Monday, January 19, 2026

CBS Airs Delayed 60 Minutes Segment on Mega-Prison


CBS News aired a long-delayed "60 Minutes" investigative report on Sunday night about El Salvador's notorious mega-prison, known as CECOT (Terrorism Confinement Center), where human rights groups have long condemned the extremely harsh and abusive conditions.

The segment, titled "Inside CECOT," features correspondent Sharyn Alfonsi and includes firsthand accounts from two Venezuelan men who were deported from the United States and imprisoned there.

They describe enduring beatings, torture, sexual and physical abuse, and months in what they called "hell," often based on suspicions tied to tattoos or alleged gang affiliations. The report highlights how, under the Trump administration last year, the U.S. deported hundreds of Venezuelans—specifically 252 in one major transfer—to this facility in a $4.7 million deal with El Salvador's government, despite most having no ties to the country. The deportees were labeled as threats, including alleged members of gangs like Tren de Aragua or MS-13, though the piece raises questions about the evidence and due process.

Human rights organizations have repeatedly criticized CECOT—a massive maximum-security prison built in 2022 as part of President Nayib Bukele's anti-gang crackdown—for overcrowding, lack of access to lawyers or family, and reports of systematic mistreatment, making it a flashpoint in debates over U.S. immigration policy and international deportations.


The broadcast came weeks after CBS abruptly pulled the segment just hours before its original scheduled air date of December 21, 2025. At the time, the network cited the need for "additional reporting," removed promotional links, and promised a later airing. The decision sparked significant controversy, including internal backlash: Alfonsi reportedly called it a "political" rather than editorial choice in an email to colleagues, and it fueled accusations of interference amid the sensitive topic involving the Trump administration's immigration crackdown. 

(A version of the segment had inadvertently streamed online via a Canadian broadcaster, allowing some early viewing.)

For Sunday's airing, CBS incorporated updates, including statements from the Department of Homeland Security defending the deportations as removing dangerous individuals no longer posing threats to Americans, as well as additional context on the deportees' criminal records and the administration's rationale. The White House and DHS had been contacted for comment prior to broadcast.

The episode underscores ongoing tensions in U.S. deportation practices, the role of foreign prisons in handling migrants, and broader concerns about human rights in facilities like CECOT.

Transparency or Intimidation? WH to CBS News: 'We'll Sue Your Ass Off'


White House Press Secretary Karoline Leavitt warned CBS News that President Donald Trump would "sue your ass off" if his 13-minute interview with "CBS Evening News" anchor Tony Dokoupil was not aired in full and unedited, according to an audio recording obtained by The New York Times.

The exchange occurred immediately after the interview was taped on January 13, 2026, at a Ford plant in Dearborn, Michigan. Leavitt approached Dokoupil and executive producer Kim Harvey to relay Trump's message: "Make sure you guys don’t cut the tape, make sure the interview is out in full." 

When Dokoupil responded affirmatively ("Yeah, we’re doing it, yeah"), Leavitt added the threat of legal action.

CBS News aired the complete 13-minute interview that evening without edits, stating it had planned to do so independently from the start. A network spokesperson said: "The moment we booked this interview we made the independent decision to air it unedited and in its entirety."

Leavitt later defended the remark, emphasizing transparency: "The American people deserve to watch President Trump’s full interviews, unedited, no cuts. And guess what?" (noting compliance occurred).

Some CBS staff present interpreted her tone as possibly lighthearted, with Dokoupil joking, "He always says that!" in reference to Trump's past lawsuit threats, though Leavitt did not laugh and the delivery was described as even and stern.

The incident revives tensions from Trump's 2024 lawsuit against CBS over alleged deceptive editing of a 60 Minutes interview with Kamala Harris, which settled for $16 million under the network's then-parent company (now Paramount Skydance). No lawsuit has been filed in this case, and the story has sparked debate over media pressure, editorial independence, and the administration's push against perceived selective editing in coverage.

Polling: Perceived Overeach Eroding ICE Support


Recent polling indicates that public support for U.S. Immigration and Customs Enforcement (ICE) has indeed been declining, particularly in the context of aggressive enforcement actions during the second Trump administration.

This trend has accelerated following high-profile incidents, such as the January 2026 fatal shooting of Renee Nicole Good by an ICE agent in Minneapolis, which sparked widespread protests and scrutiny of the agency's tactics.

Key recent polls highlight this shift:
  • A YouGov poll conducted around January 7-12, 2026 (snap poll on the day of the shooting and follow-ups) showed 52% disapproving of how ICE handles its job, compared to 39% approving — a net disapproval. Additionally, 51% viewed ICE tactics as "too forceful" (vs. 27% saying "about right"). Support for abolishing ICE has surged, with more Americans now favoring it than opposing in some surveys (e.g., 46% favor vs. slightly less oppose in one Economist/YouGov poll from January 9-12, 2026). This marks a major change from early 2025, when ICE had a net positive rating (around +16 points in February 2025 polls).
  • A CNN/SSRS poll (released January 14, 2026) found 51% of Americans believe ICE enforcement actions are making cities less safe, versus only 31% saying safer (18% little effect). Roughly half saw the Minneapolis shooting as indicative of broader issues with ICE operations.
  • Quinnipiac University poll (January 2026) reported 57% of voters against how ICE enforces immigration laws (40% support).
Other data points include a shift in net approval: from positive pre-2025 to negative territory (e.g., -13 points in some YouGov tracking post-incident). Support for abolishing ICE rose from around 24% opposition-heavy in early 2025 to higher favorability for abolition in 2026 polls (e.g., up to 42% in Civiqs tracking cited in reports).

This decline ties to perceptions of overreach in mass deportations, forceful tactics, and incidents like the Minneapolis shooting. Earlier trends (mid-2025) already showed disapproval rising (e.g., 53-56% in YouGov/Quinnipiac polls), but recent events amplified it. 

Views remain sharply partisan: 
  • Republicans largely support ICE and its actions (e.g., majorities see operations as making cities safer), 
  • Democrats and independents drive the disapproval.
Overall, while support for some immigration enforcement persists (e.g., targeting criminals), broad approval of ICE's current approach and operations has fallen significantly in 2025-2026 polling.

New Dan Bongino Video Podcast Faces Backlash


Dan Bongino's brief and controversial tenure as FBI deputy director has sparked significant backlash from segments of his conservative online audience, particularly as he prepares to relaunch his popular podcast.

Bongino, a longtime conservative podcaster, former Secret Service agent, and vocal Trump supporter, was appointed deputy director in February 2025 by President Donald Trump and served under FBI Director Kash Patel starting in March 2025. The role—typically held by a career FBI agent—did not require Senate confirmation. His time in the position lasted less than a year; he announced his departure in December 2025 and officially stepped down in early January 2026, citing personal reasons and a desire to return to private life.

According to the Washington Post, key points of contention during his stint included clashes with Attorney General Pam Bondi over the handling and transparency of Jeffrey Epstein-related files, where Bongino expressed frustration with perceived lack of disclosures. 

He also had to reconcile his prior podcast claims—such as calling certain events "inside jobs" or promoting FBI cover-up theories—with official investigations and statements while in office. For instance, he walked back some past assertions about the January 6 pipe bomb case after an arrest was made under his and Patel's leadership, emphasizing facts over prior opinions.

These developments, combined with the FBI's limited high-profile actions on long-standing conservative grievances (like deeper Epstein revelations or widespread "deep state" accountability), have led to accusations of under-delivery or even betrayal from some former fans. 

Critics online have labeled him a "deep state plant," mocked his quick exit, or questioned his credibility after he blocked detractors and dismissed skeptics as "black-pilled" or grifters.

As he relaunches "The Dan Bongino Show" on February 2, 2026, as a two-hour daily program streaming live on Rumble (with audio on major podcast platforms), Bongino faces the challenge of rebuilding trust. He has teased bringing "Washington insights" and a renewed focus on conservative issues, but alienated followers express doubt about his return, viewing it as a retreat after failing to enact promised reforms inside the bureau.

Supporters, meanwhile, praise his service and perspective gained from the "inside," with Bongino framing his departure as completing his mission to help reform the agency. The split highlights broader tensions within MAGA circles over expectations versus realities of government roles.

Cable TV: Live Programming Helps Fox News Gain Edge


Fox Corp. has strategically positioned itself around live programming—particularly news and sports—following its 2019 sale of major entertainment assets from 21st Century Fox for $71.3 billion, which allowed the company to anchor its business in content people watch in real time.]

John Nallen, president and chief operating officer of Fox Corp., explained in an interview that companies burdened by legacy entertainment channels have faced the greatest challenges, while Fox has focused on its core cable news operations and heavily invested in live sports, including NFL, Major League Baseball, and the recent acquisition of a one-third stake in Penske Entertainment (owner of the IndyCar Series and Indianapolis Motor Speedway).

Like competitors, Fox faces escalating costs for premium live sports rights. The NFL can opt out of its deal with Fox after the 2029 season, but Nallen affirmed the company's commitment to retaining those rights. Industry analyst Michael Nathanson emphasized, “They have to do whatever they can to keep the NFL.”

While rivals invested billions in direct-to-consumer streaming platforms, Fox largely avoided heavy bets as the market stabilized. It launched Fox Nation in 2018 as a complement to Fox News with original programming, and introduced Fox One last year. Fox Entertainment CEO Rob Wade described streaming services as “beasts which require to be fed,” noting that Fox has avoided that distraction.


To reach younger audiences, Fox is now expanding across its properties. Fox News signed a licensing deal with the popular conservative podcast “Ruthless,” featuring former Republican strategists. Fox Sports partnered with Barstool Sports, bringing founder Dave Portnoy and personalities to its college football pregame show “Big Noon Kickoff.”

Fox Creator Studios, a new division, collaborates with digital creators to produce content for social media and potentially Fox platforms. Executives recently hosted advertisers and creators—including YouTube baker Rosanna Pansino (nearly 15 million subscribers)—at Carbone in Las Vegas during CES in early January to foster these partnerships.

TV Ratings: Big Networks Losing Primetime Viewers


Variety annually ranks the most-watched linear TV networks—encompassing broadcast, cable, and pay TV—based on Nielsen's prime-time viewership data, declaring winners and losers in total viewers and adults 18-49 demographics.

In its latest 2025 analysis, CBS emerged as the top network with an average of 4.443 million total viewers, despite a 12% decline from the prior year, followed by NBC (4.243 million, down 15%) and ABC (4.042 million, up 5%). Fox News ranked fifth overall (2.759 million, up 12%), while ESPN led cable networks in sixth place (1.967 million, up 18%).

This yearly feature uses Nielsen's data to measure average audiences during prime-time hours: Monday through Saturday from 8 p.m. to 11 p.m. ET/PT, and Sunday from 7 p.m. to 11 p.m. ET/PT. For 2025, the rankings incorporated Nielsen's new NPM Big Data Plus Panel methodology for the first time, blending traditional panel data with set-top box and smart TV datasets to capture a broader view of viewing habits; the period covered runs from December 30, 2024, to November 30, 2025 (using Live+7 ratings, which include seven days of delayed viewing), plus December 1-14, 2025 (Live+SD, or same-day ratings). 

Comparisons are made to the previous year's data, with exclusions for non-ad-supported channels and those not rated by Nielsen.


In the key adults 18-49 demo for 2025, Fox led with 885,000 viewers (up 10%), boosted by sports like NFL coverage, ahead of ABC (780,000, down 2%) and NBC (776,000, down 21%). The analysis highlights trends such as broadcast networks' resilience amid cord-cutting, cable's reliance on sports and news, and overall shifts influenced by events like elections or major sports seasons.

Looking back, the 2024 rankings followed a similar structure but used panel-only data from January 1 to December 1, 2024 (Live+7), plus December 2-15, 2024 (Live+SD). CBS again topped total viewers that year with around 5 million average, while Fox dominated the 18-49 demo thanks to Super Bowl LVIII. Variety's reports often include full top-50 lists for both metrics, providing context on percentage changes that reflect broader industry dynamics like streaming competition and live event viewership.

Fanduel Sports Network At The Crossroads


FanDuel Sports Network's future hangs in the balance as clubs from MLB, the NBA, and NHL evaluate revised contract offers from Main Street Sports Group, which is actively seeking a buyer to avoid shutting down operations.

The company, operating regional channels under the FanDuel Sports Network brand, faces severe financial strain after missing rights-fee payments, prompting nine MLB teams—the Atlanta Braves, Cincinnati Reds, Detroit Tigers, Kansas City Royals, Los Angeles Angels, Miami Marlins, Milwaukee Brewers, St. Louis Cardinals, and Tampa Bay Rays—to cancel their 2026 deals last week.

According to The Athletic, Main Street's latest proposals, delivered last week and over the weekend, hinge on finding a buyer soon. Without a sale, the company has warned partners it would wind down after the current NBA and NHL seasons end. Revised terms include three-year deals for MLB teams through 2028, potential payment deferrals into Q2 or Q3 this year, and a shift away from traditional fixed annual fees (often tens of millions) toward a modified model more akin to MLB's revenue-sharing approach for league-broadcast teams.

Timing poses the biggest hurdle for baseball clubs, an MLB executive told sources on condition of anonymity. Spring training games begin in about a month, leaving little room to finalize a sale and ensure seamless broadcasts.Main Street has engaged Lazard as a financial advisor in its sale efforts. 

Previous talks with potential buyers like DAZN have faltered, and while some reports mentioned other suitors, no deal has materialized.

In baseball, outcomes will likely vary by team: some may accept reworked terms and stay with Main Street if it survives, while others shift to MLB's production and distribution umbrella, which already handles several clubs and emphasizes ad revenue and subscriber-based earnings over guaranteed fees.

The NBA (13 teams with Main Street) and NHL (7 teams) face more immediate pressure, as their seasons are underway and payments—including January's—have been missed or delayed. Both leagues are monitoring closely to protect fan access to games.

This instability echoes Main Street's prior challenges, including its emergence from bankruptcy in early 2025 after operating as Diamond Sports Group. The situation could accelerate shifts toward league-controlled or streaming-focused local broadcasts across the sports landscape.

The Element of 'Surprise' Matters More Than Ever


Surprise has long been considered a valuable – sometimes essential – element in programming U.S. commercial radio stations, particularly in music and personality-driven formats. While predictability builds comfort and habit (listeners know what to expect from a Classic Rock, Country, or CHR station), too much of it can lead to boredom, tune-outs, and eventual loss of audience to streaming services like Spotify or Pandora, which often deliver highly personalized but ultimately predictable playlists.

Industry consultants and programmers have emphasized for years that strategic, well-placed surprises create "wow" moments — those memorable instances that listeners talk about, share, and return for.

This isn't about random chaos; it's calculated unpredictability that stays true to the station's brand and format.

Why Surprise Matters in U.S. Radio Programming

Combats Predictability and Boredom:c  In the era of tight playlists, strict music rotations, and heavy reliance on familiar hits, radio can feel rote. Surprise breaks that pattern — a rare "spice track," an unexpected deep cut, a sudden format stunt, or an unannounced guest — re-energizes listening and reminds people why live, human-curated radio feels different from algorithms.
  • Drives Word-of-Mouth and Memorability:
      Moments that genuinely surprise listeners in a positive way (an "oh wow" song, a clever bit, or an outrageous promotion) become stories people share. These create emotional peaks that build loyalty far more effectively than steady consistency alone.
  • Differentiates from Streaming Competitors:  Services like Spotify emphasize control and zero surprises (you build the playlist). Broadcast radio's advantage lies in curation by real people — you don't always know what's next. Programmers who lean into this (occasional risks, clever twists) reinforce why someone should tune in rather than just hit play on their phone.
  • Boosts Ratings and Retention (When Done Right):  Well-timed surprises can move the needle in ratings by increasing time spent listening (TSL) and appointment tuning. Historical examples include classic rock stations slipping in unexpected tracks or morning shows pulling off bold stunts. The key is calculated risk — surprises that align with listener expectations enough to avoid tune-out but still deliver delight.
Stations that avoid all surprise risk becoming "boring as hell" over time, as one programming veteran put it, losing the emotional connection that turns casual tuners into passionate fans.

In short, predictability gives listeners comfort and reliability (important for habit-forming drive-time listening), but surprise provides excitement, talk value, and a reason to choose live radio over on-demand alternatives. The most successful U.S. programmers balance both — delivering the expected 90% of the time while engineering occasional, brand-true surprises that make the station feel alive and worth discussing.

Tease Trailer Released For Half-Time Show


Bad Bunny will headline the Apple Music Super Bowl LX Halftime Show on February 8, at Levi's Stadium in Santa Clara, California, marking him as the first solo Latino and primarily Spanish-language artist to lead the performance.

Bad Bunny and Apple Music last week released the official teaser trailer, featuring him dancing with people of all ages and backgrounds in Puerto Rico, set to his track "BAILE INOLVIDABLE." The caption promises "On February 8, the world will dance" ("el mundo bailará"), emphasizing an unforgettable, inclusive dance experience and unity through rhythm and culture.




The trailer has generated massive buzz, with fans calling it high-energy and a celebration of Latin heritage. It appears to respond to prior controversies, including political criticism from conservative figures and former President Trump over Bad Bunny's immigration-related comments and past decisions to limit U.S. touring due to ICE concerns. 

The NFL and Commissioner Roger Goodell have defended the choice, highlighting his global streaming dominance (Spotify's most-streamed artist multiple times, including 2025) and cultural impact.

A separate point of fan backlash involves casting calls for on-field participants (field cast roles for stage setup, performance support, and related tasks). Requirements specify height limits—typically 5'7" to 6'0" (with some updates to 5'10" to 6'1")—sparking disappointment, especially among shorter fans and many in his Latina fanbase who feel excluded. These paid roles do not include game tickets.

Bad Bunny previously appeared as a guest during Shakira and Jennifer Lopez's 2020 halftime show. Expect a high-energy setlist blending his biggest reggaeton, Latin trap, and Spanish-language hits, possibly with surprise guests from collaborators like J Balvin or Karol G (though unconfirmed).

The NFL is marking the 60th anniversary of the Super Bowl with a hometown opening act. Green Day will kick off the big game with an opening ceremony Feb. 8 at Levi’s Stadium in Santa Clara, California, the league announced Sunday. The performance will celebrate six decades of the championship’s history, with the band helping usher generations of Super Bowl MVPs onto the field.

Other pre-game performances include Charlie Puth on the national anthem, Brandi Carlile on "America the Beautiful," and Coco Jones on "Lift Every Voice and Sing."

The show airs on NBC, Telemundo, and Peacock during halftime (around 8 p.m. ET, game-dependent). With the event just weeks away, anticipation is high for what Bad Bunny has teased as a game-changing performance.

Organizers Promise A Streaming Alternative Half-Time Show


Turning Point USA's "All American Halftime Show" remains on track but has revealed no performers, lineup, venue, or streaming details as of mid-January 2026, less than a month before Super Bowl LX on February 8, 2026.

The conservative organization has confirmed the event is "100 percent on" and will be a "real production" in an arena, livestreamed to compete directly with the NFL's official halftime show headlined by Bad Bunny. 

Multiple acts are reportedly confirmed, but TPUSA is keeping identities secret—spokespeople like Aubrey Laitsch (PR manager) and Andrew Kolvet have stated fans will need to tune in live during the Super Bowl to discover who is performing, with details promised "soon" via their website.

The show, announced in October 2025, positions itself as a celebration of "faith, family, and freedom," featuring English-language music across genres like country, classic rock, Americana, pop, hip-hop, or worship—sparked by conservative backlash to Bad Bunny's selection and his primarily Spanish-language performances.

Recent coverage (e.g., USA Today on Jan. 13, Deseret News on Jan. 16, TMZ on Jan. 9-10, and others) highlights the ongoing secrecy, with speculation (unconfirmed) around acts like Creed or ties to past TPUSA guests such as Nicki Minaj (who appeared at AmericaFest but did not perform). 

TPUSA's main site and event page still tease "performers and event details coming soon," with no major January updates or announcements.

Trump Wants TV ‘Protection’ For Army-Navy Football Game


President Donald Trump announced Saturday night that he plans to sign an executive order granting the annual Army-Navy college football game an exclusive four-hour broadcast window on the second Saturday in December, barring other games from airing at the same time.

In a post on Truth Social, Trump declared: 
“Under my Administration, the second Saturday in December belongs to Army-Navy, and ONLY Army-Navy! I will soon sign a Historic Executive Order securing an EXCLUSIVE 4 hour Broadcast window, so this National Event stands above Commercial Postseason Games. No other Game or Team can violate this Time Slot!!!”
He framed the move as protecting a cherished American tradition of patriotism, courage, and honor, adding that it serves as notice to all television networks, stations, and outlets.

The announcement comes amid ongoing discussions to expand the College Football Playoff, with some proposals potentially shifting the Army-Navy game or allowing overlapping broadcasts of other postseason contests, which could threaten its traditional standalone afternoon slot on CBS.

The rivalry between the U.S. Military Academy and U.S. Naval Academy has long held a protected December Saturday window with strong ratings for CBS (its broadcaster since 1996) and bipartisan support from lawmakers who view it as promoting national unity and military recruitment.

Trump, who has attended the game regularly since his first term and was present for the most recent matchup in December 2025, described the action as safeguarding the tradition and the players who serve the nation.

However, legal and media experts quickly questioned the order's enforceability. Several telecommunications lawyers and scholars told The Washington Post it is likely unconstitutional, citing First Amendment protections and limits on presidential authority over private broadcasters.

Jeffrey Cole, director of USC Annenberg’s Center for the Digital Future, called it an unprecedented assertion of power that no programmer has ever held, noting that while the goal may be admirable, the president lacks legal enforcement authority beyond persuasion.

Neither the White House nor the Federal Communications Commission immediately responded to questions about the announcement or its legal basis.

The Grammys Split Country Album Award Into Two Categories


The Recording Academy has split the Grammy Award for Best Country Album into two separate categories starting with the 68th Annual Grammy Awards on February 1, 2026: Best Contemporary Country Album (the renamed original category) and a new Best Traditional Country Album.

This change, announced in June 2025, aims to better recognize the diversity within country music by honoring both its evolving, modern sounds—including pop, hip-hop, and other hybrid influences—and its classic, roots-oriented traditions featuring traditional instrumentation (such as steel guitar, fiddle, banjo, and mandolin), rhythm, singing styles, and lyrical content.

The split responds to the genre's growth, member proposals, and the need for more precise recognition, similar to how other genres like R&B separate traditional and contemporary work. It takes effect for albums from the eligibility period of August 31, 2024, to August 30, 2025, with nominations announced November 7, 2025.

The move has sparked discussion, especially in the wake of Beyoncé's historic 2025 wins for Cowboy Carter (including the first Best Country Album by a Black woman and Album of the Year). Some view it as promoting inclusivity and creative freedom, while others debate definitions of "traditional" or potential impacts on artists' directions. Traditional-leaning artists like Charley Crockett, Zach Top, Margo Price, Willie Nelson, and Lukas Nelson received inaugural nominations in the new category, highlighting a resurgence in roots country.

Broadcaster/Pundit Piers Morgan Hospitalized


Broadcaster Piers Morgan is recovering in a London hospital after undergoing hip replacement surgery following a fall that fractured his femur.

The 60-year-old journalist and host of Piers Morgan Uncensored announced the news himself on social media today, January 18, 2026, in characteristic humorous style. He posted a selfie from his hospital bed—giving a thumbs-up despite visible IV lines and oxygen tubes—along with an X-ray image of the fracture.


The fall occurred while dining out, and the injury to the neck of his femur was severe enough to require immediate full hip replacement surgery. 

Doctors have advised a recovery period of up to three months, including six weeks on crutches and restrictions on long-distance travel, which could impact his frequent U.S.-based interviews and work.

This isn't Morgan's first hospital stay; he was previously hospitalized in 2019 for gastrointestinal issues, where he similarly blamed unrelated factors in jest.

Fans and followers have flooded his posts with well-wishes, prayers for a speedy recovery, and amusement at his signature wit. No further complications have been reported, and Morgan appears in good spirits despite the setback.

Radio History: Jan 19


➦In 1903..the first Transatlantic Radio broadcast took place. King Edward VII and President Theodore Roosevelt spoke with one another in a coded radio transmission between Cape Cod, Massachusetts and Cornwall, England.

➦In 1905...Anne Hummert Schumacher born  (Died  at age 91 – July 5, 1996) was the leading creator of daytime radio serials or soap opera dramas during the 1930s and 1940s, responsible for more than three dozen series.

With her husband Frank she produced some of radio’s most memorable melodramas, including Our Gal Sunday, The Romance of Helen Trent, Mr Keen Tracer of Lost Persons, Betty & Bob, and Backstage Wife.  The Hummerts also produced several simple down-home musical series, like Waltztime and The American Album of Familiar Music. Their “radio factory” produced as many as 125 series, 61 of them soap operas.

➦In 1908...comic singer Ish Kabibble was born Merwyn Bogue in rural Pennsylvania.  He sang and played trumpet with Kay Kyser’s Kollege of Musical Knowledge on radio & record in the 30’s and 40’s. His dim witted characterization was said to be a later inspiration for Jerry Lewis. He died June 5, 1994 at age 86.

➦In 1922..Radio, TV Actor Guy Madison born Robert Ozell Moseley( Died at age 74 – February 6, 1996) was an American film, television, and radio actor. He is best known for playing Wild Bill Hickok in the Western television series The Adventures of Wild Bill Hickok from 1951 to 1958.  During his career, Madison was given a special Golden Globe Award in 1954 and two stars on the Hollywood Walk of Fame in 1960.

George Klein
➦In 1923...WMC 790 AM in Memphis, Tennessee signed-on. WMC was first owned by The Memphis Commercial Appeal and its call letters reflect the M and C from its owner's initials. In the 1930s, WMC carried the NBC Radio Red Network, while rival WMPS, owned by the Memphis Press-Scimitar, aired the NBC Blue Network. Starting in the 1930s, the station used a riverboat whistle as its sounder, a nod to Memphis' location on the Mississippi River—a practice that continued well into the 1990s.  The station currently airs ESPN and Fox Sports Radio.

In addition to sports talk shows, WMC-AM features longtime Memphis disc jockey George Klein's weekly tribute program to Elvis Presley. Klein and Presley were close friends and confidantes during the latter's lifetime and the former's long stint on WHBQ-AM.

Now, airing sports the license is currently held by Audacy Inc, which it purchased from CBS in September 2006.

➦In 1927...KGRC-AM (now KONO) San Antonio signed-on. KONO is the fourth-oldest radio station in San Antonio, officially signing on in January 1927. KONO began as a hobby for Eugene Roth in a room over his garage in downtown San Antonio. As the broadcasting industry grew, Eugene Roth's son, Jack Roth, began working with his dad, later inheriting the station. At first, KONO was powered at only 100 watts, broadcasting on 1370 kilocycles and having to share time on the air with other stations. It later moved to AM 1400 before relocating to its current home on AM 860.