July 31 Radio Highway

➦In 1912...Irving "Irv" Kupcinet born (Died at 91  – November 10, 2003) was an newspaper columnist for the Chicago Sun-Times, television talk-show host, and radio personality. He was popularly known by the nickname "Kup".

His daily "Kup's Column" was launched in 1943 and remained a fixture in the Sun-Times for the next six decades. In addition to writing his newspaper column and talk-show hosting duties, from 1953 to 1977 Kupcinet provided commentary for radio broadcasts of Chicago Bears football games with Jack Brickhouse (and was affectionately mocked for the signature phrase, "Dat's right, Jack").

➦In 1916...Game show producer Bill Todman was born in New York City.  Todman teamed up with Mark Goodson for radio shows.

According to radio historian J. David Goldin, among their early work together was the show Treasury Salute, a program syndicated by the Treasury Department that honored military members. They later collaborated in producing game shows for radio, then moved into television, where they produced some of the longest-running game shows in history.

Their many shows included Beat the Clock, Card Sharks, Family Feud, Match Game, Password, Tattletales, The Price Is Right, To Tell the Truth and What's My Line?.

 He died from a heart condition July 29 1979, two days short of his 63rd birthday.

➦In 1919...Curtis Edward Gowdy born (Died from leukemia at age 86 – February 20, 2006). He was a sportscaster, well known as the longtime "voice" of the Boston Red Sox and for his coverage of many nationally televised sporting events, primarily for NBC Sports and ABC Sports in the 1960s and 1970s. His accomplishments include coining the nickname "The Granddaddy of Them All" for the Rose Bowl Game, taking the moniker from the Cheyenne Frontier Days in his native Wyoming.

Curt Gowdy

In November of 1943, recovering from back surgery, Gowdy made his broadcasting debut in Cheyenne calling a "six-man" high school football game from atop a wooden grocery crate in subzero weather, with about 15 people in attendance. He found he had a knack for broadcasting, and worked at the small KFBC radio station and at the Wyoming Eagle newspaper as a sportswriter (and later sports editor).

After several years in Cheyenne, he accepted an offer from CBS's KOMA radio in Oklahoma City in September 1945. He was hired primarily to broadcast Oklahoma college football (then coached by new-hire Bud Wilkinson). In 1947-1948, in addition to calling football and basketball on KOMA, Gowdy was also broadcasting the baseball games of the Texas League Oklahoma City Indians, on station KOCY. When Gowdy announced in early 1949 that he was leaving Oklahoma to work in New York, his replacement was fellow Oklahoma City sportscaster Bob Murphy.

Gowdy's distinctive play-by-play style during his broadcasts of minor league baseball, college football, and college basketball in Oklahoma City earned him a national audition and then an opportunity with the New York Yankees in 1949, working with (and learning from) the legendary Mel Allen for two seasons.

Gowdy began his Major League Baseball broadcasting career working as the No. 2 announcer to Mel Allen for New York Yankees games on radio and television in 1949–50. There, he succeeded Russ Hodges, who departed to become the New York Giants' lead announcer when the Yankees and Giants decided to broadcast a full slate of 154 games, instead of sharing the same radio network and announcers for the 77 home games of each team that had been broadcast (no away games of either team were broadcast).

In April 1951 at the age of 31, Gowdy began his tenure as the lead announcer for the Red Sox. For the next 15 years, he called the exploits of generally mediocre Red Sox teams on WHDH radio and on three Boston TV stations: WBZ-TV, WHDH-TV, and WNAC-TV (WBZ and WNAC split the Red Sox TV schedule from 1948 through 1955; WBZ alone carried the Red Sox from 1955 through 1957; and WHDH took over in 1958). During that time, Gowdy partnered with two future baseball broadcasting legends: Bob Murphy and Ned Martin. He also did nightly sports reports on WHDH radio when his schedule permitted.

Gowdy called Ted Williams' final at-bat where he hit a home run into the bullpen in right-center field off Jack Fisher of Baltimore. He also called Tony Conigliaro's home run in his first at-bat at Fenway Park on April 17, 1964 at the age of 19.

He left WHDH after the 1965 season for NBC Sports, where for the next ten years he called the national baseball telecasts of the Saturday afternoon Game of the Week and Monday Night Baseball during the regular season (and the All-Star Game in July), and the postseason playoffs and World Series in October.




➦In 1933...Jack Armstrong, the All-American Boy first aired.  It was a radio adventure series which maintained its popularity from 1933 to 1951. The program originated at WBBM in Chicago on July 31, 1933, and was later carried on CBS, then NBC and finally ABC.

Armstrong was football hero at fictitious Hudson High School who saved the day from dastardly villains. Somehow, these adventures would take Jack and his cousins, Betty and Bill Fairfield, to exotic locales where they would make use of industrialist Uncle Jim’s yacht and a hydroplane they referred to as the Silver Albatross.

➦In 1964...Country Music Hall of Famer James Travis Reeves died (Born - August 20).  With records charting from the 1950s to the 1980s, he became well known as a practitioner of the Nashville sound (a mixture of older country-style music with elements of popular music). Known as "Gentleman Jim", his songs continued to chart for years after his death. Reeves died in the crash of his private airplane.

Jim Reeves

Reeves began to work as a radio announcer in 1943, and sang live between songs. Influenced by such Western swing-music artists as Jimmie Rodgers and Moon Mullican, as well as popular singers Bing Crosby, Eddy Arnold and Frank Sinatra, it was not long before he was a member of Moon Mullican's band, and made some early Mullican-style recordings like "Each Beat of my Heart" and "My Heart's Like a Welcome Mat" from the late 1940s to the early 1950s.

He eventually obtained a job as an announcer for KWKH-AM in Shreveport, Louisiana, then the home of the popular radio program Louisiana Hayride.

Reeves scored his greatest success with the Joe Allison composition "He'll Have to Go", a success on both the popular and country music charts, which earned him a platinum record. Released during late 1959, it scored Number 1 on Billboard magazine's Hot Country Songs chart on February 8, 1960, which it scored for 14 consecutive weeks.

On Friday, July 31, 1964, Reeves and his business partner and manager Dean Manuel (also the pianist of Reeves' backing group, the Blue Boys) left Batesville, Arkansas, en route to Nashville in a single-engine Beechcraft Debonair aircraft, with Reeves at the controls.   While flying over Brentwood, Tennessee, they encountered a violent thunderstorm. According to Larry Jordan, author of the 2011 biography, Jim Reeves: His Untold Story, musician Marty Robbins, recalled hearing the wreck happen and alerting authorities to which direction he heard the impact.

When the wreckage was found some 42 hours later, it was discovered the airplane's engine and nose were buried in the ground due to the impact of the crash. The crash site was in a wooded area north-northeast of Brentwood approximately at the junction of Baxter Lane and Franklin Pike Circle, just east of Interstate 65, and southwest of Nashville International Airport where Reeves planned to land.

➦In 1970…News Anchor Chet Huntley retired from NBC-TV, ending the 14-year run of the popular "Huntley-Brinkley Report." The network renamed the program the "NBC Nightly News".


Huntley began his radio newscast career in 1934 at Seattle's KIRO AM, later working on radio stations in Spokane (KHQ) and Portland. His time (1936–37) in Portland was with KGW-AM, owned by The Oregonian, a Portland daily newspaper. At KGW he was writer, newscaster and announcer. In 1937 he went to work for KFI in Los Angeles, moving to CBS Radio from 1939 to 1951, then ABC Radio from 1951 to 1955. In 1955, he joined the NBC Radio network, viewed by network executives as "another Ed Murrow".  He died in 2003.

➦In 1977...Johnny Dark aired his final show on WRKO 680 AM, Boston.

Johnny Dark

Dark grew up in South Florida and went on to become one of radio’s many jocks named Johnny Dark. This one, however, started out along Florida’s west coast and was Program Director, Music Director, and jock at Sarasota’s WYND in 1966. After a couple years there, he wanted to get closer to home, so he took at job on the air at Top 40 WSRF 1580 AM in Ft. Lauderdale and handled the music for its then-sister station, Easy Listening/AC WSHE.

Johnny moved to another Miami outlet, WMYQ 96.3 FM, in 1972 and then on to Bartel’s legendary WOKY, The Mighty 92, in Milwaukee in 1974 as combo Music Director and afternoon drive jock. The next year he landed at Boston’s WRKO where he survived five PD’s in three and a half years before leaving for WNBC in New York in 1978.

In 1985 it was back to Beantown as Johnny segued to CBS-owned WHTT 103.3 FM. (1985 Aircheck) He also made the dream of owning his own station a reality with WHQO Oldies 108 in Skowhegan, Maine. By 1990 it was time to move back home to South Florida so he began what turned out to be 12 years doing afternoon drive for Miami’s 97.3 WFLC, South Florida’s Coast.

➦In 1981...WXLO 98.7 FM NYC adopted its “Kiss” format.

➦In 1995…Disney announced the $19-billion acquisition of Capital Cities/ABC.  Created in a merger in March, 1985, Capital Cities/ABC owned the most profitable TV network, eight of the best-managed television stations in the country--which reach 25% of the nation’s viewers--21 radio stations, the ESPN sports cable networks, a gaggle of trade magazines and interests in cable networks, including Lifetime and A&E.

➦In 2010...Mitch Miller, the Coluimbia Records executive who nurtured the early careers of Tony Bennett, Johnny Mathis, Doris Day and Rosemary Clooney died at the age of 99.  As part of the CBS Symphony, Miller participated in the musical accompaniment on the infamous 1938 radio broadcast of Orson Welles's Mercury Theater on the Air production of The War of the Worlds. He also hosted a Sunday evening CBS Radio interview show in the late 1950’s, headed up the early 60’s NBC TV show ‘Sing Along with Mitch’.