Saturday, October 11, 2025

Radio History: Oct 12


➦In 1937...'Mr. Keen, Tracer of Lost Persons' debuted on the NBC Blue Network.  It was one of radio's longest running shows, airing to April 19, 1955, continuing well into the television era. It was produced by Frank and Anne Hummert, who based it upon Robert W. Chambers' 1906 novel The Tracer of Lost Persons. The sponsors included Whitehall Pharmacal (as in Anacin, Kolynos Toothpaste, BiSoDol antacid mints, Hill's cold tablets and Heet liniment), Dentyne, Aerowax, RCA Victor and Chesterfield cigarettes. It aired on the NBC Blue network until 1947, when it switched to CBS.

➦In 1944...What would come to be known as the "Columbus Day Riot" took place in New York City, when 35,000 hysterical teenage girls crowded into the Paramount Theatre for a chance to see the return of Frank Sinatra. The crowd of teen "bobbysoxer" girls stopped traffic in Times Square and  refused to leave between shows.

In 1950…The George Burns and Gracie Allen Show, sometimes called The Burns and Allen Show, made it debut on TV.   The is a half-hour series broadcast from 1950 to 1958 on CBS.

Burns and Allen were headliners in vaudeville in the 1920s, and radio stars in the 1930s and 1940s.

Their show was initially staged live and broadcast every other Thursday at 8 pm ET. In fall 1952, it became a weekly series filmed on the West Coast. From March 1953 through September 1958, The Burns and Allen Show aired Mondays at 8 pm ET.

The show was an immediate success.

In 1955...Chrysler introduces the world's first sound system for it cars.  The system consisted of -- record player mounted under the dashboard.

➦In 1969...Pop Culture's "Paul is Dead" hoax began when Tom Zarski, a student at Eastern Michigan University, called WKNR in Detroit and informed DJ Russ Gibb on air of the rumor that Paul McCartney died in a car crash, perhaps as long ago as 1966. Zarski told Gibb that by playing a section of the band's "Revolution 9" backwards, a clue emerges: the phrase "Turn me on, dead man." Gibb proceeds to do just that. Many listeners were stunned.

Two days after the WKNR broadcast, The Michigan Daily published a satirical review of Abbey Road by University of Michigan student Fred LaBour under the headline "McCartney Dead; New Evidence Brought to Light".  It identified various "clues" to McCartney's death on Beatles album covers, including new clues from the just-released Abbey Road LP. As LaBour had invented many of the clues, he was astonished when the story was picked up by newspapers across the United States. WKNR-FM further fuelled the rumor with a special two-hour program on the subject, "The Beatle Plot", which aired October 19, 1969.

In the early morning hours of October 21, 1969, Roby Yonge, a disc jockey at New York radio station 77WABC, discussed the rumor on the air for over an hour before being pulled off the air for breaking format. At that time of night, WABC's signal covered a wide listening area and could be heard in 38 states and at times, other countries.

Later that day, the Beatles' press office issued statements denying the rumour which were widely reported by national and international media.

Various 'clues' were used to suggest the following story: three years previously on November 9, 1966.  The rumored story was that McCartney, after an argument during a Beatles' recording session, had angrily driven off in his car. He had crashed it and died as a result. To spare the public from grief, the Beatles replaced him with "William Campbell", the winner of a McCartney look-alike contest.

➦In 1997...Henry John Deutschendorf Jr. died in a light plane accident (Born December 31, 1943). He was known professionally as John Denver, was an American singer-songwriter, record producer, actor, activist, and humanitarian, whose greatest commercial success was as a solo singer.

John Denver 1974
After traveling and living in numerous locations while growing up in his military family, Denver began his music career with folk music groups during the late 1960s. Starting in the 1970s, he was one of the most popular acoustic artists of the decade and one of its best-selling artists. By 1974, he was one of America's best-selling performers, and AllMusic has described Denver as "among the most beloved entertainers of his era".

Denver recorded and released approximately 300 songs, about 200 of which he composed, with total sales of over 33 million records worldwide. He recorded and performed primarily with an acoustic guitar and sang about his joy in nature, his disdain for city life, his enthusiasm for music, and his relationship trials. Denver's music appeared on a variety of charts, including country music, the Billboard Hot 100, and adult contemporary, in all earning 12 gold and four platinum albums with his signature songs "Take Me Home, Country Roads", "Annie's Song", "Rocky Mountain High", "Calypso", "Thank God I'm a Country Boy", and "Sunshine on My Shoulders".

TV Ratings: So Far It's A Great Season For The NFL


As broadcasters and streaming giants shell out unprecedented sums for NFL broadcasting rights—totaling over $120 billion across a 10-year cycle starting in 2023—the league is delivering a resounding return on that investment through soaring audience numbers. 

Traditional networks like CBS, NBC, Fox, and ESPN, alongside digital platforms such as Amazon Prime Video, Netflix, and YouTube, are reaping the benefits of enhanced measurement tools and a revitalized fanbase, with games drawing larger crowds than in over a decade. This surge not only underscores the NFL's enduring dominance in live sports but also highlights the strategic pivot toward comprehensive data tracking that captures viewing habits across linear TV, streaming, and out-of-home locations like bars and restaurants.


In a celebratory post on X (formerly Twitter) on Thursday, the NFL announced that the average viewership per regular-season game through the first five weeks stands at 18.58 million viewers (encompassing both TV and digital platforms). 

This marks the highest five-week average since 2010 and the second-highest on record, trailing only the league's own benchmarks from the peak of the 2010s boom. Compared to recent seasons, the numbers reflect robust growth: up 8% from the 2024 average (approximately 17.2 million through Week 5) and 9% higher than 2023's early-season pace. 

These figures come amid a broader industry shift, including Nielsen's adoption of "Big Data + Panel" methodology—which integrates set-top box data with traditional panels for more accurate totals—and full out-of-home (OOH) measurement, credited with boosting reported viewership by 4-10% year-over-year.

The momentum builds on a blockbuster 2024 Super Bowl LIX, which averaged a record 127.7 million viewers and peaked at 137.7 million, setting a new high-water mark for the event. Early 2025 indicators were equally promising: Week 1 averaged 22.3 million viewers across all platforms (up 5% from 2024 and 19% from 2023), while the first two weeks hit 20.7 million (a 4% year-over-year increase). 

Streaming has been a key driver, with Amazon's "Thursday Night Football" averaging 15.83 million viewers through its first three games—its strongest start in a decade and up 6% from last year—while attracting a younger median audience age of 47.5 (eight years below linear TV averages). Netflix's Christmas Day games in 2024 drew over 24 million, and international experiments like the YouTube-streamed Brazil game in Week 1 continue to expand the global footprint.

Analysts attribute the uptick to several factors beyond better metrics. The 2025 season has delivered an NFL-record 24 games decided by a game-winning score in the final two minutes of regulation or overtime through Week 5, fostering nail-biting drama that keeps viewers locked in. 

Philly Radio: The Breakfast Club Joins Power 99 Monday


In a wave of cost-cutting measures at iHeartMedia last week , the company's Philadelphia cluster was hit hard. This included significant changes at Power 99 (WUSL-FM), the market's leading Hip Hop and R&B station, where the local "Rise & Grind Morning Show" was abruptly canceled.

To fill the 6-10 a.m. weekday slot starting Monday Power 99 will air "The Breakfast Club," a syndicated morning show from iHeartMedia's Premiere Networks, based at Power 105.1 (WWPR-FM) in New York City.

Hosted by Charlamagne Tha God (Lenard McKelvey), DJ Envy (RaaShaun Casey), and Jess Hilarious, the show has been a staple since 2010, known for its unfiltered discussions on music, pop culture, politics, and social issues. It reaches about 6.6 million monthly listeners across more than 100 affiliates and features high-profile interviews with guests like Jay-Z, Cardi B, Barack Obama, and Kevin Hart.

iHeartMedia's Executive Vice President of Programming, Thea Mitchem, praised the move: "The Breakfast Club has remained a cultural touchstone for over a decade, connecting millions of listeners with the biggest names in music, entertainment, and politics. Its unique blend of candid conversation, humor, and insight keeps it as relevant today as ever, shaping culture while giving a platform to voices that matter."

This syndication is part of a larger iHM strategy to leverage national hits amid local cuts, similar to how Angela Yee's midday show is already syndicated on Power 99.

While the change aims to maintain the station's edge in Philly's competitive Hip Hop scene, some locals have voiced skepticism about a NYC-based show resonating in Philadelphia.

Power 99, owned by iHeartMedia since 2000, has long been a powerhouse in the market, blending local flavor with national syndication to serve Philadelphia's diverse audience. This shift underscores the radio industry's pivot toward cost-efficient, high-reach content in an era of streaming dominance.

SiriusXM, Howard Stern Still Talking New Deal


Howard Stern addressed ongoing contract talks with SiriusXM and dismissed rumors of being removed from the air for being “too woke” during a Thursday interview on “Andy Cohen Live.”

Stern’s extended vacation in August and September sparked speculation about his future with SiriusXM, where his contract is set to expire in 2025. Combined with the Trump administration’s criticism of outspoken media figures, some fans worried about his tenure. 

Stern fueled the rumors by having Andy Cohen host the opening of his first show back in September.

Reflecting on the speculation, Stern expressed disbelief: “I was on vacation, and suddenly I’m being thrown off for being too woke? I don’t even know what woke means. If I’m too woke, the world’s upside down.” 

Cohen suggested “woke” might mean caring about others, to which Stern replied, “It’s suddenly not macho to give a f—k about anybody. But I’m not being fired. I’m talking to Sirius about extending, and I love this company.”

Stern, who joined SiriusXM in 2006, has been a cornerstone of its programming, even through its 2007 merger with XM and acquisitions like “Conan O’Brien Needs a Friend.” He’s nearing the end of a five-year, $500 million deal signed in 2020. Reflecting on his 19 years with SiriusXM, Stern said, “I’m proud of this robust company, and if I stay, I’ll take ownership of that.” 

He also recalled past FCC clashes in the ’90s and 2000s, when his show led to $2.5 million in fines for “indecent” content, calling the experience “traumatizing” as he only aimed to make people laugh.

Chicago TV: WGN-TV Producer Detained During ICE Enforcement

WGN Producer Being Cuffed Friday

On Friday morning, Debbie Brockman, a veteran video editor and producer at WGN-TV since 2011, was forcibly detained by two U.S. Border Patrol agents during a high-profile immigration enforcement operation in Chicago’s Lincoln Square neighborhood.

According to The Chicago Tribune, the incident occurred around 8:30 a.m. during rush hour, as part of Operation Midway Blitz, a federal initiative targeting “criminal illegal aliens” in Chicago and Illinois. Brockman was recording the agents’ activities when she was taken to the ground face-down, handcuffed, and placed in an unmarked silver van with New Jersey plates alongside an unidentified Latino man already detained. 

Video captured by Josh Thomas, a 36-year-old local lawyer and resident, shows Brockman identifying herself, shouting, “Debbie Brockman. I work for WGN. Please let them know,” as agents restrained her.




Thomas, drawn by screams and honking, described a tense scene with nearly two dozen pedestrians shouting objections, some calling the agents “fascists,” while stopped cars honked in protest.

According to Thomas, agents stated Brockman was detained for “obstruction,” though she denied the accusation. The Department of Homeland Security (DHS) later claimed Brockman threw objects at a Border Patrol vehicle, alleging she was arrested for “assault on a federal law enforcement officer” after “violent agitators” used cars to block agents. 

By 3 p.m. that day, WGN-TV confirmed Brockman’s release from ICE custody with no charges filed.

The station’s statement read: “Earlier today, a WGN-TV creative services employee was detained by ICE. She has since been released, and no charges were filed against her. Out of respect for her privacy, we will have no further statements about this incident.”

DHS Assistant Secretary Tricia McLaughlin defended the agents, stating they were conducting lawful immigration enforcement when met with resistance, necessitating their vehicle to “strike a suspect’s vehicle” for public and officer safety. Operation Midway Blitz, launched September 8, has resulted in over 800 arrests as of October 1, though details on releases remain unclear.

The incident, widely shared on X with thousands of views, sparked polarized reactions. Some posts supported the agents, framing Brockman’s detainment as justified, while others decried it as excessive force against a journalist. Local schools, from Ravenswood Elementary to Amundsen High, issued alerts about ICE activity, emphasizing that Chicago Public Schools would bar federal agents without a criminal judicial warrant. 

On October 9, a federal judge temporarily blocked National Guard deployment to support the operation, a decision under appeal by the Trump administration.


U.S. Teens Shift Media Habits as Spending Declines


The media landscape for U.S. teens and younger children is evolving rapidly, driven by increased smartphone penetration, a pivot away from traditional TV, and emerging interactions with AI technologies, according to recent surveys by Piper Sandler and Pew Research Center. 

While teens are spending less and reallocating their media time toward platforms like YouTube and TikTok, younger children are engaging with smartphones at unprecedented rates—sometimes before they can walk.  These shifts, coupled with parental concerns about safety and social media's impact, signal a generational transformation in how kids consume content and interact with technology.

Piper Sandler's Fall 2025 "Taking Stock With Teens" survey, released this week, polled 7,991 U.S. teens (average age 15.7) and found a notable 7% decline in self-reported daily spending compared to Spring 2025, dropping from $97 to $90 per day. This continues a downward trend from $103 in Fall 2024, reflecting economic pressures like inflation and cautious consumer behavior. Teens are prioritizing experiences over material goods, with spending on food (23%), clothing (20%), and accessories leading the way. 

Media consumption patterns show a clear shift. Teens now spend 28% of their daily media time on social media, with TikTok leading as the favorite platform (33% preference, up from 30% in Spring 2025), followed by YouTube (24%) and Instagram (20%). Snapchat and Netflix have slipped, while traditional TV viewership continues to erode, with only 12% of teens citing it as a primary entertainment source. Streaming dominates, with Netflix, YouTube, and Amazon Prime topping video consumption. 


Pew Research Center’s survey of U.S. parents with children under 12 highlights an even earlier entry into the digital world. A striking 61% of parents report their kids use or interact with smartphones, including 38% of children under 2. This marks a significant jump from five years ago, when only 25% of under-2s were exposed to smartphones. 

Much of this usage involves streaming kid-friendly content, with YouTube usage among under-2s soaring from 45% to 62% since 2020. By ages 11-12, 59% of kids have their own smartphones, and overall, 24% of children 12 and under own a device—a trend fueled by parental desires to stay connected (92% cite this as a priority).

Despite statewide school smartphone bans sparking a niche revival of devices like iPods, parents are increasingly comfortable equipping pre-teens with phones for communication and entertainment. 

However, 90% of parents still allow TV as the primary screen for kids’ entertainment, suggesting traditional media retains a foothold for younger audiences.

Who's In, Who's Out At CBS News

King, Weiss, O'Donnell

On Friday, CBS News President Bari Weiss emailed all CBS News staff requesting individual memos due by Tuesday, October 14. In the note she asked employees to detail "how you spend your working hours — and ideally, what you’ve made (or are making) that you are most proud of," along with their views on "what’s working; what’s broken or substandard; and how we can be better." She urged bluntness, promising confidentiality and follow-up one-on-one conversations to align on a "shared vision" for the network.

The NY Post reports the request, reminiscent of Elon Musk's Department of Government Efficiency (DOGE) mandates for federal workers to log weekly accomplishments, has drawn comparisons to dystopian workplace satires like Office Space. 

Staff reactions have been mixed: Some appreciate her enthusiasm and see it as a genuine bid to understand the operation, with one producer noting a shift in mood from dread to cautious optimism. Others view it with suspicion, fearing it could inform layoff decisions. 

Weiss has held meetings with key figures, including lunches with O’Donnell and Face the Nation moderator Margaret Brennan, and a roundtable featuring former Secretaries of State Hillary Clinton, Mike Pompeo, and Antony Blinken (moderated by O’Donnell).  Despite these gestures, sources describe a tense atmosphere: "You could cut the tension with a knife," one insider told Vanity Fair.

Rumors Swirl Around Gayle King and Norah O’Donnell. The anchor lineup is a flashpoint, fueled by whispers of a "right-size" overhaul. Gayle King, 70, co-host of CBS Mornings with a reported $15 million annual salary, is seen as vulnerable. Her high paycheck clashes with Ellison's belt-tightening mandate, and sources say CBS is "ready to replace" her to cut costs. 

Enter Norah O’Donnell, 52, who was ousted as anchor of CBS Evening News in 2024 amid declining ratings and reports of a "toxic attitude." Now a 60 Minutes contributor, she's reportedly "desperate" to reclaim a prime spot and has been actively courting Weiss. 

Speculation points to two scenarios: O’Donnell returning to anchor Evening News (currently helmed by the lackluster duo of John Dickerson and Maurice DuBois), or shifting to CBS Mornings to replace King. Weiss, a vocal defender of CBS Mornings co-host Tony Dokoupil (whom she backed during backlash over a Gaza-related interview), might elevate him to Evening News, potentially sidelining O’Donnell elsewhere.

Other CBS News stars like Robert Costa, Scott Pelley, and Lesley Stahl are expected to report to Weiss "at least for now," but their futures remain unclear amid the "wave after wave of layoffs" some predict.

WGA Union Tells CBS News Staffers To Not Respond Weiss Request


The Writers Guild of America (WGA) East, representing CBS News employees, has advised its members to refrain from responding to a recent email from Bari Weiss, the newly appointed editor-in-chief of CBS News and founder of The Free Press, until the company clarifies the intent behind her request. 

Weiss’ email, sent on Friday, October 10, 2025, asked staff to submit detailed memos about their roles and perspectives on the organization, prompting concerns among union members about the purpose and implications of the directive.

In her memo, Weiss expressed enthusiasm for her new role and a desire to understand the inner workings of CBS News. She requested that all news division employees send her a memo by Tuesday, detailing “how you spend your working hours” and highlighting “what you’ve made (or are making) that you are most proud of.” 

Additionally, she sought “your views on what’s working; what’s broken or substandard; and how we can be better.” The broad and open-ended nature of the request raised eyebrows among staff, prompting the WGA to intervene.

In response, the WGA East sent an email to its members at CBS News, acknowledging their concerns. 

“We are aware that Bari Weiss sent an email asking CBS employees to provide information about their jobs and feedback about CBS News,” the union stated. “Many of you have expressed concern to us about the purpose of the email, and we share those concerns.” 

The WGA announced it has formally demanded that CBS provide clarity on the email’s intent by Monday, October 13, 2025, and recommended that members hold off on responding until the union can share more information to ensure “an informed decision” by the deadline.

The WGA’s email was signed by Michael Isaac, director of broadcast/cable/streaming news, along with field representatives Brandon West, Sophie Martin, and Dana Trentalange. The union, which represents employees at both CBS News and CBS News Digital, emphasized its commitment to protecting members’ interests amid this uncertainty. 

CBS News has not yet responded to requests for comment on the matter.

R.I.P.: Craig Heist, Balt / DC Sports Voice

Craig Heist (1959-2025)

The Washington, D.C., and Baltimore sports media landscape lost a cherished voice on Friday, with the sudden passing of Craig Heist at age 66. 

Known affectionately as "Heisty" to colleagues and fans alike, Heist was a veteran broadcaster whose warm smile, infectious laugh, and unwavering passion for sports made him a beloved staple in press boxes across the DMV. The cause of death has not been publicly disclosed

He kicked off his career in 1979 as a DJ, sportscaster, and news anchor at WKHI in Ocean City, Maryland, while still a student—covering high school and college sports, including play-by-play for Salisbury University football.

This launchpad led to a storied path through the Mid-Atlantic airwaves, blending radio, TV, and print elements into a career defined by grit and camaraderie.Heist's professional highlights included:Early and Mid-Career (1980s–2012): Roles at various stations, including 14 years at WTOP Radio in D.C., where he reported on local high school teams, college athletics, and pro sports. He became a three-time Maryland Sportscaster of the Year, earning accolades for his engaging style and reliability.

106.7 The Fan (2013–2025):
Joining Audacy's sports station (WJFK-FM) as an anchor and reporter, Heist specialized in postgame hosting for the Washington Nationals Radio Network. He dissected games with insightful analysis, fan-friendly energy, and a knack for capturing the thrill of victory or agony of defeat.

Additional Contributions: Frequent guest panelist and occasional host on Mid-Atlantic Sports Network (MASN)'s Nats Talk, plus coverage of the Baltimore Orioles (over 35 years), Washington Commanders, Capitals, and Ravens. He was a "grinder," as WTOP Sports Director George Wallace put it—always in the trenches, whether at Camden Yards or Nationals Park.

Heist's beats spanned MLB, NFL, NHL, and more, but baseball held a special place; colleagues like Baltimore Positive's Luke Jones noted, "Baseball season won't be the same without him," recalling countless nights in the Camden Yards press box.

Just days before his passing, Heist had covered the Washington Capitals' season opener on October 8 and was slated for the Commanders' game on October 13.

✔Baltimore Orioles: "The Orioles are saddened to learn of the passing of Craig Heist, veteran sports broadcaster who covered the team for more than 35 years. We send our condolences to his wife, Suzanne, and the many friends he made throughout his career."

✔Washington Commanders: "We are saddened by the sudden passing of long-time sports broadcaster, Craig Heist. Heisty’s dedication, professionalism and warm presence were always felt throughout the press box."

Fellow broadcasters shared personal stories: WTOP's Dave Preston recalled Heist's "good spirits" at the recent Capitals game, while Shaun Somers of 106.7 The Fan lamented, "First Pete Medhurst and now Craig... two amazing guys that helped me out tremendously during my start in radio."

WTOP's Dave Johnson remembered meeting him in the 1980s at Memorial Stadium, calling him a "grinder" who got the job done no matter what.

R.I.P.: Steve Wiley, Longtime Morning Host, PD At KOGM-FM


Delta Media Corporation has announced the sudden passing of Steve Wiley, a longstanding radio personality in the Lafayette, Louisiana, area. Wiley, who served as On-Air Personality and Program Director for the classic country station Mustang 107.1 (KOGM-FM, licensed to Opelousas and serving the Acadiana region), died at his home in Lafayette. He was in his mid-60s. 

The news sent ripples of grief through the local broadcasting community, where Wiley had been a fixture for over 40 years, known for his warm baritone voice, infectious passion for music, and engaging on-air presence.

Born in Watertown, New York, Wiley discovered his love for radio during high school in Boonville, NY, where he first took to the airwaves. Music was always central to his life—"the soundtrack to his life," as one tribute described it—and he pursued broadcasting with unwavering dedication. In his early career, he honed his skills in upstate New York before relocating to Lafayette around 1985, making the Louisiana city his adopted home. 

He became synonymous with Acadiana's airwaves, transitioning seamlessly between formats and roles while building a loyal listener base that appreciated his authenticity and storytelling style. Wiley's early roles (1980s–2000s): He started at stations like 96.5 KFTE, quickly establishing himself as a midday host and music enthusiast. His early work laid the foundation for a career blending music curation with community connection.

Townsquare Media Era (1999–2022): For 23 years, Wiley was Music Director and midday host at Adult Contemporary 99.9 KTDY, where he shaped playlists that resonated with generations of listeners.

In October 2024, he was promoted to Program Director and midday host at KOGM Mustang 107.1, a classic country outlet featuring outlaw country, Southern rock, and traditional Cajun French music on Saturday mornings.

Wiley contributed to a diverse array of programming, from AC pop to rock/alternative crossovers, but country music held a special place in his heart. As Mustang 107.1's PD, he curated content that celebrated Louisiana's cultural heritage, earning praise for keeping the station "real" and relatable.

R.I.P.: Kevin Russell, Morning Host, GM At St. Louis Area KBDZ


Kevin "Kevy Kev" Russell, a morning DJ and general manager at Classic Rock 93.1 KBDZ in Perryville, Missouri, passed away Thursday afternoon after contracting West Nile virus, the station announced on social media.

About five weeks ago, Russell developed a persistent fever and was hospitalized when his condition worsened. The station noted, "It became clear he was not going to recover." Russell was a beloved leader who built KBDZ from his basement, managing all technical aspects of the station. 

'Kevy Kev'
His death has deeply affected the small staff, with the station describing it as "one of the most brutal things we have ever been through."

Radio sportscaster Paul Brown paid tribute to Russell, recalling their early days in broadcasting together in the 1980s. This spring, Russell initiated high school football broadcasts on 101.7 FM in St. Charles, inviting Brown to do play-by-play. 

"After 45 years, we became colleagues again," Brown said. "Kevin worked tirelessly to prepare the station and reassured me when I doubted myself. He made it fun, like riding a bicycle."

The Missouri Department of Public Health and Senior Services reported that West Nile virus is spreading faster than usual in the state. As of October 4, the mosquito-borne virus has caused three deaths and 15 hospitalizations.

Radio History: Oct 11


In 1919...Actress/voice actor Jean Vander Pyl was born in Philadelphia.  Her two main broadcast roles were as the wife Margaret in NBC Radio’s Father Knows Best, and as the voice of Wilma Flintstone in several cartoon series on TV.  She also provided the voice of Rosie the robot maid from the animated series The Jetsons,

She succumbed to lung cancer April 10 1999 at age 79

In 1936...the first radio quiz show premiered, "Professor Quiz".

In 1940...in New York City, Glenn Miller recorded “Make Believe Ballroom Time” for RCA Victor’s Bluebird label, featuring the vocal group The Modernaires for the first time. It would become the theme song for Make Believe Ballroom on WNEW, New York, with host Martin Block.

Martin Block
Block created the aura of doing a “live” radio program, complete with performers (on records) like Harry James or Frank Sinatra, from the “Crystal Studios” at WNEW. Copycat versions of the ‘Ballroom’ featured Keith Sandy at CKEY in Toronto, and Al Jarvis at KHJ Los Angeles.

In 1935, while listeners to New York's WNEW-AM in New York (now information outlet WBBR) were awaiting developments in the Lindbergh kidnapping, Block built his audience by playing records between the Lindbergh news bulletins. This led to his Make Believe Ballroom, which began February 3, 1935 creating the illusion that he was broadcasting from a ballroom with the nation’s top dance bands performing live. He bought some records from a local music shop for the program as the radio station had none. Block purchased five Clyde McCoy records, selecting his "Sugar Blues" for the radio show's initial theme song.


Because Block was told by the station's sales staff that nobody would sponsor a radio show playing music, he had to find himself a sponsor. Block lined up a producer of reducing pills called "Retardo"; within a week, the sponsor had over 3,000 responses to the ads on Block's radio show. Martin Block's style of announcing was considerably different than the usual manner of delivery at the time. Instead of speaking in a voice loud enough to be heard in a theater, Block spoke in a normal voice, as if he was having a one-on-one conversation with a listener.

In 1948...One of radio’s last premiering soap operas, “The Brighter Day”, took to the air for the first time on NBC. It’s interesting to take a look at the cast and see which names are still recognizable, like Hal Holbrook and William Redfield.  After six years on radio “Day” moved to TV.

In 1976...“Disco Duck (Part 1),” by Rick Dees & His Cast of Idiots was the Number One songs on Billboard's Hot 100 singles chart. At the time he was a morning DJ at Memphis radio station WMPS.

Friday, October 10, 2025

R.I.P.: John Lodge, Singer, Bassist With The Moody Blues

John Lodge (1943-2025)

John Lodge, the longtime bassist, singer, and songwriter for the British rock band The Moody Blues, passed away on October 10, 2025, at the age of 82. 

His death was announced earlier today by his family in a heartfelt statement shared on the band's social media and various news outlets. Described as "sudden and unexpected," Lodge "peacefully slipped away surrounded by his loved ones and the sounds of The Everly Brothers and Buddy Holly," with no specific cause of death disclosed.

Famiy StatementIn their official release, Lodge's family expressed profound grief while celebrating his life:
"It is with the deepest sadness that we have to announce that John Lodge, our darling husband, father, grandfather, father-in-law and brother, has been suddenly and unexpectedly taken from us. As anyone who knew this massive hearted man knows, it was his enduring love of his wife, Kirsten, and his family, that was the most important thing to him, followed by his passion for music, and his faith. He was never happier than being on stage – he was ‘Just a Singer in a Rock and Roll Band’ and he adored performing with his band and son-in-law, Jon (vocalist with YES), and being able to continue sharing this music with his fans. We will forever miss his love, smile, kindness, and his absolute and never-ending support. We are heartbroken, but will walk forward into peace surrounded by the love he had for each of us. As John would always say at the end of the show, thank you for keeping the faith."The family requested privacy during this time and encouraged fans to listen to Lodge's 2025 solo EP track "Whispering Angels" in remembrance."

Justin Hayward, Lodge's longtime bandmate and fellow Moody Blues co-founder, shared his shock on social media:
"I’m very sad and shocked to hear of John’s passing. I have such happy memories of making music together. My sincere condolences to his dear wife and family." – JH



With Lodge's passing, Hayward is now the sole surviving member of the band's classic lineup, which also included the late Mike Pinder (keyboardist, died 2024 at 82), Ray Thomas (multi-instrumentalist, died 2018 at 76), and Graeme Edge (drummer, died 2021 at 80).

Beasley CFO Abruptly Exits


Beasley Media Group—announced that its Chief Financial Officer (CFO), Lauren Burrows Coleman, has resigned to pursue other opportunities. 

Her departure is effective October 17, 2025, just under a year after she joined the company. The move comes amid the company's ongoing financial challenges, including a significant debt load of approximately $280 million and a market capitalization of around $11.18 million as of the announcement date.

Laureen Burrows Coleman
Coleman was appointed CFO effective November 1, 2024, succeeding Marie Tedesco, who retired after 33 years with Beasley. Prior to Beasley, she served as Global Head of Strategic Corporate and Commercial Finance at Wayfair until January 2024. Her career also includes leadership roles at private equity firms WindSail Capital Group and Wind Point Partners, as well as managing equity and debt investments at GE Capital across various industries. She began her career as an investment banker in the Communications & Media group at Lehman Brothers.

Her roughly 11-month stint as CFO was marked by the company's efforts to navigate a tough media landscape, though specific achievements or reasons for her exit beyond "pursuing other opportunities" have not been publicly detailed.

Effective October 17, CEO Caroline Beasley will serve as the interim principal financial officer. Shaun Greening, Beasley's Vice President of Financial Reporting since joining in 2000 (previously an audit manager at KPMG in Tampa), will act as the principal accounting officer.

Beasley Media Group operates as a multi-platform media company focused on radio broadcasting, digital media, and live events, with stations in major markets like Philadelphia, Detroit, and Boston.

NBC News Pivoting To A Story-Centric Approach


Cesar Conde, chairman of NBCUniversal News Group, announced in staff memo this that NBC News will maintain its focus on content, innovation, and culture.

Caesar Conde
Conde revealed upcoming initiatives, including a new subscription product launching later this year and an expansion of the Sports Hub. A new marketing campaign will also be introduced to emphasize NBC News’ commitment to rigorous, fact-based reporting accessible across all platforms.

NBC News is transitioning from a program-centric to a story-centric approach, led by Rebecca Blumenstein, president of NBC News Editorial, who will take on an expanded role. 

Reporting to Blumenstein are Janelle Rodriguez (Nightly News, NBC News Now, and Specials), Marc Greenstein (creative production and operations), Noreen Gillespie (standards), Sarah Tanner (marketing), and David Gelles (Meet the Press), alongside existing direct reports Catherine Kim, David Verdi, Liz Cole, Lexi Rudolph, and Ken Strickland.

Blumenstein has served as editorial president since January 2023, having joined from The New York Times.

Turning Point USA to Host Alternative Halftime Show


Turning Point USA, a conservative organization founded by the late Charlie Kirk, has announced plans to host its own Super Bowl halftime show, dubbed the "All American Halftime Show," in protest of the NFL’s 2026 headliner, Bad Bunny. 

The announcement was shared on social media, with TPUSA teasing, “Performers and event details coming soon.” A linked survey allows the public to vote on preferred music genres for the event, including “Anything in English,” “Americana,” and “Worship,” though “Hip Hop” is also listed, despite Kirk’s past criticism of the genre as “degenerate.”

Details on how or where TPUSA’s counterprogramming will be broadcast remain unclear, but viewers would need to switch from the Super Bowl to watch the show, which TPUSA says will celebrate “faith, family, and freedom.” The Super Bowl is scheduled for February 8, 2026.

The NFL’s selection of Bad Bunny, a global music star with 80 million Spotify listeners, sparked immediate backlash from conservative figures. Critics, including House Speaker Mike Johnson, who called the choice “a terrible decision” and suggested 1980s country artist Lee Greenwood instead, and former President Donald Trump, who labeled it “absolutely ridiculous” despite admitting unfamiliarity with Bad Bunny, have targeted the Puerto Rican artist’s Spanish-language music and his comments about skipping U.S. tour stops due to concerns over ICE targeting his fans. 

Homeland Security Secretary Kristi Noem also weighed in, stating that immigration enforcement would be heavily present at the Super Bowl, emphasizing attendance should be limited to “law-abiding Americans who love this country.”

Bad Bunny addressed the controversy during his October 4, 2025, “Saturday Night Live” monologue, delivering remarks in Spanish to thank his fans and highlight Latino contributions to the U.S. He then humorously told critics in English, “If you didn’t understand what I just said, you have four months to learn.”

Following Charlie Kirk’s assassination in September 2025 during a debate in Utah, his widow, Erika Kirk, took over as CEO of TPUSA. The organization’s talk program, “The Charlie Kirk Show,” has continued, with recent episodes criticizing Bad Bunny’s selection.

How The Trades Have Covered iHM Layoffs


The latest round of iHeartMedia layoffs, which began on October 7, 2025, and continued through at least October 9, has drawn extensive attention from media outlets, particularly those focused on radio, music, business, and journalism. Coverage emphasizes the scale (estimated at 5% of the company's ~10,000 employees, or about 500 people), the timing ahead of Q3 earnings, and the broader industry context of debt reduction and digital shifts. While mainstream outlets like Billboard and The Hollywood Reporter have provided analysis, much of the detailed reporting comes from specialized radio trade publications. 

iHM's Inside Radio has framed the layoffs as part of iHeartMedia's ongoing "modernization" efforts to achieve $150 million in annual cost savings (including $40 million in Q2 2025), tied to debt restructuring and pre-Q3 earnings timing. They noted the national scope across small, medium, and major markets, echoing patterns from 2024 and earlier 2025 rounds. Unlike more critical outlets (e.g., Barrett Media's open letter to CEO Bob Pittman), Inside Radio's tone was factual and neutral, focusing on listings and context without deep editorializing.

Below is a summary of key coverage:


Broader Themes in
Coverage

✔Scale and Sentiment: Outlets like Barrett Media and RadioInsight portray the layoffs as "gut-wrenching" and morale-eroding, with humorous farewells from talent (e.g., Czaban joking about Peloton time) contrasting industry frustration. Digital Music News and Radio World highlight the human cost amid iHeart's debt woes (recent $4.1B exchange) and ad revenue dips.

✔Industry Context: Pieces tie this to radio's contraction in the streaming era, with Billboard (in related 2024/2025 earnings coverage) noting podcast growth (+12.7% revenue) offsetting broadcast declines (-5%). Nieman Lab and Radio Ink discuss centralization reducing local jobs.

✔Company Response: iHeart's statement via Goldberg stresses minimal impact ("very few jobs") and tech efficiencies for "better radio stations," but critics like Barrett Media question transparency.

Nielsen Releases Final Batch of September PPM Radio Ratings


Nielsen Audio has completed its release of the final market-by-market radio ratings for the September 2025 survey period (August 21–September 17, 2025). 

The final batch, covering markets like Nashville, Austin, and Raleigh, shows notable performances (AQH shares for 6+ demo, unless specified):
  • Nashville: iHeartMedia’s Classic Rock WNRQ “105.9 The Rock” jumped from 7.9 to 9.1, tying for #1 and hitting its highest share since 2018, matching a 2011 PPM peak. Cumulus News/Talk WWTN stayed strong at 8.5.
  • Austin:  iHeartMedia AC KHMX “Mix 94.7” rose to 8.2, overtaking Country KASE “US 97.5” (down to 7.9). Alternative KCSC “107.3 The Curve” hit 6.4, a monthly high.
  • Raleigh/Durham: Audacy AC WRAL “Lite 100.7” climbed 9.5 to 10.2, taking the market lead. iHeartMedia Alternative WNNL “Alt 101.3” gained from 5.1 to 5.8, riding the format’s momentum.
  • Indianapolis: Cumulus AC WFMS “Lite 96.7” held steady at 11.2, leading the market. Radio One Sports WIBC-HD2 “The Fan” dipped to 2.9.
  • Milwaukee: Audacy News/Talk WTMJ 620/97.3 HD2 fell to 7.5; iHeartMedia Country WMIL “US 99.7” retained #1 at 9.8.
  • Jacksonville: Cox News/Talk WOKV 690 rose to 8.1; Audacy AC WSOL “Star 94.1” improved from 7.2 to 7.6.
  • West Palm Beach: iHeartMedia Hot AC WHYI “Y100” led at 9.4 (up from 8.7); SBS Spanish WZOL “El Zol” gained to 6.3.
  • Memphis: Cumulus Urban AC WVOL “V101” hit 10.1, a strong showing.
  • Hartford: Audacy AC WRCH “Lite 100.5” topped the market at 11.8
➤Insights From The Research Director: HERE

Even CNN Can't Spin Trump's Peace Deal Credit


During a CNN panel discussion Thursday , Representative Dan Goldman, a New York Democrat and longstanding critic of former President Donald Trump, found himself reluctantly acknowledging Trump’s influence in facilitating an emerging peace deal between Israel and Hamas. Goldman, who has represented New York’s 10th Congressional District since 2023, served as lead counsel during Trump’s first impeachment trial in 2019, making his admission particularly notable given his history of sharp opposition to the former president.

When discussing the potential end to the conflict in Gaza, Goldman initially credited the involvement of regional powers—Qatar, the United Arab Emirates, and Saudi Arabia—for rallying to support détente and creating the conditions for peace negotiations. However, CNN host Abby Phillip challenged this narrative, pointing out that Goldman’s explanation seemed to overlook Trump’s role in the diplomatic breakthrough. “Why do you think that this was not doable when President Biden was in office?” Phillip asked, pressing the congressman to address the shift in dynamics.

Goldman responded by suggesting that the key difference lay in the lack of pressure from regional actors like Qatar, Turkey, and Egypt during Biden’s presidency. He argued that these countries had, in some ways, facilitated the ongoing conflict rather than pushing for resolution, and that their eventual cooperation was critical to the current progress. 

Phillip, however, was quick to point out that this change in regional behavior implied a shift driven by Trump’s influence. “By saying that, it’s sort of an acknowledgement that Trump has changed that dynamic,” she noted.


Caught off guard and visibly hesitant to give Trump direct credit, Goldman initially avoided mentioning the former president’s name. However, under Phillip’s persistent questioning, he conceded, “Yeah, I think that—I don’t know how he, you know, I think that there’s a lot that remains to learn about what prompted that change, but I do agree, yes. Somehow, someway, that changed.” 

His reluctant admission underscored the complexity of attributing credit for the diplomatic progress while navigating his critical stance toward Trump.

Goldman’s district, encompassing lower Manhattan and parts of Brooklyn, includes one of the largest Jewish populations in the United States. As a member of a Jewish family himself, Goldman has consistently voiced strong support for Israel, making his perspective on Middle East policy particularly significant. 

LA Times Guild Members Authorize Strike Action

Owner Dr. Patrick Soon-Shiong

The LA Times Guild, part of the News-Guild-CWA (Local 39213 under the Media Guild of the West), formed in 2018 has been authorized to strike the newspaper amid cost-cutting turmoil under previous ownership. The current contract expired in March 2022, but staff have worked without one since, forgoing raises amid soaring inflation.


Owner Dr. Patrick Soon-Shiong, a biotech billionaire who bought the paper in 2018 for $500 million, has cited annual losses of $30–50 million due to ad revenue declines. He pledged to make the Times a "world-class news organization" but has prioritized cuts, including a controversial 2024 decision not to endorse a presidential candidate, sparking editorial resignations.

Federal Judge Dismisses Drake’s Defamation Lawsuit Against UMG


A New York federal judge has thrown out Drake’s defamation and harassment lawsuit against Universal Music Group (UMG), his record label, tied to Kendrick Lamar’s 2024 diss track “Not Like Us.”

On Thursday, District Judge Jeannette A. Vargas dismissed the case with prejudice, ruling that the song’s controversial lyrics—insinuating Drake engaged in sexual relations with minors—constituted “nonactionable opinion” and hyperbole typical of rap battles. “A reasonable listener could not have concluded that ‘Not Like Us’ was conveying objective facts about Drake,” Vargas wrote, noting the track’s “profanity, trash-talking, threats of violence, and figurative language” as hallmarks of artistic expression in the “most infamous rap battle in the genre’s history.”

Drake’s lawsuit, filed in January 2025, accused UMG of knowingly promoting “Not Like Us” despite its allegedly false and defamatory claims, prioritizing “corporate greed” over artist safety. His legal team argued UMG’s aggressive promotion, including alleged use of bots and payola, amplified harm to Drake’s reputation. Vargas rejected this, stating that republication of non-defamatory opinion doesn’t create liability.

UMG welcomed the dismissal, stating, “This suit was an affront to all artists and their creative expression and never should have seen the light of day. We’re pleased with the court’s decision and look forward to continuing our work successfully promoting Drake’s music.”

The 2024 feud saw Drake and Lamar exchange eight diss tracks over 16 days, with “Not Like Us” becoming a cultural phenomenon, topping charts, winning five 2025 Grammy Awards (including Song and Record of the Year), and headlining Lamar’s Super Bowl LIX performance.

Drake’s team clarified Lamar was not a defendant, focusing blame on UMG’s actions. A spokesperson for Drake told ABC News they plan to appeal to the Second Circuit Court of Appeals.

Fox News Radio's Guy Benson Discloses Cancer Prognosis


Fox News Radio host and conservative commentator Guy Benson, aged 40, announced on his program, The Guy Benson Show, on Thursday that he recently underwent surgery to remove a cancerous melanoma discovered during a routine skin check.

The diagnosis was identified as an invasive malignant melanoma, a serious form of skin cancer, but Benson emphasized his relief and gratitude that the cancer was detected early, allowing for its successful removal. “It’s been cut out of me, I’ve been sewn back up, the cancer is gone, I’m told. That’s great,” he shared with his audience, highlighting the positive outcome.

Benson expressed deep appreciation for the medical professionals who treated him, as well as for the support he received from those around him during the process. 


“I feel grateful. Grateful to everyone who’s been great with me these last couple of weeks, grateful to God, grateful to the doctor and everyone else,” he said. 

The early detection meant that no additional treatments, such as chemotherapy or radiation, were necessary, allowing him to resume his normal activities with minimal disruption.

As a prominent figure in conservative media, Benson serves as the political editor for the MAGA-friendly outlet Townhall and is a frequent contributor on Fox News. His radio show is described as offering “smart, fast-paced political and cultural insights from a right-leaning perspective,” attracting listeners who align with his ideological stance. 

While the diagnosis caused him to miss a few days of work intermittently, Benson reassured his audience that he is now in good health and does not anticipate further medical interventions. He used the opportunity to underscore the importance of regular skin checks, crediting the routine examination for catching the cancer before it could progress further.

Radio History: Oct 10


In 1900...actress Helen Hayes was born Helen Brown in Washington DC. After honing her craft on the stage Ms. Hayes began a 55 year big screen career in 1931. She had her own popular radio anthology series in the 1940′s; on  TV she played one of the Snoop Sisters in the 70′s, and Miss Jane Marple in the 80′s.

The First Lady of the American Theater died Mar 17, 1993 at age 92

Orville Gibson
In 1902...Mandolin maker Orville Gibson founded the Gibson Mandolin-Guitar Mfg. Co, Ltd. in Kalamazoo, MI.   In 1936 it would create the first commercially successful electric guitar.

Gibson began in 1894 in his home workshop in Kalamazoo, Michigan. With no formal training, Gibson created an entirely new style of mandolin and guitar, with tops carved and arched like the top of a violin. His creations were so different that he was granted a patent on his design.  More importantly, they were louder and more durable than contemporary fretted instruments, and musicians soon demanded more than he was able to build in his one-man shop.

On the strength of Gibson's ideas, five Kalamazoo businessmen formed the Gibson Mandolin-Guitar Mfg. Co., Ltd., in 1902. Within a short period after the company was started, the board passed a motion that "Orville H. Gibson be paid only for the actual time he works for the Company." After that time, there is no clear indication whether he worked there full-time, or as a consultant. Julius Bellson states in his 1973 publication, The Gibson Story, that "Orville Gibson had visions and dreams that were considered eccentric."

Starting in 1908, Gibson was paid a salary of $500 by Gibson Mandolin-Guitar Manufacturing Co., Limited (equivalent to $20,000 a year in modern terms). He had a number of stays in hospitals between 1907 and 1911. In 1916, he was again hospitalized, and died on August 19, 1918, at 62 years of age, in St. Lawrence State Hospital in Ogdensburg, New York.  Gibson is buried at Morningside Cemetery in Malone, New York

➦In 1911...Leo "Zeke" Manners was born (Died - October 14, 2000). He was a country musician and radio performer. While most of his radio work was at local stations in LA & New York, for a time he had a 15-minute network show that allowed him to integrate ‘hillbilly’ recordings with his live accordion, piano & banjo playing ”The One-Man Variety Show.” He died Oct 14 2000, four days after his 89th birthday.

In 1932...a syndicated adventure series for juveniles, Chandu the Magician was heard for the first time on KHJ radio Los Angeles.  It would continue with varying casts in various formats and networks until 1950.

In 1937...the Mutual Broadcasting System debuted Thirty Minutes in Hollywood. 48 sponsors shared the cost of the program that aired in 72 cities across the US. It was the first Mutual co-op radio show. George Jessel and Norma Talmadge starred, with music by the Tommy Tucker Orchestra.

In 1959...Ken Brown decided to leave the Quarrymen, which also consisted of  John Lennon, Paul McCartney and George Harrison.  The decision came after the group played at the popular Casbah Coffee Club in Liverpool, and Brown was unable to perform due to a heavy cold.  McCartney felt that Brown should not get a share of the performance fee since he did not perform.  So Brown quit the group.