(Reuters) -- Adele's album "25" is released worldwide on Friday, and even though it will not be on streaming services like Spotify and Deezer, industry analysts are expecting it to be the hit of the year.
Following in the footsteps of Taylor Swift, who withheld her album "1989" from Spotify because she did not want it streamed for free, Adele's followup to her 2011 hit album "21," which sold 30 million copies worldwide and won six Grammys, is available for download or as a CD, but not for streaming.
Spotify and Deezer, two of the main streamers, said on Thursday they would not carry it, though they hoped that would change. There was no immediate comment from Apple Music or Google Play.
"My own personal view is that record is so massive it wouldn't make any difference" if it were available for streaming or not, industry analyst Keith Jopling told Reuters, speaking hours before it was known the album would not be streamed.
"Hello," the first single from the album, released at the end of October, has logged more than 400 million plays on YouTube and topped the U.S. charts for the past three weeks.
Billboard, citing unidentified sources, said Columbia Records will ship 3.6 million physical copies of the new album in the United States, which could be the largest number of new release CDs shipped in the past decade.
Adele, who took a career break to have her first child, says in a BBC television interview to be aired on Friday that the success of "21" was daunting, but she was determined to make a comeback.
"I just got really worried that I was never going to make anything that anyone liked again," she says, according to quotes from the interview posted on the BBC website.
"I started to wonder if '21', being so successful, was enough for everyone," she says. "But I realized it wasn't enough for me. So, sorry, I'm here to make your ears bleed again."
Early indications are she need not have worried. In addition to "Hello" topping the U.S. charts, advance sales of "25" have made it the best-selling album on Amazon.com's British and U.S. sites, according to the retailer.
"I think the odds are in favour of '25' being a huge success because there's so much anticipation," British-based music industry consultant Mark Mulligan of MIDiA Research said.
Critical reaction from music journalists who had access to advance copies suggest fans won't be disappointed but perhaps "25" will not be the seminal experience "21" was for listeners.
Alexis Petridis, writing in the Guardian, said the album's success was a foregone conclusion, but its content was patchy.
"'Hello' is a pretty bulletproof bit of songwriting, and 'All I Ask' sounds appealingly like the showstopping ballad from a hugely successful Broadway musical. Often, though, it slinks unremarkably into the middle of the road," he said.
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Friday, November 20, 2015
Nielsen: Politicians Can Reach Millennials Via Music
Nielsen reports emerging social media platforms are clearly one way connect with younger voters—which is why even Bernie Sanders is now Snapchatting—one of the most effective channels may actually be one of the oldest: music.
To be sure, these Millennials (aged 18-34) are not easy to reach. This group is more multicultural and educated compared to earlier generations. And they have a wide-range of eclectic tastes that often make both traditional and experimental outreach efforts ineffective.
However, approaching this group appropriately can have a huge payoff. Millennials comprise a quarter of the U.S. population, and nearly three-quarters (73%) say they have some affiliation with a political party.
Overall, according to the Millennial Music Listener Audience Insights report, Millennials are almost twice as likely to be Democrats than Republicans (32% vs. 17%), but large segments also either identify as independents (24%) or as indifferent/unaffiliated (23%). In other words, they represent large, important blocks of both affiliated and undecided voters.
Social media plays an important role in live music discovery for Millennials, as it does in many parts of their lives. And more than half of Millennials who attend live music events say they use social networks to uncover new events.
While digital channels have a big impact, traditional radio remains influential as well: 58% of Democrat Millennials, 68% of Republican Millennials, and 56% of independent and unaffiliated Millennials say they discover new music via FM, AM or satellite radio.
To be sure, these Millennials (aged 18-34) are not easy to reach. This group is more multicultural and educated compared to earlier generations. And they have a wide-range of eclectic tastes that often make both traditional and experimental outreach efforts ineffective.
However, approaching this group appropriately can have a huge payoff. Millennials comprise a quarter of the U.S. population, and nearly three-quarters (73%) say they have some affiliation with a political party.
Overall, according to the Millennial Music Listener Audience Insights report, Millennials are almost twice as likely to be Democrats than Republicans (32% vs. 17%), but large segments also either identify as independents (24%) or as indifferent/unaffiliated (23%). In other words, they represent large, important blocks of both affiliated and undecided voters.
Social media plays an important role in live music discovery for Millennials, as it does in many parts of their lives. And more than half of Millennials who attend live music events say they use social networks to uncover new events.
While digital channels have a big impact, traditional radio remains influential as well: 58% of Democrat Millennials, 68% of Republican Millennials, and 56% of independent and unaffiliated Millennials say they discover new music via FM, AM or satellite radio.
FL Radio: WA1A Fuels Jingle Jet For Worthy Families
Tony Zazza, Host of “Zazza Mornings with Cheree” on WAOA 107.1 FM / WA1A and Founder and President of the Board of Directors for The Zazza Community Foundation (a 501(c)(3) non-profit) has teamed up with Elite Airways, 107.1 WA1A & Orlando Melbourne International Airport to launch Jingle Jet 2015 to the North Pole on Monday, December 14th, 2015.
Jingle Jet aims to help local families who have been met with undue hardships throughout the year.
On December 14, the families will board an Elite Airways CRJ Aircraft deemed “Jingle Jet” for the day. Zazza created and produced the project in Dallas, TX for a number of years and his goal was to have it take flight again upon his arrival to the Space Coast. “Being the new guy in town and asking for an airport and a multimillion dollar jet to make it happen wasn’t a small feat”, Zazza said.
However, Zazza was able to secure Orlando Melbourne International Airport (MLB) and Elite Airways after reaching out and sharing this magical holiday project with them.
“The holidays are a time for giving, and Elite Airways is honored to take families on a magical flight from the Melbourne Airport to the North Pole on Jingle Jet flight 107,” said John Pearsall, President, Elite Airways.
Jingle Jet will be departing Orlando Melbourne International Airport (MLB) with non-stop service to Santa’s North Pole (SNP). After a quick flight around the skies of the Space Coast, Jingle Jet will return to the airport where upon arrival, the families will enter a designated area that has been transformed into a winter wonderland, complete with Santa and Mrs. Claus, face painters, snowmen, balloon artists and more.
Each family will also be presented with their own Christmas tree, gifts and holiday trimmings.
The families chosen for this magical journey are nominated by family members and friends who send
submissions through the Zazza Community Foundation Website.
Nominations run through 5pm on Wednesday, November 25th, 2015.
Cumulus Market Manager, Gary Mertins said, “We’re so proud of Tony and his foundation’s work to bring this event to the Melbourne community. His on-going commitment and involvement to do charity work like this with his morning show is one of the reasons we recruited him. We can’t thank the Melbourne Airport and Elite Airways enough for making it happen. This truly is going to be a special holiday experience for the families in need.”
Jingle Jet aims to help local families who have been met with undue hardships throughout the year.
On December 14, the families will board an Elite Airways CRJ Aircraft deemed “Jingle Jet” for the day. Zazza created and produced the project in Dallas, TX for a number of years and his goal was to have it take flight again upon his arrival to the Space Coast. “Being the new guy in town and asking for an airport and a multimillion dollar jet to make it happen wasn’t a small feat”, Zazza said.
However, Zazza was able to secure Orlando Melbourne International Airport (MLB) and Elite Airways after reaching out and sharing this magical holiday project with them.“The holidays are a time for giving, and Elite Airways is honored to take families on a magical flight from the Melbourne Airport to the North Pole on Jingle Jet flight 107,” said John Pearsall, President, Elite Airways.
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| WAOA 1071. FM (100 Kw) Red=Local |
Each family will also be presented with their own Christmas tree, gifts and holiday trimmings.
The families chosen for this magical journey are nominated by family members and friends who send
submissions through the Zazza Community Foundation Website.
Nominations run through 5pm on Wednesday, November 25th, 2015.
Cumulus Market Manager, Gary Mertins said, “We’re so proud of Tony and his foundation’s work to bring this event to the Melbourne community. His on-going commitment and involvement to do charity work like this with his morning show is one of the reasons we recruited him. We can’t thank the Melbourne Airport and Elite Airways enough for making it happen. This truly is going to be a special holiday experience for the families in need.”
WWOne Presents "An American Country Christmas"
Stations can get an early start on holiday celebration with an annual tradition -- “An American Country Christmas with Kix Brooks.” This Westwood One staple of holiday programming specials features 24 hours of holiday classics along with Kix’s special guests sharing memories and traditions.
Country superstars Carrie Underwood, Blake Shelton, Kenny Chesney, Jason Aldean, Miranda Lambert, Brad Paisley, and Tim McGraw are just a few of Kix’s friends who’ll be stopping by. From “White Christmas” and “Blue Christmas” to Holy Nights and Silent Nights, celebrate the season with “An American Country Christmas with Kix Brooks,”
Stations can air An American Country Christmas from Monday, December 21 through Friday, December 25 between 6:00 am and 12 Midnight. The show is 24-hours of unique content with a minimum of eight hours.
For more information, contact Donny Walker: dwalker@westwoodone.com (615) 727-6987.
Willie Nelson Discloses Lung Surgery
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| Willie Nelson |
In a recent interview the country legend sheds light on why he elected to have the operation, also explaining how it will affect him moving forward.
Nelson and Haggard’s Django and Jimmie Tour was slated to begin on Oct. 15, but the first show was pushed back rather suddenly. Concerts slated for Oct. 16 and Oct. 17 were also postponed, with the iconic pair hitting the road on Oct. 18 instead.
Nelson tells the Washington Post that the stem cell surgery was supposed to help his lungs, which were in rough shape after years of smoking cigarettes.
“I’ve had emphysema and pneumonia four or five times, so my lungs were really screwed up, and I had heard that this stem-cell operation would be good for them,” he reveals. “So I said, ‘Well, I’m gonna try it out.'”
On Wednesday night (Nov. 18) Nelson was honored with the Gershwin Prize for popular song at a ceremony in Washington D.C. The ceremony and all star concert will air on PBS on Jan. 15.
The 1st country star to receive a Gershwin Prize! See Willie's career through the years w/ a ton of great photos: https://t.co/gFGKoJSqNS
— Willie Nelson (@willienelson) November 18, 2015
Alison&Adam Memorial Fund Raises Nearly $90K
NAB announced Thursday that the “Alison & Adam Memorial Fund” established to support families of the victims of this summer’s Roanoke TV shooting has raised $88,175.
The National Association of Broadcasters and the Radio Television Digital News Association launched the fund to accept donations from broadcasters on behalf of Alison Parker and Adam Ward, who were tragically killed August 26 by a former employee of WDBJ-TV, Roanoke, a CBS affiliate owned by Schurz Communications.
Donations will be accepted for the fund until November 30.
Before year end, all proceeds from the fund will be distributed evenly in four contributions: 25 percent each to the families of Parker and Ward; 25 percent to Vicki Gardner, executive director, Smith Mountain Lake Regional Chamber of Commerce, who suffered gunshot wounds during the on-air shooting; and 25 percent to the Committee to Protect Journalists (CPJ). CPJ is a New York-based organization dedicated to press freedom and protecting the rights of reporters to work without fear of reprisal. NAB previously donated $10,000 to CPJ following the murders of James Foley and Steven Sotloff, American journalists abducted and murdered while covering the Syrian Civil War.
"We're thankful for the tremendous outpouring of support from broadcasters across America for the families of these two young journalists," said NAB President Gordon Smith. "Alison and Adam will live forever in our memories."
Before November 30, contributions to the Alison & Adam Memorial Fund can be made by sending checks made out to:
NAB Alison and Adam Memorial Fund
C/O NAB
1771 N Street, N.W.
Washington, DC 20036
Those wishing to contribute online before November 30 can do so at http://www.nab.org/donate.
The National Association of Broadcasters and the Radio Television Digital News Association launched the fund to accept donations from broadcasters on behalf of Alison Parker and Adam Ward, who were tragically killed August 26 by a former employee of WDBJ-TV, Roanoke, a CBS affiliate owned by Schurz Communications.
Donations will be accepted for the fund until November 30.
Before year end, all proceeds from the fund will be distributed evenly in four contributions: 25 percent each to the families of Parker and Ward; 25 percent to Vicki Gardner, executive director, Smith Mountain Lake Regional Chamber of Commerce, who suffered gunshot wounds during the on-air shooting; and 25 percent to the Committee to Protect Journalists (CPJ). CPJ is a New York-based organization dedicated to press freedom and protecting the rights of reporters to work without fear of reprisal. NAB previously donated $10,000 to CPJ following the murders of James Foley and Steven Sotloff, American journalists abducted and murdered while covering the Syrian Civil War."We're thankful for the tremendous outpouring of support from broadcasters across America for the families of these two young journalists," said NAB President Gordon Smith. "Alison and Adam will live forever in our memories."
Before November 30, contributions to the Alison & Adam Memorial Fund can be made by sending checks made out to:
NAB Alison and Adam Memorial Fund
C/O NAB
1771 N Street, N.W.
Washington, DC 20036
Those wishing to contribute online before November 30 can do so at http://www.nab.org/donate.
R.I.P.: Chicago Radio Personality Bernie Allen
Bernie Allen, who was a top DJ on various Chicago radio station from the 1950s through 1980s, passed away on Monday at the age of 86, according to Chicago Radio&Media.
He may be best remembered for being part of WLS-AM's rock and roll era for most of the 1960s.
Born Bernard Hallenberg, Bernie Allen began working in radio while still a high school student.
In the mid-1950's, Allen was spinning the top hits of the day on WIND-AM, moving over to WJJD-AM in the early 1960s. In 1963, Allen joined the rock/pop radio powerhouse WLS-AM as its midday host. By the late 1960s, Allen had been moved to weekends-only. He stayed with WLS-AM through 1971 before moving on to other radio opportunities.
Over the course of the next decade, Allen could be heard on numerous Chicago radio stations, including WCLR-FM, WLAK-FM, and WCFL-AM, before re-joining WJJD-AM in 1983, where he worked for over six more years. Allen also did some fill-in work on local radio stations in the 1990s, including suburban WAIT-AM.
He may be best remembered for being part of WLS-AM's rock and roll era for most of the 1960s.
Born Bernard Hallenberg, Bernie Allen began working in radio while still a high school student.
In the mid-1950's, Allen was spinning the top hits of the day on WIND-AM, moving over to WJJD-AM in the early 1960s. In 1963, Allen joined the rock/pop radio powerhouse WLS-AM as its midday host. By the late 1960s, Allen had been moved to weekends-only. He stayed with WLS-AM through 1971 before moving on to other radio opportunities.
Over the course of the next decade, Allen could be heard on numerous Chicago radio stations, including WCLR-FM, WLAK-FM, and WCFL-AM, before re-joining WJJD-AM in 1983, where he worked for over six more years. Allen also did some fill-in work on local radio stations in the 1990s, including suburban WAIT-AM.
November 20 Radio History
In 1907...actress Fran Allison was born in smalltown Iowa. She played the folksy tale-telling Aunt Fanny for decades on ABC/CBC radio’s Don McNeill’s Breakfast Club. On TV she was a co-star (with Burr Tillstrom & his puppets) on Kukla Fran & Ollie.
She died of bone marrow failure June 13 1989 at age 81
In 1928…WGH-AM in
The earliest ancestor of WGH Radio was WPAB, granted a license by the Radio Division, Bureau of Navigation, United States Department of Commerce on December 4, 1926. The licensee was the Radio Corporation of Virginia, who operated the new station for the Park Avenue Baptist Church in Norfolk. On December 6, 1926, WPAB signed on the air at 1040 kilocycles with a power of 100 watts. WPAB later became WRCV and broadcast programming mostly of a religious nature.
In January 1927, the Radio Corporation of Virginia put another station on the air, WSEA, which transmitted on the frequency of 1370 kilocycles with a power of 500 watts. In April 1927 WSEA began broadcasting from the brand new Cavalier Hotel in Virginia Beach but was dark by the middle of 1928, the Radio Corporation of Virginia having gone bankrupt. WSEA, however, had one shining moment on June 10, 1927 when Norfolk Mayor S. Heth Tyler became the first American to extend coast to coast radio congratulations to aviator Charles Lindbergh after his successful solo flight from New York to Paris. Lindbergh heard the message on WSEA as he was passing over the Cape Henry Lighthouse.
Tom Little moved the WSEA allocation to Newport News and changed the call letters to WNEW (signifying its new city of license, Newport News) on August 8, 1928. Facilities were in the Tidewater Hotel at 2400 Washington Avenue in Newport News. The studio was on the ground floor, directly behind the front desk and switchboard for the hotel, and the transmitter and antenna were on the top floor. Shortly thereafter a new licensee, Hampton Roads Broadcasting Company, changed the frequency to 1430, and government authorization came through on October 8, 1928.
The WNEW calls lasted for only a few weeks, when they were changed to WGH ("World's Greatest Harbor"). It was also among the first 100 radio stations on the air in the United States. By 1928, however, the station was gone and the available WGH call letters were requested by Hampton Roads Broadcasting. An application to the Federal Radio Commission was approved on November 19 of that year and the station began identifying itself as "WGH" the next day. The abandoned WNEW call letters were later picked up by a Newark, New Jersey radio station on 1130 kilocycles.
In early 1959, a new era was ushered in with a switch to "Top-40" programming under the "Color Radio" banner. Late 1950's performers included Jim Stanley, Jack Fisher, Lou Nelson, Dick Lamb, Jack Krueger, Frank Drake, Bob Calvert, Dean Collins (who went on to WPGC in Washington as Dean Griffith and later to New York as Dean Anthony, one of the WMCA "Good Guys"), Don Owens, Roger Clark, Bob Calvert's alter ego (and the inspiration for Wolfman Jack) "Baron Bebop", Throckmorton Quiff, and Gene Creasy. Early newscasters included Ed Meyer, Dick Kidney, Pete Glazer, Bud Buhler and Art Merrill.
By 1960, the station was broadcasting at 5,000 watts from a non-directional daytime tower at the Newport News Small Boat Harbor, switching to the three-tower directional site in Hampton during the evening hours.
1960s on-air performers included George Crawford, Dave Cummins, Bob Calvert, Gene Loving, Keith James, Dick Lamb, Roger Clark (Program Director until 1967), Glenn "The Turtle" Lewis, Russ Spooner, Chuck Adams, Don Robertson, Bob Chesson (Production), Jim Lawrence, John Garry (who was also Program Director from 1967 until 1970, when he left WGH to program WIST-AM in Charlotte), Larry O'Brien, Tom Scott and J.J. Bowman.
In 1929… November 20, 1929…The radio program "The Rise of the Goldbergs," later known as "The Goldbergs," made its debut on the NBC Blue Network. The series continued on radio until 1946. The show's creator/writer/lead actress Gertrude Berg took the show to television – first to CBS, then NBC, the Dumont Network, and syndication – between 1949 and 1956.
In 1938… Father Charles Couglin broadcast the first documented
anti-Semitic remarks over U.S.
radio.
Coughlin began his radio broadcasts in 1926 on station WJR, in response to cross burnings by the Ku Klux Klan on the grounds of his church, giving a weekly hour-long radio program. His program was picked up by CBS four years later for national broadcast. Until the beginning of the Depression, Father Coughlin mainly covered religious topics in his weekly radio addresses, in contrast to the political topics which dominated his radio speeches throughout the 1930s. He reached a very large audience that extended well beyond his own Irish Catholic base.
On November 20, 1938, two weeks after Kristallnacht, Coughlin, referring to the millions of Christians killed by the Communists in Russia, said "Jewish persecution only followed after Christians first were persecuted." After this speech, some radio stations, including those in New York and Chicago, began refusing to air his speeches without pre-approved scripts; in New York, his programs were cancelled by WINS and WMCA, leaving Coughlin to broadcasting on the Newark part-time station WHBI. On December 18, 1938 thousands of Coughlin's followers picketed the studios of station WMCA in New York City to protest the station's refusal to carry Father Coughlin's broadcasts. A number of protesters made antisemitic statements. The protests continued for several months.
In 1940..The iHeartMedia station now known as WRVE in Albany NY has a much longer history as one of the nation's pioneering FM radio stations. A byproduct of the station being owned by General Electric with similarly pioneering sisters WGY (AM) and WRGB (TV), WRVE traces its history to W2XDA Schenectady and W2XOY New Scotland, New York - two experimental frequency modulation transmitters on 48.5 MHz, which signed on in 1939. The two were merged into one station with the W2XOY call-letters on November 20, 1940 with the station then taking the W57A designation, and finally the long-running WGFM call-letters in the mid-1940s.
The station eventually settled on 99.5 MHz when the FM band was relocated to the 88-108 MHz portion of the radio spectrum.
On June 1, 1961 at 12:01 AM (EDT), WGFM became the first FM station in the United States to broadcast in stereo.
In 1954...when his career as America’s most successful singing cowboy was almost over, Gene Autry appeared for the first time on radio’s “Grand Ole Opry.”
Autry was easily the most popular country singer of the 1930’s and ’40s, with such hits as “Silver Haired Daddy of Mine,” “South of the Border” and “Tweedle-O-Twill.” Autry’s trio of million-selling children’s records — “Here Comes Santa Claus,” “Rudolph the Red Nosed Reindeer” and “Peter Cottontail” — were recorded in the late ’40s.
In 1955...At New York City's Warwick Hotel, Sun Records owner and producer Sam Phillips sells Elvis Presley's contract to RCA for an unheard-of $35,000, at that time the largest amount ever paid to sign a recording artist. Elvis receives $13,500 of the total; Phillips invests his share in a local hotel chain called the Holiday Inn.
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| Father Coughlin |
On November 20, 1938, two weeks after Kristallnacht, Coughlin, referring to the millions of Christians killed by the Communists in Russia, said "Jewish persecution only followed after Christians first were persecuted." After this speech, some radio stations, including those in New York and Chicago, began refusing to air his speeches without pre-approved scripts; in New York, his programs were cancelled by WINS and WMCA, leaving Coughlin to broadcasting on the Newark part-time station WHBI. On December 18, 1938 thousands of Coughlin's followers picketed the studios of station WMCA in New York City to protest the station's refusal to carry Father Coughlin's broadcasts. A number of protesters made antisemitic statements. The protests continued for several months.
In 1940..The iHeartMedia station now known as WRVE in Albany NY has a much longer history as one of the nation's pioneering FM radio stations. A byproduct of the station being owned by General Electric with similarly pioneering sisters WGY (AM) and WRGB (TV), WRVE traces its history to W2XDA Schenectady and W2XOY New Scotland, New York - two experimental frequency modulation transmitters on 48.5 MHz, which signed on in 1939. The two were merged into one station with the W2XOY call-letters on November 20, 1940 with the station then taking the W57A designation, and finally the long-running WGFM call-letters in the mid-1940s.
The station eventually settled on 99.5 MHz when the FM band was relocated to the 88-108 MHz portion of the radio spectrum.
On June 1, 1961 at 12:01 AM (EDT), WGFM became the first FM station in the United States to broadcast in stereo.
In 1954...when his career as America’s most successful singing cowboy was almost over, Gene Autry appeared for the first time on radio’s “Grand Ole Opry.”
Autry was easily the most popular country singer of the 1930’s and ’40s, with such hits as “Silver Haired Daddy of Mine,” “South of the Border” and “Tweedle-O-Twill.” Autry’s trio of million-selling children’s records — “Here Comes Santa Claus,” “Rudolph the Red Nosed Reindeer” and “Peter Cottontail” — were recorded in the late ’40s.
In 1955...At New York City's Warwick Hotel, Sun Records owner and producer Sam Phillips sells Elvis Presley's contract to RCA for an unheard-of $35,000, at that time the largest amount ever paid to sign a recording artist. Elvis receives $13,500 of the total; Phillips invests his share in a local hotel chain called the Holiday Inn.
In 1959… Disc jockey Alan Freed was fired from
When Freed was employed by WABC, it was about two years before it evolved into one of America's great Top 40 stations by launching its "Musicradio" format. At this time, WABC (unlike Top40 1010 WINS) was more of a full-service station which began implementing some music programming elements.
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| Cathy Lewis |
In 1968..radio actress and Spokane native Cathy Lewis died of cancer at age 50. Half of “the first couple of radio” (with husband Elliot Lewis) she was featured as Jane Stacy on My Friend Irma on both radio & TV. She was one of the most oft-used stars on CBS radio’s Suspense series. When Fibber McGee & Molly came (briefly) to TV, she was cast as Molly.
In 1994… KFWB-AM, Los
Angeles ' first morning man, Bruce Hayes, died Hayes worked atKFWB, 1958-61; KDAY, 1962; KHJ, 1963-64; KFWB, 1965-67; KFI, 1969.
In 2000...organist Gaylord Carter died of Parkinson’s at age 95. Born in Wiesbaden Germany, his family moved to the US when he was a child. He became active in playing music for bigtime radio, notably “Hollywood Hotel”, “The Packard Show”, “The Second Mrs. Burton”, and “Breakfast In Hollywood”. Carter will always be associated in the public mind with “The Amos & Andy Show”. For seven years on radio he introduced the show by playing its theme, “The Perfect Song”. After the war he played for both radio & TV, including “Bride & Groom”, “The Big Payoff”, and “The Pinky Lee” TV show.
In 2004…Longtime Toronto radio personality (CFTR, CHUM) Tom Rivers died of cancer at age 57.
In 2000...organist Gaylord Carter died of Parkinson’s at age 95. Born in Wiesbaden Germany, his family moved to the US when he was a child. He became active in playing music for bigtime radio, notably “Hollywood Hotel”, “The Packard Show”, “The Second Mrs. Burton”, and “Breakfast In Hollywood”. Carter will always be associated in the public mind with “The Amos & Andy Show”. For seven years on radio he introduced the show by playing its theme, “The Perfect Song”. After the war he played for both radio & TV, including “Bride & Groom”, “The Big Payoff”, and “The Pinky Lee” TV show.
In 2004…Longtime Toronto radio personality (CFTR, CHUM) Tom Rivers died of cancer at age 57.
Thursday, November 19, 2015
Podcast Webinar Shows Listeners Are Engaged
Westwood One Wednesday hosted “The State of American Podcasting” webinar, featuring new insights about the podcast consumer and advertiser sentiment about podcasts.
The webinar was hosted by Pierre Bouvard, CMO of Cumulus Media/Westwood One, and featured insights and commentary from Stuart Last, VP of popular podcast and on-demand platform audioBoom; Jenna Weiss-Berman, Director of Audio at the phenomenal pop culture website Buzzfeed; and Brendan McDonald, co-creator and executive producer of the incredibly successful podcast WTF with Marc Maron.
Here are a few quotes from the event:
On Millennial Demographics and Podcast Audience Profile:
Stuart Last: We see it at a global level, not just the U.S… the U.S. podcast industry is much more mature than the rest of the world; it’s led by the radio industry. There is great opportunity here to bring the media age down…this is the chance for people to connect with younger audiences in a way that audience is consuming content.
On Listening Location Numbers:
Jenna Weiss-Berman: Cars...that’s the real opportunity here. If someone can figure out how to make podcasts more easily accessible in the car. If the technology improves there and there’s some way I can just press “play” on my podcast app or if it’s somehow built into cars, I think you’ll see that numbers rise pretty dramatically.
On Brand Marketer Interest:
Brendan McDonald: What we found through our audience survey is that listeners were much more receptive to entertainment-based products in the sense of saying that would be the first thing they would be likely to patronize… We know our listeners are engaged on that level. Our survey respondents tell us 49% of them listen to every episode—104 a year, twice a week—and they’re long, they’re not 15 minute episodes, they’re an hour to an hour and 15 minutes… Even if they’re not listening to every minute of every one, they’re showing a very high level of engagement. They are the super-users, the lovers of audio.
On Effectiveness of Advertising on Popular Shows vs less Popular Shows:
Brendan McDonald: I think that the analogy for the popular shows holds true across platforms… podcasting is really “narrowcasting.” We’re talking about shows with audiences that might not amount to gigantic numbers—even looking at standards of what is considered a successful podcast—but smaller numbers might still be a very high concentration of enthusiasts. You can do a very successful ad buy for that if you have a very specific product for those listeners. It I were an advertiser, what I would be interested in is the ability to mix and match and play favorites by my own knowledge of the content. We’re finding that in dealing with ad sellers, the ones who are most successful are the ones who know podcasts.
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| L-R: Stuart Last, VP, audioBoom; Pierre Bouvard, CMO, Cumulus Media/Westwood One; Brendan McDonald, Executive Producer, WTF with Marc Maron; and Jenna Weiss-Berman, Director of Audio, Buzzfeed |
Here are a few highlights:
- Consumers are engaged with podcast advertising: 65% of podcast listeners recalled an ad after listening to a show one day earlier, according to a 2015 poll by Ipsos.
- 41% of advertisers have discussed podcasting; 15% are currently advertising in podcasts, according to a poll by Advertiser Perceptions.*
- Almost 20% of marketers and agencies say they "definitely would consider" advertising in podcasting in the next six months.*
- In the next six months, nearly 1 out of 10 agencies and marketers said they “definitely would advertise” in podcasting in the next six months.*
- 50% of both agencies and marketers said they “might advertise” in podcasting in the next 6 months.*
*Source: Advertiser Perceptions, 2015 Omnibus Study, September 2015
**Source: Ipsos, August 2015, Persons 18-34; percentages shown denote cumulative/net scores
Chicago Radio: Dick Biondi Moves To Weekend Mornings On WLS-FM
Dick Biondi, the Radio Hall of Famer who has been on the air since the 1940s and rocked Chicago airwaves in the 1960s and 1970s at WLS, has found his newest endeavor: the weekend morning show on WLS FM 94.7, according to patch.com.
Beginning this weekend, fans of the oldies can hear perhaps the city’s most recognizable voice from 6-10 a.m. on Saturdays and from 7-10 a.m. on Sundays. He most recently had been on air from 11 a.m. to 2 p.m. on weekdays.
“The move is a step up that could result in a larger audience for the incomparable 83-year-old rock ’n’ roll radio legend, who’d been relegated to late nights for years at the Cumulus Media classic hits station,” according to Chicaho Media write Robert Feder.
Biondi is a name that rings with Chicago-area radio lovers of all ages. He played all the new music when radio was hot in Chicago during the 60s and 70s on a team that included the likes of Clark Weber, Larry Lujack, Wolfman Jack and John “Records” Landecker. He has stuck with that variety of music - since the 90s referred to as “oldies” - ever since, and will now be the voice of weekend mornings.
“Having Dick Biondi on both days in the morning to wake up with is pretty cool,” said Peter Bowen, vice president and Chicago market manager of Cumulus Media. “Dick is phenomenal. I love the guy. And this will be good for everybody.”
Beginning this weekend, fans of the oldies can hear perhaps the city’s most recognizable voice from 6-10 a.m. on Saturdays and from 7-10 a.m. on Sundays. He most recently had been on air from 11 a.m. to 2 p.m. on weekdays.
“The move is a step up that could result in a larger audience for the incomparable 83-year-old rock ’n’ roll radio legend, who’d been relegated to late nights for years at the Cumulus Media classic hits station,” according to Chicaho Media write Robert Feder.
Biondi is a name that rings with Chicago-area radio lovers of all ages. He played all the new music when radio was hot in Chicago during the 60s and 70s on a team that included the likes of Clark Weber, Larry Lujack, Wolfman Jack and John “Records” Landecker. He has stuck with that variety of music - since the 90s referred to as “oldies” - ever since, and will now be the voice of weekend mornings.
“Having Dick Biondi on both days in the morning to wake up with is pretty cool,” said Peter Bowen, vice president and Chicago market manager of Cumulus Media. “Dick is phenomenal. I love the guy. And this will be good for everybody.”
St. Louis Radio: The Arch Rebrands Morning Show
Hubbard St. Louis Radio Group’s WARH 106.5 FM The Arch has announced updated brand messaging and a new name for their Morning Show.
The name of the new morning show is “Spencer’s Neighborhood” – aptly named with the recent addition of Morning Show co-host Spencer Graves to the DJ team of Ricki and Brando.
According to The Arch’s new Program Director Charlie Quinn, “The concept of ‘Spencer's Neighborhood’ is brand new to 'The Lou', and we want our listeners to take us with them to the 'must experience' places around the St. Louis metro area.”The change in the name of the Morning Show at 106.5 The Arch coincides with Charlie Quinn’s arrival to the St. Louis marketplace.
Quinn notes, “The ‘Spencer’s Neighborhood’ moniker compliments our updated music slogan - ‘You never know what we're going to play next’ – when you’re in ‘Spencer’s Neighborhood’, you never know what they're going to SAY next!"
Morning Show co-host Spencer Graves commented on the new show vibe, noting, “We intend for ‘Spencer’s Neighborhood’ to be funny, irreverent and focused on the neighborhoods you'd be most likely to see us at – wearing our Hawaiian shirts and flip flops with our red Solo cups in hand, sporting the Jimmy Buffett lifestyle.”
Graves continues, “Life's a party in ‘Spencer's Neighborhood’, and we want our listeners to join the fun every day!”
Report: FCC Grilled By Lawmakers
Members of the House Energy and Commerce Committee alternately praised and scolded the five members of the FCC at an oversight meeting on Nov. 17, calling on the commissioners and the chairman to take stronger steps to improve transparency and to rein-in the commission’s internal but very public squabbles, according to RadioWorld.
To ensure more active steps are taken, the House of Representatives Monday passed the FCC Process Reform Act of 2015, which is designed to improve processes at the FCC to ensure more transparent decision-making.
Committee Chair Greg Walden (R-Ore.) began the oversight meeting by chiding FCC Chairman Tom Wheeler for the lack of compromise between members of his commission and the strong disagreements that have been aired in public. He also expressed frustration that the FCC has “misunderstood, or worse, obfuscated or obstructed” the legislative intent that Congress has passed to the commission.
“Sadly, it’s clear by various actions of this and previous commissions, Congress has delegated too much flexibility and authority to the FCC,” Walden said. “We have to do a better job when we write these bills so as to limit FCC authority, not expand it.”
Commissioners touched on key topics that have crossed their desks since the full commission last met with the Energy and Commerce Committee — from the passage of the AM Radio Order to public safety to foreign ownership issues — but it was Commissioner Ajit Pai who called out his commission on a number of shortcomings, including his concerns with the FCC Enforcement Bureau.
“The enforcement process has gone off the rails,” Pai said, pointing to what he calls arbitrary forfeitures and a focus on issuing headline-grabbing fines, regardless of the legality of those actions.
Chairman Wheeler asked the committee to consider offering the FCC legislative support against pirate radio operators. “It’s whac-a-mole right now,” he said. “Congress could make it illegal to aid or abet pirate radio operations and deny them the opportunity to operate in this way. This would be a significant means of thwarting the continued growth of pirate radio.”
To ensure more active steps are taken, the House of Representatives Monday passed the FCC Process Reform Act of 2015, which is designed to improve processes at the FCC to ensure more transparent decision-making.
Committee Chair Greg Walden (R-Ore.) began the oversight meeting by chiding FCC Chairman Tom Wheeler for the lack of compromise between members of his commission and the strong disagreements that have been aired in public. He also expressed frustration that the FCC has “misunderstood, or worse, obfuscated or obstructed” the legislative intent that Congress has passed to the commission.
“Sadly, it’s clear by various actions of this and previous commissions, Congress has delegated too much flexibility and authority to the FCC,” Walden said. “We have to do a better job when we write these bills so as to limit FCC authority, not expand it.”
Commissioners touched on key topics that have crossed their desks since the full commission last met with the Energy and Commerce Committee — from the passage of the AM Radio Order to public safety to foreign ownership issues — but it was Commissioner Ajit Pai who called out his commission on a number of shortcomings, including his concerns with the FCC Enforcement Bureau.“The enforcement process has gone off the rails,” Pai said, pointing to what he calls arbitrary forfeitures and a focus on issuing headline-grabbing fines, regardless of the legality of those actions.
Chairman Wheeler asked the committee to consider offering the FCC legislative support against pirate radio operators. “It’s whac-a-mole right now,” he said. “Congress could make it illegal to aid or abet pirate radio operations and deny them the opportunity to operate in this way. This would be a significant means of thwarting the continued growth of pirate radio.”
Report: NBC Exec Angers Hispanic Lawmakers
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| Deborah Turness |
According to Politico, NBC News President Deborah Turness committed a major blunder — as far as the Hispanic lawmakers were concerned — when she described undocumented immigrants as “illegals," a term that many in the Latino community find highly offensive.
Turness was describing NBC's integration with their Spanish-language network Telemundo, which included coverage of Pope Francis’ visit to the U.S. and his interaction with a young girl who was afraid her parents would be deported because they’re “illegals.”
“I’m going to stop you right there. We use the term undocumented immigrants,” Rep. Juan Vargas (D-Calif.) interrupted.
Turness apologized.
That exchange kicked off a meeting that was already expected to be tense. Lawmakers were hoping for an explanation of why Trump hosted Saturday Night Live, despite formal protests from the Congressional Hispanic Caucus.
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Snippets of Adele's "25" Leaked
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| Adele |
Adele's 2011 album "21" won six Grammy awards and sold more than 30 million copies worldwide, and the new release is expected to be the biggest selling album of 2015.
An Adele fan posted on Twitter a photo on Tuesday of what looked like the CD of the new album, claiming it was obtained at a Target store. The fan, with the Twitter handle @HausofFrancis, invited followers to "retweet if you want me to leak it."
The fan later posted what appeared to be a tweet from Adele's record label, XL Recordings, ordering the removal of the "infringing material" and threatening legal action.
"25 leaked and it wasn't me," @HausofFrancis tweeted on Wednesday.
Target Corp said it was not responsible. "This is not a Target album," the retailer said in a statement. Representatives for independent label XL and for Adele, who recorded a concert in New York City on Tuesday night, did not return requests for comment.
In a separate case, two-minute snippets of all 11 tracks from the album were reported to have been briefly available online late on Tuesday through a British online record store. The link had been taken down on Wednesday.
Billboard magazine estimated last month that "25" could sell up to 1.8 million units in North America alone its first week on sale.
The first single and music video from the album, "Hello," smashed digital sales records and views when they were officially released last month.
A second single, "When We Were Young," was released on Tuesday and has already been viewed more than 7 million times on streaming platform Vevo.
Meanwhile, Billboard quotes sources saying Columbia Records will ship 3.6 million physical copies of the singer's new album 25 in the U.S., which would probably mark the largest number of new-release CDs shipped in the past decade. The last album to ship more than that would have been *NSYNC's "No Strings Attached, which shipped 4.2 million units back in 2000.
As of Nov. 18, insiders tell Billboard that parent company Sony Music is projecting first-week CD sales of 1.5 million, while Apple digital sales are expected to be about 900,000. Overall downloads should come in at about 1 million units. Sources also suggest that preorders at iTunes will wind up at about 450,000, while Amazon’s pre-orders have already topped 100,000, for both CDs and MP3s.
Who's 'So Vain'? Singer Carly Simon Reveals One Mystery Man
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| Carly Simon |
Simon says the caustic song about a self-absorbed lover is actually based on a composite of three of the men in her life around that time, and one of them is actor Warren Beatty.
"I have confirmed that the second verse is Warren," Simon told People magazine in an interview released on Wednesday pegged to her upcoming memoir, "Boys in the Trees."
Simon, 70, says Beatty, the charismatic star of hit movies "Bonnie and Clyde" and "Shampoo," is aware of his role in the song, although, she said, "Warren thinks the whole thing is about him!"
Simon, who had romances with singers Mick Jagger and Cat Stevens and actor Jack Nicholson as well as Beatty, is not naming other names, but in the past she has said the song was not about her then husband, singer-songwriter James Taylor.
The hit single, with the chorus "You're so vain, you probably think this song is about you," reached the top of the charts in the United States, Canada, Australia and Ireland in 1972 and was Simon's biggest hit.
Simon told People she was struck by the enduring interest in the song's inspiration.
"Why do they want to know?" she said. "It's so crazy!"
(Reporting by Jill Serjeant; Editing by James Dalgleish)
Music by Grateful Dead, Fleetwood Mac Among Grammy HoF Inductees
(Reuters) -- Music by rockers the Grateful Dead and Fleetwood Mac, jazz greats Miles Davis and Louis Armstrong and singers Blondie and Roberta Flack will be enshrined in the Grammy Hall of Fame, The Recording Academy said on Wednesday.
Grateful Dead's 1970 album "American Beauty," named one of Rolling Stone magazine's 500 greatest albums of all time in 2012, will be inducted after the band ended its 50-year-run this year with a final tour.
Fleetwood Mac's 1975 self-titled record, which includes the hits "Rhiannon" and "Say You Love Me," will also be placed into the music vault, as well as "The Basement Tapes," the 1975 album by Bob Dylan and The Band.
A total of 26 albums and songs across all genres that are at least 25 years old, were selected by a committee put together by the Recording Academy - hosts of the annual Grammy Awards - to be inducted into the Grammy Hall of Fame.
The selected music is considered to have either "qualitative or historical significance."
"These works have influenced and inspired both music creators and fans for generations and we are proud to induct them into our catalog of distinguished recordings," Neil Portnow, president and chief executive officer of the Recording Academy, said in a statement.
Among the jazz and blues inductees this year are "Miles Smiles," the 1967 album by jazz great Miles Davis and his quintet, Roberta Flack's 1969 record "First Take," and Ella Fitzgerald and Louis Armstrong's collaborative 1956 album "Ella and Louis."
Punk new-wave band Blondie's disco-influenced "Heart of Glass," the song that helped push the band into the mainstream, will also enter the Grammy Hall of Fame, along with Little Eva's 1962 pop song "The Loco-Motion" and Joan Jett & The Blackhearts' raucous "I Love Rock 'N Roll."
(Reporting by Piya Sinha-Roy; Editing by Peter Cooney)
Grateful Dead's 1970 album "American Beauty," named one of Rolling Stone magazine's 500 greatest albums of all time in 2012, will be inducted after the band ended its 50-year-run this year with a final tour.
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| Deborah Harry |
A total of 26 albums and songs across all genres that are at least 25 years old, were selected by a committee put together by the Recording Academy - hosts of the annual Grammy Awards - to be inducted into the Grammy Hall of Fame.
The selected music is considered to have either "qualitative or historical significance."
"These works have influenced and inspired both music creators and fans for generations and we are proud to induct them into our catalog of distinguished recordings," Neil Portnow, president and chief executive officer of the Recording Academy, said in a statement.
Among the jazz and blues inductees this year are "Miles Smiles," the 1967 album by jazz great Miles Davis and his quintet, Roberta Flack's 1969 record "First Take," and Ella Fitzgerald and Louis Armstrong's collaborative 1956 album "Ella and Louis."
Punk new-wave band Blondie's disco-influenced "Heart of Glass," the song that helped push the band into the mainstream, will also enter the Grammy Hall of Fame, along with Little Eva's 1962 pop song "The Loco-Motion" and Joan Jett & The Blackhearts' raucous "I Love Rock 'N Roll."
(Reporting by Piya Sinha-Roy; Editing by Peter Cooney)
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