ESPN's Mike & Mike Friday morning welcomed MLB commissioner Rob Manfred and New York Yankees designated hitter Alex Rodriguez to discuss the upcoming MLB season.
Click Here: MLB commissioner Rob Manfred dishes on celebrations in baseball, kids' presence in the clubhouse, the Rays-Cuba game, enforcing smokeless tobacco bans and the Jose Reyes probe.
Click Here: Yankees DH Alex Rodriguez discusses his progression to this year, his future, the remarks of Bryce Harper and Goose Gossage about the state of baseball and the sport's evolution.
ESPN Radio’s 19th Major League Baseball season will begin on Opening Day, Sunday, April 3, with a rematch of last year’s World Series as Eric Hosmer and the Royals host Yoenis Cespedes and the Mets on Sunday, April 3, at 7 p.m. ET*. Play-by-play commentator Jon Sciambi and analyst Chris Singleton will return to call the season’s action.
Click Here for full schedule
Mike & Mike – hosted by Mike Greenberg and Mike Golic -- is broadcast 6 – 10 a.m., Monday – Friday and can be heard on ESPN Radio and via ESPNRadio.com, the ESPN Radio app, SiriusXM Channel 83, Apple iTunes, Slacker Radio and TuneIn. The show is also simulcast on ESPN2.
Stories That Matter Since 2010: Now 111.1M+ Page Views, Edited by Tom Benson, News Tips: pd1204@gmail.com
Saturday, April 2, 2016
ESPN Radio Goes Live 24/7
ESPN Radio will debut First and Last with Lundberg & Golic Jr., hosted by Robin Lundberg and Mike Golic Jr., on Monday, April 4, at 4 a.m. ET. The two-hour program will recap the previous night’s highlights and delve into the coming day’s stories and will be preceded by a two-hour edition of SportsCenter AllNight (2 – 4 a.m.), making ESPN Radio live 24 hours a day on weekdays.
“We are constantly looking for new, aggressive ways of serving sports fans,” said David Roberts, vice president, ESPN Audio Network Content. “Providing sports talk and information LIVE around the clock during the week underscores our commitment to offering our listeners another opportunity to engage with our network through a strong opinion-based program. Robin Lundberg and Mike Golic Jr. will set the table perfectly for our flagship franchise, Mike and Mike.”
“This past year, I’ve been very fortunate to work with a lot of great people and with a great audience on the weekends,” said Golic Jr. “I’m very excited to have the chance now to interact with the weekday crowd and to do so with someone as talented as Robin Lundberg.”
Added Lundberg: “For the last few years I’ve been able to connect to a loyal fan base in this time slot in New York and am thrilled to be able to expand that audience and be partnered with someone like Mike Golic Jr. as together we set the agenda for the day’s talk.”
Lundberg began his career with an internship at ESPN’s Around the Horn while still in college at the University of Maryland. Most recently on ESPN New York 98.7 FM, Lundberg hosted his own program, The Robin Lundberg Show, on weekday mornings. He currently hosts the weekend Robin Lundberg show on the national ESPN Radio network.
Golic Jr. joined ESPN in November 2015, teaming with his father, Mike & Mike co-host Mike Golic, on a college football and NFL-focused podcast, Mike & Mike Jr. Since then, Golic Jr. has served as a guest host on Mike & Mike, a college football analyst during ESPN Radio’s broadcast of the the 2015 Hawai’i Bowl and debuted in January 2016 as a host of the weekend program Rothenberg Mike’d Up on ESPN Radio, with Dave Rothenberg and Michael Wallace.
ESPN Radio is available on terrestrial stations, and via ESPNRadio.com, the ESPN app, SiriusXM, Apple iTunes Radio, Slacker Radio and TuneIn.
Weekday schedule (all live, all times Eastern):
2am – SportsCenter AllNight
4am – First and Last with Lundberg & Golic Jr.
6am – Mike & Mike
10am – The Dan Le Batard Show with Stugotz
1pm – Russillo & Kanell
4pm – The Right Time with Bomani Jones
7pm – Jalen & Jacoby
9pm – Jorge & Izzy
11pm – The Freddie Coleman Show
“We are constantly looking for new, aggressive ways of serving sports fans,” said David Roberts, vice president, ESPN Audio Network Content. “Providing sports talk and information LIVE around the clock during the week underscores our commitment to offering our listeners another opportunity to engage with our network through a strong opinion-based program. Robin Lundberg and Mike Golic Jr. will set the table perfectly for our flagship franchise, Mike and Mike.”
“This past year, I’ve been very fortunate to work with a lot of great people and with a great audience on the weekends,” said Golic Jr. “I’m very excited to have the chance now to interact with the weekday crowd and to do so with someone as talented as Robin Lundberg.”
Added Lundberg: “For the last few years I’ve been able to connect to a loyal fan base in this time slot in New York and am thrilled to be able to expand that audience and be partnered with someone like Mike Golic Jr. as together we set the agenda for the day’s talk.”
Lundberg began his career with an internship at ESPN’s Around the Horn while still in college at the University of Maryland. Most recently on ESPN New York 98.7 FM, Lundberg hosted his own program, The Robin Lundberg Show, on weekday mornings. He currently hosts the weekend Robin Lundberg show on the national ESPN Radio network.
Golic Jr. joined ESPN in November 2015, teaming with his father, Mike & Mike co-host Mike Golic, on a college football and NFL-focused podcast, Mike & Mike Jr. Since then, Golic Jr. has served as a guest host on Mike & Mike, a college football analyst during ESPN Radio’s broadcast of the the 2015 Hawai’i Bowl and debuted in January 2016 as a host of the weekend program Rothenberg Mike’d Up on ESPN Radio, with Dave Rothenberg and Michael Wallace.
ESPN Radio is available on terrestrial stations, and via ESPNRadio.com, the ESPN app, SiriusXM, Apple iTunes Radio, Slacker Radio and TuneIn.
Weekday schedule (all live, all times Eastern):
2am – SportsCenter AllNight
4am – First and Last with Lundberg & Golic Jr.
6am – Mike & Mike
10am – The Dan Le Batard Show with Stugotz
1pm – Russillo & Kanell
4pm – The Right Time with Bomani Jones
7pm – Jalen & Jacoby
9pm – Jorge & Izzy
11pm – The Freddie Coleman Show
NYC Radio: No Foolin'! Z-Morning Zoo Reunites On WCBS-FM
Listeners on Friday, April 1st had the opportunity to once again enjoy the foolin' around during the Z-Morning Zoo Reunion on WCBS 101.1 FM.
Scott Shannon in the Morning flash back to the ’80s with an historic ‘Morning Zoo’ reunion show featuring Scott’s old Z-100 pals Ross Brittain, Claire Stevens and Jonathan B. Bell!
#ZooReunion Tweets
Scott Shannon in the Morning flash back to the ’80s with an historic ‘Morning Zoo’ reunion show featuring Scott’s old Z-100 pals Ross Brittain, Claire Stevens and Jonathan B. Bell!
#ZooReunion Tweets
April 2 Radio History
In 1872…Portrait painter-turned-inventor Samuel Morse, who contributed to the invention of a single-wire telegraph system and was co-developer of the Morse code, died at the age of 80.
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| Jack Webb |
In 1920...the creator & star of Dragnet Jack Webb was born in Santa Monica.
Before Dragnet hit the bigtime on NBC Radio in 1949 he had already scored two west coast cult hits with Pat Novak for Hire, & Johnny Madero Pier 23. Dragnet came to TV in ’51 while continuing on radio until ’56. Pete Kelly’s Blues, featuring the jazz he loved so much, was an unsuccessful Webb radio series in ’51, a moderate film success in ’55, and a so-so TV series in ’59. He scored one more TV hit, producing Emergency (1972-77.)
Webb died of a heart attack Dec 23, 1982 at age 62.
In 1947...The Big Story (dramas based on newspaper reporting) was first heard on NBC radio. It stayed on the air for eight years.
In 1964...As popular music’s most resounding commercial success, the Beatles have sold more than 2.3+ billion albums, while earning six diamond, 24 multi-platinum, 39 platinum and 45 gold albums in the United States alone. It is a remarkable sales record, by any measure, although their most historic, chart-making moment is easily the first week of April 1964, when the band held the top five positions on the vaunted Billboard charts, writes Kenneth Womack at Penn State University.
As the April 4, 1964, issue of Billboard magazine demonstrates, the Beatles were simply dominating the American music scene. And during that unforgettable week, their music occupied the top five chart positions — the only time in pop-music history that a single act has accomplished such a feat. With “Can’t Buy Me Love” holding down the top slot, “Twist and Shout” was second and “She Loves You,” “I Want to Hold Your Hand” and “Please Please Me” rounded out the top five.
Even more incredibly, the Beatles held seven additional positions on Billboard’s Hot 100, including “I Saw Her Standing There” at No. 31, “From Me to You” at No. 41, “Do You Want to Know a Secret?” at No. 46, “All My Loving” at No. 58, “You Can’t Do That” at No. 65, “Roll Over Beethoven” at No. 68 and “Thank You Girl” at No. 79. As if to underscore the awe-inspiring power of Beatlemania during that fabled period, two Beatles tribute acts clocked hits that very same week, including the Carefrees’ “We Love You Beatles” at No. 42 and the Four Preps’ “A Letter to the Beatles” at No. 85. For April 11, 1964, issue of Billboard, the Beatles added two more hits to the Hot 100, including “There’s a Place” at No. 74 and “Love Me Do” at No. 81, giving them a total of 14 hits songs on the Billboard charts at the very same time.
In 1973...the CBS Radio Network began to offer top of the hour newscast 24-hours-a-day.
During the 1970s and into the mid-1980s, the CBS Radio owned-and-operated news stations had a superior style and sound: tight and cohesive production, lively presenters, excellent engineering and outstanding "audio logos" from a company called Identitones. This compilation contains a few stagers and sounders from the heyday of the CBS Radio local news format.
In partnership with CBS Laboratories, CBS Radio developed a unique system to advise affiliates of news bulletins. When activated from network headquarters, CBS NetAlert transmitted coded information over the network lines to each station to communicate anything from the start of a special feed to a national emergency. The system had the capability to override local programming for a special report from CBS News. A NetAlert receiver is seen toward the end of this video.
In 1997...FCC auctioned first S-DARS licenses to CD Radio and American Mobile Radio Corp.
In 2010...Joey Reynolds does last show at WOR 710 AM
Friday, April 1, 2016
SF Radio: Bloodbath At N/T KGO 810 AM
Veteran radio talk-show host Ronn Owens has been moved from KGO 810 AM, his home for the past 40 years, to politically conservative sister station KSFO next week, Owens told his listeners Thursday.
The announcement came in the middle of what one KGO staffer called a “bloodbath” at the Cumulus Media-owned station. Sources said the station — once the Bay Area’s top radio news outlet — laid off most or all of its newsroom employees Thursday.
According to The Chronicle, 20 to 30 employees lost their jobs. Most sources asked to remain anonymous because they feared that speaking out could affect their severance pay or job prospects.
KGO and Cumulus management did not return calls and emails seeking comment.
The station did not immediately say who would take Owens’ longtime 9 a.m.-to-noon spot when he makes the switch Monday to KSFO, which is also owned by Cumulus. But sources said the station would air the talk-show team of Jack Armstrong and Joe Getty live from Sacramento’s KTSE-AM from 6 to 10 a.m.Armstrong and Getty are expected to remain in Sacramento, those employees said, where they currently broadcast from the studios of iHeartMedia-owned KSTE 650 AM. In San Francisco, Armstrong & Getty was previously heard on iHM's KKSF 910 AM. It was not immediately clear if the syndication deal extends to other Cumulus-owned radio stations in California or elsewhere. (KKSF is replacing A&G with the syndicated Stephanie Miller Show.)
Dept of Worst-Kept Secrets... We're starting on KGO 810am in the SF Bay Area on Tuesday! Great signal! Great station!
Posted by Armstrong & Getty on Friday, April 1, 2016
Another Cumulus-owned station, KFOG 104.5 FM, 97.7 FM, is also expected to overhaul its staff and programming in the coming weeks. The adult album-format radio station began airing without its usual lineup of radio DJs Thursday morning; promotions running on the station is teasing an “evolution” that will be publicly revealed on April 20.
Owens tried to put a positive spin on the move, saying, “I’ve been saying ‘KGO’ all my life and on Monday I’m going to say ‘KSFO.’ I’m going to look at this as a new adventure.”
At KSFO, the liberal Owens will find himself holding forth amid conservative syndicated voices like Rush Limbaugh and Michael Savage, who will lead into Owens’ 3-to-6 p.m. show. Owens said he would provide an alternative to the “drivel” that his new “Hot Talk” colleagues provide, but conceded he was worried about facing “a group of listeners at KSFO who don’t love me.”
Owens has spent 32 of his 40 years with KGO talking in the mornings.
In 2014, Owens shared the news with his listeners that he had been battling Parkinson’s disease since 2001. He was anxious about public reaction and said he didn’t want to be pitied. In the end, he said, he found support from people he often talks about as “family.”
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| Ronn Owens |
The news director and all the anchors and reporters were among those laid off. Several of them gathered at Grumpy’s, a nearby pub, to commiserate.
Grumpy’s Pub was packed with enough journalists to staff its own newsroom Thursday.
Beer pints in hand, shoulders squared and somber, staffers from the nearby KGO Radio lamented lost jobs, and the lessening of a former radio news heavyweight.
At least 20 full-time staffers, and perhaps more, were laid off Thursday morning from KGO Radio and Rock KFOG 104.5.
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| Empty KGO Newsroom |
The layoffs are a blow to the local news scene, as KGO is one of few remaining for-profit news radio stations in San Francisco.
“It’s just a really sad end,” said one former staffer, while sitting in Grumpy’s. None of the former employees wanted to be identified because it could impact their severance packages.
One anchor described reading the news on air that morning amid the layoffs, according to the SF Examiner.
“We were trying to be happy and chipper,” this anchor said. All the while, sitting behind the microphone, they watched staffers leave one by one. “These pillars were falling around us.”
According to Claudia Lamb at SoundWaves, KGO was the #1 radio station in San Francisco for 3 decades; it was a 50,000 watt powerhouse whose signal went from the Pacific coast to the Rocky Mountains – from Mexico to Canada and on up to Alaska. It was where you went to stay informed, and on any given afternoon at least half-a-million people were listening.
Click Here For KGO and the Death of Radio
Though the departure of KGO legend Ronn Owens to famously conservative KSFO grabbed much of the media attention Thursday, many more were lost in the layoffs.
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| Justin Wittmayer |
A 32-year KGO vet Walcoff also told the San Jose Mercury News that Thursday was an awful day at KGO. “In this radio climate, it wasn’t a total blind-side, but it was certainly unexpected. They just basically told me that they’re going in a different direction. …It’s a black Thursday at KGO.”
In the end, the station shedded its entire full-time news team – what is rumored by employees to be a shift on the station to a “talk” format, pulling away from straight news.
Here's the content of a memo sent to staff:
Team,
Today, we have set in motion new programming strategies for both KGO and KFOG that will help us better meet the needs and demands of our listeners, advertisers and community. Our goal is to reposition these two stations for future growth and strength through new and enhanced programming, and new additions to the KGO and KFOG teams, including programming veteran Bryan Schock, whom we announced this morning as the new OM/PD of KFOG and KSAN. We believe the new programming direction will put KGO and KFOG on the best paths to growth and success.
Unfortunately, to achieve that goal, we had the difficult but necessary task today of restructuring our KGO and KFOG station staffs to allow us to meet the new needs of these two stations as we invest in new programming that is redefined, refocused and of the highest quality. Today, we informed the affected employees about these changes, which included the elimination of a number of full-time and part-time positions across these two stations, primarily in the news department at KGO and in key dayparts at KFOG. I want to thank those professionals who are leaving us for their contributions and service to KGO and KFOG, and wish them only the best as they continue on in their careers.
I want to thank the remainder of our team for working with us through this transition and in the coming weeks and months, as the new KGO and KFOG take shape. Together, we will build these newly imagined stations into strong and vibrant brands that our listeners and advertisers will love.
I will be sharing with you more specific details on these programming shifts and additions in the next few days and weeks. In the meantime, please reach out to me directly with any questions.
jw
Justin WittmayerVice President - Market ManagerKFOG/KGO/KNBR/KSAN/KSFO/KTCT
For many at KGO, the loss of local news was shocking but not surprising. The station has struggled to find a significant audience in San Francisco since it began experimenting with different formats after being acquired by Cumulus in 2011.
Before the acquisition, KGO had for decades aired a mixture of news and talk programming, nearly all of which was locally produced. After the acquisition, Cumulus announced a significant overhaul of KGO’s programming, promising to make a heavy investment in local news content and rebranding KGO as an “all-news” station.
According to The Desk, KGO’s newscasts were limited to several hours in the morning and afternoon. Locally-produced content was scaled back in favor of syndicated talk programming, barter shows and paid advertisements. The company failed to keep its promise of investing in news production; instead, reporters in the field were expected to record and file stories from their iPhones. The station failed to gain any ground on all-news station KCBS (740 AM, 106.9 FM) and public broadcaster KQED (88.5 FM)
Political Ad Bonanza Predicted For Digital, Radio
Call it the Trump Effect. When a candidate with the most delegates has spent the least on advertising and gets twice as much earned media as all of his opponents combined, there’s something unusual at play.
It will still be a record year for political advertising from the national down to the local level − even more so. Borrell Associates has adjusted their forecasts up 3.1%, figuring campaigns will spend $357 million more than we originally anticipated as they scramble to clarify their messages or, more likely, spend money to simplify their opponents’. Nearly half of that increase will go to radio, cable and online media, which are quickly becoming viable alternatives to already-clogged TV programming.
Also, Borrell expects the national vitriol to cause a trickle-down effect at the state and local level. Candidates and PACs are likely to rush to the airwaves to caricature their opponents and tie them to deeply negative aspects of their party's nominee.
“With broadcast TV inventory clogged, campaigns and PACs have been turning to available inventory such as cable and radio spots and digital banner ads,” Borrell says in the report. “Also, expect the national vitriol to cause a trickle-down effect at the state and local levels. Candidates and PACs are likely to rush to the airwaves to caricature their opponents and tie them to deeply negative aspects of their party’s nominee.”
Nashville Radio: WQZQ Launches Classic Hits Format
After almost a week of playing "Macarena" nonstop, WQZQ 830 AM / 93.3 W227DC T-FM takes on its new role Friday as 93.3 Classic Hits.
"Anyone who listens to '70s and '80s music will love 93.3FM or (WQZQ) 830AM," Cromwell Group, Inc. general manager Jana Hampton said in a prepared statement.
Hampton manages the company's local markets, including 102.9 The BUZZ, 102.5 The GAME, 94.9 GAME2 and 102.1 The LIGHT.
The program kicks off with the national anthem, which will play daily at noon to honor military and emergency responders. Listeners will also hear weather and traffic updates during rush hour time periods, and local information throughout the day.
While WQZQ-AM is a 2 Kw daytimer based in Goodlettsville, 93.3 is a new frequency to the Nashville area. According to RadioInsight, the former 96.1 W241BU Charleston IL is now W227DC and is paired with 830 WQZQ Goodlettsville via the AM Revitalization Waiver. The translator is operating with 250 watts from the WSMV-TV tower just west of Nashville.
"Anyone who listens to '70s and '80s music will love 93.3FM or (WQZQ) 830AM," Cromwell Group, Inc. general manager Jana Hampton said in a prepared statement.
Hampton manages the company's local markets, including 102.9 The BUZZ, 102.5 The GAME, 94.9 GAME2 and 102.1 The LIGHT.
The program kicks off with the national anthem, which will play daily at noon to honor military and emergency responders. Listeners will also hear weather and traffic updates during rush hour time periods, and local information throughout the day.
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| WQZQ 830 AM (2kw-Daytime only) |
FCC Approves Internet Subsidies
Millions of poor Americans will be eligible for federal subsidies to help pay the cost of Internet service after new regulations were approved in a whirlwind Federal Communications Commission (FCC) meeting on Thursday.
The Hill reports the FCC voted to expand its 30-year-old Lifeline program, which has offered the monthly $9.25 subsidy for voice-only phone service.
The three Democratic commissioners approved the proposal over opposition from the two Republicans, who have concerns about the program's budget.
The vote was delayed for more than three hours as Republicans accused FCC Chairman Tom Wheeler of scuttling a late-night compromise to bring them on board.
They said they had a deal with Democratic commissioner Mignon Clyburn before it fell apart under pressure from the chairman, members of Congress and outside groups.
"I must address the elephant in the room: the delay in the meeting and rumors about a proposed cap on the Lifeline program," Clyburn said at the meeting. She said she engaged in negotiations with Republicans but ended up backing out because the deal did not "fully achieve my vision."
Clyburn told reporters said she is five feet two inches tall but "not easily bullied." Wheeler gave a one word response to charges that he bullied his fellow Democrat: "Balderdash."
The expansion is a major win for advocates who increasingly see Internet access as a necessity for education, finding a job or simply communicating. They point to the 15 percent of Americans, concentrated in poor and rural communities, who do not use the Internet.
Families will only be able to receive one subsidy per household, which they can put toward paying for home Internet, phone or smartphone service — or a combination of the three under the program. Many current participants receive free basic cell service because the $9.25 subsidy covers the entire cost, but they would have to cover the remaining cost of a broadband connection.
The Hill reports the FCC voted to expand its 30-year-old Lifeline program, which has offered the monthly $9.25 subsidy for voice-only phone service.
The three Democratic commissioners approved the proposal over opposition from the two Republicans, who have concerns about the program's budget.
The vote was delayed for more than three hours as Republicans accused FCC Chairman Tom Wheeler of scuttling a late-night compromise to bring them on board.
They said they had a deal with Democratic commissioner Mignon Clyburn before it fell apart under pressure from the chairman, members of Congress and outside groups.
"I must address the elephant in the room: the delay in the meeting and rumors about a proposed cap on the Lifeline program," Clyburn said at the meeting. She said she engaged in negotiations with Republicans but ended up backing out because the deal did not "fully achieve my vision."
Clyburn told reporters said she is five feet two inches tall but "not easily bullied." Wheeler gave a one word response to charges that he bullied his fellow Democrat: "Balderdash."
The expansion is a major win for advocates who increasingly see Internet access as a necessity for education, finding a job or simply communicating. They point to the 15 percent of Americans, concentrated in poor and rural communities, who do not use the Internet.
Families will only be able to receive one subsidy per household, which they can put toward paying for home Internet, phone or smartphone service — or a combination of the three under the program. Many current participants receive free basic cell service because the $9.25 subsidy covers the entire cost, but they would have to cover the remaining cost of a broadband connection.
Broadcast TV Ratings: 'Today' Trumps GMA
NBC’s “Today” claimed Thursday that it trumped ABC’s “Good Morning America” in total viewers for the first time in a non-Olympics week since 2012, the latest twist in the scorched-earth battle between the two networks to dominate the morning-news audience and lock in millions in extra advertising dollars.
NBC said”Today” beat “GMA” by the thinnest of margins – just 49,000 viewers overall and 180,000 people between 25 and 54, the demographic most coveted by advertisers in news programming. NBC’s morning program, which has been on the air since 1952, has generally trailed “GMA” in total viewers since the spring of 2012, the result of viewers being turned off by a “Today” turn toward stories of a more tabloid nature and in reaction to an NBC decision in June of that year to remove co-host Ann Curry from the program.
Variety reports that behind the scenes, “Today” staffers remain cautiously optimistic, said one person familiar with the program. The war between the two morning shows is far from over, this person said, noting that producers fully anticipate losses to “Good Morning America” over the next few days and weeks. But the numbers, this person said, lend ballast to the theory that offering viewers a stronger dose of hard news in the morning has lent new momentum to the NBC program.
To be sure, both programs have challenges to solve. In the first quarter of 2016, “Today” saw total viewers fall by 3% from the year-earlier period, while “GMA” lost 10%. The daypart is extremely competitive, with Fox News Channel, MSNBC, CNN, CNBC and Fox Business Network also offering morning-news programming. “CBS This Morning” grew viewers by 11% during the first quarter, though it continues to trail both the NBC and ABC programs by a significant margin.
“Today” has put its ABC rival under pressure for weeks, winning the 25-54 crowd for more than 25 weeks.
NBC said”Today” beat “GMA” by the thinnest of margins – just 49,000 viewers overall and 180,000 people between 25 and 54, the demographic most coveted by advertisers in news programming. NBC’s morning program, which has been on the air since 1952, has generally trailed “GMA” in total viewers since the spring of 2012, the result of viewers being turned off by a “Today” turn toward stories of a more tabloid nature and in reaction to an NBC decision in June of that year to remove co-host Ann Curry from the program.
Variety reports that behind the scenes, “Today” staffers remain cautiously optimistic, said one person familiar with the program. The war between the two morning shows is far from over, this person said, noting that producers fully anticipate losses to “Good Morning America” over the next few days and weeks. But the numbers, this person said, lend ballast to the theory that offering viewers a stronger dose of hard news in the morning has lent new momentum to the NBC program.
To be sure, both programs have challenges to solve. In the first quarter of 2016, “Today” saw total viewers fall by 3% from the year-earlier period, while “GMA” lost 10%. The daypart is extremely competitive, with Fox News Channel, MSNBC, CNN, CNBC and Fox Business Network also offering morning-news programming. “CBS This Morning” grew viewers by 11% during the first quarter, though it continues to trail both the NBC and ABC programs by a significant margin.
“Today” has put its ABC rival under pressure for weeks, winning the 25-54 crowd for more than 25 weeks.
CBS This Morning Gains On GMA, Today
"CBS This Morning," contunues to add viewers while ABC's "Good Morning America" and NBC's "Today" are losing them.
"GMA" was the most-seen program in the first quarter of 2016. "GMA" averaged 5 million viewers while "Today" drew 4.82 million and "This Morning" attracted 3.81 million. CBS was up 11 percent from a year ago while ABC was down 10 percent and NBC was off 3 percent.
The first-rate team of Charlie Rose, Gayle King and Norah O'Donnell has transformed the CBS broadcast into a pleasant, informative way to start the day. They know how to give the news, they know how to have fun, and they know the difference between the two. People from Bryant Gumbel to John Oliver have praised the CBS team for good reason.
The Orlando Sentinel reports in the 25-to-54 age group, which is most important to news advertisers, NBC's "Today" averaged 1.89 million viewers while "GMA" drew 1.73 million and CBS pulled in 1.14 million.
From a year ago in that age group, CBS was up 11 percent, ABC was down 12 percent and NBC was flat.
So winning is nice, but gaining is grand, too. "CBS This Morning" has had 42 straight months of audience growth in year-to-year comparisons.
CBS had its best first quarter in total viewers in 22 years and its best showing with the 25-to-54 age group in five years.
"GMA" was the most-seen program in the first quarter of 2016. "GMA" averaged 5 million viewers while "Today" drew 4.82 million and "This Morning" attracted 3.81 million. CBS was up 11 percent from a year ago while ABC was down 10 percent and NBC was off 3 percent.
The first-rate team of Charlie Rose, Gayle King and Norah O'Donnell has transformed the CBS broadcast into a pleasant, informative way to start the day. They know how to give the news, they know how to have fun, and they know the difference between the two. People from Bryant Gumbel to John Oliver have praised the CBS team for good reason.
The Orlando Sentinel reports in the 25-to-54 age group, which is most important to news advertisers, NBC's "Today" averaged 1.89 million viewers while "GMA" drew 1.73 million and CBS pulled in 1.14 million.
From a year ago in that age group, CBS was up 11 percent, ABC was down 12 percent and NBC was flat.
So winning is nice, but gaining is grand, too. "CBS This Morning" has had 42 straight months of audience growth in year-to-year comparisons.
CBS had its best first quarter in total viewers in 22 years and its best showing with the 25-to-54 age group in five years.
Artists To Lobby Lawmakers Over Bogus Videos
Hundreds of the country’s most successful recording artists are sick and tired of getting ripped off via pirated videos — and are demanding Congress do something about it.
The powerful group — Katy Perry, Billy Joel, Steven Tyler, Christina Aguilera and scores of others — wants lawmakers on Capitol Hill to sharpen the teeth of the current copyright law, 1998’s Digital Millennium Copyright Act, to keep illegal videos off streaming services like Google’s YouTube.
Currently, complaints made about the pirated work result in the video being taken down — and then re-posted, sometimes minutes later, according to The NY Post.
The streaming services, the artists, managers and music labels said, benefit greatly from the rampant piracy — at the expense of the artists.
The lobbying effort is being coordinated by the Recording Industry Association of America.
The musicians fired off a letter to the US Copyright Office on Thursday, the final day for comment on proposed changes in Congress to the DCMA.
“A law that might have made sense in 1998 is now not only obsolete but actually harmful,” reads a letter from the group.
The powerful group — Katy Perry, Billy Joel, Steven Tyler, Christina Aguilera and scores of others — wants lawmakers on Capitol Hill to sharpen the teeth of the current copyright law, 1998’s Digital Millennium Copyright Act, to keep illegal videos off streaming services like Google’s YouTube.
Currently, complaints made about the pirated work result in the video being taken down — and then re-posted, sometimes minutes later, according to The NY Post.
The streaming services, the artists, managers and music labels said, benefit greatly from the rampant piracy — at the expense of the artists.
The lobbying effort is being coordinated by the Recording Industry Association of America.
The musicians fired off a letter to the US Copyright Office on Thursday, the final day for comment on proposed changes in Congress to the DCMA.
“A law that might have made sense in 1998 is now not only obsolete but actually harmful,” reads a letter from the group.
FOX Sports Radio Launches New Weekend Lineup
FOX Sports Radio (FSR) has announced its weekend lineup for the 2016 Spring/Summer sports season. Beginning April 2 and 3, FSR will welcome several new additions to its diverse ensemble of sports entertainment personalities, analysts and players providing around-the-clock weekend coverage, including game-day previews, analysis and interviews.
Joy Taylor, FS1 host and former morning drive personality at 790 AM The Ticket in South Florida, will join FSR's Mark Willard on Saturdays from 1 p.m. - 4 p.m. ET. In addition, NBA All-Star and Slam Dunk Champion Cedric Ceballos will team up with FSR's Brian Noe on Saturdays from 8 p.m. - 11 p.m. ET, while FS1 NBA Analyst and 14-Year NBA veteran Jim Jackson joins Ryan Field on Sundays from 1 p.m. - 4 p.m. ET.
"FOX Sports Radio cements its standing as the best place for sports talk radio with the addition of these three talented personalities," stated Scott Shapiro, Premiere Networks Vice President of Sports Programming. "I couldn't be more proud of the opinions, credibility and creativity that have been assembled in this weekend lineup. There is no better destination for timely and entertaining takes on the biggest stories in sports than FOX Sports Radio."
Below is FSR's 2016 weekend Spring/Summer lineup:
Saturday (All times Eastern)
2 a.m. The Jonas Knox Show
6 a.m. The Big Lead with Jason McIntyre
9 a.m. Anthony Gargano & Lincoln Kennedy
1 p.m. Mark Willard & Joy Taylor
4 p.m. Steve Hartman & Brady Poppinga
8 p.m. Brian Noe & Cedric Ceballos
11 p.m Arnie Spanier
Sunday
2 a.m. The Jonas Knox Show
6 a.m. Nick Ashooh
9 a.m. Michael Harmon & Dan Beyer
1 p.m. Ryan Field & Jim Jackson
4 p.m. Mike Hill & Kirk Morrison
7 p.m. Brian Noe & Mark Willard
11 p.m Chris Plank & Arnie Spanier
2 a.m. Ben Maller
Joy Taylor, FS1 host and former morning drive personality at 790 AM The Ticket in South Florida, will join FSR's Mark Willard on Saturdays from 1 p.m. - 4 p.m. ET. In addition, NBA All-Star and Slam Dunk Champion Cedric Ceballos will team up with FSR's Brian Noe on Saturdays from 8 p.m. - 11 p.m. ET, while FS1 NBA Analyst and 14-Year NBA veteran Jim Jackson joins Ryan Field on Sundays from 1 p.m. - 4 p.m. ET.
"FOX Sports Radio cements its standing as the best place for sports talk radio with the addition of these three talented personalities," stated Scott Shapiro, Premiere Networks Vice President of Sports Programming. "I couldn't be more proud of the opinions, credibility and creativity that have been assembled in this weekend lineup. There is no better destination for timely and entertaining takes on the biggest stories in sports than FOX Sports Radio."
Below is FSR's 2016 weekend Spring/Summer lineup:
Saturday (All times Eastern)
2 a.m. The Jonas Knox Show
6 a.m. The Big Lead with Jason McIntyre
9 a.m. Anthony Gargano & Lincoln Kennedy
1 p.m. Mark Willard & Joy Taylor
4 p.m. Steve Hartman & Brady Poppinga
8 p.m. Brian Noe & Cedric Ceballos
11 p.m Arnie Spanier
Sunday
2 a.m. The Jonas Knox Show
6 a.m. Nick Ashooh
9 a.m. Michael Harmon & Dan Beyer
1 p.m. Ryan Field & Jim Jackson
4 p.m. Mike Hill & Kirk Morrison
7 p.m. Brian Noe & Mark Willard
11 p.m Chris Plank & Arnie Spanier
2 a.m. Ben Maller
AdLarge Media Re-Organizes Digital Team
AdLarge Media has announced the reorganization of its digital audio team to provide focused expansion of specific growth areas. Jay Green will continue to lead the expansion of AdLarge’s digital audio content portfolio in the role of Vice President, Digital Content Partnerships, reporting to AdLarge Co-Founders and Co-Chief Executive Officers Gary Schonfeld and Cathy Csukas.
As part of the restructuring, Ilwira Marciszek, Director, Ad Operations, and Stephanie Vance, Director, Revenue Planning & Development, will now report to Chief Revenue Officer Don Wachsmith for a more seamless ad sales operation process. As announced earlier this week, Yvonne Lacey will focus on growing digital advertising as AdLarge’s Vice President, Digital Sales Development, and also will report to Wachsmith.
“Since we launched AdLarge Media five years ago, we have grown our staff and our digital platform extensively,” stated Schonfeld. “We needed more focused goals for individual team members and a more streamlined structure to our organization. Cathy and I are particularly pleased that we were able to accomplish this with our existing, stellar core digital team of Jay, Ilwira, and Stephanie, and the addition of Yvonne.”
AdLarge has digital audio content partnerships with marquee brands such as Shaquille O’Neal’s Shaq Fu Radio, Jim Breuer’s The Metal In Me and Mets and More, Farnoosh Torabi’s So Money, AP News On Demand, RotoWire, and more.
"There has never been a more exciting time in the digital audio marketplace,” said Green. “We are growing the AdLarge portfolio through existing and future partnerships, as well as through new content creation, with a focus on delivering engaged listeners to our advertisers.”
As part of the restructuring, Ilwira Marciszek, Director, Ad Operations, and Stephanie Vance, Director, Revenue Planning & Development, will now report to Chief Revenue Officer Don Wachsmith for a more seamless ad sales operation process. As announced earlier this week, Yvonne Lacey will focus on growing digital advertising as AdLarge’s Vice President, Digital Sales Development, and also will report to Wachsmith.
“Since we launched AdLarge Media five years ago, we have grown our staff and our digital platform extensively,” stated Schonfeld. “We needed more focused goals for individual team members and a more streamlined structure to our organization. Cathy and I are particularly pleased that we were able to accomplish this with our existing, stellar core digital team of Jay, Ilwira, and Stephanie, and the addition of Yvonne.”
AdLarge has digital audio content partnerships with marquee brands such as Shaquille O’Neal’s Shaq Fu Radio, Jim Breuer’s The Metal In Me and Mets and More, Farnoosh Torabi’s So Money, AP News On Demand, RotoWire, and more.
"There has never been a more exciting time in the digital audio marketplace,” said Green. “We are growing the AdLarge portfolio through existing and future partnerships, as well as through new content creation, with a focus on delivering engaged listeners to our advertisers.”
Busy Weekend For Westwood One At The ACM Awards
Westwood One and Cumulus Media will present Westwood One Backstage at the ACM’s tomorrow, Friday, April 1, 2016, and Saturday, April 2, 2016, at Las Vegas’ MGM Grand. Westwood One Backstage at the ACM’s is a two-day exclusive showcase of brand activations and backstage audio and video coverage leading up to the 51st Annual Academy of Country Music Awards on Sunday, April 3, 2016. Westwood One Backstage at the ACM’s will welcome more than 80 of Country music’s biggest artists over the two-day event, including Jason Aldean, Tim McGraw and Martina McBride, and will present an exclusive one-on-one session with ACM hosts Dierks Bentley and Luke Bryan, with performances by Country artists Brett Young, Canaan Smith and Tucker Beathard. Westwood One Backstage at the ACM’s will be held at the MGM Grand on Friday, April 1, 2016, from 12 NOON to 4 PM and on Saturday, April 2, 2016, from 10AM to 4PM.
Westwood One Backstage at the ACM’s is presented via a partnership between The Academy of Country Music, dick clark productions, Westwood One and Cumulus. Westwood One Backstage at the ACM’s behind-the-scenes coverage brings red carpet moments to life, offering broadcast partners and advertisers access to exclusive content, live broadcasts, celebrities, backstage performances, social media buzz, and parties and events. Sponsors include Grainger, Advance Auto Parts, Biore’ and General Mills/Outnumber Hunger.
Westwood One Backstage at the ACM’s is presented via a partnership between The Academy of Country Music, dick clark productions, Westwood One and Cumulus. Westwood One Backstage at the ACM’s behind-the-scenes coverage brings red carpet moments to life, offering broadcast partners and advertisers access to exclusive content, live broadcasts, celebrities, backstage performances, social media buzz, and parties and events. Sponsors include Grainger, Advance Auto Parts, Biore’ and General Mills/Outnumber Hunger.
Artists scheduled to appear on air and in the Advance Auto Parts Photo Booth include: Keith Urban, Carrie Underwood, Trace Adkins, Chris Stapleton, Dustin Lynch, Eric Paslay, LANco, Kip Moore, Brett Eldredge, Love and Theft, Cam, Charles Kelley, Jennifer Nettles, Jake Owen, Old Dominion, Chase Bryant, Kelsea Ballerini, Parmalee, Brothers Osborne, Cassadee Pope, Maddie & Tae, Dan + Shay, LOCASH, Thomas Rhett, Chris Young, Cole Swindell, Granger Smith, Little Big Town, Chris Janson, Sam Hunt, Clay Walker, Rascal Flatts, Florida Georgia Line, Randy Houser, Shenandoah and many more.
The 51st Academy of Country Music Awards is produced for television by dick clark productions and will broadcast LIVE from MGM Grand Garden Arena on Sunday, April 3, 2016, at 8:00 PM live ET/delayed PT on the CBS Television Network.
SiriusXM Unveils Extensive 2016 MLB Coverage
SiriusXM will again provide the most comprehensive national Major League Baseball coverage available on radio for the 2016 MLB season. SiriusXM subscribers will have access to every regular season and postseason game on their satellite radios and via the SiriusXM app, as well as 24/7 news, talk and analysis on the exclusive MLB Network Radio channel.
MLB games are available on Sirius radios with either a Premier or All Access package, and on all XM radios. Through SiriusXM's agreement with MLBAM, MLB play-by-play is also available to all subscribers on the SiriusXM app and online at SiriusXM.com. The SiriusXM app offers a suite of 30 play-by-play channels dedicated to streaming the official radio broadcasts of every MLB team, giving fans access to both the home and visiting team broadcasts for every game.
Listeners also get the most in-depth coverage and analysis of the league 365 days a year with MLB Network Radio, SiriusXM's 24-hour baseball talk channel (XM channel 89, Sirius channel 209). The channel's roster of expert hosts includes former GMs Jim Bowden, Jim Duquette and Steve Phillips, former players Cliff Floyd, Todd Hollandsworth, Brad Lidge, CJ Nitkowski, Steve Sax, Mike Stanton and Rico Petrocelli, national baseball writers Tyler Kepner, Scott Miller and Jon Paul Morosi, as well as Casey Stern, Mike Ferrin, Jim Memolo and Grant Paulsen.
Throughout the season, listeners will hear weekly and bi-weekly one-on-one interviews with several managers including: Ned Yost (Royals), Brad Ausmus (Tigers), Kevin Cash (Rays), John Farrell (Red Sox), Terry Francona (Indians), Chip Hale (Diamondbacks), Clint Hurdle (Pirates) and Bob Melvin (Athletics). For a schedule of manager appearances go to www.SiriusXM.com/MLBNetworkRadio.
MLB Network Radio also features a simulcast of Chris "Mad Dog" Russo's MLB Network show, High Heat with Christopher Russo, every weekday afternoon at 1:00 p.m. ET as well as simulcasts of additional MLB Network television programming, including the flagship studio show MLB Tonight on weeknights at 6:00 p.m. ET.
On Opening Day, April 4, MLB Network Radio will broadcast live from Camden Yards before the Baltimore Orioles host the Minnesota Twins. Former Orioles executive Jim Duquette and Jeff Joyce will host live from the ballpark starting at 12:00 pm ET. Then on Thursday, April 7, Duquette and Casey Stern will broadcast from Nationals Park in Washington, DC, starting at 1:00 pm ET before the Nats open up their home schedule against the Miami Marlins.
Follow the channel on Twitter @MLBNetworkRadio.
Additionally, SiriusXM's Radio Classics (channel 148) will welcome the start of the season with a number of baseball themed classic radio shows and segments airing throughout the week from Opening Day, April 3, through Saturday, April 9. Highlights include Abbott & Costello's famous comedy routine "Who's On First?"; a Lux Radio Theater adaptation of "Pride of The Yankees," the biographical motion picture on Yankees great Lou Gehrig; "The Ballad Of Satchel Paige," a half hour production presented by Destination Freedom; and memorable appearances by Hall of Famers on comedy and variety shows, such as Jackie Robinson and Babe Ruth with Bob Hope, Bob Feller with Jack Benny, Hank Greenberg with Bing Crosby, and more.
MLB games are available on Sirius radios with either a Premier or All Access package, and on all XM radios. Through SiriusXM's agreement with MLBAM, MLB play-by-play is also available to all subscribers on the SiriusXM app and online at SiriusXM.com. The SiriusXM app offers a suite of 30 play-by-play channels dedicated to streaming the official radio broadcasts of every MLB team, giving fans access to both the home and visiting team broadcasts for every game.
Listeners also get the most in-depth coverage and analysis of the league 365 days a year with MLB Network Radio, SiriusXM's 24-hour baseball talk channel (XM channel 89, Sirius channel 209). The channel's roster of expert hosts includes former GMs Jim Bowden, Jim Duquette and Steve Phillips, former players Cliff Floyd, Todd Hollandsworth, Brad Lidge, CJ Nitkowski, Steve Sax, Mike Stanton and Rico Petrocelli, national baseball writers Tyler Kepner, Scott Miller and Jon Paul Morosi, as well as Casey Stern, Mike Ferrin, Jim Memolo and Grant Paulsen.
Throughout the season, listeners will hear weekly and bi-weekly one-on-one interviews with several managers including: Ned Yost (Royals), Brad Ausmus (Tigers), Kevin Cash (Rays), John Farrell (Red Sox), Terry Francona (Indians), Chip Hale (Diamondbacks), Clint Hurdle (Pirates) and Bob Melvin (Athletics). For a schedule of manager appearances go to www.SiriusXM.com/MLBNetworkRadio.
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| Chris Russo |
On Opening Day, April 4, MLB Network Radio will broadcast live from Camden Yards before the Baltimore Orioles host the Minnesota Twins. Former Orioles executive Jim Duquette and Jeff Joyce will host live from the ballpark starting at 12:00 pm ET. Then on Thursday, April 7, Duquette and Casey Stern will broadcast from Nationals Park in Washington, DC, starting at 1:00 pm ET before the Nats open up their home schedule against the Miami Marlins.
Follow the channel on Twitter @MLBNetworkRadio.
Additionally, SiriusXM's Radio Classics (channel 148) will welcome the start of the season with a number of baseball themed classic radio shows and segments airing throughout the week from Opening Day, April 3, through Saturday, April 9. Highlights include Abbott & Costello's famous comedy routine "Who's On First?"; a Lux Radio Theater adaptation of "Pride of The Yankees," the biographical motion picture on Yankees great Lou Gehrig; "The Ballad Of Satchel Paige," a half hour production presented by Destination Freedom; and memorable appearances by Hall of Famers on comedy and variety shows, such as Jackie Robinson and Babe Ruth with Bob Hope, Bob Feller with Jack Benny, Hank Greenberg with Bing Crosby, and more.
JUNO Awards to Honor Rosalie Trombley
She’s credited with making the careers of Canadian music icons like The Guess Who, Gordon Lightfoot, Paul Anka, Bachman Turner Overdrive, and Burton Cummings — and now the “Girl with the Golden Ear” is being recognized with a Juno award.
Legendary local radio figure Rosalie Trombley, music director during the “Big 8” era of CKLW 800 AM, will receive a special achievement award at the 2016 edition of the Juno awards. The 2016 Juno awards ceremony is on April 3 in Calgary, Alberta. The 76-year-old will not be attending due to health, but family representatives will be at the event to accept the award for her.
“Rosalie Trombley’s remarkable intuition and influence in the Canadian music industry are extraordinary,” said Allan Reid, President & CEO, CARAS/The JUNO Awards and MusiCounts. “Not only did she distinguish herself as a radio trailblazer, her passion for music has heightened the careers of some of the legendary artists we know and love today. On behalf of the CARAS Board, we are very pleased to recognize Rosalie Trombley with the Walt Grealis Special Achievement Award for her exceptional contributions.”
When Trombley joined Windsor-based CKLW in 1968, it was already a dominant force in Detroit radio and also highly-rated across midwestern U.S. markets like Ohio and Pennsylvania.
But as music director, Trombley’s song choices for airplay shaped a generation of listeners. Her knack for picking ear-pleasers made hits out of tunes like These Eyes by The Guess Who, If You Could Read My Mind by Gordon Lightfoot, and Taking Care of Business by Bachman Turner Overdrive.
Trombley’s tenure as a music director and one of the few female executives in radio at the time stretched over twenty years. Her decision to give records exposure led to the rise in popularity of countless talented artists, while also solidifying her position as one of the most powerful forces in the industry. Trombley is particularly credited for the breakthroughs of Canadian artists into the United States, including Gordon Lightfoot’s, “If You Could Read My Mind”, The Guess Who’s “These Eyes”, Paul Anka’s “You’re Having My Baby”, Bachman Turner Overdrive’s “Taking Care of Business”, and Burton Cummings’ “Stand Tall” amongst many others.
“I am deeply moved and humbled by this tremendous honour, as the recipient of this year’s Walt Grealis Special Achievement Award. The BIG 8 was a powerful force in broadcasting, with a signal that reached millions of listeners,” said Rosalie Trombley. “I will always consider myself fortunate to have played a role in such a significant era of music and proud of the exposure CKLW afforded many, now legendary and superbly talented, Canadian artists.”
“Rosalie Trombley’s remarkable intuition and influence in the Canadian music industry are extraordinary,” said Allan Reid, President & CEO, CARAS/The JUNO Awards and MusiCounts. “Not only did she distinguish herself as a radio trailblazer, her passion for music has heightened the careers of some of the legendary artists we know and love today. On behalf of the CARAS Board, we are very pleased to recognize Rosalie Trombley with the Walt Grealis Special Achievement Award for her exceptional contributions.”
Trombley began her career at the AM Top 40 powerhouse, CKLW – The BIG 8 in Windsor, Ontario as a switchboard operator, but before long her talented ear for discovering hit songs led her to become one of the most influential individuals in radio history.
Although CKLW was based in Windsor, it programmed for the Detroit market and the station’s 50,000-watt signal beamed across the American Midwest. In addition to being the #1 rated station in Detroit for many years, the station routinely rated in the top five in multiple Midwest markets in Ohio, Indiana, Pennsylvania and Michigan.
Having a profound understanding for the unique Windsor-Detroit market, Trombley is celebrated for playing what she believed to be ‘crossover’ hits – songs that appealed to both black and white audiences. Particularly, she persuaded Elton John to release “Bennie and The Jets” as a single, because she instinctively knew it had tremendous potential to ‘crossover’.
Recording artists, both established and aspiring, visited Trombley to promote their latest single releases, and the walls of her office were lined with gold records. Among other artists she is credited with breaking onto the Top 40 CHR charts are: Bob Seger, Kiss, Alice Cooper, The O’Jays, Chicago, Earth, Wind & Fire, Parliament–Funkadelic, Queen, and Aerosmith. In addition, Bob Seger immortalized Rosalie in his 1973 song “Rosalie” from his Back in ’72 album.
Legendary local radio figure Rosalie Trombley, music director during the “Big 8” era of CKLW 800 AM, will receive a special achievement award at the 2016 edition of the Juno awards. The 2016 Juno awards ceremony is on April 3 in Calgary, Alberta. The 76-year-old will not be attending due to health, but family representatives will be at the event to accept the award for her.
“Rosalie Trombley’s remarkable intuition and influence in the Canadian music industry are extraordinary,” said Allan Reid, President & CEO, CARAS/The JUNO Awards and MusiCounts. “Not only did she distinguish herself as a radio trailblazer, her passion for music has heightened the careers of some of the legendary artists we know and love today. On behalf of the CARAS Board, we are very pleased to recognize Rosalie Trombley with the Walt Grealis Special Achievement Award for her exceptional contributions.”
When Trombley joined Windsor-based CKLW in 1968, it was already a dominant force in Detroit radio and also highly-rated across midwestern U.S. markets like Ohio and Pennsylvania.
But as music director, Trombley’s song choices for airplay shaped a generation of listeners. Her knack for picking ear-pleasers made hits out of tunes like These Eyes by The Guess Who, If You Could Read My Mind by Gordon Lightfoot, and Taking Care of Business by Bachman Turner Overdrive.
Trombley’s tenure as a music director and one of the few female executives in radio at the time stretched over twenty years. Her decision to give records exposure led to the rise in popularity of countless talented artists, while also solidifying her position as one of the most powerful forces in the industry. Trombley is particularly credited for the breakthroughs of Canadian artists into the United States, including Gordon Lightfoot’s, “If You Could Read My Mind”, The Guess Who’s “These Eyes”, Paul Anka’s “You’re Having My Baby”, Bachman Turner Overdrive’s “Taking Care of Business”, and Burton Cummings’ “Stand Tall” amongst many others.
“I am deeply moved and humbled by this tremendous honour, as the recipient of this year’s Walt Grealis Special Achievement Award. The BIG 8 was a powerful force in broadcasting, with a signal that reached millions of listeners,” said Rosalie Trombley. “I will always consider myself fortunate to have played a role in such a significant era of music and proud of the exposure CKLW afforded many, now legendary and superbly talented, Canadian artists.”
“Rosalie Trombley’s remarkable intuition and influence in the Canadian music industry are extraordinary,” said Allan Reid, President & CEO, CARAS/The JUNO Awards and MusiCounts. “Not only did she distinguish herself as a radio trailblazer, her passion for music has heightened the careers of some of the legendary artists we know and love today. On behalf of the CARAS Board, we are very pleased to recognize Rosalie Trombley with the Walt Grealis Special Achievement Award for her exceptional contributions.”Trombley began her career at the AM Top 40 powerhouse, CKLW – The BIG 8 in Windsor, Ontario as a switchboard operator, but before long her talented ear for discovering hit songs led her to become one of the most influential individuals in radio history.
Although CKLW was based in Windsor, it programmed for the Detroit market and the station’s 50,000-watt signal beamed across the American Midwest. In addition to being the #1 rated station in Detroit for many years, the station routinely rated in the top five in multiple Midwest markets in Ohio, Indiana, Pennsylvania and Michigan.
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| With Bob Seger |
Recording artists, both established and aspiring, visited Trombley to promote their latest single releases, and the walls of her office were lined with gold records. Among other artists she is credited with breaking onto the Top 40 CHR charts are: Bob Seger, Kiss, Alice Cooper, The O’Jays, Chicago, Earth, Wind & Fire, Parliament–Funkadelic, Queen, and Aerosmith. In addition, Bob Seger immortalized Rosalie in his 1973 song “Rosalie” from his Back in ’72 album.
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