Monday, November 4, 2019

Radio Hall Recognizes Brooke & Jubal With “One to Watch” Award

Brooke & Jubal
Premiere Networks’ Brooke (Fox) and Jubal (Fresh), hosts of Brooke & Jubal in the Morning, are this year’s recipients of the Radio Hall of Fame’s “One to Watch” award.

It was created last year in honor of radio legend and 2012 RHOF inductee Art Laboe.

Each year, the RHOF nominating committee selects a promising radio personality or team who has demonstrated ratings success, audience growth, and impact on one or more radio stations and their communities.

Brooke and Jubal teamed up in 2011 and within four years, they launched into national syndication.  In 2016 they won the National Association of Broadcasters’ Marconi Award for “Large Market Personality of the Year.”  Today, they’re #1 in Portland and Seattle and are heard on more than 50 stations, attracting 2.2 million weekly listeners.

“Brooke and Jubal exemplify the inspiration behind this award,” says RHOF Chairman Kraig Kitchin.  “While they’ve made Movin’ 92.5, KQMV-FM their home in Seattle, the magic they create on the air continues to win audiences far beyond.”

The Radio Hall of Fame’s 31st Annual Induction Ceremony is scheduled for Friday, Nov. 8.  Tickets are available at www.radiohalloffame.com.  A portion of the ticket is a tax-deductible charitable donation to the Museum of Broadcast Communications.

The 2019 inductees include Sean “Hollywood” Hamilton, Harry Harrison, Kevin Ryder and Gene “Bean” Baxter (Kevin & Bean), Joe Madison, Jim Rome, Ryan Seacrest, John Tesh and Dr. Ruth Westheimer.

Art Laboe started his radio career on KSAN in 1943 and still broadcasts live six nights a week.  He’s responsible for many “firsts” in the radio and record business.  He was the first DJ to play
Rock n’ Roll on the West Coast airwaves, one of the first to play both black and white artists and
the first to have an “Elvis Hour.”   And he’s responsible for coining the phrase and has the registered trademark for Oldies But Goodies™.

The Radio Hall of Fame honors notable radio personalities and showcases their accomplishments in the Chicago-based Museum of Broadcast Communications. Each year, 24 nominations in six categories are determined by the organization’s nominating committee, which is comprised of 23 industry leaders.  The museum is located at 360 N. State St. in downtown Chicago and was founded in 1983.

D/FW Radio: KBFB's Dee Porter Lived In Car To Pursue Her Dream

Dee Porter at 97.9 The Beat
Dee Porter helps thousands of Dallas-area drivers get through their days and traffic as the midday host at Radio One's KBFB 97.9 The Beat.

 At 33 years old, Porter's star is on the rise. She's in one of the largest media markets in the country and dreams of being on a nationally syndicated talk show.

"The drive never stops. I've always loved learning and growing and that's just how I am," Porter told WMAZ-TV13.

But Porter's success didn't come without sacrifice. Last month she released her memoir, "Route 2: My Choice to Struggle to Succeed." In the book, she described her experience with homelessness.

"It really wasn't until I sat down and wrote this that I realized I was homeless," Porter said.

Eight years ago, Porter was living in Ohio struggling to find stable radio work. She got a great opportunity to work part-time in an on-air position but she had just been evicted as well.

"I couldn't afford the rent at that point. But I couldn't turn down this chance, I just knew it was meant to be," Porter said.

She would DJ at the station and host events as a public figure then go sleep in her car or an extended stay motel. She ate peanut butter and jelly for almost every meal.

"I haven't had a peanut butter and jelly in years," Porter said.

Porter looked at the difficult time as an investment in her future. She said she just had a feeling that she was destined for greatness and if she kept at it her hard work would pay off.

 That grit did pay off. Eventually she got more hours, more pay and was able to afford rent. Then in 2018, the big leagues came calling. Porter got hired at 97.9 in Dallas, the fifth-largest media market in the country.



She hopes her book will help others going through difficult times and will inspire people with big dreams.

Report: Podcast Ad Enthusiasm Dampens

In the past, podcast listeners have been receptive to advertising during their favorite podcasts, with significant portions claiming to make a purchase after hearing an ad. Yet data from the latest Podcast Download report from Westwood One might put a slight dampener on podcast ad enthusiasm, as it finds that listeners are becoming less amenable to podcast advertisements.

According to Marketing Charts, Westwood One surveyed 601 US adults (18 years and older), all of whom listen to at least one hour of podcasts per week. Among these respondents, three-fifths (60%) agree that they would not mind a couple of extra ads per show in order for their favorite podcast to continue. This is down from the 65% who agreed with this statement one year earlier.

Indeed, listeners’ feelings about the ads they hear on podcasts are somewhat less positive than previously found. Some 41% of respondents agreed that most ads they hear on podcasts are engaging (compared to 45% in 2018) while 39% say that the ads they hear on podcasts are relevant to them (also down from 45% in 2018).



Support for brands has also fallen, with the one-third (33%) of listeners agreeing that they go out of their way to support brands that advertise on their favorite podcasts a step down from the 40% who said the same last year. This is at the same time that the use of brand-related (as opposed to direct response) podcast ads has increased.

There are a couple of possible reasons for this decline in receptiveness. One is the influx of ad dollars being poured into podcasts, with PwC estimating that podcast advertising will double in the next 4 years.

Meanwhile, past research shows that listeners felt that advertisements read by the podcast host were considered to be more authentic and believable.

A demographic that advertisers may want to pay attention to is the growing number of women who listen to podcasts. Some 57% of weekly podcast listeners who started listening to podcasts in the past 6 months are women. In fact, women are spending more time with podcasts than in previous years, with women listeners spending 5.4 hours per week this year, up a full hour from 2017.

The average number of podcasts women listen to has also risen to 4.5, up from 3.9 in 2017.

Podcasts Paying Off For Spotify

Spotify added more subscribers than expected in the third quarter, and management says its investments in podcasts is one of the big reasons why, reports USAToday.

"For music listeners who do engage in podcasts, we are seeing increased engagement and increased conversion from Ad-Supported to Premium. Some of the increases are extraordinary, almost too good to be true," management wrote in its letter to shareholders.

And engagement is growing. Spotify says podcast hours increased 39% quarter over quarter, and 14% of all monthly active users listen to podcasts on the streaming service.

Podcasts are essential to Spotify's future growth and profitability. Outgoing CFO (and former Netflix Barry McCarthy even went so far as to say, "Streaming was to Netflix as podcasting is to Spotify," during the company's third-quarter earnings call.

So far, Spotify can't quite prove podcasts are driving increased engagement and conversion to paid subscribers. "We're working to clean up the data to prove causality, not just correlation," management wrote. "Still, our intuition is the data is more right than wrong, and that we're onto something special."

Management's cautious optimism should be welcomed by investors. It's already pouring between $400 million and $500 million into podcasting this year, which represents over 5% of its full-year 2019 revenue outlook and creates a considerable drag on its gross margin. Ensuring the strategy is actually working as expected – or even better than expected – is critical.

While podcasts seem to be having a very positive impact on Spotify's top line and user metrics, the investments in technology and content are a near-term drag on its cost of revenue. Indeed, the company's gross margin has remained stable this year despite a mix shift in listeners to higher-margin paid subscribers.

If Spotify's podcast investments can produce stronger subscriber growth today, the company will see improved profit margins long-term as more of its streaming hours move from licensed content to fixed-cost podcasts. Management expects its long-term gross margin opportunity is about 35%. That's 10 percentage points above the company's full-year 2019 forecast. So it's likely going to be a long time before management is ready to ease off the gas with podcasts.

Top Albums: 'Jesus Is King' Debuts at No. 1

Kanye West fans had a long wait for "Jesus Is King."

In the end, they propelled the rapper's latest album, released Oct. 25, to debut at No. 1. 

The gospel-inspired album is West's ninth in a row to open at the top of the Billboard 200, putting him in a tie with Eminem for the most consecutive No. 1s, Billboard says.

The Billboard 200 ranks the most popular albums of the week in the U.S. On the new chart, set to be released Tuesday, "Jesus Is King" earned 264,000 equivalent album units in the week ending Oct. 31, according to Nielsen Music. Of that, 109,000 were in album sales; the rest were largely from streaming activity.

"Jesus Is King" sees West rapping about God and his newfound faith.

USAToday reports the rapper discussed his musical and personal turn to Christianity, as well as the inspiration behind the new album "Jesus Is King" in an interview with DJ Zane Lowe on Apple Music the day before the album was released.

"Now that I’m in service to Christ, my job is to spread the gospel, to let people know what Jesus has done for me," West told Lowe during a nearly two-hour conversation.

They touched on many topics, including what went into making West's new album, which debuted along with an IMAX film of the same title.

Mariah Carey Declares Christmas Is Here


The holiday season has officially arrived!

The Ny Post reportsthe announcement was made by none other than the queen of Christmas herself, Mariah Carey, who uploaded a hilarious video on Twitter to declare the death of Halloween and the revival of Yuletide cheer.

The 29-second clip starts with Carey, 49, falling asleep in her eighties rocker costume while her phone shows the time as 11:59 p.m. on Halloween. Then, as the clock strikes midnight on Nov. 1, a twinkling tune kicks in and Carey picks up a call from Santa.

“Santa!” Carey calls out, now in red Christmas pajamas. “Ho, Ho, Ho,” he’s heard responding. “Its time,” she sings back before letting out a joyous scream.

Her hit holiday song “All I Want for Christmas Is You” starts to play in the background as the video — captioned “Breaking news” with a snowflake emoji — comes to a close.

So far, the clip has racked up 339,000 likes and 142,000 retweets since it was uploaded overnight.


The singer’s classic Christmas ballad — which is one of the very few modern songs to truly be accepted into the holiday music canon — also celebrated it’s 25th anniversary since being released on Oct. 29, 1994.

‘Baby Shark’ Makes Millions For Family


"Baby Shark" , the catchy tune about a family of sharks has become so lucrative that the Korean family behind it is now sitting on a rapidly growing multimillion-dollar fortune, reports Bloomberg.

Kim Min-seok co-founded closely held SmartStudy Co. in 2010, and five years later its children’s educational brand, Pinkfong, released “Baby Shark.” His father runs Samsung Publishing Co., which also owns part of the startup. The family fortune, based on stakes held by Kim’s immediate relatives in those two companies, is now about $125 million — much of it thanks to the song.


Shares of Samsung Publishing soared 89% the week the World Series began as local media reported on the song’s surging popularity among U.S. baseball fans. Nationals outfielder Gerardo Parra began using it as his walk-up music in June, leading to crowd singalongs with shark-jaw gestures, scenes that echoed across TVs as the team broke out of an early-season slump. They rode the wave all the way to the championship.

The Kim family owns 63% of Samsung Publishing, which, in turn, owns 21% of SmartStudy. Kim also directly owns a 23% stake in the startup, which Bloomberg valued by comparing it to four publicly traded peers.

Kim, 38, hardly set out to write a hit global song. After working at gaming companies including Nexon and developing content for kids at Samsung Publishing, he co-founded SmartStudy to focus on the growing market for educational content for smartphones.

The app-to-video maker’s early days were tough, but eventually grew faster as the Baby Shark video became a sensation, Chief Financial Officer Seungkyu Lee said in a January interview. Last year, the startup’s revenue jumped about 47% to 40 billion won ($34.3 million).

The song has amassed more than 3.8 billion views on YouTube and this year reached the Billboard Hot 100 chart. There’s also a concert experience for children, Baby Shark Live!

Trisha Yearwood To Host CMA Country Christmas

Trisha Yearwood
Trisha Yearwood will host and perform on the 10th annual CMA Country Christmas which will air Tuesday, Dec. 3 at 9/8c on ABC. The special continues to be one of the top-rated holiday programs on television.

CMA Country Christmas will feature Christmas classics and festive one-of-a-kind collaborations by artists including Kristin Chenoweth, for KING & COUNTRY, Chris Janson, Tori Kelly, Lady Antebellum, Rascal Flatts, Runaway June, CeCe Winans, Brett Young and Chris Young.

“Music, memories and enjoying the season with loved ones are what make Christmastime so special,” says Yearwood. “Hosting CMA Country Christmas is an opportunity to share joy and celebrate the holidays with friends and family everywhere.”

CMA Country Christmas is a production of the Country Music Association.

Brad Paisley Variety Special Airs in December


Country music artist Brad Paisley spent 11 years humorously co-hosting the CMA Awards with Carrie Underwood. But this year, Paisley graduated to lead his own namesake television special on ABC.

Brad Paisley
“Brad Paisley Thinks He’s Special” will air 7 p.m. Dec. 3 on the network, reports The Tennessean. The country singer hosted and executive produced the variety show, which was taped at Nashville’s War Memorial Auditorium in September.

Specials guests include Hoot & the Blowfish, The Jonas Brothers, Kelsea Ballerini, Tim McGraw, Darius Rucker and more. The television special will also spotlight Paisley’s hit songs, trademark sense of humor, musical performances, sentimental moments and surprises.

The country star and Grand Ole Opry member has had hits including “Mud on the Tires,” “Online,” “Alcohol,” “When I Get Where I’m Going” and most recently “My Miracle.” He wrote 21 of his 24 No. 1 hits, and his 2019 world tour just completed eight sold-out shows in Europe where he holds the sales record for a headlining country artist in all the venues he played on the tour.

Country Artist Chely Wright Discloses Stroke

Chely Wright
Chely Wright has revealed she suffered a stroke last year.

According to USAToday, the country singer, 49, took to Twitter Friday to share the story about her health struggle.

"Some personal news I’m sharing for the first time," she tweeted along with an image of a longer statement.

"Exactly one year ago today, I went to the ER... because I was on Day 3 of a migraine, which isn't uncommon for me," she began. "Because I had shows booked for the coming weekend, I wanted to get this headache out of the way."

Her doctor, she writes, was "troubled" by some of her symptoms.

"After a series of diagnostic tests, I was informed that I'd had a stroke."

She had just turned 48.

"I sort of knew it. What I had been experiencing with that headache and leading up to that headache was different. I'd even said aloud to myself in the bathroom mirror, 'Did you have a stroke?' " she recalled.

Though she says it's been "a long year," she says he is "okay."

She added she is sharing her story so her followers can refresh their understanding of strokes and the symptoms.

Deadspin Resignations Threaten Turnaround Attempt

The sports website Deadspin lost all of its editorial staff last week in an exodus that complicates its new owner’s effort to turn around the former Gawker Media properties acquired a little over six months ago.

The Wall Street Jorunal reports the new parent company, G/O Media Inc., which comprises about a dozen sites including Gizmodo and the Onion, intends to rebuild the sports site after its entire staff of around 20 writers and editors walked out, a spokesman said.

The spokesman said the company expected the resignations to have little impact on ad revenue. Deadspin is G/O’s second-largest property by traffic behind Gizmodo, according to Comscore.

The resignations marked the culmination of a struggle between the writers and managers since New York-based Deadspin and other websites were acquired in April by the private-equity firm Great Hill Partners from Univision Communications Inc.

Among the points of contention was an instruction for Deadspin’s writers to “stick to sports” and stop writing about unrelated subjects. Earlier this week, the company fired a Deadspin editor, leading to the resignation of the staff.

The site’s editorial staff joined a union in 2015.

Before Deadspin and the other sites were sold to Great Hill, their parent, Gizmodo Media Group, was losing more than $10 million annually, people familiar with the matter said. The deal valued the group of sites at about $27.5 million, other people familiar with the matter said.

G/O said in late September that the group of sites had posted a quarterly operating profit for the first time since 2015. Since the acquisition, the G/O spokesman said the company has cut costs by moving out of its Union Square offices in New York and relocating to near Times Square. The spokesman added that the company reduced staff and its freelancing budget.

Report: Steve Bannon Interested In Buying London Newspaper


Breitbart co-founder Steve Bannon has his eyes on The Daily Telegraph, a British broadsheet newspaper, according to a new report published in The Sunday Times of London.

It’s one of the great untapped properties,” the 65-year-old former White House strategist said of the paper, according to the Times.

Bannon, who co-founded far-right media company Breitbart in 2007, reportedly sees the Telegraph as an appealing parchment to paint his populist vision.

Bannon also recently launched a daily podcast show about the impeachment proceedings against President Trump called “War Room: Impeachment.” He served in Trump’s White House for seven months, departing in the summer of 2017. Bannon has spent much of his time since leaving the West Wing attempting to make inroads with far-right movements in Europe.

Twin billionaires David and Frederick Barclay have decided to put the 164-year-old newspaper up for sale amid sagging profits. The London-based publication typically supports the Conservative Party and has taken a strong pro-Brexit stance.

Profits at the Telegraph Media Group slumped last year, in the middle of a turnaround plan led by the chief executive Nick Hugh, who hoped to turn the company into a business based on digital subscriptions.

In common with all print newspapers, the Telegraph’s circulation has plummeted in recent years. Various names have been attached as potential purchasers – including at one point Jeff Bezos, the boss of Amazon – but it may be difficult to find a buyer for a newspaper in the current media environment.

R.I.P.: Steve Pringle. Portland OR Radio Personality


Portland’s radio host Steve Pringle died Sunday at the age of 56, his family announced on his GoFundMe page. He had been battling Stage 4 cancer since June of this year.

Pringle was a Portland radio star for 26 years, playing jazz and the blues at KINK, KMHD and KGON. He was also known for introducing artists at the annual Waterfront Blues Festival.

The Sunday update on Pringle’s GoFundMe page read, in part:

We are sad to share that our friend Steve Pringle passed this morning. He was surrounded by friends and family in the comfort of his own home.

November 4 Radio History


➦In 1916...David Sarnoff proposed the concept of a "radio music box" for radio reception.

The curator of Sarnoff's papers found a previously mis-filed 1916 memo that mentioned Sarnoff and a "radio music box scheme" (the word "scheme" in 1916 usually meant a plan).  Here is the memo:

David Sarnoff
"I have in mind a plan of development which would make radio a 'household utility' in the same sense as the piano or phonograph. The idea is to bring music into the house by wireless.  
"While this has been tried in the past by wires, it has been a failure because wires do not lend themselves to this scheme. With radio, however, it would seem to be entirely feasible. For example--a radio telephone transmitter having a range of say 25 to 50 miles can be installed at a fixed point where instrumental or vocal music or both are produced. The problem of transmitting music has already been solved in principle and therefore all the receivers attuned to the transmitting wave length should be capable of receiving such music. The receiver can be designed in the form of a simple 'Radio Music Box' and arranged for several different wave lengths, which should be changeable with the throwing of a single switch or pressing of a single button.  
"The 'Radio Music Box' can be supplied with amplifying tubes and a loudspeaking telephone, all of which can be neatly mounted in one box. The box can be placed on a table in the parlor or living room, the switch set accordingly and the transmitted music received. There should be no difficulty in receiving music perfectly when transmitted within a radius of 25 to 50 miles. Within such a radius there reside hundreds of thousands of families; and as all can simultaneously receive from a single transmitter, there would be no question of obtaining sufficiently loud signals to make the performance enjoyable. The power of the transmitter can be made 5 k.w., if necessary, to cover even a short radius of 25 to 50 miles; thereby giving extra loud signals in the home if desired. The use of head telephones would be obviated by this method. The development of a small loop antenna to go with each 'Radio Music Box' would likewise solve the antennae problem.

"The same principle can be extended to numerous other fields as, for example, receiving lectures at home which be made perfectly audible; also events of national importance can be simultaneously announced and received. Baseball scores can be transmitted in the air by the use of one set installed at the Polo Grounds. The same would be true of other cities. This proposition would be especially interesting to farmers and others living in outlying districts removed from cities. By the purchase of a 'Radio Music Box' they could enjoy concerts, lectures, music, recitals, etc., which may be going on in the nearest city within their radius. While I have indicated a few of the most probable fields of usefulness for such a device, yet there are numerous other fields to which the principle can be extended... 
"The manufacture of the 'Radio Music Box' including antenna, in large quantities, would make possible their sale at a moderate figure of perhaps $75.00 per outfit. The main revenue to be derived will be from the sale of 'Radio Music Boxes' which if manufactured in quantities of one hundred thousand or so could yield a handsome profit when sold at the price mentioned above. Secondary sources of revenue would be from the sale of transmitters and from increased advertising and circulation of the Wireless Age. The Company would have to undertake the arrangements, I am sure, for music recitals, lectures, etc., which arrangements can be satisfactorily worked out. It is not possible to estimate the total amount of business obtainable with this plan until it has been developed and actually tried out but there are about 15,000,000 families in the United States alone and if only one million or 7% of the total families thought well of the idea it would, at the figure mentioned, mean a gross business of about $75,000,000 which should yield considerable revenue.  
"Aside from the profit to be derived from this proposition the possibilities for advertising for the Company are tremendous; for its name would ultimately be brought into the household and wireless would receive national and universal attention."
Sarnoff eventually ruled over an ever-growing telecommunications and consumer electronics empire that included both RCA and NBC, and became one of the largest companies in the world. Named a Reserve Brigadier General of the Signal Corps in 1945, Sarnoff thereafter was widely known as "The General."

Sarnoff is credited with Sarnoff's law, which states that the value of a broadcast network is proportional to the number of viewers.

Walter Cronkite
➦In 1916...Longtime CBS Evening News anchorman Walter Cronkite, once called "the most trusted man in America," was born on this day in 1916. He dropped out of college in his junior year, in the fall term of 1935, after starting a series of newspaper reporting jobs covering news and sports.  He entered broadcasting as a radio announcer for WKY in Oklahoma City, Oklahoma. In 1936, he met his future wife, Mary Elizabeth Maxwell (known by her nickname "Betsy"), while working as the sports announcer for KCMO (AM) in Kansas City, Missouri. His broadcast name was "Walter Wilcox".

In Kansas City, he joined the United Press in 1937.  He became one of the top American reporters in World War II, covering battles in North Africa and Europe,  and in 1943 turned down a job offer from Edward R. Murrow of CBS to relieve Bill Downs in Moscow.  Cronkite was one of eight journalists selected by the United States Army Air Forces to fly bombing raids over Germany in a B-17 Flying Fortress part of group called the Writing 69th, and during a mission fired a machine gun at a German fighter. He also landed in a glider with the 101st Airborne in Operation Market Garden and covered the Battle of the Bulge.

Art Carney
He died on July 17, 2009 at 92.

➦In 1918...Character actor Art Carney  was born in Mount Vernon NY.

He was a busy member of the New York radio actor’s pool, in shows such as Gangbusters, Casey Crime Photographer, and the Henry Morgan Show.  He also specialized in impressions like FDR and General Dwight Eisenhower.  The zenith of his career was on TV playing Ed Norton on Jackie Gleason’s ‘Honeymooners.’  Gleason once said Carney was 90% responsible for its success.

He died Nov. 9, 2003, at age 85.


Shirley Mitchell 2007
➦In 1919...actress Shirley Mitchell was born in Toledo Ohio.

She started in Chicago daytime radio drama but quickly moved to Los Angeles, and became much in demand on such OTR favorites as ‘Fibber McGee and Molly,’ ‘The Rudy Vallee Show,’ ‘The Joan Davis Show’ and ‘The Life of Riley.’  Her best-known role was as the charismatic Southern Belle and love interest Leila Ransom on ‘The Great Gildersleeve.’   She had recurring roles on such TV shows as ‘Pete and Gladys,’ ‘I Love Lucy,’ ‘Please Don’t Eat the Daisies,’ ‘Bachelor Father,’ ‘Green Acres’ and ‘The Red Skelton Hour.’

She died of heart failure Nov. 11, 2013 at age 94

➦In 1946...This ad for a WHN 1050 AM program appeared in the NY Times...


➦In 1946..This advertisement appeared in the NY Times...


➦In 1949…The popular radio soap opera "One Man's Family" began a 2½-year run as a weekly primetime television show and featured future stars Eva Marie Saint, Tony Randall and Mercedes McCambridge. "One Man's Family" was the longest-running uninterrupted serial in the history of American radio.



➦In 1963...The Beatles performed for Queen Elizabeth II, the Queen Mother, Princess Margaret and Lord Snowdon at the Royal Variety Performance in London.  It was here that John Lennon famously said "Will the people in the cheaper seats clap your hands.  All the rest of you, rattle your jewelry."

➦In 1967...WOR FM switched from a progressive rock format  to the “Drake” Top 40 format. The line-up:
Hal Mitchell, Sebastian Stone, Tony Taylor, Jim O'Brien
One theory for the change was that the format pull audience away from WABC and WMCA so the winner would then be sister station WOR 710 AM.  It had a talk format so would appear better in the ratings if Top 40 competitors WABC 770 AM and WMCA 570 AM lost audience.

The progressive WOR-FM had created its own audience rather than luring them away from WABC and WMCA.  That didn’t help WOR-AM.

In 1967 the big advertising dollars came from AM stations so if FM could help AM by stealing a few listeners from the competition, it was worth a try.  Or so management thought.  The other reason, according to the tribute website, musicradio77.com,  was that Bill Drake was now the boss and he simply didn’t have any use for progressive rock radio.  He had developed a rapidly growing format for KHJ 930 AM in L-A and KFRC 610 AM in San Francisco and wanted to program it in New York.

➦In 1992...NY Giants announced they're leaving WNEW 1130 AM after 32 years for WOR 710 AM  and NY Jets announced they were moving from 77 WABC to WFAN 660 AM.

➦In 2004..Gary Wergin died at age 49. Wergin worked for WHO-AM, Iowa and was the "voice of farming" for 10 years on "The Big Show".  He also worked at KDTH-AM in Dubuque and KFEQ-AM in St. Joseph, Mo.

➦In 2012…ESPN Radio's NBA play-by-play voice Jim Durham, who previously had called Chicago Bulls games for 18 years and had stints as a play-by-play announcer for the Dallas Mavericks, Houston Astros, and Chicago White Sox, died at the age of 65.