FOX Sports Radio, a division of Premiere Networks, has announced that The Herd with Colin Cowherd has reached the 100th affiliate milestone.
Among the program’s recent affiliate additions are: WINZ-AM/Miami-Ft. Lauderdale-Hollywood, FL; KHHO-AM/Seattle; KGME-AM/Phoenix; KLSD-AM/San Diego; KDSP-AM/Denver; WHBO-AM/Tampa-St. Petersburg; KFXX-AM/Portland; KRLV-AM/Las Vegas; WYGM-AM/Orlando; and KLGO-AM and KTXX-FM/Austin.
“You can't be happier professionally than I am today,” shared Colin Cowherd. “The support is so extensive that it only makes me want to work harder and this is just the beginning.”
“The reaction to Colin’s show over the past 10 months has been incredible – we’ve surpassed every goal we set for the first year of the program,” shared Julie Talbott, Premiere Networks President. “The rapid success of The Herd is a testament to Colin’s unique voice in the world of sports media and his ability to engage millions of fans across numerous platforms. We look forward to reaching many more milestones together.”
The Herd launched on FOX Sports Radio, iHeartRadio and FS1 in September 2015, and quickly amassed a large and loyal following across a variety of platforms.
Year to year, The Herd has driven audience gains of +135% on flagship station KLAC 570 AM*. The Herd also ranks No. 1 among sports podcasts on iHeartRadio, and listening hours for the show’s 24/7 iHeartRadio channel The Herd totaled 1.1 million in June alone. Additionally, The Herd podcasts on iTunes, including the “Best of The Herd” and “Full Show” offerings, continue to be incredibly popular, consistently ranking atop the Sports & Recreation category.
In comparison to its previous simulcast on ESPNU last year, The Herd’s audience increased by 24% since its September 8 debut on FS1. Also noteworthy, The Herd’s average audience is 43% greater than The Mike Francesa Show’s average audience in the same timeslot on FS1. Clips of The Herd drew 126 million video views over the show’s first nine months via Facebook, YouTube, FOXSports.com, the live-streaming FOX Sports Go app and Twitter video player.
Combining compelling conversation and unique perspective with Cowherd and Herdline News host Kristine Leahy, The Herd, which airs daily from 12:00-3:00 PM ET.
*Source: Nielsen Audio, JUN’16 vs JUN’15, PPM, MF9A12N, AQH Percent Change, A25-54
Since 2010: Now 81.4M+ Page Views, Edited by Tom Benson, News Tips, Feedback: pd1204@gmail.com
Tuesday, July 19, 2016
iHM's Fiesta Latina Returning To Miami
iHeartMedia announced Monday the return of the 2016 iHeartRadio Fiesta Latina to the AmericanAirlines Arena in Miami on Saturday, November 5, 2016.
The third annual mega-concert will celebrate the best in Latin music with performances by Enrique Iglesias, Juanes, Nicky Jam, Yandel, Gente de Zona, Intocable, J Balvin, Daddy Yankee and Pitbull. For the second straight year, the 2016 iHeartRadio Fiesta Latina will also include a special TV re-broadcast on TELEMUNDO in November.
The 2016 iHeartRadio Fiesta Latina will once again bring the power and unforgettable performances of the iHeartRadio Music Festival to Latin music. In addition to the special re-broadcast on TELEMUNDO, the star-studded event will video stream live exclusively on TELEMUNDO.com for fans across the U.S. and broadcast live on iHeartMedia Spanish-Pop, Tropical, regional Mexican and Spanish Adult Hit radio stations nationwide on Saturday, November 5.
“The 2016 iHeartRadio Fiesta Latina is a one-of-a-kind celebration of the wide variety of Latin music we play every day on our Spanish and English radio stations throughout the U.S.,” said Tom Poleman, President of the iHeartMedia National Programming Group. “In just three short years, the festival has exceeded even our own expectations. We’re thrilled to be returning to Miami for the 2016 iHeartRadio Fiesta Latina. It promises to be a can’t-miss night.”
The third annual mega-concert will celebrate the best in Latin music with performances by Enrique Iglesias, Juanes, Nicky Jam, Yandel, Gente de Zona, Intocable, J Balvin, Daddy Yankee and Pitbull. For the second straight year, the 2016 iHeartRadio Fiesta Latina will also include a special TV re-broadcast on TELEMUNDO in November.
The 2016 iHeartRadio Fiesta Latina will once again bring the power and unforgettable performances of the iHeartRadio Music Festival to Latin music. In addition to the special re-broadcast on TELEMUNDO, the star-studded event will video stream live exclusively on TELEMUNDO.com for fans across the U.S. and broadcast live on iHeartMedia Spanish-Pop, Tropical, regional Mexican and Spanish Adult Hit radio stations nationwide on Saturday, November 5.
“The 2016 iHeartRadio Fiesta Latina is a one-of-a-kind celebration of the wide variety of Latin music we play every day on our Spanish and English radio stations throughout the U.S.,” said Tom Poleman, President of the iHeartMedia National Programming Group. “In just three short years, the festival has exceeded even our own expectations. We’re thrilled to be returning to Miami for the 2016 iHeartRadio Fiesta Latina. It promises to be a can’t-miss night.”
R.I.P.: WXRT Chicago Radio Personality Leslie Witt
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| Leslie Witt |
Witt, 63, died Sunday of ovarian cancer, according to the Sun-Times.
Next to Terri Hemmert, she was WXRT’s longest-serving DJ, said fellow DJ Lin Brehmer, who said he’ll always recall “how excited she got over discovering a new artist.”
Hemmert, who has battled cancer herself, praised Ms. Witt in an online remembrance as “my hero” and “a woman of hope, strength and love.”
The Chicago native’s easy on-air personality, which earned her the nickname “the overnight angel,” reflected a gracious, kind spirit, friends said.
“She gave everybody the benefit of the doubt,” Brehmer said. “Whatever I wound up doing that involved Leslie, there was going to be no drama or stress. She was going to have a big smile on her face, and dispense compliments from the heart, not the head, and she was going to make everybody feel good.”
When Witt started out, “There weren’t a lot of women in radio,” especially rock radio, her husband said. After graduating from Deerfield High School and earning a communications degree at the University of Wisconsin-Madison, she worked at WIBA-FM in Madison and WGRG-AM in Pittsfield, Massachusetts before WXRT.
In the 1980s, while doing weekends at WXRT, Ms. Witt also worked weekdays as a WBEZ news reporter until the 1987 birth of her daughter, Kay, Dixon said.
July 19 Radio History
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| WRC in the Trans Lux Building |
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| First Home Riggs Bank |
WRC started at 640 AM and share the frequency with WCAP.
WRC was owned and oeprated by RCA. By the 1930, 500 watt WRC moved to 950 AM and was part of the NBC's Red Network. The station moved to 980 AM in the lates 1940s.
The two stations WRC and now WMAL were located in the Trans Lux Building at 14th & New York Ave.
In 1972, NBC made the decision to take the MOR station to a Top 40 format and challenge DC champ WPGC in the ratings game.
The birth of The Great 98 had a lot of help from some Philly radio vets. Lee Sherwood was brought in as PD and Bob Gross was Promotions Director. Both were from WFIL. The original on air team consisted of Johnny Andrews, Bobby McGee, Simon Trane, James Michael Wilson and Ron Starr.
Being an NBC O&O had its drawbacks: NBC Hourly News, NBC Monitor on weekends, special features (Graham Kerr, Gene Shalit, etc) had to be carried.
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| Eve Arden, Dick Crenna and Gloria McMillian at CBS Mic |
In 1970...radio singer Barry Wood, who headlined radio’s Your Hit Parade just before Sinatra took over in 1943, and who hosted/emceed several shows in the early days of TV, died at age 61.
In 2012…Radio programmer/manager (KHJ and KIIS in Los Angeles, KFRC-San Francisco, CKLW-Detroit, WOL-Washington, WTAE, WWSW, WXMP in Pittsburgh, KROY-Sacramento, KLAK, KIMN, KBTR, KDAB in Denver, KUDL, WHB in Kansas City) Ted J. Atkins died of pancreatic cancer at age 72.
Ted began in radio in Denver at KLAK in 1957.
Monday, July 18, 2016
Judge: Accused Jock Can Attend Taylor Swift Deposition
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| Taylor Swift |
The pop star is battling in court with David Mueller, former KYGO 98.5 FM Denver morning cohost who she alleges groped her during a 2013 meet and greet before a Denver concert. Mueller is suing her for slander while she's brought counterclaims alleging sexual assault and battery. The legal action is taking place in a Colorado federal court under some intense secrecy. Many of the court filings have been filed under seal.
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| David Mueller |
Additionally, Swift was unsuccessful in prohibiting Mueller from attending the deposition. As a result, the man Swift accuses of groping her can be there as she recounts conduct that she characterized as "outrageous and humiliating" in court papers.
The videotaped deposition would become public if there's a trial, though excerpts of transcripts could appear in summary motion papers. Until then, it will be under a protective order that will also limit what attorneys for both parties can say about the case.
Country Music Finding New Audience Among UK Millennials
Country music appears to be finding a new audience of millenials in the UK, according to a new report from the CMA (Country Music Association).
The report, which provides a snapshot of how the genre is performing across the globe, reveals some unique insights into who is listening to country music in 2016 and how they are doing so. And, in the UK, country certainly seems to be resonating with an ever-younger crowd.
A cross section of 800 Brits aged 18 and over were quizzed over the their music tastes and consumption, with 47% of 18-24 year olds identifying as country listeners (defined as those who listen to country music on a regular basis -monthly or more frequently). The only age group with which the genre was more popular was the 65+ bracket, with 57% declaring themselves country listeners.
Elsewhere, 36% of 25-34 year olds identified as country listeners, as did 37% of 35-44 year olds, 30% of 45-54 year olds and 35% of 55-64 year olds.
Overall, 39% of respondents declared themselves country listeners.
What’s more, the report found that 25% of millenials are more likely to listen to country music on a daily basis.
Of the cities studied, Edinburgh boasted the biggest country audience with 43% of respondents stating that they listened to country music at least once per month. Other regions surveyed ranked as follows: London 40%, Manchester 39%, Birmingham 35% and Wales 35%. It’s worth noting the report cited this as a single figure for Wales as a whole without pinpointing a specific city.
Meanwhile, an average of 50% of respondents listed country as one of their three favourite genres.
Notably, given the growing uptake across the industry for audio and/or video streaming, the most popular method of music consumption amongst respondents was radio (44%), while physical purchases were the second most popular choice (38%). This was followed by YouTube (34%), TV music channels (30%), streaming services (25%) and digital downloads). The survey notes that these figures represent ‘the percentage of listeners that access each platform several times per week’.
When drilling down into the consumption habits of particular age groups the three most popular options were 9% of 18-34 year olds listened to country via radio, 22%via YouTube and 30% via streaming.
Of 35-54 year olds, 20% do so via radio, 16% YouTube and 16% streaming.
For 55+ it was 50% radio, 2% YouTube and 4% streaming.
When asked which were the first artists that spring to mind when thinking of country music the most popular answers were, in no particular order, Dolly Parton, Shania Twain, Johnny Cash, Taylor Swift, Tammy Wynette and Kenny Rogers.
The report, which provides a snapshot of how the genre is performing across the globe, reveals some unique insights into who is listening to country music in 2016 and how they are doing so. And, in the UK, country certainly seems to be resonating with an ever-younger crowd.
A cross section of 800 Brits aged 18 and over were quizzed over the their music tastes and consumption, with 47% of 18-24 year olds identifying as country listeners (defined as those who listen to country music on a regular basis -monthly or more frequently). The only age group with which the genre was more popular was the 65+ bracket, with 57% declaring themselves country listeners.
Elsewhere, 36% of 25-34 year olds identified as country listeners, as did 37% of 35-44 year olds, 30% of 45-54 year olds and 35% of 55-64 year olds.
Overall, 39% of respondents declared themselves country listeners.
What’s more, the report found that 25% of millenials are more likely to listen to country music on a daily basis.
Of the cities studied, Edinburgh boasted the biggest country audience with 43% of respondents stating that they listened to country music at least once per month. Other regions surveyed ranked as follows: London 40%, Manchester 39%, Birmingham 35% and Wales 35%. It’s worth noting the report cited this as a single figure for Wales as a whole without pinpointing a specific city.
Meanwhile, an average of 50% of respondents listed country as one of their three favourite genres.
Notably, given the growing uptake across the industry for audio and/or video streaming, the most popular method of music consumption amongst respondents was radio (44%), while physical purchases were the second most popular choice (38%). This was followed by YouTube (34%), TV music channels (30%), streaming services (25%) and digital downloads). The survey notes that these figures represent ‘the percentage of listeners that access each platform several times per week’.
When drilling down into the consumption habits of particular age groups the three most popular options were 9% of 18-34 year olds listened to country via radio, 22%via YouTube and 30% via streaming.
Of 35-54 year olds, 20% do so via radio, 16% YouTube and 16% streaming.
For 55+ it was 50% radio, 2% YouTube and 4% streaming.
When asked which were the first artists that spring to mind when thinking of country music the most popular answers were, in no particular order, Dolly Parton, Shania Twain, Johnny Cash, Taylor Swift, Tammy Wynette and Kenny Rogers.
TV Nets Boost Convention Coverage
By Lisa Richwine and Jessica Toonkel
(Reuters) - U.S. TV networks, buoyed by strong demand from advertisers, are adding hours of coverage for this week's Republican National Convention compared to four years ago and planning to use social media to capture any unexpected moments, executives said.
Presumptive presidential nominee Donald Trump may be new to politics. But the former star of his own reality show "The Apprentice" is a TV veteran who has promised to throw out the traditional convention script and provide a "showbiz" feel. Adding to the programing uncertainty are protests outside the convention hall in Cleveland and the possibility of dissent among delegates.
"It's safe to say that there are going to be surprises," said Sam Feist, Washington bureau chief for CNN, the cable news network owned by Time Warner Inc.
The stakes are high for broadcast and cable networks. Media analysts predict viewership for Trump's acceptance speech could surpass the record 38 million who watched Barack Obama address the Democratic convention in 2008.
The potential for the unexpected at what is usually a meticulously staged event is driving strong advertiser demand, network executives said. CNN is pulling in between $40,000 and $100,000 for 30-second spots, a source familiar with the matter said. That is far above the typical cost of roughly $7,000 for a primetime ad on CNN.
"We are 100 percent sold on primetime and about 95 percent sold on other slots," said Katrina Cukaj, executive vice president of portfolio sales and client partnerships at CNN parent Turner Broadcasting. She declined to comment on rates.
Quick service restaurants and movie studios are running more spots than in past conventions, Cukaj said. "The advertisers are a lot more diverse than I have ever seen," Cukaj said.
At CNN, anchors Anderson Cooper, Jake Tapper, Wolf Blitzer, Chris Cuomo, Don Lemon and Dana Bash will anchor weeknight coverage for "America's Choice 2016." The network is sending a total of 17 anchors and 23 additional correspondents, reporters and analysts to the conventions in Cleveland, and CNN International and CNN en Español are sending a total of seven anchors and reporters to the RNC. The cable network has built out broadcast studios and is hosting CNN Grill, where it will host special events and broadcast live, at Cleveland restaurant Harry Buffalo.
Fox News also has wall-to-wall coverage planned. In primetime, Bret Baier and Megyn Kelly will co-anchor primetime editions of "America's Election Headquarters" beginning Sunday, with help from Chris Wallace, Brit Hume, Juan Williams and Dana Perino. Bill Hemmer and Martha MacCallum, the hosts of "America's Newsroom," will lead coverage for Fox News from the convention floor along with chief political correspondent Carl Cameron. Shepard Smith will anchor live convention coverage for Fox Broadcasting Company beginning Monday at 10 p.m. Fox News is also rolling out special online editions of "Outnumbered," Shepard Smith Reporting" and "Red Eye" to cover convention news.
Broadcaster CBS & CBSN has seen strong ad sales for both conventions and has booked ads from the entertainment, packaged goods, travel and other industries, a network source said.
In 2012, TV advertisers spent $5.8 million during both conventions, compared to $7.8 million in 2008, according to Kantar Media.
Cable networks will provide coverage throughout each day and into the evening. Broadcast networks plan one hour of primetime coverage each of the four nights, plus online reports. In 2012, broadcasters aired an hour of only the last three nights.
CNN will have hundreds of staff on the ground, more than any previous convention, Feist said. For the first time, the channel is anchoring every show from Cleveland through noon Friday.
The network will face plenty of competition. Fox News Channel, owned by 21st Century Fox, began its coverage from Cleveland on Thursday, four days before the start, compared to Sunday in years past. It also added staff outside to cover protests.
Trump's acceptance speech could attract more than 40 million viewers, said Kyle Roberts, president and chief executive of Smart Media Group, a media buyer that works with Republican candidates.
Some brands will avoid the convention, said Barry Lowenthal, president of The Media Kitchen, a media buyer.
"It's just dangerous territory," Lowenthal said. "It's very unpredictable content. I'm not sure that convention is going to enhance any brand's image. Why go there if you can go elsewhere?"
Media outlets say they will rely more heavily this year on social media and live streams.
MSNBC correspondent Jacob Soboroff said he expects to broadcast live most of the week. When not on television, he plans to be on Snapchat, Twitter and possibly Facebook Live.
"This is going to be a different kind of convention," Soboroff said. "It doesn't feel like business as usual because there is a lot of energy around that feels uncertain."
Walt Disney Co's ABC News will run up to six live streams simultaneously on its website and apps. Live coverage from CBS will appear on Twitter and the 24-hour CBSN mobile app.
CBS is preparing for the possibility that Trump will appear in some role every night, another break from tradition, CBS News President David Rhodes said.
(Reuters) - U.S. TV networks, buoyed by strong demand from advertisers, are adding hours of coverage for this week's Republican National Convention compared to four years ago and planning to use social media to capture any unexpected moments, executives said.
Presumptive presidential nominee Donald Trump may be new to politics. But the former star of his own reality show "The Apprentice" is a TV veteran who has promised to throw out the traditional convention script and provide a "showbiz" feel. Adding to the programing uncertainty are protests outside the convention hall in Cleveland and the possibility of dissent among delegates.
"It's safe to say that there are going to be surprises," said Sam Feist, Washington bureau chief for CNN, the cable news network owned by Time Warner Inc.
The stakes are high for broadcast and cable networks. Media analysts predict viewership for Trump's acceptance speech could surpass the record 38 million who watched Barack Obama address the Democratic convention in 2008.
The potential for the unexpected at what is usually a meticulously staged event is driving strong advertiser demand, network executives said. CNN is pulling in between $40,000 and $100,000 for 30-second spots, a source familiar with the matter said. That is far above the typical cost of roughly $7,000 for a primetime ad on CNN.
"We are 100 percent sold on primetime and about 95 percent sold on other slots," said Katrina Cukaj, executive vice president of portfolio sales and client partnerships at CNN parent Turner Broadcasting. She declined to comment on rates.
Quick service restaurants and movie studios are running more spots than in past conventions, Cukaj said. "The advertisers are a lot more diverse than I have ever seen," Cukaj said.
At CNN, anchors Anderson Cooper, Jake Tapper, Wolf Blitzer, Chris Cuomo, Don Lemon and Dana Bash will anchor weeknight coverage for "America's Choice 2016." The network is sending a total of 17 anchors and 23 additional correspondents, reporters and analysts to the conventions in Cleveland, and CNN International and CNN en Español are sending a total of seven anchors and reporters to the RNC. The cable network has built out broadcast studios and is hosting CNN Grill, where it will host special events and broadcast live, at Cleveland restaurant Harry Buffalo.
Fox News also has wall-to-wall coverage planned. In primetime, Bret Baier and Megyn Kelly will co-anchor primetime editions of "America's Election Headquarters" beginning Sunday, with help from Chris Wallace, Brit Hume, Juan Williams and Dana Perino. Bill Hemmer and Martha MacCallum, the hosts of "America's Newsroom," will lead coverage for Fox News from the convention floor along with chief political correspondent Carl Cameron. Shepard Smith will anchor live convention coverage for Fox Broadcasting Company beginning Monday at 10 p.m. Fox News is also rolling out special online editions of "Outnumbered," Shepard Smith Reporting" and "Red Eye" to cover convention news.
Broadcaster CBS & CBSN has seen strong ad sales for both conventions and has booked ads from the entertainment, packaged goods, travel and other industries, a network source said.
In 2012, TV advertisers spent $5.8 million during both conventions, compared to $7.8 million in 2008, according to Kantar Media.
Cable networks will provide coverage throughout each day and into the evening. Broadcast networks plan one hour of primetime coverage each of the four nights, plus online reports. In 2012, broadcasters aired an hour of only the last three nights.
CNN will have hundreds of staff on the ground, more than any previous convention, Feist said. For the first time, the channel is anchoring every show from Cleveland through noon Friday.
The network will face plenty of competition. Fox News Channel, owned by 21st Century Fox, began its coverage from Cleveland on Thursday, four days before the start, compared to Sunday in years past. It also added staff outside to cover protests.
Trump's acceptance speech could attract more than 40 million viewers, said Kyle Roberts, president and chief executive of Smart Media Group, a media buyer that works with Republican candidates.
Some brands will avoid the convention, said Barry Lowenthal, president of The Media Kitchen, a media buyer.
"It's just dangerous territory," Lowenthal said. "It's very unpredictable content. I'm not sure that convention is going to enhance any brand's image. Why go there if you can go elsewhere?"
Media outlets say they will rely more heavily this year on social media and live streams.
MSNBC correspondent Jacob Soboroff said he expects to broadcast live most of the week. When not on television, he plans to be on Snapchat, Twitter and possibly Facebook Live.
"This is going to be a different kind of convention," Soboroff said. "It doesn't feel like business as usual because there is a lot of energy around that feels uncertain."
Walt Disney Co's ABC News will run up to six live streams simultaneously on its website and apps. Live coverage from CBS will appear on Twitter and the 24-hour CBSN mobile app.
CBS is preparing for the possibility that Trump will appear in some role every night, another break from tradition, CBS News President David Rhodes said.
Atlanta Radio: Drex, Cassiday & Tingle OUT At WSTR
Less than four months after moving to PM Drive to make way for Jeff Dauler and Jenn Hobby in mornings, the afternoon team of Drex, Cassidy and Tingle is gone from WSTR Star 94.1 FM.
Grabbing Jeff and Jenn was a major coup for Star to compete against Bert Weiss and WWWQ Q100 given their brand equity from the Bert Show, reports Rodney Ho at ajc.com.
But the change meant Star 94.1 FM had a problem with too many jocks and not enough slots. Drex, Cassiday and Tingle still had nearly a year left on their contract. So that’s why they were kept on air instead of cut immediately. It also meant that they had another full-time jock Mike Marino with nowhere to go. So they placed Marino as producer of Jeff and Jenn.
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| Jeff & Jenn |
“They were very professional about the whole thing,” Drex texted me tonight. “I think it’s going to play out in the best interest of everyone. But I’m sad. I would have liked to have continued my employment with them as long as possible.”
Marino gets his afternoon job back, according to Ho.
Star 94.1 has been making ratings progress since Jeff and Jenn arrived in February. Among 25 to 54 year olds, Star’s morning ratings were 3.5, ranked 12th, in January. By June, the ratings had climbed to 4.9, ranked seventh, up 40 percent.
The Bert Show, which suffered listener losses after Dauler left in November, has seen a rebound the past two months. After falling to fifth place among 25 to 54 year olds in April, the Bert Show returned to No. 1 in May and June.
What If...SiriusXM Became Free?
Here's an intriguing thought: What if SiriusXM went free?
Media blogster and Broadcast educator Dick Taylor posed the question in a weekend blog.
As Taylor sees it, satellite radio currently captures about ten percent of radio listening and mostly in vehicles. When they do one of their free listen promotions, they don’t turn on all the channels, just the ones they think will hook a person to listen.
So, Taylor imagines, they could create a group of channels that could be on all the time and carry a limited commercial inventory attractive to national advertisers. Like the most popular musical venues, such as adult contemporary.
According to Taylor, even if they only turned on the top five music formats, it would mean drivers could listen to them wherever they drove across America, plus SiriusXM would have the ability to pop in promos for their other channels that remained behind a paywall.
He writes it’s almost "too scary" to consider the possibility.
"AM/FM radio has been built on free. That’s an advantage that too often gets taken for granted. According to Nielsen 61% of people find out about new music via their AM/FM/satellite radio.
"It doesn’t take a whole lot of imagination to see satellite radio one day deciding to have the best of both worlds. Offer premium pay channels to those willing to pay for them and at the same time create a free tier of channels that could be ad supported by national advertisers.
"What history shows us are things that happen in other industries and services eventually make their way around to virtually all of them. It’s only a matter of time", Taylor concludes.
Read Taylor's Entire Posting: Click Here
Media blogster and Broadcast educator Dick Taylor posed the question in a weekend blog.
As Taylor sees it, satellite radio currently captures about ten percent of radio listening and mostly in vehicles. When they do one of their free listen promotions, they don’t turn on all the channels, just the ones they think will hook a person to listen.
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| Dick Taylor |
According to Taylor, even if they only turned on the top five music formats, it would mean drivers could listen to them wherever they drove across America, plus SiriusXM would have the ability to pop in promos for their other channels that remained behind a paywall.
He writes it’s almost "too scary" to consider the possibility.
"AM/FM radio has been built on free. That’s an advantage that too often gets taken for granted. According to Nielsen 61% of people find out about new music via their AM/FM/satellite radio.
"It doesn’t take a whole lot of imagination to see satellite radio one day deciding to have the best of both worlds. Offer premium pay channels to those willing to pay for them and at the same time create a free tier of channels that could be ad supported by national advertisers.
"What history shows us are things that happen in other industries and services eventually make their way around to virtually all of them. It’s only a matter of time", Taylor concludes.
Read Taylor's Entire Posting: Click Here
SiriusXM's Fastest-Growing Revenue Stream Might Surprise You
Among the more noteworthy numbers from SiriusXM Holdings' latest quarter was its revenue from subscriptions, which grew 11% over the prior year.
With that number topping analysts' estimates, John-Erik Koslosky at The Motley Fool, writes it was easy to overlook another revenue stream for the satellite radio company -- and one that's growing at a considerably faster rate than subscriptions: advertising.
That's right. The satellite radio service whose ad-free programming was once its biggest appeal to many subscribers is now raking in more than $100 million in advertising revenue annually. And while ads make up a small share of SiriusXM's overall revenue, we can expect it to keep growing.
Last summer, Sirius XM's chief content officer, Scott Greenstein, said he believed the satellite radio platform had indeed "matured as a true alternative vehicle for advertisers."
"It wasn't always seen that way, and it now is," Greenstein added. "So, we're optimistic about it."
Growth picked up immediately after. And while it's tailed off from its peak of 31% in the third quarter last year, it's still coming in in the high teens to low 20s.
What allowed for the growth of advertising on Sirius was the company's push to expand beyond music -- and continue stretching out into different types of programming.
Sports, news, entertainment, talk, and live events all provide opportunities for advertising.
In growing its ad revenue at such a rapid rate, Sirius is bucking the overall trend in radio advertising. Advertising across the industry is mostly flat and expected to remain so in the future.
SiriusXM is not growing ad revenue as fast as leading streaming service Pandora Media, where ads were bringing in 23% more money than a year ago.
At a recent telecom conference, Sirius CFO David Frear told analysts that he sees advertising growing "faster than the national average radio market for the foreseeable future."
Frear went on to say that the company also sees advertising growing faster than its subscription numbers. That's more telling, especially with subscription revenue now growing in the low double digits.
With that number topping analysts' estimates, John-Erik Koslosky at The Motley Fool, writes it was easy to overlook another revenue stream for the satellite radio company -- and one that's growing at a considerably faster rate than subscriptions: advertising.
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| Scott Greenstein |
Last summer, Sirius XM's chief content officer, Scott Greenstein, said he believed the satellite radio platform had indeed "matured as a true alternative vehicle for advertisers."
"It wasn't always seen that way, and it now is," Greenstein added. "So, we're optimistic about it."
Growth picked up immediately after. And while it's tailed off from its peak of 31% in the third quarter last year, it's still coming in in the high teens to low 20s.
What allowed for the growth of advertising on Sirius was the company's push to expand beyond music -- and continue stretching out into different types of programming.
![]() |
| David Frear |
In growing its ad revenue at such a rapid rate, Sirius is bucking the overall trend in radio advertising. Advertising across the industry is mostly flat and expected to remain so in the future.
SiriusXM is not growing ad revenue as fast as leading streaming service Pandora Media, where ads were bringing in 23% more money than a year ago.
At a recent telecom conference, Sirius CFO David Frear told analysts that he sees advertising growing "faster than the national average radio market for the foreseeable future."
Frear went on to say that the company also sees advertising growing faster than its subscription numbers. That's more telling, especially with subscription revenue now growing in the low double digits.
Detroit Radio: Marketing Paying-Off For WFDF
Detroit's new talk radio station aimed at African-American listeners has built enough of an audience that it has crept for the first time into the radio listenership rankings. according to Crain's Detroit.
WFDF 910 AM generated a 0.1 rating for June in the ratings released recently by Nielsen Audio. The station is averaging about 25,200 unique listeners per week, and of those, 15,600 are black, said David Bangura, vice president and general manager at 910 AM.
WFDF ranks 41st out of the market's 53 stations, and is on par with Taylor-based WCHB 1200 AM, a black-oriented talk station of local and syndicated content owned by Silver Spring, Md.-based Radio One Inc.
"It's a low number, but it's a start. It had no numbers before. It was ground zero," said station owner Kevin Adell.
The 49-year-old Adell bought 50,000-watt WFDF for $3 million in late 2014 from The Walt Disney Co.'s Burbank, Calif.-based Disney Radio Group LLC. In January 2015, he began using the station to simulcast audio from his Southfield-based The Word Network global Christian television programming that's mainly aimed at an African-American audience — and is highly lucrative while giving him cachet and legitimacy within the black media community.
While ramping up WFDF's signal and working out technical kinks, Adell simulcast The Word until launching the all-talk format in March.
Adell's strategy has been to saturate the metro area with more than 100 billboards to brand "910 AM Superstation" visually (he also has a couple of buses wrapped in the station's logo), and to populate the station's airwaves with notable names, including controversial figures, to build listenership.
WFDF 910 AM generated a 0.1 rating for June in the ratings released recently by Nielsen Audio. The station is averaging about 25,200 unique listeners per week, and of those, 15,600 are black, said David Bangura, vice president and general manager at 910 AM.
WFDF ranks 41st out of the market's 53 stations, and is on par with Taylor-based WCHB 1200 AM, a black-oriented talk station of local and syndicated content owned by Silver Spring, Md.-based Radio One Inc.
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| WFDF 910 AM (50KwD, 25KwN) |
The 49-year-old Adell bought 50,000-watt WFDF for $3 million in late 2014 from The Walt Disney Co.'s Burbank, Calif.-based Disney Radio Group LLC. In January 2015, he began using the station to simulcast audio from his Southfield-based The Word Network global Christian television programming that's mainly aimed at an African-American audience — and is highly lucrative while giving him cachet and legitimacy within the black media community.
While ramping up WFDF's signal and working out technical kinks, Adell simulcast The Word until launching the all-talk format in March.
Adell's strategy has been to saturate the metro area with more than 100 billboards to brand "910 AM Superstation" visually (he also has a couple of buses wrapped in the station's logo), and to populate the station's airwaves with notable names, including controversial figures, to build listenership.
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