Mary Turner (1947-2023) |
Mary Turner, considered the first lady of rock radio in Los Angeles on station KMET-FM, has died. She was 76, according to The L-A Times.
Turner died Tuesday at her Beverly Hills home after a long battle with cancer, according to Jarrett Bostwick, executor of her estate.
Through the 1970s and early ‘80s, Turner was regarded as the most-listened-to female voice in radio. Known as “The Burner” — a moniker given to her by Peter Wolf of the J. Geils Band — she is best remembered by Los Angeles baby boomers for her years on KMET, the iconic FM outlet that was a must-listen for rock fans in the 1970s and ‘80s.
Turner was among the trailblazing women who received opportunities behind the microphone in the early 1970s after men had long dominated the radio business. Her chance came as FM rock music formats proliferated and offered an alternative to the tight playlists and rapid-fire style of top 40 AM stations.
Turner had two nationally syndicated programs on Westwood One, the company founded by her late husband, media executive Norman Pattiz, and broadcast to troops in 40 countries through the Armed Forces Radio and Television Service. She also hosted an in-flight music program for airline TWA.
Mary and Norm Pattiz |
Turner was born in Maryland on Feb. 4, 1947. After graduating from Indiana University in the late 1960s, Turner hoped to pursue a career as a TV producer or director.
She moved to San Francisco, where she answered phones at Autumn Records, the label where Sly Stone toiled as a producer, and later landed a job in the promotion department of local TV station KNEW. She eventually moved to KSAN-FM, the station programmed by Tom Donahue, who is credited with first developing the progressive radio format that played album cuts instead of just the hit singles heard on the AM dial.
At KSAN-FM, Turner worked as an engineer and did some fill-in air shifts. She moved to Los Angeles to join KMET in 1972 and was part of its evolution from a free-form “underground” station to a more commercial album-oriented rock format. By the end of the 1970s, KMET, which called itself “The Mighty Met,” was the second-most listened-to station in the Los Angeles market.
Turner became one of the station’s signature personalities along with B. Mitchell Reed, Jim Ladd and Jeff Gonzer. Her smooth-as-glass vocal delivery had a special appeal to young male listeners, including one who tried to get into the station at night to meet her, according to friend and former KMET colleague Ace Young.
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