Wednesday, April 30, 2025

Paramount-Trump Reps Looking To Mediate A Deal


Paramount Global’s board, the parent of CBS News, has outlined financial terms for a potential settlement in U.S. President Donald Trump’s lawsuit over a “60 Minutes” interview, The New York Times reported Tuesday, citing three sources familiar with the discussions. 

Shari Redstone, Paramount’s controlling shareholder and non-executive chair, recused herself from the settlement talks, a source told Reuters anonymously. 

While specific amounts are undisclosed, the board’s decision signals a possible out-of-court resolution, per the Times. 

Reuters could not immediately reach Paramount or Redstone’s spokesperson for comment. Trump’s October lawsuit against CBS, claiming $10 billion for alleged deceptive editing of a Kamala Harris interview to favor Democrats, was amended in February to seek $20 billion. Mediation is set to begin Wednesday, the Times reported.

Legal experts deem Trump’s lawsuit against CBS baseless, predicting an easy win for the network, yet Paramount is open to negotiating a settlement. 

On April 18, the Paramount board defined acceptable financial terms for a potential deal with President Trump, three sources familiar with the discussions revealed. Though specific figures are undisclosed, this step facilitates an out-of-court resolution. 

Shari Redstone, Paramount’s controlling shareholder, supports settling the case and is poised for a significant payout from Paramount’s pending sale to Skydance, a deal needing Trump administration approval. While any settlement requires board approval, Redstone has recused herself from related discussions.

TV Weekly Ratings: Fox News Dominates Cable News


During the week of April 21-27, FOX News Channel (FNC) dominated all of cable television, drawing in 2.3 million viewers (249,000 A25-54) in primetime and 1.5 million viewers (175,000 A25-54) with total day, outranking both CNN and MSNBC across the board. 

The network averaged 2.7 million viewers in weekday primetime, again topping broadcast competitor NBC (2.6 million viewers). The Five was the most-watched show in cable news with 3.9 million viewers for the week. 

Additionally, the network posted 91 of the top 100 cable news telecasts with viewers.


For the week: The Five averaged 3.9 million viewers and 427,000 in the 25-54 demo, leading cable news across the board. At 6 PM/ET, Special Report with Bret Baier drew 2.7 million viewers and 278,000 in the 25-54 demo. The Ingraham Angle saw 2.7 million viewers and 289,000 in the 25-54 demo at 7 PM/ET. At 8 PM/ET, Jesse Watters Primetime delivered 3.4 million viewers and 416,000 in the 25-54 demo. At 9 PM/ET, Hannity posted 2.7 million viewers and 319,000 with A25-54. At 11 PM/ET, FOX News @ Night secured 1.4 million viewers and 183,000 in the 25-54 demo.

FNC’s The Will Cain Show continued to drive up the ratings at 4 PM/ET captured 1.9 million viewers and 208,000 in the 25-54 demo, a 25% and 24% increase with viewers and the demo respectively, compared to the same week last year.

At 10 PM/ET, FNC’s late-night offering Gutfeld! secured 2.8 million viewers and 308,000 with A25-54. Gutfeld! once again topped broadcast competition ABC’s Jimmy Kimmel Live! (1,611,000 viewers; 277,000 A25-54). *The Late Show with Stephen Colbert did not air.


FNC continued to see a number of its daytime programs outpace the broadcast competition. The Will Cain Show (weekdays, 4 PM/ET; 1,930,000 viewers), Outnumbered (weekdays, 12 PM/ET; 1,860,000 viewers), America’s Newsroom (weekdays, 9-11 AM/ET; 1,825,000 viewers), Harris Faulkner’s The Faulkner Focus (weekdays, 11 AM/ET; 1,767,000 viewers), The Story with Martha MacCallum (weekdays, 3 PM/ET; 1,681,000 viewers), America Reports (weekdays, 1-3 PM/ET; 1,674,000 viewers) and FOX & Friends (weekdays, 6-9 AM/ET; 1,393,000 viewers) all led ABC’s GMA3 (1,239,000 viewers) and NBC’s Today with Jenna & Friends (1,173,00 viewers).


On Saturday:
Life, Liberty & Levin (weekends, 8 PM/ET) was the most watched show with 1.4 million viewers. FOX & Friends Saturday drew 116,000 A25-54, the highest rated program amongst the younger demo. The Big Weekend Show (Saturday, 6-8 PM/ET) was the second most watched show of the day with 1.3 million viewers while FOX News Live and Journal Editorial Report took the second place spot with the demo, nabbing 111,000 A25-54.

On Sunday: Maria Bartiromo’s Sunday Morning Futures (Sunday, 10 AM/ET) was the top show of the day with 1.6 million viewers and 183,000 in the 25-54 demo. Sunday Night in America (Sunday, 9 PM/ET) was the second most-watched program with 1.6 million viewers and 165,000 A25-54.

Source: Nielsen. Live+SD. Week of 4-21-25 ratings data. Average audience for cable news networks Monday-Sunday based on Total Day and Prime (6a-6a, 8P-11P), P2+, P25-54. Cable News/Broadcast Program averages exclude repeats and include the corresponding program name.

Trump During Testy ABC News Interview: 'I Don't Trust You'


President Donald Trump sat down with ABC News Senior National Correspondent Terry Moran in the Oval Office for a primetime interview marking his first 100 days in his second term. 

The interview, titled "President Trump the First 100 Days: The Interview in the Oval Office," aired at 8 p.m. EDT on ABC and was later streamed on ABC News Live, Disney+, and Hulu. 

Described as tense and confrontational, the exchange saw Trump clashing with Moran over several contentious issues, including immigration, tariffs, and allegations of authoritarianism. Below is a detailed overview of the interview, its key moments, and the public and media reactions, drawing from available sources.

A significant point of contention was the deportation of Kilmar Abrego Garcia, a Maryland father and El Salvador native mistakenly sent to a prison in El Salvador. Trump claimed Garcia was an MS-13 gang member, citing a photo allegedly showing "MS-13" tattooed on his knuckles. Moran challenged this, stating the image was "Photoshopped," a claim supported by critics who argue there’s no evidence linking Garcia to the gang.

Trump grew defensive, saying, “Terry, they’re giving you the big break of a lifetime. I picked you because, frankly, I never heard of you, but that’s OK. You’re not being very nice.” He insisted the tattoos were real and accused Moran of spreading "fake news."


Moran pressed Trump on the rule of law, noting a Supreme Court order to facilitate Garcia’s return. Trump deflected, saying he wasn’t making the decision and criticized a lawyer for admitting the deportation was an error, claiming the lawyer “should not have said that.” He suggested he could bring Garcia back if deemed a “gentleman,” despite previously denying such authority.

Moran highlighted the presidency’s power, stating, “You could pick up the phone and call the president of El Salvador,” to which Trump responded by shifting responsibility. This exchange underscored tensions over Trump’s immigration policies and due process for undocumented migrants, with Trump asserting, “If people come into our country illegally, there’s a different standard.”

Tariffs and Economic Policy:

Trump defended his controversial trade war with China, particularly his tariffs, which economists warn will raise costs for American consumers. When Moran cited concerns from voters, including Trump supporters, about higher prices, Trump insisted, “They did sign up for it, actually. And this is what I campaigned on.” He claimed China would “probably eat those tariffs,” despite evidence suggesting consumers bear the cost.

Trump took credit for lower prices on gasoline, groceries, and eggs, though these claims lack substantiation in the context of broader economic trends. Moran challenged the economic fallout, referencing Moody’s and other analysts predicting thousands in additional annual costs for families, but Trump dismissed these concerns, asserting “great times” were ahead.

CPB Sues President Trump To Block Board Overhaul


The Corporation for Public Broadcasting (CPB) on Tuesday filed a lawsuit against President Trump, challenging his attempt to replace three of its five board directors. CPB attorneys sought a temporary restraining order from a Washington, D.C., judge to block Trump’s directive. 

The action follows Trump’s Monday announcement to remove 60% of the current board, targeting two directors appointed by President Joe Biden and one appointed by Trump during his first term. All three directors are plaintiffs in the case, arguing that federal law bars the President from removing CPB board members.

The Public Broadcasting Act of 1967 allows the President to appoint CPB board members but does not explicitly grant removal authority. The CPB, identifying as a private corporation with government ties, argues its board members are not U.S. officers subject to presidential removal under the Constitution. White House claims of executive removal power, as stated by Taylor Rogers, are contested and likely headed for legal challenges, with the administration anticipating victory.

Trump’s broader agenda includes defunding public broadcasting, as signaled in his April 1, 2025, Truth Social post and reported White House intentions to NPR. The CPB distributes over $500 million annually, supporting NPR (10% of station funding) and PBS (15% of revenue). Defunding would require Congressional approval, where Republicans hold majorities as of April 29, 2025.

Trump’s influence extends to cultural institutions, as seen in his February 2025 appointment as Kennedy Center board chairman, where he added allies like Laura Ingraham, Maria Bartiromo, Dan Scavino, Usha Vance, and Pam Bondi. This has led to artist cancellations at the Kennedy Center.

The situation hinges on legal interpretations of presidential authority and political support for defunding, with significant implications for public broadcasting’s funding and independence.

TV Monthly Ratings: FNC Tops All Cable News, Plus ABC, NBC


FOX News Channel (FNC) finished April beating broadcast networks ABC and NBC in weekday primetime as it marked the highest-rated first 100 days of an administration in cable news history, according to data from Nielsen Media Research. 

FNC ended the month with 3.1 million viewers in weekday primetime making it the second highest-rated network in all of television leading ABC (2.9 million viewers) and NBC (2.8 million viewers). Year-to-date, FNC is also number two in weekday primetime with 3.5 million viewers leading NBC (3.1 million viewers) and ABC (3 million viewers). Once again, more Democrats, Independents and Republicans tuned in to FNC over any other cable network across total day, according to data from Nielsen MRI Fusion. FNC was also number one in cable with Asians, Hispanics and upscale viewers throughout total day during April.


FNC averaged 1.9 million viewers across total day during the first 100 days of the Trump administration (up 47% vs. 2021; up 12% vs. 2017) and 3 million viewers in primetime (up 25% vs. 2021; up 8% vs. 2017). Comparatively CNN and MSNBC have both seen double-digit collapses of their audiences across total day and primetime compared to the first 100 days of the Biden administration in 2021 and the first Trump administration in 2017. In fact, CNN is down nearly 60% with viewers across total day and primetime compared to the first 100 days of the Biden administration.

Special Report with Bret Baier (weeknights, 6 PM/ET) averaged over 3 million viewers and 319,000 in the 25-54 demo, continuing to close the gap with the broadcast competition. In fact, year-to-date, Special Report leads CBS Evening News in 20 top markets across the country including New York, Atlanta, Philadelphia and Chicago, leads ABC’s World News Tonight in nine markets including New Orleans, Tampa Bay and St. Louis and leads NBC’s Nightly News in Atlanta, Boston and New York. Additionally, April was CBS Evening News worst month ever with both viewers and A25-54.

FNC’s hit late-night program Gutfeld! continued to dominate all of late-night television across the board. Notching 3.1 million viewers, 375,000 in 25-54, Gutfeld! walloped CBS’ The Late Show with Stephen Colbert (2.5 million viewers), ABC’s Jimmy Kimmel Live! (1.5 million viewers), NBC’s The Tonight Show with Jimmy Fallon (1.1 million viewers), Late Night with Seth Meyers (753,000 viewers), and Comedy Central’s The Daily Show (497,000 viewers) across the board.

CBS Appears Headed For Another Seasonal Win


CBS is poised for a record 17th straight season as the most-watched broadcast network, marking the longest streak since its own 1955-1970 run. Excluding sports, Nielsen data shows CBS averaging 4.99 million primetime viewers, a 14% increase from last year.

According to The Wrap, CBS dominates with the top seven broadcast shows: “Tracker” (10.84M viewers), “Matlock” (9.53M), “60 Minutes” (8.45M), “FBI” (8.11M), “Georgie and Mandy’s First Marriage” (7.98M), “Blue Bloods” (7.9M), and “NCIS” (7.86M). It also claims eight of the top 10 shows (including “Elsbeth”), four of the top five new shows (“Matlock,” “Georgie and Mandy’s First Marriage,” “Watson,” “NCIS: Origins”), and the top two comedies (“Georgie and Mandy’s First Marriage,” “Ghosts”). Of the top 20 shows, CBS holds 13 spots.

NBC secured four top-20 spots with “Chicago Fire” (8th), “Chicago Med” (10th), “Chicago P.D.” (13th), and “The Voice” (18th). ABC took three with “High Potential” (12th), “Will Trent” (14th), and “9-1-1” (19th).

Beyond primetime, CBS’s “The Late Show With Stephen Colbert” leads late night for a ninth straight season, and the network remains No. 1 in daytime for a 39th consecutive season.

TV Ratings: The Numbers Remain Good for NBA Playoffs


ESPN’s NBA playoff broadcasts are seeing a surge in TV ratings early in the postseason. 

After the second weekend, 11 games on ESPN and ABC averaged 4.45 million viewers, a 13% increase from last year, per Nielsen data. The standout was Sunday’s Game 4 in the Lakers-Timberwolves series, with 7.34 million viewers watching Minnesota’s 116-113 win on ABC, putting them one victory from eliminating the Lakers and potentially ending hopes for a high-ratings Lakers-Warriors second-round matchup. Game 5 of Lakers-Timberwolves and Warriors-Rockets, where Golden State leads 3-1, will air Wednesday on TNT and truTV.

This follows a historic opening weekend, the most-watched in 25 years, with eight games averaging 4.4 million viewers across ESPN and TNT, up 17% from 2024. 

The playoff boost contrasts with a 2% drop in regular-season viewership to 1.53 million across ABC, ESPN, and TNT. As the NBA transitions to new 11-year, $77 billion media deals with ESPN, NBC, and Amazon, TNT’s NBA coverage will conclude with the Eastern Conference finals.

Report: Mets’ Broadcaster SNY Is Exploring a Potential Sale


SportsNet New York (SNY), the primary broadcaster of New York Mets games, is reportedly exploring strategic options, including a potential sale, according to sources cited in a Wall Street Journal article.

SNY, launched in 2006, is owned by Sterling Entertainment Enterprises, LLC, a joint venture with the New York Mets’ parent company, Sterling Equities (65% stake), Charter Communications (27%), and Comcast’s NBC Sports Group (8%). 

The network holds exclusive broadcast rights to Mets games through 2035, airing over 100 games per season, alongside coverage of the New York Jets and UConn sports.

The exploration of a sale follows a history of financial significance for the Mets. In 2013, Bloomberg estimated SNY accounted for $1.2 billion of the Mets’ $2.1 billion valuation, and by 2011, the network generated $68 million annually for the Mets in broadcast rights revenue. 

The Wilpon family, former Mets owners, previously considered selling SNY in 2021 after selling the team to Steve Cohen for $2.42 billion, with Cohen expressing interest in acquiring the network alongside RedBird Capital. Recent posts on X indicate Cohen, now the Mets’ owner, could again be a potential buyer if SNY is sold.

Fox Business Posts Double-Digits Increases YoY


FOX Business Network (FBN) saw double-digit gains year-over-year in business day, market hours, and total day during the month of April, according to Nielsen Media Research. 

In April, FBN beat CNBC with M-F total day viewers for the 13th consecutive month. Additionally, the network held eight of the top 20 most-affluent cable news programs with the younger demo. FBN’s Kudlow closed out the month as the most watched business program for the 24th consecutive month.


As the markets reacted to the tariff changes made by the new administration, FBN notched double-digit year-over-year increases in business day, nabbing a 15% increase (225,000 total viewers), market hours with 16% growth (214,000 total viewers) and M-F total day, which secured gains of 12% (141,000 total viewers). In addition, FBN’s 141,000 total day viewers beat CNBC for the 13th consecutive month.

Notably, FBN scored eight of the top 20 most-affluent cable news programs with younger viewers for the month. Maria Bartiromo’s Wall Street led the way with an average median income of $244,900, followed by Barron’s Roundtable ranking in at number three with an average income of $189,600. Mornings with Maria, The Big Money Show, Varney & Co., Kudlow, Making Money with Charles Payne and The Claman Countdown each secured viewers with an average median income of $136,600 or greater.

In the 4 PM/ET hour, Larry Kudlow’s eponymous Kudlow (4 PM/ET) reached its 24th consecutive month as the top program in business news. The program crushed its competition, CNBC’s Closing Bell with a 61% advantage (336,000 total viewers) for the 43rd straight month. Market open program, Varney & Co. (9 AM/ET-12 PM/ET) secured a 6% advantage over CNBC’s Squawk on the Street & Money Movers capturing 268,000 total viewers and marking the program's 38th straight win over its competition.

The network's three-hour pre-market program, Maria Bartiromo’s Mornings with Maria (6-9 AM/ET) drew 123,000 total viewers, seeing a 22% year-over-year gain. Each additional FBN core program saw double-digit gains compared to 2024, including The Big Money Show (12-2 PM/ET; + 25% YOY with 180,000 total viewers), Making Money with Charles Payne (2 PM/ET; + 24% YOY with 181,000 total viewers) and The Claman Countdown (3 PM/ET; + 15% YOY with 183,000 total viewers). Additionally, Making Money with Charles Payne and The Claman Countdown delivered their highest rated month since 2022 with total viewers.

LA Times Lost A Reported $50M In 2024


The Los Angeles Times, owned by billionaire Dr. Patrick Soon-Shiong, reportedly lost approximately $50 million in 2024, following a $30 million loss in 2023, according to AdWeek, citing a source with direct knowledge of remarks by Anna Magzanyan, president of L.A. Times Studios. 

The financial shortfall has been attributed to a combination of subscriber and advertiser losses, operational changes, and external factors like wildfires in subscriber-dense areas. Below is a detailed breakdown of the situation based on available information.

Key Financial Details 2024 Loss: 

Subscriber Decline: Since September 2024, the paper lost approximately 25,000 paying subscribers, reducing its subscriber base and impacting revenue.
Advertising Losses: Major advertisers, including Netflix, have pulled ad spending, contributing to the financial strain.

Dr. Patrick Soon-Shiong
The Times and its sister paper, the San Diego Union-Tribune, also faced a “catastrophic” revenue loss of over $50 million in 2020 due to a sharp decline in print advertising during the COVID-19 pandemic, with digital advertising and print circulation also affected. In 2019, losses were around $20 million, indicating a persistent challenge in achieving profitability.

Ownership and Editorial Changes: Since acquiring the Los Angeles Times and San Diego Union-Tribune in 2018 for $500 million, Soon-Shiong has invested an estimated $800 million to $1 billion, including covering operational losses. His hands-on approach has included controversial decisions, such as:Blocking the paper’s endorsement of Kamala Harris in the 2024 presidential election, which sparked backlash and subscriber cancellations.

These changes and other have been criticized for moving the paper away from its traditional editorial identity, contributing to subscriber and advertiser discontent.

Viewers Continue to Cut Back on Streaming Subscriptions


Budget-conscious TV viewers are reducing spending on streaming services, prioritizing quality content over quantity, according to TiVo’s “Q4 2024 Video Trends Report” released today by Xperi-owned TiVo. 

Consumers are streamlining their video subscriptions, emphasizing high-quality programming to maintain engagement, according to TVTechnology.

The report shows a nearly $20 year-over-year drop in entertainment spending in Q4 2024, with the average number of services used falling from 11.1 to 9.9. Monthly entertainment spending dipped below $160 for the first time since before 2021, down from a 2022 peak of $189.38. Of those who canceled a subscription video-on-demand (SVOD) service in the past six months, 17% cited insufficient use, and 16.9% pointed to price hikes. Despite stable viewing hours, consumers are using fewer services, indicating a shift toward value-driven choices.

Unlike previous years when ad-free SVODs were preferred, consumers now favor robust content libraries over ad-free experiences, with ad tolerance rising from 75.3% to 76.2% year-over-year. Viewers also seek greater personalization for a simplified, value-focused entertainment experience. Platforms delivering both value and relevance are likely to thrive in this evolving landscape.

“Consumers are cutting back on services while seeking quality content,” said Geir Skaaden, Xperi’s chief product and services officer. “Economic uncertainty is pushing the industry to provide engaging, relevant content to retain viewers.” Skaaden noted that, similar to pandemic-era trends, consumers may increasingly value cost-effective, home-based entertainment, putting pressure on the industry to deliver timely, high-value content.

NEPA Radio: Rocky Rhodes Unplugs Thursday On KRZ-FM


Longtime WKRZ 98.5 FM Wilkes-Barre-Scranton radio personality Rocky Rhodes announced on Monday that he will conclude his 45-year broadcasting career (35 years at KRZ-FM) with his final show on Thursday, May 1, 2025.

“I’m not retiring—I’m just unplugging,” Rhodes said. “After 45 years on air, including 35 at KRZ in Northeast Pennsylvania, it’s time. It’s been an incredible ride.”

Rhodes and his wife, Sue, relocated to Northeast Pennsylvania in 1989, leaving Colorado’s Rocky Mountains for the Poconos. He reflected, “So many unforgettable moments—most of which would probably raise eyebrows with today’s legal team.”

He expressed appreciation for key figures in his career, including early KRZ managers Ken “Doc” Medek and Gerald Getz, current station leaders OD and Ryan Flynn, and “Psycho” Mike Duffy, who evolved from intern to morning show producer, program director, and close friend.

Rhodes also commended his co-host Lissa, nearing her 15th year at KRZ, and thanked Sue for her steadfast support through numerous relocations and career shifts.

He acknowledged the mentorship of industry icons like Don Anthony, Kidd Kraddick, and Jeff & Jer, calling their guidance “a true gift.”

Concerts, Vinyl Sales Drive UMG's 1Q Revenue


Universal Music Group (UMG), the world’s largest music label, reported first-quarter 2025 revenue of €2.901 billion ($3.31 billion), surpassing analyst expectations of €2.83 billion, with an 11.8% year-over-year increase (9.5% in constant currency). This growth was driven by strong performances in concerts, vinyl record sales, and digital subscriptions, reflecting robust consumer demand across multiple revenue streams.

Key Drivers of Revenue Growth

  • Concerts and Live Events: UMG’s license and other revenue surged 33.3% year-over-year (29.8% in constant currency) to €296 million ($311 million), fueled by high-demand concerts from artists like Kendrick Lamar, Sabrina Carpenter, and Lady Gaga. The resurgence of live music events significantly boosted this segment, with strong ticket sales and synchronization income contributing to the growth.
  • Vinyl Record Sales: Physical revenue rose 17.6% (15.4% in constant currency) to €300 million ($316 million), driven primarily by vinyl sales growth in the U.S. and Europe. Despite a strong release slate, UMG anticipates flat physical sales for 2025 due to challenging comparisons with prior years. The vinyl resurgence highlights a continued consumer preference for tangible music formats, particularly among collectors and enthusiasts.
  • Digital Subscriptions and Streaming: Subscription revenue, a core component of UMG’s business, grew 11.5% (9.3% in constant currency) to €1.25 billion ($1.31 billion), driven by an increase in global subscribers. Streaming revenue, however, saw modest growth of 2.9% (0.3% in constant currency) to €343 million, as consumption shifted toward less-monetized short-form platforms. UMG noted that subscriber growth, rather than price increases from platforms like Spotify or Apple Music, was the primary driver. Streaming and subscriptions together accounted for over half of total sales, underscoring their critical role in UMG’s revenue model.

Radio History: April 30


➦In 1908....actress Eve Arden was born Eunice Quedens in Mill Valley Calif. She won an Emmy for her star-making turn as “Our Miss Brooks”, which she introduced on CBS Radio in 1948 and on CBS-TV in 1952.  It continued  weekly on television through 1956 and on radio through 1957.  She died from arteriosclerotic heart disease Nov 12, 1990 at age 82.

➦In 1917...Beatrice Ruth Wain born in the Bronx (Died at age 100 – August 19, 2017).  She was a Big Band-era singer and radio personality.

Bea Wain had a number of hits with Larry Clinton and his Orchestra. After her marriage she and her husband became involved in radio, helming a show titled "Mr. and Mrs. Music". Wain made her debut on radio at age six as a "featured performer" on the NBC Children's Hour. As an adult, she sang regularly on The Larry Clinton Show (NBC 1938), Monday Merry-Go-Round (NBC Blue 1941-1942), Starlight Serenade (Mutual 1944) and Your Hit Parade.

She was married to radio announcer AndrΓ© Baruch. They were married for 53 years. Baruch died in 1991.


Following her musical career, the couple worked as a husband-and-wife disc jockey team in New York on WMCA, where they were billed as "Mr. and Mrs. Music". In 1973, the couple moved to Palm Beach, Florida, where for nine years they had a top-rated daily four-hour talk show from 2 PM to 6 PM on WPBR before relocating to Beverly Hills. During the early 1980s, the pair hosted a syndicated version of Your Hit Parade, reconstructing the list of hits of selected weeks in the 1940s and playing the original recordings.

By April 30, 1930...radio was firmly entrenched in American life, with about 12 million households owning radios at the start of the decade, a number that would more than double by 1939. The Golden Age of Radio (roughly 1930–1940s) was underway, characterized by the rise of commercial broadcasting, network programming, and diverse formats like soap operas, comedies, and news. Events like the Academy Awards broadcast reflect how radio was becoming a primary medium for real-time entertainment and information, uniting listeners across vast distances

➦In 1938...Historic CBS Columbia Square Studios Dedicated.

On April 20th, 2007 the last broadcast of CBS2 news aired from the Columbia Square facility in Hollywood Ca.  After 69 years this building has given way to a brand new broadcast center at the CBS studios in Studio City. There, it will broadcast the local KCBS/KCAL news shows. A couple of years ago KNX newsradio ended its long tenancy to move to new digs on Wilshire Bl.  For some of my colleagues and I, it was our home away from home, where we worked and in essence, grew up and flourished as journalists. Just about every major news personality around the country has worked at Columbia Square at one time or another. It's been 28 years for me.  Since the KNXT days.  You can't deny the rich history of the place as celebs and stars of radio, television and music passed through it doors since the late 30's.

➦In 1945...“How would you like to be queen for a day?!” was heard for the first time, as Jack Bailey introduced the show “Queen For a Day” on Mutual radio. The show later moved to television, where it ran locally in the Los Angeles area from 1948 through 1955, on the NBC Television network from January 3, 1956 to September 2, 1960, and on the ABC network from September 5, 1960 to October 2, 1964.

Tuesday, April 29, 2025

Chicago Radio: Shane Riordan Abruptly Exits WSCR


Shane Riordan Monday announced his sudden departure from WSCR 670 The Score via a post on X, stating, “Feels so odd to say and even using social media at the moment doesn’t feel right. But I am no longer with 670 The Score and would appreciate any and all leads.” 

The Chicago Sun-Times, through reporter Jeff Agrest, confirmed that Riordan, the executive producer of the “Parkins & Spiegel” afternoon show, was no longer with the station, though no specific reason for his exit was provided.

Shane Riordan
Riordan had been a key figure at The Score, serving as executive producer and content & operations manager, contributing significantly to the success of the “Parkins & Spiegel” show, which was nominated for a Marconi Award in 2022. 

Known for his entertaining on-air presence, Riordan often joined hosts Danny Parkins and Matt Spiegel as a third voice, bringing humor and a unique perspective. His creative contributions, including guest booking and segment ideas, were praised by Spiegel, who described him as “deeply hilarious” with a “brilliantly quick mind” that redefined the executive producer role.

Riordan’s tenure at The Score was not without controversy. In May 2023, he was suspended for four days after making crude on-air remarks about the late mother of conservative radio host Dan Proft, prompting a public apology upon his return. This incident, while notable, did not appear to be directly linked to his 2025 departure, as no reports suggested ongoing repercussions.

Neither Riordan nor Audacy, The Score’s parent company, provided details on the circumstances of his exit, leaving speculation among listeners. 

FCC Sued Over Perceived Elon Musk Conflict of Interests


Veteran journalist Burleigh filed a lawsuit Monday against the FCC in the U.S. District Court for the District of Columbia, seeking access to documents she believes could expose financial conflicts of interest involving Elon Musk. 

Specifically, the lawsuit targets Musk’s dual roles as a key figure in the Trump administration’s Department of Government Efficiency (DOGE) and as CEO of SpaceX, which operates the Starlink satellite internet service. Burleigh’s suit, reported via an X post by @TedatPolicyband, demands a “wide range of documents” related to Musk’s interactions with the FCC and DOGE’s activities. She argues these records could reveal whether Musk has leveraged his government position to benefit SpaceX and Starlink, particularly in securing federal contracts or influencing regulatory decisions.

Nina Burleigh
The context for Burleigh’s lawsuit stems from ongoing concerns about Musk’s influence in the Trump administration. 

Since January 2025, Musk has co-led DOGE, a task force aimed at slashing federal spending and workforce, while maintaining control over SpaceX, a major federal contractor with over $10 billion in government contracts. 

Critics, including Democratic lawmakers, have flagged potential conflicts, citing instances like the FAA’s testing of Starlink terminals and reported pressure to redirect a $2.4 billion Verizon contract to SpaceX. A Senate report from April 2025 estimated Musk’s companies face $2.37 billion in potential federal penalties, underscoring the stakes of his government role. Burleigh has a history of probing powerful figures and institutions, aiming to uncover whether Musk’s DOGE activities improperly funnel benefits to his private ventures.

The FCC has not publicly commented on the lawsuit, and no court rulings have been reported as of April 29, 2025. The case reflects broader tensions over transparency and accountability in the Trump administration, particularly regarding Musk’s unprecedented access to federal agencies. Burleigh’s pursuit of these documents could potentially clarify the extent of Musk’s financial entanglements, though the outcome remains uncertain pending court proceedings.

Spotify Reports Premium Subscribers Increased 12 Percent


Spotify Technology S.A. released its Q1 2025 earnings report Tuesday, before the market opened, highlighting strong performance across key metrics, including record-high operating income and significant subscriber growth.

Key Highlights from Spotify’s Q1 2025 Earnings:

  • Subscribers: Premium subscribers grew by 12% year-over-year (Y/Y) to 268 million, surpassing analyst expectations of 265.22 million. This marked the highest Q1 net subscriber additions since 2020.
  • Monthly Active Users (MAUs): MAUs increased by 10% Y/Y to 678 million, slightly below the estimated 679.04 million.
  • Revenue: Total revenue rose 15% Y/Y to €4.19 billion, narrowly missing the consensus estimate of €4.21 billion.
  • Gross Margin: Improved by approximately 400 basis points Y/Y to 31.6%, slightly ahead of the company’s forecast of 31.5%.
  • Operating Income: Reached a record high of €509 million, reflecting significant profitability improvements.
  • Earnings Per Share (EPS): Reported at €1.7, below the estimated €2.2, indicating a miss on earnings expectations.

Insights

  • Subscriber Growth: The strong subscriber growth was driven by Spotify’s freemium model, which allows users flexibility, and high retention rates despite economic uncertainty. CEO Daniel Ek emphasized healthy engagement and retention as key drivers.
  • Macro Environment: Ek noted potential short-term “noise” due to macroeconomic uncertainty but expressed confidence in Spotify’s long-term trajectory.
  • Product Initiatives: Spotify highlighted expansions like the Spotify Partner Program and Concerts Near You, aimed at enhancing value for artists, fans, and creators.
  • Advertising Revenue: Advertising, which accounts for about 12% of revenue, faced potential pressure from a weak macro environment, as noted by analysts.

The Outlook

Music subscriptions are seen as a relatively cheap utility, making Spotify’s business somewhat recession-proof, compared with its tech and media peers.  

“The underlying data at the moment is very healthy,” said Chief Executive Daniel Ek, pointing to strong engagement and retention—and the option of Spotify’s free tier for customers who may feel the squeeze. “So yes, the short term may bring some noise, but we remain confident in the long-term story,” he said. 

For the current quarter, Spotify forecast user numbers would grow to 689 million—below Wall Street expectations—and premium subscribers would grow to 273 million, ahead of analyst estimates, according to FactSet. It said it expects revenue of €4.3 billion and gross margin of 31.5%.

FCC Chair: 'All Options' Open on CBS News Distortion Review


FCC Chair Brendan Carr stated on Monday that "all options remain on the table" in the ongoing investigation into a "60 Minutes" interview with then-Vice President Kamala Harris. 

Last month, Carr rejected CBS’s request to dismiss a complaint alleging the interview violated FCC "news distortion" rules. CBS, owned by Paramount Global, is seeking FCC approval for an $8.4 billion merger with Skydance Media, with a 180-day informal deadline approaching.

Reuters reports Carr, who has not yet reviewed the complaints or set a decision timeline, emphasized the FCC’s focus on applying "the law and the facts." He declined to speculate on potential pressure from President Donald Trump to approve the merger. Trump, who recently criticized "60 Minutes" for alleged inaccuracies, is engaged in a legal battle with CBS over the Harris interview, now in mediation.

Last week, "60 Minutes" executive producer Bill Owens stepped down, citing concerns over editorial independence. CBS has argued that the complaint risks turning the FCC into an unconstitutional censor, while the FCC is barred from censorship or infringing on First Amendment rights, though broadcasters cannot intentionally distort news.

Brendan Carr
Chairman Brendan Carr sidestepped a question during a Monday press conference about how a potential settlement of President Trump’s $20 billion lawsuit against CBS over its “60 Minutes” Kamala Harris interview could impact agency’s review of the Paramount-Skydance deal.

“The settlement and any discussions around that have nothing to do with the work that we’re doing at the FCC,” Carr said. “There’s at least three different things are going on: There’s the litigation, which we’re not a part of and there’s been no discussions about, there is the transaction that’s before us and there is the CBS news distortion [complaint]. And we’re taking those last two, running our normal course.”

In January, Carr reinstated complaints about the Harris interview, ABC News’ moderation of a Biden-Trump debate, and NBC’s decision to feature Harris on "Saturday Night Live" before the election. He has not decided whether to open these for public comment. Additionally, Carr opened an investigation into Disney and ABC’s diversity practices last month, citing potential violations of equal employment opportunity regulations. CBS did not immediately respond to requests for comment.

That Didn't Take Long: Amazon Backs-Off Tariff Plan

WH Press Chief  Karoline Leavitt

UPDATE 4/29/25 12:15PM:  Amazon.com was forced to play down a report that it was considering displaying the impact of tariffs during its online checkout process after the White House said such a move would be “a hostile and political act.”

The e-commerce giant said Tuesday it had considered displaying how much import charges would increase prices on its ultracheap shopping website Haul, but said the idea “was never approved and is not going to happen.”

Amazon also said it hadn’t considered the idea for the main Amazon site and no changes have been implemented on any Amazon properties. 

Earlier Story...


Amazon plans to display the portion of a product's price attributed to tariffs directly next to the total listed price on its website. 

The move aims to transparently show consumers how much of the cost is due to tariffs, particularly in response to President Donald Trump's trade policies, which include tariffs as high as 145% on Chinese imports. 

The White House criticized this as a "hostile and political act," suggesting Amazon is highlighting tariff costs to shift blame for price increases. Amazon has not officially confirmed the plan, but it aligns with their efforts to manage consumer expectations amid rising costs, as third-party sellers, who account for about 60% of Amazon’s sales, are raising prices to offset tariff expenses. 

For example, data from SmartScout indicates nearly 1,000 products saw an average price hike of 29% since April 9, 2025. Amazon’s CEO, Andy Jassy, has acknowledged that sellers are likely to pass these costs to consumers, and the company is surveying sellers to understand tariff impacts ahead of events like Prime Day.

The White House, through Press Secretary Karoline Leavitt, denounced Amazon's reported plan as a "hostile and political act." 

Leavitt, speaking at a press briefing on Tuesday, claimed she discussed the issue with President Donald Trump, who echoed her sentiment. 

White House press secretary Karoline Leavitt slammed Amazon for being a “China-aligned company” after a report indicated that the e-retailer planned to place a tariff surcharge label on products — a move she called a “hostile, political act.”

“This is a hostile and political act by Amazon,” Leavitt said at a Tuesday press conference at the White House, according to Fox News. “Why didn’t Amazon do this when the Biden administration hiked inflation to the highest level in 40 years?”

The White House’s response indicates tension with Amazon, particularly as it navigates Trump’s trade policies, including tariffs up to 145% on Chinese imports. 

Survey: Trump Gets 92 Per Cent Negative Coverage From Broadcast Nets


According to the Media Research Center (MRC), evening newscasts on ABC, NBC, and CBS have delivered 92% negative coverage of President Donald Trump as his second term nears its 100th day. 

The MRC analyzed "World News Tonight," "NBC Nightly News," and "CBS Evening News" from January 20 to April 9, reviewing 899 stories about Trump or his administration. Of these, 92.2% were negative, while only 7.8% were positive.

Researcher Rich Noyes noted that this hostility surpasses the 89% negative coverage Trump faced during his first term’s early weeks. In contrast, former President Joe Biden’s first 100 days in 2021 saw 59% positive coverage. Despite the negative tone, Trump remains a focal point for networks, with 1,716 minutes of coverage this year compared to 1,900 minutes in 2017 and just 726 minutes for Biden in 2021.

The MRC evaluated coverage by tallying explicitly evaluative statements from reporters, anchors, and non-partisan sources, excluding partisan voices. 

Unlike Trump’s first term, dominated by personal controversies, this term’s coverage focuses on policy: tariffs (361 minutes, 93% negative), DOGE government cutbacks (301 minutes, 97% negative), and immigration (233 minutes, 93% negative). Despite immigration being Trump’s strongest public approval area, networks devoted only 3.5 minutes to his border crossing reductions. Coverage of Trump’s key associates was similarly unfavorable.

While Trump’s personal controversies dominated much of the coverage during his first term, the MRC found that coverage of the first 100 days of his second term has been largely spent on policy issues. Tariffs were covered for 361 minutes to lead the way, followed by DOGE receiving 301 minutes of coverage and immigration received 233 minutes of airtime on ABC, NBC and CBS’ evening newscasts, the study found. 

"The networks’ spin on Trump’s tariffs faced 93% negative coverage, while the DOGE cutbacks to government were greeted by 97% negative spin," Noyes wrote when detailing the findings. 

"Even on immigration, the issue where the public gives the President his highest ratings, the networks’ spin was 93% negative," he continued. "Out of nearly four hours of evening news airtime devoted to immigration, these newscasts spent just 3.5."

MSM Concerned With Trump's 'Echo Chamber': New Media


The notion of "new media" acting as an echo chamber for Donald Trump’s talking points has been a topic of discussion in mainstream media, political commentary, and posts on X, reflecting concerns about the evolving media landscape and its impact on political discourse.

"New media" refers to non-traditional, often digital-first outlets, including right-leaning platforms like Newsmax, The Blaze, One America News Network (OANN), Breitbart, and newer entities such as Right Side Broadcasting Network (RSBN). 

It also encompasses influential social media personalities, podcasters, and bloggers who bypass legacy media gatekeepers to reach audiences directly. Unlike mainstream media (MSM) outlets like The New York Times, CNN, or The Washington Post, new media often aligns with conservative or populist ideologies, particularly those associated with Trump’s MAGA (Make America Great Again) movement. These outlets leverage platforms like X, YouTube, and Rumble to amplify their reach, often prioritizing engagement over traditional journalistic standards.

TWH Press Spox
Evidence of New Media as an Echo Chamber: In February 2025, the Trump administration took control of the White House press pool, traditionally managed by the White House Correspondents’ Association, allowing it to select which outlets cover the president. This led to the inclusion of new media outlets like Newsmax and The Blaze, replacing outlets like HuffPost and Reuters. Vanity Fair reported this shift as turning the press pool into a “MAGA echo chamber,” noting that new media representatives often avoid challenging Trump and instead promote his agenda.

A New York Times report highlighted that while MSM journalists ask critical questions, new media figures focus on softer topics, like Trump’s fitness plan, or repeat administration talking points, reinforcing narratives favorable to Trump.

Outlets like RSBN and Sinclair-owned stations are described as prioritizing Trump’s agenda, such as his tariff policies or immigration stance, with minimal critical scrutiny. This aligns with NPR’s coverage of Trump’s March 2025 address to Congress, where he praised new media-friendly figures like Elon Musk and DOGE, reinforcing their role in promoting his “commonsense revolution.”

Carr: Localism Is FCC's Core Pillar


Today marks President Donald Trump's first 100 days in his second termand MondayFCC Chairman Brendan Carr highlighed his swift implementation of the administration’s agenda at the Federal Communications Commission.

“We’ve been acting with urgency at the FCC,” Carr stated on Monday. 

Speaking to reporters, he emphasized his focus on strengthening local broadcasters as a cornerstone of his media policy.

“Our goal is to empower local broadcasters to prioritize the needs of their communities, rather than merely relaying content from Hollywood and New York,” Carr explained. “Much of our media agenda is driven by this commitment to localism.”

Carr’s emphasis on local stations stems from studies showing that Americans trust local broadcasters far more than national networks, a trust he attributes to their visible presence in communities. To support this, the FCC is pushing TV networks to grant affiliates greater flexibility in programming.

“Localism is a core pillar of our media policy,” Carr affirmed.

Chicago Radio: Leila Rahimi Named WSCR Co-Host


Audacy has named Leila Rahimi as the new midday show co-host for 670 The Score (WSCR-AM) in Chicago. Rahimi joins co-host Marshall Harris on “Rahimi and Harris,” weekdays from 10:00 a.m. to 2:00 p.m. CT. This role marks Rahimi as the first female, full-time, primetime, lead sports radio host in Chicago.

“We’re committed to having top-tier hosts who are respected by local teams and can connect with our listeners through thoughtful and engaging opinions,” said Mitch Rosen, Vice President of Sports Programming, Audacy Chicago. “Leila is one of the hardest-working teammates at The Score and her knowledge of Chicago sports has made her a beloved voice among the city’s fans. We’re thrilled to elevate her into this role and launch this new midday show alongside Marshall Harris.”

“I’ve been happy to be a part of The Score team on a regular basis since late 2020, and I’m very excited to add a new chapter hosting the midday show in this role,” said Rahimi. “The support The Score listeners have shown over the years has meant the world to me, and I’m looking forward to spending more time with them every day from ten to two o’clock.”

Leila Rahimi
“Rahimi and Harris” will feature station Bears reporter Mark Grote as a recurring guest twice a week.

Updated 670 The Score weekday lineup is as follows.
  • 5:30 a.m. - 10:00 a.m. CT: “Mully & Haugh Show”
  • 10:00 a.m. - 2:00 p.m. CT: “Rahimi and Harris Show”
  • 2:00 p.m. - 6:00 p.m. CT: “Spiegel & Holmes Show”
Rahimi has worked in sports media for two decades, joining 670 The Score in 2017 as a contributor and rising to co-host in 2020. From 2021 to 2024, she served as a sports anchor for NBC Chicago, where she became the station’s first female main sports anchor in 2022. Rahimi also previously spent five years at NBC Sports Chicago, hosting baseball pregame and postgame shows for the Cubs and White Sox, and covering marquee events including the hockey broadcasts of both the 2018 and 2022 Olympic Games. Other previous positions include on-air roles for MLB Network, Comcast SportsNet Philadelphia, CSN Houston, Fox Sports San Diego and others.

πŸ“»Listeners can tune in to 670 The Score (WSCR-AM) in Chicago on air and nationwide on the Audacy app and website. Fans can also connect with the station on social media via X, Facebook and Instagram.

K-Love Goes Live 24/7


K-Love, operated by the Educational Media Foundation (EMF), is a leading contemporary Christian adult contemporary (AC) radio network known for its positive and encouraging music and faith-based content. 

K-Love has announced a significant expansion and revision of its on-air lineup to feature live hosts 24/7, a move aimed at enhancing listener engagement and maintaining its position as a dominant force in Christian radio. Below is a detailed overview of this development, incorporating relevant context from recent announcements and the network’s broader trajectory.

K-Love recently unveiled a revamped on-air schedule to provide live hosts around the clock, a change that reflects the network’s commitment to fostering a deeper connection with its audience through real-time interaction and fresh content. This shift was highlighted in a series of announcements, including posts on X, which detailed the introduction of new voices and the reassignment of existing talent to ensure continuous live programming. 

Key aspects of the revised lineup include:

  • New Hosts and Time Slots:
    K-Love introduced two new DJs, Christina James and Careth, to its roster, expanding its team of on-air personalities. The updated schedule, as announced on April 28, 2025, includes:
  • Mornings (6–11 a.m. ET): Carlos and Amy, kicking off the day with uplifting content.
  • Middays (11 a.m.–2 p.m. ET): Scott Smith, previously co-host of the “Scott and Kelli Show,” now hosting solo.
  • Overnights (2–6 a.m. ET): Kelli Caldwell, also from the former “Scott and Kelli Show,” taking on a solo overnight shift.

Other time slots feature existing hosts like Randi Tyler and guest DJs, such as Micah Tyler, who temporarily hosted from 10 a.m. to 12 p.m. CT during the week of April 23, 2025, to promote special events.

End of the “Scott and Kelli Show”: A significant change was the conclusion of the long-running “Scott and Kelli Show,” which had been a staple for over 15 years. Scott Smith and Kelli Caldwell, who hosted the show in the 5–9 p.m. ET slot, announced its end on April 22, 2025. Both hosts remain with K-Love, transitioning to their new solo roles. This move allowed K-Love to redistribute talent to cover additional time slots, facilitating the 24/7 live host model.

K-Love’s lineup revision is part of a broader strategy to expand its reach and influence, both on-air and through multimedia platforms. The EMF has aggressively grown K-Love’s footprint over the past few decades, and recent developments underscore this ongoing expansion:

Station Acquisitions: K-Love has continued to acquire stations in major markets, strengthening its national presence. Notable acquisitions include:

  • In 2019, five stations from Cumulus Media, including New York’s WPLJ.
  • In 2020, Boston’s WAAF, a former rock station, was converted to K-Love programming.
  • The Cumulus deal also included stations in Atlanta (WAKL) and Washington, D.C. (WLVW), rounding out K-Love’s network in key urban centers.

Spotify Pays $100M As Platforms Woo Creators


Spotify has disbursed over $100 million to podcast publishers and creators since January 2025, as reported to The New York Times’s DealBook. The payout stems from a 2025 program that introduced new revenue streams for eligible hosts, aiming to attract creators and their audiences to Spotify amid YouTube’s dominance in video podcasting.

Video podcasts now lead the industry, with over half of Americans over 12 watching them, primarily on YouTube, per a January Edison Research report. YouTube reaches one billion podcast consumers monthly, dwarfing Spotify’s 170 million podcast listeners within its 675 million total users. YouTube paid creators and media companies over $70 billion from 2021 to 2024, while Spotify, which began offering video podcasts in 2019, trails as an underdog.

Spotify, set to report earnings Tuesday with an expected 540 million euros in pretax income on €4.2 billion in sales (per S&P Capital IQ), remains a key player, distributing major podcasts like “The Joe Rogan Experience” and achieving full-year profitability in 2024. Its new partner program, launched in November, supplements ad revenue sharing with incentives for video uploads, rewarding creators based on premium subscriber engagement. Spotify also removed dynamic ads for paid subscribers in select markets, boosting video consumption by over 40% since January.

The program shows promise. David Coles, host of “Just Creepy: Scary Stories,” saw his Spotify revenue rise from $45,500 to $81,600 per quarter after joining, surpassing his YouTube earnings and prompting him to reconsider his primary platform. Spotify’s challenge is convincing more creators to prioritize its platform over YouTube’s vast reach.