GQ Editor Will Welch, Who Pulled Zaslav Article, Works for Warner Bros. |
In an unusual step, GQ magazine removed an article critical of powerful media executive David Zaslav from its website just hours after it was published Monday, following a complaint from Zaslav’s camp.
The Washington Post reports the story, by freelance film critic Jason Bailey, excoriated the CEO of Warner Bros. Discovery for his handling of the company’s entertainment properties — specifically perceived crimes against film, such as the layoffs at the Turner Classic Movies channel that outraged prominent directors and other superfans and his decision to not release finished movies such as “Batgirl” for tax purposes. At one point, Bailey compared Zaslav to tyrannical “Succession” patriarch Logan Roy.
“In a relatively short period of time, David Zaslav has become perhaps the most hated man in Hollywood,” Bailey wrote.
David Zaslav |
Archived versions of the original and edited versions of the article show significant changes that had the effect of softening its tone. A line calling Zaslav “the most hated man in Hollywood” was deleted. The “Succession” comparison was removed, as was a segment where Bailey called the reality shows that Zaslav oversaw while running Discovery “reality slop.”
The final paragraphs of the original article compared Zaslav to the pitiless businessman played by Richard Gere in “Pretty Woman,” with Bailey writing that the executive is “only good at breaking things.”
The ending of the edited article was much kinder to Zaslav, removing the “Pretty Woman” reference and simply noting that film aficionados’ complaints have “gotten personal.”
Bailey told The Washington Post that, after GQ made the changes, he asked editors to remove his byline. He said an editor told him that GQ would not keep an article on its website without the author’s name. By Monday afternoon, the article was removed entirely from the site.
GQ editor-in-chief Will Welch is producing a movie at Warner Bros. titled “The Great Chinese Art Heist,” which is based on a 2018 GQ article by Alex W. Palmer. Jon M. Chu (“Crazy Rich Asians”) is attached to direct and produce the film, which chronicles an audacious European museum crime wave that targeted Chinese antiquities.
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