Monday, April 2, 2018

R.I.P.: Legendary Music Producer Phil Ramone Was 79

Phil Ramone January 5, 1934–March 30, 2013
Phil Ramone, the instinctive music producer whose mixing mastery for Frank Sinatra, Barbra Streisand, Bob Dylan, Ray Charles, Paul Simon and Billy Joel helped fashion some of the most sumptuous and top-selling albums of his era, has died.

He was 79, according to The Hollywood Reporter.

The 14-time Grammy winner and 33-time nominee once dubbed “The Pope of Pop” was hospitalized in late February with an aortic aneurysm in New York and died Saturday morning at New York Presbyterian Hospital, according to Ramone's son Matt.


A native of South Africa who at age 10 performed as a violinist for Queen Elizabeth II, Ramone spent years working as a songwriter, engineer and acoustics expert in New York before charting a path that would make him a trusted studio partner in the eyes (and ears) of the industry’s biggest stars.

Among the albums on which he worked were Streisand’s 1967 live A Happening in Central Park; Paul & Linda McCartney’s Ram (1971), sandwiched between the Beatles and Wings eras; Dylan’s aching Blood on the Tracks (1975); Simon’s pop classic Still Crazy After All These Years (1975); Joel’s critical and commercial breakthrough The Stranger (1977); Sinatra’s last-gasp Duets (1993), a model of technical wizardry; and Ray Charles’ final album, the mega-selling Genius Loves Company (2004).

Ramone served as a songwriter in New York’s famed Brill Building music factory and worked early on with Quincy Jones, Tom Dowd, Creed Taylor, Jerry Leiber & Mike Stoller and Burt Bacharach & Hal David, among others. In 1959, he launched the A&R Recording studios on Seventh Avenue in New York, where Blood on the Tracks and so many other classics were recorded.



In 1964, Ramone engineered the classic bossa nova album Getz/Gilberto, from American saxophonist Stan Getz and Brazilian guitarist Joao Gilberto. It would become one of the biggest-selling jazz albums of all time and earn him his first Grammy, for best engineered recording. It also won the album of the year Grammy.

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