Wednesday, May 1, 2019

May 1 Radio History



➦In 1907...Kate Smith born in Greenville, VA (Died – June 17, 1986).  She was considered to be The First Lady of Radio, best- known for her rendition of Irving Berlin's "God Bless America". She had a radio, television, and recording career spanning five decades, which reached its pinnacle in the 1940s. Smith became known as The Songbird of the South after her endearing popularity during World War II.

Smith was a major star of radio, usually backed by Jack Miller's Orchestra. She began with her twice-a-week NBC series, Kate Smith Sings (quickly expanded to six shows a week), followed by a series of shows for CBS: Kate Smith and Her Swanee Music (1931–33), sponsored by La Palina Cigars; The Kate Smith Matinee (1934–35); The Kate Smith New Star Revue (1934–35); Kate Smith's Coffee Time (1935–36), sponsored by A&P; and The Kate Smith A&P Bandwagon (1936–37).


The Kate Smith Hour was a leading radio variety show, offering comedy, music, and drama with appearances by top personalities of films and theater for eight years (1937–1945). The show's resident comics, Abbott and Costello and Henny Youngman, introduced their comedy to a nationwide radio audience aboard her show, while a series of sketches based on the Broadway production of the same name led to The Aldrich Family as a separate hit series in 1940.

Smith continued on the Mutual Broadcasting System, CBS, ABC, and NBC, doing both music and talk shows on radio until 1960.

➦In 1918...Jack Paar born in Canton, OH (Died at age 85 – January 27, 2004). He is best known for his stint as the second host of The Tonight Show from 1957 to 1962.

He first worked near home as a radio announcer at WIBM in Jackson, Michigan, and later as a humorous disc jockey at Midwest stations, including WJR in Detroit, WIRE in Indianapolis, WGAR in Cleveland, and WBEN in Buffalo. In his book P.S. Jack Paar, he recalled doing utility duty at WGAR in 1938 when Orson Welles broadcast his famous simulated alien invasion, The War of the Worlds, over the CBS network (and its WGAR affiliate). Attempting to calm possibly panicked listeners, Paar announced, "The world is not coming to an end. Trust me. When have I ever lied to you?"

Paar was drafted into the military in 1943 during World War II, interrupting his tenure as host of WBEN's morning show The Sun Greeter's Club (he opted not to return to the station at war's end, instead seeking opportunities in network radio and film). He was assigned to the U.S.O. in the South Pacific to entertain the troops.  He was a clever, wisecracking master of ceremonies whose impersonations of officers  nearly got him into trouble.

After World War II, Paar worked in radio as a fill-in on The Breakfast Club show and appeared as a panelist on The $64,000 Question. He got his big break when Jack Benny, who had been impressed by Paar's U.S.O. performances, suggested that Paar serve as his 1947 summer replacement.  Paar was enough of a hit on Benny's show that Benny's sponsor, the American Tobacco Company, decided to keep him on the air, moving him to ABC for the fall season.

➦In 1924...the first host of TV’s Jeopardy, Art Fleming  was born in the Bronx NY.  He appeared as supporting actor in hundreds of roles in episodic TV, and hosted a daily radio talk show on KMOX St. Louis from 1979-92.  He succumbed to pancreatic cancer April 25 1995 at age 70.

➦In 1931...Kate Smith began her radio show on the CBS Radio Network.



➦In 1935...
the first radio tube to be made of metal was produced in Schenectady, New York.

➦In 1957...Larry King  he got his first job in radio. The manager of a small station, WAHR (now WMBM) in Miami Beach, hired him to clean up and perform miscellaneous tasks.  When one of the station's announcers abruptly quit, King was put on the air. His first broadcast was on May 1, 1957, working as the disc jockey from 9 a.m. to noon. He also did two afternoon newscasts and a sportscast. He was paid $50 a week.

He acquired the name Larry King when the general manager, Marshall Simmonds, claimed that Zeiger was too ethnic and difficult to remember, so minutes before airtime, Larry chose the surname King, which he got from an advertisement in the Miami Herald for King's Wholesale Liquor. Within two years, he legally changed his name to Larry King.

Larry King - 1971
He began doing interviews on a mid-morning show for WIOD, at Pumpernik's Restaurant in Miami.  He would interview whoever walked in. His first interview was with a waiter at the restaurant. Two days later, singer Bobby Darin, in Miami for a concert that evening, walked into Pumpernik's having heard King's radio show; Darin became King's first celebrity interview guest.

King's Miami radio show brought him local notoriety. A few years later, in May 1960, he hosted Miami Undercover, airing Sunday nights at 11:30 p.m. on WPST-TV Channel 10 (now WPLG). On the show, he moderated debates on important local issues of the day.

King credits his success on local television to the assistance of comedian Jackie Gleason, whose national television variety show was being taped in Miami Beach during this time.   During this period, WIOD gave King further exposure as a color commentator for the NFL Miami Dolphins, during their 1970 season and most of their 1971 season. However, he was dismissed by both WIOD and television station WTVJ as a late-night radio host and sports commentator as of December 20, 1971, when he was arrested after being accused of grand larceny by a former business partner.  The charges were dropped. Eventually, King was rehired by WIOD.  For several years during the 1970s, he hosted a sports talk-show called "Sports-a-la-King" that featured guests and callers.



On January 30, 1978, King went national on a nightly Mutual Broadcasting System coast-to-coast broadcast. King's Mutual show rapidly developed a devoted audience.

➦In 1957...WBBR (Watchtower Brooklyn Broadcasting Radio) changed call letters to WPOW, NYC.  The station is now known as WWRV and airs Spanish Christian music and teaching format.


➦In 1972...the Mutual Black Radio Network launched.

The network signed on May 1, 1972 with 32 affiliates, including flagship New Jersey station WNJR, KCOH Houston, KWK St. Louis, and WIGO Atlanta. It was an easy start-up: vice-president Stephen McCormick said all he had to do was hire the staff - 15 black newsmen, six editors, supervisors and salesmen. The news director was Shelton Lewis, once of New York's WPAT; working with him in New York was Robert Nichols, Joe White and Gerald Bentley. Staffing the Washington bureau was Ed Castleberry, Larry Dean, John Askew and Abby Kendrick.

The network fed five-minute news and sports broadcasts hourly from 6 a.m. to 11 p.m. each day, some 100 programs a week. By June 1972, the 32 affiliates had grown to 55; by September, there were more than 80.

Among MBN's program offerings: "Dr. Martin Luther King Speaks," a weekly 20-minute program produced by the Southern Christian Leadership Conference featuring excerpts from Dr. King's speeches, along with comments of black leaders such as Jesse Jackson, Ralph Abernathy, and Benjamin Hooks; and "The Black Experience," a daily feature profiling black Americans and their contributions to American life.

➦In 1976...NYC Personality Jonathan Schwartz aired his final show on WNEW 102.7 FM.

Schwartz worked at New York's WNEW-FM from 1967 to 1976, followed by stints at WNEW, WQEW, and eventually WNYC-FM. Schwartz also served as programming director for XM Satellite Radio's now-defunct High Standards channel, and later appeared on Sirius XM's Siriusly Sinatra and '40s on 4 channels. His last SiriusXM program was on August 2, 2013.

Here's an audio clip from Sept. 2013, Schwartz talks about the old WNEW-AM and personality Ted Brown:



In his talk during the shows, Schwartz will discuss many famous pop songwriters and singers, and jazz artists.

Joe McCoy
➦In 1982...First WCBS-FM NYC Top 20 Countdown (1966).

The Countdown debuted during the tenure of Joe McCoy as program director. In 1981, began to gradually shift its focus to the 1964–1969 era, but would also feature a more pre-1964 oldies than most other such stations. The station continued to also feature hits of the 1970s and some hits of the 1980s while cutting future gold selections to one per hour.

Also in the 1980s, after WABC 770 AM and later WNBC 660 AM abandoned music in favor of talk, WCBS-FM began employing many disc jockeys who were widely known on other New York City stations (and sometimes nationally), most notably Musicradio WABC alumni Ron Lundy, Dan Ingram, Bruce "Cousin Brucie" Morrow, Chuck Leonard and Harry Harrison, as well as Dan Daniels and Jack Spector.

➦In 1984...Gordon Hill Jenkins died of Lou Gehrig's disease at age 73. (Born May 12, 1910), He was an arranger, composer and pianist who was an influential figure in popular music in the 1940s and 1950s, renowned for his lush string arrangements. Jenkins worked with The Andrews Sisters, Johnny Cash, The Weavers, Frank Sinatra, Louis Armstrong, Judy Garland, Nat King Cole, Billie Holiday, Harry Nilsson, and Ella Fitzgerald, among others.

He had been very active in network radio and also worked as musical director at Decca & Capitol Records where he recorded with some of the top stars of the day, including Frank Sinatra & Nat Cole.

➦In 1988...the man who played “Fibber McGee” on network radio for more than a quarter century, Jim Jordan, died at age 91.

➦In 2006...Seattle’s  KSLY 92.5 FM closed down their Adult Top 40 format at noon with Semisonics’s “Closing Time.”  Then the call letters changed to KQMV (MOVIN’); its first song was The C&C Music Factory’s “Gonna Make You Sweat (Everybody Dance Now.)”

Tuesday, April 30, 2019

NYC Radio: Report..WFAN's Mike Francesa Goes 'Insane'

An enraged Mike Francesa called in to “Boomer & Gio,” morning show on WGAN 660 AM / 101.9 FM, after Boomer Esiason described Francesa as “idiotic” in reference to Francesa criticizing the Giants in the wake of the shooting of their sixth-round pick, Corey Ballentine. Ballentine’s best friend and teammate, Dwane Simmons, was killed in the incident.

According to The NY Post, when Francesa made his initial comments, there was no known reason for why Simmons and Ballentine were the victims. Francesa still used it as part of a diatribe against Giants GM Dave Gettleman and the franchise, describing them at the end of it as a “laughingstock.”

Reports so far indicate the two were innocent victims.



Francesa’s rage continues a sad spiral for him after he returned from a faux retirement a year ago. It is becoming increasingly hard to imagine that the 65-year-old Francesa — who became a radio icon with his old partner, Chris Russo — doesn’t leave the station at some point on awkward terms.

On Tuesday, Boomer & Gio were talking about how Francesa has suddenly criticized the Giants after being supportive of them for years. The duo hypothesized that Francesa was not being fed information anymore, which is why he has hammered Gettleman. Eli Manning has also canceled his weekly paid spot with Francesa for this season.

Denver Radio: Brian Michel Lands PD Gig At KYGO

Country KYGO 98.5 FM announced today that Brian Michel has been appointed Program Director.

Brian Michel
Michel joins 98.5 KYGO and the Bonneville Denver Media Group from iHeart Media where he was most recently Regional Senior Vice President of Programming responsible for the entire iHeart Atlanta region. Prior to that, he held the position of Operations Manager for Simmons Media in Salt Lake City. Brian has also programmed urban station KXUU-FM in Denver and held the position of VP of Programming in Fort Wayne.

“I couldn’t be happier having Brian lead our best in class radio station,” said Bonneville Denver VP/Market Manager Bob Call. “Brian will bring a fresh competitive energy to KYGO after seven successful years handling day to day programming at Atlanta’s top-rated country station, 94.9 The Bull. I am especially impressed with Brian’s success across a number of formats including overseeing WWPW Power 96.1 in Atlanta, plus the 76 stations in his region.”

“I am honored to be selected to not only lead this legendary radio station, but also work with a world class organization that emphasizes local media while doing so much good in the community,” said Michel. “A special thanks to Bob Call for believing in me and giving me this opportunity to return to the Mile High City.”

Entercom, Waze Unveil Multi-Platform Partnership

Entercom has announced a first-of-its-kind multiplatform partnership with Waze, the world's largest community-based traffic and navigation app. 

The partnership scales across broadcast, digital and streaming with app integrations on both Waze and RADIO.COM, the fastest growing digital audio app in the U.S. and the exclusive digital home for all Entercom content across its robust portfolio of 235 stations, and multi-platform content integrations. 

As part of the deal, RADIO.COM will be integrated into the Waze app, allowing Waze drivers to seamlessly access the full range of RADIO.COM content including its leading local news and sports radio portfolio and local broadcast traffic reports, as well as its suite of leading music stations, podcasts, and on-demand audio content. Drivers will be able to access the RADIO.COM playback and discovery controls, including favorite, local, and recently played stations, directly in the Waze app. The integration with RADIO.COM marks the first time Waze will offer local sports and news content as part of their in-app experience. 

“We’re thrilled to work with Entercom and look forward to leveraging the strategic opportunities within their impressive portfolio of stations,” said Mona Weng, Global Lead of Waze for Broadcasters. “This partnership is particularly impressive as it extends across broadcast, digital and streaming to provide real-time traffic updates and help broadcasters share hyper-local stories with their cities’ listeners. Through the Waze for Broadcasters program and efforts by our partners, we are collectively reducing traffic and working toward solving global mobility issues.”

RADIO.COM app users will also be able to access their Waze navigation from within the RADIO.COM app. In addition, the live Waze traffic map will be integrated into the RADIO.COM app and web platform. 

“This partnership is a strategic move that offers both Waze and RADIO.COM users an enhanced experience,” said J.D. Crowley, Chief Digital Officer, Entercom. “We are the fastest-growing digital audio app in the country and we are pleased to join forces with Waze to bring our app and its unmatched content offering to Waze’s large community of drivers.”

Additionally, the partnership will allow Entercom to integrate the Waze community-based traffic data in its live and over-the-air traffic reporting across the company’s expansive portfolio of broadcast stations nationwide. Entercom stations will utilize the Waze data to provide enhanced real-time and hyperlocal traffic reporting to listeners across broadcast, streaming, and the RADIO.COM mobile and web platform. 

“Partnering with Waze will allow us to offer more powerful real-time traffic updates to our audience,” said Fred Bennett, Senior Vice President and General Manager, Entercom. “By integrating new technologies into our on-air and digital traffic reporting, we will be able to better serve our communities and continue to offer them the most robust local traffic information they need to plan their day.”

SiriusXM Radio: Florida-Georgia Line To Perform For Listeners


SiriusXM today announced that multi-platinum, chart-topping duo Florida Georgia Line will perform a special invitation-only event for SiriusXM listeners at the historic Ryman Auditorium in Nashville, TN, marking the GRAMMY nominees' first concert at the legendary venue. The private show will air live on Wednesday, May 29 at 8:00 pm CT on SiriusXM's The Highway, channel 56, and on the SiriusXM app.

Fans can expect crowd-favorites such as their 11X-PLATINUM debut "Cruise," "H.O.L.Y.," and Billboard record-breaker "Meant to Be," plus tracks from their latest BMLG Records album CAN'T SAY I AIN'T COUNTRY, including chart-rising single "Talk You Out of It" and #1 smash "Simple."

"The first time BK and I heard ourselves on the radio was on SiriusXM," shared FGL's Tyler Hubbard. "So, to come together now for our first full-blown concert at the Ryman is really special."

FGL's Brian Kelley adds, "There is a magical feeling when you walk into the Ryman and this is a place that has always been on our bucket list to play. We are so excited for this show and can't wait to bring our FGL vibes to the Mother Church!"

"Since being played first on SiriusXM's The Highway, Tyler and Brian have been unstoppable, and for them to play the Mother Church of Country Music will be a cherished memory for their many fans," said Scott Greenstein, President and Chief Content Officer, SiriusXM. "It will be a special moment for Florida Georgia Line at the Ryman and we are excited to present this one-of-a-kind performance to our listeners nationwide."

Subscribers will have the opportunity to win tickets to this private SiriusXM performance through an invitation sent by e-mail to qualified subscribers who have consented to e-mail marketing from SiriusXM and who have registered their music interests with us at siriusxm.com/perks. Subscribers since April 10, 2019 will be able to enter for the chance to win a trip for two to Nashville, TN including airfare, hotel stay, and a pair of tickets to SiriusXM Presents Florida Georgia Line at The Ryman. See Official Rules for complete details at siriusxm.com/FloridaGeorgiaLine.

SiriusXM subscribers will be able to listen to The Highway (ch. 56) on SiriusXM radios, and those with streaming access can listen online, on-the-go with the SiriusXM mobile app and at home on a wide variety of connected devices including smart TVs, Amazon Alexa devices, Apple TV, PlayStation, Roku, Sonos speakers and more.

Nielsen 1Q Results: Revenue Decreased 2.9%


Nielsen Holdings plc today announced its first quarter 2019 results.
  • Revenues were $1,563 million for the first quarter of 2019, down 2.9% reported, but up 0.4% on a constant currency basis, compared to the first quarter of 2018. 
  • Net income per share on a diluted basis was $0.12 for the first quarter of 2019, compared to net income per share on a diluted basis of $0.20 for the first quarter of 2018. 
  • Adjusted earnings per share was $0.35 per share for the first quarter of 2019, compared to $0.40 per share for the first quarter of 2018. 
  • Cash flow from operations improved to $(43) million for the first quarter of 2019, from $(117) million in the first quarter of 2018. 
  • Free cash flow for the first quarter of 2019 was $(165) million, compared to $(245) million in the first quarter of 2018.
David Kenny, Chief Executive Officer of Nielsen, commented, "Our first quarter results were ahead of our expectations, reflecting solid execution and continued focus on improving operational and financial rigor across Nielsen. While I'm pleased with our first quarter results, we have a significant opportunity to accelerate our growth rate over time as we leverage and build on our incomparable data assets, our global footprint, and the critical role we play in the media and FMCG industries. We have begun our transformation into a truly product-driven, technology organization, able to make faster, bolder decisions that drive greater value for our clients and for Nielsen."

Kenny continued, "The strategic review is ongoing and the Board is focused on completing the process in as timely a manner as possible. We remain focused on executing on our growth strategy, and we're taking the right steps to position the company for both near and long-term success in order to maximize value for all of our shareholders."

The company is maintaining its full year guidance as highlighted below:
  • Total revenue growth on a constant currency basis: Flat to +1.5%
  • Adjusted EBITDA margin: 28 - 29%
  • Adjusted EBITDA: $1,800 - $1,900 million
  • Adjusted earnings per share: $1.63 - $1.77
  • Free cash flow: $525 - $575 million

SoCast Staging The Website Smackdown

The SoCast Digital Website Smackdown is on for Thursday, May 9 at 2PM ET/11AM PT with free attendance for all in radio.

Lori Lewis
SoCast Digital, the premier provider of digital monetization and content management solutions for radio, has gathered a trio of digital experts -- Lori Lewis, Vice President, Social Media for Modern Luxury, Seth Resler, Digital Dot Connector for Jacobs Media, and Steve Ulrich, Client Success Manager for SoCast Digital -- who will step into the ring to review and assess three radio station websites. 

All radio stations are invited to submit their website by Monday, May 6 for possible review in the Smackdown. Free webinar registration and website submission are both available here.

Seth Resler
The panel will highlight the strengths and uncover the opportunities of each of the three websites to provide webinar registrants with insights into building a powerful web presence. The discussion will focus on how to optimize a station’s website for increased monetization, improved listener interactions, and enhanced audience engagement.

“Lori and Seth are recognized digital leaders who have helped numerous radio stations develop an online strategy,” noted Eric Eisen, Director of Sales and Marketing for SoCast Digital, who will lead the Smackdown. “We’re delighted they will join the Smackdown and share their expertise with our registrants.”

Last year, more than 30 radio stations submitted their website for possible review in the Smackdown, and even more are expected this year. The Website Smackdown is part of SoCast Digital’s free 2019 webinar series. All SoCast Digital webinars explore how to make digital easy and profitable for radio stations, across sales, programming, and promotion. 

Upcoming topics in the free series include:
  • Turning radio sellers into local digital advertising experts
  • Generating revenue from external sites and social media
  • Creating engaging content for digital
  • Complementing on-air content with digital – how to program your digital day
  • How to identify and gather ‘meaningful’ audience data and use it effectively
For more information about SoCast Webinars or its suite of integrated digital products, radio stations may contact Eric Eisen, Director of Sales and Marketing, at 416-635-6678, ext. 223, or eric@socastdigital.com.

San Diego Radio: The Mighty 1090 Shuts Down

Less than three weeks after The Mighty 1090 went off the terrestrial airwaves on XEPRS 1090 AM, San Diego’s sports-talk leader for the last 16 years has disappeared from the internet as well, reports The Union-Tribune.

“And that’s a wrap. Right in the middle of the show,” tweeted afternoon host Darren Smith at 2:06 p.m. Monday, about two-thirds of the way through his regular weekday show, which along with the rest of the station’s programming had been available only online and via a mobile app since April 11.



Mike Glickenhaus, president of the parent company, Broadcast Company of the Americas, declined comment. Employees were told to report Tuesday for an 11 a.m. staff meeting.

The Mighty 1090 has been a fixture in the market since its creation in 2003. It was the flagship station of the Padres from 2004-16. But despite strong ratings in the Men 25-54 demographic for the first quarter of 2019, it went off the air just before noon on April 10, due to BCA missing lease payments, said Andres Bichara of Interamericana de Radio, the signal operator for the station.

“They have had multiple warnings that they should pay,” said Bichara, whose company is based in Monterrey, Mexico, on April 11.

Transmission comes from an antenna in Rosarito Beach, said Bichara. “Communications have been ongoing with (BCA). If they do not pay I cannot continue giving them the station for free,” he said April 11.

San Diego has two operational sports-talk radio stations: KLSD 1360 AM, the home to the football and basketball Aztecs of San Diego State; and KWFN 97.3 FM, flagship of the Padres. Both are owned by large corporations -- iHeartRadio and Entercom, respectively -- that operate hundreds of stations across the country, including multiple stations in San Diego. That allows them to create advertising packages that include their low-rated sports stations, rather than forcing those stations to generate income on their own at a time when many media companies are struggling to create revenue.

BCA also operated two other stations in San Diego under a deal with another business partner in Baja California, Jaime Bonilla Valdez, but a financial dispute in December resulted in 105.7-FM going off the air and 1700-AM switching from ESPN and local sports play-by-play to Spanish-language content.

Ratings at 1090 dipped after the Chargers left San Diego two years ago, and BCA was known to be seeking a buyer in recent months.

New Study: Creative Ads Matter

Westwood One, America’s largest audio network, and Veritonic, the audio effectiveness platform, are revealing the results of a new study on nominated and award-winning audio creative in today’s blog post. 

The Audio Effectiveness 2018 Report for Creative Excellence Awards, which was released as part of the industry-leading Westwood One ROI Guarantee Audio Insights platform, examined creative from the most prestigious advertising and creative award shows to find out what advertisers can do to leverage sound to drive ROI. 

The core takeaway: there is no doubt that commercial quality increases brand and sales effect, and there are clear moves marketers can make right now to leapfrog their competition.


Highlights from the study include:
  • Creative matters: award-winning ads boost purchase intent significantly: The award-winning creative drove purchase intent with much stronger scores. The highest-ranking ad scored a 28 for purchase intent (measured as the difference between a respondent’s intent to buy the product before exposure to the ad, and after). The second and third ranked ads each scored a 26. The average purchase intent score across the Veritonic database is six.
  • Female voiceovers are a huge opportunity for advertisers: Compared to ads voiced by men, those that feature a female voice performed better for happiness, authenticity, trustworthiness, and uniqueness. They also scored on par across all other emotional metrics. Very few of the ads tested in the study utilized female voiceovers -- 70% featured male voiceover talent while a woman voiced only 4% of the ads.
  • Serious ads generate 75% higher purchase intent than humorous ads: Veritonic found that, compared to humorous ads, serious AM/FM radio commercials had a stronger impact on whether consumers would buy the product. While humorous ads resulted in a 6.2 lift in purchase intent after exposure to the ads, serious ads performed better, yielding a 10.9 uptick.
  • Ads with disclaimers are winning creative awards and driving purchase intent: Though it was rare to hear an award-winning ad with a disclaimer, the radio spots that had them were not negatively impacted. Three ads with disclaimers won awards and tested well.
  • Music, sonic identities, and jingles are significant drivers of purchase intent: Ads that utilized jingles, sonic identities, or music in some way saw larger increases in purchase intent across the board. Ads with music saw a +146% increase in purchase intent post-exposure versus ads without music.

Google Parent's Shares Dive, Ad Revenue Slowdown

Google’s once-untouchable online-advertising operation took a body blow, hurt by mounting competition and struggles within its increasingly high-profile YouTube unit, reports The Wall Street Journal.

Google parent Alphabet Inc. in the first quarter posted its slowest revenue growth since 2015. For all its myriad arms and efforts to diversify, Google remains essentially an old-fashioned billboard operation with a high-tech gloss—and it now faces more rivals.

The company’s results are an outlier amid what has otherwise been a steady earnings season in the technology sector. Peers like Facebook Inc. and Twitter Inc. previously posted strong earnings, while Amazon.com Inc. last week reported record profit that will allow it to pour fresh cash into improving its Prime membership program.

Alphabet shares fell 7% Monday after hours, with the drop picking up during the earnings call as executives declined to answer direct questions about the flagging growth. Nearly an hour in, one analyst, Ross Sandler of Barclays, audibly sighed. “I guess I’ll beat a dead horse on the deceleration,” he said.

WSJ Graphic
If Alphabet shares drop in regular trading on Tuesday to match the after-hours decline, that would wipe more than $60 billion from the company’s market capitalization and mark the worst single-day session in nearly seven years. Before the earnings report, shares were up 24% this year.

Alphabet reported first-quarter revenue of $36.3 billion, roughly $1 billion short of forecasts. Per-share earnings of $9.50 also disappointed, and were a substantial fall from a year earlier, when results were supercharged by the conglomerate marking up its stakes in private technology companies.

Growth slowed across the board. Revenues were up 17% year-over-year, compared with 26% in last year’s first quarter. The company’s margin, a constant concern for analysts and investors, fell to 18%, compared with 25% last year.

The crimped margin can in part be blamed on last month’s $1.7 billion fine from European regulators for abusing the dominance of its search engine and limiting competition. Excluding the fine, the company’s margin came in at 23% and its per-share earnings were $11.90.

The longer-term issue, however, is competition. Rivals like Amazon, once content to play in their own corners of the Silicon Valley sandbox, are making big plays at online advertising. In a potentially existential threat to Mountain View, Calif.-based Google, more online shoppers now begin their searches directly on Amazon than on search engines.

YouTube, perhaps the company’s most closely watched arm, remains a financial black box. Hailed as an inspired acquisition 13 years ago, Google still hasn’t broken out the unit’s results in an earnings report. That has left investors to piece for clues, as expensive forays into original programming and cable-television replacement services have thus far failed to pay off.

Philly Radio: WURD Bringing Back Talker Solomon Jones


Talk host Solomon Jones to the airwaves of WURD 900 AM / W241CH 96.1 FM, Pennsylvania’s only black owned talk-radio station, where the Inquirer and Daily News columnist previously worked as a host from 2014 to 2017.

Solomon Jones
Starting May 6, Jones will host the Wake Up With WURD morning show, replacing current host, Aaron Smith, who will continue on with WURD by hosting the new WURD Show On the Go, also launching on May 6.

Last December, when WPPZ 107.9 FM switched from the gospel-focused Praise to the old school R&B of Classix, Radio One announced that Jones’ Praise talk-radio show, Your Voice with Solomon Jones, would move from the airwaves to the internet.

During Your Voice’s four month stint as a digital-only show, Jones noticed that it was challenging for older listeners to catch up to the new format. “[Digital formats] can augment what you do on the air, but talk radio is a format that needs to be done on the air,” Jones said.

“Having both Solomon Jones and Dr. Aaron Smith on the WURD team will allow us to deepen our journalistic coverage and community engagement in ways that will be transformative for the station and the community,” Sara Lomax-Reese, WURD President and CEO, said a statement.

The shuffle comes as a part of WURD’s efforts to deepen community relationships, according to a press release. Jones and Smith will host a live broadcast show Friday during the 9 a.m. hour to introduce listeners to the changes.

Jones said that he will maintain two roles with Radio One: Your Voice will continue to air a Saturday edition at 9 a.m. on Classix 107.9 FM and he will periodically offer social and political commentary on WRNB 100.3 FM.

Poll: ‘GMA' No. 1 Network Morning Show Among Adults


A new Morning Consult/The Hollywood Reporter poll, which surveyed 2,201 U.S. adults from April 17-21, found that “Good Morning America” was the most popular morning show, with 49 percent of adults having a favorable opinion of the program, with “Today” coming in second (43 percent), followed by “CBS This Morning” (42 percent).

Of the main morning shows on broadcast television, “Good Morning America” has shown the most stability with hosts, with the same trio — Robin Roberts, George Stephanopoulos and Michael Strahan — anchoring the show since September 2016.

The anchors in the lineup at “Good Morning America” is also the most popular among adults compared to their counterparts at other networks:


Roberts was also the most trusted of the morning show hosts, with 41 percent of adults saying they trusted her “a lot” to tell the truth. King was second-most trusted (38 percent) and Kotb and her co-host Savannah Guthrie came in third (36 percent each).

According to Nielsen data, “Good Morning America” has been the top-rated morning show, in terms of viewership, since 2015. In 2015, it averaged over 5 million viewers, topping “Today,” which averaged just over 3.5 million viewers that year, and “CBS This Morning,” which had about 3.4 million viewers on average.

In 2019, “Good Morning America” is still beating out the competition, averaging over 4.1 million viewers as of April 21. “CBS This Morning” remains in second place, with an average of roughly 3.2 million viewers, and “Today” is a close third, with just over 3.1 million viewers.

Pandora Teams With Ticketmaster For Promoting Tours


Pandora has announced Monday that it has formed a new partnership with the world’s largest ticketing company Ticketmaster.

“In our ongoing effort to provide a comprehensive and seamless artist marketing experience, Pandora has partnered with Ticketmaster to transform live event promotion,” the company, which is owned by SiriusXM, revealed in a blog post.

According to Pandora, which plans to pull touring data in real-time from Ticketmaster’s API, artists will now be able to “communicate with their fans about live events easier than ever before.” The company added, “fans will now be notified of upcoming show announces and on-sale ticket alerts based on their location and listener history,” and “will also now see Ticketmaster shows while using the Promote Show tool.”

The integration is similar to a partnership Pandora announced with Eventbrite back in 2018, however, a partnership with Ticketmaster opens up the streaming platform to shows from the world’s biggest concert promoter, Live Nation, which produces concerts for many of Pandora’s top streamed artists.

Woodstock 50: Organizers Insist The Show Will Go On


Woodstock 50 will go on despite the loss of a major financial partner, according to the organizers of the beleaguered anniversary event.

In a statement released late Monday, Woodstock 50 co-founder Michael Lang and Woodstock LLC said that they were “committed to ensuring that the 50th anniversary of Woodstock is marked with a festival deserving of its iconic name and place in American history and culture.”

According to Billboard, they said that would continue despite the announcement earlier in the day that a financial investor was dropping out of the event, scheduled for Aug 16-18 in Watkins Glen, New York.

“Although our financial partner is withdrawing, we will of course be continuing with the planning of the festival and intend to bring on new partners,” the statement read. “The bottom line is, there is going to be a Woodstock 50th Anniversary Festival, as there must be, and it’s going to be a blast.”

The anniversary event has had some bumps in the road. Tickets were originally supposed to go on sale last week, but that was put on hold. And some of the performers leaked to the press ahead of its announcement.

But the biggest obstacle came on Monday when its major investor pulled out.



The original concert was held on a farm in Bethel, New York, that is now run as an attraction by The Bethel Woods Center for the Arts. The venue has its own anniversary event Aug. 16-18 with performances by Ringo Starr, Fogerty and Santana.

You Might Be Surprised As To What's Considered An Ad

While global consumers’ attitudes towards advertising haven’t changed much over the past year, those in the US report being somewhat less bothered by advertising this year than last. About one-third (32%) of the 1,000 US consumers surveyed for a new report from Kantar Media said they disliked advertisements, down from 36% in 2018.

According to Marketing Charts, nearly 3 in 5 Americans (57%)  surveyed have no definitive like or dislike for advertising, but the percentage of those who find advertising enjoyable (12%) is half that of the 5-country average. While consumers in other countries seem to get more enjoyment from advertising, the UK is the only market that has a lower percentage of consumers who enjoy advertising (11%) than the US.

The data also suggests that where consumers happen to view an ad contributes to how much it is enjoyed. Kantar found that respondents enjoy seeing advertisements in the cinema more than in any of the other media. Perhaps more telling is that consumers prefer viewing ads through traditional platforms – such as television and print media – more than they do online.

This preference for ads in traditional media has not changed from last year, when a similar study by Kantar found that consumers were more receptive to advertising in traditional formats compared to those delivered online or through mobile.

Advertising means different things to different people. For instance, while the vast majority (91%) of respondents feel that at least one of the forms of brand communications proposed in the survey counted as advertising, 3 in 10 considered all brand communications to be advertising.

The communication types that may not necessarily be as interruptive are recognized as advertising by the majority of consumers. For example, close to two-thirds consider sponsorship of TV or radio programs (65%) and sports teams or events (63%) to be advertising.

Product placement and brands shown in TV programs or films are considered to be advertising by 62% of respondents.

Newt Gingrich Dismisses WaPo as a ‘Serious’ Source

Screenshot of WaPo Video
Newt Gingrich dismissed the legitimacy of The Washington Post, calling out liberal media bias and declaring the paper not “serious,” reports Newsbusters.

Appearing on CBS This Morning, Monday, Norah O’Donnell mentioned Donald Trump’s tendency to hammer at critics. She derided, “Does it matter that he hits back with lies?”

Highlighting what she presumably sees as an unimpeachable source, the co-host chided, “The Washington Post today and Glenn Kessler, who has kept track of this, now [say] the President has surpassed 10,000 false or misleading claims since becoming president.”

This prompted the former Speaker of the House to retort: “I find it hard to take anything the Washington Post writes seriously.” A discussion of media bias isn’t common on CBS and O’Donnell reacted with disbelief: “Oh, come on!”

Gingrich doubled down: “They hate Trump. They hate Trump every day. Their coverage is stunningly biased.”


On December 12, 2013, Politifact awarded Barack Obama the “Lie of the Year” award for his constant claim that “if you like your health care plan, you can keep it.” According to a Nexis search (for the month of December 2013), CBS didn’t mention Obama being tagged as a liar.

Apparently some liars are worse than others, concludes Newsbusters.