Wednesday, August 27, 2025

NBCUniversal Not In Favor of Two-Tiered Station Ownership Rules


NBCUniversal urged the FCC to maintain uniform ownership rules for all broadcast stations, rejecting the idea of different regulations for stations owned by major networks like NBC versus those owned by non-network groups. 

In its filing, NBCU did not address whether the FCC should eliminate ownership caps, as advocated by the National Association of Broadcasters and many broadcasters, focusing instead on opposing differential treatment based on ownership.

NBCU’s filing responded to an FCC question about whether stations unaffiliated with major networks (ABC, CBS, NBC, Fox) should be exempt from national audience reach caps. NBCU argued that such a two-tiered system lacks legal or policy basis and violates the First Amendment by targeting specific broadcasters for disfavored treatment. 

The company emphasized that its 36 owned-and-operated (O&O) stations across 16 states, D.C., and Puerto Rico are vital local broadcasters, employing over 4,000 people and delivering more than 150 hours of daily local news, weather, and sports. These stations, NBCU asserted, serve their communities comparably to non-network-owned stations, and disparate rules would undermine localism.

The debate ties into broader regulatory tensions. Comcast, NBCU’s parent, is part of the NCTA, a pay-TV group opposing the lifting of ownership caps, unlike NAB and most broadcasters, who seek their elimination. Fox-owned stations also oppose a two-tiered system. Meanwhile, FCC Chair Brendan Carr and the Trump administration have criticized broadcast networks for alleged political bias, with Trump falsely claiming the FCC could revoke network licenses (networks are not licensed, only stations are).

Carr has suggested relaxing ownership caps for non-network station groups to empower local broadcasters while constraining national networks.

NBCU countered that favoring non-network groups would harm local broadcasting, as its O&O stations are integral to local markets. The company argued that the FCC lacks authority to impose ownership rules selectively and that such actions would be unconstitutional. With Comcast’s planned 2026 split into two entities—one holding cable networks, the other broadcast networks, streaming, studios, and stations—NBCU stressed that equal treatment for all broadcasters is essential to promoting localism.

"I'm Listening" Mental Health Special Airs Sept 10 Via Audacy


Audacy’s annual “I’m Listening” broadcast, marking World Suicide Prevention Day and National Suicide Prevention Month, will air the week of September 10 across all Audacy stations. 

Hosted by Carson Daly (NBC’s “TODAY,” “The Voice”) and Audacy’s Country host Katie Neal, the program features Dr. Alfiee M. Breland-Noble (The AAKOMA Project) and Dr. Christine Yu Moutier (AFSP). It will include discussions on social media, AI, kids, families, veterans, first responders, postpartum depression, and more, with celebrity guests like Cynthia Erivo, Alex Warren, Kane Brown, LISA, JENNIE, Lewis Capaldi, Kylie Minogue, Shirley Manson, Tate McRae, 311, Benny Blanco, Amy Lee, and Ne-Yo.

Audacy’s Dave Richards, Senior Vice President of Programming, emphasized radio’s power to foster compassionate conversations, support, and community. 

Beyond the broadcast, Audacy has raised over $2 million for partners like AFSP through events like the We Can Survive concert, featuring Ed Sheeran, Goo Goo Dolls, Alex Warren, and Shaboozey on September 26 at Prudential Center, Newark, NJ. Proceeds support AFSP’s “Talk Away the Dark” campaign and other programs.

🎧Tune in via Audacy stations, the Audacy app, or website, with local schedules on station websites. Follow the conversation on X and Instagram with #ImListeningLIVE.

NYC Radio: iHM Annual Mental Wealth Expo Set For Oct 11


iHeartMedia New York and Charlamagne Tha God, in collaboration with Mental Wealth Alliance (MWA), will host the fifth annual Mental Wealth Expo on Saturday, October 11, from 11am to 4pm ET at the Joel and Diane Bloom Wellness and Events Center at NJIT in Newark, NJ.

This free event aims to foster open mental health discussions and connect communities with resources through expert-led panels, live podcast recordings, and interactive breakout sessions. 

Licensed professionals will address topics like anxiety, depression, PTSD, and gender-specific wellness approaches.

Featured participants include Charlamagne Tha God; Dr. Alfiee Breland-Noble, MWA Chief Mental Wealth Officer and AAKOMA Project founder; well-being educator and author Devi Brown; best-selling author Jason Wilson; Angela Rye, host of On One with Angela Rye; and Dr. Rheeda Walker, professor and Black mental health scholar.

Charlamagne Tha God expressed enthusiasm for the event, stating, “Partnering with iHeartRadio and Mental Wealth Alliance to invest in our collective mental wealth fills me with pride. With Dr. Alfiee’s guidance, we’re creating spaces of hope, healing, and empowerment for Black communities and beyond, transforming how we experience mental health together.”

Registration is free. RSVP at the provided link.

Radio History: Aug 27


➦In 1910...The first aircraft-to-ground wireless message was transmitted.   The tests were conducted at Selfridge Field, near Mount Clemens, MI and were under the direct charge of Lieutenant Paul W. Beck and representatives of the Western Wireless Equipment Company, who designed and built the apparatus for the experiments.





The maximum distance covered was 40 miles and the greatest altitude attained during the tests was 500 feet, at which time Lieutenant Beck, carried as a passenger in a Wright machine, transmitted two complete messages in the Morse code to the wireless station on the aviation field while traveling at an approximate speed of 55 miles per hour. Both messages were received at the field station as well as by other stations, one of which was over 40 miles distant, with absolute clearness and accuracy.

➦In 1960…After almost 12½ years on the air, the series "Louisiana Hayride," known as "The Cradle of the Stars," presented its last performance on radio station KWKH in Shreveport, LA.  However, KWKH continued to use the Louisiana Hayride name for packaged music tours throughout the 1960s on a bi-weekly, monthly or quarterly basis, finally ending operations entirely in 1969.

In August 1974, Shreveport businessman David Kent mounted a country music show originally called Hayride U.S.A., which was retitled Louisiana Hayride in 1975 after KWKH agreed to let Kent use the name. Located at a new dinner theater facility in Bossier City, this new Louisiana Hayride was syndicated on radio and ran until 1987.

In 2009, after several years of litigation over the Louisiana Hayride name and trademark, a federal court ruled that Margaret Lewis Warwick owned the rights to the name. As of May 31, 2012, KWKH had changed to a sports format and ceased producing the classic country music format reminiscent of the Hayride era.

Gracie Allen
➦In 1964...Actress Gracie Allen, co-star of radio & TV’s George Burns and Gracie Allen Show, died of a heart attack at age 69.

The Burns and Allen act began with Allen as the straight man, setting up Burns to deliver the punchlines—and get the laughs. In his book Gracie: A Love Story, Burns later explained that he noticed Allen's straight lines were getting more laughs than his punchlines, so he flipped the act over—he made himself the straight man and let her get the laughs. Audiences immediately fell in love with Allen's character, who combined the traits of naivete, zaniness, and total innocence. The reformulated team, focusing on Allen, toured the country, eventually headlining in major vaudeville houses. Many of their famous routines were preserved in one- and two-reel short films, including Lambchops (1929), made while the couple was still performing onstage.

Burns attributed all of the couple's early success to Allen, modestly ignoring his own brilliance as a straight man. He summed up their act in a classic quip: "All I had to do was say, 'Gracie, how's your brother?' and she talked for 38 years. And sometimes I didn't even have to remember to say 'Gracie, how's your brother?'"

In the early 1930s, like many stars of the era, Burns and Allen graduated to radio. The show was originally a continuation of their original "flirtation act" (as their vaudeville and short film routines had been). Burns realized that they were simply too old for that material ("Our jokes were too young for us," he later remarked) and changed the show's format in the fall of 1941 into the situation comedy vehicle for which they are best remembered: a working show business married couple negotiating ordinary problems caused by Gracie's "illogical logic," usually with the help of neighbors Harry and Blanche Morton, and their announcer, Bill Goodwin (later replaced by Harry von Zell during the run of their television series).

Gracie Allen fought a long battle with heart disease.

High Island as seen from Orchard Beach, Bronx County, NY
➦In 1967...An airplane knocked down transmitting tower on High Island, NY (Bronx County) shared by WCBS 880 AM and WNBC 660 AM (now WFAN).

Tuesday, August 26, 2025

YouTube, Netflix Ride the Wave of Summer Streaming


YouTube continued its streak as TV’s leading media distributor in July, which marked its sixth consecutive month atop Nielsen’s Media Distributor Gauge report. YouTube captured 13.4% of TV watch-time and widened its lead over second-place Disney (9.4%) by 4.0 share points, establishing the largest lead by a media company to date since Nielsen began the Media Distributor Gauge calculations in November 2023.

To Enlarge: Right Click, Magnify Image (maybe under 'More Tools')

As reported in Nielsen’s The Gauge™, pure-play streamers continued to benefit from the summer lull in traditional TV viewing, as Netflix and The Roku Channel also set platform high water marks in July. Netflix maintained its ranking among the top three media distributors this month by adding half a share point over June to finish with 8.8% of TV. Driven by a steady flow of new releases across original and acquired titles, Netflix boasted the largest volume gain across all streaming platforms this month, increasing its average minute audience by an additional 215,000 viewers compared to June. It was also the only streaming platform to exhibit an increase across all viewing demographic categories month over month. The Roku Channel notched 2.8% of TV in July (+0.3 pt.) and notably exhibited the largest monthly usage increase across all streaming platforms with a 7.5% lift vs. June.

Meanwhile, Amazon captured 3.9% of TV to put it within striking distance of its previous platform-best share of 4.0% set in December 2024. Amazon demonstrated the power of a diverse content slate as its gains were driven by two originals with distinctly different audiences: the Bosch spinoff, Ballard, attracted viewers over 50 and garnered 2.5 billion minutes viewed, and new episodes of The Summer I Turned Pretty resonated with the 12-24 year-old demographic and totaled 1.5 billion minutes. This performance is part of a longer-term trend for the platform, which has seen its share of TV viewing increase 62% since July 2021 through steady and consistent growth.

Hallmark climbed to 1.1% of TV and moved up a slot in the rankings among distributors. Hallmark was boosted by its annual “Christmas in July” programming on The Hallmark Channel, where new premieres, including the four-part Unwrapping Christmas movies and holiday series Holidazed and Christmas at Sea, resulted in a 19% viewership bump for the network.

The Media Distributor Gauge july 2025

Looking ahead, the seasonal shift from summer to fall will begin to take effect in the coming months as the return of major sports and a new broadcast season will have key impacts on media distributors and audiences alike over the next several months.

The July 2025 interval included dates 06/30/2025 through 07/27/2025. Nielsen reporting follows the broadcast calendar with measurement weeks that run Monday through Sunday.

CBS News May Trim 3 Anchors


CBS is reportedly considering removing three high-profile anchors as the network grapples with annual losses of approximately $35 million, according to Puck's Dylan Byers.

CBC Mornings co-host Gayle King may face termination or a salary reduction, while CBC Evenings co-anchors John Dickerson and Maurice DuBois are "almost certain" to be let go, Byers reported.

The potential overhaul follows efforts by CBC's parent company, the newly merged Paramount Skydance Corporation, to cut $2 billion in costs across its operations, with the news division likely facing significant reductions. CEO David Ellison and President Jeff Shell view CBC as a financial burden and would consider selling it if possible, Byers noted.

Despite a CBC spokesperson claiming the news division is "currently profitable," Byers reported a projected $50 million drop in advertising revenue by year-end. He emphasized that the network's financial trends are declining rapidly, and cost-cutting measures, including reducing talent salaries and laying off staff, are imminent.

The Daily Mail reached out to King, 70, Dickerson, 57, and DuBois, 60, for comment. King, who reportedly earns $15 million annually, faces an uncertain future as her contract nears its May expiration. Sources indicate CBC is grooming anchor Adriana Diaz as a potential successor.

Fox Channels Could Disappear from YouTube TV


YouTube announced Monday that it’s negotiating with Fox to renew their content partnership, but Fox is demanding higher payments than other comparable content providers. 

YouTube warned that if no agreement is reached by 5:00 PM ET on August 27, Fox channels, including Fox Sports, Business, and News, will be removed from YouTube TV.

YouTube, an Alphabet subsidiary, emphasized its efforts to secure a fair deal without raising subscriber costs. If Fox content remains unavailable for an extended period, YouTube TV will offer a $10 credit to affected users.

Fox, in response, criticized Google for leveraging its dominance and proposing terms misaligned with market standards, warning that content access could be disrupted unless Google negotiates meaningfully soon.

In a similar situation, YouTube TV resolved a dispute with Paramount Global in February, ensuring channels like CBS, Comedy Central, and Nickelodeon remained available after tense contract talks.

Spotify Supremium Delayed By Label Negotiations


Spotify has been trying developing a "super premium" plan, often referred to as "Supremium," "Platinum," or "Music Pro," for several years, with discussions dating back to at least 2021. The plan aims to cater to superfans by offering enhanced features, but Spotify has struggled to finalize its offerings and secure agreements with music industry partners, such as record labels and concert promoters.

Features Under Consideration: The super premium plan is expected to include high-fidelity (HiFi) audio, potentially at 24-bit/44.1kHz, surpassing the current 320kbps maximum. Other rumored features include advanced tools like "Studio Sound," "Headphone Tuner," "Library Pro," "Playlist Pro," expanded audiobook access, and possibly early access to new music or concert presale tickets. However, Spotify remains undecided on which features will make the final cut, as they weigh what would justify a higher price point for users.

Challenges with Partners: Negotiations with music labels and other stakeholders have delayed the plan’s launch. Issues include licensing agreements for higher-quality audio and the economics of offering perks like early access to content or tickets, which may require significant upfront payments without guaranteed increases in subscriber numbers.

Unlike competitors like Apple Music and Amazon Music, which offer lossless and spatial audio at no extra cost, Spotify’s delay in rolling out HiFi or other premium features has drawn criticism. The company’s hesitation is partly attributed to adapting to industry changes and ensuring the plan aligns with user demand.

Reports suggest the super premium plan could cost around $19.99/month, significantly higher than the standard Premium Individual plan ($11.99/month in the US). However, no official price has been confirmed.

Spotify has yet to announced a aunch date or finalized details for the super premium plan. The company has acknowledged user demand for high-quality audio but cited ongoing negotiations and strategic considerations as reasons for the delay.

The uncertainty around the super premium plan reflects Spotify’s challenge in balancing user expectations, competitive pressures, and complex partnerships in the music industry. For the latest updates, check Spotify’s official site or newsroom at spotify.com or newsroom.spotify.com.

YouTube Music Celebrates 10-Years With New Features


YouTube Music marked its 10th anniversary in 2025 with a suite of new features and fandom-focused initiatives aimed at enhancing user engagement and differentiating itself in the competitive streaming landscape. 

Here’s a breakdown of the key developments:
  • New FeaturesTaste Match Playlists: A collaborative feature that curates playlists based on the musical preferences of multiple users, creating a shared listening experience tailored to group tastes.
  • Album and Playlist Comments: Users can now comment directly on albums and playlists, expanding from video-only commenting to foster deeper community interaction and discussions around music.
  • Concert Listings via Bandsintown: YouTube Music partnered with Bandsintown to integrate nearby concert listings, displayed when users browse an artist’s catalog or playlists, bridging the gap between streaming and live experiences.
  • Fan Badges: New badges like “First to Watch” and “Top Listener” recognize dedicated fans, allowing them to showcase their loyalty within the platform’s community.
  • Real-Time Notifications: Alerts for upcoming artist releases, new merchandise, or event dates ensure fans stay connected to their favorite artists.
  • Fandom Initiatives: YouTube Music is leaning into its unique strength—its global community and extensive catalog of over 300 million tracks, including official recordings, live performances, remixes, and covers. 
Billboard reports the platform aims to deepen fan engagement by encouraging users to start their “fandom journey” with short-form content like 15-second videos, leading to ticket purchases or merch sales.

Recognizing fandom as a dynamic force, drawing from YouTube’s history of fan-driven phenomena like the cultural impact of Pushpa or creator-led events like YouTube Fanfest.

The concept of “companions” is a forward-looking vision for YouTube Music, emphasizing personalized, AI-driven experiences. T. Jay Fowler, YouTube Music’s Senior Director of Product, highlighted companions as a way to guide users through music discovery when they’re unsure what to listen to. This could involve AI agents curating personalized content, such as tailored video essays or playlists, enhancing the platform’s role as a music discovery and fandom hub. The idea aligns with broader trends, like personalized documentaries suggested on X, pointing to a future where streaming becomes more interactive and user-specific.

Chicago Radio: PD Laura Duncan To Exit WXRT


Laura Duncan, Brand Manager of Audacy’s adult alternative station “93 XRT” WXRT in Chicago, has announced her decision to step down from her role this fall. 

Duncan, who joined the iconic station in October 2021, brought nearly two decades of experience from Sarkes Tarzian, where she served as Program Director and afternoon host at WTTS (92.3) in Indianapolis and as Program Director and Music Director at co-owned modern/alternative rock station WGBJ (102.3) in Fort Wayne.

In a statement, Duncan expressed that leading WXRT was the realization of a lifelong ambition.

“Working at WXRT was a lifelong goal for me, and I’ve been awed by the caliber of talent at 93XRT during my tenure,” she said. She highlighted the station’s legendary personalities, including Lin Brehmer, Terri Hemmert, Frank E. Lee, Marty Lennartz, and Johnny Mars, calling them “heroes who really lived up to my expectations.” 

Laura Duncan
Duncan also took pride in her contributions to WXRT’s storied legacy, particularly in introducing new voices like Annalisa and Andy Chanley, whom she noted “sound like they’ve always been part of the fabric of XRT.” These personalities, along with the station’s meticulous music curators, have played a pivotal role in introducing Chicago and the nation to some of the most influential artists over the past five decades, from folk and rock to alternative and indie.

The station achieved strong ratings and launched creative promotions that resonated with its loyal listener base. Notable events included live music showcases and partnerships with local venues, further cementing WXRT’s role as a tastemaker in the adult alternative genre.

As she prepares to leave, Duncan expressed excitement about her next chapter, though she did not disclose specific plans. “Now, it’s time for me to meet new challenges and opportunities, and do what I’ve loved doing since I was 14 years old… enjoy listening to XRT,” she said, signaling her intent to remain a devoted fan of the station she helped shape.Duncan’s departure comes at a time when WXRT continues to thrive as one of Audacy’s flagship stations, celebrated for its authenticity and influence in the adult alternative format. 

Chicago Radio: Bernstein Is Back...Unfiltered


Dan Bernstein, a prominent Chicago sports radio personality, launched his new daily podcast, Dan Bernstein Unfiltered, on MOnday, under the 312 Sports banner, part of the Gamut Podcast Network.

The podcast, co-hosted with longtime producer Matt Abbatacola, marks Bernstein’s return to the airwaves after his firing from 670 The Score in March 2025. It is available on major platforms like Apple Podcasts, Spotify, YouTube, and 312sports.com, focusing on Chicago sports—Bears, Bulls, Cubs, White Sox, and Blackhawks—with Bernstein’s signature candid commentary.

In the debut episode, Bernstein addressed his dismissal from The Score, which stemmed from a social media altercation where he threatened to dox a user’s children over a fishing dispute. He took full responsibility, stating, “We got here primarily because I went psycho on a Twitter troll… it’s my fault because of my shortcomings.” 


He described the incident as the culmination of a “slow-rolling mental health crisis,” exacerbated by a “chemical addiction” to the “dopamine outrage cycle” from his Twitter use. Bernstein revealed he sought intensive psychotherapy post-firing, linking the outburst to prior anxiety issues and social media’s impact on his mental health. He emphasized learning about his brain chemistry and setting boundaries, noting he now limits X usage to marketing purposes to protect his mental well-being.

Bernstein’s transparency about his mental health struggles and social media addiction sets a vulnerable tone for the podcast, resonating with listeners facing similar challenges. 

The show promises daily episodes with sharp, unfiltered takes on sports, starting with Bears camp coverage, and is part of 312 Sports’ broader initiative, including Forward Progress: A Chicago Bears Podcast, launching August 26, 2025. His approach—owning his mistakes while prioritizing mental health—stands out as a rare and relatable response to a controversial exit in the radio industry.

Consumer Uses Of Digital Assistants Remains Unchanged


Google, Amazon, and Apple are enhancing their digital assistants—Assistant, Alexa, and Siri—with advanced generative AI to boost capabilities.

However, these upgrades have led to reduced functionality in some areas, with companies facing challenges in delivering on promised improvements.

For most users, the impact remains minimal. A recent YouGov survey indicates that people primarily use these assistants for tasks similar to those from a decade ago, such as checking weather, playing music, and setting timers, with minor variations across age groups.

Milwaukee Radio: EMF To Acquire WLDB, WLUM-FM


K-Love Inc., a subsidiary of the Educational Media Foundation, has agreed to purchase two Milwaukee radio stations, AC “B93.3” WLDB and Alternative “FM 102.1” WLUM-FM, from the Milwaukee Radio Alliance for $4 million. 

K-Love already operates its flagship Christian contemporary “K-Love” network on Class A 105.3 WLVE in Mukwonago, Wisconsin, and this acquisition expands its presence in the Milwaukee market.

The Milwaukee Radio Alliance, a partnership between Times-Shamrock Communications and All Pro Broadcasting, previously owned WLDB, which broadcasts an adult contemporary format, and WLUM-FM, known for its alternative music programming. 

The sale marks a significant shift for these stations, which have been locally operated and featured well-known on-air personalities like Melissa Jordan and Jon Adler, both of whom recently departed amid changes at the Alliance.

Marketing: Cracker Barrel Admits They Could've Done Better Job


Cracker Barrel’s recent rebranding sparked controversy, replacing its iconic logo—a man in overalls leaning on a barrel—with a minimalist design featuring only the chain’s name. 

The move ignited a culture-war backlash, with critics, including online commentators and some customers, accusing the chain of abandoning its country heritage for a sterile image. 

The Woke War Room on X, amplified by Donald Trump Jr., demanded CEO Julie Felss Masino’s resignation, claiming she discarded Cracker Barrel’s cherished aesthetic.

The fallout has cost the company tens of millions in market value, fueled boycott calls, and threatened its turnaround strategy. Cracker Barrel defended its “All the More” campaign, emphasizing it honors the brand’s legacy while refreshing its image. 

The new logo, the fifth in the chain’s 56-year history, echoes the original barrel-shaped design. On Monday, the company acknowledged the uproar, admitting it could have better communicated its identity but reaffirmed its commitment to evolving while staying true to its roots.

Caught in America’s polarized climate, Cracker Barrel joins brands like Bud Light and Target, which faced similar backlash over marketing decisions. The long-term impact remains uncertain. While some investors support Masino’s efforts to boost sales since she became CEO in 2023, the company’s stock dropped over 9% in the five days since the controversy began, though it’s up 32% over the past year.