason Gould is 59. 
  • News anchor Ashleigh Banfield is 58. 
  • Director Lilly Wachowski (“The Matrix”) is 58. 
  • Singer-guitarist Glen Phillips (Toad the Wet Sprocket) is 55. 
  • Actor Kevin Weisman (“Alias”) is 55. 
  • Actor Jude Law is 53. 
  • Actor Maria Dizzia (“Orange Is the New Black”) is 51. 
  • Actor Mekhi Phifer is 51. 
  • Actor Shawn Hatosy (“Reckless,” ″The Faculty”) is 50. 
  • Actor Katherine Moennig (“Ray Donovan,” “The L Word”) is 48. 
  • Actor Alison Brie (“Glow,” ″Community”) is 43. 
  • Country singer Jessica Andrews is 42. 
  • Actor Iain de Caestecker (“Marvel’s Agents of S.H.I.E.L.D.”) is 38. 
  • Actor Jane Levy (“Suburgatory”) is 36. 
  • Drummer Danny Wagner of Greta Van Fleet is 27.
✞REMEMBRANCES
  • In 2011..Bobby Purify [Robert Lee Dickey], American soul singer (I'm Your Puppet), dies at 72
  • In 2020..Phyllis McGuire, American pop vocalist (McGuire Sisters - "Sincerely"; "Sugartime"), dies at 89
  • In 2022..Pele, Brazilian soccer attacking midfielder (92 caps; Player of the Century; 1,281 goals in 1,363 games; Santos, died from colon cancer at age 82
  • In 2023..Les McCann, American jazz pianist, soul singer ("Compared to What"), painter, and photographer, dies of pneumonia at 88
  • In 2024..Jimmy Carter. American Democratic politician, 39th US President (1977-81), Governor of Georgia (1971-75), naval officer, human rights activist (Carter Center, Habitat for Humanity), Nobel Peace Prize Laureate, writer and peanut farmer, dies at 100
  • In 2024..Linda Lavin, American Tony Award-winning stage and screen actress (Alice; Barney Miller, 1975-76; Broadway Bound), dies of lung cancer at 87