Saturday, January 10, 2026

Radio History: Jan 11


➦In 1927...The Bernard B. Jacobs Theatre opened. It was formerly called the Royale Theatre and the John Golden Theatre, and is located at 242 West 45th Street (George Abbott Way) in Midtown Manhattan, New York City.

It opened with a musical entitled Piggy. Produced by William B. Friedlander, Piggy had a weak script, but the popular comedian Sam Bernard played the starring role and carried the show for 79 performances. Bernard died soon after the show closed.  Built as part of a three theater complex, alongside the 800-seat Theatre Masque, the 1,600-seat Majestic, and the Lincoln Hotel (now the RowNYC Hotel and previously the Milford Plaza Hotel), the theater features an ornate stone facade, with vaulted large windows above the street frontage. With a seating capacity just over 1,100, the theater has been home to both plays and musical productions in its 93-year history.

Royale Theater

Producer John Golden leased the theatre and renamed it for himself from 1932 to 1937. The Shubert Organization then assumed ownership and initially leased the theatre to CBS Radio as the CBS Radio Playhouse. In 1940, the Royale was restored to use as a legitimate theater under its original name. On May 9, 2005, it was renamed for longtime Shubert Organization president Bernard B. Jacobs.

➦In 1947... “The Amazing Mr. Malone” (aka “Murder and Mr. Malone”) debuted on ABC radio. The half-hour weekly program starred Frank Lovejoy.

➦In 1964...‘Louie Louie’ by Seattle’s The Kingsmen was the number one song on the Cash Box music chart. For a while, the record was banned by a handful of US radio stations because of its indecipherable lyrics, which were rumored to contain some naughty words. Even the FBI investigated the song, but finally concluded that they could find nothing wrong.

➦In 1973...actress Isabel Randolph died at age 83.  She was best known as the prickly Mrs. Abigail Uppington on NBC Radio’s “Fibber McGee & Molly” in the 30’s & 40’s.  She played similar recurring characters in the TV sitcoms “Meet Millie,” “Our Miss Brooks,” “December Bride” & “The Dick Van Dyke Show,” plus dozens of guest spots.

➦In 2006...Chicago radio personality Mancow sidekick Cowboy Ray Hoffstatter died from injuries sustained in a hit-and-run accident in November. The driver, described as a woman who appeared to be drag racing a black Honda Civic, has never been found.

The crew on Mancow's Morning Madhouse on Q101 mostly had fun at Ray's expense because he was mentally handicapped, but he was often the funniest part of the show. After the accident, Mancow offered $5,000 of his own money as a reward for the arrest of the driver.

➦In 2013…Pittsburgh/Los Angeles radio deejay Jimmy O’Neill, the host of ABC-TV’s Shindig in the 1960’s, lost his long battle with a diabetes-related heart condition and died three days after his 73rd birthday.

R.I.P.: Bob Weir, Grateful Dead Co-Founder

Bob Weir (1947-2026)

The legendary musician passed away Saturday after beating cancer (diagnosed in July 2025) but ultimately succumbing to underlying lung issues. 

His family announced the news in a heartfelt statement on his official website and social media, describing his peaceful transition "surrounded by loved ones" and emphasizing that his farewell is "not an ending, but a blessing" for a life well-lived.

Weir, born October 16, 1947, was a cornerstone of the Grateful Dead since its formation in 1965. As the band's rhythm guitarist and a key vocalist/songwriter, he co-wrote and sang lead on classics like Truckin', Sugar Magnolia, Playing in the Band, and Jack Straw. His distinctive, quirky playing style complemented Jerry Garcia's leads, helping define the group's improvisational jam-band sound that blended rock, folk, blues, and psychedelia.After Garcia's death in 1995 ended the original Grateful Dead, Weir carried the torch through projects like RatDog, Furthur (with Phil Lesh), and Dead & Company (featuring John Mayer). 

His final performances came in August 2025 at Golden Gate Park, celebrating the band's 60th anniversary—shows he powered through while undergoing cancer treatment.



The family noted Weir's enduring belief that the Grateful Dead's music would live on for generations: "May that dream live on through future generations of Dead Heads."He is survived by his wife, Natascha Münter, and daughters Monet and Chloe, who have asked for privacy. 

Weir's legacy as a road warrior, storyteller, and architect of American music's jam scene endures—what a long, strange trip it's been.

Bay Area Radio: Michael Martin Exits Alice 97.3 FM


Michael Martin, a longtime programming executive who oversaw Alice 97.3 (KLLC-FM) in San Francisco as part of his broader role in Bay Area radio leadership, stepped down from his position late December.

Michael Martin
Martin had been a key figure in San Francisco radio for years, previously serving in high-level programming roles (including VP/Programming and SVP/Programming & Music Initiatives) for the cluster that included Alice 97.3, where he helped shape its signature Hot AC format and identity.

Martin was instrumental in guiding Alice 97.3 and sister stations through various ownership changes (from CBS Radio to Entercom, now Audacy). He worked closely with on-air talent and music directors, contributing to the station's focus on "Generation Alice" pop hits and its consistent presence in the competitive San Francisco market.

In an internal email to staff last month, San Francisco SVP/Market Manager Kieran Geffert expressed deep appreciation for Martin's contributions, stating:“We’re grateful for Michael’s 16 years of leadership and the passion he’s brought to Alice, and all of our brands. His programming vision, artist partnerships, signature events, and steady leadership have been integral to Alice’s trajectory over the years.”

Martin began his tenure with the company in 2009 at CBS Radio, where he programmed KLLC and CHR "99.7 Now" KMVQ. He continued in key roles through the transition to Entercom (later rebranded as Audacy), overseeing additional stations including Rhythmic AC "Q102.1" KRBQ, Variety Hits "105.3 Dave-FM" KITS in San Francisco, and CHR "97.1 Amp Radio" KAMP in Los Angeles.

Alice 97.3 continues to operate as normal under Audacy, featuring personalities like Sarah and Vinnie in mornings, with no immediate on-air or website indications of this specific personnel change affecting day-to-day branding or programming.

Atlanta Radio: Q99.7 Morning Show Slot Remains Unfilled


Atlanta's Q99.7 is still without a permanent morning show more than two months after the long-running "Bert Show" ended its 25-year run in late October 2025.

The popular Top 40 station has been filling its morning slot with music only—no live hosts or personalities—since the personality-driven program signed off. 

Cumulus Media, which owns the station, has given no firm details beyond a brief statement from Chief Content Officer Brian Philips to the Atlanta Journal-Constitution: the new morning show is expected sometime in Q1 (the first quarter) of 2026.

It's uncertain whether Kristin Klingshirn, a key co-host on "The Bert Show" since 2011, will be involved in the replacement program. On the show's final episode, Klingshirn emphasized her commitment to staying in Atlanta radio, saying she wasn't done with the market and hinting at future announcements without providing specifics. She did not respond to requests for comment on her plans.

Abby Murphy, who joined the "Bert Show" cast full-time in 2023, has indicated she will soon reveal a new job opportunity.

In contrast to Q99.7's deliberate pace, many syndicated affiliates of "The Bert Show" in other markets quickly lined up replacement programs starting the Monday after the finale, often turning to shows like RadioCraft’s “The TJ Show” or other local options.

The delay at the flagship Atlanta station comes as Cumulus recently appointed veteran programmer Patrick Davis as Program Director for Q99.7 in November 2025, with expectations that he would lead the launch of a "terrific new morning show" to maintain the station's dominance in the CHR (Contemporary Hit Radio) format.

Dokoupil Debut Gets Modest Increase For CBS Evening News


Tony Dokoupil's debut as anchor of the "CBS Evening News" delivered a modest ratings boost on Monday, January 5, 2026, drawing 4.4 million total viewers and 596,000 in the key 25-54 demographic — up about half a million viewers from the show's recent average under previous co-anchors John Dickerson and Maurice DuBois.

According to Nielsen figures, this represented a 9% increase in total viewers and a 20% jump in the advertiser-coveted 25-54 demo compared to the season's average to date. Sources attribute the uptick to high-profile bookings, including an exclusive interview with Venezuelan opposition leader María Corina Machado — who discussed her coalition's readiness to lead post-Nicolás Maduro's capture — and appearances by Trump administration officials such as Secretary of War Pete Hegseth and Homeland Security Secretary Kristi Noem.

The gains come after the program had struggled significantly under Dickerson and DuBois, who co-anchored for roughly a year and saw viewership drop by over 1 million from prior levels, with critics describing their tenure as "stodgy" and lacking on-air chemistry.

However, Dokoupil's first official broadcast was not without challenges. The new anchor, promoted from co-host of "CBS Mornings" by CBS News editor-in-chief Bari Weiss last month, encountered noticeable technical difficulties and on-air stumbles — including a visible teleprompter glitch that caused awkward pauses and confusion during transitions (such as shifting from Venezuela coverage to domestic stories). 

He even acknowledged "big problems" live on air during the moment, though later versions of the broadcast edited out some of the flub.

Despite the rocky start — his debut came amid major news events, including an earlier unscheduled appearance on Saturday covering the U.S. capture of Venezuelan leader Nicolás Maduro — the initial numbers offer a positive sign for the revamped program.

Industry observers and sources caution that such "curiosity bumps" are common for new anchors and often fade quickly. For context, when Katie Couric debuted as "CBS Evening News" anchor in September 2006, she opened to massive viewership of around 14 million, only to see numbers drop sharply within days.

Dokoupil's tenure will likely face continued scrutiny as CBS News navigates changes under Weiss's leadership, with long-term success depending on whether the early interest translates into sustained audience loyalty. The broadcast remains third in the evening news race, trailing well behind ABC and NBC.

Cable News Ratings: 2025 Belonged to FOX News


Fox News dominated cable news ratings in 2025, achieving its highest-rated non-election year ever, while CNN and MS NOW (the rebranded MSNBC) experienced significant post-election declines.

Fox News averaged approximately 2.72 million primetime viewers (8-11 p.m. ET), marking a 14% increase from 2024 and often rivaling or surpassing major broadcast networks like NBC. It also posted gains in the key Adults 25-54 demographic (around 287,000 in primetime, up 18%). The network captured the top 12 (and often 14 of the top 15) most-watched cable news programs, led by The Five (averaging 4.046 million viewers), followed by shows like Jesse Watters Primetime, Gutfeld!, and Hannity.

In contrast, MS NOW (formerly MSNBC) averaged about 923,000 primetime viewers (down 25% from 2024) and 81,000 in the 25-54 demo (down 39%), marking historic lows in the demo since its 1997 launch. 

CNN trailed with around 580,000 primetime viewers (down 15%) and 105,000 in the demo (down 29%), also hitting record lows in key categories.

Ratings Graphics Courtesy of RoadMM

These trends reflect the typical post-election drop-off after 2024's high-viewership year, but Fox News bucked the pattern with year-over-year growth in total viewers across primetime and total day, while its competitors saw double-digit declines—especially in the advertiser-coveted 25-54 demo.

Fox News programs occupied nearly all top spots in cable news viewership, underscoring its commanding lead (often 60-70% of the cable news audience share). The rebranding of MSNBC to MS NOW late in 2025 did not reverse the downward trajectory for the network. 

Overall, 2025 highlighted a widening gap in the cable news landscape.

Central NY Radio: Galaxy Media Makes Personnel Moves


Galaxy Media Partners announced a major leadership shakeup today, one day after Hall of Fame broadcaster Rick Gary exited classic hits station Sunny 102 (WZUN).

The nyradio.com website was first to report the Syracuse-based company named Nick Maine as its new Chief Operating Officer, replacing Carrie Wojtaszek. Maine, a veteran since 2011 who most recently served as Chief Revenue Officer, will now oversee all company operations, drive alignment across departments, and support continued growth.

Alex Conn, a 14-year Galaxy veteran and former brand manager, steps up to Chief Content Officer (replacing Marissa Greenlar, who left to focus on her own venture). Conn will lead content strategy and creative direction for the company's 13 radio stations, building on his track record in audience engagement and innovative brand leadership.

Additional promotions include:
  • Jennifer Wells (25-year veteran) from Business Manager to Controller, continuing to lead accounting, financial reporting, and fiscal strategy.
  • Tami Grashof (16 years) to Regional Sales Manager, recognized for revenue growth, client relationships, and team mentoring.
  • Brittany Capparelli from Event Marketing Specialist to Director of Client Experience, focusing on stronger client partnerships and enhanced event execution.
Galaxy founder and CEO Ed Levine called the changes "a pivotal moment," praising the team's leadership, creativity, and drive for the company's next chapter.

Galaxy owns 13 stations, including Syracuse's TK99/TK105 (classic rock), Sunny 102 (adult contemporary), ESPN Radio Syracuse, and K-ROCK, plus a Utica-Rome cluster featuring another K-ROCK, Mix 102.5, Tony 99.1, and ESPN Radio Utica-Rome.

January 10 Wake-Up Pulse


As of January 10, 2026, there are several key developments from the past week and ongoing issues continue to shape the industry, particularly around public radio funding, regulatory compliance, AM radio preservation in vehicles, and commercial sector trends.

Major Ongoing Impact: Defunding of Public Broadcasting: The most significant recent event affecting radio is the closure of the Corporation for Public Broadcasting (CPB), which provides federal funding to NPR, hundreds of local public radio stations, and related services. Following Congress's decision to eliminate approximately $1 billion in funding (influenced by executive actions and political pressures), the CPB board voted to dissolve the organization. 

This process began in early January 2026, with most operations winding down and a small transition team handling final obligations through the end of the month. This directly threatens the viability of many noncommercial public radio stations across the U.S., which rely on CPB grants for operations, programming, and community service. While listener donations and some philanthropic support have increased, the long-term future remains uncertain, potentially leading to station closures, reduced local programming, or shifts to alternative funding models.

Regulatory Deadlines for All Broadcasters Today, January 10, 2026, marks a key FCC compliance deadline: All U.S. radio (and TV) stations must place their Quarterly Issues/Programs Lists in the online Public Inspection File. These lists document significant community issues addressed through programming during the last quarter of 2025 (October–December). Failure to comply can result in fines (base amount around $10,000). This is a routine but important public interest obligation for both commercial and noncommercial broadcasters.

AM Radio in Vehicles:  The AM Radio for Every Vehicle Act (bipartisan legislation to mandate AM radio in all new vehicles, including EVs, for emergency alerts and resilience) remains a hot topic. President Trump reiterated strong support in a January 9 interview, calling it important and hinting at forthcoming action. Broadcasters continue pushing for an early 2026 House vote amid automaker resistance to including AM/FM tuners.

Commercial Radio Trends and Activity
  • Industry publications like Radio Ink highlight optimism for 2026, focusing on local trust, digital sales growth, and innovation (e.g., AI tools for selling and operations).
  • AM/FM radio shows strong engagement in niches like fitness/health clubs, outperforming some digital platforms in reach.
  • Personnel notes include Dan Bongino's upcoming return to syndicated radio in February via Westwood One.
At CES 2026 (ongoing/recent), companies like iHeartMedia announced new integrations (e.g., with Google Gemini and fitness tech) to expand radio/podcast access.Overall, the industry faces challenges from public funding cuts and digital shifts but shows resilience through local focus, legislative advocacy, and hybrid broadcasting/streaming models.


Awards Season & Events

Awards season is ramping up significantly: The 83rd Golden Globes are this weekend, with red carpet preparations featuring a dramatic new staircase setup that's being called the "Met Gala of the West Coast." Predictions favor contenders like Timothée Chalamet, Wagner Moura, Jessie Buckley, and Rose Byrne for top wins, with films such as Sinners and One Battle After Another in strong contention.
  • Producers Guild of America (PGA) nominations are out, spotlighting heavy hitters like One Battle After Another, Weapons, F1, and Sinners.
  • The AFI Awards lunch celebrated 2025's top 10 American films and TV shows, with Oscar frontrunners including Chalamet, Buckley, Elordi, and Grande in attendance.

An arrest warrant has been issued for actor Timothy Busfield on alleged child sex abuse charges involving a boy actor.

Director Paul Haggis has settled a rape lawsuit from his ex-film publicist for $2 million.

Britney Spears stated she will "never perform in the U.S. again" for "extremely sensitive reasons."

Washington National Opera is exiting the Kennedy Center after 50 years amid broader Trump-era changes.

Tom Cherones, the Emmy-winning Seinfeld director and producer, has passed away at 86.


Headline News

Escalating Protests in Iran Enter Second Week Amid Crackdown: Nationwide anti-government demonstrations continue in Iran, now in their second week, driven by economic hardships, food prices, and regime policies. Hospitals are reportedly overwhelmed, with internet blackouts persisting, security forces intensifying actions, and international condemnation (including from the US) over protester deaths and arrests. The son of the deposed Shah has urged protesters to prepare to seize city centers.

Trump Reiterates US Desire to "Own" Greenland to Counter Russia and China: President Trump has strongly stated that the United States needs to acquire or "own" Greenland as a national security priority to deter Russia and China in the Arctic. Options discussed include potential military involvement ("the hard way"), direct payments to residents for relocation, or other incentives — prompting unease among Greenlanders and diplomatic pushback from Denmark.

Ongoing Fallout from US Actions in Venezuela: Following the US raid and capture of former Venezuelan leader Nicolás Maduro earlier this month, developments include:Seizure of another Venezuelan-linked oil tanker.

Protests are spreading across US cities following: Release of video showing the fatal shooting of Renee Good by an ICE agent in Minneapolis. A separate incident where a Border Patrol agent shot and wounded two people in Portland, Oregon. These events have fueled debates over federal tactics, with backlash against the administration and calls for investigations.

➤Sports Headlines:

NFL Wild Card Weekend Kicks Off: The 2026 NFL playoffs begin today with high-stakes wild-card matchups, including key games like the Chicago Bears vs. Green Bay Packers and others across the AFC and NFC. After a dramatic regular season finish, experts are sharing predictions, betting insights, and storylines as teams battle for spots en route to Super Bowl LX. This is the biggest story in American sports right now, with massive viewership expected.

College Football Playoff Drama Continues: The Indiana Hoosiers won the Chick-fil-A Peach Bowl on Friday, defeating the Oregon Ducks in a dominant College Football Playoff semifinal matchup. The No. 1 seed Indiana (15-0) routed No. 5 seed Oregon (13-2) with a final score of 56-22 at Mercedes-Benz Stadium in Atlanta. The Hoosiers took control early, scoring on a pick-six interception return on the game's very first play, building a 35-7 halftime lead, and never looking back. Indiana advances to the national championship game on January 19, 2026, against No. 10 Miami in Miami Gardens, Florida—setting up a shot at the program's first-ever national title in one of the most remarkable turnarounds in college football history.

Carr: Reminds Broadcasters of Public Interest Obligations


FCC Chair Brendan Carr emphasized the critical role of local broadcasters in delivering local news and information during a fireside chat with Consumer Technology Association CEO Gary Shapiro at CES 2026 in Las Vegas.

Carr strongly supported the ongoing transition to NextGen TV (ATSC 3.0), highlighting its potential for improved television quality and innovative data-casting services. However, he declined to commit to FCC mandates requiring consumer devices to receive 3.0 signals.

He reaffirmed his push to reinvigorate public interest obligations for broadcasters, arguing that those who hold valuable spectrum licenses must serve the public in return for benefits like must-carry and retransmission rights.

Carr addressed criticism of these standards — which some view as infringing on free speech — by offering blunt alternatives: Broadcasters unhappy with the obligations can surrender their licenses and shift to cable, podcasts, YouTube, or other platforms. Alternatively, the spectrum could be re-auctioned without public interest requirements, giving others a fair chance to use it.

Local broadcasters remain essential for local journalism, Carr stressed, as newspapers close and social media fills some gaps but lacks the institutional depth of traditional stations. With ad revenue declining amid fierce competition from streaming and cable, he said the FCC is exploring ways to rebalance power between national networks (such as Disney-owned ABC) and local affiliates. He criticized the current dynamic, saying national programmers too often treat local stations as mere outlets for their content rather than true community servants.

During the discussion, Shapiro repeatedly praised Carr and President Donald Trump — calling Trump's AI speech the best by any leader on technology — while Carr playfully noted Shapiro's likely differing view on Trump's tariff policies, which the CTA opposes. Shapiro cited data showing most viewers now favor streaming and cable over broadcast but did not address free speech concerns raised by critics of the public interest push. He also inquired about potential FCC plans to identify and auction underused spectrum.

Carr described broadcasting as a unique, government-licensed medium where public interest rules are inherent, and he spends significant time considering the future of local broadcasting over the next 5–15 years.

PBS Cancels Weekend Newscast


PBS News Weekend will air its final broadcast this Sunday, marking the end of the program after more than a decade on air. The cancellation stems directly from federal budget cuts to public broadcasting funding, which have forced significant restructuring at PBS News.

During the Friday evening edition of the flagship PBS NewsHour, co-anchors Amna Nawaz and Geoff Bennett delivered the somber announcement. Nawaz stated: “Due to federal budget cuts, we’ve had to make the difficult decision to rework our staffing and programming. And, this Sunday, our ‘PBS News Weekend’ team will sign off the air.”

The decision follows earlier reports from November 2025 that WETA (the producing station) would end the weekend edition due to a multimillion-dollar shortfall after the loss of Community Service Grants from the Corporation for Public Broadcasting (CPB). Congress rescinded over $1 billion in CPB funding in 2025, leading to the CPB's eventual dissolution and widespread impacts across public media.

Weekend anchor John Yang, who has led the program since late 2022, joined the anchors on air to reflect on his tenure. 


The half-hour Saturday and Sunday broadcasts, originally launched in 2013 as expansions of the PBS NewsHour, provided in-depth weekend coverage of national and international news.

In response to the change, PBS News has announced two new 30-minute weekend programs to replace it, beginning later in January 2026:Horizons from PBS News, focusing on science, health, and technology, hosted by William Brangham (premiering Saturday, January 17).

Compass Points from PBS News, centered on foreign affairs, hosted by Nick Schifrin (premiering Sunday, January 18).These will air in the same time slots (typically 6 p.m. ET, check local listings) and also stream on PBS News digital platforms, podcasts, and social channels.

The cuts have not affected the weekday PBS NewsHour or programs like Washington Week with The Atlantic. However, they reflect broader challenges facing public media amid reduced federal support, with advocates warning of potential gaps in trusted, non-commercial journalism—especially in rural and underserved communities.

Viewers can watch the final PBS News Weekend episode this Sunday and catch the new programs starting the following weekend. For more details, visit the official PBS NewsHour website.

Paramount+ Says Their Bid Is Better


Paramount Skydance continued to press its $77.9 billion (approximately $30 per share all-cash) hostile bid for Warner Bros. Discovery (WBD) this week, insisting the offer is superior to WBD's existing merger agreement with Netflix (NFLX) — despite WBD's board unanimously rejecting the latest proposal the day before as inadequate and risky.

“Paramount’s offer is superior to WBD’s existing agreement with Netflix and represents the best path forward for WBD shareholders,” Paramount stated.

Warner Bros. Discovery on Wednesday publicly urged shareholders to reject Paramount's amended bid, calling it "not in the best interests" of the company or its investors. The board emphasized that the Netflix deal — announced in December for roughly $72 billion (or $27.75 per share in cash and stock) for WBD's studios, streaming assets (including HBO Max), and related businesses — provides better value, certainty, and lower risk. The Netflix transaction would follow WBD's planned spin-off of its cable networks into a separate company called Discovery Global in the third quarter of 2026, allowing shareholders to retain upside in that entity.

Paramount countered Thursday by highlighting the poor debut of Versant (Comcast's recent media and TV asset spin-off), which fell sharply on its first trading day and continued declining. Paramount argued this "illustrates the challenged path ahead for Discovery Global," valuing the spin-off at effectively $0.00 per share and questioning WBD's claims of meaningful upside.

To bolster its bid, Paramount has secured $54 billion in committed debt financing from Bank of America, Citibank, and Apollo Capital Management (which it says remains fully in effect), plus a $40.4 billion equity personal guarantee from billionaire Larry Ellison (father of Paramount CEO David Ellison). It also raised its breakup fee to $5.8 billion (matching Netflix's) if regulators block the deal.Warner has criticized the Paramount proposal as essentially a massive leveraged buyout — potentially the largest in history — given the heavy debt load and Paramount's smaller scale (market value around $13 billion vs. Netflix's ~$400 billion). 

The Wall Street Journal reports WBD argues this introduces significant closure risks compared to Netflix's stronger balance sheet and cash flow.

The hostile tender offer battle began in December after Paramount accused WBD of failing to engage seriously on multiple prior proposals. Shareholders have until January 21, 2026, to tender their shares to Paramount (subject to potential extension).

WBD's board and Netflix have reaffirmed their commitment to the original merger, with Netflix calling it the "superior proposal." The outcome remains uncertain, with Paramount continuing to make its case directly to shareholders.

FOX News' Laura Ingraham Not Welcomed By Protestors


Fox News host Laura Ingraham was escorted out of a Minnesota protest against ICE Thursday after she confronted and filmed demonstrators at the scene.

The incident occurred during a demonstration over the deadly ICE shooting of 37-year-old mother Renee Nicole Good earlier this week. Ingraham, host of The Ingraham Angle, described being “kind of nicely, but aggressively” removed from the protest area after attempting to question participants on camera.


In footage aired on her show, a protester wearing red clothing and a scarf over their nose repeatedly called Ingraham a “disgrace to the human race.” Ingraham responded by calling the chant “oh, so boring” and asking the demonstrator, “Do you have a job?”

After the clip ended, Ingraham told viewers that as her team drove away, the protesters “did what they can do: They gave us all the finger.” She added sarcastically, “I think they secretly liked us, though.”

Ingraham framed the experience as typical when journalists “go into the mix and try to chat with people” at such events, resulting in being “escorted out… across their border.”

Al Michaels Re-Ups For Another Season Of TNF


Al Michaels will return to call NFL games for Amazon Prime Video next season, the streaming service confirmed Friday.

The 81-year-old Hall of Fame broadcaster will continue as the play-by-play announcer for “Thursday Night Football” alongside color commentator Kirk Herbstreit in 2026. His next assignment is today’s NFC wild-card playoff game between the Chicago Bears and Green Bay Packers on Prime Video.

Michaels has been the voice of Prime’s Thursday night package since Amazon acquired the rights in 2022.

After an initial three-year deal that expired following the 2024 season, he worked the 2025 campaign under a one-year agreement.

In November, Michaels told Sports Illustrated he would welcome the opportunity to continue if Amazon wanted him.   “It’s a two-way street here,” he said. “They could tell me, ‘We got to move on, it’s time to make a transition.’ … But as of the moment … I feel really good, still love what I do … So, yeah, I think at this moment in time, I would like to continue, yes.”

Michaels has been calling prime-time NFL games for 40 years. He was the play-by-play voice of ABC’s “Monday Night Football” from 1986 to 2005 and NBC’s “Sunday Night Football” from 2006 to 2021. He has called 11 Super Bowls, most recently in 2022 when the Rams beat the Bengals at SoFi Stadium.

His legendary career includes one of sports’ most iconic calls—“Do you believe in miracles? Yes!”—during the 1980 U.S. Olympic hockey team’s upset of the Soviet Union. Michaels began his broadcasting journey shortly after college with a brief stint alongside Chick Hearn on Lakers radio in 1967.

At CES: Audio Is Transformative Innovation


Audio is quietly becoming the most transformative innovation at CES 2026 — not flashy screens, but interactive, everywhere sound — especially inside cars.

SiriusXM's Lizzie Collins revealed behind-closed-doors "secret" demos with automakers, showing how audio is evolving from passive background filler to an interactive, bi-directional experience drivers (and soon passengers) can actively engage with.

Here are some glimpses of modern connected car audio interfaces and advanced in-car sound systems being showcased around CES:


This shift is huge: Audio now follows you everywhere — cooking, working out, driving — and makes up 32% of entertainment time because it's effortless. SiriusXM reaches ~170 million monthly listeners across satellite, streaming, and podcasts.

Yet marketers massively undervalue it: Only 4% of ad dollars flow to audio, largely due to outdated measurement habits that lump everything into one bucket and expect display-like clicks.

Lizzie Collins
Collins and her team have spent years helping clients rethink evaluation — most conclude they've been measuring it wrong all along.

The car is the next big frontier. Modern vehicles are already data-rich "big phones" with constant connectivity. As autonomy approaches, media consumption in cars could explode.

SiriusXM is quietly exploring live, participatory audio: real-time call-ins, polls, voice-activated queries straight to studios — turning passive listening into conversation, especially for Gen Z who demand interaction.

Collins sums up the bigger picture: CES has moved from living-room TVs to intimate, body-integrated tech. Audio accelerated fastest — from location-bound to omnipresent and responsive.

This year in Las Vegas, the real story wasn't what you saw — it was what you heard, and what you'll soon interact with on every drive.

Radio History: Jan 10


➦In 1942..."The Better Half,",  an early battle of the sexes type quiz show, debuted on the  Mutual Broadcasting System (MBS). The show aired until 1950.

➦In 1949...Vinyl records were introduced by RCA (45 rpm).  RCA’s entry was a new 7-inch, 45 rpm phonograph record. Soon, the 45, the record with the big hole in the middle, would change the pop music business. RCA even manufactured a record player that played only 45s — with a fat spindle that made “stacking wax” real simple.

➦In 1956...Elvis Presley recorded his first tunes as an RCA Victor artist in a marathon 8-hour session. Recording in Nashville, Elvis sang “Heartbreak Hotel”, “I Was the One”, “I’m Counting On You”, “I Got a Woman” and “Money Honey”. Elvis was backed by a drummer, D.J. Fontana, for the first time, in addition to guitarists Scotty Moore and Chet Atkins, bassist Bill Black and piano player Floyd Cramer.

➦In 1960...Marty Robbins‘ hit tune, “El Paso”, set the mark for the longest #1 song to that time. The song ran 5 minutes and 19 seconds, giving many radio Program Directors fits; because the average record length at that time was around 2 minutes, and formats and commercial loads didn’t allow for records much longer than that.

➦In 1964...The first North American Beatles album, "Introducing The Beatles," was released by Chicago-based Vee-Jay Records.

➦In 1965...Howard Cosell aired his first “Speaking of Everything” publica affairs-type show on 77WABC NYC.

➦In 1969... a frustrated George Harrison quit the Beatles, saying sarcastically as he walked out ‘see you around the clubs.’  With Eric Clapton being considered as his replacement, George came back a week later.  George later stated that while he had a growing backlog of new material, he constantly had to work on Lennon and McCartney's songs before the group would work on his.

Friday, January 9, 2026

Dan Bongino Returning to Westwood One For Talk Show


Dan Bongino is set to resume his syndicated talk radio show with Westwood One in early February 2026.

The conservative commentator, who stepped away from his program in March 2025 to serve as FBI Deputy Director, confirmed the comeback during a recent interview, stating the show will return as a two-hour live broadcast airing from 10 a.m. to noon ET—a shift from its previous 12-3 p.m. ET slot.

Westwood One has not confirmed the new show. A joint press release from Westwood One and Rumble is expected soon to announce the exact launch date.

Bongino expressed excitement about his return, noting he has "a lot of stuff to talk about" from his time in government (while avoiding classified details) and is already preparing content for the debut episode.

The move follows his departure from the FBI earlier this month, after nearly a year in the role under Director Kash Patel. His former time slot was filled by Vince Coglianese, whose show currently occupies the afternoon hours.

This return is driven by his built-in audience loyalty after nearly a year away, with fans eagerly anticipating his insights—especially given his recent insider FBI experience. Westwood One appears eager to bring him back, despite lineup adjustments (e.g., The Chris Plante Show remains in the 9 AM-noon window, and Vince Coglianese's show continues in the afternoon slot Bongino previously held).

Note: While initial reports focused on a full syndicated radio comeback, some industry sources suggested a possible digital/podcast-only focus with Westwood One handling ad sales—but the majority of coverage, including direct quotes from Bongino, points to a syndicated radio component alongside podcast and Rumble video.

Overall, this marks Bongino's swift return to conservative talk media after public service, capitalizing on heightened interest in his post-FBI perspective amid ongoing political discussions. Fans can expect a mix of political commentary, interviews, and listener interaction in the revamped format. Stay tuned for the official launch details!

TV Ratings: FOX News The Go-To Place for Breaking Attack News


FOX News Channel (FNC) finished the week of December 29 continuing to lead all of cable news, according to Nielsen Big Data + Panel. In weekday primetime, FNC drew 1.6 million viewers, easily outpacing CNN and MS NOW. In Monday-Sunday primetime, FNC nabbed 1.5 million viewers and 139,000 in the 25-54 demo. Across total day (6 AM-6 AM/ET), FNC posted 1.3 million viewers and 128,000 in the 25-54 demo.

FOX News Channel’s breaking news coverage of the United States’ strike on Venezuela and capture of Venezuelan President Nicolás Maduro on Saturday, January 3rd was the most watched in all of television. 


From 11:15 AM-12:45 PM/ET, the network delivered over 4.6 million viewers and 720,000 in the 25-54 demo, leading ABC (2.4 million viewers; 512,000 A25-54), NBC (1.6 million viewers; 378,000 A25-54) and CBS (1.5 million viewers; 343,000 A25-54). From 6-10 AM/ET, FOX & Friends Weekend, which featured the exclusive first interview with President Donald Trump, averaged 1.7 million viewers. 

At 10 AM/ET, Saturday in America, guest-anchored by Bryan Llenas, posted 3.7 million viewers and chief political anchor Bret Baier’s breaking news coverage, from 11 AM-12:45 PM/ET, scored 4.5 million viewers. FOX News Live, anchored by Mike Emanuel from 12:45-2 PM/ET, delivered 3.1 million viewers and FOX Report with Jon Scott, which aired from 2-5 PM/ET, drew 2.2 million viewers.


The Five averaged 2.7 million viewers and 224,000 in the 25-54 demo, leading cable news with viewers. At 6 PM/ET, Special Report with Bret Baier drew 2 million viewers and 187,000 in the 25-54 demo. The Ingraham Angle saw 1.9 million viewers and 145,000 in the 25-54 demo at 7 PM/ET. Jesse Watters Primetime commanded 1.9 million viewers and 168,000 in the 25-54 demo at 8 PM/ET. At 9 PM/ET, Hannity posted 1.6 million viewers and 134,000 with A25-54. FNC’s late-night hit Gutfeld! (weekdays, 10 PM/ET) averaged 2 million viewers and 199,000 in the 25-54 demo, while the broadcast competition was off for the week. At 11 PM/ET, FOX News @ Night with Trace Gallagher secured 1.1 million viewers.

The network’s daytime programs continued to reign with America’s Newsroom (weekdays, 9-11 AM/ET; 1.6 million viewers), The Faulkner Focus (weekdays, 11 AM/ET; 1.6 million viewers), Outnumbered (weekdays, 12 PM/ET; 1.6 million viewers), America Reports (weekdays, 1-3 PM/ET; 1.4 million viewers), The Story (weekdays, 3 PM/ET; 1.4 million viewers) and The Will Cain Show (weekdays, 4 PM/ET; 1.6 million viewers) each defeating the CNN and MS NOW competition.

Ratings Graphics Courtesy of RoadMN


On Sunday:
  Sunday Morning Futures (Sunday, 10 AM/ET) guest-hosted by Jason Chaffetz was the number one cable news show of the day with 1.9 million viewers. The Sunday Briefing, anchored by Jacqui Heinrich, nabbed 1.7 million viewers. Sunday Night in America with Trey Gowdy posted 1.3 million viewers and The Big Weekend Show (weekends, 5-8 PM/ET) saw 1.1 million viewers.

Source: Nielsen. Big Data + Panel. Week of 12-29-25 ratings data. Average audience for cable news networks Monday-Sunday based on Total Day and Prime (6a-6a, 8P-11P), P2+, P25-54. Cable News/Broadcast Program averages exclude repeats and include the corresponding program name.

Radio Talkers React To ICE Shooting


The shooting in Minneapolis, where an Immigration and Customs Enforcement (ICE) agent fatally shot 37-year-old Renee Nicole Good during an encounter amid ongoing immigration enforcement operations in the city, ia topping talk in radio nationwide.

Video footage shows the agent firing into her vehicle's windshield as it moved, with conflicting accounts: federal officials claim self-defense after she allegedly tried to run over the agent, while local witnesses and leaders dispute this, calling it unjustified and demanding accountability. Protests ensued, and the FBI is investigating, sidelining state authorities. 

Reactions from radio talk hosts have been polarized along ideological lines, with conservative voices largely defending the agent and criticizing local Democrats, while public radio hosts (often more neutral or center-left) have emphasized the tragedy, community anger, and need for transparency.

National Radio Talk Hosts
  • National conservative talk radio has framed the incident as a justified act of self-defense by ICE, often tying it to broader critiques of Democratic immigration policies and post-George Floyd unrest in Minnesota. For example:
  • On The Clay Travis and Buck Sexton Show (syndicated on iHeartRadio and Premiere Networks), hosts Clay Travis and Buck Sexton discussed the shooting at length, arguing that video evidence supports the agent's actions and predicting left-leaning media would downplay it if proven justified. Travis called Minneapolis Mayor Jacob Frey a "crazy lunatic" for blaming ICE and demanding they leave the city, saying, "Minnesota's lost its way... these people, their brains are broken." Sexton accused Democrats of hypocrisy on law enforcement, stating, "The Democrat party does not care about the law. It cares about power," and described the shooting as "clean," adding, "If you try to run over a law enforcement officer, they do not have the obligation to let you crush them... the officer has a right to defend himself."
  • FOX News Radio hosts and segments, including reactions from guests like Sen. Joni Ernst (R-IA), echoed this defense, portraying the shooting as part of necessary immigration crackdowns and highlighting clashes with protesters as evidence of leftist agitation. 
  • They criticized Democratic rhetoric for escalating tensions and defended Homeland Security Secretary Kristi Noem's claim of self-defense.
  • Other conservative shows, like The Mark Davis Show (on 660 KSKY in Dallas, syndicated nationally), featured discussions with fellow host Mike Gallagher analyzing reactions, though specific quotes were limited; the focus was on dissecting media coverage and local backlash as overreactions to lawful enforcement.

On the public radio side (often national in reach via NPR syndication), hosts have taken a more measured tone, focusing on the human cost, investigative needs, and community outrage without explicitly endorsing either narrative:
  • NPR's Mary Louise Kelly on All Things Considered interviewed Minneapolis Police Chief Brian O'Hara, who called the incident a "tragedy" and the video "alarming," stressing de-escalation and noting the victim was not an ICE target but got involved when her vehicle blocked the road. O'Hara expressed concern over the "manner how this enforcement action is being conducted" by federal agents, without outright condemning ICE's presence.
  • Similar coverage appeared on NPR affiliates, with hosts like Steve Inskeep on Morning Edition interviewing state lawmakers about community reactions, highlighting tensions and demands for ICE to withdraw.
Local Radio Talk Hosts (Minnesota/Twin Cities Area)
  • Local reactions, particularly on Minnesota Public Radio (MPR) and affiliated news-talk stations, have centered on outrage from community leaders, the push for independent probes, and fears of escalating federal-local conflicts. These are often more news-oriented but include host commentary:
  • MPR host Clay Masters interviewed State Rep. Aisha Gomez (DFL), who arrived at the scene post-shooting and highlighted "differing reports of what happened," expressing sympathy for the victim and criticizing federal overreach. Masters framed the discussion around local grief and accountability, noting video evidence raised questions about ICE's account.
  • On conservative-leaning local talk radio like Twin Cities News Talk (AM 1130 KTLK, iHeart), hosts have aligned with national counterparts, defending the shooting as self-defense amid "ridiculousness" in Minnesota politics, though specific episodes focused more on reporting state investigators being sidelined by the FBI.
  • Listener sentiment on local airwaves, as captured in call-ins (e.g., one X user noted MPR callers seeming "ecstatic" about potential unrest akin to 2020 George Floyd protests), reflects deep division, with some hosts moderating debates on whether ICE actions exacerbate or resolve issues.
Overall, conservative hosts nationally and locally have been vocal in supporting ICE and blaming Democratic "extremism," while public radio hosts prioritize investigative fairness and community impact, avoiding strong partisan takes. Coverage remains fluid as more details emerge.

Cumulus vs Nielsen: Judge Grants Confidentiality


A federal judge has granted Cumulus Media additional protections in its antitrust lawsuit against Nielsen, limiting the public release of sensitive details to safeguard confidential business information.

U.S. District Judge Jeannette Vargas ruled that the interest in protecting confidential business information outweighs the qualified First Amendment presumption of public access. This decision, which both Cumulus and Nielsen sought, follows their joint argument that disclosing certain details could cause each party "significant competitive disadvantage" in the marketplace.

The ruling adds another layer of secrecy to the high-stakes case. 

Last month, Judge Vargas already allowed the names and employment positions of non-party declarants (third-party supporters of Cumulus's preliminary injunction request) to remain redacted, citing minimal impact on the case's merits and the risk of "retaliatory oppressive pricing and contract terms" from Nielsen if identities were revealed.

Despite these restrictions on granular details, the broader picture of the litigation remains clear: In late December 2025, Judge Vargas granted Cumulus a major preliminary injunction. The order blocks Nielsen from enforcing its controversial "Network Policy," which ties access to national radio ratings data to the purchase of local market data. It also prohibits Nielsen from charging "commercially unreasonable" standalone rates for its Nationwide Report and requires the company to offer Cumulus 2026 nationwide ratings at a rate equal to — or lower than — the highest annual 2026 rate charged to any other broadcaster.

To secure the injunction, Cumulus must post a $100,000 bond, which stays in place until the order is lifted.

Cumulus hailed the decision as validation of its core claims in the October 2025 lawsuit, which accuses Nielsen of a "textbook abuse of monopoly power" under Section 2 of the Sherman Act by illegally tying national and local ratings products. This practice, Cumulus argues, harms competition and prevents radio stations from freely choosing local ratings providers.

Nielsen strongly denies the allegations, insisting its policies and practices comply with antitrust laws. The company has described Cumulus's suit as "lawfare" and expressed confidence it will "fully vindicate" its position as the case proceeds through the Southern District of New York. The preliminary injunction remains in effect during ongoing litigation, but the merits of the claims will be fully resolved later.

Radio's Wake-Up Pulse


Here are the latest media news highlights affecting U.S. radio broadcasting as of January 9, 2026. The industry is navigating a mix of evolving listener habits, digital growth, advertising opportunities, and ongoing technological integration amid a competitive audio landscape.

Shifting Listener Habits: Radio's "New Normal"...A key trend emerging in early 2026 is the continued evolution of where Americans consume audio. Recent data shows that 55% of U.S. audio listening now occurs in the home, even as commuting patterns recover post-pandemic. This shift highlights radio's resilience in non-car environments, with AM/FM maintaining strong presence through home devices, smart speakers, and streaming integrations. This "new normal" underscores opportunities for stations to adapt content for at-home audiences while leveraging traditional strengths in live, local programming.

Advertising and Growth Opportunities:  The health club/fitness industry is projected to grow 8% in 2026, with AM/FM radio overindexing in this vertical compared to digital alternatives. This creates year-round ad potential as gyms see seasonal budget spikes in January.

Industry forecasts emphasize multiplatform advertising leading the way, driven by live events (sports) and the 2026 midterm elections. Katz Digital President Scott Porretti highlights how advertisers are prioritizing communal, real-time engagement across broadcast, streaming, and digital.Radio's "season of giving" campaigns also neared a record $30 million in donations recently, demonstrating strong local community impact that bolsters advertiser trust.

Industry Leadership and Personnel Changes:  David Donovan, president of the New York State Broadcasters Association for 15 years, will step down at the end of 2026. He'll continue government relations work during the transition.

Fates
  • Pioneer Steve Hicks, architect of modern radio duopolies through local management agreements, has passed away.
  • Radio Hall of Famer Jerry Cesak (Jerry St. James of the "Jeff & Jer Showgram" in San Diego) died at 74 after a long career.
  • Analytics leader Radha Subramanyam (former iHeartMedia and CBS exec) passed away at 55 from cancer.
Programming and Syndication Updates
  • Conservative commentator Dan Bongino is returning to syndicated radio with a new two-hour show on Westwood One, starting early February (10am–12pm ET).
  • Stations like KNCI Sacramento ("New Country 105.1") revamped lineups effective January 12, adding local talent to mornings and afternoons.
  • Emerging format experiments, including "Yacht Rock" revivals on select stations, signal efforts to attract younger or niche audiences.

Technology and Innovation Focus

The CES 2026 event is spotlighting tech that could enhance radio operations, such as AI for content creation, cost efficiencies (e.g., automation for facilities), better metadata/graphics for listening experiences, and real-time advertiser metrics. Industry voices stress using AI to complement — not replace — the "human" element in broadcasting.

Regulatory notes include upcoming deadlines for quarterly Issues/Programs Lists, children's programming reports, and webcasting royalties, plus the FCC's ongoing quadrennial review of local ownership rules.

Overall, U.S. radio in 2026 appears focused on digital extension, local trust, and multiplatform resilience to compete in an audio market dominated by streaming and podcasts. While challenges like cord-cutting persist, radio's live/local strengths and ad overperformance in key verticals position it for steady adaptation.

Other Media and Entertainment Updates
  • Streaming Releases: New content drops this week on platforms like Prime Video, Disney+, Hulu, and Netflix, including rom-com adaptations like People We Meet on Vacation (Netflix, Jan. 9) and various movies/TV series rolling out throughout January 2026.
  • Advertising and Industry Trends: Forecasts suggest global advertising will boom in 2026 (around 6-7% growth excluding political ads), but traditional TV faces declining market share as budgets shift to digital and performance-driven channels. Hollywood risks being left behind in this transition.
  • Broader Media Insights: Ongoing discussions around AI integration in creative workflows, the rise of content creators as major players, and challenges in regional sports highlight a year of transition for entertainment and media.
Headlines:
  • Portland’s mayor condemned the shooting of two people by a U.S. Border Patrol agent during a traffic stop and called for ICE to leave the city.
  • Renee Nicole Good, the woman killed in Minneapolis, was a 37-year-old mother who had moved there to start a new chapter. Here’s what we know about her.
  • Minnesota law-enforcement officials said that the FBI blocked them from participating in an investigation into Good’s shooting.
  • Trump said he was canceling a “second wave of attacks” on Venezuela, after the country released five political prisoners and was expected to free many more.
  • Elon Musk’s Grok switched off image creation for all except paying subscribers, after researchers said an update allowed sexualized editing of photos of children.
  • Protesters swept through Iran’s capital, chanting antigovernment slogans and setting fires in a display of public discontent not seen in at least three years.

Comcast's Versant Gives Paramount Leverage In WBD Campaign


Paramount Skydance has bolstered its case against Warner Bros Discovery's planned merger with Netflix, pointing to the weak market debut of Comcast's cable networks spinoff, Versant Media, as evidence that WBD's own cable assets — slated for a similar separation — hold minimal value for shareholders.

Versant Media Group, which houses channels including CNBC, MS NOW (formerly MSNBC), USA Network, E!, Syfy and Oxygen, tumbled 13% in its Nasdaq debut on Monday, closing at $40.57 per share and valuing the company at roughly $6.5 billion. The sharp decline underscores investor skepticism toward legacy cable TV businesses amid cord-cutting and the shift to streaming.

Paramount Skydance, which is pursuing a hostile $108.4 billion all-cash bid for all of Warner Bros Discovery (including its cable networks like CNN, TBS and Discovery Channel), argued that Versant's performance serves as a proxy for WBD's planned spinoff of its linear networks into Discovery Global later this year. Sources close to Paramount said the low valuation suggests Discovery Global could be worth less than $2 per WBD share — or potentially even lower — effectively making Netflix's $82.7 billion offer for WBD's studios, HBO and streaming assets far less attractive when adjusted for the spinoff's diminished worth.

One major WBD investor, Penwater Capital Management, echoed this view in a letter to the board, estimating Discovery Global at under $1.50 per share based on Versant's trading multiple.

Warner Bros Discovery's board rejected Paramount's latest revised offer on Wednesday, calling it a risky leveraged buyout saddled with excessive debt and inferior to the Netflix deal in value, certainty and risk. Paramount's $30-per-share bid, backed by $40 billion in equity (personally guaranteed by Oracle co-founder Larry Ellison) and $54 billion in debt, remains open for tenders until January 21.

The bidding war has intensified scrutiny on media consolidation, with antitrust concerns raised over either outcome potentially creating a dominant player in Hollywood content and distribution. Netflix's deal would pair its streaming dominance with WBD's premium library, while a Paramount merger would fuse two major studios and TV operators.

Comcast completed the Versant spinoff to focus on its core streaming, broadcast and theme park assets, a strategy WBD aims to mirror by shedding its declining cable networks. However, Versant's post-debut slump highlights the challenges facing pure-play linear TV companies in a fragmented market.