Thursday, April 17, 2025

CNN CEO To Staffers: We're Not Here To Throw Punches At Trump


CNN's CEO, Mark Thompson, has reiterated a directive to staffers at the beginning of rht year.

His directive to staff emphasized a shift in the network's approach to covering President Donald Trump during his second term. Thompson instructed CNN employees to cover Trump with "an open mind" and explicitly stated that the network’s role is to report on Trump’s presidency, not to engage in opposition or “throw punches” at him. This message was delivered in a high-stakes meeting with network stars on January 19, 2025, the day before Trump’s second inauguration.

Neutral Reporting: Thompson urged CNN to avoid rehashing Trump’s past controversies, such as his impeachments or felony convictions, unless directly relevant to current events. The goal is to focus on factual, policy-driven coverage rather than revisiting old narratives.

Mark Thompson
Avoiding Confrontation: This week Thompson reiterated his stance, stating that CNN’s job is not to act as an adversary to politicians but to deliver news objectively. He emphasized that the network should not be “throwing punches” in its Trump coverage, signaling a departure from the more combative tone some perceived during Trump’s first term.

Support for Press Freedom: Thompson also voiced support for the Associated Press amid a White House ban, framing CNN’s role as part of a broader commitment to journalistic integrity rather than political opposition.

The directive has sparked mixed reactions among CNN staff. Some longtime employees, particularly journalists, reportedly feel “embarrassed” or “ashamed,” perceiving the shift as acquiescing to Trump. This sentiment was heightened after the departure of veteran reporter Jim Acosta, a known Trump critic, who left CNN in January 2025 after declining a late-night slot.

Historical Criticism: CNN has faced accusations of bias against Trump, notably from a 2021 undercover video where a staffer claimed the network’s focus was to “get Trump out of office.” Thompson’s directive appears to address such perceptions, aiming to reposition CNN as a neutral outlet.

Journalist Reports Swatting Incident At Her Home


Investigative journalist Sharyl Attkisson reported a swatting incident on Tuesday targeting her home, followed by additional attacks aimed at her daughter and husband in another town. 

Swatting is a dangerous hoax where perpetrators make fake emergency calls to provoke an armed police response, often claiming the victim is armed or committing a violent crime. 

Attkisson detailed the incident on X, noting that the perpetrators spoofed her phone number to place orders, signed her up for unsolicited services via email, and attempted financial transactions. She also received threatening emails, some containing explicit language, which she planned to share publicly.

Attkisson contacted the local FBI to report the swatting but expressed frustration over their response, stating that agents were uncertain about following up and did not initially collect evidence, such as screenshots of the swatting-related texts she possessed. She emphasized the ongoing nature of the attacks and the availability of substantial evidence, urging authorities to act swiftly. 

Posts on X from other users amplified her situation, with some tagging FBI officials and expressing concern over the lack of immediate action, reflecting public sentiment about the severity of the incident and broader issues with swatting targeting conservative figures.

This incident fits into a broader wave of swatting attacks reported in March and April 2025, primarily against conservative media personalities and public officials, as documented on Attkisson’s Substack. For example, conservative figures like Chase Geiser, Nick Sortor, Shawn Farash, and Radio talk show host Joe Pags were swatted around March 13–16, 2025, often involving hoax calls claiming violent emergencies. 

Attkisson’s case is notable given her history of alleging government surveillance, including a 2015 lawsuit against the Obama administration for purportedly hacking her computers, which she claimed violated her First and Fourth Amendment rights. 

No suspects have been publicly named, and the FBI has not issued a statement on Attkisson’s case.

News Media Struggles As Brands Favor Softer Content


Ad spend on news content is falling across the board. Despite high audience interest, serious news stories are frequently demonetized due to keyword blocklists deployed by brands concerned by reputational risk. As brands avoid placing ads alongside content deemed controversial or distressing, they are favoring softer content like sport and lifestyle over “hard” news. 

Only 3.7% of total UK TV ad spend was allocated to news programming in 2024, per Nielsen. In the US, pharma brands have become increasingly integral for news broadcasters, accounting for 12% of national TV ad sales. 

This evokes longstanding questions about the value of news as a content category, and whether brands should focus agnostically on targeting audiences.

User generated content set to overtake professional media in ad spend by 2026

The difficulties facing news media come at a time when advertisers increasingly favor user generated content (UGC) from influencers and creators, which offer low production costs, direct audience engagement, and alignment with platform algorithms.

Traditional media, which invests upfront in journalism and operates under stricter content standards and to tighter regulations, has struggled to compete. This shift is particularly damaging to the ad-funded news industry, which has long warned that shrinking investment in professional journalism risks a decline in civic literacy, and weaker defenses against disinformation.

By next year, professionally produced content is forecast to account for less than half of content-driven ad spend, according to GroupM. Platforms like TikTok and podcasts are fueling the rise of creator-journalists, as is the rise of AI-generated content which also accelerates this trend.

Media Consumption Seen As Peaking

Consumer media consumption continues to grow, but ad-supported media is losing ground, according to the 2025 edition of PQ Media's Global Consumer Media Usage Forecast.

Globally and in the U.S., time spent with all media—digital and non-digital—is increasing. In 2024, global media consumption rose 2.4% to 57.2 hours per week, up 11.1% from 51.5 hours in 2019. However, growth slowed sharply in 2023 post-COVID. PQ predicts a slight global decline of 0.3% to 57.0 hours weekly in 2025, the first drop since the Great Recession. In the U.S., the decline is steeper, with a 1.8% decrease to 79.6 hours weekly in 2025.

PQ attributes the 2025 decline to market saturation, as digital device penetration has peaked in major markets like the U.S. Media usage tends to rise in even-numbered years with federal elections and global events like the Olympics or FIFA World Cup, but 2025 lacks such drivers. Economic factors, including reduced discretionary spending due to inflation and potential tariff wars under the new Trump administration, are also expected to curb consumption. However, PQ forecasts a rebound in 2026, driven by major elections, the Winter Olympics in Italy, and the FIFA World Cup hosted by the U.S., Mexico, and Canada.

For advertisers, the outlook is challenging. The share of time spent with ad-supported media is projected to hit historic lows in 2025: 44.4% in the U.S. and 52.3% globally, as consumers increasingly favor non-ad-supported platforms.

IN/MI Radio: Mid-West Taps Tom Nankival For VP/Sales


Mid-West Family Broadcasting has announced Tom Nankival has been appointed Vice President of Sales for its Indiana and Michigan operations, specifically overseeing the South Bend and Southwest Michigan markets. Nankival assumed the role on May 2, 2025, and is tasked with leading sales efforts across these regions, which include radio stations such as Sunny 101.5 (WNSN), Z94.3 (WZOC), Live 99.9 (WQLQ), WSBT Radio, and various digital and event brands.

Nankival brings extensive experience in the radio industry, having held multiple roles over his career. Most recently, he served as General Manager and General Sales Manager at Clarke Broadcasting in Sonora, California. Prior to that, he was General Sales Manager for La Crosse Radio Group in Wisconsin and Saga Communications in Jonesboro, Arkansas. He also held General Manager positions with Adams Radio Group in Las Cruces, New Mexico, and with Saga Communications in Springfield, Illinois, and Des Moines, Iowa.

Tom Nankival
Nankival expressed enthusiasm about joining Mid-West Family, stating, “I’m thrilled at the opportunity to join the great group of broadcasters at Mid-West Family. Having competed against them in a couple markets, I can tell you it’s better to be with them than against them.”

Mid-West Family Broadcasting, an independently owned company based in Madison, Wisconsin, operates 41 radio stations across seven markets: Eau Claire, La Crosse, and Madison, Wisconsin; Rockford, Illinois; Springfield, Missouri; St. Joseph/Benton Harbor, Michigan; and South Bend, Indiana. The South Bend and Southwest Michigan clusters include stations like News/Talk/Sports 94.9 WSJM, ROCK 107 WIRX, 98.3 The Coast, and Sunny 101.5, alongside digital platforms like MoodyOnTheMarket.com and events such as Radio Super Saver.

The appointment follows a leadership restructuring announced in February 2025, where Dave Doetsch, former General Manager of the South Bend and Southwest Michigan markets, was promoted to Chief Operating and Revenue Officer. Nankival’s role fills a critical gap in sales leadership for these markets, aligning with Doetsch’s oversight of company-wide revenue development.

Atlanta Radio: Emily Boldon New Brand Manager At Star 94


Audacy welcomes Emily Boldon as Brand Manager of Star 94 (WSTR-FM) in Atlanta. In this role, Boldon will oversee the station’s content strategy, talent, operations and branding.

”Emily brings a wealth of industry knowledge, and we’re delighted to have her join Star 94,” said Rick Caffey, Senior Vice President and Market Manager, Audacy Atlanta. “We’re confident that her creativity, results-driven work ethic and leadership will help elevate the brand to a new generation of audiences, while maintaining the legacy and impact the station has in the community.”

Emily Boldon
“I’m very excited to begin this new adventure with Rick Caffey and his team at Audacy in my hometown of Atlanta,” said Boldon. “Star is a fantastic heritage station, and I am eager to grow it to new levels of success in 2025 and beyond."

Boldon brings over two decades of radio programming experience across a diverse range of formats, including AC, Hot AC, Rock and Classic Hits. She comes from Cox Media Group, where she was the Director of Operations for the Atlanta market and Program Director for WSRV-FM and WSB-FM. Prior to Cox Media Group, she held a multi-market leadership role as Vice President of Format at Cumulus, overseeing multiple markets and stations across the country. Boldon is an eight-time honoree of Radio Ink Magazine’s "Most Influential Women in Radio.”

📻Listeners can tune in to Star 94 (WSTR-FM) in Atlanta on air and nationwide on the Audacy app and website. Fans can also connect with the station via X, Facebook and Instagram.

TV Ratings: Mid-Season NBA Viewership Off Slightly


The NBA regular-season ratings for the 2024-25 season experienced a 2% dip in viewership compared to the previous year, aligning closely with a similar 2% decline observed in the NFL's 2024 regular-season ratings. 

The information comes from reports analyzing viewership trends across major sports leagues. Below is a detailed breakdown of the NBA’s ratings performance, contributing factors, and comparisons with the NFL, based on available data.

🏀NBA Regular-Season Ratings Overview

Viewership Numbers: The 2024-25 NBA regular season averaged approximately 1.56 million viewers across ABC, ESPN, and TNT, a 2% decrease from the 1.59 million viewers in the 2023-24 season. Including NBA TV, the overall viewership was down 5%, with an average of 1.09 million viewers compared to 1.08 million the previous year.

Network Performance: ABC: A bright spot, with a 10% increase in viewership, averaging 2.68 million viewers across 24 games, boosted by 24 simulcasts with ESPN.

  • ESPN: Games airing exclusively on ESPN saw a 7% decline, though overall ESPN networks remained flat due to simulcasts with ABC.
  • TNT: Viewership dropped by 8%, contributing significantly to the overall decline.
  • NBA TV: Showed a 15% increase, averaging 330,000 viewers across 107 games, which helped offset some losses on the main networks.

Season Context: The season started poorly, with ratings down 28% on ESPN and 3% on TNT through mid-November, attributed to competition from the World Series, the presidential election, and a lack of compelling storylines. However, a post-Christmas surge, including a 71% increase in viewership for the Emirates NBA Cup’s opening night, helped stabilize numbers.

Futuri Unveils Mobile v12: Engaging Mobile Experience


Futuri Media, a global leader in AI-powered innovation for media and publishing, announced the launch of Mobile v12, the latest and most advanced version of its industry-leading mobile app platform. Designed for radio stations and media brands, Mobile v12 offers unprecedented customization, deeper audience engagement, and even more monetization opportunities.

Revolutionizing Mobile Engagement: Mobile v12 introduces a suite of enhancements that empower broadcasters to create a fully branded and interactive app experience, keeping listeners engaged longer and more frequently.

Key Features & Enhancements: 

  • Fully Customizable Content Modules: Tailor every module to align with station branding. 
  • Live Lyrics Integration: Display real-time lyrics on the now-playing screen, enhancing the music listening experience.
  • User Content Uploads: Listeners can submit images and videos directly through the app, expanding engagement opportunities.
  • Native Video Player: Supports MRSS feeds for seamless video content playback.
  • Personalized Navigation Menus: Enhanced flexibility for users to manage their in-app experience.

Audacy, Superadio Debut New Throwback HipHop Lifetstyle Show


Audacy has partnered with Superadio, an audio producer and distributor, to bring “rapfabulous,” a new two-hour classic Hip-Hop culture and lifestyle show that celebrates the format’s legacy, to 94.7 The Block (WXBK-FM) in New York and 104.3 Jams (WBMX-FM) in Chicago.

Hosted by Mic Fox and Jazzie Belle, the show will feature classic tracks, interviews with Hip-Hop legends and iconic moments in the format’s history. The show premieres on April 19 and airs weekly on Saturday mornings from 6:00 a.m. to 8:00 a.m. CT on 104.3 Jams, Sundays from 5:00 p.m. to 7:00 p.m. ET on 94.7 The Block, and is available nationwide via the Audacy app.

“Since celebrating Hip-Hop's 50th anniversary, we saw how important it is to amplify the voices that shaped this influential genre,” said Skip Dillard, Format Vice President of Rhythmic AC and Throwback and Brand Manager of 94.7 The Block, Audacy. “We’re excited to deepen our listeners’ understanding of this historic format through Mic and Jazzie’s insightful perspective and give a platform to legacy artists to share their journey in the genre.”

Fox has held key roles as a radio Program Director and as a marketing executive at Atlantic Records, Island Def Jam, and TVT Records. In 2009, he played a pivotal role in launching Vevo as part of Universal Music Group. In 2016, he founded the creative agency BLURRED SPACES. Most recently, he served as Vice President of Digital Strategy and Content at Emmis Communications.

Radio History: April 17


Penny Singleton and Arthur Lake
➦In 1905...Arthur Lake was born as Arthur Silverlake Jr. (Died from a heart attack at age 81 – January 9, 1987). He is best known for portraying the Blondie comic strip character of Dagwood Bumstead in twenty-eight Blondie films produced by Columbia Pictures from 1938 to 1950. He was also the voice of Dagwood on the radio series, which ran from 1938 to 1950, earning him a star on the Hollywood Walk of Fame at 6646 Hollywood Blvd. Many of the actors on the radio show noted Lake's commitment to the program, stating that on the day of the broadcast, Lake was Dagwood Bumstead.

Far from being upset about being typecast, Lake continued to embrace the role of Dagwood in a short-lived 1957 Blondie TV series, then even into the 1960s and beyond; he would often give speeches to Rotary clubs and other civic organizations, eagerly posing for pictures with a Dagwood sandwich.

➦In 1922...KPO San Francisco signed-on.  Now known at KNBR 680 AM, KPO began broadcasting as a100-watt station owned by the Hale Brothers department store. In 1925, the San Francisco Chronicle newspaper bought half-interest in the operation. Originally located in the department store at 901 Market between 5th and 6th, its horizontal wire antenna on the roof was so efficient, it immediately attracted the attention of audiences all over the Pacific Coast.

KPO Studio -1922 (Courtesy of Bay Area Radio Museum)

In 1927, KPO became an affiliate of the new NBC radio network. In 1933, KPO was sold to NBC's parent company, the Radio Corporation of America (RCA), and its operation was consolidated into that of its co-owned KGO. From there, NBC operated its West Coast network, feeding dozens of stations and operating a news bureau to serve NBC. As NBC's flagship station on the West Coast, it had a full-time orchestra, five studios, and produced many live shows. During the rise of Hollywood, NBC's radio operation was moved to Los Angeles.

During World War II, KPO's news bureau was the major source of NBC of news about the war in the Pacific, and operated shortwave radio stations serving the world. It was at the KPO (RCA) shortwave facility that the message was received that Japanese emperor Hirohito had surrendered, ending World War II.

On November 23, 1947, NBC changed KPO's call sign to KNBC to strengthen its identity as an NBC station (and the only radio station NBC ever owned on the West Coast). This change lasted until fifteen years later, when the network decided to move the KNBC identity to its television station in Los Angeles. NBC had asked the FCC to restore the KPO call letters to the San Francisco radio station but later withdrew that request and 680 AM was renamed KNBR on November 11, 1962.

KNBR evolved into a Middle of the road music format mixing in Adult Standards with Soft Rock cuts by the early 1960s. The station continued to be a news intensive format with personalities in the foreground and music in the background. Personalities included Frank Dill, Les Williams, Dave Niles, and Jack Hayes. Until January, 1975, KNBR carried NBC's long-running weekend show, Monitor. By the mid-1970s, KNBR evolved musically into a straight ahead adult contemporary music format and continued as such into the 1980s.

In March 1989 NBC sold KNBR to Susquehanna Radio Corporation; it was the last radio property held by NBC, which two years earlier made the decision to sell off its radio division following General Electric's 1986 acquisition of RCA. The station soon added some sports talk in evenings, and took a full-time sports format in 1990 with the lone exception of The Rush Limbaugh Show, which KNBR carried from 1988 until 2000.

KNBR carried programs from ESPN Radio and KTCT aired shows from both ESPN Radio and Fox Sports Radio until 2013, when both stations switched to the Cumulus-distributed CBS Sports Radio.

In 2015, KNBR's studios were relocated from 55 Hawthorne Street to 750 Battery Street after parent Cumulus Media consolidated its San Francisco radio stations in one building.

➦In 1923...Harry Truman Reasoner was born (Died at age 68 – August 6, 1991). He was a journalist for ABC and CBS News, known for his inventive use of language as a television commentator, and as a founder of the 60 Minutes program.

Over the course of his career, Reasoner won three Emmy Awards and a George Foster Peabody Award in 1967.

Harry Reasoner
During his time at the school, Reasoner developed his interest in journalism. He went on to study journalism at Stanford University and the University of Minnesota. He served in the Army during World War II and after the war, he then resumed his journalism career with The Minneapolis Times.

After going into radio with CBS in 1948, Reasoner worked for the United States Information Agency in the Philippines. When he returned to the US, he went into television and worked at station KEYD (later KMSP) in Minneapolis. He later joined CBS News in New York, in 1956, where he eventually hosted a morning news program called Calendar from 1961 to 1963, on top of doing commentator and special news narration duties

In 1968, Reasoner teamed up with Mike Wallace to launch 60 Minutes, a new news magazine series. On 60 Minutes and elsewhere, he often worked with producer and writer Andy Rooney, who later became a well-known contributor in his own right.

In 1970, Reasoner was hired away from CBS by ABC to become an anchor on the network's newly revamped nightly newscast.  After a stay of several years in the '70s at ABC. Reasoner returned to CBS and 60 Minutes where he remained until his retirement on May 19, 1991.

➦In 1934...WLW Cincinnati licensed to operate at 500kW.

Wednesday, April 16, 2025

Jacob's TechSurvey 2025: Heavy Radio Listeners In Decline

The Jacobs Media Techsurvey 2025, released Tuesday, provides fresh insights into the media consumption habits of nearly 25,000 core radio listeners across the U.S. and Canada, surveyed in January and February 2025.

Conducted in partnership with Inside Radio and sponsored by Quu, this 21st annual survey tracks digital, audio, and video platform trends, focusing on listener behaviors by age, gender, ethnicity, and 10–12 radio formats. 

Key Findings from Techsurvey 2025


YouTube’s Rise in Audio Consumption: YouTube has emerged as a significant platform for audio content, with listeners using it for radio station streams, podcasts, audiobooks, and music. This reflects a shift from traditional radio to digital platforms for audio engagement. The survey highlights YouTube’s role in short-form video consumption, indicating its growing influence in how audiences access media.

Smart TVs as Audio Hubs: Smart TVs are increasingly used for audio content, including radio streams, Spotify, podcasts, and audiobooks, as traditional home radios decline. This trend underscores the need for broadcasters to optimize content for smart TV platforms.

Time-Shifting and Newsletters: New questions in 2025 explore time-shifting content (e.g., listening to radio or podcasts on-demand) and the role of online newsletters in engaging audiences. These reflect evolving preferences for flexible, personalized media consumption.


Radio’s Enduring Appeal: Despite digital competition, radio remains a key medium, with 61% of listeners tuning in for engaging personalities (up from 2024). The survey emphasizes radio’s strength in providing companionship and local content. Radio’s “free” attribute continues to resonate, with 64% of respondents citing it as a main reason for listening (up from 59% in 2023), particularly among Gen Z (72%) and Millennials (69%).

Fewer listeners are tuning into AM/FM radio via traditional methods and more opting for digital platforms. The survey indicates that in 2013, a robust 85% of respondents listened to their favorite radio brands through terrestrial broadcast radio. By 2016, this number had slightly decreased to 77%.

The downward trend continued, dropping to 59% by 2025. In contrast, digital consumption has seen substantial growth. In 2013, only 14% of listeners preferred digital platforms; this figure increased to 20% in 2016 and surged to 39% by 2025, marking a 19% rise over the decade.

Interestingly, while digital listening habits have expanded, the ownership of smart speakers has not seen parallel growth. The survey reveals that smart speaker ownership remained flat in recent years. As of 2025, 39% of respondents owned a smart speaker, mirroring the percentage from 2024 and showing a marginal 1% increase from 2023. Since 2020, there has been only a 4% overall increase in smart speaker ownership.

In-Car Listening and Competition: The car remains radio’s top listening location, though competition from streaming, podcasts, and connected car features (e.g., Apple CarPlay, Android Auto) is intensifying. The survey examines how the “in-car rebound” post-COVID affects listening habits.

AI Perceptions: Building on 2024 findings, Techsurvey 2025 likely continues tracking attitudes toward AI in media. In 2024, 51% of respondents were “very concerned” about AI’s impact on elections, with News/Talk listeners most skeptical. Alternative and Sports Radio fans were more likely to use AI (15% overall).

Demographic and Format Insights: The survey provides format-specific data (e.g., Country, News/Talk, Urban AC) and demographic breakdowns. For example, 2024 data showed Country (46%) and News/Talk (42%) listeners leaning Republican, while Urban AC (54%) and Triple-A (48%) skewed Democratic. Similar political and behavioral trends are expected in 2025.

Methodology and Scope: Sample Size: 25,000 respondents from 500 participating commercial radio stations, covering diverse formats and broadcasting companies. Respondent Profile: Core listeners (“the 20% in the 80:20 rule”), tech-savvy, and surveyed via station email databases and social media. Data is weighted by market size (e.g., Los Angeles vs. smaller markets).

R.I.P.: Wink Martindale, Iconic Radio Personality, TV Game Show Host

Wink Martindale (1934-2025)

Wink Martindale, the iconic television game show host known for “Tic-Tac-Dough,” “Gambit,” “High Rollers,” and numerous other programs that became household staples, passed away on Tuesday, April 15, 2025, in Rancho Mirage, California. 

He was 91. 

Martindale, a prominent Los Angeles radio personality and unexpected recording artist in the 1950s, died surrounded by family, including his wife of 49 years, Sandra Martindale, according to his publicity firm.

Born Winston Conrad Martindale on December 4, 1933, in Jackson, Tennessee, he earned his nickname “Wink” as a child when a friend mispronounced “Winston” as “Winkie.” The name stuck, though for his first national TV show, “What’s This Song?” (1964–1965), NBC briefly insisted on “Win” to sound more mature. Martindale, ever affable, didn’t mind, joking in a 2017 Television Academy Foundation interview, “They can call me anything—Winkie-dinkie-doo, the Winkmeister—as long as the checks clear.”


Martindale’s career spanned radio, television, and music. Starting at 17 as a DJ at WPLI in Jackson, he rose to host the morning show “Clockwatchers” at WHBQ in Memphis by 1953. There, he witnessed Elvis Presley’s breakthrough in 1954 when DJ Dewey Phillips played “That’s All Right,” sparking “Presley mania.” 

In 1959, he moved to Los Angeles to become the morning DJ on radio station KHJ. That same year, he scored a surprise hit in “Deck of Cards,” which reached No. 7 on Billboard’s Hot 100 chart and No. 11 on its Hot Country Songs chart. Martindale, who received a gold record for the recording, performed the piece on Ed Sullivan’s popular Sunday-night variety show. While working at KHJ Radio in 1959, he began hosting “The Wink Martindale Dance Party” on KHJ-TV on Saturdays. The popular show, broadcast from a studio, also began airing weekdays, live from Pacific Ocean Park in Santa Monica.

Martindale hosted Presley’s first radio interview and later interviewed him on his TV show “Top 10 Dance Party” in 1956. His own recording of “Deck of Cards” hit No. 7 on Billboard’s Hot 100 in 1959, earning a gold record and an Ed Sullivan Show appearance.

Over the years, in addition to KHJ, Martindale worked at Los Angeles radio stations KRLA, KFWB, KMPC, and KGIL.

On television, Martindale hosted or produced 21 game shows, including “Words and Music,” “Trivial Pursuit,” and “Debt.” His most famous, “Tic-Tac-Dough” (1978–1986), peaked in 1980 with Navy pilot Thom McKee’s 88-game streak, winning $312,700 and setting a Guinness World Record. Martindale attributed the show’s appeal to its simplicity, noting that viewers felt, “I can play that game.” He left in 1985 to host his creation, “Headline Chasers,” which lasted less than a year, one of several “bombs between the hits,” he told The Los Angeles Times in 2010.


Martindale’s charm, polished appearance, and knack for engaging audiences made him a game show legend. He embraced the role, saying in 2017, “I never looked down on being branded a game show host—most people love games.” His contributions earned him a 2006 Hollywood Walk of Fame star and a 2007 induction into the American TV Game Show Hall of Fame.