Thursday, June 19, 2014

NAB Radio Show To Honor Radio's Bud Walters

Bud Walters
Bayard H. (Bud) Walters, founder and president of The Cromwell Group, will receive the National Radio Award during the Radio Show Luncheon on September 12. The 2014 Radio Show, produced by the Radio Advertising Bureau (RAB) and National Association of Broadcasters (NAB), will be held September 10-12 in Indianapolis.

"Bud Walters' exemplary leadership and his enthusiasm for Radio has had a positive impact on the industry," said NAB Executive Vice President of Radio John David. "We salute Bud for his tireless devotion to serving local communities through the power of Radio."

Walters founded The Cromwell Group in 1972. He currently owns and operates 28 radio stations (six AM, 17 FM and five HD2+ translators) in Illinois, Indiana, Kentucky and Tennessee.

Since building his first station in Hawesville, Ky., which he still owns, Walters has focused on start-up stations and upgrading licenses in small markets. He has also ensured that each station plays a vital role in its local community.

Walters currently serves as Chairman of the RAB Board of Directors and on the Radio Music Licensing Committee and DePauw University boards. In addition, he has served on the boards of NAB and the Kentucky and Tennessee Broadcasters Associations. Walters has been honored with Broadcaster of the Year Awards in Illinois, Kentucky and Tennessee and the Broadcasters Foundation of America Pioneer Award. Before founding The Cromwell Group, he served four years in the U.S. Air Force.

The National Radio Award honors an individual for outstanding leadership in the radio industry. Previous recipients include Ginny Morris, Dan Mason, Steve Newberry, Charles Warfield, Ed Christian, Bruce Reese, Jerry Lee, David Kennedy, John Dille, Lowry Mays, Jeff Smulyan, Bill Stakelin and Erica Farber.

June 19 In Radio History


In 1934...Communications Act of 1934 creates Federal Communications Commission


In 1962...WMCA 570 begins using “The Good Guys”.   Led by program director Ruth Meyer, the first woman to hold the position in New York City radio, this was the era of the high-profile Top 40 disc jockey with an exuberant personality aimed at a certain audience segment. With the advent of the Good Guys format, WMCA became more "on top" of new music and started to become known for "playing the hits."


In 1964...KDKA 1020 AM, Pittsburgh banned the song “Beans In My Ears” by the Serendipity Singers. The ban follows complaints from listeners and area doctors who claim that children have been putting foreign objects into their ears at an increased rate since the single was released.


In 1965...Since WINS went all-news in April, New York’s remaining rockershave been going at it - head to head. It’s the WMCA Goodguys Vs the WABC All-Americans. They’re the only two places on the New York dial to hear top-40.

The post-WINS Pulse ratings show the stations neck-in-neck - WABC at a 16 and WMCA at a 16.3 rating. But WMCA has about one-third the signal of WABC, so it performs better with no WMCA competition - in the outlying suburbs.


WMCA is running a “Good Guy Derby” contest where you have the guess theWMCA Good Guy who will win his race “in the sport of kings.” Go-Go radio, WABC is doing a “prize of the day” A prize a day goes into the “Go Go Grab Bag” for end-week awarding. Both stations are expected to do even better this year, not only because WINS is out of the game, but because more money will be spent on teens this summer in radio advertising.


Both stations are battling airplay of the new Beatles album -“Beatles VI” - and both stations are saying they had the exclusive on the album.  Actually, WABC had the album three hours before WMCA did - a rarity. WMCA usually scoops WABC on most records, including the Beatles.



In 1966...WOR 98.7 FM says it will drop duplicating talk WOR 710 AM and go rock ‘n’ roll - the first FM station to go full-time rock . Date of change will be June 30. Robert S. Smith, vice president of both WOR AM/FMsays - “We will not have shouting disk jockeys on FM, but if there can be a qualityrock station, that is, what we will be. We’re going after the WABC and WMCAaudience.” The change in policy is a result of a recent FCC rule that FM stations in major cities may no longer duplicate more than 50% of their AM affiliates.


In 1973...Wolfman Jack, heard on KDAY Los Angles is going to WNBC, New York.


In 1973...Watermark has produced a three-hour special called “the 40 Greatest Disappearing Acts of the Rock Era.” Hosted by Casey Kasem, it will replace American Top-40 July 7-8.


In 1973...93 KHJ AM program director Paul Drew confirms that the Real Don Steele and Mark Eliot have left the station.

Billboard 1973
In 1973...89 WLS  program director Tommy Edwards says the station is expanding its playlist and is cutting back on the use of jingles form 40 to five key jingles. Plus, - elimination of meaningless chatter by jocks, dayparting of music (more rock at night for example). Seems that WCFL is giving WLS a run in the ratings.


In 1973...KSFX 103.7 FM San Francisco launches a complete sound-alike format of WABC, New York, whose program director (Rick Sklar) is consulting the station. The first “Music Radio KSFX” playlists have been distributed to record stores.


Dixon's Wrecked Auto 
In 2005...legendary southern DJ, Mason Dixon, was injured in an auto accident which practically split his car apart.

Dixon suffered a collapsed lung, 2 broken ribs and a ruptured spleen. Dixon has been affiliated with legendary stations including Tampa's WRBQ-FM, where he was still employed at the time of his accident.

When his wife finally showed him pictures of his prized 1971 Dodge Challenger convertible, split in half in a crash over the weekend, there were more tears.

"There were angels watching out for me," he told reporters huddled around his bed at St. Joseph's Hospital. "They wanted me to learn something, and I have. Now, I've got to go back out there and do their work. And I'll be happy to."

Dixon, 55, whose real name is Jimmie Crawford, was critically injured after leaving a Father's Day promotional event.



In 2009…Radio/TV announcer Ken Roberts died of pneumonia following a stroke at age 99. In 1935, he was one of the founders of the broadcast performers' union now known as AFTRA.

Wednesday, June 18, 2014

NYC Radio: Angie Martinez To Join WWPR

Angie Martinez

UPDATE THURSDAY 6AM:   Well, that didn't take long.

Angie Martinez is headed to crosstown WWPR Power 105.1.  CCM+E WKTU morning host Paul Cubby Bryant broke the news on Facebook Thursday morning...




Earlier posting...

Wednesday, Hip Hop WQHT 97.1 FM has released a statement confirming longtime PM Drive personality Angie Martinez has departed from Hot 97: 
WQHT HOT 97 FM confirms the departure of Angie Martinez.  Angie has given over 20 years of service to the HOT 97 brand, where she exemplified professionalism and passion for music.  We thank her deeply for her commitment to Hip Hop, radio, and broadcasting.”
 Martinz broke the news in a Tweet Wednesday Afternoon:


Martinez started with the radio station in 1996 when she began working with Funkmaster Flex. Martinez soon hosted her own show, the Afternoon Drive, where she has been ever since.

Some believe her next move could be to crosstown rival WWPR 105.1 FM Power 105. Or she might have made the decision to resign so she could pursue a music career. She has released two albums, “Up Close and Personal” in 2011 and then “Animal House” the following year.

Music Veteran Jim Weatherson Named GM For Nash Icons

Jim Weatherson
Big Machine Label Group and Cumulus together have announced that longtime music industry executive Jim Weatherson will serve as General Manager of their NASH ICONS record label and live events joint venture effective immediately.

NASH ICONS, a strategic partnership between the two entertainment and media leaders, was created last month to expand the growing NASH platform by showcasing Nashville’s most iconic talent from the last 25 years. In addition to the partnership with Big Machine, Cumulus will introduce NASH ICONS branding on some owned-and-operated radio stations and syndicate NASH ICONS content to affiliate stations through WestwoodOne.

Weatherson has a 35-year history of working with some of the biggest musical talents and brands. He most recently led the Nashville office of 19 Entertainment, owner of the American Idol franchise, and previously led projects for Taylor Swift in management role at 13 Management.

During his tenure at Walt Disney Records, Weatherson was appointed General Manger in 2006 with worldwide responsibilities that resulted in record-breaking sales highlighted by the Platinum and Multi-Platinum branded releases of Hannah Montana, High School Musical, Cars and Tron. His projects featured  music from such artists as Miley Cyrus, Rascal Flatts, Brad Paisley, Taylor Swift, John Mayer, Daft Punk and many others.


"I have known Scott Borchetta for nearly 25 years and I am honestly thrilled and honored to finally get to work directly with him and his team as well as Cumulus on this groundbreaking concept,” said Weatherson.  
“Jim Weatherson is the perfect executive to lead the charge for Nash Icons. We have a longstanding relationship of working together on some of the biggest Country artists and album releases in history.  To land him and have his 100% focus on Icons will only lead to one thing: success,” said Big Machine Label Group President/CEO Scott Borchetta.

“Jim’s experience and the respect he’s earned in the music business will enable NASH ICONS to quickly become a leader in recording and live events for the Country stars we hold in such high regard,” said John Dickey, Executive Vice President and co-COO of Cumulus.

NASH ICONS provides a new distribution platform for Country music’s most iconic artists, including future recordings. Driven by Country music fans’ desire for more exposure to their all-time favorite artists, NASH ICONS is an important complement to the more contemporary-focused NASH brand. Like its sister brand, NASH ICONS will provide advertisers the opportunity to engage with the passionate Country fan base across a multi-media platform that spans radio, television, digital, magazine and live events.

NASH ICONS is based at the NASH Campus in Nashville, the nation's only multi-media facility devoted solely to producing and distributing content based on the Country music lifestyle. Featuring three studios designed for a combination of TV and radio programming, indoor and outdoor event space, a print newsroom and extensive office space, leading Country stars such as Taylor Swift, Brad Paisley, Lady Antebellum and Sheryl Crow are among the early visitors.

LA Radio: KIIS #1 In Delayed May PPMs From Nielsen

As the dust settles on the PPM figures for May in LA, CCM+E Top 40 KIIS 102.7 FM still sits atop the 6+ ratings mountain. KIIS has posted its fourth consecutive #1 ranking 6+, even though the station was flat at 5.3 in May.

New to #2 is CBS Radio's KRTH 101.1 FM K-EARTH. The station spiked 4.7—5.1

That caused CCM+E HotAC KBIG 104.3 FM MyFM to drop to #3 with a 4.9—4.8 showing during May.

EMMIS Top 40 KPWR 105.9 FM Power slipped 4.7--4.4 to end up at #4. CCM+E AC KOST remained #5 4.5—4.2

25-54: KIIS...KBIG...KPWR...KLVE...KROQ

18-34: KPWR...KIIS...KBIG...KAMP...KROQ

18-49: KIIS...KPWR...KBIG...KROQ...KAMP

Cume: KIIS-FM 3,564,900...KBIG-FM 3,537,500...KOST-FM 3,211,200...KAMP-FM 2,927,700...KPWR-FM 2,775,000

LA Radio: No Surprise...KSCA, KXOS Drop In AM Drive

Two Spanish-language radio stations tumbled in the ratings last month in the key morning-drive time period, according to the delayed-release of PPM numbers from NielsenAudio.

Radio stations have been anticipating the May report, which had been delayed for more than a week after Nielsen acknowledged problems with its sample audience in Los Angeles. The ratings firm removed two problematic households from its sample and the new numbers reflected those changes.

The drops for KSCA 101.9 FM and KXOS 93.9 FM were significant, according to The LA Times.

KXOS' morning show featuring Ricardo "El Mandril" Sanchez fell to No. 14 in May, after it had surged to the No. 4 slot during the April measurement period.

The station's share of weekday 6-10 a.m. radio listening was cut by about 37%. KXOS'  listening share fell to 2.7 last month from 4.3 in April.

Univision station KSCA's morning show "El Bueno, La Mala y El Feo" (The Good, the Bad and the Ugly), landed in fourth place last month. That was a dramatic drop after its surprise No. 1 finish in April.

KSCA's share slid to 4.1 from 4.6.

Read More Now

Orlando Radio: Cox Expected To Launch A Revolution

W297BB 107.3 FM (250 watts) 60dBu Coverage
Cox Media is stunting on it's new translator at 107.3 FM (W297BB).  The station is currently looping The Beatle's Revolution and promising a Revolution to begin Thursday at noon.  The translator is expected to be rebroadcasting the HD2 channel of WMMO 98.9 FM.  HD2 is currently silent.

Cox acquired translator W297BB from Reach Communications last August for $200,000 and has since relocated the translator from the northern suburb of DeBary to a more-centrally located Orlando location.

Report: Pittman Sez iHeartRadio Revenue ‘Hundreds of Millions’

Clear Channel CEO Bob Pittman tells the Associated Press online streaming service iHeartRadio makes "hundreds of millions" of dollars in annual revenue, putting it in the range of Internet radio leader Pandora.

According to the AP,  Pittman revealed the figure in an interview about the service reaching a milestone of 50 million registered users and 97 million visitors in May. Clear Channel Communications Inc., iHeartRadio's parent company, was taken private in 2008.

"We're in the hundreds of millions, not billions," Pittman said. "IHeartRadio would be a very valuable company on its own. In the grand scheme of things, it's an extension of the other businesses we're in."

Its usage growth is frequently cited in filings as contributing to Clear Channel's revenue, helping offset a decline in political ad revenue. Last year, Clear Channel's revenue was unchanged at $6.24 billion.

Report: Bob Pittman Sez Traditional Radio Will Survive

Clear Channel CEO Bob Pittman doesn’t believe streaming hours will overtake traditional radio in his lifetime.

He tells Fortune, “Music collections always replace each other and radio always tends to be yet another choice,” he says. “Satellite didn’t kill FM. AM didn’t kill FM. (Streaming music) one more choice and one more device you can listen to the radio on.”

With that perspective, why would Clear Channel waste resources getting 50 million people to use a streaming service like iHeartRadio to begin with.?

The short answer, Pittman says, is growth. He maintains that digital is an important growth area for the business, even if the $17 billion or so that advertisers spend on radio each year is slow to move over to the Web.

Clear Channel and iHeartRadio have considered selling subscriptions or downloads to monetize, similar to their competitors, Pittman says, but for now the company plans to stay “above the fray” in its relationship with record labels. “They’re in the business of selling the music and we’re not,” he says.

CCM+E, Bobby Bones Re-Up For Five More Years


CCM+E has announced a contract deal for Country morning personality Bobby Bones.

Bobby Bones
He'll continue as host of the syndicated Bobby Bone Morning Show (based at WSIX Nashville) for the next five years.  The show currently airs on almot 70 stations.

Bone will also continue hosting his weekend programs Country Top 30 with Bobby Bones, and a show he hosts on FOX Sports Radio.

Bones will also continue to work with CCM+E on joint ventures including multimedia projects and events.

CEO Bob Pittman stated, “In just over a year Bobby and his morning show crew have proven they have a remarkable talent for entertaining and engaging the country music community, while driving results for our partners. We’re committed to providing the best and most relevant programming to diverse audiences across America, and The Bobby Bones Show connects with listeners across multiple platforms. Bobby is an incredible talent and we look forward to collaborating on many exciting projects to come.”

Bones commented, “The past year with Clear Channel and Premiere has been a tremendous ride. I started dreaming about a career in radio when I was about five years old -- if I’d known it was going to work out this well, I’d have started earlier. The whole crew on The Bobby Bones Show is grateful for the support we’ve received from Bob Pittman, Rich Bressler, Darren Davis, Julie Talbott, Jennifer Leimgruber, Rod Phillips, and Clay Hunnicutt. We look forward to keeping it real with our audience as we grow.”

Syracuse Radio: Marty And Shannon Added To 95X


Four years after leaving the airwaves of Top40 WWHT 107.9 FM Hot, morning hosts Marty and Shannon have reunited on WAQX 95.7 FM 95X.

The two hosted their first edition of "The Morning Mess" Monday morning on the Cumulus owned radio statio, according to syracuse.com.

Marty and Shannon previously hosted Marty & Shannon in the Morning on Hot 107.9 FM, until they were replaced by a syndicated show by Elvis Duran in 2010.

The duo replaces Brian Robinson, who has been the morning host on 95X since The Show with Hunter & Josh moved to K-Rock in October 2012. In a post on his Facebook page, fellow 95X deejay Big Smoothie said Robinson "no longer works for the company."

U-A Making Deep Budget Cuts To Arizona Public Media

The University of Arizona has announced plans to cut its support of Arizone Public Media by $2M during the next five years.

Arizona Public Media (AZPM) operates KUAT TV and KUAZ radio on the University of Arizona campus with an annual budget of $11.7 million. The UA currently provides about a quarter of that.

The cash contribution to AZPM eventually will drop from the current $2.6 million a year, to $600,000 a year, according to tucsonnewsnow.com.

It's a budget decision that has supporters of the public TV and radio stations using words like "outrage" and "betrayal."

The UA administration says cuts to AZPM are necessary to deal with budget issues.

The university has endured nearly $200 million in state funding cuts in the past seven or so years.

"We need to protect the academic mission, the scholarship and the research. So auxiliary enterprises, including AZPM, are being asked to pick up more of the overhead," says UA spokesperson Chris Sigurdson.