FBI agents may impersonate journalists while conducting undercover investigations, and an agent who posed as an editor with the Associated Press during a 2007 investigation did not violate agency policies, the Department of Justice Office of the Inspector General found in a report released Thursday.
According to USNews, the conclusion sparked consternation across social media by journalists, civil rights groups and some legal experts, who have argued that the practice – by its very existence – threatens to heighten public mistrust of reporters, damage journalists' credibility and have a chilling effect on sources and whistleblowers who may fear that their contacts in the media are actually undercover agents.
"The Associated Press is deeply disappointed by the Inspector General’s findings, which effectively condone the FBI’s impersonation of an AP journalist in 2007," Associated Press Vice President Paul Colford said in a statement. "Such action compromises the ability of a free press to gather the news safely and effectively and raises serious constitutional concerns."
The inspector general's report acknowledged that the practice calls for "a higher level of approval" by FBI supervisors than was in place in 2007. Policies on impersonating journalists at the time were "less than clear," it found. However, a new interim policy adopted this June – one that permits agents to pose as journalists so long as they get approval from two high-ranking officials and an undercover review committee at headquarters – meets that requirement.
The review stemmed from a June 2007 investigation into a series of bomb threats sent by email to Timberline High School outside Seattle. The emails sparked repeated evacuations over the course of a week. The culprit, later found to be a 15-year-old student, masked his location by using proxy servers, and local law enforcement ultimately appealed to the FBI for help.
An agent with the FBI's cybercrime task force, posing as an editor for the Associated Press, contacted the suspect by email, eventually sending the teen fake news articles and photographs that hid a trace program: As soon as the boy clicked one of the photos, his location was revealed to agents. He confessed shortly after his arrest, and he pleaded guilty July 18.
Since 2010: Now 59.3M+ Page Views, Edited by Tom Benson, News Tips, Feedback: pd1204@gmail.com
Friday, September 16, 2016
Myrtle Beach Radio: WMYB Flips To Top40
Alpha Media, Myrtle Beach announced that WMYB 92.1 FM has become Energy 92.1 as of Thursday.
Energy 92.1 will feature today’s top hits and recent top 10 recordings. The majority of music will be from the last few years and include artists such as; Justin Bieber, Drake, Sia, Justin Timberlake, Twenty One Pilots, The Chainsmokers, Rihanna, and Ariana Grande. To generate buzz, the station played Christmas music 24/7 for three days prior to the switch.
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| WMYB 92.1 FM (94 Kw) Red=Local Coverage Area |
“By making the move to Energy 92.1, we will be giving the Grand Strand hands down the most exciting radio station on the dial. The fun won’t just be on the radio with this but also on the streets…we’ll be everywhere,” remarked Program Director, BJ Kinard.
Sean Hannity Talks About Suing CNN
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| Sean Hannity |
“What does — how do I get an apology from CNN?” Hannity asked on his radio show Thursday.
“Should I — I would love to sue them for slander when they say, ‘Oh, he wants Hillary [Clinton] on her deathbed and dead,’ when I said just the opposite.”
According to TheBlaze, Hannity’s consideration comes in response to an assertion by CNN media analyst Brian Stelter to PBS’ “Charlie Rose” Wednesday. Stelter, borrowing from Clinton’s “basket of deplorables” gaffe, said the way in which several conservative media figures — to include the Fox host — have covered Clinton’s health proves they belong in a “truly deplorable basket.”
“These are people who bring up rumors and innuendo about Clinton’s health, and have been doing it for years,” Stelter told PBS.
“I’m not saying Hannity or [radio host Rush] Limbaugh fit into these necessarily, but they — some of these figures want her to be sick,” he continued. “They want her to be dying. They want her to be on her death bed.”
Earlier in the summer, Stelter also similarly accused the Fox host, an unflinching supporter of Donald Trump, of peddling conspiracy theories about Clinton, the Democratic nominee for president.
Several weeks ago, Stelter went after Hannity, saying the conservative talker “is not a journalist” — an assertion the Fox host does not deny. In August, Stelter hit Hannity for “reckless speculation” about Clinton’s health, a topic the Trump backer often leads with on his 10 p.m. Fox program.
“Last time I checked, Fox still has the word ‘news’ in its name,” Stelter said.
Bluefield VA Radio: Alpha Launches HipHop G98.7
Alpha Media, Bluefield announced today the addition of new station, G98.7 “The Throwback Station.” W254CV G98.7 is the new FM translator to current WKEZ 1240 AM.
G98.7 took to the air September 15th at midnight featuring some of the most memorable artists of all time like Tupac, Snoop Dogg, P. Diddy, Michael Jackson, and Mary J. Blige. This is the first ever Classic Hip-Hop Format to ever hit the air waves in the Bluefield and Princeton market.
Alpha Media Market Manager, Danny Clemons commented on the announcement, “We are very excited to introduce G98 to the Bluefield market. The classic hip hop format definitely fills a void in Bluefield and is one of the most exciting station launches ever in our market. It’s very refreshing to see our entire staff pumped up about the new format.”
Other stations in the Bluefield market include; J104.5, Kicks Country, the Eagle, and WHIS News Talk.
G98.7 took to the air September 15th at midnight featuring some of the most memorable artists of all time like Tupac, Snoop Dogg, P. Diddy, Michael Jackson, and Mary J. Blige. This is the first ever Classic Hip-Hop Format to ever hit the air waves in the Bluefield and Princeton market.
Alpha Media Market Manager, Danny Clemons commented on the announcement, “We are very excited to introduce G98 to the Bluefield market. The classic hip hop format definitely fills a void in Bluefield and is one of the most exciting station launches ever in our market. It’s very refreshing to see our entire staff pumped up about the new format.”
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| W254CV 98.7 FM (220 watts) |
McCartney, Starr Reunite For Beatles Documentary
(Reuters) -- Former Beatles Sir Paul McCartney and Ringo Starr reunited for a walk down memory lane on Thursday for the premiere of a documentary by Oscar winner Ron Howard about the Fab Four as they toured the world in the 1960s.
The singer-songwriter and drummer posed for photographs on a blue carpet in London's Leicester Square for the "The Beatles: Eight Days a Week - The Touring Years" premiere, which drew hundreds of cheering fans as well as celebrities such as Madonna, Eric Clapton, Bob Geldof and Liam Gallagher.
The documentary traces the band's touring years as McCartney, Starr along with the late John Lennon and George Harrison won legions of adoring fans across continents. It features footage of early performances at the Cavern Club in their native Liverpool, packed shows around the globe and their final tour concert in 1966 in San Francisco.
"We're all excited, it is the first time for us too," Starr told the crowd about seeing the documentary.
The film makes use of a rich archive of old footage - pictures, videos and audio recordings - of the band at the height of Beatlemania, with screaming fans, snippets of the cheekiness of the then young men and the group at work in the studio. Celebrities recalling seeing them perform also add their voices.
"We started off as four mates in a great little band and we kept playing and playing and all this stuff happened," McCartney said.
Howard said that as well as receiving help from McCartney and Starr for the film, Lennon's and Harrison's widows, Yoko Ono and Olivia Harrison, who attended the premiere, had also contributed to the project.
The director, known for films such as "The Da Vinci Code", "A Beautiful Mind" and "Apollo 13", said directing the documentary had been "a great experience".
"It first began as just a fun, cool, creative adventure, then I became very intimidated by it when I realized how important it was to fans," he told reporters.
"Now it's just proved to be a very gratifying experience, and I'm already nostalgic for it ... After two years of working with it, I'm a little sad to let it go."
"The Beatles: Eight Days a Week - The Touring Years" hit cinemas worldwide on Thursday.
The singer-songwriter and drummer posed for photographs on a blue carpet in London's Leicester Square for the "The Beatles: Eight Days a Week - The Touring Years" premiere, which drew hundreds of cheering fans as well as celebrities such as Madonna, Eric Clapton, Bob Geldof and Liam Gallagher.
The documentary traces the band's touring years as McCartney, Starr along with the late John Lennon and George Harrison won legions of adoring fans across continents. It features footage of early performances at the Cavern Club in their native Liverpool, packed shows around the globe and their final tour concert in 1966 in San Francisco.
"We're all excited, it is the first time for us too," Starr told the crowd about seeing the documentary.
The film makes use of a rich archive of old footage - pictures, videos and audio recordings - of the band at the height of Beatlemania, with screaming fans, snippets of the cheekiness of the then young men and the group at work in the studio. Celebrities recalling seeing them perform also add their voices.
"We started off as four mates in a great little band and we kept playing and playing and all this stuff happened," McCartney said.
Howard said that as well as receiving help from McCartney and Starr for the film, Lennon's and Harrison's widows, Yoko Ono and Olivia Harrison, who attended the premiere, had also contributed to the project.
The director, known for films such as "The Da Vinci Code", "A Beautiful Mind" and "Apollo 13", said directing the documentary had been "a great experience".
"It first began as just a fun, cool, creative adventure, then I became very intimidated by it when I realized how important it was to fans," he told reporters.
"Now it's just proved to be a very gratifying experience, and I'm already nostalgic for it ... After two years of working with it, I'm a little sad to let it go."
"The Beatles: Eight Days a Week - The Touring Years" hit cinemas worldwide on Thursday.
Samsung To Replace 1M Galaxy Note 7 Phones
(Reuters) -- Samsung Electronics Co Ltd (005930.KS) formally recalled 1 million Galaxy Note 7 smartphones sold in the United States, replacing or refunding the flagship phones, whose susceptibility to catching fire has damaged the image of the Korean powerhouse.
Samsung received 92 reports of batteries overheating in the United States, including 26 reports of burns and 55 cases of property damage, the company said as it announced the recall in cooperation with the U.S. Consumer Product Safety Commission (CPSC).
The recall is a costly setback for Samsung, which was counting on Galaxy Note 7 to bolster sales as rivals such as Apple Inc (AAPL.O) launch new devices. The scale of the recall is unprecedented for Samsung, the world's largest smartphone maker.
Samsung said on Thursday that new Note 7 replacement devices will be available at most retail locations in the United States no later than Sept. 21.
Earlier this month, Samsung said it would recall all Note 7 smartphones equipped with batteries it found to be fire-prone and halted their sales in 10 markets, denting a revival of the firm's mobile business.
While recalls in the smartphone industry do happen, including for rival Apple Inc (AAPL.O), the nature of the problem for the Note 7 is a serious blow to Samsung's reputation, analysts have said.
The CPSC said on Thursday that consumers should immediately power down and stop using the recalled Galaxy Note 7 devices.
The U.S. Federal Aviation Administration has asked airline passengers to switch off and unplug the recalled Note 7s during flights.
Some 2.5 million of the premium devices worldwide need to be recalled, Samsung said. Some analysts say the recall could cost Samsung nearly $5 billion in lost revenue this year.
NBC Broadcasting Chief Harbert Steps Down
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| Ted Harbert |
According to The Wall Street Journal, Harbert oversaw a wide swath of territory including local advertising sales, the network’s owned television stations, affiliate relations and distribution of NBC-owned content. He was in the position since 2011 when Comcast Corp. completed its acquisition of NBCUniversal. Prior to that, he ran the E! cable network for Comcast.
It was not unusual for Harbert to weigh in on programming matters, most recently in late night where he was heavily involved with the transition from Jay Leno to Jimmy Fallon. Harbert’s experience in several different areas of the television business often made him a key asset inside the company, and NBCUniversal Chief Executive Steve Burke called him “an important adviser to me.” At the same though, Harbert occasionally brushed up against other executives at the network.
Burke is using Mr. Harbert’s resignation to restructure the executive suites at the network. Mark Lazarus, chairman of the NBC Sports Group, will take on Mr. Harbert’s title as well to become chairman of NBC Broadcasting and Sports. He will oversee affiliate relations, advertising and the owned-TV stations. Some of Mr. Harbert’s other duties are being parsed out to other executives.
Comedian Paul Mecurio Teams With Westwood One
Westwood One has announced a new partnership with television personality, Emmy and Peabody Award-winning comedian and actor Paul Mecurio, whose 2 Chairs and a Microphone podcast has joined Westwood One’s Podcast & On-Demand platform via audioBoom.
Westwood One will provide exclusive ad sales representation for the show, boost efforts to increase listenership, and drive massive awareness beyond the thousands of daily downloads. Advertisers will have access to endorsements, live reads, pre-roll, mid-roll, and post-roll advertisements.
Mecurio, an Emmy and Peabody Award-winner for The Daily Show with Jon Stewart and who currently works on The Late Show w/Stephen Colbert, has extensive experience appearing on an array of broadcast and cable network talk and comedy shows as a commentator, host and performer.
Also, an actor, he can be seen in the upcoming film starring Liev Schreiber, The Bleeder. Each week on his podcast, Paul interviews a wide range of A-list guests from entertainment, media, sports, music, politics, and science including, Sir Paul McCartney, Bryan Cranston, Judd Apatow, Neil deGrasse Tyson, Stephen Colbert, Rob Reiner, Jay Leno, Sugar Ray Leonard, Kristen Chenoweth, Tom Barnard, Stone Cold Steve Austin, Bob Costas, and more.
Suzanne Grimes, Westwood One’s President and EVP, Corporate Marketing for Cumulus Media, said “Paul is a terrific addition to our Podcast portfolio. He’s a really funny guy and an adept interviewer who manages to pull amazing stories and insights from his celebrity guests. That’s the kind of compelling and unique content we’re proud to offer our listeners and our advertisers.”
Paul said, “It’s very exciting and I’m honored to be part of Westwood One and to be working with their great people. I’m proud of the quality of my guests and interviews and this is great opportunity for my show to reach a much wider audience across the country. Not to mention, I got a free Westwood One refrigerator magnet as part of the deal!”
Westwood One will provide exclusive ad sales representation for the show, boost efforts to increase listenership, and drive massive awareness beyond the thousands of daily downloads. Advertisers will have access to endorsements, live reads, pre-roll, mid-roll, and post-roll advertisements.
Mecurio, an Emmy and Peabody Award-winner for The Daily Show with Jon Stewart and who currently works on The Late Show w/Stephen Colbert, has extensive experience appearing on an array of broadcast and cable network talk and comedy shows as a commentator, host and performer.
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| Paul Mecurio |
Suzanne Grimes, Westwood One’s President and EVP, Corporate Marketing for Cumulus Media, said “Paul is a terrific addition to our Podcast portfolio. He’s a really funny guy and an adept interviewer who manages to pull amazing stories and insights from his celebrity guests. That’s the kind of compelling and unique content we’re proud to offer our listeners and our advertisers.”
Paul said, “It’s very exciting and I’m honored to be part of Westwood One and to be working with their great people. I’m proud of the quality of my guests and interviews and this is great opportunity for my show to reach a much wider audience across the country. Not to mention, I got a free Westwood One refrigerator magnet as part of the deal!”
Mr. Master Adds 58 Stations In Last 4 Weeks
Mr. Master, Inc., a leading provider of content delivery to over 8,500 radio stations, Thursday announced it has signed on 58 new stations in the last four weeks utilizing Mr. Master’s revolutionary audio processing software solution, AIM (Automation Import Manager).
The new additions bring Mr. Master’s total number of AIM stations to a benchmark of 1,100 stations, including stations in 85 of the top 100 markets.
Newly signed affiliates include market-leading stations in New York City, Los Angeles, Philadelphia, Detroit, Cleveland and Atlanta. Mr. Master’s total number of AIM stations has grown from 100 to 1100 since Mr. Master introduced AIM to the marketplace in June, 2014.
Stu Jacobs, President of Mr. Master, Inc., said: “We are thrilled beyond words with the acceptance of AIM in the industry. Identifying the need and then fulfilling it successfully can be attributed to the hard work of our team and support from the national networks. We have a great product that helps everyone from stations to advertisers.”
Bill Sagona, Director, Commercial Traffic/Operations, iHeartMedia/NYC, said: “Mr. Master has completely streamlined our Network Barter and custom network orders workflow process. What used to take countless hours per week between spot retrieval, spot entry, dubbing, and affidavits has been reduced to complete automation that requires virtually no maintenance after the initial setup. We now have the ability to focus more on inventory management, and other pertinent commercial traffic tasks that are essential to NYC’s bottom line.”
Leo Cage, Director, Commercial Production, Cumulus Media-Oklahoma City, said: “AIM is the greatest thing ever! It has saved us a ton of man hours each week and has taken our production to an even higher level. Instead of spending half my day dubbing, I can give the spots we actually produce in house the attention they deserve. Once you set up AIM, it absolutely runs by itself mistake free. You don’t have to download the spots each week, and nobody has to piggyback and dub them in each week. I’ve been able to use the people that were dubbing for things like real production.”
Cage added: “AIM even posts the affidavits automatically the day after the spots run. If there is a revision from the client, AIM handles it so no more revisions to deal with, and even handles make-goods if needed. AIM is the real deal and has really upped our game.”
For more information, visit www.mrmaster.com or contact Maria Laing at 818.879.8349 or marialaing@mrmaster.com.
The new additions bring Mr. Master’s total number of AIM stations to a benchmark of 1,100 stations, including stations in 85 of the top 100 markets.
Newly signed affiliates include market-leading stations in New York City, Los Angeles, Philadelphia, Detroit, Cleveland and Atlanta. Mr. Master’s total number of AIM stations has grown from 100 to 1100 since Mr. Master introduced AIM to the marketplace in June, 2014.
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| Stu Jacobs |
Bill Sagona, Director, Commercial Traffic/Operations, iHeartMedia/NYC, said: “Mr. Master has completely streamlined our Network Barter and custom network orders workflow process. What used to take countless hours per week between spot retrieval, spot entry, dubbing, and affidavits has been reduced to complete automation that requires virtually no maintenance after the initial setup. We now have the ability to focus more on inventory management, and other pertinent commercial traffic tasks that are essential to NYC’s bottom line.”
Leo Cage, Director, Commercial Production, Cumulus Media-Oklahoma City, said: “AIM is the greatest thing ever! It has saved us a ton of man hours each week and has taken our production to an even higher level. Instead of spending half my day dubbing, I can give the spots we actually produce in house the attention they deserve. Once you set up AIM, it absolutely runs by itself mistake free. You don’t have to download the spots each week, and nobody has to piggyback and dub them in each week. I’ve been able to use the people that were dubbing for things like real production.”
Cage added: “AIM even posts the affidavits automatically the day after the spots run. If there is a revision from the client, AIM handles it so no more revisions to deal with, and even handles make-goods if needed. AIM is the real deal and has really upped our game.”
For more information, visit www.mrmaster.com or contact Maria Laing at 818.879.8349 or marialaing@mrmaster.com.
R.I.P.: Baltimore Radio Legend Johnny Dark
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| Johnny Dark |
Dark died early Thursday of a cause not yet known, according to employees of WTTR-AM, where he had most recently worked. He was 82, according to WBAL Radio.
Dark has been on Baltimore radio going back to the 1960s on stations including WCAO-AM. Most recently, he was on WTTR-AM in Westminster for several years, but resigned in January amid a management dispute.
During his long career, he crossed paths with and mentored a number of personalities still on Baltimore's airwaves, including Ron Matz, now of WJZ-TV, and WBAL NewsRadio 1090 reporter Brenda Carl.
"We throw the word 'legend' around, but he really was a radio legend, not just in Baltimore, but across the country," Matz said. "If you were a kid growing up in Baltimore in the 60s, you listened to Johnny Dark on the radio."
Two years ago, he celebrated his 80th birthday by throwing out the ceremonial first pitch at a Baltimore Orioles game.
"Johnny never had a big ego," Matz said. "He was just a regular guy and he really enjoyed the business."
September 16 Radio History
In 1914...radio/TV host/producer Allen Funt (Candid Microphone, Candid Camera) was born in New York City. He died Sept 5, 1999, just days before his 85th birthday.
In 1919....singer Andy Russell was born in Los Angeles. He was the star of radio’s Your Hit Parade for several years beginning in 1946.
In 1919...actor Lawrence Dobkin was born in New York City. He was one of the most used character actors on network radio out of Hollywood in the 1940’s & 50’s, then seamlessly made the transition to TV. He worked into directing, but was still appearing in supporting roles on TV a year before his death in 2002 at age 83.
In 1928...WGL changed call letters to WOV in New York (now WADO 1280 AM).
This station was launched as WGL on January 30, 1927, and was owned by the International Broadcasting Corporation. WGL president Colonel Lewis Landes stated on the inaugural broadcast,
"The International Broadcasting Corporation's aim is to adhere to truth, to be free of partisanship, religious or political."
WGL was the first station to protest the frequency allocations of the Federal Radio Commission in May 1927. WGL was authorized to move to 1170 AM, but wanted to go to 720, occupied by WOR.
When WOR was awarded the 710 frequency, both stations went to court, with WOR eventually winning the case. Finally in June 1927, WGL moved to 1020 AM and shared time with Paterson station, WODA.
In August 1927, studio manager Charles Isaacson announced one of the city's first attempts at local news coverage. WGL was organizing listeners to volunteer as radio reporters and call the station with breaking news stories.
On September 16, 1928, WGL changed calls to WOV and was sold to Sicilian-born importer John Iraci. The WGL call sign was then picked up by a Fort Wayne station, which uses them to this very day.
In 1941...the "The Arkansas Traveler" debuted on CBS Radio. The show was later renamed "The Bob Burns Show."
In 1989...The Hot 100 Gloria Estefan had the #1 song with "Don't Wanna' Lose You", Milli Vanilli had #2--"Girl I'm Gonna' Miss You" and Warrant was at 3 with "Heaven".
The rest of the Top 10: New Kids on the Block and "Hangin' Tough", Surface with "Shower Me with Your Love", Paula Abdul's former #1 "Cold Hearted" was at #6, Cher's comeback song "If I Could Turn Back Time", Skid Row with "18 And Life", the Jeff Healey Band had song #9 with "Angel Eyes" and Madonna hit the Top 10 with "Cherish".
In 2011...News Anchor Jack O’Rourke WNBC 660 AM, NBC Radio Net died
In 2011...Citadel merged with Cumulus Media.
Starting in June 2010, Cumulus made multiple unsuccessful offers to buy out Citadel Broadcasting after its emergence from bankruptcy. In February 2011, Cumulus was again said to be in "exclusive negotiations" to acquire Citadel for $2.5 billion paid to Citadel shareholders, according to CNBC. Some Citadel shareholders were said to have been pushing the board to consider a sale. On March 10, 2011, Citadel Broadcasting stations announced via email that Cumulus had purchased Citadel Broadcasting. Citadel was made up of 225 radio stations in over 50 markets, as well as Citadel Media, one of the largest radio networks in the United States.
The deal was finalized on September 16, 2011, after acceptance by the FCC and Citadel's shareholders. As part of the deal, Cumulus Media will have to place 14 stations into a separate trust to comply with ownership limits.
In an effort to focus on accretive large market consolidation as well as further de-leveraging of their balance sheet, Cumulus and Townsquare Media ink a deal to swap 65 radio stations in 13 markets, with majority of the 65 stations being sold to Townsquare.
In 2014...Clear Channel announced that it has become iHeartMedia, reflecting the company’s success in becoming a one-of-a-kind multi-platform media company with unparalleled reach and impact.
Thursday, September 15, 2016
St. Louis Radio: FM News/Talk 97.1 Adds FM/AM Simulcasts
Emmis Communications’ KFTK 97.1 FM is adding two new frequencies to expand it coverage in the extended St. Louis metropolitan region.
Emmis Senior VP & Market Manager John Beck said, “Demand for our programming has increased tremendously. We are doing something revolutionary that makes it easier for everyone in the St. Louis Metro to listen to FM NewsTalk 97.1 wherever they go.”
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| KFTK 97.1 FM (100 Kw) Red=Local Coverage Area |
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| K254CR 98.7 FM (250 watts) |
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| 1490 AM (1 Kw) |
Pandora Launches Pandora Plus
Pandora has rolled out a paid ad-free service called Pandora Plus, which gives you features the service has never had before, like unlimited song skipping, song “replays,” and offline listening. It costs $4.99 a month, and will replace the current plan at that price, whose main feature is ad-free listening.
Pandora Plus is one of two new plans Pandora has been prepping for months, according to Business Insider.
The other will cost $9.99 and let you pick from millions of songs on demand, like Spotify and Apple Music. That one hasn’t been released yet, probably because Pandora is still locking down its final deals with music labels. Earlier this week, Pandora announced it had finalized its on-demand deals with Universal and Sony. Of the big three music labels, all that remains is Warner, and once that's done, expect to see the on-demand plan make its grand entrance.
But for the time being, Pandora Plus offers to features fans have been begging for.
The first is “replays,” which allow you to go through your listening history and pick any song you want to play. That song will move to the front of your queue, and you can keep playing it as many times as you want.
You can also replay songs on Pandora’s ad-supported free tier, but you have to listen to a 15-second video ad first. When you do so, Pandora will give you a “handful” of replays, which you can use until they run out. Pandora is testing different bundle sizes.
The second feature Pandora is rolling out is "offline listening."
One of the great things about services like Spotify and Apple Music is that you can save songs on your phone to listen to when you don’t have service — like when you’re on the subway, for instance. Pandora didn’t have that, but now you can get it for $4.99 per month with Plus.
The other feature Pandora is introducing is unlimited skipping on Pandora Plus, well as the ability to receive a “package” of skips by watching a 15-second video ad on the free version (similar to the replay feature).
Pandora hopes the Pandora Plus “mid-tier” product will grab people who love Pandora, but want added functionality. The service does have over 100 million users to pitch this to, the vast majority of which use the free service today.
Ad Agency Confidence Dips Amid Budget Decline
A recent second quarter survey of advertising agencies conducted by STRATA found that agency budgets and hiring remain flat as they see looming headwinds.
Agencies report that almost half (49%) of clients are making “considerable” or “minor” budget cuts, while 31% of budgets will remain flat. A quarter of agencies say business will decrease in the second half of the year, the highest percentage seen in the survey since 1Q13. Reflecting budget concerns, only 33% of agencies report they are hiring new staff, a 21% decrease from last quarter, while 56% will keep staff levels steady. However, the percentage of agencies anticipating the need to reduce staff rose by 84% compared to the prior quarter, a 131% increase when compared to 2Q15.
Concerns over client spend spiked by 82% as compared to the same time last year, as 20% of agencies listed it as their biggest challenge this quarter. The leading concern for a majority of agencies (26%) was attracting clients, followed by media mix (21%).
Despite trepidations over the advertising economy, social media ad spend has increased, while the gap widened between Twitter’s utilization against its peers. The percentage of agencies spending less than 5% of their budgets on social media dropped to the lowest amount in the history of the STRATA survey to 27% of agencies. In total, 69% of agencies are devoting between 6-25% of their budgets on paid social.
Twitter remains in fourth place in the survey for the second straight quarter, as 49% of agencies are using the platform in their ad campaign, a 13% drop from last quarter. Instagram fell 10%, but has the interest of 57% of agencies to remain in third place, following YouTube (78%) and Facebook (97%).
“It is somewhat surprising to see this level of pessimism among ad agencies as we head into the heart of the presidential election and holiday shopping season,” said Judd Rubin, STRATA vice president of revenue. “A bright spot is the continued growth of social media ad spend, which may be partly due to both continued strides in that space and the fact that agencies are looking for more affordable ways to spend their clients’ budgets.”
When asked about their clients’ interest in advertising on broadcast radio, more than two-thirds said it was the same or more than last year, while one-third said less. Just over half of agency execs (53.2%) said their clients’ interest in radio was the same as last year, with 14.3% saying they were more interested and 32.5% saying less.
The survey found even greater interest in advertising on streaming/online radio, such as iHeartRadio and Pandora. Over half (55.1%) said their clients were more interested in advertising on online radio, 35.9% said the same and 9.0% said less.
The audio results come as agencies report that almost half (49%) of clients are making “considerable” or “minor” overall advertising budget cuts, while 31% of budgets will remain flat. One-quarter of agencies say business will decrease in the second half of the year, the highest percentage seen in the survey since the first quarter of 2013. Concerns over client spend spiked by 82% when compared to the same time last year, as 20% of agencies listed it as their biggest challenge this quarter. The leading concern for a majority of agencies (26%) was attracting clients, followed by media mix (21%).
Programmatic ad buying is capturing a larger share of ad spend as 12% of agencies plan on executing 40-60% of their buying programmatically, a 90% increase from a year ago. Another 28% of agencies intend to carry out between 10-20% of business programmatically.
Video advertising continues to lead agency focus, as more feel confident in its ROI. The survey found 68% of agencies are using video (both traditional and streaming) as their primary tool. Seventy-seven percent of agencies are focused on online/streaming video, the largest amount in survey history. Digital video now also leads the digital category, surpassing social as the leading area of focus within the digital category with 70% of agencies utilizing digital video, up 25% from a year ago, compared to 67% for social.
For their ROI, 59% feel fairly confident they are getting a good value for their money with their recent online video ad purchases, a 21% increase over the previous quarter. Thirty-four percent of agencies said they trust programmatic buying to properly or accurately execute their online/streaming video orders, up 41% from last quarter.
Agencies report that almost half (49%) of clients are making “considerable” or “minor” budget cuts, while 31% of budgets will remain flat. A quarter of agencies say business will decrease in the second half of the year, the highest percentage seen in the survey since 1Q13. Reflecting budget concerns, only 33% of agencies report they are hiring new staff, a 21% decrease from last quarter, while 56% will keep staff levels steady. However, the percentage of agencies anticipating the need to reduce staff rose by 84% compared to the prior quarter, a 131% increase when compared to 2Q15.
Concerns over client spend spiked by 82% as compared to the same time last year, as 20% of agencies listed it as their biggest challenge this quarter. The leading concern for a majority of agencies (26%) was attracting clients, followed by media mix (21%).
Despite trepidations over the advertising economy, social media ad spend has increased, while the gap widened between Twitter’s utilization against its peers. The percentage of agencies spending less than 5% of their budgets on social media dropped to the lowest amount in the history of the STRATA survey to 27% of agencies. In total, 69% of agencies are devoting between 6-25% of their budgets on paid social.
Twitter remains in fourth place in the survey for the second straight quarter, as 49% of agencies are using the platform in their ad campaign, a 13% drop from last quarter. Instagram fell 10%, but has the interest of 57% of agencies to remain in third place, following YouTube (78%) and Facebook (97%).
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| Judd Rubin |
When asked about their clients’ interest in advertising on broadcast radio, more than two-thirds said it was the same or more than last year, while one-third said less. Just over half of agency execs (53.2%) said their clients’ interest in radio was the same as last year, with 14.3% saying they were more interested and 32.5% saying less.
The survey found even greater interest in advertising on streaming/online radio, such as iHeartRadio and Pandora. Over half (55.1%) said their clients were more interested in advertising on online radio, 35.9% said the same and 9.0% said less.
The audio results come as agencies report that almost half (49%) of clients are making “considerable” or “minor” overall advertising budget cuts, while 31% of budgets will remain flat. One-quarter of agencies say business will decrease in the second half of the year, the highest percentage seen in the survey since the first quarter of 2013. Concerns over client spend spiked by 82% when compared to the same time last year, as 20% of agencies listed it as their biggest challenge this quarter. The leading concern for a majority of agencies (26%) was attracting clients, followed by media mix (21%).
Programmatic ad buying is capturing a larger share of ad spend as 12% of agencies plan on executing 40-60% of their buying programmatically, a 90% increase from a year ago. Another 28% of agencies intend to carry out between 10-20% of business programmatically.
Video advertising continues to lead agency focus, as more feel confident in its ROI. The survey found 68% of agencies are using video (both traditional and streaming) as their primary tool. Seventy-seven percent of agencies are focused on online/streaming video, the largest amount in survey history. Digital video now also leads the digital category, surpassing social as the leading area of focus within the digital category with 70% of agencies utilizing digital video, up 25% from a year ago, compared to 67% for social.
For their ROI, 59% feel fairly confident they are getting a good value for their money with their recent online video ad purchases, a 21% increase over the previous quarter. Thirty-four percent of agencies said they trust programmatic buying to properly or accurately execute their online/streaming video orders, up 41% from last quarter.
Trust in Mass Media Sinks to New Low
Americans' trust and confidence in the mass media "to report the news fully, accurately and fairly" has dropped to its lowest level in Gallup polling history, with 32% saying they have a great deal or fair amount of trust in the media.
This is down eight percentage points from last year.Gallup began asking this question in 1972, and on a yearly basis since 1997. Over the history of the entire trend, Americans' trust and confidence hit its highest point in 1976, at 72%, in the wake of widely lauded examples of investigative journalism regarding Vietnam and the Watergate scandal.
After staying in the low to mid-50s through the late 1990s and into the early years of the new century, Americans' trust in the media has fallen slowly and steadily. It has consistently been below a majority level since 2007.
Republicans Fuel Drop in Media Trust
While it is clear Americans' trust in the media has been eroding over time, the election campaign may be the reason that it has fallen so sharply this year. With many Republican leaders and conservative pundits saying Hillary Clinton has received overly positive media attention, while Donald Trump has been receiving unfair or negative attention, this may be the prime reason their relatively low trust in the media has evaporated even more. It is also possible that Republicans think less of the media as a result of Trump's sharp criticisms of the press. Republicans who say they have trust in the media has plummeted to 14% from 32% a year ago. This is easily the lowest confidence among Republicans in 20 years.
Trust in Mass Media Falls Across Age Groups
Older Americans are more likely than younger Americans to say they trust the media, but trust has declined among both age groups this year. Currently, 26% of those aged 18 to 49 (down from 36% last year) and 38% of those aged 50 and older (down from 45%) say they have a great deal or fair amount of trust in the media.
Norfolk Radio: Tias Schuster Named SVP/Programming For iHM
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| Tias Schuster |
Schuster will program Top 40 WNOH Now 105.3 FM and Adult Contemporary WMOV Movin’ 107.7 FM as well as oversee programming for Urban WOWI 102.9 FM 103 Jamz and HipHop/R&B WHBT 92.1 FM The Beat.
Schuster will report to Derrick Martin, Market President for iHeartMedia Norfolk.
“I am very excited to bring Tias back to the market as our Senior Vice President of Programming for iHeartMedia Norfolk,” said Martin. “His promotion is a result of hard work and dedication as a programmer. I have full confidence our market will strive under his leadership.”
“In a very short time iHeartMedia has shown me such great opportunity,” said Schuster. “I am honored, excited and highly motivated to return to Hampton Roads as the Market SVPP. I look forward to working with my new partners Derrick Martin and Jeff Wyatt and accomplishing new high levels of revenue and ratings with these already successful brands. I also want to give a special thank you to Rick Green, Meg Stevens, Bob Morgan, Rich Lauber and A.J. for their guidance and talents.”Schuster previously served as Program Director and on-air personality for iHeartMedia Rochester’s KISS 106.7 and 100.5 The Drive, where he helped launch 100.5 The Drive as a mainstream Hot AC station and premiered new morning shows on both stations. He also spent five years as Program Director, Digital Content Coordinator and afternoon on-air personality for WNVZ-FM in Norfolk.
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| WNOH 105.3 FM (50 Kw) Red=Local Coverage Area |
Atlanta Radio: WWPW Moves Riley Couture To Mid-Days
About six months after Scotty Kay and Bret Mega were unceremoniously dropped from the highly-rated WWPW Power 96.1 FM morning show, the third leg of that team Riley Couture has now been bumped off as well.
Atlanta media writer Rodney Ho at aj.com reports PK and his wife Denise will stay on.
However, Couture still has a job at Power. She has been moved to 10 a.m. to noon. According to Ho, she has a contract so a pay cut is not immediately imminent. In fact, she recently re-upped. But why would Power pay someone morning show money to do a mid-day shift?, Ho wonders.
Despite the show’s best ratings in its two-year history, Power management inexplicably let go Scotty and producer Bret in late February, leaving Couture behind. Ho adds in over 15 years of covering radio, he had never seen a show with such strong ratings dismantled like that before. They were ranked No. 2 in January among 18 to 34 year olds, only behind the Bert Show on Q100.
Less than a month later, Power hired PK and Denise to join Couture. PK (real name: Panagiotis Kalentzis) had last hosted a show in Houston. Ratings fell off after Scotty and Bret left, bottoming out in July at a 4 rating among 18 to 34 year olds, less than half of the peak achieved by Scotty, Bret and Riley.
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| Riley Couture |
However, Couture still has a job at Power. She has been moved to 10 a.m. to noon. According to Ho, she has a contract so a pay cut is not immediately imminent. In fact, she recently re-upped. But why would Power pay someone morning show money to do a mid-day shift?, Ho wonders.
Despite the show’s best ratings in its two-year history, Power management inexplicably let go Scotty and producer Bret in late February, leaving Couture behind. Ho adds in over 15 years of covering radio, he had never seen a show with such strong ratings dismantled like that before. They were ranked No. 2 in January among 18 to 34 year olds, only behind the Bert Show on Q100.Less than a month later, Power hired PK and Denise to join Couture. PK (real name: Panagiotis Kalentzis) had last hosted a show in Houston. Ratings fell off after Scotty and Bret left, bottoming out in July at a 4 rating among 18 to 34 year olds, less than half of the peak achieved by Scotty, Bret and Riley.
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