Saturday, September 27, 2025

Radio History: Sep 28


➦In 1901...William S. Paley, the chief executive, who built Columbia Broadcasting System (CBS) from a small radio network into one of the foremost radio and television network operations in the United States, was born.

Will Paley
In 1927, Paley's father, brother-in-law and some business partners bought a struggling Philadelphia-based radio network of 16 station called the Columbia Phonographic Broadcasting System. Samuel Paley's intention was to use his acquisition as an advertising medium for promoting the family's cigar business, which included the La Palina brand. Within a year, under William's leadership, cigar sales had more than doubled, and, in 1928, the Paley family secured majority ownership of the network from their partners. Within a decade, William S. Paley had expanded the network to 114 affiliate stations.

Paley quickly grasped the earnings potential of radio and recognized that good programming was the key to selling advertising time and, in turn, bringing in profits to the network and to affiliate owners. Before Paley, most businessmen viewed stations as stand-alone local outlets or, in other words, as the broadcast equivalent of local newspapers. Individual stations originally bought programming from the network and, thus, were considered the network's clients.

Paley changed broadcasting's business model not only by developing successful and lucrative broadcast programming but also by viewing the advertisers as the most significant element of the broadcasting equation. Paley provided network programming to affiliate stations at a nominal cost, thereby ensuring the widest possible distribution for both the programming and the advertising. Affiliates were required to carry programming offered by the network for part of the broadcast day, receiving a portion of the network's fees from advertising revenue. At other times in the broadcast day, affiliates were free to offer local programming and sell advertising time locally.

During his prime, Paley was described as having an uncanny sense for popular taste and exploiting that insight to build the CBS network. As war clouds darkened over Europe in the late 1930s, Paley recognized Americans' desire for news coverage of the coming war and built the CBS news division into a dominant force just as he had previously built the network's entertainment division.

During World War II, Paley served in the psychological warfare branch in the Office of War Information, under General Dwight Eisenhower, and held the rank of colonel. It was while based in London, England, during the war when Paley came to know and befriend Edward R. Murrow, CBS's head of European news. In 1946, Paley promoted Frank Stanton to president of CBS. CBS expanded into TV and rode the post-World War II boom to surpass NBC, which had dominated radio.

➦In 1919...Doris Singleton born (Died at age 92 – June 26, 2012). She began her career in show business as a vocalist in the late 1930s with Art Jarrett's orchestra. Her distinctive low, lyrical voice made her a favorite in the radio industry.

Doris Singleton
Singleton worked in New York during World War II both as a guest star and in regular roles on numerous hit radio shows, including The Whistler and The Alan Young Show, on which she played Young's girlfriend, Betty Dittenfeffer. She played Ruth Henshaw on the radio version of December Bride.

During a guest appearance on the radio show My Favorite Husband in 1948 she met Lucille Ball and began their long professional relationship. She had a recurring role in I Love Lucy playing Carolyn Appleby in ten episodes between 1953 and 1957. In 1953, she made her television debut as Gloria Harper in the episode "Jungle Devil" on the series, The Adventures of Superman.

Singleton also appeared on numerous other television shows including Richard Diamond, Private Detective, The Dick Van Dyke Show, Pete and Gladys, Hazel, The Real McCoys, The Twilight Zone, The Munsters, The Fugitive, Dynasty, Phyllis, Family Affair, Hogan's Heroes, State Trooper, Gunsmoke, and Frontier Doctor.

Singleton played the sympathetic neighbor, Susie, to Annie Fargé's scatterbrained character "Angel Smith" in the CBS sitcom, Angel from 1960 to 1961. Singleton also appeared in All in the Family as Edith's hotel roommate, Lydia Stonehurst, in the 1971 episode "Edith has Jury Duty". She also appeared in two Perry Mason episodes, titled "The Crooked Candle" and "The Purple Woman".

She guest-starred on My Three Sons, playing two different characters who had recurring roles throughout the long run of the show. At the time of her death in June 2012, Singleton was the last surviving major recurring adult cast member from the "Lucy" shows.

➦In 1919...Thomas Dudley Harmon born (Died at age 70 – March 15, 1990). He was a football player, military pilot, actor, and sports broadcaster.

Tom Harmon
Harmon grew up in Gary, Indiana, and played college football at the halfback position for the University of Michigan from 1938 to 1940. He led the nation in scoring and was a consensus All-American in both 1939 and 1940 and won the Heisman Trophy, the Maxwell Award, and the Associated Press Athlete of the Year award in 1940. He was inducted into the College Football Hall of Fame in 1954.

During World War II, Harmon served as a pilot in the U.S. Army Air Forces. In April 1943, he was the sole survivor of the crash of a bomber he piloted in South America en route to North Africa. Six months later, while flying a P-38 Lightning, he was shot down in a dogfight with Japanese Zeros near Kiukiang in China.

After the war, Harmon played two seasons of professional football for the Los Angeles Rams and had the longest run from scrimmage during the 1946 NFL season.

After retiring as a player in 1947, Harmon returned to his career as a sports broadcaster, becoming one of the first and most successful athletes to make the transition from player to broadcaster. During the 1948 season, he broadcast Rams' games for KFI radio in Los Angeles. In the late 1940s, he was the play-by-play announcer for NBC on the first television broadcast of a Rose Bowl Game. From around 1950 to 1962, Harmon worked as a sportscaster for the CBS network. He also handled the nightly sport report on KTLA television in Los Angeles from 1958 to 1964.

In 1962, Harmon joined the sports staff of the ABC radio network. He developed a concept for a 10-minute daily sports program. He hired the crew, purchased the equipment, found sponsors, and then sold the program to ABC. His 10-minute broadcasts became a staple of the ABC radio network. By 1965, his company, Tom Harmon Sports, was generating annual gross revenue of $1 million and had six full-time employees.

He also worked as the play-by-play announcer for UCLA Bruins football games on KTLA during the 1960s and 1970s. In his later years, he was the host of Raider Playbook on KNBC in Los Angeles and also handled play-by-play responsibility for Los Angeles Raiders' preseason games.

➦In 1936...Bachelor's Children was a domestic daytime drama radio broadcast which originated on Chicago's WGN in 1935-36, it debuted on this date on CBS Radio Networ. Later it aired on NBC Radio until September 27, 1946.

It followed the daily travails of two friends, Dr. Bob Graham and Sam Ryder, and the two women they loved. When Dr. Bob was a young man doing military service, his sergeant took care of him during a difficult time. Years later, the sergeant's dying request was that Bob become guardian of his two young daughters. Dr. Bob fell in love with Ruth Ann and Sam with her twin sister, Janet.

Rudy Vallee

➦In 1939...The Fleischmann Hour with Rudy Vallee, came to the end of its ten-year run on NBC Radio Network.

➦In 1963..."She Loves You" by the Beatles was first played in NYC by disc-jockey, "Murray The K", on 1010 WINS. It is believed that this was the first time a Beatles song has been played anywhere in the United States. The response was tepid.

Jimmy Kimmel Returning to ABC Stations Nationwide


Nexstar Media Group will resume airing Jimmy Kimmel Live! on its 32 ABC-affiliated stations Monday, reversing its decision to preempt the show due to controversial comments by host Jimmy Kimmel about Charlie Kirk’s killer. Sinclair Broadcast Group also announced it will restore the program on its 38 ABC stations, ending a short-lived protest that began last week after Kimmel’s remarks on Sept. 15.

ABC briefly suspended the show on Sept. 17 but reinstated it on Sept. 23, achieving record ratings despite the blackout by Nexstar and Sinclair. The return of Jimmy Kimmel Live! to all U.S. markets is a win for Disney and ABC, which faced backlash for allegedly yielding to pressure from the Trump administration. Critics, including Hollywood guilds, accused Disney of failing to defend First Amendment rights, with some consumers threatening to boycott services like Disney+.

The controversy escalated when FCC Chairman Brendan Carr warned of “news distortion” complaints against ABC stations unless Kimmel was fired, stating on a Sept. 17 podcast that broadcasters could either “change conduct” or face FCC action. Nexstar’s initial decision to pull Kimmel was seen as an effort to curry favor with Carr, especially as the company awaits FCC approval for its $6.2 billion acquisition of Tegna. Both Nexstar and Sinclair denied their decisions were influenced by government pressure.


Disney explained its temporary suspension of the show as an effort to avoid “inflaming a tense situation,” but after discussions with Kimmel, reinstated the program. Nexstar, based in Irving, Texas, operates 23 owned ABC stations and provides services to nine others, including stations in Salt Lake City (KTVX), New Orleans (WGNO), and Nashville (WKRN). 

In a Sept. 17 statement, Nexstar’s broadcasting president Andrew Alford called Kimmel’s comments “offensive and insensitive,” arguing they did not reflect the values of the communities served by their stations.

ABC's Long Term Prognosis Not Encouraging for Jimmy Kimmel


On Wednesday, September 24, 2025, "Jimmy Kimmel Live!" averaged 2.41 million viewers, a strong performance compared to its 2025 season average of 1.7 million but a sharp 61.7% drop from Tuesday’s record-breaking 6.26 million, driven by the show’s highly publicized return after a suspension. 

The Tuesday episode, fueled by national attention over Kimmel’s controversial comments about the assassination of Charlie Kirk, marked one of the show’s highest viewership nights in its 22-year history. 

However, Wednesday’s decline reflects the typical fade of event-driven audiences, though the numbers remained elevated due to ongoing media buzz and social media traction.

📺Late-Night Ratings for Wednesday, September 24, 2025

Here’s how "Jimmy Kimmel Live!" stacked up against competitors in linear TV viewership (live + same-day Nielsen data):
  • Gutfeld! (Fox News): 3.23 million viewers
  • Jimmy Kimmel Live! (ABC): 2.41 million viewers
  • The Late Show with Stephen Colbert (CBS): 1.99 million viewers
  • The Tonight Show Starring Jimmy Fallon (NBC): 1.24 million viewers
Kimmel’s 2.41 million viewers placed it second among late-night shows, trailing Fox News’ "Gutfeld!" by 33.7% but outperforming CBS’s "The Late Show" by 21.3% and NBC’s "The Tonight Show" by 94.1%. Notably, "Gutfeld!" continued its dominance in the late-night landscape, capitalizing on its appeal to conservative audiences and averaging 3.2 million viewers for the year, a 107% lead over Kimmel’s 2025 average of 1.6 million. In the advertiser-coveted 25-54 demographic, 

"Gutfeld!" drew 381,000 viewers compared to Kimmel’s 261,000 (a 46% gap), while in the 18-49 demo, "Gutfeld!" led with 248,000 to Kimmel’s 177,000.


Digital Performance as a Lifeline:  The significant drop from Tuesday to Wednesday prompted media analysts like CNN’s Brian Stelter to shift focus to Kimmel’s digital reach. On Thursday, Stelter highlighted the show’s YouTube performance, noting that Wednesday’s monologue garnered over 5 million views within 24 hours, ranking among Kimmel’s most-watched clips of 2025. This pivot underscores the growing importance of streaming and social media for late-night shows as linear TV audiences dwindle. 

Industry observers predict that "Jimmy Kimmel Live!" will likely fall below 2 million viewers by the following week, reverting closer to its 2025 average of 1.7 million. This would place the show well below its historical means (e.g., 2.4 million in 2015) and exacerbate financial concerns for ABC, a Disney-owned network. 

Kimmel’s reported annual salary of $17 million, combined with the costs of a large production staff and filming in high-cost Los Angeles, suggests the show is operating at a loss. For context, CBS’s "The Late Show with Stephen Colbert," which averages 1.99 million viewers (30% more than Kimmel’s season average), reportedly loses $40 million annually due to similar high production costs and declining ad revenue in the late-night space.

However, with Kimmel’s contract reportedly expiring in 2026, ABC’s financial calculus may not support a renewal.

San Antonio Radio: Connoisseur Outlines Cluster Leadership Changes


Connoisseur Media has announced significant leadership changes for its San Antonio cluster, effective January 1, 2026. 
  • Morgan Harrison, currently the Director of Sales for the former Alpha Media cluster in San Antonio, has been promoted to Market Manager, succeeding Lance Hawkins, who will retire at the end of 2025 after a distinguished tenure. 
  • Concurrently, Dax Davis, who has served as Integrated Sales and Sports Programming Manager, will assume the role of Director of Sales while retaining his oversight of sports programming.
The San Antonio cluster under Connoisseur Media includes a diverse portfolio of six radio stations and robust digital assets:
  • 550 KTSA-AM: A news/talk station with a legacy of local and national coverage.
  • 94.1 San Antonio Sports Star (KTFM): A sports-focused outlet catering to the city’s passionate fanbase.
  • 102.7 JACK FM (KJXK): Known for its “playing what we want” adult hits format.
  • Norteño 720 (KSAH): A regional Mexican music station serving the Hispanic community.
  • WE 94.5 (KTFM): A contemporary hits station targeting younger audiences.
  • Tejano 95.7 (KLEY): Specializing in Tejano music, a cultural staple in South Texas.
Morgan Harrison
Harrison’s promotion follows her successful leadership in driving sales for the cluster, which Connoisseur acquired from Alpha Media in a 2023 transaction. Her deep market knowledge and client relationships positioned her as the ideal candidate to lead the cluster into its next phase. 

Harrison commented, “I am incredibly honored and humbled to step into the role of Market Manager. I’m grateful to Jeff Warshaw for believing in me to help share his incredible vision, and to Lance Hawkins for his guidance and trust in me to fill the big shoes he leaves behind as he heads into retirement. Radio has always been about the 3C’s that Connoisseur Media boldly represents in Clients, Community, and Colleagues, and I’m excited to build on a great mission with those at the forefront, along with my colleague, Dax Davis.”

Hawkins, a veteran in the radio industry, leaves behind a legacy of operational excellence, and his retirement marks the end of a significant chapter for the San Antonio market.

Davis, stepping into the Director of Sales role, brings a track record of innovation in sports programming and integrated sales strategies. His dual role ensures continuity in the cluster’s sports content, particularly for KTFM’s sports-focused programming, which includes local teams like the San Antonio Spurs and regional college sports. His leadership will focus on expanding revenue through cross-platform advertising, leveraging both radio and digital channels.

Bloated Cable Bills Now Bloated Streaming Bills


The shift from traditional cable TV to streaming services was marketed as a liberation—a way to slash bloated bills, ditch endless ads, and curate your entertainment on demand. 

Back in the early 2010s, households were ditching $150+ monthly cable packages for Netflix's $7.99 flat fee, celebrating the freedom of binge-watching without the hassle of channel-surfing or surprise fees. Fast-forward to 2025, and that giddy promise has soured into widespread frustration. 

Streaming costs now rival or exceed cable for many, with ad-supported tiers creeping back in and price hikes hitting annually. The average U.S. household subscribes to about four services, spending $69+ per month, but "streamflation" has turned what was a budget win into a creeping expense that feels eerily familiar. 


Disney's October 21 hikes—its fourth in four years—pushed Disney+ (ad-free) to $15.99 and Hulu (ad-free) to $18.99, with bundles like Disney+/Hulu/ESPN+ jumping from $14.99 to $17.99. Apple TV+ followed in September with a 30% bump to $12.99, its third increase ever, alienating budget-conscious users who see it as premium pricing gone awry. Discovery+ kicked off the year in January with a 20% rise for its ad-free tier to $5.99, the first since 2023. Even niche players like Dropout.tv hiked from $5.99 to $6.99 in May.

Netflix, while holding steady at $22.99 for Premium (as of late 2024), faces analyst predictions of increases across music and streaming by year-end, with its ad-supported tier already doubling ad loads to 4-6 minutes per hour by June. Other notables: Peacock's July hike (its third in three years) to $13.99 for Premium, Paramount+ to $17 (doubling since launch), and Hulu's ad-supported plan quietly rising to $9.99 amid Disney backlash. 

Trump DOJ Indictments Often Reported As Retribution


Major outlets like The Washington Post (WaPo) and The New York Times (NYT) framed legal actions against Trump allies during the Biden administration as straight news versus those against perceived enemies of Trump in his second term.
  • Steve Bannon (Contempt of Congress): Indicted on November 12, 2021, by a federal grand jury in Washington, D.C., for defying a subpoena from the House Select Committee investigating the January 6, 2021, Capitol attack. He was convicted in July 2022 and sentenced to four months in prison (served starting July 2024). This stemmed from his refusal to provide documents or testimony about Trump's post-2020 election efforts.
  • Peter Navarro (Contempt of Congress): Indicted on June 3, 2022, on two counts for similarly ignoring a subpoena from the January 6 committee. Navarro, a former Trump trade advisor, claimed executive privilege but provided no documentation from Trump to support it (unlike other aides like Mark Meadows). He was convicted in September 2023, sentenced to four months in March 2024, and served time starting that month.
  • James Comey (Trump-Era Example): Indicted on September 25, 2025—two days before the current date—on one count of making a false statement and one count of obstructing a congressional proceeding, tied to his 2020 Senate testimony. 
Both Bannon and Navarro cases were rare prosecutions for contempt referrals from Congress so where were headlines screaming "Biden weaponizes DOJ against rivals." NYT on Bannon had no prominent mention of Biden directing the case; instead, it highlighted career prosecutors in the public integrity unit.

Fast-forward to 2025: Trump's DOJ has pursued cases against figures like Comey, with WaPo and NYT framing them more explicitly as potential "retribution" or norm-breaking, often tying them to Trump's public calls for investigations. This echoes the user's contrast—now it's "Trump getting his enemies."

NYT on Comey (September 26, 2025): "With Comey Indictment, Trump Gets Retribution but Shatters Norms" led with the prosecutor's "drive to indict" overriding DOJ traditions of political distance. It contrasted Biden's hands-off approach to Trump probes (no social media demands for prosecution) and noted Trump's preemptive cheers, raising "the prospect of more arbitrary charges." The piece highlighted internal dissent among prosecutors who "stepped back" from the case.

WP Coverage:
Similar tone in pieces like "Trump Predicts More Indictments After Comey and Claims It’s Not Revenge," quoting Trump's denials but emphasizing his social media posts lamenting inaction against foes like Sen. Adam Schiff or NY AG Letitia James. 

It framed the timing (just before the statute of limitations) as suspicious, unlike the "straight news" style for Bannon/Navarro.

The shift isn't isolated: During Trump's 2023-2024 indictments (e.g., January 6, classified docs), WaPo and NYT often contextualized them as responses to evidence of wrongdoing, with headlines like "Trump Indictment: Jan. 6 Riot Was ‘Fueled by Lies’ From Trump." But for Trump-initiated probes, the lens widens to include risks to democracy and selective prosecution.

Opposition Grows To Nexstar's Acquisition of Tegna TV Stations


The $6.2 billion merger between Nexstar Media Group and TEGNA Inc., announced on August 19, 2025, would create the largest U.S. local TV station owner, controlling 265 stations across 44 states and Washington, D.C., reaching about 80% of American households.

This exceeds the FCC's longstanding 39% national audience reach cap for TV ownership, a rule broadcasters like Nexstar argue is outdated in the streaming era. Nexstar and TEGNA plan to file antitrust paperwork with the Department of Justice and FCC applications by Tuesday, with closure expected in the second half of 2026, pending approvals. The deal offers TEGNA shareholders a 31% premium over their stock price and is framed by Nexstar as a way to strengthen local journalism amid competition from Big Tech.


Opposition has mounted over concerns of media consolidation reducing journalistic diversity, raising cable fees, and enabling corporate influence on content. The National Association of Broadcasters has urged the FCC to repeal the cap entirely, while groups like the American Television Alliance and a coalition of 16 press freedom organizations (including Reporters Without Borders) argue against it, citing no evidence that bigger ownership improves local news. 

Senator Elizabeth Warren has called the merger a risk for "gobbling up more local news stations, firing reporters, and jacking up prices." In Connecticut, Sen. Matt Lesser requested state Attorney General William Tong review it for antitrust violations. Separate Change.org petitions, including one to save Denver's 9News (a TEGNA station), have emerged, emphasizing threats to local journalism.

The MoveOn petition, titled "Don’t approve Nexstar’s unethical $6 billion merger!", explicitly urges the FCC to reject the deal, labeling it a "major consolidation of power" that could turn media into "proxy propaganda outlets for Trump and his cronies." 


It ties the merger to broader corporate corruption and government overreach. It has surpassed 20,000 signatures, gaining momentum amid public backlash to related events. MoveOn describes the effort as exposing "shady business deals" before they control media narratives. 

Conservative outlets like One America News and Newsmax, along with the National Hispanic Media Coalition, have also opposed the merger.

D/FW Radio: Alt 103.7 KVIL FM Goes Local


ALT 103.7 KVIL-FM, an Audacy station in Dallas, announces the launch of a new weekend show, “Local Alt” hosted by J.R. Muñoz. “Local Alt” will celebrate the past, present and future of Alternative Rock music created by DFW artists. The show will air Sundays from 8:00 p.m. to 9:00 p.m. CT starting September 28.

“I can’t wait to get music on air for the locals, by the locals!” said Muñoz.

Muñoz is an entrepreneur and owner of Will Call Bar with over two decades of deep involvement in the local community. He is a passionate advocate for the DFW music community and is dedicated to supporting and elevating local artists.

📻Listeners can tune in to ALT 103.7 (KVIL-FM) in Dallas-Fort Worth. on air and nationwide on the Audacy app and website. Fans can also connect with the station via X, Facebook and Instagram.

Spotify Purging 'Spammy' Music Tracks


Spotify has removed over 75 million AI-generated “spammy” music tracks from its platform in the past year, intensifying efforts to curb unauthorized AI use of artists’ voices, the company announced Thursday.

The Swedish audio giant plans to strengthen impersonation violation enforcement, introduce a new spam filtering system, and collaborate with partners to label AI-incorporated tracks.“We envision a future where artists control how or if they use AI in their creative process,” Spotify stated on its website. 

“We leave creative decisions to artists while protecting them from spam, impersonation, and deception, and increasing transparency for listeners.”This move comes as tech platforms tackle the surge in AI-generated content. While some creators embrace AI tools, others report harm from unauthorized impersonation.

“Spotify’s actions are the right step for artists and preserving platform integrity,” said Rob Enderle, principal analyst at Enderle Group in Bend, Oregon.

Spotify will only permit vocal impersonation with artist consent and aims to shorten content mismatch review times, allowing artists to report issues even before release.

“Unauthorized AI voice cloning exploits artists’ identities, undermines their work, and threatens its integrity,” Spotify said. “Some artists may license their voices to AI projects—that’s their choice. Our role is to ensure that choice remains theirs.”

Experts warn that the rising popularity of AI tools will increase deepfakes and AI-generated content, posing ongoing challenges for tech companies to monitor.

Radio History: Sept 27


William Conrad
➦In 1920
...William Conrad born (Died from heart failure at age 73. – February 11, 1994). His  career spanned five decades in radio, film, and television, peaking in popularity when he starred in the detective series Cannon (1971–1976).

Conrad estimated that he played more than 7,500 roles during his radio career.

Most prominently, Conrad's deep, resonant voice was heard in the role of Marshal Matt Dillon on CBS Radio's gritty Western series Gunsmoke (April 26, 1952 – June 18, 1961). The producers originally rejected him for the part because of his ubiquitous presence on so many radio dramas and the familiarity of his voice, but his impressive audition could not be dismissed, and he became the obvious choice for the role. Conrad voiced Dillon for the show's nine-year run, and he wrote the June 1953 episode "Sundown." When Gunsmoke was adapted for television in 1955, executives at CBS did not cast Conrad or his radio costars despite a campaign to get them to change their minds.

In January 1956, Conrad was the announcer on the debut broadcast of The CBS Radio Workshop.

➦In 1933..."Waltz Time" debuted. It remained on the NBC Radio network until 1948. The show features Abe Lyman (August 4, 1897 – October 23, 1957) and his band, which was popular from the 1920s to the 1940s. He made recordings, appeared in films and provided the music for numerous radio shows, including Your Hit Parade.

➦In 1938...Comedian Bob Hope introduced a new song, "Thanks For The Memory".  It was introduced in the 1938 film The Big Broadcast of 1938 by Bob Hope and Shirley Ross. In the film, Ross and Hope's characters are a divorced couple who encounter each other aboard a ship. Near the film's end, they poignantly sing one of the many versions of this song, recalling the ups and downs of their relationship (then they decide to get back together).

➦In 1985...The Howard Stern Show aired for the last time on 66 WNBC NYC.

The show developed in 1979 when Stern landed his first morning shift at WCCC in Hartford, Connecticut, four years into his professional radio career. He continued as a morning personality at WWWW in Detroit, Michigan in 1980, and was paired with Quivers in 1981 at WWDC in Washington, D.C. In 1982, Stern's success in Washington led to a spot at WNBC in New York City, where he hosted the city's top afternoon show until his firing.

That year, the show began a 20-year run at WXRK in New York City where it aired on a total of 60 markets across the United States and Canada and gained an audience of 20 million listeners at its peak. In the New York area, the show was the highest-rated morning program consecutively between 1994 and 2001.

➦In 1995...Radio personality Alison Steele died (Born Ceil Loman - January 26, 1937). She was also known by her air name, The Nightbird. She amassed a large and loyal following on her night shifts on WNEW 102.7 FM in New York City during the late 1960s and 1970s. Her show featured progressive rock and artists associated with the counterculture of the time, combined with listeners' calls and Steele's own unique brand of mellow DJ patter, peppered with poetry and mysticism. Her original Nightbird show ran from 1968 to 1979.

Friday, September 26, 2025

Sinclair To Resume Airing ABC's Kimmel


Sinclair announced it will resume airing “Jimmy Kimmel Live!” on its ABC affiliate stations starting Friday, following a nearly week-long suspension by Disney’s ABC network. The suspension stemmed from controversial remarks by host Jimmy Kimmel about the alleged murder of conservative activist Charlie Kirk and Donald Trump’s MAGA movement.

In a Friday statement, Sinclair cited “thoughtful feedback from viewers, advertisers, and community leaders” and condemned recent violence, including a shooting at an ABC affiliate in Sacramento. 

“These events underscore why responsible broadcasting matters and why respectful dialogue between differing voices remains so important,” the company said.

Earlier this week, Sinclair and Nexstar Media Group, which together own about 70 ABC affiliates covering roughly 20% of U.S. markets, preempted the show while engaging in discussions with Disney. 

Sinclair proposed measures like a network-wide independent ombudsman to enhance accountability and community dialogue, though ABC and Disney have not adopted these suggestions. 

“We believe such measures could strengthen trust and accountability,” Sinclair noted, respecting ABC’s autonomy under affiliate agreements.

Sinclair, which operates around 40 ABC affiliates, including in Washington, D.C., and Nexstar, with about 30 in markets like Salt Lake City and New Orleans, acted independently of government influence, despite FCC Chairman Brendan Carr’s suggestion that Kimmel’s remarks could jeopardize affiliate licenses. 

“Our decision to preempt this program was independent of any government interaction or influence,” Sinclair emphasized, defending its right to exercise content judgment while supporting free speech.

Kimmel addressed the preemptions during his return on Tuesday, noting, “We’re suddenly not being broadcast in 20% of the country, which is not a situation we relish.” Nexstar has not yet commented, and Disney declined to comment.

Young Adults Are Redefining Radio and Audio Engagement


Young adults aged 18–34 are reshaping radio and audio engagement, creating new standards for how sound fits into their lives, digital routines, and personal identities. From college students fueling their social scenes to early-career professionals exploring new tastes, this audience demands audio that’s relevant, authentic, and available wherever they are. In an era packed with media choices, today’s young adults turn down the noise and tune in to what matters, making it essential for brands to understand their evolving habits.

Radio’s unmatched accessibility is a key advantage for young adults. Free to use and seamlessly integrated across smartphones, car stereos, smart speakers, and apps, radio fits effortlessly into commutes, workouts, social hangouts, and spontaneous moments. Radio remains a reliable companion, keeping young adults connected to music, news, and culture anytime, anywhere. According to the NMI Insights Q1 Report, radio reaches almost 9 out of 10 adults aged 18–34 and leads all ad-supported audio with a 45% share of daily listening time, well ahead of podcasts (32%), streaming audio (22%), and satellite (1%). That consistency underscores radio’s staying power with this generation.

For young adults, AM/FM radio is a valued connection point. Engaging hosts and other on-air personalities build trust and relatability, transforming passive listening into interactive moments. Events like new music discovery, trending conversations, and live interactions help foster genuine community among radio listeners. Local radio especially reinforces identity and pride, offering a unique sense of place that other audio platforms struggle to match.

Beyond entertainment, radio offers what many digital platforms can’t, personal connection, inspiration, and a sense of belonging. Through compelling music, relatable voices, and local stories, radio meets emotional needs, helping young audiences feel seen and connected.

Connecting with today’s young listeners takes more than traditional ads, it requires creativity, authenticity, and multi-channel strategies – and radio delivers on all fronts! With AM/FM radio, brands can tap into influencer partnerships, interactive media, and content built around emerging trends.

Local AM/FM radio stations and personalities embody the sense of connection and relatability young adults crave, and extend them on-air, online, and in real life.

TV Ratings: 7.5M Viewers For Jeopardy in Premiere Week


“Jeopardy” retained its crown as the most-watched syndicated TV series during its premiere week, drawing 7.5 million viewers, a 4% rise from the previous year’s debut, per Nielsen Live + Same Day data. 

The Sony Pictures Television-produced trivia show was among seven CBS Media Ventures-distributed programs in the top 10 syndicated series for the week of Sept. 8-14. 

The others included “Wheel of Fortune” (No. 2), “Inside Edition” (No. 4), “Entertainment Tonight” (No. 5), “Hot Bench” (No. 6), “The Drew Barrymore Show” (No. 8), and “Flip Side” (No. 9).

Five of these seven shows saw year-over-year premiere week gains. Alongside “Jeopardy’s” 4% increase, “The Drew Barrymore Show” grew 8% to 1.3 million viewers, securing the No. 2 spot among syndicated talk shows behind “Live With Kelly and Mark.” “Hot Bench,” the leading syndicated court show, posted its strongest premiere week in four years, up 15% to 2.1 million viewers. “Inside Edition,” the top syndicated newsmagazine, rose 1% to 3 million viewers, while “Flip Side” surged 17% from its debut season to reach 1 million viewers.

Viewership was impacted by significant preemptions during premiere week, including Monday Night Football, the 24th anniversary of 9/11, and coverage of Charlie Kirk’s assassination, which are typical for this period. Without these disruptions, syndicated series viewership would likely have been higher.

Trump's DOJ Targets Audacy Stakeholder George Soros


A senior Justice Department official has instructed over six U.S. attorneys’ offices to develop plans for investigating a group backed by billionaire Democratic donor George Soros, following President Trump’s public demand for Soros’s imprisonment.

Soros is now a major stakeholder in Audacy, Inc. Audacy is the second-largest radio broadcaster in the United States, through his Soros Fund Management. Audacy owns over 220 radio stations across more than 40 markets, reaching an audience of about 165 million Americans, with a focus on sports, music, news, and podcasts. Soros' involvement stems from Audacy's financial restructuring amid bankruptcy and has sparked significant political controversy, particularly regarding foreign ownership rules and potential influence over broadcast content.

According to a memo obtained by The New York Times, the directive lists potential charges, including arson and material support for terrorism. This move marks a significant departure from longstanding Justice Department practices designed to shield the agency from political influence, suggesting that department leaders are acting on the president’s orders to target specific individuals or groups for criminal investigation.

Recently, President Trump has intensified his criticism of Soros, a frequent target of conservative ire due to his support for progressive causes. 

Following the killing of right-wing activist Charlie Kirk in Utah this month, Trump threatened to leverage government authority to suppress liberal protesters and donors to progressive organizations, including Soros.

Through his Open Society Foundations, Soros has funded democratic initiatives globally for decades, initially focusing on communist and post-communist countries before expanding to the U.S. in the 1990s. The foundation supports groups promoting human rights, democracy, and equity. 

However, Trump and some Republicans allege, without evidence, that it fuels civil unrest, violent protests, and property destruction. Liberals counter that these claims are baseless and intended to quash dissent.

In response, The Open Society Foundations (OSF) has criticized the Trump administration for “politically motivated attacks on civil society” after a report that the justice department had instructed federal prosecutors to come up with plans to investigate the charity.

Ex-Colleagues Warn: Keith Olbermann Needs ‘Serious Help’


Keith Olbermann is a longtime American broadcaster, best known for co-hosting ESPN's SportsCenter in the 1990s, where he gained fame for his sharp wit and on-air chemistry with Dan Patrick. He later pivoted to political commentary, hosting MSNBC's Countdown with Keith Olbermann from 2003 to 2011, which became a progressive hit for its fiery critiques of the Bush administration and conservative figures.

Olbermann has since bounced between roles at ESPN (fired in 2015 for contract violations), Current TV, GQ, and podcasts, but his career has been marked by volatility: he's been suspended or terminated multiple times, including for political donations during his MSNBC tenure.

Now 66, he's largely active on X (formerly Twitter), where he posts frequently—often virulently—about politics, amassing over 5.5 million followers, though he's increasingly isolated from mainstream media.

Olbermann's online persona has evolved into one of relentless partisanship, frequently targeting conservatives like Donald Trump (whom he calls a "fascist" and has wished harm upon in past posts). His rhetoric has drawn criticism for crossing into personal attacks, but recent events have escalated concerns about his mental state.

The threat prompted a New York Post exclusive Thursday, where anonymous former colleagues from ESPN, MSNBC, and beyond painted a grim picture of Olbermann's decline.

They described him as "unhinged" and "isolated," warning that his embitterment stems from a string of professional failures—he's been "fired from every job he’s had," they claim, including clashes with bosses over ego and politics. One ex-ESPN producer called him "toxic" and "emotionally erratic," noting he's burned bridges across the industry, leaving him without a support network. "He’s losing it," another said, urging "serious help" like therapy, as his X rants (dozens daily) suggest untreated mental health issues, possibly exacerbated by aging and irrelevance.

Big Pharma TV Ad Spend Totals In the Billions


Direct-to-consumer (DTC) advertising allows pharmaceutical companies to promote prescription drugs directly to patients via TV, radio, print, digital platforms, and social media. The U.S. and New Zealand are the only countries permitting this practice, which exploded after FDA deregulation in the late 1990s. 

In 2024, Big Pharma spent over $10 billion on DTC ads, with TV accounting for about half. Critics argue it drives up drug prices (a 10% ad spend increase correlates with 1-2.3% higher spending), promotes overprescribing, and erodes trust in healthcare by prioritizing profits over evidence-based information. Supporters claim it empowers patients to discuss treatments with doctors and boosts awareness of under-treated conditions.

Efforts to ban or restrict DTC ads have intensified in 2025, fueled by bipartisan frustration over high drug costs and misleading promotions. HHS Secretary Robert F. Kennedy Jr., a longtime critic, has vowed to eliminate it, calling it an "international embarrassment" that contributes to America's status as the most medicated nation. Public sentiment on platforms like X (formerly Twitter) strongly favors a ban, with recent posts urging immediate action and linking it to broader pharma accountability.

Several bills aim to outright ban or limit DTC ads, building on earlier proposals like the 2022 Responsibility in Drug Advertising Act,

Here's a summary of 2024 spending on major media outlets/channels, based on industry reports:


As of Friday, no bans are in effect, but momentum is building. Pharma firms are shifting to digital/unbranded campaigns in preparation. For updates, monitor HHS/FDA announcements.

SLC Radio: iHM Names Rick Vaughn SVP/Programming


iHeartMedia has announced that Rick Vaughn has been named Senior Vice President of Programming for Salt Lake City, effective immediately.

Rick Vaughn
Vaughn joins iHeartMedia Salt Lake City from Cumulus, where he most recently served as the Operations Manager. He also served as the Program Director for iHeartMedia in Atlanta, Chicago, Philadelphia and Hartford.

“We are excited and fortunate to welcome Rick back to iHeart to lead programming for our cluster,” said Joyce Wirthlin, Market President for iHeartMedia Salt Lake City. “His proven leadership, creativity and track record of building winning stations will be invaluable for our listeners and partners in Salt Lake City.”

“This is an incredible opportunity to help shape the future of iHeart Salt Lake City,” said Vaughn. “iHeartMedia is committed to excellence, innovation and growth, and I’m excited to return to the iHeart family to collaborate with such a talented team, create compelling content, engage listeners across every platform, and deliver outstanding results for our advertising partners.”

Philly Radio: Rhumba 106.1 Welcomes DJ Jholi To AM Drive


Rumba 106.1, Philadelphia’s #1 for Reggaeton and Variety, proudly introduces Jholimar “DJ Jholi” Valera as its newest on-air personality, DJ, and digital content creator.

Tune in to hear DJ Jholi on the “Enrique Santos Morning Show” weekdays from 6–10 a.m., hosting a commercial-free mix at noon every weekday, and anchoring Sunday afternoons from 1–5 p.m.

DJ Jholi
“We’re excited to have DJ Jholi join the Rumba 106.1 team,” said Jonathan Tineo, Director of On-Air & Quality Assurance at Rumba 106.1 and iHeartLatino East Coast. 

“Her vibrant energy, talent, and passion for radio and content creation will enhance our connection with Philadelphia’s Latino community, delivering an exceptional Latin music experience.”

Fluent in Spanish and English, DJ Jholi brings extensive experience from stations like WOCQ in New Jersey and WHAT in Philadelphia, where she established herself as a dynamic voice in Latin music and entertainment. 

Beyond radio, she’s a skilled content creator, engaging her social media audience with music, culture, and behind-the-scenes content. Her work includes artist interviews, playlist curation, commercial production, and representing stations at major community events.

Philly Radio: Jon Marks Rerturns To WPEN-FM For Midday Show


Beasley Media Group has announced that Jon Marks will return to WPEN-FM (97.5 The Fanatic) in Philadelphia as the host of Middays with Marks, airing weekdays from 10 a.m. to 2 p.m., starting Monday, September 29, 2025. 

Marks, a familiar voice in Philadelphia sports radio, previously co-hosted the Marks and Reese Show with Ike Reese on 94 WIP from 2017 to 2023 and hosted the syndicated Jon Marks Show on CBS Sports Radio.

Jon Marks
Marks has a deep history with The Fanatic, having served as executive producer and co-host of The Mike Missanelli Show and producer of the Sports Radio 950 Morning Show from 2006 to 2008. He later co-hosted several programs between 2012 and 2016, including Gargano in the Morning, The Jon and Sean Show with Sean Brace, Bruno and Marks with Tony Bruno, and Baldy and Marks with Brian Baldinger.

“Jon Marks is a proven leader and a trusted voice in Philadelphia sports,” said Paul Blake, Vice President and Market Manager of Beasley Media Group Philadelphia.  “His credibility, passion, and connection with our audience will drive The Fanatic’s continued growth and success.”

Program Director Scott Masteller added, “We’re thrilled to have Jon Marks take over middays at The Fanatic. His talent and connection with Philadelphia sports fans are unmatched.”

Marks expressed his excitement, stating, “Philadelphia is the best sports city in the country, with the most passionate fans. It’s an honor to talk sports with them every day in this new midday slot, and I’m eager to bring my energy and passion to The Fanatic.”

YouTube TV, NBCU At Odds Over New Carry Agreement


On Thursday evening, September 25, 2025, NBCUniversal (NBCU) began notifying YouTube TV subscribers via email and in-app messages that its networks— including NBC, MSNBC, USA Network, Bravo, CNBC, Telemundo, and others—could be removed from the service if the two companies fail to agree on terms for a new distribution contract. 

The current agreement expires on September 30, 2025, just days away, putting millions of subscribers at risk of losing access to key programming like Sunday Night Football, The Voice, Saturday Night Live, NBA games, Big Ten college football, WWE, Premier League soccer, and The Real Housewives franchise. 

This marks the latest high-stakes carriage fee battle in the pay-TV industry, where content owners like NBCU demand higher payments from distributors like YouTube TV to offset declining linear TV viewership and rising streaming investments.


The negotiations have stalled over several core issues:
  • Carriage Fees: NBCU accuses YouTube TV of seeking "preferential treatment" and "unfair advantage" by demanding rates below what NBCU offers to competitors, aiming to undercut the market and boost its dominance. YouTube TV counters that NBCU's proposed fees exceed what consumers pay for similar content on Peacock (NBCU's streaming service), which recently raised prices in July 2025, potentially leading to higher costs passed on to subscribers.
  • Market Power Dynamics: With YouTube TV's subscriber base nearing 10 million (up from 9.4 million in April 2025), executives view it as a "seismic force" in distribution, bolstered by features like NFL Sunday Ticket.  However, NBCU sources express skepticism, noting Google's $3 trillion market cap gives it leverage in search and ads, and a blackout could drive viewers to free YouTube content instead.
  • Sports and Premium Content: The timing is particularly tense amid football season, with NBCU set to air high-profile games post-deadline, such as Boise State at Notre Dame and Minnesota at Ohio State on October 4. Industry insiders suggest YouTube TV may be willing to risk a prolonged outage to "make an example" of a major partner, signaling its negotiating strength.

Pew: Social Media Sites Now Key For News Consumption

Digital sources, especially social media, are now key in Americans’ news consumption, with younger adults particularly reliant on these platforms. About 53% of U.S. adults at least occasionally get news from social media, a figure that has remained steady in recent years.

Facebook and YouTube lead as news sources, with 38% and 35% of U.S. adults regularly getting news from these platforms, respectively. Smaller shares rely on Instagram (20%), TikTok (20%), X (12%), Reddit (9%), Nextdoor (6%), WhatsApp (5%), Threads (3%), Rumble (2%), Truth Social (2%), and Bluesky (2%).




Certain platforms, despite smaller audiences, are significant news hubs for their users. For instance, 57% of X users and 55% of Truth Social users regularly get news on those platforms, compared to just 15% of WhatsApp users. TikTok’s news consumption has surged, with 55% of users getting news there in 2025, up from 22% in 2020. News consumption on YouTube and Instagram has also increased.

News consumption varies by demographics. 


Women are more likely to get news from Facebook, Instagram, and TikTok, while men favor YouTube, X, and Reddit. Younger adults are more likely to use TikTok, Instagram, Reddit, and X for news. Black, Hispanic, and Asian Americans are more likely than White Americans to get news from YouTube, Instagram, and WhatsApp. 

Those without a college degree are more likely to use Facebook and TikTok for news compared to college graduates. Democrats are more likely than Republicans to get news from Instagram, TikTok, and Reddit, but both parties use YouTube for news at similar rates.

TV Ratings: 22.8M Watched ESPN’s Lions at Ravens MNF


ESPN’s Week 3 showcase featuring the Detroit Lions and Baltimore Ravens (September 22, 8:15 p.m. ET) is among the network’s four most-watched Monday Night Football games ever, generating an audience of 22,847,000 viewers (ESPN, ABC, ESPN Deportes, and NFL+).

The audience also ranks as ESPN’s most-watched MNF Week 3 game.

The more than 22.8 million viewers for the Lions-Ravens surpass more than 340 regular season Monday Night Football games on ESPN (2006 – present), trailing only the Super Bowl rematch between Philadelphia and Kansas City (2023 season), among traditional Monday Night Football games.

ESPN’s 2023 Christmas night MNF special (Ravens at 49ers) and 2023 MNF Week 17 (Lions at Cowboys), played on a Saturday due to the New Year’s holiday, join Eagles-Chiefs as the only MNF games to generate a larger audience than Lions-Ravens since 2006.

More Highlights:
  • Lions and Ravens peaked at 25.4 million viewers late in the first half.
  • Monday Night Football with Peyton and Eli (ESPN2) generated a 6% larger audience for Lions-Ravens compared to the show’s Week 1 viewership, averaging 887,000 viewers in Week 3.
  • Monday Night Countdown averaged 1.7 million viewers (6 – 8 p.m.).