Monday, August 18, 2025

NewsNation: A Growing Cable News Network


While established networks like CNN have faced steep audience drops, NewsNation, a four-year-old network in its first year of 24/7 programming, has seen gains in total viewership and the 25-54 demographic. 

From August 4–8, NewsNation’s primetime focused on Ukraine’s drone warfare, led by anchor Sherman, culminating in the special Ukraine: On the Frontlines. The network is also providing extensive live coverage of the Trump-Putin summit, with correspondents in Alaska and Ukraine, and analysis from The Hill’s Chris Stirewalt. Its app and website offer continuous updates alongside newsletters from Sherman and host Leland Vittert.

This dedication to in-depth international stories reflects NewsNation’s tagline, News for All Americans.

Owned by Nexstar, the network leverages a national staff and 110 local newsrooms, securing exclusives like calling the 2024 presidential election for Trump and covering the Kohberger plea deal. 

Nielsen data shows a 24% year-over-year primetime viewership increase, with daytime shows like Morning in America, NewsNation Now, and NewsNation Live achieving triple-digit growth in the 25-54 demo. Cuomo leads as the top-rated program, while The Hill and On Balance with Leland Vittert also see audience growth. 

In July, NewsNation was the only cable news network with Total Day growth.

Since December 2022, NewsNation has outpaced MSNBC in the key demo for Total Day viewership multiple times. 

Forbes reports it earned its first Edward R. Murrow Award last week for Natasha Zouves’ investigation, Growing Broke: Forever Chemicals in America’s Heartland, exposing fertilizer-related contamination of farmland and the food supply.

Conan O'Brien: Late-Night TV As We Know It To Disappear


On Saturday, Conan O’Brien, while accepting an honor at the Television Academy Hall of Fame ceremony, predicted that late-night television, as it has been known since the 1950s, will “disappear” due to significant changes in the industry.

His statement came in the wake of CBS’s announcement to cancel The Late Show with Stephen Colbert in May 2026, a decision attributed to financial challenges in the late-night format. 

According to USAToday, O’Brien, a veteran of late-night TV with nearly 30 years of experience hosting Late Night with Conan O’Brien, The Tonight Show, and Conan, acknowledged the “seismic change” in television, driven by the rise of streaming platforms and shifting viewer habits toward on-demand content like YouTube clips and podcasts.

Despite his prediction, O’Brien expressed optimism about the future of comedic voices, specifically praising Stephen Colbert as “too talented and too essential to go away.” He suggested that Colbert would evolve and thrive in a new format with greater creative control, citing his own successful pivot to podcasting with Conan O’Brien Needs a Friend and his HBO Max travel show Conan O’Brien Must Go after leaving late-night TV in 2021. 

O’Brien emphasized that while the traditional late-night format may fade, the talent and connection with audiences will persist through new platforms, as long as “stories are good, performances are honest, and the people making it are brave and of goodwill.”

The cancellation of The Late Show sparked controversy, with some speculating it was influenced by Colbert’s vocal criticism of President Donald Trump, particularly after a $16 million settlement between Paramount and Trump over a 60 Minutes interview edit. O’Brien’s comments reflect a broader sentiment about the declining viability of traditional late-night TV, echoed by other hosts like Seth Meyers, who expressed concerns about the format’s sustainability.

Streaming Again Dominates TV Ad Dollars


by Max Knoblauch, Sherwood News

Ads are still relatively new to streaming, but the business is already dominant in terms of dollars spent.

Streaming scooped up about 43% of advertisers’ television spending at the industry’s “upfront,” new data from tracking firm Media Dynamics shows. Per the firm, advertisers spent $13.2 billion on streaming ad space during the annual event and selling period, when networks sell the majority of their upcoming commercial space to advertisers.

The total marks a $2 billion increase from last year.

Meanwhile, both broadcast and cable TV saw pullback from advertisers, as viewers continue to spend the majority of their time on streaming services like Netflix. According to the Nielsen Gauge, streamers scooped up 46% of television viewing time in June, compared to 23% for cable and 19% for broadcast.

Unskippable, Unstoppable

Ad dollars are steadily pouring into streaming and out of linear TV, per “upfront” data from Media Dynamics.

NYC Radio: Audacy Reaches Labor Agreement With Writers' Guild


Unionized staffers at Audacy’s all-news radio station 1010 WINS in New York, represented by the Writers Guild of America East (WGAE), have reached a tentative collective bargaining agreement with their employer, Audacy.

The agreement was ratified by an overwhelming majority of WGAE members at 1010 WINS, marking the conclusion of negotiations that began as the previous contract was set to expire on July 22, 2025.

While specific details of the tentative deal were not disclosed in the available information, the union's prior demands included improved salaries, benefits, pathways to promotion, workplace safety, remote work options, severance protections, and safeguards against the growing use of artificial intelligence.

Workplace safety was a key concern, particularly for journalists working overnight shifts, as some had faced threats or attacks while commuting to Audacy’s offices at 345 Hudson Street in lower Manhattan.

This agreement follows a period of tension, as more than 90% of the bargaining unit signed a petition in July 2025 urging Audacy to negotiate a fair deal, with a focus on addressing these issues. 

The negotiations were the first since Audacy shut down WCBS Newsradio 880 in August 2024, which resulted in the layoff of 23 WGAE members. The ratified agreement ensures that 1010 WINS, the longest-running all-news station in the U.S., continues to operate as New York’s only 24/7 all-news radio station.

Infowars Liquidation Sale Ordered

Alex Jones

Texas Judge Maya Guerra Gamble ordered the liquidation of Infowars, the media platform owned by conspiracy theorist Alex Jones, to help pay nearly $1.5 billion owed to Sandy Hook families.

The families won defamation and emotional distress lawsuits in 2022 against Jones and Infowars’ parent company, Free Speech Systems, in Connecticut ($1.4 billion) and Texas ($49 million) after Jones falsely claimed the 2012 Sandy Hook shooting, which killed 20 children and six educators, was a hoax. 

Victims’ relatives faced harassment from Jones’ supporters due to these claims.

The judge appointed a receiver, Gregory Milligan, to take over and sell Infowars’ assets, including production equipment and intellectual property, with proceeds going to the families. The order allows the receiver to change locks at Infowars’ facilities and authorizes law enforcement to assist, potentially shutting Jones out of his Austin studio soon. 

Free Speech Systems was given five days from the order’s formal service to turn over assets, though the exact timeline for the sale remains unclear.

This ruling follows a failed November 2024 auction where The Onion was named the winning bidder to buy Infowars, a deal rejected by federal bankruptcy Judge Christopher Lopez for lack of transparency. Jones, who filed for bankruptcy in 2022, claims the state court order is invalid due to ongoing federal bankruptcy proceedings and vows to continue broadcasting from an alternate studio. 

A state court hearing is set for September 16, 2025, which may determine Infowars’ immediate future. Jones, who acknowledged in 2022 that the Sandy Hook shooting was “100% real,” continues to appeal the judgments, citing free speech concerns.

Baltimore Radio: Justin Johnson Promoted To WIYY PD


WIYY-FM (98 Rock), Baltimore’s iconic rock station, announced Monday the promotion of Justin Johnson to Program Director, effective September 1, 2025. 

Johnson, who joined the station in July 2023 as Assistant Program Director, succeeds Rick Strauss, who is retiring after a long tenure as Program Director.

Johnson brings extensive experience to the role, having previously served as Program Director at iHeartMedia’s WEBN in Cincinnati from 2019 to 2023, where he also coordinated branding for iHeart’s national Rock platform. 

Justin Johnson
His earlier career includes roles such as morning show producer at WKLS in Atlanta, Program Director at WWBA in Tampa, talk host at WTKS in Orlando and WJFK in Washington, and on-air work at WWDX in Lansing, Michigan.

In his new position, Johnson will oversee all programming for 98 Rock, including popular shows like Justin, Scott, and Spiegel in mornings, Amelia’s middays with the "40-minute rock block," and afternoons with Kirk and Marianne. He will also manage content related to the station’s exclusive partnerships with the Baltimore Ravens and Baltimore Orioles, reinforcing 98 Rock’s role as a flagship station for these teams.

Dan Joerres, President & General Manager of 98 Rock, praised Johnson as the “ideal successor” to Strauss, citing his multi-market experience and deep understanding of the station’s brand and audience. Johnson expressed enthusiasm for the role, calling it “an incredible honor and a dream come true” to lead 98 Rock’s talented team and build on its legacy as a trusted and respected brand in Baltimore and the radio industry.

Study: 61% of Local Radio Spots Fail Effectiveness Standards


More than 6 out of 10 locally-produced radio commercials fail to meet effectiveness standards, with automotive and legal ads performing worst, according to a six-month analysis of 5,693 spots across 108 markets including the top ten.

The study, conducted by yaman.AI and led by radio creative veteran and yaman.AI founder Yaman Coskun, found that only 39% of local spots scored 8 or above on a 10-point effectiveness scale measuring factors including emotional resonance, brand recall, and call-to-action clarity.

"As radio stations nationwide grapple with AI adoption in creative departments, we're seeing a troubling trend in commercial quality," said Coskun, founder of yaman.AI and former creative director with over two decades in radio creative.

Automotive, Legal Spots Score Lowest

The February-July 2025 analysis, which examined spots across U.S. radio markets, including the top ten, revealed significant performance gaps by industry category:
  • Automotive – average score: 5.0
  • Legal – average score: 4.0
  • Home Improvement – average score: 6.0
  • Healthcare – average score: 7.0
  • Retail – average score: 5.0
Using AI analysis, yaman.AI scored commercials on emotional impact, message clarity, brand recall, and call-to-action effectiveness, the methodology evaluated both creative execution and technical production quality.

AI Replacing Humans Cited as Primary Factor

The study identifies the culprit as the new alarming trend of radio leadership handing creative AI tools directly to sales staff, bypassing human radio creative professionals in cost-cutting efforts.
"Radio's emotional power is built by humans for humans," said Coskun. "The low-hanging fruit is enhancing creative by equipping human talent with AI, not replacing them. AI is not an excuse to fire people—it's a revolution to empower them."

Free Analysis Tool Offered to Audio Industry

To address the creativity crisis, yaman.AI is offering its Local Spot Analyzer free to radio professionals at www.yaman.AI. The tool provides real-time effectiveness scoring for any commercial upload.
"We want to arm radio professionals with data to make better creative decisions," Coskun said. "The stakes are too high for ineffective advertising. Especially when the industry is reporting a chronically challenged spot revenue.”

For more information or to get the free Local Spot Analyzer tool from yaman.AI, contact Yaman Coskun, Founder, yaman.AI, at yaman@yamanmediagroup.com or at 240.723.6688.

NPR: Summit U-S Docs Found On Hotel Printer


U-S Government documents detailing meeting schedules, seating arrangements, an elaborate menu, and a note to pronounce President Vladimir Putin’s name as “POO-tihn” were mistakenly left in a hotel printer in Anchorage, Alaska, during President Donald Trump’s summit with the Russian leader, NPR reported.

Found around 9 a.m. in an Anchorage hotel printer, hours before the summit at Joint Base Elmendorf–Richardson, the State Department-marked documents were shared with NPR by hotel guests. 

They included precise meeting times, locations, government staff phone numbers, and details of a planned but unheld three-course lunch, including the presidents’ designated chairs.

Produced by federal staff, the documents contained some publicly released information, like lunch and news conference plans, but also sensitive details typically withheld until after the event, such as room schedules for Trump and whether gifts were exchanged. 

For security, presidential movements and seating arrangements for meetings with world leaders are usually kept confidential until they occur. Such security lapses are typically treated as international incidents and prompt investigations.

Around 9 a.m. on Friday, three guests at the four-star Hotel Captain Cook, located 20 minutes from Joint Base Elmendorf-Richardson in Anchorage where U.S. and Russian leaders met, discovered documents left in a public hotel printer. NPR reviewed photos of the documents taken by one guest, who remained anonymous due to fears of retaliation.

The Trump administration this weekend downplayed a report that officials left in a public area of a hotel documents describing the confidential movements of President Trump and President Vladimir V. Putin of Russia during their meeting in Alaska on Friday. The documents were produced by the Office of the Chief of Protocol, a position held by Monica Crowley, a former Fox News personality who served in Trump’s first term.

Marco Rubio Made The Rounds Of the Sunday Morning Shows

Marco Rubio

On Sunday, Secretary of State Marco Rubio countered mainstream media narratives during multiple appearances following President Trump's bilateral meeting with Russian President Vladimir Putin in Alaska on Friday. Rubio clashed with CBS host Margaret Brennan, who pressed for details about the Trump-Putin meeting and the upcoming White House meeting between Trump and Ukrainian President Zelenskyy.

In an appearance on NBC’s “Meet the Press,” Secretary of State Marco Rubio did not rule out the United States imposing more sanctions on Russia, but said doing so would signal the failure of President Trump’s efforts to reach a cease-fire or lasting peace in Ukraine. “The minute he takes those steps, all talks stop,” Rubio said. “The minute we take those steps there is no one left in the world to go talk to the Russians and try to get them to the table to reach a peace agreement,” he added. Asked whether Mr. Trump’s earlier threats to impose additional sanctions on Russia amounted to “empty threats,” Rubio replied that all the sanctions that were imposed before Mr. Trump took office remained in place.

Video Clippers Drive Social Media Success


Behind every viral social media clip is a skilled team of “clippers” amplifying content for streamers, podcasters, and startups.
 
Kanoah Cunningham, a former finance professional, is part of this wave. He transforms lengthy videos into short, engaging clips for platforms like Instagram and TikTok.
 
The Wall Street Journal reports Cunningham left his job last May to lead a team of eight clippers, earning $20,000–$30,000 monthly. Clipping has become a booming marketing niche. 

Creators and brands hire clippers to flood social media with bite-sized videos, often using provocative or bold content to stand out. The trend exploded on TikTok, where snippets of personalities like Andrew Tate or MrBeast amassed millions of views. 

This success inspired creators to employ armies of clippers, paid per thousand views, to saturate platforms and chase virality, making clipping a powerful tool for building audiences in a crowded digital landscape.

Clipping surged in TikTok’s early days, with short, viral snippets of personalities like Andrew Tate and MrBeast garnering millions of views. This trend birthed a new wave of creators who hire teams of clippers, paid per thousand views, to flood platforms with their content, chasing virality. Virtually anything—podcasts, debates, social media montages, or even movies—can be clipped. 

Startups like Lovable (an app for coding via plain English), humanoid-robot maker 1X, and consumer-electronics firm Nothing leverage clippers to amplify their reach, using bite-sized clips from product demos, podcast appearances, and YouTube streams to dominate online spaces.

ESPN Documentary On Colin Kaepernick Canceled


ESPN Films, director Spike Lee, and former NFL quarterback Colin Kaepernick have mutually decided to cancel a multi-part documentary series about Kaepernick, who sparked a national debate in 2016 by kneeling during the U.S. national anthem to protest systemic racism and police brutality.

ESPN announced the decision on Saturday citing “creative differences” in a statement to Reuters. The network expressed appreciation for the collaboration but confirmed the project would not move forward. Lee, speaking on the red carpet at a cancer research fundraiser in Beverly Hills on Friday, confirmed the cancellation, saying, “It’s not coming out. That’s all I can say,” but declined further comment due to a nondisclosure agreement.

Spike Lee
Kaepernick, 37, who played for the San Francisco 49ers from 2011 to 2016, has not returned to the NFL since his protests, which many believe led teams to avoid signing him due to his activism, despite his talent. His actions, which drew criticism from then-President Donald Trump, inspired a broader movement. 

Kaepernick filed a collusion grievance against NFL owners, settled in 2019. His representative offered no comment on the cancellation.

Announced in 2022, the Disney-owned ESPN project was pitched as a comprehensive first-person account of Kaepernick’s journey, featuring extensive interviews. However, Puck News reported in September 2024 that delays stemmed from disagreements between Kaepernick and Lee over the film’s direction, with ESPN Chairman Jimmy Pitaro open to letting the filmmakers pitch it elsewhere. 

Ultimately, the project was shelved.

YouTubeTV Shows Interest In Oscar Media Rights


YouTube, owned by Google, has expressed interest in acquiring the broadcasting rights to the Academy Awards starting in 2029, as the current contract with ABC, which has aired the Oscars since 1976, expires in 2028. 

The move aligns with YouTube’s push into live programming, evidenced by its acquisition of NFL Sunday Ticket and other high-profile live events. The Academy of Motion Picture Arts and Sciences is in negotiations for post-2028 rights, with YouTube facing competition from traditional broadcasters like NBC and CBS, as well as streaming giants Netflix and Amazon, many of which own major film studios prioritizing theatrical releases, a key focus for the Oscars. 

YouTube’s global reach, with 2.7 billion monthly active users, could boost viewership, attract younger audiences, and offer interactive features like live chats and on-demand highlights. 

However, its lack of a traditional broadcast network or major film studio may pose challenges. The 2025 Oscars drew 19.6 million viewers, the highest in five years, indicating sustained interest despite recent declines. 

No deal is finalized, and the Academy is exploring options to maximize financial returns.

R.I.P.: Ron McCary, Longtime Frenso KMJ Broadcaster

Ron McCary
Ron McCary, a Fresno radio personality, has passed away at 80. 

For nearly 20 years, KMJ listeners tuned into his familiar voice on 580AM/105.9FM, delivering news, traffic, and filling in as anchor for the AG Report. On Saturdays, he provided news updates and joined the lively banter on The Auto Shop Talk show.

According to a posting on the KMJ website, McCary was a former English teacher, and his historical knowledge and mastery of language enriched KMJ’s newsroom, often correcting colleagues’ grammar with a smile. 

He began his broadcasting career in 1969 at KFIG, joined KMPH in 1997, and moved to KMJ in 2007.

Born December 5, 1945, in Fresno, Ronald Edward McCary was a true native. A McLane High School and Fresno State graduate, he served in the U.S. Army, taught at Fowler High School, and retired as a substitute teacher in 2018.

Radio History: Aug 18


➦In 1900...Walter O'Keefe born  (Died – June 26, 1983).  He was a songwriter, actor, syndicated columnist, Broadway composer, radio legend, screenwriter, musical arranger and TV host.

Walter O'Keefe
O'Keefe was born in Hartford, CT, he began as a vaudeville performer in the Midwest for several years. In 1925, he went to New York City and became a Broadway performer. By 1937, he wrote a syndicated humor column and filled-in for such radio personalities as Walter Winchell, Edgar Bergen, Don McNeill and Garry Moore. He became the long-time master of ceremonies of the NBC show Double or Nothing and was a regular on that network's Monitor series.

O'Keefe also worked in television, presiding over talk shows and quiz shows for the CBS network. Producers Mark Goodson and Bill Todman hired him for their game show Two for the Money. When the show's usual host Herb Shriner had other commitments during the summer of 1954, O'Keefe took over for three months. He was the host for the first Emmy Awards ceremony, held on January 25, 1949 at the Hollywood Athletic Club.

He has a star on the Hollywood Walk of Fame in the category of radio. He died in Torrance, California of congestive heart failure at the age of 82.

➦In 1927...Theodore H. Epp (January 27, 1907 - October 13, 1985) started his 'Back to Bible Broadcasts on radio. The broadcasts were heard worldwide on 800 stations in eight languages, until 1985.

➦In 1937...FCC issued first FM construction permit. W1XOJ/W43B/WGTR, Paxton, Mass. (Yankee Network) W1XOJ went on the air May 27, 1939, with 2000 watts on 43.0 MHz. On July 24, 1939, W1XOJ began operating on a schedule of 16 hours a day on the air (8 a.m. to midnight). Broadcasting magazine on Aug. 1, 1939, listed this as one of the four FM stations "in actual operation."

John Sherpard
W1XOJ was the result of a partnership between Yankee Network owner John Shepard and FM inventor Edwin Howard Armstrong to explore the potential of inter-city FM networking. Programs were fed from the Yankee studios in Boston to Asnebumskit, and were picked up from there at stations on Mount Washington, N.H. and in Meriden, Connecticut. Other programs were picked up at Meriden from Armstrong's W2XMN in Alpine, N.J. and carried through Asnebumskit to Mount Washington.

In 1941, W1XOJ became commercial outlet W43B, with 300 kW ERP (50 Kw TPO) on 44.3, as a sister to Boston's WNAC and WAAB. Two years later, Yankee moved WAAB to Worcester to escape the FCC's new anti-duopoly rule. While WAAB and W43B were nominally sister stations, they were never operated jointly (W43B was treated as a "Boston" station and operated from Yankee's Boston studios), and Yankee soon sold WAAB to new owners.

Edwin H Armstrong
W43B eventually took new calls WGTR, moving to the new FM band on 103.1 and then on 99.1. In October 1948, the Yankee Network moved its FM operations to Boston, on the new WNAC-FM 98.5. WGTR's license was transferred to Eastern Radio, which apparently operated the station with “Transit Radio”, providing programming heard in city buses. The 1951 Broadcasting Yearbook shows WGTR once again under the ownership of the Yankee Network, but operating from the same 34 Mechanic Street address as WAAB, by then under Olin Company ownership.

WGTR faded from the scene completely within a year or two, as WAAB flirted with television. By 1961, WAAB was in the hands of Waterman Broadcasting, and when its new FM signal signed on that fall, it was as a simulcast of the full-service AM station. The simulcast lasted until 1967, when WAAB-FM split off from the AM with a stereo beautiful music format. In 1969, WAAB-FM became WAAF, adopting a freeform rock format at 107.3 FM that later evolved into album rock.

A power increase in 1970, to 16.5 kW at 780 feet above average terrain, gave WAAF a commanding signal that could be heard across most of Massachusetts, as well as large portions of eastern Connecticut, Rhode Island, southern New Hampshire and southern Vermont.

➦In 1961...Dan Daniel started at Top40 WMCA 570 AM.