Monday, February 13, 2017

Melissa McCarthy's 'Sean Spicer' Returns To SNL

Melissa McCarthy as Sean Spicer on SNL
Melissa McCarthy, who made a surprise appearance last week as an agitated Mr. Spicer in an “SNL” sketch that drew wide acclaim, was back in the role, in the opening of this week’s show.

As Mr. Spicer, she announced to the White House press corps that “I’m calm now,” then stopped herself from swearing because, as she explained, “That’s the old Spicey, and this is the new Spicey.”


According to The NYTimes, she went on to use action figures and Barbie dolls to explain a new process of “extreme vetting”; chastised the news media for failing to report on terrorist attacks like “the Horror at Six Flags,” “the Slaughter at Fraggle Rock,” and “the Night they Drove Old Dixie Down”; and plugged some of Ivanka Trump’s merchandise, a bangle and a shoes.


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NBC's SNL Scores Largest Ratings Since 2011


The Trump administration has helped “SNL” to its highest overnight metered-market household TV rating since January 2011.

According to The Wrap, Saturday night’s show, featuring host/Donald Trump impersonator Alec Baldwin and musical guest Ed Sheeran, earned a 7.2 rating/18 share from the 56 metered markets, according to Nielsen’s very preliminary overnight numbers. The show scored a 3.6/18 among adults 18-49 in the 25 markets with local people meters — that age-range is broadcast TV’s key demographic for entertainment programming.

The 7.2 marks the show’s high mark since Jan. 8, 2011, when an NFL playoff game between the New York Jets and Indianapolis Colts ran long and helped deliver a 7.8 for “Saturday Night Live.”

The Lorne Michaels’ program’s frequent mockery of last year’s election and the current administration has brought in substantially more eyeballs for the program. Compared with the previous year’s original broadcasts, last night’s metered-market households rating was up more than 50 percent (a 7.2 vs. 4.8) and the local people meters number was up 57 percent (a 3.6 vs. 2.3 for the month of February 2016).

CBS-TV Finds Success On Friday Nights


If the TV industry gave out an award for the most uncool night of programming, CBS’s Friday lineup would win it hands down, reports the LA Times.

“MacGyver” and “Hawaii Five-0” are reboots of old series, an anathema to TV critics who believe the industry is in a golden age of creativity. They lead into “Blue Bloods,” a combination cop show and family drama, featuring the 72-year-old Tom Selleck, the quintessential 1980s TV star.

None of that bothers CBS Corp. chairman Leslie Moonves, who maintains he will take ratings over Emmy statuettes any day. All three shows rank among the top 20 most-watched broadcast shows in prime time.

CBS, which is the most-watched network overall, is dominant on Friday with 10.4 million viewers, doubling the numbers for its broadcast competitors ABC (5.7 million), NBC (5 million) and Fox (4.83 million). Expensive scripted shows with big ratings usually end up on Sunday through Thursday, when more viewers are at home and available to watch.  Friday night is generally when most networks air low-cost reality TV programs, which are bought from outside producers, or news magazines.

CBS has taken a different tack. The network has instead used Friday to build and sustain scripted programming assets that can become ongoing businesses for the company. CBS has succeeded by scheduling escapist, broad-appeal fare that does not require a weekly commitment to follow the plot.


First year series “MacGyver,” reviving the character that uses his scientific smarts to get out of jams in unconventional ways, has improved its 8 p.m. time period by 29%. The ratings have helped lift the 9 p.m. show “Hawaii Five-0” by 10% to 12.2 million viewers. At 10 p.m., “Blue Bloods” has gained 6%, rising to 13.9 million viewers.

The CBS viewers on Friday have a median age of 63, which is well above the typical range of 54 to 55 for broadcast prime time. But the shows have a large enough audience that they also win their time periods in the 18 to 49 age group that is coveted by most advertisers.

Daytime TV’s New Star? Sean Spicer

Sean Spicer, the White House press secretary whose early tenure has prompted political fireworks and late-night parodies, may be struggling to settle in behind the lectern. On the airwaves, however, he is daytime television’s new big hit, report The NYTimes.

Mr. Spicer’s briefings, carried live by the major cable news networks, are pulling in an average of 4.3 million viewers, according to data from Nielsen. Audiences across Fox News, MSNBC and CNN grow by an average of 10 percent when Mr. Spicer comes onscreen to discuss the latest news on President Trump, statistics show.

The soap opera at the White House is outscoring actual soaps like “General Hospital” and “The Bold and the Beautiful,” which typically air around the same time. Mr. Spicer’s ratings are on par with prime-time entertainment like “MasterChef Junior” on Fox and the ABC sitcom “Dr. Ken,” which draw around four million viewers each.

The big ratings offer a quantifiable measure for what has become a truism in Washington: Three weeks into the Trump administration, Mr. Spicer’s daily joust with reporters — peppered with fiery exchanges, memorable malapropisms and some much discussed dissembling — are now must-see-TV for the political class.

Since Inauguration Day, Fox News’s audience from 1 to 3 p.m. on weekdays has grown to about 2.2 million, up 62 percent from the previous year. CNN and MSNBC have also seen big increases in daytime audiences.

Spicer has what some describe as the least desirable job in Washington, balancing his relationship with reporters while spinning on behalf of a president who has shown open hostility toward the press.

Facebook Takes Steps to Improve Advertising Data

Facebook said on Friday that it would agree to an audit of information it provides to marketers and provide them with new, more precise measurement data, less than two weeks after Procter & Gamble, America’s biggest advertiser, criticized the lack of transparency provided by digital ad platforms.

According to The NYTimes, the social network, which came under scrutiny last year for repeated inaccuracies in its tools for measuring ads, also said Friday that it would give marketers new options for buying video ads this year.

For example, marketers might pay only if an ad was viewed to completion or if the sound was on. The nonprofit Media Rating Council will conduct an audit to “verify the accuracy of the information” Facebook gives marketers, the company said in a blog post, adding that it was also working with 24 third-party measurement companies.

Facebook announced the changes after Marc S. Pritchard, the chief brand officer at Procter & Gamble, demanded that the digital ad industry “grow up,” criticizing the different ways platforms, including Facebook and YouTube, define whether an ad has been viewed and the lack of accredited outside sources used to measure digital ad performance.

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Meanwhile Reuters is reporting that Italy wants Facebook to do much more to stamp out hate speech on its site.  The president of Italy's lower house of parliament warned that rising abuse on various social media was being fueled by fake news.

Laura Boldrini
Laura Boldrini, herself often the focus of sexist insults and online threats, complained to Facebook managers in November about hate speech on the social network and put forward several proposals on ways to deal with the problem.

"Two months after our meeting, they have done nothing. They have not even written to me about what I said. Good manners would have expected at least a reply," Boldrini told Reuters in a gilded, art-filled room in the parliament building.

She said she would write an open letter to Facebook founder and CEO Mark Zuckerberg this week reiterating her call for a more effective and timely policing of his site.

"His platform risks becoming home to dangerous predators ... the company has to take responsibility for this," she said.

In a statement, Facebook said it was committed to battling hate speech and fake news, and was working closely with various institutions in Italy to deal with cyber bullying.

Facebook, Twitter, Google's YouTube and Microsoft agreed last May to an EU code of conduct to tackle online hate speech, pledging to review the majority of valid requests for removal of illegal abuse within 24 hours in Europe.

Tim Cook: Fake News Is Killing People's Minds

Tim Cook, the boss of Apple, is calling for governments to launch a public information campaign to fight the scourge of fake news, which is “killing people’s minds”.

In an impassioned plea, Mr Cook, boss of the world’s largest company, says that the epidemic of false reports “is a big problem in a lot of the world” and necessitates a crackdown by the authorities and technology firms.

Tim Cook
In an exclusive interview with The Daily Telegraph, he calls for a campaign similar to those that changed attitudes on the environment to educate the public on the threat posed by fabricated online stories.

“It has to be ingrained in the schools, it has to be ingrained in the public,” said Mr Cook. “There has to be a massive campaign. We have to think through every demographic.

"We need the modern version of a public-service announcement campaign. It can be done quickly if there is a will.”

The rise of fake news was being driven by unscrupulous firms determined to attract online readers at any cost, he said.

“We are going through this period of time right here where unfortunately some of the people that are winning are the people that spend their time trying to get the most clicks, not tell the most truth,” he said. “It’s killing people’s minds in a way.”

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Study: More Students Support First Amendment


There’s good news from the new “Future of the First Amendment” survey released last week: High school students nationwide show greater support for First Amendment freedoms that at any time since the survey began more than 10 years ago.

The Knight Foundation-funded survey of about 12,000 high school students, in spring 2016, found fully 91 percent of the students said it was important to be able to “express unpopular opinions,” up from 83 percent who felt that way in 2004.

There’s one key lesson in the survey to which adults should pay particular attention: The survey found that “students who more frequently consume news and actively engage with news on social media demonstrate stronger support for the First Amendment.”


The link was shown across platforms, whether it be social media or print newspapers. To Gene Policinski at The Knight Foundation, this correlation supports the notion that more exposure to news and information only builds knowledge, and that familiarity builds a better sense of the value of those five freedoms – religion, speech, press, assembly and petition – to our nation.


More than nine in ten (91%) high school students now agree that “people should be allowed to express unpopular opinions” compared with 83% who held that opinion in 2004. Survey results show 71% of students who actively discuss, comment, and share news stories on social media express strong support for the First Amendment, compared to 56% of those who don’t actively engage with news on social media.

SoundCloud Loses Key Execs Amid Fundraising Drive

(Reuters) -- Music-streaming service SoundCloud has lost two senior executives and is seeking to raise new funding, the company said on Sunday, but denied a Financial Times report that it was running low on cash.

Marc Strigel, SoundCloud's chief operating officer, and finance director Markus Harder left after five years with the company to pursue new opportunities, a spokeswoman for Berlin-based SoundCloud said, without giving details.

"SoundCloud is currently fundraising, which is typical of most startups of our size and in our phase of growth," the spokeswoman said, denying an assertion by an anonymous source quoted by the FT as saying it was seeking financing in "desperation."

The firm raised $100 million last June from a group of investors including Twitter, half the $193 million it has taken in since its founding in 2008, according to Crunchbase data.

The FT's source said SoundCloud was looking to raise funds while seeking to avoid accepting a lower valuation than the roughly $700 million when it last raised money.

SoundCloud is popular among music artists, but has been less successful at striking licensing deals on favorable terms with major music labels than rivals Spotify and Apple Music.

The SoundCloud spokeswoman reported business as usual, saying the executive departures were unrelated to its fundraising. The company said in a report filed early in January that it made a loss of 48.7 million euros ($51.8 million) after tax during the 2015 calendar year.

The company's auditors warned in the filing with UK Companies House that a material uncertainty exists that may cast doubt on the company's ability to continue as a going concern.

"This is unrelated to our 'normal course' fundraising efforts, which are being led by our recently appointed Chief Financial Officer, Holly Lim," the SoundCloud spokeswoman said. Lim joined in September after working at Google.

"SoundCloud remains in a position of strength and is confident in its long-term prospects as it continues to be the go to platform for the creative community," the spokeswoman said.

Red Eye Radio To Celebrate At The Mid-America Trucking Show


It will be a red, white, and blue celebration when Westwood One’s Red Eye Radio lobby booth will once again be THE premier celebrity rendezvous spot at the Mid-America Trucking Show in Louisville. This year’s star-studded event features live appearances and  musical performances from Country artists Lee “God Bless the USA” Greenwood, Shane Owens, Jayne Denham, Tony Justice and a celebrity appearance by Edgar Hansen from the Deadliest Catch.

The Mid-America Trucking Show, a trucking convention with over 70,000 attendees, will take place March 23-25, 2017 at the Kentucky Exposition Center in Louisville, KY. Eric Harley, host of Red Eye Radio, will be on site to introduce attendees to the sizzling lineup of country music artists. The special guests will visit Red Eye Radio’s lobby booth (41064) for signing autographs, taking photos, and talking with drivers. For specific days, schedule, and details visit www.redeyeradioshow.com.


Visitors to the booth will also be able to register for daily drawings for CB Radios, GPS Units, and much more.   Red Eye Radio’s 2017 Mid-America Trucking Show events and activities are powered by Finditparts.com, Mercer Transportation, ToughTested, Pilot Flying J, Chevron Delo, The St. Christopher Fund, Motel 6, Uniroyal Commercial Truck Tires…Affordable and Dependable, and Taxation Solutions.

Red Eye Radio is the longest running nationally syndicated radio program focused on the needs of the trucking industry, third shift worker, insomniac, and overnight traveler. The show airs on more than 240 stations nationwide Monday - Sunday, 1 am to 6 am ET. For more than 45 years, the show has been a part of the fabric of the trucking industry and the overnight news listener. Red Eye Radio has done this by consistently providing it’s national audience with up-to-the-minute news, information, and entertainment that engages overnighters on the road, at work, and at home.

Pacifica Radio Network Goes With New Executive Director

The five-station Pacifica Radio network opted for change in 2017 by removing Lydia Brazon, the interim executive director since 2015 and replacing her with 2010-2012 and 2016-2017 Director William Crosier.

The network, founded in 1946 in Berkeley, California, faces an increasingly acute financial situation, with litigation recently filed by the Empire State Building for unpaid transmitter tower rent for station WBAI, and an investigation in progress by the California Attorney General’s Registry of Charitable Trusts over delinquent financial audits.

Crosier commented: “Pacifica’s mission of alternative educational broadcasting is crucial to the future of this country. I will do everything in my power to ensure the Pacifica Foundation’s survival until I can hand over the network to the care of a new visionary leader. I thank my colleagues on the Pacifica National Board for their faith in me. I know we have serious challenges ahead, but I look forward to working together with Pacifica staff and volunteers to catch up on the things we’ve been neglecting, and guide us to a better place”.

Crosier holds a master of science degree in biomedical engineering from the University of Texas at Arlington and thirty-five years of experience in the development of computer-based electronic and electro-mechanical hardware and software systems for biomedical research. He is a long-time radio aficionado and the former chair of the board and President of the Houston Peace and Justice Center.

The Pacifica National Board made the change on Friday evening during a national teleconference. Outgoing director Lydia Brazon had held the interim position since October of 2015.

R.I.P.: Jazz, R&B Iconic Singer Al Jarreau

(Reuters) -- Jazz and R&B singer Al Jarreau, a seven-time Grammy winner whose hits included "We're in This Love Together" and "Moonlighting," died on Sunday in Los Angeles at age 76, just days after announcing he was retiring from touring because of poor health.

His Facebook page said Jarreau "passed away this morning, at about 600am LA time. He was in the hospital, kept comfortable by his wife, son, and a few of his family and friends."

No cause of death was given.

Jarreau was hospitalized for exhaustion last week and forced to cancel his remaining tour dates for 2017. He announced on Wednesday he was giving up touring.

A post on his Facebook page on Thursday said he had been "recovering slowly and steadily."

"His son reports that he caught his dad singing 'Moonlighting' to one of the nurses the morning ... a very encouraging sign," the post said of the theme song to the 1980s American television show starring Bruce Willis and Cybill Shepherd.


 The "Moonlighting" theme, for which he wrote the lyrics, cemented his place in pop culture.

Jarreau was considered one of jazz's greatest vocalists, with a mastery of scat singing and vocal percussion. But his smooth, breezy hit "We're in This Love Together" from the 1981 album "Breakin' Away" made him a mainstream commercial success.

Jarreau died hours before Sunday's Grammy Awards, the biggest night of the year for the music industry.

"Breakin' Away" won the Grammy for Best Pop Performance. He also won Grammys for best jazz vocal performance, best pop vocal performance, best R&B vocal performance, and most recently in 2006 for best traditional R&B vocal performance along with George Benson and Jill Scott for "God Bless the Child."

"Rest in power, @AlJarreau," fellow singer Chaka Khan wrote on Twitter. "U were EVERYTHING Jazz & beyond with an unrivaled improvisational genius. Love & prayers 2 his family & fans."


Born Alwin Lopez Jarreau in Milwaukee on March 12, 1940, his first album came out in 1975 and he made his Billboard chart debut in 1981 with "We're in This Love Together," Billboard.com reported.

The song was his highest-charting hit, reaching No. 15 in November 1981, Billboard said.

He was also one of the stars to sing on the single "We Are the World" to raise money for famine relief in Africa, getting a solo line between Willie Nelson and Bruce Springsteen.

February 13 Radio History


In 1914...The American Society of Composers, Authors and Publishers (ASCAP) was formed in New York City. The Society was founded to protect the copyrighted musical compositions of its members and collect licensing fees from users of music created by ASCAP members, then distribute them to its members as royalties. Its eventual rival performing rights organization, Broadcast Music Incorporated (BMI), was formed in 1939 as radio was coming to prominence as a source of musical entertainment.

Tennessee Ernie Ford
In 1919...singer Tennessee Ernie Ford was born in Bristol, Tenn.  He began his career as a radio announcer at hometown station WOPI, and continued after WWII at stations in San Bernardino & Pasadena. He joined Cliffie Stone’s Dinner Bell Roundup on KXLA radio, and his Hometown Jamboree TV show. In 1950 he had his first crossover song hit with Kay Starr, I”ll Never Be Free.  His big smash five years later was Sixteen Tons, which propelled him to a six year prime time show on NBC TV.  He has three stars on the Hollywood Walk of fame, for records, television, and radio.  A heavy drinker off stage, Ernie died of increasing liver problems Oct. 17 1991 at age 72.


In 1919...singer Joan Edwards was born in New York City. She is best remembered as the gal singer on the Lucky Strike Hit Parade on radio for six years, before, during & well after the Sinatra period. She first won the public’s attention as a vocalist with the Paul Whiteman Orch.  She died Aug. 26 1981 at age 62 after apparently suffering a heart attack at home in her New York apartment.




In 1934...WNEW 1130 AM NYC Signed on

The station's origins go back to 1922 as WAAM and 1925 as WODA. A radio institution throughout the majority of the 20th century, WNEW was known for its music selection as well as its staff of radio personalities including Martin Block, Dee Finch, Gene Rayburn, Gene Klaven, Ted Brown and William B. Williams. WNEW is credited with pioneering the role of the disc jockey, as well as for developing the modern morning radio show format and debuting the first all-night radio show. In addition to its music and entertainment programming, WNEW featured an award-winning news desk and became "the voice of New York sports" for its coverage of New York Giants football games. After years of declining ratings and management changes in the 1980s, WNEW was purchased by Bloomberg L.P. in 1992 and changed call letters to WBBR.

WNEW was acquired in 1934 by advertising executive Milton Biow and watch manufacturer Arde Bulova after the Amalgamated Broadcasting System failed and began selling off its radio stations. New York socialite Bernice Judis was hired as WNEW's first General Manager.

As a small, independent radio station, WNEW lacked the funds larger networks Columbia Broadcasting System, Mutual Broadcasting System, and the National Broadcasting Company used to produce daily programming common for that time such as comedy shows, soap operas and dramatic programs. However, Judis was not discouraged, and even welcomed the opportunity to develop her own schedule of innovative programming that included playing recordings of popular music throughout the day, creating the first all-night radio show, Milkman's Matinee, and cultivating a line-up of popular morning radio show personalities.

In 1935, WNEW pioneered the concept of a disc jockey when staff announcer Martin Block needed to fill time between new bulletins during his coverage of the Lindbergh kidnapping trial of Bruno Hauptmann. Block did not have access to a live orchestra to play music during the breaks as most network stations did, so he played records instead.  Soon afterward, he piloted a 15-minute experimental show called the Make Believe Ballroom, during which he played records from popular bands and singers, posed as a live performance in an imaginary ballroom. During Block's tenure as host of Make Believe Ballroom, the show attracted 25% of the listening audience in New York City. The show continued in sporadic runs until the station's end in 1992.




In 1935...The “Make Believe Ballroom” debuts on WNEW

In 1936, as the popularity of recorded music grew, WNEW was the defendant in a lawsuit initiated by bandleaders Paul Whiteman, Sammy Kaye and Fred Waring claiming that the playing of records on radio broadcasts was undermining performers' network contracts, which often called for exclusive services. The court ruled that WNEW, after purchasing each record, was allowed to broadcast it regardless of the resistance from artists. WNEW's victory subsequently authorized radio stations across the country to start playing recorded music and brought about the modern radio programming landscape.

In 1942, Judis set up a broadcast desk at the New York Daily News and WNEW became one of the first stations to carry hourly newscasts, something that would become commonplace in the industry over the next fifteen years.  The station ended its association with the Daily News in 1958 and went on to build its own news department with 13 reports and writers.


In 1947...the Mutual Broadcasting System aired "Family Theatre" for the first time.


In 1949..."Pat Novak For Hire," Jack Webb's first radio crime drama, began a one-year stay on the ABC Radio Network.




In 1956...Disc jockey/concert promoter Alan Freed signed a deal with Coral Records to compile and front four rock 'n' roll dance and party albums over the course of the next year.




In 1956...KYW 1060 AM in Philadelphia PA gives calls to WTAM Cleveland. Philadelphia’s KYW has a long (and mobile) history.

KYW began in 1921 in Chicago, Illinois. It was jointly owned by Westinghouse Electric Corporation and Commonwealth Edison. Westinghouse later bought out ComEd's share and became sole owner of the station. In 1927, Westinghouse aligned its four radio stations (KYW, KDKA in Pittsburgh, WBZ in Boston and WBZA in Springfield, Massachusetts) with the NBC Blue Network, which originated from former sister station WJZ (the present-day WABC) in New York City. Westinghouse had been a founding partner of the Radio Corporation of America (RCA), NBC's original parent company.


In 1934, the assignment of clear channels took a frequency away from Illinois and gave it to Pennsylvania, resulting in Westinghouse moving KYW to Philadelphia.  Upon arriving, KYW supplanted WFI and WLIT (which merged as WFIL in 1935) as Philadelphia's Blue Network affiliate – an affiliation that lasted 20 years (according to the June 14, 1940 edition of the Philadelphia Daily News, KYW used the frequency of 1020 AM at the time).

Circa 1946
In March 1941, KYW changed frequencies to 1060 AM as part of a nationwide shift of radio frequencies mandated by the North American Radio Broadcasting Agreement. KYW and the other Westinghouse radio stations remained with NBC after RCA was ordered by the FCC to break up its radio networks, aligning with the former Red Network (the predecessor of modern-day NBC) in 1942. KYW acquired a television counterpart when Westinghouse bought WPTZ (channel 3) – the nation's third commercial television station and NBC's second television affiliate – in 1953.

In June 1955, Westinghouse agreed to trade KYW and WPTZ to NBC in exchange for the network's properties in Cleveland, WNBK television and WTAM-AM-FM. Westinghouse also received $3 million in cash compensation.  The main impetus for the trade was NBC's desire to acquire an owned-and-operated television station in the fourth-largest American television market. NBC had to seek a waiver for the swap since KYW and NBC Radio's New York City flagship, WRCA (now sister station WFAN) were both clear channel stations; at the time, the Federal Communications Commission (FCC) normally did not allow common ownership of clear-channel stations with overlapping nighttime coverage. After clearing final regulatory hurdles, the swap went into effect on February 13, 1956. NBC took over the Philadelphia stations, rechristening 1060 AM as WRCV (for the RCA-Victor record label), and Westinghouse moved the KYW call letters to Cleveland.

Logo Today
However, almost immediately after the trade was finalized, Westinghouse complained to the FCC and the United States Department of Justice about NBC's coercion and an lengthy investigation was launched.  In August 1964, NBC's license for WRCV radio and television was renewed by the FCC – but only on the condition that the 1956 station swap be reversed.[9] Following nearly a year of appeals by NBC, Westinghouse regained control of WRCV-AM-TV on June 19, 1965 and subsequently restored the KYW call letters to the radio station (the television station became KYW-TV at this point).   To this day, the KYW stations insist that they "moved" to Cleveland in 1956 and "returned" to Philadelphia in 1965. However, the two stations' facilities remained the same.

On September 21, 1965, shortly after Westinghouse regained control of 1060 AM, the newly rechristened KYW once again dropped its NBC radio affiliation and was converted into one of the first all-news stations in the country


In 1995...The Howard Stern Radio Show begain airing on KIOZ-FM in San Diego, California.


In 2007...Premiere Radio Networks announced that American Top 40 with Ryan Seacrest had passed the 400-station mark worldwide. Seacrest also enjoyed a #1 rating in New York and Los Angeles with the target demo of adults 18-34.


In 2015…Veteran news reporter Stan Chambers, whose tenure at KTLA-TV in Los Angeles spanned six decades before he retired in 2010, died at the age of 91.