Tuesday, August 26, 2025

Radio History: Aug 26


➦In 1858...First news dispatch by telegraph. Printed next day in the NYTimes.

➦In 1873...Lee de Forest born in Council Bluffs, Iowa (Died at age 87 – June 30, 1961), He was the self-described "Father of Radio", and a pioneer in the development of sound-on-film recording used for motion pictures. He had over 180 patents, but also a tumultuous career—he boasted that he made, then lost, four fortunes. He was also involved in several major patent lawsuits, spent a substantial part of his income on legal bills, and was even tried (and acquitted) for mail fraud. His most famous invention, in 1906, was the three-element "Audion" (triode) vacuum tube, the first practical amplification device. Although De Forest had only a limited understanding of how it worked, it was the foundation of the field of electronics, making possible radio broadcasting, long distance telephone lines, and talking motion pictures, among countless other applications.

Lee DeForest circa 1916-1922
The electron tube, specifically the triode, a three element vacuum tube, made possible radio broadcasting as we knew it in the first half of the 20th century. However, he was forced into selling the rights to his patent to American Telephone and Telegraph for $500,000; considered by most to be foolish of AT&T.

In the summer of 1915, DeForest  received an experimental license for station 2XG, located at its Highbridge laboratory in New York City. In late 1916, de Forest renewed the entertainment broadcasts he had suspended in 1910, now using the superior capabilities of vacuum-tube equipment. 2XG's debut program aired on October 26, 1916, as part of an arrangement with the Columbia Gramophone record company to promote its recordings, which included "announcing the title and 'Columbia Gramophone Company' with each playing". Beginning November 1, the "Highbridge Station" offered a nightly schedule featuring the Columbia recordings.

These broadcasts were also used to advertise "the products of the DeForest Radio Co., mostly the radio parts, with all the zeal of our catalogue and price list", until comments by Western Electric engineers caused de Forest enough embarrassment to make him decide to eliminate the direct advertising.  The station also made the first audio broadcast of election reports — in earlier elections, stations which broadcast results had used Morse code — providing news of the November 1916 Wilson-Hughes presidential election.  The New York American installed a private wire and bulletins were sent out every hour. About 2000 listeners heard The Star-Spangled Banner and other anthems, songs, and hymns.

1916
With the entry of the United States into World War One on April 6, 1917, all civilian radio stations were ordered to shut down, so 2XG was silenced for the duration of the war.

Effective October 1, 1919, the ban on civilian radio stations was ended. On October 13, 1921 the De Forest company was issued a broadcasting station authorization in the form of a Limited Commercial license with the randomly assigned call letters WJX, operating on 360 meters (833 kilohertz). This was the first broadcasting license issued for a station in New York City proper, however, despite its heritage there was minimal, if any, programming ever broadcast by WJX. Effective December 1, 1921, 360 meters was designated as the common "entertainment" broadcasting wavelength, and stations within a region had to devise time-sharing agreements to allocate the hours during which they could operate. But a mid-1922 agreement covering the New York City area didn't even list WJX as being active.  WJX continued to be included in the official government lists of stations holding licenses through early 1924, but contemporary newspapers and magazines providing station programming information do not contain any evidence that the station was actually on the air. In June 1924, WJX (along with 2XG) was officially deleted by the government.

1955
De Forest later became a vocal critic of many of the developments in the entertainment side of the radio industry. In 1940 he sent an open letter to the National Association of Broadcasters in which he demanded: "What have you done with my child, the radio broadcast? You have debased this child, dressed him in rags of ragtime, tatters of jive and boogie-woogie." That same year, de Forest and early TV engineer Ulises Armand Sanabria presented the concept of a primitive unmanned combat air vehicle using a television camera and a jam-resistant radio control in a Popular Mechanics issue. In 1950 his autobiography, Father of Radio, was published, although it sold poorly.

De Forest was the guest celebrity on the May 22, 1957, episode of the television show This Is Your Life, where he was introduced as "the father of radio and the grandfather of television". He suffered a severe heart attack in 1958, after which he remained mostly bedridden. He died in Hollywood on June 30, 1961, aged 87. De Forest died relatively poor, with just $1,250 in his bank account.[

Phil Baker
➦In 1896...Phil Baker born in Philadelphia (Died at age 67 – November 30, 1963). He was a  comedian and radio host.

He came out of vaudeville (where he teamed with Ben Bernie) to star in 1933 as a comedian and accordion player in his own NBC radio series The Armour Jester. The show moved to CBS and became first The Gulf Headliner and later Honolulu Bound. In the 1940s for six years he was the host of the CBS radio quiz show Take It or Leave It, which later became The $64 Question.

➦In 1911...Hal Gibney born (Died at age 63 –June 5, 1973). He was NBC's West Coast announcer for more than 20 years. He was best known as the announcer for The Six Shooter and The Mickey Mouse Club. He was also known as the announcer for the radio and the original television version of Dragnet.

Gibney first started as a radio announcer at KTAB, (now KSFO) in San Francisco. In March 1935, Gibney relocated to Portland, Oregon where he joined the announcing staff of both Portland-based radio stations KGW, (now KPOJ) and KEX. Gibney's first noted announcing job was the KEX broadcast of the homecoming of the Oregon National Guard from Fort Lewis on June 25, 1935. He was joined by Van Fleming and Larry Keating.

Hal Gibney
Gibney began announcing on a weekly basis for the first time with the first broadcast of the radio series Safeway Circus Court on November 2, 1935. The series came on KGW. He would stay with the program until he left KGW in January 1936. Safeway finished its run on February 8, 1936.

On January 16, 1936, Gibney left KGW, KEX and Portland altogether and went back to San Francisco where he joined NBC-affiliated station KPO, (now KNBR). His first major job there was part of the cast of NBC Salutes KGW, a tribute to KGW.

Gibney left KPO in July 1939 and began working for NBC Radio and Radio City in Hollywood. At that point, Gibney became the official West Coast announcer for NBC.

Within a year, Gibney could be heard announcing the Red Network's Hawthorne House and The Standard Symphony. He was also heard on the Blue Network's Speaking of Glamour and Capt. Flagg & Sgt. Quirt which both premiered in 1941.

On July 8, 1942, Gibney enlisted in the military. Gibney continued his career as an announcer on the radio broadcasting his shows from the West Coast Training Center in Santa Ana, California. All of the show's he produced during his time in the military also included an all-army cast.

Those shows were Uncle Sam Presents for the Red Network, Soldiers with Wings for CBS, Wings Over the West Coast for Mutual, and Hello Mom also for NBC.

On January 28, 1946, Gibney was discharged from the Radio Production Unit of the Army Air Corps and returned to Hollywood.

On June 3, 1949; NBC Radio would premiere one of the most memorable radio programs of all time and the program was called Dragnet. This would be the start of a whole franchise which included two films and four television series. The series starred Jack Webb as Detective Sgt. Joe Friday and Barton Yarborough as Sgt. Ben Romero. Gibney shared announcing responsibilities along with George Fenneman.

Gibney, alternating with Fenneman, was known for announcing the opening of the show which went as so:

"Ladies and gentlemen... The story you are about to here is true. Only the names have changed to protect the innocent."

Gibney stayed with the show until its end on the radio on February 26, 1957.

➦In 1926...WWRL NYC signed on.

Founded by radio enthusiast William Reuman, WWRL (for Woodside Radio Laboratory) began broadcasting at 12:00 a.m., Thursday, August 26, 1926 from a studio and transmitter in his home at 41-30 58th Street in Woodside, Queens, New York on a frequency of 1120 kHz. In 1927 the Federal Radio Commission ordered the station to move to 1500 kHz. In its early days, the station served many ethnic communities, broadcasting programs in Italian, German, French, Hungarian, Slovak, and Czech, as well as English. Following implementation of the 1941 North American Radio Broadcasting Agreement the station again changed its frequency, this time to 1490 kHz, followed shortly thereafter by a move to the current 1600 kHz.

Monday, August 25, 2025

Trump Berates ABC, NBC News


President Donald Trump Sunday escalated his ongoing feud with major television networks, accusing NBC and ABC of delivering biased and unfair coverage against him. In a fiery post on Truth Social, Trump labeled the two networks as “two of the worst and most biased networks in history,” claiming they produce “97% BAD STORIES” about him despite what he described as his “very high popularity” and “among the greatest 8 months in Presidential History.” 

He went further, suggesting the FCC should consider revoking the broadcast licenses of their television stations as a consequence of their alleged bias.

In a separate Truth Social post, Trump alleged that NBC and ABC do not pay “Millions of Dollars a year in LICENSE FEES” for their use of public airwaves, which he described as “the most valuable airwaves anywhere at anytime.” 

He argued that, at the very least, these networks should be required to “pay up BIG” for the privilege of operating on these airwaves, framing their current arrangements as an unjust benefit.

Trump’s remarks reflect a broader pattern of his criticism toward major media outlets, which he has frequently accused of producing unfavorable or misleading coverage. His comments about revoking broadcast licenses echo previous statements during his political career, where he has questioned the legitimacy of media operations that he perceives as antagonistic. 

Such rhetoric raises concerns about press freedom, as the FCC’s authority to revoke licenses is typically tied to regulatory compliance rather than editorial content. However, Trump’s statements appear to focus on leveraging this authority as a response to perceived editorial bias.

This is not the first time Trump has taken legal or public action against media organizations. 

Critics argue that such moves could be perceived as attempts to intimidate or suppress critical reporting, while supporters may view them as efforts to hold media accountable for perceived bias.The FCC has not publicly responded to Trump’s statements as of August 25, 2025, and it remains unclear whether any formal actions against NBC or ABC are under consideration. 

Historically, the FCC’s role in licensing focuses on technical and operational standards, not editorial decisions, making Trump’s proposal a complex and controversial suggestion. Meanwhile, Trump’s remarks continue to fuel debates about the role of media, government oversight, and the boundaries of free speech in the modern political landscape.

SNL Faces Major Cast Shake-Up


“Saturday Night Live” creator Lorne Michaels has confirmed that several current cast members will be cut from the NBC show in the coming days. In an interview with Puck’s Matthew Belloni, the 80-year-old producer described an impending “significant shake-up” ahead of Season 51, set to premiere on October 4, 2025.

Michaels told Belloni that decisions about the 17-member cast will be finalized “in a week or so” but offered no clues about who might be let go. 

Lorne Michaels
Reflecting on last season, he noted the return of alums like Dana Carvey (as Joe Biden), Kate McKinnon, Kristen Wiig, and Maya Rudolph for the 50th season, emphasizing their role in maintaining focus during an election year. “I wanted people coming back and being part of the 50th season,” Michaels said, adding that disruptions were avoided to prioritize the milestone.

When asked about pressure to reinvent the show for Season 51, Michaels affirmed, “Yeah, for sure,” signaling a bold refresh. The news follows the early August departures of cast members Punkie Johnson and Molly Kearney. 

Prominent current cast members include Colin Jost, Bowen Yang, and Kenan Thompson.“

SNL” Season 51 premieres Saturday, October 4, 2025, at 11:30 PM ET on NBC and Peacock, following the show’s summer hiatus since May 17.

R.I.P.: David Blake, With News Stops In Mobile, L-A and NOLA

David Blake ('54-'25)
David Blake, a revered radio news anchor and morning show host, passed away on April 13 at age 71 due to complications from heart failure. His distinctive voice was a staple for listeners in Mobile, Los Angeles, and New Orleans over a 45-year career.

Blake began at WABB-AM in Mobile in the 1970s, a golden era for local radio, partnering with morning host Ron Frazier. Known for his serious demeanor, Blake was always “David,” never “Dave,” serving as the straight man to his comedic counterparts. 

He later joined WEZB 97 FM in New Orleans as a morning news anchor alongside “Cajun” Ken Cooper.

Returning to his native Southern California, Blake became news director at KFI AM 640 in Los Angeles, working with Gary Owens and comedy duo Lohman and Barkley. 

He eventually returned to New Orleans, anchoring morning news at WLMG FM Magic 101.9 before spending 30 years at WWL radio, where he was the straight man for hosts Bob DelGiorno and Tommy Tucker.

As a clear channel station broadcasting at 50,000 watts, WWL’s signal reached 40 states at night, making Blake a vital voice during Hurricane Katrina’s aftermath, often the only source of local broadcast news. His work earned accolades from the Press Club of New Orleans, the Associated Press, and a national Edward R. Murrow Award for outstanding newscast.

A celebration of Blake’s life will be held in New Orleans at a later date. In lieu of flowers, donations are requested to the Tunnel to Towers Foundation at t2t.org.

Des Moines: Brian Sines Named VP/MM For Cumulus Cluster


Cumulus Media announces that it has named Brian Sines as Vice President/Market Manager for Cumulus Des Moines. Sines will lead Cumulus Media’s four-station group in Des Moines, including the popular radio brands 95 KGGO/KGGO-FM (Classic Rock); Nash FM 97.3/KHKI-FM (Country); 92.5 KJJY/KJJY-FM (Country); and 98.3 The Vibe/KWQW-FM (CHR).

Brian Sines
Sines holds deep local media management experience in Iowa and the Midwest and joins Cumulus Media from Steel City Media in Kansas City, where he was Senior Marketing Consultant. Prior to that, he was General Manager for Leighton Media in Winona, MN. Sines previously served Townsquare Media as Regional Market President for Eastern Iowa and for Southwest Louisiana and was Market President for Townsquare Media in Texarkana. He was also General Sales Manager for iHeartMedia in Madison, WI, and in Des Moines, and was Market Manager for iHeartMedia Burlington, IA.

Mark Sullivan, Senior Vice President, Operations, Cumulus Media, said: “Brian Sines has a strong track record of success in every market that he has managed across his 20+ year media career. I am happy to have the opportunity to work alongside Brian and our team in Des Moines and look forward to many shared successes.”

Brian Sines commented: “I am excited to be returning to my home state of Iowa and joining Cumulus’ market-leading media group in Des Moines. With an experienced team that super-serves our clients, listeners, and community every day, there’s no end to what we can achieve together with these great local radio brands.”

Analysts Not So Bullish On ESPN DTC


Disney’s aggressive marketing push for its new ESPN direct-to-consumer (D2C) streaming service hasn’t convinced analysts of a major subscriber surge. 

According to MediaPost, LightShed Partners’ Richard Greenfield forecasts about two million new subscribers by year-end, matching the projected growth for Fox Corp.’s Fox One, launched the same day. Wolfe Research’s Peter Supino predicts 1.75 million D2C subscribers in 2025, rising to three million in 2026.

ESPN’s cable TV base has shrunk to 61 million subscribers, down 23 million from 84 million in 2020, reflecting cord-cutting trends impacting U.S. TV networks. 

Analysts expect a gradual financial shift from linear TV to streaming, aided by ESPN’s “authentication” strategy, which offers the D2C service at no extra cost to existing cable subscribers through select pay-TV providers like Charter Communications, DirecTV, Hulu (Disney-owned), and Fubo (soon majority Disney-owned). 

However, only 28% of ESPN’s legacy pay-TV subscribers, excluding those from Comcast, YouTube TV, Dish Network/Sling TV, and Cox Communications, will initially access the D2C service.

The service’s $29.99 monthly price tag may hinder growth, despite promotional bundles with Disney+, Hulu, and Fox One to reduce costs. MoffettNathanson’s Robert Fishman highlights ESPN’s $3 billion acquisition of NFL Network, NFL Fantasy Football, and NFL RedZone as a potential boost, driving subscriber growth and engagement across Disney’s D2C portfolio.

Analysts see the new ESPN D2C service replacing the limited ESPN+, which may phase out. Supino estimates a $3 billion revenue opportunity if 40% of ESPN+ subscribers upgrade to the full D2C offering.

Ann Arbor Radio: Country 102.9 Unveils New Leadership, Promotions


Cumulus Media announces that it has promoted three W4 Country 102.9 FM (WWWW-FM) team members to new positions at Cumulus Ann Arbor, refreshing and aligning the station for further success moving into the fall.

Brian Welch
In the first of the moves, Cumulus has promoted Brian Welch to Program Director for W4 Country. Welch, a native of St. Joseph who moved to Ann Arbor in 2004 to attend the University of Michigan, joined Cumulus Ann Arbor in 2011. He quickly rose from Promotions Assistant to Weekend Host, Production Director, and Afternoon Drive Host.

Over the years, Welch has been a consistent contributor to the W4 Country morning show, where he is now heard as On-Air Co-Host of Rally & Welch. He and Co-Host (and wife) Madison Rally can be heard on W4 Country Monday through Friday from 5:00am-10:00am. Welch will also continue in his long-standing role as station meteorologist, providing reliable local forecasts seven days a week.

Matt Missler
W4 Country’s afternoon lineup also gets a refresh this fall with the promotion of Matt Missler to On-Air Host, Afternoon Drive. Missler can be heard on the station weekdays from 3:00pm-7:00pm. Missler joined Cumulus Ann Arbor in 2013 and has served W4 Country in many capacities, including Promotions Assistant, fill-in host, University of Michigan Women’s Basketball studio host, and producer for multiple sports shows including The M Zone with Jamie Morris and The Sunday Morning Playground on The Big 1050 WTKA. In 2018, he was promoted to a full-time position overseeing digital content, social media, and web editing, and has been a favorite weekend on-air personality.

Derek Laughlin
In a third move, Derek Laughlin rises to full-time Producer for W4 Country, after nearly four years as a part-time Promotions Assistant for the station. In his work with Cumulus Ann Arbor’s Production Department, Laughlin will create web and social media content and will also manage events with the Promotions Department. W4 Country listeners can continue to hear Laughlin on-air on the weekends, and he will continue to produce Cumulus Ann Arbor’s The Lucy Ann Lance Show on 1290 WLBY and other programming on sister station The Big 1050 WTKA. Laughlin is a graduate of Washtenaw Community College, where he earned a degree in Audio and Video Production.

The W4 Country weekday lineup also expands its midday show hosted by Veronica Rates from four hours to five hours, now airing Monday through Friday from 10:00am-3:00pm. This one-hour expansion gives listeners more of Rates’ infectious energy, familiar voice, and community connections throughout the lunch hour and into early afternoons.

Steve Finateri, Regional Vice President and Market Manager, Cumulus Detroit and Ann Arbor, said: “These promotions reflect the incredible talent and dedication of our W4 Country team. Brian Welch’s elevation to Program Director is especially exciting—his deep roots in the community, creative vision, and years of on-air experience make him the ideal leader to guide the station’s next chapter. Alongside Matt and Derek’s new roles, we’re confident these moves will position us to deliver even more engaging, local content to our listeners and greater value to our advertisers."

Brian Welch, Program Director, W4 Country, commented: “The hallmark of W4 Country has always been community involvement, and that won't change as long as I have a say. Our lineup also brings consistency; while the schedule has changed, we've all been a part of this station and our listeners' lives for years. W4 Country is a family, and I'm honored to be leading it."

📻For more information or to stream W4 Country, visit: https://www.w4country.com/.

U-S Sub Stagnation Is Challenge for Spotify


Preliminary data indicates that Spotify's US-based subscriber growth remained flat during the first half of 2025, suggesting a potential plateau in its largest market. 

According to a report from Digital Music News, early 2025 data showed a noticeable decline of approximately 5% in US-based Spotify subscribers during the first two months of the year, based on leaked data from sources at a major music conglomerate. 

This decline refers specifically to paid accounts, excluding multiple users in group plans like Family accounts, which raises questions about actual user engagement in these plans. Despite this, Spotify reported 53.8 million subscribers in the US as of May 2025, holding a 36.7% market share in the music streaming industry, with some growth in multi-user plans like Duo and Family, though not indicative of a large-scale trend.

Globally, Spotify continued to see growth, with premium subscribers increasing 12% year-over-year to 268 million in Q1 2025 and 276 million in Q2 2025, driven largely by markets outside the US. The flat growth in the US contrasts with this global trend, potentially reflecting market saturation or consumer price sensitivity, as Spotify has avoided raising prices in the US while planning increases in other regions. 

The US remains Spotify’s largest market, contributing significantly to its revenue, with North America accounting for 26% of its 263 million premium subscribers as of Q4 2024. 

Stagnation in the US could signal challenges in sustaining growth in a mature market, especially as competitors like Apple Music and Amazon Music maintain strong positions, collectively holding over 90% of the US market alongside Spotify. However, the data is preliminary and may not reflect full quarterly trends, as month-to-month fluctuations are common.

Snoop Dogg Criticizes LGBTQ+ Portrayals in Children's Films


Snoop Dogg expressed discomfort with the inclusion of LGBTQ+ representation in children's films, specifically citing a scene in Disney's 2022 film Lightyear that features a same-sex couple.

On a recent episode of the It's Giving podcast, the rapper recounted taking his grandson to see Lightyear and being caught off guard by a scene where Alisha Hawthorne, a character voiced by Uzo Aduba, is shown marrying and raising a child with her female partner, Kiko. 

According to Entertainment Weekly, Snoop described his grandson's confusion, noting that the child asked, "Papa Snoop? How she have a baby with a woman? She's a woman!" Snoop admitted feeling unprepared to address the questions, saying, "I just came to watch the goddamn movie," and added that the experience left him "scared to go to the movies."

The Lightyear scene, which includes Disney's first prominent same-sex kiss, sparked controversy before the film's release. Initially at risk of being cut, the scene was retained after Pixar employees advocated for its inclusion. 

Snoop, reflecting on the moment, questioned the appropriateness of such representation for young audiences, stating, "These are kids. We have to show that at this age? They're going to ask questions. I don't have the answer."

Snoop's comments have reignited criticism, with some calling for his removal as the headline performer at the Australian Football League's Grand Final. The 53-year-old rapper, born Calvin Cordozar Broadus Jr., has faced prior backlash for homophobic and transphobic remarks, including derogatory comments about Caitlyn Jenner and an anti-gay slur in a 2014 Instagram post. Entertainment Weekly has reached out to Snoop's representative for comment.

NAB Urges FCC End National TV Ownership Rule


The National Association of Broadcasters (NAB) along with a coalition of broadcast companies, filed a request with the FCC on Friday, urging the repeal of the FCC’s national TV ownership rule. This rule, in place for over 85 years, caps the reach of any single broadcast entity at 39% of U.S. TV households, limiting how many local commercial TV stations a company can own.

The NAB argues that the rule, last adjusted in 2004, is an "analog-era relic" that fails to reflect the modern media landscape. Broadcasters face intense competition from unregulated tech giants like Google, Amazon, Meta, and streaming platforms like Netflix, none of which are subject to similar ownership restrictions.

The 39% cap prevents broadcasters from achieving the scale needed to compete for audiences and advertising revenue, which is increasingly dominated by digital platforms. In 2023, Alphabet, Meta, and Amazon’s combined U.S. advertising revenues reportedly surpassed those of all local TV and radio stations combined.

The NAB claims that repealing the rule would allow broadcasters to invest more in local journalism and community services, enhancing competition, diversity, and localism. They argue the restriction harms the public’s access to free, over-the-air television.

Legal Authority: The NAB asserts that the FCC has the authority to repeal the rule without Congressional approval, countering critics who argue otherwise. They cite the FCC’s prior ability to modify related rules, such as the UHF discount, as precedent.

Context and Timing:  The filing follows Nexstar Media Group’s announcement of a $6.2 billion deal to acquire Tegna, a transaction that would violate the current 39% cap, highlighting the rule’s restrictive impact.  FCC Chairman Brendan Carr, who has previously criticized the ownership caps as “arcane artificial limits.” Carr, appointed during the Trump administration, has advocated for deregulation to help broadcasters compete with digital platforms.

Senator Elizabeth Warren has opposed the repeal and the Nexstar-Tegna deal, arguing that such consolidations could lead to job cuts for reporters and higher prices for consumers. She emphasizes the importance of rules that prevent monopolistic control by large corporations.

Podcasts Offset SiriusXM Basics Subscription Loses


SiriusXM’s podcasting business has become a significant growth driver, with “off-platform earnings” reaching $606 million in 2024, largely driven by podcast advertising, up from $475 million in 2022, according to The New York Times. 

This marks a 27% increase over two years, reflecting SiriusXM’s strategic pivot from its traditional satellite radio roots—bolstered by figures like Howard Stern—toward digital audio and podcasting.

The company’s podcasting success is part of its broader “Pandora and Off-Platform” segment, which includes Pandora’s ad-supported and premium music streaming services and an expansive podcast network. 

In 2024, this segment generated $2.15 billion in total revenue, a 2% increase from $2.11 billion in 2023, with advertising revenue reaching $1.6 billion, up $17 million year-over-year, attributed to podcasting and programmatic sales. Podcast advertising has been a standout, with Q2 2025 alone showing nearly 50% year-over-year growth, driven by high-profile partnerships with creators like Alex Cooper, Trevor Noah, and the true-crime podcast Morbid.

SiriusXM has expanded its podcast network through acquisitions like Stitcher and Conan O’Brien’s Team Coco, as well as exclusive ad sales agreements with creators like Lyle Foster (Critical Role, Therapy Gecko) and renewals with Mel Robbins. These moves allow SiriusXM to monetize podcasts across platforms, rather than restricting them to its own ecosystem, maximizing ad reach. For example, the introduction of Crime Junkie Radio with Ashley Flowers and This Life of Mine with James Corden, a top-three show, highlights SiriusXM’s focus on premium content to drive engagement.

Despite subscriber losses in its core SiriusXM business (33 million subscribers in 2024, down 296,000 from 2023) and Pandora Plus/Premium (5.8 million subscribers, down 101,000), podcasting has offset declines. 

The company’s Q1 2024 podcast revenue rose 16% year-over-year, and Q2 2025 saw continued “strong growth dynamics,” per CEO Jennifer Witz. 

SiriusXM’s ad tech platform, AdsWizz, also supports this growth by enhancing programmatic sales and ad solutions.However, challenges remain. The high cost of premium podcast production and reliance on ad revenue in a competitive market pose risks, especially as SiriusXM navigates a broader $200 million cost-cutting initiative in 2025. 

The company is also shifting focus to its core in-car subscription business, which could limit podcasting investment if subscriber trends worsen. Still, SiriusXM’s podcasting arm is a bright spot, leveraging exclusive content and strategic partnerships to climb podcast charts and drive revenue, positioning it as a leader in ad-supported audio.

CNN Host Loses Control Of Panel


CNN’s NewsNight erupted into chaos Friday night as host Abby Phillip struggled to manage a heated debate over the FBI’s Friday morning raid on John Bolton’s Maryland home. The former national security advisor, a vocal Trump critic from the right, prompted speculation of political motives, with some linking the raid to Trump’s legal battles.

Panelists—podcaster Pete Dominick, radio host Ben Ferguson, GOP strategist Kristin Davison, and former FBI agent Asha Rangappa—clashed fiercely. 

Ferguson urged calm, saying, “Let’s just let this system work,” but was interrupted by Rangappa, who referenced the Mar-a-Lago search. Cross-talk escalated, with Ferguson snapping, “It’s pretty rich from John Bolton tonight.”


Phillip tried to restore order, directing Davison to speak. Davison cautioned against rushing to judgment, citing past political retribution, including IRS targeting of Tea Party groups under the Obama and Biden administrations. Dominick dismissed this as “nonsense,” sparking another round of shouting. Ferguson and Davison doubled down, insisting the IRS actions were factual.

As the panel devolved into accusations, Phillip pleaded, “Everyone, just stop talking for a moment,” struggling to regain control.

Apple TV+ Hikes Monthly Subscription Prices


Apple TV+, home to shows like “The Studio” and “Ted Lasso,” announced Thursday it’s raising its monthly subscription price by $3 to $12.99. The LA Times reports the hike follows a trend among streamers facing rising production costs and investor pressure for higher profits. Launched in 2019 at $4.99 with free trials for Apple device buyers, Apple TV+ last increased its price from $6.99 to $9.99 in October 2023.

While the monthly price is increasing, Apple TV+’s $99.99 annual subscription and Apple One bundle pricing remain unchanged. Apple didn’t disclose subscriber numbers or specific reasons for the hike. 

The streaming service falls under Apple’s services category, which generated $27.4 billion in revenue in its fiscal third quarter, up 13% year-over-year.

Unlike competitors, Apple TV+ lacks an ad-supported tier.

Radio History: Aug 25


➦In 1921...Radio-TV host Monty Hall was born in Winnipeg.  He began his career at local radio station CKRC while still in school, then moved to Toronto in 1946, where at CHUM he hosted the nationally syndicated quiz Who Am I.   Moving to New York he guest hosted several TV game shows, hosted the Saturday night portion of NBC Radio’s Monitor, and was hockey radio analyst for the N.Y. Rangers. Then off to L.A. where he co-created & hosted the flamboyant TV game with which he will forever be identified, the original Let’s Make a Deal (1963-91.)   He suffered heart failure and died Sept. 30 2017 at age 96.

➦In 1949…NBC Radio debuted the sitcom "Father Knows Best."  The series was set in the Midwest, it starred Robert Young as the General Insurance agent Jim Anderson. His wife Margaret was first portrayed by June Whitley and later by Jean Vander Pyl. The Anderson children were Betty (Rhoda Williams), Bud (Ted Donaldson), and Kathy (Norma Jean Nilsson). Others in the cast were Eleanor Audley, Herb Vigran, and Sam Edwards. Sponsored through most of its run by General Foods, the series was heard Thursday evenings on NBC until March 25, 1954.

The Father Knows Best TV series premiered on October 3, 1954 and starred Young, Jane Wyatt, Elinor Donahue, Billy Gray, and Lauren Chapin.

Dick Clark
➦In 1962...The radio bug bit Dick Clark again - as he announced plans to syndicate a radio series for Top-40 stations.

The two-hour program would be broadcast five days a week and would be produced and distributed by Dick Clark Radio Productions and Mars Broadcasting Inc.

Dick Clark says the show will feature artist interviews and records and will be taped at Mars Broadcasting in Stamford, Conn. Clark was a Disc Jockey at WFIL 560 AM in Philadelphia when he landed the job as host  of TV's “American Bandstand.

Fred Wolf

➦In 1962...Detroit radio personality Fred Wolf celebrated 12 years as the morning man on WXYZ 1270 AM.

He started with the station in 1950 and stayed until 1965 when he left the after refusing to play some rock and roll records.

➦In 1962...Paul Sherman, 1010 WINS, New York replaced Bob (Bob-A-Loo) Lewis on its Saturday and Sunday “Freedomland” remote broadcasts. He would soon join rival 77WABC.

➦In 1966...WNBC 660 AM New York canceled the syndicated “Joe Pyne Show” after debuting last March. WNBC gives no reason for the cancellation. Discharged from the Marines at the end of World War II, Pyne attended a local drama school to correct a speech impediment. While studying there, he decided to try radio. He worked briefly in Lumberton, North Carolina, before he was hired at a new station, WPWA, in Brookhaven, PA.