Tuesday, October 7, 2025

Detroit Radio: Marie Osborne Promoted At WJR


Cumulus Media
 has announced that it has promoted award-winning broadcast journalist Marie Osborne to the newly created position of Director of Community Affairs & News for Detroit News/Talk station WJR AM 760. Osborne rises from her role as Senior News Analyst for WJR.

A Detroit native and graduate of the University of Detroit Mercy, Osborne’s esteemed 40-year broadcasting career includes 20 years at WJR. She is a three-time winner of the national Edward R. Murrow Award for excellence in broadcast and digital journalism. She has also earned a national Headliner Award and the Neal Shine Award for Media Commitment to Philanthropy. Osborne is a three-time recipient of the national Women in Communications Awards and has been honored for her work with dozens of awards from the Michigan Association of Broadcasters and the Associated Press.

Marie Osborne
A former adjunct journalism instructor at Wayne State University, Osborne has reported from across the U.S., Europe and China and her work has been heard on ABC, CBS, Fox News, News of the World and BBC. In 2018, she and her family established the John T. Osborne Plaid Pig Culinary Scholarship at Schoolcraft College in honor of their late son and brother who died of an undiagnosed heart condition at the age of 28.

Steve Finateri, Regional Vice President/Market Manager, Cumulus Detroit-Ann Arbor, said: “Marie Osborne is one of Michigan’s most respected broadcasters. Her high standards for broadcasting integrity have earned her this important role with WJR, helping us to maintain our brand as Michigan’s most trusted media outlet serving listeners throughout the Great Lakes region.”

Ann Thomas, Program Director, WJR AM 760, noted: “Marie has a deep commitment to journalism and community engagement. She brings a powerful voice and a wealth of experience to this vital role and I am pleased that she has accepted this new position.”

Marie Osborne commented: “Being able to help our listeners process all that is unfolding in this impactful moment in history is a privilege and being able to do it at WJR is an honor. The commitment to community and news here at WJR runs deep, it is at the heart of all we do and I’m looking forward to carrying on this vital tradition in my new role.”

Fox News' Johnny 'Joey' Jones Honored For Excellence in Journalism

Fox News' Johnny 'Joey' Jones

During Patriot Awards Gala on October 4, FOX News co-host of The Big Weekend Show Johnny "Joey" Jones was honored with the John R. “Tex” McCrary Award for his impactful journalism and advocacy. 

The 2025 Medal of Honor Celebration event was held in Chattanooga, known as the "Birthplace of the Medal of Honor" due to the 1862 Andrews Raid during the Civil War, where 21 Union soldiers earned the nation's highest military honor for sabotaging Confederate rail lines,

For Jones, a Chattanooga-area native, the honor carried special significance, connecting his personal roots to the city's Medal of Honor legacy. Jones' acceptance underscored themes of collective service, echoing his past remarks on awards like the 2021 Genesis Legacy Medal: "I’m not just being recognized for any one thing... but for the successes of a collective group of friends, family, and proud Americans."

A native of Dalton, Georgia (near Chattanooga), Jones served as an Explosive Ordnance Disposal (EOD) technician during multiple deployments. In 2010, he suffered severe injuries from an IED explosion in Afghanistan, resulting in the amputation of both legs above the knee. Since his recovery, he has become a prominent advocate for veterans' issues, focusing on bridging the civilian-military divide. His books, including Unbroken Bonds of Battle and the recent Behind The Badge, draw from his experiences to highlight themes of resilience, service, and patriotism. Jones is also involved with organizations like the Boot Campaign and has been recognized for his efforts in supporting wounded warriors.

Other 2025 Patriot Awards Gala Honorees The gala recognized a diverse group of leaders: 
  • Patriot Award: Former Secretary of Defense Dr. Robert Gates, for his decades of public service and leadership in national security.
  • Bob Hope Award: Country singer and songwriter John Rich, for using his music and philanthropy to support veterans and troops.
  • Distinguished Citizen Award: Philanthropist Kathleen Rollins, for her charitable work fostering community and patriotic initiatives.

Multiple Newspapers Ending Monday Print Editions


Lee Enterprises is further reducing its print operations, announcing that several of its daily newspapers will cease Monday print editions starting November 3. 

Affected publications include the St. Louis Post-Dispatch, Omaha World-Herald, Lincoln Journal Star, Buffalo News, Quad City Times, and Richmond Times-Dispatch.

Alan Achkar, executive editor of the Post-Dispatch, stated that the shift will allow the company to focus resources on high-demand digital products while maintaining its commitment to local news. He noted that a later deadline will enable more timely online news delivery, according to St. Louis Public Radio.

In its Q3 financial report, Lee Enterprises’ CEO Kevin Mowbray highlighted cost reductions in print operations and corporate overhead, with reinvestments in digital growth areas. Print advertising revenue dropped to $17.4 million in Q3 from $18.9 million the previous year, with year-to-date figures falling from $62 million to $53.8 million.

The company also incurred over $2 million in recovery costs following a February cyberattack.

L-A Radio: KROQ Hosting Private Concert with Twenty One Pilots


The World Famous KROQ (KROQ-FM), an Audacy station in Los Angeles, will host an exclusive private concert with Grammy Award-winning duo Twenty One Pilots at The Bellwether on Wednesday, October 22.

This intimate performance marks a rare chance for fans to see Twenty One Pilots up close in one of the city’s premier venues. Tickets will not be available for purchase — the only way in is to listen to KROQ and win.

Fans can tune in to KROQ over the next two weeks for their shot at tickets, with random on-air giveaways happening daily. In addition, an online giveaway will be available at KROQ.com for those looking to secure their chance at entry.

“Twenty One Pilots have one of the most hardcore and dedicated fanbases in the world,” said Kevin Weatherly, Senior Vice President of Programming, KROQ. “The band just had the biggest Rock debut on the Billboard Hot 200 in six years, so the timing is perfect to host them for what promises to be an incredible, intimate and unforgettable night in Los Angeles.”

The intimate show comes just before the duo closes out THE CLANCY TOUR: BREACH 2025 with two shows at nearby BMO Stadium that weekend. The tour is in support of their eighth studio album Breach, which debuted at No. 1 on the Billboard 200 last month with 200,000 album equivalents in its first week alone, also marking the biggest first week in vinyl sales for a rock album since tracking began in 1991.

As part of a nationwide Audacy promotion, listeners in select cities nationwide will also have the opportunity to win trips to Los Angeles to experience the show. Eight Audacy alternative stations, including ALT 103.7 (KVIL-FM) in Dallas, ALT 98.7 (WDZH-FM) in Detroit, 94/7 Alternative Portland (KNRK-FM) in Portland, ALT 102.1 (WRXL-FM) in Richmond, ALT 94.7 (KKDO-FM) in Sacramento, ALT 949 (KBZT-FM) in San Diego, LIVE 105 (KITS-FM) in San Francisco, and 107.7 The End (KNDD-FM) in Seattle, will offer listeners the chance to fly to Los Angeles to see the show. For more information and official giveaway rules, click here.

📻Listeners can tune in to KROQ (KROQ-FM) in Los Angeles on air and nationwide on the Audacy app and website. Fans can also connect with the station on social media via X, Facebook and Instagram.  

Seattle Radio: KISW To Present A Acoustic Holiday


99.9 KISW-FM, an Audacy station in Seattle, will kick off the holiday season with Unwrapped: An Acoustic Holiday on Friday, December 12, at Angel Of The Winds Arena. The inaugural event will feature an all-star lineup with Brent Smith and Zach Myers of Shinedown, The Pretty Reckless, Daughtry, Hollywood Undead, Mammoth, Sleep Theory, Des Rocs and Return to Dust.

“Seattle is the city that showed the world the raw power of a stripped-down rock song, and we're channeling that energy into a holiday event,” said Ryan Castle, Brand Manager, 99.9 KISW. "We're beyond excited to unplug the amps and create a truly historic and intimate night of music for our loyal fans.”

Tickets for Unwrapped: An Acoustic Holiday will be available on Ticketmaster.com beginning Friday, October 10, at 10:00 a.m. PT. Ticket prices start at $39.50, and VIP tickets are also available.

The Palace Law Premium Experience package provides fans with the ultimate rock experience, including the best seat in the house, early entry into The Club for an exclusive KISW Preshow Party, a chance to mingle with KISW personalities, and live backstage interviews. VIP ticket holders enjoy complimentary BBQ finger foods, a full cash bar, and a commemorative VIP laminate.

For more information on Unwrapped: An Acoustic Holiday, visit audacy.com/kisw.

📻Listeners can tune in to 99.9 KISW-FM in Seattle on-air and nationwide on the Audacy app and website. Fans can also connect with the station via X, Facebook and Instagram.

R.I.P.: Russ O’Hara, A Legacy in Los Angeles Radio

Russ O'Hara

Russ O’Hara, a Los Angeles radio personality known for his energetic style and deep ties to the city's vibrant music scene, passed away recently, leaving behind a legacy that spanned decades of broadcasting. 

Born Russell Eugene Nealeigh in Glendale, California, O’Hara's career took him across Southern California airwaves and beyond, where he became a familiar voice for generations of listeners.

O’Hara's journey in radio began in the late 1960s. He adopted the on-air moniker "Russ O’Hara" early on, drawing from his Irish heritage, and occasionally played with personas like "Russ O’Hungry" during his stints at various stations. His work ethic and charisma quickly propelled him into prominent roles, where he not only spun records but also connected with audiences through live event emceeing.

O’Hara's career was marked by multiple returns to iconic Los Angeles outlets, reflecting his enduring appeal:
  • KRLA (AM 1110): His longest association, with stints from 1969–1972, 1981–1982, and 1992–1993. At the original KRLA, he was a staple during its progressive rock phase, broadcasting from the station's historic Pasadena studios.
  • KROQ (FM 106.7): A brief but notable run in the early 1970s, where he helped pioneer the station's edgy, album-oriented rock sound that would later define New Wave and alternative radio.
  • Other LA-Area Stations: He also aired on KGFJ (soul and R&B focus), KKDJ (a progressive rock innovator in the 1970s), and KEZY (Top 40 in Orange County), showcasing his versatility across formats.

Beyond Los Angeles, O’Hara's voice reached audiences in Santa Maria, San Bernardino, Palm Desert, and even Tucson, Arizona. He was particularly celebrated for introducing legendary acts at major venues, including:Janis Joplin at the Hollywood Bowl. The Rolling Stones, Jimi Hendrix, and Three Dog Night at various concerts.

These moments cemented his status as a cultural bridge between radio and live music during the rock explosion of the 1960s and '70s.

Radio History: Oct 7

 ➦In 1939…The radio soap drama Kate Hopkins, Angel of Mercy debuted CBS Radio.  It remained on-the-air until April 3, 1942.  The show's initial premise was that after Kate Hopkins' husband died in a fire, she became a visiting nurse to support herself and her young son in the mythical American town of Forest Falls.

➦In 1940…"Portia Faces Life" debuted on the CBS Radio Network after starting in syndication seven months earlier. The program starred veteran radio actress Lucille Wall, who had been on Your Family and Mine and other radio dramas since the mid-1920s.

Stations airing the series included WNAC in Boston, WLS in Chicago, KRLD in Dallas, KGW in Portland, Oregon and KFI in Los Angeles, according to newspaper advertisements.

Portia Faces Life continued on CBS until April 25, 1941. Three days later, it moved to NBC where it continued until March 31, 1944. It then returned to CBS as a summer series from April 3 to September 29, 1944. Heard on NBC from October 3, 1944 to June 29, 1951, the series continued until 1953, according to scripter Mona Kent who wrote every episode.  General Foods remained the sponsor through all 13 years of the radio series.

➦In 1952...“Bob Horn’s Bandstand” aired for the first time on WFIL-TV Philadelphia.  Dick Clark joined in 1955 as a substitute-host, and took over permanently in July ’56.   The program went network on ABC-TV as “American Bandstand” this same date in 1957.

➦In 1966...WOR 98.7 FM New York, which had been airing Top40 music without DJs added personalities to the air. The original WOR-FM disc jockeys were Scott Muni (formerly of WABC and WMCA), Murray “the K” Kaufman (formerly of WINS), Rosko (Bill Mercer) and Johnny Michaels.

Even though the format began on July 30, there were union problems with AFTRA.  RKO did not want to pay FM disc jockeys the equivalent pay of their AM counterparts.  As a result, the station segued from one record to another.

➦In 1970...Intel introduced the computer memory chip.

➦In 1985...Spokane, WA station heard at 590 AM for decades, KHQ signed off.

The station originated in Seattle on February 8, 1922 as the third commercial station in Seattle. The first station licensed was KFC on December 8, 1921, operated jointly by the Northern Radio and Electric Company and the Post-Intelligencer newspaper. Vincent I. Kraft's KJR received a license March 9, 1922, however Kraft had been broadcasting over an Experimental station since 1920. Louis Wasmer launched a new station in late February 1922, it was described at the time as "the third broadcaster".



Wasmer was a former United Wireless Telegraph Company radiotelegraph operator, who opened the Excelsior Motorcycle and Bicycle Co. in 1911, and also sold radio equipment. Wasmer's first license was issued with the randomly assigned call letters KHQ on February 28, 1922.

In May 1925 it was announced that KHQ was temporarily going off the air in order to give Bush & Lane time to "make extensive alterations in the studio", while making a major upgrade in the facilities. Instead, after broadcasting in Seattle for three years, Wasmer moved the station to Spokane.  KHQ was Spokane's fifth radio station, preceded by KFZ, KOE, KFIO (now KSBN) and KFPY (now KXLY), although only KFIO and KFPY were still licensed at the time of KHQ's arrival.

KHQ changed its transmitting frequency a number of times in the mid-twenties, until November 11, 1928, when, under the provisions of a major reallocation resulting from the Federal Radio Commission's (FRC) General Order 40, it was reassigned to 590 kHz which it and its successors have used ever since.

The August 1941 adoption of the Federal Communications Commission's "duopoly" rule restricted licensees from operating more than one radio station in a given market. At this time Louis Wasmer, Inc. owned two Spokane stations: KHQ and KGA. To conform with the FCC order, in 1946 Wasmer sold KHQ to the Cowles Publishing Company, publisher of The Seattle Spokesman-Review newspaper, which used it to launch an FM station (now KISC) and a television station (which still bears the KHQ-TV calls).

Cowles sold off its radio interests in 1984. Because of a FCC rule in place at the time that prohibited TV and radio stations in the same market but with different ownership from sharing the same call letters, AM 590 changed its call to KLSN, with the slogan "Listen 5-90".  On December 1, 1986 the station changed its call sign to KAQQ,  which was phonetically similar to the original KHQ call letters.  On New Year's Day 2002 the call letters became KQNT.

➦In 1988....WNBC 660 AM's final broadcast took place and Sports WFAN moved from 1050 AM to 660 AM.

Monday, October 6, 2025

ICE Agents Will Be In Attendance At Bad Bunny Half-Time Show


Homeland Security Secretary Kristi Noem confirmed that Immigration and Customs Enforcement (ICE) agents will be deployed at the Super Bowl on February 8, 2026, in Santa Clara, California, where Puerto Rican superstar Bad Bunny is set to headline the halftime show. 

In an interview on Friday with conservative podcaster Benny Johnson on The Benny Show, Noem responded to a question about ICE enforcement at the event, stating, “There will be,” and that agents would be “all over” the Super Bowl. 

She emphasized that only “law-abiding Americans who love this country” should attend, adding that her role is to ensure attendees can “enjoy it and leave” safely.

Bad Bunny, born in Puerto Rico and known for hits like “MIA,” “I Like It,” and “Me Porto Bonito,” faced criticism from far-right commentators, including Johnson, after the NFL announced his performance. 

Critics highlighted his Spanish-language music and vocal opposition to the Trump administration’s immigration policies, with Johnson labeling him a “massive Trump hater” on social media. Bad Bunny recently completed a 31-show residency in Puerto Rico and has cited fears of ICE targeting his fans as a reason for avoiding U.S. mainland performances, noting it was a significant concern in planning his tours.

Johnson suggested the NFL’s choice of Bad Bunny was a deliberate jab at the Trump administration. Noem responded dismissively, saying, “They suck and we’ll win and God will bless us.” 

In a statement following the NFL’s announcement, Bad Bunny dedicated his performance to “those who came before me and ran countless yards so I could come in and score a touchdown,” emphasizing his Puerto Rican heritage and Latino culture.

Neither Bad Bunny’s representatives, the NFL, nor Roc Nation, the halftime show producer, responded to requests for comment.

MS NOW Starts Severing From NBC News


In a seismic shift for the cable news landscape, MSNBC is severing its 29-year editorial and operational ties with NBC News, transitioning to a fully independent newsgathering operation under a new parent company. 

The move, part of Comcast's broader strategy to spin off its cable assets into a separate entity called Versant (sometimes referred to as "SpinCo"), allows MSNBC to forge its own path while NBC News remains anchored within the core NBCUniversal portfolio. 

The split culminates a year-long buildup, with key milestones marking the end of shared resources and the birth of a standalone MSNBC newsroom. Below, I'll break down the background, timeline, key changes, and implications.


MSNBC launched in 1996 as a joint venture between Microsoft and NBC, evolving into a left-leaning cable news and opinion network that heavily relied on NBC News' vast newsgathering infrastructure—think shared correspondents, bureaus, and live feeds for everything from election nights to breaking stories. Over the years, this synergy created efficiencies but also blurred lines between NBC's straight-news broadcast model and MSNBC's more partisan commentary style, drawing criticism for potential bias bleed.

The catalyst was Comcast's November 2024 announcement to divest underperforming cable channels (including MSNBC and CNBC) into Versant, a new publicly traded company focused on cable and streaming. 

This "divorce," as media insiders have called it, aims to streamline NBCUniversal around high-growth assets like the NBC broadcast network, Peacock streaming, and sports while giving MSNBC freedom to innovate without the constraints of NBC's journalistic standards. 

MSNBC President Rebecca Kutler emphasized in an internal memo that the separation enables the network to "set our own course and assert our independence as we continue to build our own modern newsgathering operation."Comcast retains majority ownership of both Versant and NBCUniversal post-spinoff, expected to finalize by January 2026, but the editorial walls are going up now.

Official: Bari Weiss To Lead CBS News


Paramount Global's CEO, David Ellison, is banking on Bari Weiss to transform CBS News with a $150 million acquisition of The Free Press, the news and opinion platform Weiss launched in 2021 to counter what she viewed as the media’s “woke” bias. 

Ellison has named Weiss, a prominent and outspoken journalist, as CBS News’ editor-in-chief, tasking her with shaping the network’s editorial direction.

Ellison envisions a CBS News that, combined with The Free Press, becomes a trusted news source for the 70% of Americans identifying as center-left to center-right. “We want to create a news organization that speaks to that audience,” he said in an interview. 

Weiss will also oversee a new CBS debate-style program, modeled after The Free Press’ streamed debates on topics like immigration and gene-editing ethics, while continuing her role as CEO and editor of The Free Press.Weiss, 41, emphasized a shared goal with Ellison for “news that reflects reality” and journalism that seeks to understand rather than vilify. The acquisition, announced Monday, involves cash and Paramount stock, though specific terms remain undisclosed.This role marks a surprising return for Weiss to legacy media, which she famously rejected five years ago when she resigned from The New York Times with a scathing critique, calling it out of touch with most Americans. 

Bari Weiss
She founded The Free Press with her wife, Nellie Bowles, known for the humorous “TGIF” column, and her sister, Suzy Weiss, a columnist. The Free Press has gained traction with its contrarian takes on politics and culture, often criticizing progressive orthodoxy and strongly supporting Israel in its conflict with Hamas. The outlet boasts 1.5 million subscribers, including over 175,000 paid subscribers.Ellison, whose Skydance merged with Paramount in August, began talks with Weiss earlier this year, with discussions intensifying at the Allen & Co. conference in Sun Valley, Idaho, in July. 

As editor-in-chief, Weiss plans to take a hands-on approach, focusing on editorial priorities and delivering news that informs and clarifies a complex world. “It’s about telling people something they don’t know and helping them make sense of a strange, upside-down world,” she said.

Weiss will work alongside CBS News President Tom Cibrowski, who joined from Disney’s ABC in February. While described as partners, Weiss reports directly to Ellison, while Cibrowski reports to George Cheeks, chair of TV media. 

Cibrowski praised Weiss’s intellect and sees her appointment as a bold step to reinvent CBS News for new audiences, noting, “The status quo just doesn’t work.”Weiss’s arrival comes as broadcast news struggles with declining relevance amid competition from cable news, social media, and podcasts. Many view network newscasts as politically and culturally disconnected. 

For the 2024-25 season, CBS’s “Evening News,” alongside ABC’s “World News Tonight” and NBC’s “Nightly News,” averaged 17.8 million nightly viewers combined—half their audience from 25 years ago, per Nielsen. 

Inside CBS News: Gloom


Reports are detailing widespread anxiety among CBS News staffers over the appointment of Bari Weiss as editor-in-chief, amid broader turmoil at the network following its acquisition by Paramount Skydance. 

The move, part of a $150 million deal to buy Weiss's digital outlet The Free Press, is seen by many employees as a risky overhaul that could undermine the network's journalistic integrity, especially as layoffs are expected to cut up to 10% of the staff (potentially hundreds of positions) in the coming weeks. The official announcement slated for Monday.

Paramount Skydance, led by CEO David Ellison (son of Oracle billionaire Larry Ellison), is acquiring The Free Press—a contrarian, opinion-heavy site founded by Weiss in 2021 after her high-profile resignation from The New York Times. The site has about 1.25 million subscribers (12% paid) and focuses on critiques of "woke" culture, pro-Israel commentary, and challenges to mainstream media narratives. The Free Press will operate independently but under the Paramount umbrella.

As editor-in-chief, Weiss will guide CBS News's editorial direction, reporting directly to Ellison rather than to CBS News President Tom Cibrowski (who will focus on production). This unusual structure bypasses traditional newsroom hierarchy and signals a push for "transparency and accountability," including an ombudsman role (previously filled by a conservative figure like Kenneth Weinstein).

The 41-year-old Weiss gained fame as a New York Times opinion editor, where she positioned herself as a "heterodox" voice criticizing left-wing excesses and "cancel culture." She resigned in 2020, citing an "illiberal environment." Critics view her as anti-woke, stridently pro-Israel, and unqualified for broadcast leadership due to her opinion-journalism roots and lack of experience managing a large news operation like CBS (thousands of global staff vs. The Free Press's 50+ employees).

Sources describe the CBS News environment as "depressing" and "doomsday-like," with employees "literally freaking out."  Key concerns include:

✔Lack of Experience: Staff question whether Weiss can handle operational decisions, like deploying crews for breaking news or maintaining 60 Minutes' storied credibility. One reporter told The Independent "Does she know how to do this stuff? Forget what her political views are."
✔Ideological Shift: Many fear a rightward tilt, given Weiss's history of opposing DEI programs, defending Israel's Gaza actions as a "war of defense," and allying with Trump-era critiques of media bias.  A former CBS executive called it "dropping a grenade" in the newsroom.
✔Layoffs and Resentment: Ellison's $2 billion cost-cutting plan exacerbates tensions, especially the irony of a $100-200 million payout to Weiss while journalists face pink slips. A correspondent lamented: "We don't have money to pay journalists, but we have money to pay Bari Weiss." Reports predict resignations, though industry-wide layoffs may deter an exodus.

FCC's Gomez Calls For Specifics On 'Public Interests'


FCC Commissioner Anna M. Gomez last week delivered remarks at the University of Mississippi’s Jordan Center for Journalism Advocacy and Innovation. In her speech, Gomez advocated for the FCC to formally define broadcasters' "public interest" obligations through a new rule.

She argued that the current vagueness of the term—rooted in the Communications Act of 1934—allows regulators to "weaponize" it for politically motivated censorship of TV and radio content. This call comes amid heightened tensions at the FCC under Republican Chairman Brendan Carr, where the agency has increasingly scrutinized broadcasters' editorial decisions under the guise of public interest enforcement.

Gomez emphasized that while broadcasters must operate in the public interest to hold licenses for public airwaves, the lack of clarity risks First Amendment violations. She stated: "I don’t think the FCC walking away from enforcing the public interest standard has been a good thing," but stressed the need for boundaries to prevent abuse.

Under Section 309 of the Communications Act, the FCC licenses broadcasters on the condition they serve the "public interest, convenience, and necessity." This has historically included:
  • Local news and emergency alerts.
  • Community programming (e.g., events, public affairs shows).
  • Diverse viewpoints without government interference. The FCC is explicitly barred from censorship: "No regulation or condition shall be promulgated... which shall interfere with the right of free speech by means of [over-the-air] broadcast communication." 
Yet, Gomez noted that without a firm definition, the term has been invoked to pressure stations on political content, potentially chilling speech.

Specific Concerns and Examples Cited

Gomez highlighted recent instances where regulators have leveraged the undefined standard:

✔Kimmel Case: In September 2025, Chairman Carr urged ABC affiliates to preempt episodes of Jimmy Kimmel Live! after Kimmel's monologue criticizing President Trump and Republicans following the assassination of conservative figure Charlie Kirk. Carr cited potential violations of public interest obligations, prompting fears of reprisals.
✔Broader Patterns: Under Carr's leadership, the FCC has launched "sham investigations" into newsrooms (e.g., targeting outlets critical of Trump) and scrutinized diversity, equity, and inclusion (DEI) policies as "invidious discrimination." 

Gomez warned this creates a "chilling effect" on journalism, echoing former Chair Jessica Rosenworcel's 2025 statement: "The FCC should not be journalism’s censor-in-chief."

FCC's Carr Hints At Auction System To Bypass Regulatory Issues


Chairman Brendan Carr has floated a proposal for an auction system allowing broadcasters to pay to opt out of public interest obligations, a response partly spurred by the recent controversy involving Jimmy Kimmel.

During a Friday, News Conference Carr expressed frustration with the FCC’s decades-long retreat from enforcing public interest standards for local broadcasters. “The FCC has walked away from enforcing the public interest standard, and I don’t think that’s been a good thing,” he said. 

He dismissed complaints about how these obligations are enforced, suggesting broadcasters who dislike them could relinquish their licenses and pivot to unregulated platforms like streaming, cable, or podcasting.

He then introduced a novel idea: an auction where broadcasters could bid for a new class of licenses with reduced regulatory constraints, resembling the flexible-use licenses held by mobile carriers.

“Maybe there’s a future where broadcasters can bid to get out from under the public interest obligation,” Carr said, contrasting these with traditional licenses that mandate public interest compliance.

Such a shift would mark a dramatic departure from the regulatory framework established by the 1969 Red Lion ruling, which upheld public interest obligations due to spectrum scarcity. The auction model could appeal to broadcasters wary of FCC oversight on political coverage, news distortion, or indecency rules, leveling the playing field with unregulated competitors like SiriusXM, streaming services, and podcasts while generating revenue for the FCC.

However, implementing this system would likely require congressional approval, as federal law ties broadcast licenses to public interest duties.

Bad Bunny Says Even Fox News Is Happy About Super Bowl Gig


Bad Bunny opened Season 51 of “Saturday Night Live” with a bilingual monologue, highlighting his upcoming Super Bowl halftime show and addressing the conservative backlash to his casting.

“I’m very happy,” he said of the gig. “And I think everyone is happy about it. Even Fox News.”“SNL” then aired a satirical supercut of Fox News clips, where the network had criticized the NFL for choosing a Spanish-language artist, focusing on Bad Bunny’s comments about avoiding U.S. tour stops due to ICE-related concerns for his fans. 

The edited clips humorously rearranged anchors’ words to say: “Bad Bunny is my favorite musician, and he should be the next president.”


Switching to Spanish, Bad Bunny expressed gratitude to those excited for his Super Bowl performance, particularly Latinos and Latinas in the U.S. who’ve paved the way. “It’s more than a win for myself, it’s a win for all of us,” he said. “Our footprints and contributions in this country can never be erased.”

Back in English, he quipped: “If you didn’t understand what I just said, you have four months to learn.”

Trump in Talks for 60 Minutes Interview


President Donald Trump is negotiating with CBS News for a potential 60 Minutes interview, signaling a possible détente following a $16 million legal settlement in July 2025. 

The settlement resolved Trump's 2024 lawsuit accusing CBS of manipulatively editing a 60 Minutes interview with Kamala Harris, which he claimed constituted election interference. The suit centered on a segment about Harris' comments on Israeli Prime Minister Benjamin Netanyahu. CBS, while denying wrongdoing, agreed to pay for Trump's legal fees and a donation to his presidential library, and committed to releasing unedited transcripts for future candidate interviews. 

The talks were first reported by Semafor on October 2, 2025, citing sources close to the discussions.

Trump’s relationship with 60 Minutes has been fraught. In 2020, he walked out of an interview with Lesley Stahl over a dispute about COVID-19 coverage, labeling it “fake news.”

The White House originally aimed to schedule the interview during Trump’s late September 2025 New York visit for the U.N. General Assembly and Ryder Cup, with correspondent Bill Whitaker (who conducted the 2024 Harris interview) set to lead. A scheduling conflict delayed it, and no new date is confirmed, though talks continue.

Trump’s team insists the interview air unedited, reflecting distrust in CBS’s editing practices. This aligns with CBS’s new “live-to-tape” policy and full transcript releases for major interviews, adopted after the settlement.

The talks occur amid CBS’s transition under Skydance Media’s $8 billion acquisition of Paramount in August 2025. Skydance reportedly plans to acquire The Free Press for $150 million, with its founder, Bari Weiss, a media bias critic, potentially becoming CBS News editor-in-chief. This shift toward conservative-leaning content may facilitate smoother relations with Trump’s administration.