Friday, March 21, 2025

CNBC To Launch Weekly Sports Media Show


While Comcast bolsters its sports offerings through NBCUniversal and Peacock with high-profile rights deals like the $3 billion Olympic extension through 2036 and the NBA’s return to NBC starting in the 2025-26 season, CNBC is carving out a distinct niche by enhancing its sports business coverage.

CNBC is launching CNBC Sport: On The Record, a weekly weekend TV show to premiere March 29, (3pm EDT) featuring interviews with sports business executives and key figures. This initiative, driven by CNBC President KC Sullivan, builds on the network’s recognition of sports as a major investable asset. 

The show repurposes content from a weekly sports business podcast launched in 2024 and complements the CNBC Sport newsletter by reporter Alex Sherman, which has seen a sevenfold increase in sports business coverage since its inception. The first long-form production under this banner will explore NBA star Steph Curry’s off-court ventures with Thirty Ink, signaling CNBC’s intent to produce deeper, branded content at the intersection of sports and commerce.

This expansion aligns with Comcast’s broader sports strategy, leveraging its ownership of NBCUniversal (CNBC’s parent) to tap into the lucrative sports media market. While Comcast secures live sports rights—such as the Olympics, NFL on NBC, and upcoming NBA games—for NBC and Peacock, CNBC focuses on the financial and strategic angles, targeting an audience of investors, executives, and fans interested in the business behind the games. The network’s efforts also include plans for live CNBC Sport-branded events, further bridging its business expertise with sports industry trends.

Super Fan Buys NBA Celtics For $6.1B

Boston Herald front page Friday

The Boston Celtics were sold Thursday for a record-shattering $6.1 billion to a consortium spearheaded by Bill Chisholm, a private equity titan from Massachusetts. 

The transaction sets a new benchmark as the priciest in North American sports franchise history, edging out the NFL’s Washington Commanders’ $6.05 billion sale in 2023. The deal underscores a booming trend of escalating sports team valuations, with owners reaping massive profits.

Chisholm, co-founder and managing director of Symphony Technology Group—a private equity firm focused on tech investments—led the acquisition from the Grousbeck family, who had owned the Celtics since 2002 when they paid $360 million. The buying group includes Sixth Street, a private equity powerhouse, existing stakeholder and entrepreneur Rob Hale, and real estate mogul Bruce Beal Jr. The sale now awaits the green light from the NBA’s Board of Governors.

Founded in the 1940s, the Celtics boast an unmatched 18 NBA championships and, as of March 21, 2025, hold the Eastern Conference’s second-best record.

Report: Westwood One Dropping Some 24/7 Formats


Westwood One, a major radio syndicator owned by Cumulus Media, has eliminated seven of its 24/7 music formats, marking a significant cutback in its syndication division. This decision, first reported by RadioInsight, reflects ongoing adjustments within the company as it navigates the evolving radio landscape. 

Westwood One, known for distributing a wide range of programming—including talk shows, music formats, and sports content like the NFL’s main radio package—had previously offered 20 satellite-delivered 24/7 formats to over 1,500 affiliated stations across the U.S.

The discontinued formats include:

  • Variety Hits Pop - Focused on a broad pop sound from the 1970s to 2000s, featuring artists like Madonna and Maroon 5, with a library of over 900 songs.
  • Variety Hits Rock - Highlighted rock and pop hits from the same decades, targeting fans of Aerosmith and Nirvana with a similar 900-song mix.
  • Rock 2.0 - An active rock format rooted in the 1990s with bands like Nirvana and Foo Fighters, extending to newer acts like Disturbed.
  • Good Time Oldies - Covered pop, soul, and rock & roll from the 1960s and 1970s, with some early-to-mid-1980s tracks and themed weekends.
  • Classic Hits Gold - Featured hits from the mid-to-late 1960s through the early-to-mid-1980s, with artists like The Beatles and Billy Joel.
  • Classic Rock X - Delivered high-energy classic and hard rock from the 1970s to early 1990s, emphasizing heavier acts.
  • Hits Now! - A contemporary hit radio format targeting women aged 20-30 with current pop, rock, dance, hip-hop, and R&B.

Westwood One retains 13 formats, including Adult Contemporary, Hot AC, Mainstream Country, Classic Hits, and Classic Rock, among others. The cuts follow a pattern of retrenchment, with the company having dropped Classic Hip-Hop in fall 2024 and faced earlier layoffs in 2022 that affected its 24/7 division, costing around two dozen jobs. No official statement from Cumulus has detailed the exact reasoning or timeline for ceasing these formats.

The decision has stirred sentiment on X, with posts reflecting a mix of nostalgia and frustration among radio enthusiasts, some lamenting the loss of variety in terrestrial radio. 

Radio Personality Deliah To Be Honored During NAB Show


Syndicated radio personality Deliah, is set to receive the fourth annual Insight Award from the Library of American Broadcasting Foundation (LABF) during the NAB Show Welcome on April 7, 2025, in Las Vegas, Nevada. 

The prestigious award recognizes her remarkable five-decade career in broadcasting and her profound influence on audiences across the United States. Known for her soothing voice, heartfelt storytelling, and ability to connect with listeners, Delilah hosts a nationally syndicated radio show through Premiere Networks, reaching over eight million weekly listeners on approximately 160 stations, making her the most-listened-to woman on American radio.

The Insight Award, presented by the LABF, honors individuals or organizations whose artistic or journalistic work significantly enhances public understanding of the media’s role, operation, history, or impact in society. Delilah joins an esteemed group of past recipients, including actor and educator LeVar Burton, CBS News’ 60 Minutes, and journalist Soledad O’Brien. Her unique format, which blends personal stories, song dedications, and empathetic advice, has resonated with listeners since she began hosting her current show in 1984, earning her a reputation as a trailblazer in the industry.

Delilah’s contributions extend beyond her on-air presence. She has been celebrated with numerous accolades, including induction into the National Radio Hall of Fame in 2016 and the NAB Broadcasting Hall of Fame in 2017—the first woman to receive the latter honor in 35 years. She also won the NAB Marconi Award for Network/Syndicated Personality of the Year in 2016 and has been consistently recognized by Radio Ink as one of the Most Influential Women in Radio. In 2023, she received the inaugural Gracies Icon Award from the Alliance for Women in Media.

The NAB Show, held from April 5-9, 2025 (with exhibits from April 6-9), is a major event produced by the National Association of Broadcasters (NAB), showcasing advancements in broadcast, media, and entertainment.

Savannah Radio: Cumulus Stations Raise $113K+ For St. Jude


Bernardo De La Garza with ALSAC, CJ The DJ (Magic 103.9), Sarah Lynn (KIX96), and Tricia Singleton (Sales Rep for Cumulus Savannah), and kneeling is Billie Marshall (I-95 The Rock of Savannah.

Cumulus Media announces that Magic 103.9 (WTYB-FM), KIX96 (WJCL-FM), and i-95 The Rock of Savannah (WIXV-FM) took to the airwaves on Thursday, March 6th and Friday, March 7th to raise funds for St. Jude Children’s Research Hospital through its annual Music Gives to St. Jude Radiothon. 

The two-day on-air and online fundraiser generated a total of $113,501 in listener donations. All funds raised from the successful radiothons will go to St. Jude Children’s Research Hospital to help fight childhood cancer and other diseases.

Eric Mastel, Regional Vice President and Market Manager, Cumulus Savannah, said: "We are incredibly proud and humbled by the generosity of our listeners and community in supporting St. Jude Children’s Research Hospital. The success of this year’s Music Gives to St. Jude Radiothon reflects the power of radio to make a real difference. Every dollar raised helps provide hope and critical care to children and families facing childhood cancer and other life-threatening diseases. Thank you to everyone who joined us in this important mission.”

 Founded in 1962 by actor Danny Thomas, St. Jude Children’s Research Hospital turned what was then just a 20% childhood cancer survival rate to over 80% in 2025.

Atlanta Radio: Scott Slade Reveals Cancer Battle


Scott Slade, the former morning host of 95.5 WSB in Atlanta has revealed that he has been diagnosed with multiple myeloma, a type of blood cancer that affects plasma cells in the bone marrow. Slade shared this news during a special segment on Atlanta’s Morning News, the show he hosted for 32 years before stepping down in early 2023. 

He disclosed that he had been receiving treatment for the condition since November 2024, following its discovery through routine blood work during an annual physical.

Slade, a well-known figure in Atlanta radio, explained that he had noticed signs of fatigue over several months in early 2024, including a loss of interest in activities like hiking, which prompted further medical evaluation. 

His primary care physician detected abnormalities in his blood, leading to a referral to a hematologist-oncologist at the Northside Cancer Institute, where the diagnosis was confirmed. Multiple myeloma, which accounts for about 1-2% of all cancers and has an average lifetime risk of less than 1%, is characterized by the uncontrolled growth of plasma cells, a type of white blood cell responsible for producing antibodies. While the disease is not curable, Slade emphasized that it is treatable, stating, “I’m very optimistic about my prognosis.”

Since his diagnosis, Slade has undergone four months of chemo-immunotherapy, a treatment designed to boost his immune system to combat the cancer cells in his bone marrow. The next phase of his treatment involves an autologous stem cell bone marrow transplant, where his own healthy stem cells—collected and stored—will replace marrow damaged by high-dose chemotherapy. Following this procedure, he will need to take precautions to avoid infections due to a temporarily weakened immune system.

Slade, who turned 70 in 2024, is a decorated broadcaster, having been inducted into both the Atlanta Press Club Hall of Fame and the Georgia Association of Broadcasters Hall of Fame in 2023. His diagnosis adds a personal chapter to a career marked by professionalism and resilience, and his optimistic outlook has resonated with those who have followed his decades-long tenure at WSB.

R.I.P.: Dan Israel, Heart and Soul of NFL Chiefs Radio


Dan Israel, the longtime executive producer of the Chiefs Radio Network, passed away on Thursday, at the age of 60 after a decade-long battle with cancer. 

While he was not the primary play-by-play announcer—often referred to as the "radio voice" of a team, a role held by Mitch Holthus for the Kansas City Chiefs—Israel was a pivotal figure behind the scenes, shaping the broadcasts that reached millions of fans across Chiefs Kingdom.

Israel’s career with the Chiefs spanned 35 seasons, beginning in 1990, during which he worked on every game the team played. 

His role as executive producer involved coordinating and producing the NFL’s largest radio network, a testament to his dedication and skill. Diagnosed with colon cancer in 2014, which later spread to his lungs, Israel defied initial medical expectations of a 12-to-36-month prognosis, continuing his work with remarkable resilience. 

His passion for his job was evident even in his final months; just weeks before his passing, he attended Super Bowl LIX in New Orleans on February 9, 2025, where the Chiefs faced the Philadelphia Eagles. He shared his excitement on social media, writing, “Never gets old,” alongside a photo of the Superdome field.

Throughout his illness, Israel credited his work with the Chiefs Radio Network as a vital source of strength. In an interview with KCTV5 in February 2025, he said, “You have to have a reason to get out of bed every day. The treatment itself can be overwhelming, very fatiguing.” His determination allowed him to witness and contribute to the Chiefs’ recent successes, including multiple Super Bowl appearances, a stark contrast to the lean years he endured earlier in his tenure.

The Chiefs organization and its community mourned his loss deeply. Chiefs chairman and CEO Clark Hunt expressed, “Dan was an integral part of our organization for 35 seasons, and his work as executive producer of the Chiefs Radio Network helped bring the game to life for millions of listeners across Chiefs Kingdom.” Head coach Andy Reid added, “I watched Dan battle this disease with strength and a positive attitude… He was a huge part of the Chiefs Radio Network and the Chiefs football team. I loved Dan Israel, and he will be missed but never forgotten.” Mitch Holthus, the Voice of the Chiefs, announced Israel’s passing on X, noting the exact time of 4:20 a.m. on March 20, and reflecting on their 31 shared years with heartfelt emotion.

Tributes poured in from colleagues and fans alike. The Chiefs’ flagship station, 96.5 The Fan, called him “an NFL broadcasting legend & Hall of Fame producer,” emphasizing his indelible impact. Israel’s legacy extends beyond his technical expertise—he was a beloved friend and inspiration, known for his kindness, professionalism, and unwavering positivity, even in the face of adversity. His death, just over a month after covering the Super Bowl, marked the end of an era for Chiefs radio, leaving behind a void felt by all who knew him or heard his work.

Radio History: March 21


The Ritz Theater 1937

➦In 1921...Broadway's The Walter Kerr Theatre opened at 219 West 48th Street in NYC.  One of the smaller auditoriums in the Theater District, it seats 975. Designed by Herbert J. Krapp for the Shubert family, it operated as the Ritz Theatre from 1921 to 1990, when it was renamed for playwright and critic Walter Kerr.  ABC operated it as a radio and then television studio between 1943 and 1965.

➦In 1922...KGW-AM, Portland, Oregon signed-on.

The Oregonian newspaper created KGW-AM (now Sports KPOJ 620 AM RipCity, owned by iHeartMedia) by purchasing an existing transmitter from the Shipowners Radio Service. The U.S. Department of Commerce licensed the station, and it began broadcasting on March 21, 1922

The studio was housed on the 11th floor of The Oregonian Building Tower at Sixth & Alder Streets. The transmitter was located on the 13th floor. The antenna consisted of a 70-foot, four-wire inverted "L"-type flattop, suspended between a 60-foot mast on top of the building and a 95-foot tower on the nearby Northwestern Bank Building.

R.G. Calvert supervised the operation and Richard “Dick” Haller was the program director. Their aim was to give their listeners news fresh from the press with the best music and outstanding speakers. KGW’s early announcers and writers were usually former newspaper employees, and the first engineers and technicians came from the ranks of former maritime wireless radio operators.

When the station first went on the air, 5,000 radio sets were said to have tuned in. Speakers included The Oregonian’s Editor, Edgar Piper and Mayor George Baker. There was also an opera singer, a novelist and a live musical presentation. Dick Haller became known as KGW’s “Million-Dollar Voice” and his broadcasts were very popular. He would go on to a successful career with NBC in San Francisco.

As an early radio station experiencing tremendous popularity, KGW implemented many innovative new broadcasting ideas. KGW set itself apart from the other stations by having the first radio variety show in the nation, the first audience participation show, the first quiz program, the first library program, the first radio debate, the first in-school listening program and the first singing commercial. In 1925, on-air advertising became a source of KGW’s operating revenue. KGW produced the first-ever singing commercial for Sears, Roebuck and Company in the late 1920s.

KGW was the first station in Oregon to affiliate with a national broadcasting service when they carried the inaugural program of the National Broadcasting Company’s Orange Network on April 5, 1927. The Orange Network was known as the NBC Pacific Coast Network.

The nationally famous Hoot Owls, officially known as "The Order of Hoot Owls Roosting in the Oregonian Tower" aired from 1923 to 1933 as a 2-1/2 hour variety show that was broadcast to over one million listeners. Their slogan soon became "Keep Growing Wiser," whose initial letters represented the KGW call letters.

One of the performers on the Hoot Owls program, Mel Blanc, achieved fame as the author of cartoon characterization in later years in Hollywood where he became the nation’s voice for cartoon characters such as Elmer Fudd and Bugs Bunny. Blanc, who received his high school education in Portland, joined the program in 1927. Nicknamed "The Grand Snicker" on the Hoot Owls, Blanc became well known for his comedy, as well as his skills as a storyteller, ad-libber, musician, vocalist, and, later, orchestra pit conductor.

Blanc left KGW in 1933 and moved down the hall to perform on sister station KEX in the popular "Cobwebs and Nuts" program, before moving to Hollywood in 1935.

➦In 1924...The first foreign language broadcast aired on WJZ 770 AM, New York City.

The WJZ call sign was first used on what is now WABC in New York City. The original Westinghouse Electric Corporation, whose broadcasting division is a predecessor to the current broadcasting unit of CBS Corporation, launched WJZ in 1921, located originally in Newark, New Jersey. WJZ was sold in 1923 to the Radio Corporation of America, who moved its operations to New York, and in 1926 WJZ became the flagship station for the NBC Blue Network.

In the 1929 movie The Cocoanuts the station was name-checked by Chico Marx in a sequence of running gags between Chico and Groucho: Chico uses the station's call-sign as the punchline of a punning joke based on his confusion over the meaning of the word "radius", which he confuses with 'radios', leading to the mention of the station's call-sign. NBC Blue would become the American Broadcasting Company in 1942. ABC later established WJZ-FM and WJZ-TV at the same time in 1948.

In 1953 ABC merged with United Paramount Theatres, and changed the call letters of their New York area stations to WABC, WABC-FM (now WPLJ) and WABC-TV. Four years later, Westinghouse Broadcasting acquired Baltimore television station WAAM (channel 13) and changed its call letters to WJZ-TV, which remained an ABC affiliate until 1995 when the station switched to CBS.

Lowell Thomas
➦In 1925...Lowell Thomas was first heard on radio as a guest on KDKA, Pittsburgh PA talking about “man’s first flight around the world".

In 1930, he became a broadcaster with the CBS Radio network, delivering a nightly news and commentary program. After two years, he switched to the NBC Radio network but returned to CBS in 1947. In contrast to today's practices, Thomas was not an employee of either NBC News or CBS News. Prior to 1947, he was employed by the broadcast's sponsor Sunoco.

He returned to CBS to take advantage of lower capital-gains tax rates, establishing an independent company to produce the broadcast which he sold to CBS. He hosted the first-ever television news broadcast in 1939 and the first regularly scheduled television news broadcast (even though it was just a camera simulcast of his radio broadcast) beginning on February 21, 1940 over local station W2XBS (now WNBC) New York.

Thursday, March 20, 2025

DHS Vows To Find Perps Who Are 'Swatting' Media


Kristi Noem, the U.S. Department of Homeland Security (DHS) Secretary under President Donald Trump’s administration, made a strong public statement vowing to pursue and prosecute individuals responsible for a recent wave of swatting incidents targeting conservative media figures.

Swatting, a dangerous hoax where false emergency calls prompt armed police responses to unsuspecting victims’ homes, has surged in recent weeks, with notable conservative influencers, radio hosts, and podcasters reporting such attacks. 

Noem’s announcement came amid growing concern over these incidents, which have included high-profile cases like that of radio host Joe "Pags" Pagliarulo, who was woken at 2 a.m. by armed deputies at his Texas home, and InfoWars host Owen Shroyer, swatted early on March 19. 

Other affected figures include podcaster Nick Sortor, host Shawn Farash, and influencer Gunther Eagleman, with some reporting multiple incidents within days. 

The attacks have raised alarms due to their potential to endanger lives—both of the targets and responding officers—and their apparent political targeting of conservative voices. In a post on X, Noem declared, “Under President Trump’s leadership, we will not sit idly by as conservative new[s] media and their families are being targeted by false swatting.” 

She emphasized DHS’s technological capabilities, stating, “DHS has the ability to trace phone numbers and track location information. We will use it to hunt these cowards down.” 

She framed swatting as “an attack on our law enforcement and innocent families,” promising aggressive prosecution. Her rhetoric aligns with the Trump administration’s broader stance against perceived threats to its supporters, echoing sentiments from FBI Director Kash Patel, who days earlier vowed to crack down on the same trend, calling it “morally reprehensible” and a danger to all Americans, not just a political issue. 

The backdrop to Noem’s pledge is a series of swatting incidents that began escalating in mid-March 2025, with at least ten reported on March 13 alone, according to FBI statements. Victims have described harrowing experiences—Pagliarulo noted he nearly confronted police with his own firearm, risking a deadly outcome, while Sortor called it “attempted murder” after a caller falsely claimed his father was killing his family. 

The timing, shortly after Trump’s inauguration and the appointment of new agency heads like Noem and Patel, suggests a possible reaction to the shifting political landscape. Noem’s response has drawn support from conservative circles, with X posts praising her resolve, such as one calling it a “bold stance” against “online harassment and threats.” 

However, it also enters a contentious arena, as swatting has historically crossed political lines—previous incidents have targeted figures like Rep. Marjorie Taylor Greene and even judges in Trump-related cases—yet this wave appears focused on conservative media. 


The DHS, under Noem’s leadership since January 2025, is now mobilizing alongside the FBI, which has been tracking swatting nationally since 2023, to address what some label “political terrorism.” As of March 20, 2025, no arrests have been publicized, but Noem’s vow signals a high-priority federal response.

Boston TV: Meteorologist Ignites Criticism With Splashdown Comment


Pete Bouchard, the chief meteorologist at NBC10 Boston, recently sparked controversy following comments he made about a SpaceX splashdown on Monday. The event involved the return of NASA astronauts, including Suni Williams from Needham, Massachusetts, who had been stranded on the International Space Station for nine months due to issues with Boeing’s Starliner. The astronauts safely returned to Earth via a SpaceX capsule, splashing down in the Gulf of America off Florida’s coast.

The Boston Herald reports Bouchard, a seasoned broadcaster with over two decades in the Boston market, posted on Facebook that the drone footage of the splashdown had “strong hints of AI enhancement.” 

He noted that the lighting appeared “cinematic” and questioned whether it was due to camera settings, even suggesting that a pod of dolphins surfacing in the video added to the scene’s polished look. “I’m no conspiracy theorist, but that splashdown today had strong hints of AI enhancement in the drone footage,” he wrote, later clarifying, “This doesn’t take anything away from the brave astronauts or remarkable scientists involved.”

The reaction was swift and polarized. Some online followers criticized Bouchard, with one commenter sarcastically remarking, “‘I’m no conspiracy theorist’ but I have a conspiracy theory,” leading him to delete the original post. He then issued a follow-up on Tuesday night emphasizing that he was merely commenting on the footage’s visual quality and his curiosity about the technology used, not questioning the event’s authenticity. On Bluesky, he doubled down, writing, “I know I won’t feed the conspiracy theorists on this platform, but that splashdown today had strong hints of AI enhancement,” again pointing to the lighting and dolphins.

The backlash highlights the sensitivity around public figures speculating about high-profile events, especially those tied to SpaceX and Elon Musk, whose ventures often attract both admiration and skepticism. Bouchard’s remarks drew attention partly because of his prominence—he joined NBC10 Boston in 2016 after 13 years as senior meteorologist at WHDH, becoming chief meteorologist in 2024 following Matt Noyes’ departure. His history of engaging, sometimes quirky commentary has made him a familiar figure in New England, but this incident tested his audience’s tolerance.

Supporters, including some on X, defended him, with posts calling him “the best” and decrying the “incredibly stupid times” where such observations ignite outrage. Critics, however, saw it as irresponsible, especially given the potential to fuel conspiracy narratives about space missions.

Edison: More Republicans Now Using X/Twitter


Edison Research is gearing up to host one of its marquee annual events, The Infinite Dial 2025, this Thursday, where it will reveal the latest insights into digital consumer behavior. Backed by prominent industry leaders like Audacy, Cumulus Media, and SiriusXM Media, the report upholds its legacy since 1998 of delivering detailed updates on the ever-changing digital landscape.

The upcoming webinar will explore the newest trends in podcast listening, online audio consumption, and significant shifts in social media engagement. This year’s Infinite Dial arrives at a pivotal moment, particularly in light of Elon Musk’s acquisition of Twitter—now X—and its influence on user demographics.

The study highlights a clear evolution in X’s user base. In 2023, 34% of Democrats, 28% of Independents, and 20% of Republicans were active users. By 2024, usage among Democrats and Independents had noticeably dropped, a decline that leveled off in 2025. The latest figures show a resurgence, especially among Republicans, with usage climbing from 21% to 25%. Meanwhile, Democrat usage edged up to 22%, and Independents held steady at 21%.

X/Twitter Usage by Party Affiliation

This shift marks a dramatic change from a 14-point Democratic lead in 2023 to a slim three-point Republican edge in 2025, underscoring a substantial transformation in X’s audience composition.

The webinar, featuring Edison Research’s Megan Lazovick and Podnews’s James Cridland, remains open for registration. Industry professionals and curious observers are invited to attend for a deeper dive into these dynamic digital trends.

MSNBC Forced To Make Misinformation Retraction


MSNBC hosts Stephanie Ruhle and Ali Velshi have been compelled to issue on-air corrections after airing erroneous reports claiming that Tulsi Gabbard, the U.S. Director of National Intelligence, had described President Donald Trump and Russian President Vladimir Putin as "very good friends."

The misinformation stemmed from a misinterpretation of Gabbard’s remarks during an interview with Indian news network NDTV, where she was actually discussing Trump’s relationship with Indian Prime Minister Narendra Modi.

The false narrative began with a now-retracted Associated Press (AP) story published on March 17, titled "Gabbard Says Trump and Putin are ‘Very Good Friends’ Focused on Strengthening Ties."

 MSNBC hosts ran with this headline on their Monday broadcasts. Ruhle, on "The 11th Hour," suggested Gabbard’s alleged statement showed Trump’s disconnect from American values, while Velshi, filling in on "The Last Word," framed it as a dangerous stance on U.S.-Russia relations. Both claims were amplified by their guests, who built arguments around the fabricated quote.

By Tuesday, the full NDTV interview surfaced, revealing Gabbard’s actual reference to Modi, not Putin.

Ruhle corrected her report near the end of her show, stating, "Last night we reported… that Trump was good friends with a world leader. We said that world leader was Vladimir Putin. But the full interview shows that Gabbard was referring to Trump and Indian Prime Minister [Narendra] Modi. Cleared that up." Velshi issued a similar clarification, noting the interview "showed that Gabbard was referring to Donald Trump and the Indian Prime Minister, Narendra Modi." Neither host offered an apology or elaborated on the error’s impact.

The incident drew sharp criticism on X, with users accusing MSNBC of pushing a political narrative. Gabbard’s deputy chief of staff, Alexa Henning, called out the AP on X, labeling it "total trash" for the misleading headline and suggesting it exemplified media bias. The AP acknowledged the error, retracting the story with an editor’s note: "This story was updated on Mar. 17, 2025, to delete erroneous reporting," admitting it "did not meet our standards."

Beasley Reports Revenue Off For Year, 4Q Increased


Beasley Broadcast Group, Inc. (Nasdaq: BBGI), a multi-platform media company, released its earnings report for the fourth quarter (4Q) and the full year of 2024 on March 20, 2025, providing a detailed look at its financial performance. 

Here’s a breakdown based on the available information:

➤Fourth Quarter 2024 (4Q 2024)

  • Net Revenue: Beasley reported net revenue of $67.3 million for the three months ended December 31, 2024, marking a 2.3% increase from $65.7 million in 4Q 2023. This growth was primarily driven by an $8.3 million surge in political advertising revenue, which offset ongoing softness in the commercial advertising market and revenue declines from divestitures (e.g., the Wilmington station) and closures (e.g., esports and Guarantee Digital).
  • Operating Income: Operating income remained steady at $7.6 million, identical to 4Q 2023. This stability persisted despite the absence of a one-time $6.0 million gain from the extinguishment of franchise fees related to the sale of the Outlaws esports division, which had bolstered 4Q 2023 results. The company attributed this to operational efficiencies and cost management.
  • Net Income/Loss: Beasley recorded a net loss of $2.1 million, or $1.17 per diluted share, in 4Q 2024, compared to a net income of $6.4 million, or $4.25 per diluted share, in 4Q 2023. The shift to a loss was largely due to significant one-time costs from a September 2024 debt exchange offer and October refinancing, coupled with substantial severance expenses in the quarter.
  • EBITDA per Indenture: This non-GAAP measure, used by Beasley’s creditors, rose to $12.5 million in 4Q 2024 from $6.2 million in 4Q 2023, reflecting disciplined expense management and strategic streamlining efforts.

➤Full Year 2024

  • Net Revenue: For the full year ended December 31, 2024, Beasley’s net revenue totaled $246.3 million, a slight decrease of 0.3% from $247.1 million in 2023. This modest decline reflects challenges in traditional audio advertising, partially mitigated by growth in digital and political revenue streams. Political advertising, particularly strong in the second half of the year, contributed significantly, with the company expecting $11 million for the year (though exact full-year figures beyond 4Q’s $8.3 million boost were not detailed in the quarterly breakdown).
  • Operating Income/Loss: The full-year operating loss was not explicitly stated in the 4Q report, but it included a $6.0 million gain from the sale of an investment in Broadcast Music, Inc. (BMI). In contrast, 2023’s operating loss was $82.0 million, heavily impacted by $98.8 million in non-cash impairment losses. The absence of such large impairments in 2024 suggests an improvement, though exact figures await further disclosure.
  • Net Income/Loss: The full-year net loss was not fully detailed in the 4Q release, but the nine months ended September 30, 2024, showed a net loss of $0.268 million (including the BMI gain), a significant improvement from $13.97 million in the first nine months of 2023 (with $98.8 million in impairments). The 4Q loss of $2.1 million suggests a full-year net loss likely in the low single-digit millions, factoring in one-time costs.
  • Digital Revenue: Digital revenue grew to nearly 20% of total revenue for the year, up from 18.4% in 2023, aligning with Beasley’s target range of 20% to 25%. This growth, driven by a 10.4% same-station increase in Q2 and 11.7% in Q3, underscores the company’s digital transformation strategy.
  • Expense Management: Beasley achieved approximately $20.0 million in annualized expense reductions through workforce realignment and operational efficiencies, bolstering its balance sheet and reducing leverage.

"2024 was a transformative year for Beasley as we took decisive actions to strengthen our balance sheet, streamline our operations, and position the company for long-term success,” CEO Caroline Beasley said in a release. 

“Through disciplined cost management and strategic capital initiatives, we achieved approximately $20.0 million in annualized expense reductions, improved our leverage profile, and enhanced our financial flexibility. These efforts, combined with the continued momentum of our digital business—now representing nearly 20% of total revenue—have reinforced our ability to navigate industry challenges while capitalizing on new growth opportunities in audio and digital media."

Milwaukee Radio: WJMR Adds “Sunday Night Slow Jams”™


Benztown announces that “Sunday Night Slow Jams”™, the #1 weekend radio show in America, has splashed down in Milwaukee, with its March launch on newest station affiliate, Saga Communications’ Urban AC, Jammin’ 98.3 (WJMR-FM). 

Jammin’ 98.3 Milwaukee joins the ranks of 10 new “Sunday Night Slow Jams” affiliates so far in 2025. The nationally syndicated program is now heard every week on well over 200 stations across the U.S. and internationally.

The show’s perfect music mix and host R Dub!’s personal connection with Slow Jams’ listeners, including the popular segment, “Oral Expressions,” make “Sunday Night Slow Jams” destination weekend listening for loyal listeners from coast to coast and abroad. The iconic program is currently heard in markets including Los Angeles, San Francisco, Baltimore, Chicago, Philadelphia, Portland, and Denver.


Don Black, Program Director, Jammin’ 98.3 (WJMR-FM), said: “Several years ago, I introduced this show to the station in Peoria, Illinois, which marked the beginning of not just a professional collaboration, but also a great friendship with R Dub! I always told myself that if I ever had the chance, I’d love to work with him again. Well, the stars aligned, and now he has a home right here at WJMR. R Dub!’s track record speaks for itself – wherever he goes, success follows. I’m just thrilled to bring that energy and talent to our station!”

R Dub!, Creator, Producer and Host of “Sunday Night Slow Jams”, commented: “Two weeks in and we're already receiving incredible engagement from our Milwaukee listeners. I'm already booked for a market visit this summer to see Don, his staff, and our listeners. Beer, cheese and Slow Jams - it just goes together!” 

For more information, contact Mark Wilson at mw@benztown.com or (818) 842-4600.

TV Ratings: 5.3M Watch Astronauts Splashdown On FNC


The TV ratings for the return of the NASA astronauts on March 18, 2025, highlight significant viewership, particularly for Fox News' coverage.

According to posts on X, Fox News Channel's "Special Report" with Bret Baier drew an impressive 5.3 million viewers and 606,000 in the key demographic during the live broadcast of the astronauts' splashdown. The program peaked between 6:30 and 7:00 PM ET, reaching 5.6 million viewers. This outperformed major broadcast networks, surpassing CBS (2.9 million viewers), ABC (1.8 million), and NBC (1.1 million) during that time slot, demonstrating strong public interest in the event.

This data reflects coverage of the SpaceX Crew-9 mission, which brought NASA astronauts Suni Williams, Butch Wilmore, and Nick Hague, along with Roscosmos cosmonaut Aleksandr Gorbunov, back to Earth after an extended stay on the International Space Station. 

The high ratings suggest that the astronauts' return, following a nine-month mission marked by technical challenges with Boeing’s Starliner, captured significant national attention. However, these figures are sourced from X posts and should be treated as preliminary sentiment rather than definitive, as official Nielsen ratings or broader network comparisons (e.g., CNN, MSNBC, or NASA TV) are not fully detailed in the available context.

Judge Declines Ordering Release of FEMA Funds to Public Broadcasters


U.S. District Judge Timothy Kelly declined to force the Trump administration to immediately release nearly $2 million in Federal Emergency Management Agency (FEMA) funding to public broadcasters for upgrades to the nation’s emergency alert system. 

The decision came in response to a lawsuit filed by the nonprofit Corporation for Public Broadcasting (CPB) on March 13, 2025, which accused FEMA of unlawfully withholding the funds. The CPB argued that the delay, stemming from a funding hold initiated on February 18, 2025, was hampering the ability of federal, state, and local authorities to issue real-time emergency alerts for disasters like flash floods, blizzards, tornadoes, and hurricanes.

The funding in question was part of a $40 million grant program called the Next Generation Warning System, designed to help over 40 public media stations upgrade their emergency alerting equipment. The CPB, which channels federal funds to more than 1,500 public radio and television stations, claimed that FEMA’s “hold” status left stations across the country unreimbursed for nearly $1.9 million in expenses already incurred. 

They emphasized that FEMA had been deeply involved in the grant process for nearly three years—approving equipment lists and receiving regular progress reports—making the sudden freeze inexplicable and unjustified.

Judge Kelly, appointed by President Trump during his first term, ruled that the CPB failed to meet the legal burden of proving irreparable harm caused by the delay. 

He denied their request for an immediate court order to compel FEMA to release the funds, effectively allowing the Trump administration to maintain the hold for the time being. Government lawyers defending FEMA denied withholding the funds outright, asserting that the agency was not obstructing the program but rather managing it within its authority.

This case is one of several where the Trump administration has faced accusations of illegally freezing federal funds.

Ownership Rules Debated In Appeals Court


On Wednesday,a three-judge panel from the U.S. Court of Appeals for the Eighth Circuit in St. Paul, Minnesota, heard a legal challenge brought by broadcasters against the FCC most recent decision on radio ownership limits. 

This hearing is part of the ongoing debate over the FCC's media ownership rules, specifically the Local Radio Ownership Rule, which caps the number of radio stations a single entity can own in a given market—up to eight stations, with no more than five on one band (AM or FM) in the largest markets.

The challenge stems from the FCC's 2023 quadrennial review (MB Docket No. 18-349), finalized under former Chair Jessica Rosenworcel in December 2023 with a 3-2 vote. 

The review retained the existing Local Radio Ownership Rule with only minor adjustments, rejecting calls from some broadcasters, including the National Association of Broadcasters (NAB), to relax these limits further. The NAB and companies like Connoisseur Media and Townsquare Media argued that loosening the caps, particularly on FM stations, would allow broadcasters to better compete with digital platforms like streaming services, which face no such ownership restrictions. They contend that the current rules are outdated in a media landscape dominated by unregulated online competitors.

\Conversely, the FCC defended its decision, asserting that AM/FM radio remains a distinct market serving local communities with unique content—such as local news, sports, and personalities—that digital platforms do not replicate. The agency argued that these rules remain necessary to promote competition, localism, and diversity in the public interest. However, dissenters within the FCC, including then-Commissioner Brendan Carr (now Chair under the Trump administration), criticized the decision as "backward-looking," suggesting it hampers local media’s ability to adapt to modern challenges.

The broadcasters’ appeal to the Eighth Circuit seeks to overturn or modify the FCC’s 2023 order, claiming it fails to adequately address the competitive realities of today’s media environment. \

The outcome rests with the three-judge panel, whose decision could either uphold the FCC’s stance or force a significant revision of radio ownership regulations. This case reflects a broader, recurring tension in FCC policy, as previous quadrennial reviews have also faced legal challenges—most notably in the Third Circuit—over similar issues of competition and diversity. With the current date being March 20, 2025, the panel’s ruling, expected in the coming months, will shape the future of radio ownership limits under the new Trump-appointed FCC leadership, potentially aligning with Carr’s deregulatory leanings.