Monday, July 13, 2026

TWH Orders FBI Director to Personally Lead NYT Probe


The White House directed FBI Director Kash Patel to personally oversee a leak investigation tied to The New York Times' reporting on security issues with the new Air Force One, resulting in subpoenas issued to several Times reporters on Friday night. 

Patel canceled a planned trip to Chicago and spent roughly eight hours at the White House on Friday, directing the effort from there instead of FBI headquarters—a significant break from standard practice. 

He also briefed senior administration officials on the probe, according to people familiar with the matter. The investigation focuses on sources who disclosed sensitive details about the Qatari-gifted jet used as Air Force One, including a last-minute aircraft switch during a trip near a region of conflict due to security concerns, such as insufficient advanced anti-missile defenses. Subpoenas compelled reporters—including Julian E. Barnes, Eric Lipton, Tyler Pager, and Eric Schmitt—to testify before a federal grand jury in Manhattan as soon as July 15. 

Kash Patel
Some subpoenas were delivered by Federal agents to reporters' homes. The Times has raised press freedom concerns over the moves, describing them as aggressive and potentially intimidating, while planning to challenge them legally. 

The administration has defended the probe as necessary to protect national security and pursue those responsible for leaking classified or sensitive operational information. This episode marks a high-profile escalation in tensions between the Trump administration and the media over national security leaks. 

Historically, the Justice Department has shown more restraint in subpoenaing journalists in leak cases. FBI officials have disputed some characterizations of Patel's White House involvement, describing the meeting as a briefing on an ongoing matter. 

The developments unfolded just days after the Times published its initial stories on the Air Force One security issues.

Senator Graham Was Scheduled As Guest On Meet The Press


On Sunday, NBC’s Meet the Press, host Kristen Welker opened the show with a somber, personal acknowledgment of Sen. Lindsey Graham’s sudden death the night before. Graham had been scheduled to appear that morning—what would have been his 64th time on the program. Instead, the broadcast pivoted to tributes and reflections on his life and legacy, with guests including President Donald Trump and others sharing memories. Welker began by addressing the audience and Graham’s family directly:


She spoke warmly of Graham’s frequent presence on the show, his sharp wit, deep knowledge of foreign policy, and willingness to engage across the aisle. Welker noted that she had spoken with him multiple times in the days leading up to his death, including while he was traveling overseas. The tone was respectful and reflective, emphasizing his long service and personal relationships in Washington.

The episode featured extended interviews and segments remembering Graham:
  • President Donald Trump appeared and recalled his last phone call with Graham the night before, describing him as “like a member of the family” and a “true American patriot.” Trump also commented on the process to fill Graham’s Senate seat.
  • Sen. Adam Schiff (D-Calif.) described Graham as “larger than life” and reflected on their working relationship despite political differences.
  • Sen. Tim Scott (R-S.C.) shared personal memories of Graham’s commitment to those he cared about.
Welker and the panel wove these tributes throughout the hour, blending mourning with analysis of Graham’s impact on U.S. foreign policy, his role as a Trump ally, and the broader political implications of his passing. The show maintained its format but carried a noticeably heavier, more introspective tone than usual.

In the hours before air, Welker had posted on Instagram confirming the change and offering condolences, which set the stage for the broadcast’s respectful handling of the news.

Overall, Meet the Press handled the unexpected loss with professionalism and humanity—turning what was meant to be a standard political interview into a fitting on-air memorial for a longtime fixture of the Sunday-morning circuit.

States Expected To Block PSKY, WBD Deal


U.S. states are poised to sue this week to block Paramount's $110 billion takeover of Warner Bros. Discovery, citing concerns the merger would harm competition by combining two of Hollywood's major studios.California Attorney General Rob Bonta is leading a multi-state investigation into whether the deal violates U.S. antitrust laws. 

The proposed merger, which would unite Warner Bros. (home of "Harry Potter" and "Superman" films) with Paramount Pictures, has drawn sharp opposition from actors, writers, theater owners and others in Hollywood. Critics fear widespread job losses, fewer films released, reduced consumer choice and weakened competition in the industry.

Paramount has defended the combination as necessary to compete for audiences, talent and investment in a rapidly changing media landscape. CEO David Ellison has told theater owners the merged studios plan to release about 30 movies per year.

A lawsuit by the states could significantly delay or derail the deal. If blocked or held up in court, Paramount — already projected to carry roughly $80 billion in debt post-merger — would face mounting costs. Ellison has agreed to a "ticking fee" of 25 cents per Warner Bros. Discovery share, totaling about $650 million per quarter, if the transaction does not close by October.

The states' move comes amid heightened scrutiny of large mergers at the state level, as federal antitrust enforcement has eased. Reuters reported in early June that California, New York and other states were preparing legal action. Analysts have noted Paramount's political connections, including ties between Ellison's father, Oracle co-founder Larry Ellison, and President Donald Trump, may have smoothed federal regulatory approval.

While not all challenges succeed, coordinated state lawsuits can delay mergers for months through court orders that pause the deal or require companies to hold assets separately. Such delays could push back Paramount's planned $6 billion in cost savings from the merger. The timeline for filing remains subject to change as states coordinate.

TV Ratings: Jimmy Kimmel Leads Broadcast Late-Night


Jimmy Kimmel Live! topped late-night ratings for the week of June 28, leading in both total viewers and the key 18-49 demographic despite airing reruns for the second straight week on ABC. 

According to Nielsen Live+3 data reported by LateNighter, the program averaged 1.45 million total viewers and 167,000 in the 18-49 demo at 11:35 p.m. That marked a 3% increase in total viewers and an 11% gain in the demo compared to the prior week. The strong rerun performance placed Jimmy Kimmel Live! ahead of The Tonight Show Starring Jimmy Fallon, which also aired repeats and averaged 1.17 million total viewers (down 21%) and 143,000 demo viewers (down 23%). Kimmel’s show similarly outperformed other competitors in the slot.

Other Late-Night Results
  • FOX After Hours with James Corden (mostly midnight, six original episodes): 902,000 total viewers (up 38%) and 324,000 demo viewers (up 54%).
  • Comics Unleashed with Byron Allen (CBS, replacing The Late Show with Stephen Colbert): 651,000 total viewers and 73,000 demo viewers across two half-hour episodes at 11:35 p.m. — still well below Colbert’s typical numbers.
  • Nightline (ABC, four originals at 12:37 a.m.): 879,000 total viewers (up 3%) and 84,000 demo viewers (up 12%).
  • Late Night with Seth Meyers (NBC, repeats): 651,000 total viewers (down 6%) and 84,000 demo viewers (down 2%).

On cable, Gutfeld! on Fox News led with new episodes Monday–Thursday, averaging 2.79 million total viewers (flat week-over-week) and 161,000 demo viewers (down 14%). The Daily Show on Comedy Central was on hiatus, while Watch What Happens Live on Bravo aired one episode and drew 194,000 total viewers (down 24%).

Kimmel’s guest-host era with Tiffany Haddish began July 6, following two weeks of repeats. The rerun week’s results underscore the show’s resilience in the competitive late-night landscape even without new episodes.

Study: Listeners Are Comfortable With AI Voices


The research by Harker Bos Group’s Crowd React Media, conducted in May and June, tested 1,326 weekly radio listeners ages 18-45. Participants listened to station imaging and promotional spots recorded in both human and AI versions without knowing which they were hearing. 

Human and AI voices scored nearly identically across key attributes, with listeners showing only slight preference for disclosure of human talent.

In the blind test, just 59% of those who heard the professional human voice (by actor Neil Wilson) correctly identified it as human. Among those who heard the AI version, only 55% correctly identified it as synthetic — meaning nearly half mistook it for a real person.

Ratings for professionalism, authenticity, credibility, energy, and likability were statistically indistinguishable between the two. Overall appeal was essentially tied at 60% for human and 61% for AI on one of the spots. The only notable difference was humor, with 33% calling the human voice funny compared to 26% for AI.

After learning which version they heard, attitudes shifted more on principle than quality:
  • 47% said it would make no difference if a station used AI voices.
  • 21% said they would feel more favorable.
  • 33% said they would feel less favorable.
  • Broader sentiment toward AI voices in media and advertising was 44% positive, 26% negative, and 30% neutral.
Listener comments revealed stronger emotional reactions. Those told they heard a human voice often expressed validation and loyalty. In the AI group, responses split between distrust (“It feels like the station is lying”) and approval for its natural sound and innovation. Many accepted AI for short commercials but opposed it for main on-air personalities.

Crowd React founder Katie Miller said the results underscore the importance of disclosure over audio quality. After the reveal, nearly half of the human-voice group felt more favorable, while the AI group was mixed.

The study highlights a broader industry divide. iHeartMedia has banned AI on-air talent under its “Guaranteed Human” campaign, citing research showing strong consumer preference for real humans. 

In contrast, Entravision launched an AI co-host named Coyotec alongside live host Geraldine “GeeGee” Guzman on Jose 97.5 in Los Angeles in 2025, reporting a 75% jump in weekly cume among Hispanic men 25-54.

Netflix Looking to Lower Production Costs


Netflix is rapidly shifting toward lower-cost, YouTube-style content — including podcasts and short vertical videos — as it grapples with slowing user engagement and a sharp stock decline. This week, the streaming giant announced broad partnerships with major legacy media brands to bring bite-sized, low-effort videos (typically 3–20 minutes long) to its platform, covering topics like cooking, fashion, travel, news, lifestyle, and celebrity content. 

Partners include BuzzFeed Studios, Condé Nast, Hearst Magazines, Penske Media (home to Variety and The Hollywood Reporter), and People Inc. The videos begin rolling out in early August in markets such as the US, UK, Canada, Australia, and New Zealand.

Netflix faces pressure on multiple fronts. The company has seen a slowdown in platform engagement, with total viewing hours growing just 2% in the second half of 2025 while its user base expanded roughly 10%, implying an approximately 8% drop in daily engagement per subscriber. Its stock price has fallen about 40% since October amid these challenges and broader market concerns.

This pivot mirrors Netflix's earlier quick adaptations, such as its aggressive push into original programming and the introduction of ad-supported tiers. Now, the company's usual flood of film and TV announcements increasingly features creator deals and these lighter formats. Netflix has already struck video podcast agreements with outlets like Spotify/The Ringer, iHeartMedia, and Barstool Sports, and it continues experimenting with vertical video to boost mobile engagement.

The moves aim to recapture viewing time lost to YouTube, which commands a significantly larger share of TV screen time (around 13% vs. Netflix's lower single digits in recent measurements). Short-form and podcast-style content offers a cheaper way to fill the app, keep users scrolling, and appeal to younger audiences who favor snackable, mobile-first videos.

While ambitious, early results on video podcasts have been mixed, with low engagement reported and none charting in Nielsen's top 10 so far. Still, the speed of Netflix's execution underscores its urgency to evolve beyond premium scripted fare in a fragmented attention economy. The company that once disrupted traditional TV now confronts similar competitive threats from free, algorithmic platforms.

In short, Netflix is hedging its bets with volume and variety at lower production costs — a pragmatic response to plateauing growth in its core business.

Digital News Sites Suffer Widespread Traffic Declines in June


U.S. digital news outlets continued to lose ground in June, with traffic falling year-over-year at 90% of the nation’s top 50 news websites, according to new audience data.

Similarweb figures analyzed by Press Gazette show that only five of the 50 largest news brands posted any growth compared with June of the previous year — a sharp drop from 20% of sites showing gains in May. 

Among the hardest-hit were Newsweek and the Daily Mail, which saw some of the steepest declines. The data underscores persistent challenges for digital-first and legacy news organizations trying to maintain audiences in a fragmented media environment. Factors include shifting platform algorithms, competition from social media and video platforms, declining referral traffic, and broader economic pressures on advertising revenue.


Industry analysts say the figures reflect a longer-term trend: even as overall news consumption remains high, traditional websites are struggling to convert attention into sustainable digital traffic and monetization. 

The steep drop in growth sites from May to June signals accelerating headwinds for an industry already grappling with layoffs, consolidation, and uncertainty over how audiences discover and engage with news.

Report: Rising Insurance Costs Plaguing R/TV Broadcasters


Rising insurance costs for property and liability coverage are placing growing financial pressure on U.S. radio and television broadcasters.

Broadcasters face a wide array of risks — including towers, antennas, buildings, broadcast equipment, vehicles, business interruption, special events and workers’ compensation — that have driven up premiums significantly in recent years. 

RadioWorld reports remote infrastructure is frequently exposed to severe weather such as ice storms, flooding and wildfires, while unique industry liabilities like defamation, copyright infringement, regulatory fines, vandalism and copper theft add further cost.

A stark example occurred in 2024 when copper thieves brought down the tower of Payne Media Group’s KITX(FM) in Hugo, Okla., taking the station off the air. President Will Payne said insurance covered only about 80% of the loss, after which the station faced policy cancellation and a doubled premium on renewal. Replacement gear purchases also required waiting up to 10 months for reimbursement.

Insurance experts say proper coverage is essential but increasingly expensive. The NAB endorses partners such as Axis and Amwins for tailored property and casualty policies. Amwins associate director Laurie McKenzie emphasized that broadcasters need accurate coverage limits, proper documentation of building details and protective features, and risk-reduction steps after past losses. 

Strategies to control costs include higher deductibles where feasible, bundling policies (property, liability, auto and umbrella), and maintaining strong contracts with vendors that include hold-harmless provisions.

Standard general liability policies typically exclude content-related claims, McKenzie noted, so broadcasters should obtain separate media liability or broadcasters’ liability coverage. She also advised reviewing and updating policies whenever equipment is added, listing accurate tower locations with geo-coordinates, and installing security measures like cameras, fencing and alarms at remote sites to avoid exclusions or higher deductibles.

Rising premiums stem from increasing weather volatility, higher rebuilding costs, elevated steel and labor prices, supply chain issues, and greater scrutiny of cyber risks and equipment breakdown. Auto insurance costs are also climbing, making driver screening and fleet safety critical. Some carriers have stopped offering cyber liability coverage for broadcasters.

Radio History: July 13


➦In 1898…Guglielmo Marconi applied for a patent for his radio technology.

Marconi
Marconi, just twenty years old, began his first experiments working on his own with the help of his butler. In the summer of 1894, he built a storm alarm made up of a battery, a coherer, and an electric bell, which went off if there was lightning. Soon after he was able to make a bell ring on the other side of the room by pushing a telegraphic button on a bench.

One night in December, Guglielmo woke his mother up and invited her into his secret workshop and showed her the experiment he had created. The next day he also showed his work to his father, who, when he was certain there were no wires, gave his son all of the money he had in his wallet so Guglielmo could buy more materials.

In the summer of 1895 Marconi moved his experimentation outdoors.  After increasing the length of the transmitter and receiver antennas, arranging them vertically, and positioning the antenna so that it touched the ground, the range increased significantly.  Soon he was able to transmit signals over a hill, a distance of approximately 2.4 kilometres (1.5 mi).  By this point he concluded that with additional funding and research, a device could become capable of spanning greater distances and would prove valuable both commercially and militarily.

Marconi wrote to the Ministry of Post and Telegraphs, then under the direction of the honorable Pietro Lacava, explaining his wireless telegraph machine and asking for funding. He never received a response to his letter which was eventually dismissed by the Minister who wrote "to the Longara" on the document, referring to the insane asylum on Via della Lungara in Rome.

In 1896, Marconi spoke with his family friend Carlo Gardini, Honorary Consul at the United States Consulate in Bologna, about leaving Italy to go to England. Gardini wrote a letter of introduction to the Ambassador of Italy in London, Annibale Ferrero, explaining who Marconi was and about these extraordinary discoveries. In his response, Ambassador Ferrero advised them not to reveal the results until after they had obtained the copyrights. He also encouraged him to come to England where he believed it would be easier to find the necessary funds to convert the findings from Marconi's experiment into a practical use. Finding little interest or appreciation for his work in Italy, Marconi travelled to London in early 1896 at the age of 21, accompanied by his mother, to seek support for his work; Marconi spoke fluent English in addition to Italian. Marconi arrived at Dover and at Customs the Customs officer opened his case to find various contraptions and apparatus. The customs officer immediately contacted the Admiralty in London. While there, Marconi gained the interest and support of William Preece, the Chief Electrical Engineer of the British Post Office.

The apparatus that Marconi possessed at that time was similar to that of one in 1882 by A. E. Dolbear, of Tufts College, which used a spark coil generator and a carbon granular rectifier for reception.  A plaque on the outside of BT Centre commemorates Marconi's first public transmission of wireless signals from that site. A series of demonstrations for the British government followed—by March 1897, Marconi had transmitted Morse code signals over a distance of about 6 kilometres (3.7 mi) across Salisbury Plain. On 13 May 1897, Marconi sent the world's first ever wireless communication over open sea. The experiment, based in Wales, witnessed a message transversed over the Bristol Channel from Flat Holm Island to Lavernock Point in Penarth, a distance of 6 kilometres (3.7 mi). The message read "Are you ready".  The transmitting equipment was almost immediately relocated to Brean Down Fort on the Somerset coast, stretching the range to 16 kilometres (9.9 mi).

From his Fraserburgh base, he transmitted the first long-distance, cross-country wireless signal to Poldhu in Cornwall.

Marconi watching associates launch a kite used to lift an antenna in 1901 at St. Johns, Newfoundland

Impressed by these and other demonstrations, Preece introduced Marconi's ongoing work to the general public at two important London lectures: "Telegraphy without Wires", at the Toynbee Hall on 11 December 1896; and "Signaling through Space without Wires", given to the Royal Institution on 4 June 1897.

Numerous additional demonstrations followed, and Marconi began to receive international attention. In July 1897, he carried out a series of tests at La Spezia, in his home country, for the Italian government. A test for Lloyds between Ballycastle and Rathlin Island, Ireland, was conducted on 6 July 1898. The English channel was crossed on 27 March 1899, from Wimereux, France to South Foreland Lighthouse, England, and in the autumn of 1899, the first demonstrations in the United States took place, with the reporting of the America's Cup international yacht races at New York.

Marconi sailed to the United States at the invitation of the New York Herald newspaper to cover the America's Cup races off Sandy Hook, NJ. The transmission was done aboard the SS Ponce, a passenger ship of the Porto Rico Line.  Marconi left for England on 8 November 1899 on the American Line's SS St. Paul, and he and his assistants installed wireless equipment aboard during the voyage. On 15 November the St. Paul became the first ocean liner to report her imminent return to Great Britain by wireless when Marconi's Royal Needles Hotel radio station contacted her sixty-six nautical miles off the English coast.

➦In 1913...Radio-TV personality Dave Garroway was born in Schenectady NY.  He was one of the first adopters of a conversational approach on the air, as opposed to ‘announcing’ to the audience.  He had a popular late night jazz radio show in Chicago before being featured in Garroway at Large in the earliest days of the TV era, and then being named first host of the NBC Today Show. He was fired ten years later after lying down in the studio to press for his contract demands. He committed suicide July 21 1982, just days after his 69th birthday.

➦In 1928…Radio host and actor Bob Crane was born in Waterbury Conn.  While he had excellent radio credentials from his KNX Hollywood breakfast show, he is best remembered as the star of TV’s zany sitcom, Hogan’s Heroes. He was found murdered in his hotel room in Scottsdale, AZ June 29, 1978 at age 49. Case unsolved.

➦In 1960…KDBQ-AM, San Francisco changed its call letters to KYA-AM.