Saturday, July 26, 2025

Radio History: July 27


➦In 1901...Hubert Prior "Rudy" Vallée born (Died – July 3, 1986) He was a singer, actor, bandleader, radio host and was first modern pop stars of the teen idol type.

Rudy Vallee
In 1929, Vallée began hosting The Fleischmann's Yeast Hour, a popular radio show with guests such as Fay Wray and Richard Cromwell in dramatic skits. Vallée continued hosting radio shows such as the Royal Gelatin Hour, Vallee Varieties, and The Rudy Vallee Show through the 1930s and 1940s.

In 1929, Vallée made his first feature film, The Vagabond Lover for RKO Radio. His first films were made to cash in on his singing popularity. While his initial performances were rather wooden, his acting greatly improved in the late 1930s and 1940s, and by the time he began working with Preston Sturges in the 1940s, he had become a successful comedic supporting player. He appeared opposite Claudette Colbert in Sturges's 1942 screwball comedy The Palm Beach Story. Other films in which he appeared include I Remember Mama, Unfaithfully Yours and The Bachelor and the Bobby-Soxer.

In 1955, Vallée was featured in Gentlemen Marry Brunettes, co-starring Jane Russell, Alan Young, and Jeanne Crain. The production was filmed on location in Paris. The film was based on the Anita Loos novel that was a sequel to her acclaimed Gentlemen Prefer Blondes. Gentlemen Marry Brunettes was popular throughout Europe at the time and was released in France as A Paris Pour les Quatre ("Paris for the Four"), and in Belgium as Tevieren Te Parijs.

Vallée performed on Broadway as J.B. Biggley in the 1961 musical How to Succeed in Business Without Really Trying and reprised the role in the 1967 film version. He appeared in the 1960s Batman television show as the villain Lord Marmaduke Ffogg and in 1971 as a vindictive surgeon in the Night Gallery episode "Marmalade Wine".

He died July 3, 1986 at age 84.

➦In 1910...announcer Bill Goodwin was born in San Francisco. He was for years the announcer on The Burns & Allen Show, and as well was incorporated into the script playing a ladies man.  He was spokesman for Swan Soap and Maxwell House Coffee, among others, on radio; Carnation Evaporated Milk on television.  His last job was on The Bob Hope Radio Show (1953-55.)

Bill Goodwin
Goodwin was known for frequently promoting the item sold by the sponsor of the show (Swan Soap or Maxwell House Coffee, among others, on radio; Carnation Evaporated Milk on television). He was effective on radio in doing "integrated commercials", the first announcer to do so in which the advertisement was deftly woven into the show's storyline. In 1945, Goodwin was the "featured comedian" as a regular on The Frank Sinatra Show and The George Burns and Gracie Allen Show. In 1947, he had his own program, The Bill Goodwin Show, a situation comedy, also known as Leave It to Bill, which ran from April 26-December 13, 1947. He was the announcer for the Blondie radio program.

He died following a heart attack May 9 1958 at age 47.

➦In 1914...bandleader Carmen Dragon was born in Antioch Calif.  He conducted the Hollywood Bowl Symphony Orchestra, and they performed on The Standard School Broadcast, broadcast on NBC radio in the western U.S. for elementary schools from 1928 through the 1970s. The show was sponsored by the Standard Oil Company of California (now the Chevron Corporation), but other than the name there were no commercials. The program featured a high quality introduction to classical music for young people growing up in the 1940s and early 1950s.

In the summer of 1947, Dragon and Frances Langford had a program on NBC. Langford sang, accompanied by Dragon and his 25-piece orchestra. The show began June 5 and ran for 13 weeks as a summer replacement for George Burns and Gracie Allen's program.

Dragon also hosted a regular classical music radio show broadcast on the Armed Forces Radio Network well into the 1980s.  Dragon's concert band arrangement of America the Beautiful is played by bands across the country in concerts of patriotic music.

He died Mar 28, 1984 at age 69.

➦In 1962...Westinghouse purchased then-Top40 WINS 1010 AM for $10 Million.

Nielsen Data Shows Significant Radio Listening Increases


Nielsen has released all Spring 2025 (April-May-June) Portable People Meter markets. And there are significant increases in listening across demographics and time periods versus Fall 2024.

Key findings:

  • Among persons 25-54, AM/FM radio PPM AQH have soared by +19%. Weekends and nights have the greatest growth compared to Fall 2024.
  • Spring 2025 PPM audience growth is consistently strong (+17% to +19%) across all demographics versus Fall 2024.
  • Spring 2025 PPM format shares are remarkably stable. The rising PPM tide raises all format boats.
  • Nielsen Nationwide projection: Total U.S. AM/FM radio listening is up +7%.

PPM Spring 2025 format shares are remarkably stable:

According to Pierre Bouvard,Chief Insights Officer of the  Westwood One Audio Active Group®, there are Four implications of PPM listening increases:

  1. The trend of AM/FM radio surpassing TV in ratings will accelerate: Over the last five years, AM/FM radio has overtaken linear TV in ratings. Based on TV and AM/FM radio audience forecasts, 2026 will see AM/FM radio likely overtake linear TV in the all-important 25-54 demographic and widen its ratings lead over TV among 18-49s.
  2. 2025 post-buy analyses will overachieve 2024 media plans: In PPM markets, expect increases in audience deliveries based on prior year schedules. For local buys, outcomes will vary by demographic, markets utilized, and AM/FM radio programming format mix. For total U.S. media plans using Nielsen’s Nationwide survey, deliveries will grow by low/mid-single digits. Differences will result due to the mix of diary versus PPM market composition in network lineups as well as AM/FM radio programming format mix.
  3. AM/FM radio, already America’s number one mass reach media, will experience reach growth in advertising schedules: With PPM now reporting higher AM/FM radio reach levels, campaign reach will experience growth. Since reach is the foundation of advertising effectiveness, this is a positive for AM/FM radio’s performance in media mix modeling analysis.
  4. With a three-minute quarter hour qualification, stations can create more breaks of shorter duration, which will significantly benefit advertisers. AM/FM radio ads will become more effective as stations increase the number of commercial breaks with shorter durations. Since the introduction of the Portable Meter, most AM/FM radio stations schedule their two commercial breaks around 15 and 45 minutes past the hour. This strategy was designed to maximize five-minute listening durations.

A massive Portable People Meter study of 17,896,325 unique commercial breaks involving 61,902,473 minutes of advertising conducted by Nielsen, Media Monitors, and Coleman Research reveals the shorter the ad break, the greater the audience retention.

➤GO DEEPER:  Here

Paramount-Skydance Target August 7 For Closing


Paramount Global announced on Friday that its $8.4 billion merger with Skydance Media is set to close by August 7, following regulatory approval. Post-merger, the company will be renamed Paramount Skydance Corp, with Class B shares trading under the ticker PSKY.

Skydance CEO David Ellison will lead Paramount Skydance, overseeing Paramount Pictures, CBS, and various cable channels. Investors are pressing Ellison on the future of Paramount+, the company’s declining TV assets, and content spending, particularly on sports.

David Ellison
According to Reuters, MoffettNathanson analyst Robert Fishman noted, “With the prolonged sale process nearing its end, Skydance’s leadership must now focus on rebuilding Paramount, tackling strategic challenges, and forging a sustainable, competitive future.”

Ellison, unavailable for comment, has previously outlined plans to enhance Paramount’s technology, revamp Paramount+, prioritize cash flow, and cut $2 billion in costs.

The FCC approved the deal on Thursday, shortly after Paramount settled a $16-million lawsuit from President Donald Trump over CBS’ editing of a 60 Minutes interview with Kamala Harris. The settlement sparked criticism, with the FCC’s Democratic dissenter in the 2-1 vote calling it a “cowardly capitulation” to Trump’s administration. The FCC maintained its review was independent.

The merger ends Shari Redstone’s control via National Amusements, relinquishing the media empire her father, Sumner Redstone, acquired in 1994.

5th Woman Accuses Smokey Robinson

Smokey Robinson

R&B icon Smokey Robinson faces mounting sexual assault allegations as a fifth woman, identified as Jane Doe, filed a police report against him in Los Angeles on July 16, intensifying an ongoing criminal investigation that began in May 2025, according to AllHipHop

This follows a $50 million civil lawsuit filed by four former employees—housekeepers and a personal assistant—accusing the 85-year-old Motown legend of sexual battery, assault, false imprisonment, and creating a hostile work environment between 2006 and 2024. 

The lawsuit alleges calculated behavior, including non-consensual acts and efforts to avoid leaving evidence, causing lasting harm.

All five women, represented by the same legal team, remain anonymous and have triggered an active investigation into claims spanning nearly two decades. 

Robinson denies the allegations, filing a $500 million countersuit for defamation and intentional infliction of emotional distress. His attorney, Christopher Frost, called the accusations a coordinated “hit and run” tactic, criticizing the plaintiffs’ anonymity and refusal to sit for depositions. 

No criminal charges have been filed, but the case continues to cast a shadow over Robinson’s storied career.

Facing Mounting Legal Challenges, Media Matters Mutes Criticism


Media Matters, a prominent nonprofit pivotal in liberal politics, is grappling with intense legal challenges from President Trump’s allies, signaling the potential fate of even well-funded targets of his retaliatory campaigns, according to The NY Times.

Backed by major Democratic donors, the organization has incurred approximately $15 million in legal fees over the past 20 months, defending against lawsuits from Elon Musk and investigations by Trump’s Federal Trade Commission and Republican state attorneys general.

According to internal documents and interviews with 11 individuals close to the organization, Media Matters has significantly reduced its staff and is urgently seeking additional funds from hesitant donors to sustain operations.

Efforts to settle with Musk through concessions failed due to irreconcilable differences, and despite occasional court victories, Musk has persisted with appeals and new lawsuits. As a last resort, the group has contemplated closing, per internal documents and interviews.

Publicly, Media Matters insists it will not shut down and remains committed to its defense on principle.

“Unlike some major media outlets that have recently yielded to pressure, we recognize this fight transcends us,” said Angelo Carusone, president of Media Matters, in a statement. “That’s why we persist in our mission and legal battles.”

The ongoing struggle highlights how powerful ideological adversaries can use legal warfare to suppress influential voices and curb dissent. Media Matters has tempered its criticism of Musk and the Trump FTC, faced alienation from some allies, and dealt with declining staff morale, internal conflicts, and security concerns.

This marks a stark reversal for a group that raised nearly $250 million from 2003 to 2023, establishing itself as a powerhouse in Democratic politics by challenging major conservative media figures and politicians.

Survey: Best, Worst News Anchors Ranked


Nightly news anchors—figures like Walter Cronkite, Diane Sawyer, and Edward R. Murrow, who guided the nation through crises with steady authority. But that era is fading, as revealed by the DailyMail+ Power List, which ranks America’s top news anchors based on exclusive polling of likeability, trustworthiness, perceived bias, and knowledge.

The media landscape is fracturing. While traditional TV anchors retain loyal audiences, viewers are increasingly turning to YouTubers, podcasters, and former network stars building their own platforms.

The Power List highlights who Americans trust for news—and how deeply divided the country is.CNN’s Anderson Cooper, 58, tops the list as America’s best-loved anchor, excelling in most categories except neutrality, a nod to his liberal stance. 

Earning a reported $18 million annually, Cooper has been a CNN mainstay for 23 years, weathering layoffs under CEO Mark Thompson since 2023. An insider noted, “If Anderson left, it would be an earthquake. He’s CNN’s last true brand anchor—its face of credibility and class.”

However, the survey offers grim news for media executives. All anchors scored below 50% for bias, reflecting record-low trust in mainstream media. Jon Stewart of The Daily Show ranks second, followed by ABC’s David Muir (third), Fox News’ Harris Faulkner (fourth, the top woman), and CNN’s Wolf Blitzer (fifth). Fox News dominates the top ten, with Jesse Watters (sixth), Laura Ingraham (eighth), and Bret Baier (ninth). ABC’s George Stephanopoulos, despite a defamation lawsuit from Donald Trump, secures seventh. Charlie Kirk, a rising MAGA star from Turning Point USA, rounds out the top ten, boosted by his podcast and Fox & Friends guest-hosting.

Stewart, who returned to The Daily Show in 2024 after retiring in 2015, excels in likability and knowledge but ranks low on bias despite his efforts to critique both political sides. At the bottom, former MSNBC host Joy Reid is America’s least favorite, deemed least likable and knowledgeable, just below colleagues Joe Scarborough and Mika Brzezinski, who rank as the least truthful.

Chicago Tribune Lay Off 10 Percent Of Newsroom


The Chicago Tribune laid off eight newsroom employees, about 10% of its staff, on Thursday, marking the latest in a wave of media job cuts. 

The Tribune Guild criticized the layoffs as a failure of leadership by Alden Global Capital, the hedge fund that acquired Tribune Publishing for $630 million in 2021. Five of the laid-off reporters—Sean Hammond, Shanzeh Ahmad, Pinar Istek, Ahmed Ali Akbar, and Lizzie Kane—were guild members.

Media layoffs have been rampant in 2025. 

Gannett Media, the largest U.S. newspaper publisher, offered voluntary buyout packages on Thursday to cut costs, with its annual sales dropping from $3.21 billion in 2021 to $2.51 billion in 2024. Fortune also cut 10% of its staff earlier this week. Other outlets, including IndieWire, Forbes, Vox, The Washington Post, Scripps, Huffington Post, and Bloomberg News, have also faced layoffs this year. Media job cuts surged from 7,735 in 2021-2022 to 36,206 in 2023-2024, a 368% increase, with no signs of slowing in 2025.

Media ownership trends in 2025 reflect ongoing consolidation, financial pressures, and a shift toward digital platforms, exacerbating the challenges faced by traditional media outlets like the Chicago Tribune.


Increased Consolidation: Media ownership continues to concentrate among a few large corporations and private equity firms. In the UK, three companies—DMG Media, News UK, and Reach—control 90% of the national newspaper market, a 20% increase in concentration since 2014. In the US, mergers like the $8 billion Paramount-Skydance deal signal further consolidation, with expectations of more merger and acquisition activity in 2025, particularly among TV station operators facing declining ad revenues and affiliate fees.

Decline of Traditional Media: Legacy media, particularly linear TV and print, face structural decline due to cord-cutting and shrinking audiences. US advertising in legacy media is projected to decline by mid-single-digit percentages in 2025, while digital platforms like connected TV and social media see double-digit growth. Local newspapers, like the Chicago Tribune, are hit hard, with job cuts reflecting financial strain from reduced revenues and ownership by hedge funds like Alden Global Capital.

Rise of Digital and Creator-Led Media: Social platforms and independent creators are challenging traditional media, with 56% of Gen Z and 43% of millennials finding social media content more relevant than traditional TV or movies. Niche streaming platforms and creator-led ecosystems are growing, forcing legacy media to adapt workflows or risk obsolescence.
AI and Blockchain Innovations: Media companies are increasingly adopting AI for content creation and personalization, with 45% already using it in 2023 and a projected 20% annual increase through 2025. Blockchain is also emerging to protect content ownership via NFTs, addressing concerns about digital media authenticity.

Charter Streaming Strategy Slows Losses


In Q2 2025, Charter Communications, operating under the Spectrum brand, lost 80,000 pay TV customers, bringing its total video subscribers to 12.6 million. 

This marks a significant improvement from the 408,000 subscribers lost in the same quarter the previous year, attributed to new pricing, packaging strategies launched in September 2024, and the inclusion of ad-supported streaming services like Disney+, ESPN+, HBO Max, Paramount+, Peacock, AMC+, ViX, and Tennis Channel in Spectrum’s TV Select packages, with plans to add Hulu, Discovery+, and BET+ later in 2025. 

Despite the video revenue decline of 10% to $3.5 billion, driven by lower-priced packages and $67 million in programmer streaming app costs, Charter’s streaming integration slowed subscriber losses.

Total revenue grew 0.6% to $13.8 billion, boosted by 24.9% growth in residential mobile (adding 500,000 lines to reach 10.9 million) and 2.8% growth in residential Internet revenue, though the company lost 117,000 Internet customers, reducing its broadband base to 29.9 million. Net income rose 5.7% to $1.3 billion, but earnings per share of $9.18 missed Wall Street’s $9.58 forecast, causing an 18.5% stock drop, the worst since Charter’s 1999 public debut. 

 
The company’s pending $34.5 billion merger with Cox Communications, expected to close in 2025, aims to create a larger broadband and video entity with 35.9 million Internet and 14.4 million video customers, enhancing scale to compete with Big Tech.

Charter includes access to streaming apps at no additional cost within its TV Select packages, combining traditional cable channels with on-demand streaming content. This creates a hybrid model, offering subscribers a mix of live TV and on-demand viewing through a single subscription.

The integration slowed Charter’s pay TV subscriber losses, with 80,000 customers lost in Q2 2025 compared to 408,000 the prior year. The added value of streaming services makes the package more appealing, reducing churn in a competitive market.

As Charter integrates streaming apps into its Spectrum platform, it allows customers to access both cable and streaming content through one interface, often via set-top boxes or the Spectrum app, simplifying navigation and enhancing convenience.

'Music & the Spoken Word' Reaches Milestone: 5,000 Shows

 
“Music & the Spoken Word,” a show broadcast each week from Salt Lake City, not only has endured since 1929, but almost as remarkably, has barely changed. There’s the announcer’s gentle welcome, a three-minute inspirational message and a handful of hymns performed by the Tabernacle Choir at Temple Square, formerly and still better known as the Mormon Tabernacle Choir.

According to The NY Times, the program’s nearly century-old, 30-minute “recipe,” as its organizers call it, seems to need no modifications to draw a crowd. On July 13, more than 11,000 people gathered in the cavernous conference center owned by the Church of Jesus Christ of Latter-day Saints to record the program’s 5,000th episode.

The show “has always been a part of my life,” said Ron Christensen, 71, who sat near the front with his wife. “I used to take dates here.” His mother, Lela Christensen, 98, who sang in the choir from 1964 to 1987 (with some breaks for having children), was being honored as the choir’s oldest living alumna.

The number “5,000” alone may not capture the scale of the longevity of the show, which has aired every week since almost the beginning of commercial radio. “Saturday Night Live,” which celebrated its 50th anniversary with a lavish prime-time special this year, has not yet hit 1,000 episodes. “The Simpsons,” America’s longest-running sitcom, has produced a piddling 790.

What started as a live, local broadcast, captured by the organist’s son standing on a ladder and holding a microphone toward the choir, now airs on more than 2,000 radio and television stations around the world. Newer ventures include a Spanish-language version and a behind-the-scenes podcast.

“We view the choir as a global asset of the church,” said Michael O. Leavitt, a former governor of Utah who became the choir’s president in 2021. As the church’s membership declines in the United States but expands internationally, Mr. Leavitt has moved to grow the choir’s digital audience and global reach, in part by increasing the pace of international touring.

The show has been sponsored from the start by the church, which views it as a ministry rather than a moneymaker. Most people involved in production, including the host and the choir’s members, are volunteers.

“It’s the public jewel of the church,” said Matthew S. Holland, the ecclesiastical leader of the church’s communications department. “This is the front end of a decade where we hope the world will discover who we really are.”

Between television, radio and streaming, “Music & the Spoken Word” now claims 5 million listeners weekly.

R.I.P.: Dame Cleo Laine, Celebrated Jazz Singer


Dame Cleo Laine, widely regarded as Britain’s most celebrated jazz singer, died peacefully on July 24, 2025, at her home in Wavendon, England, at the age of 97. 

Her death was confirmed by her children, Jacqui and Alec Dankworth, in a statement: “It is with deepest sadness that we announce the passing of our dearly beloved mother, Cleo, who died peacefully yesterday afternoon. We will all miss her terribly. The family wish to be given space to grieve and ask for privacy at this very difficult time.” Monica Ferguson, artistic director of The Stables, a music venue and charity Laine co-founded with her husband, Sir John Dankworth, also noted that Laine “will be greatly missed, but her unique talent will always be remembered.” 

No specific cause of death was disclosed.

Born Clementine Dinah Hitching (or Campbell, as she was raised) on October 28, 1927, in Southall, Middlesex, to a Jamaican father, Alexander Sylvan Campbell, and an English mother, Minnie Bullock, Laine grew up in modest circumstances. Her father was a laborer, and her mother sent her for singing and dancing lessons from an early age. Laine worked various jobs after leaving school at 14, including as a hairdresser and librarian, before launching her professional singing career in her mid-20s.

Laine’s breakthrough came in 1951 when she auditioned for the Johnny Dankworth Seven, adopting the stage name Cleo Laine after her birth name was deemed too long for posters. 

She married Dankworth in 1958, and they became Britain’s “royal couple of jazz,” performing together for decades until his death in 2010. 

Laine was renowned for her scat singing, smoky contralto voice, and a four-octave range, which allowed her to excel in jazz, pop, and classical music. She was the only female singer to receive Grammy nominations in all three categories, winning Best Female Jazz Vocal Performance in 1986 for her album Cleo at Carnegie: The 10th Anniversary Concert.


Her career spanned over six decades, with notable performances at Carnegie Hall, the Royal Albert Hall, and Broadway, where she earned a Tony nomination in 1986 for her role as Princess Puffer in The Mystery of Edwin Drood. Laine collaborated with luminaries like Ray Charles, Frank Sinatra, and James Galway, and her repertoire included works by Kurt Weill, Arnold Schoenberg, and Stephen Sondheim. 

Radio History: July 26


Burns & Allen
➦In 1895...Grace Ethel Cecile Rosalie Allen was born (Died of a heart attack at age 69 – August 27, 1964). She was a vaudevillian and comedienne who became internationally famous as the zany partner and comic foil of husband George Burns, her straight man appearing with her on radio, television and film as the duo Burns and Allen.

For her contributions to the television industry, Gracie Allen was honored with a star on the Hollywood Walk of Fame at 6672 Hollywood Boulevard, while she and Burns were inducted into the Television Hall of Fame in 1988.

Co-star Bea Benaderet said of Allen in 1966: "She was probably one of the greatest actresses of our time."  Today, the annual Gracie Awards are named in her honor.

The Burns & Allen Show debuted on radio in 1932, and ended on TV with Gracie’s retirement 25 years later.

➦In 1903...Donald Voorhees born (Died at age 85 – January 10, 1989, Cape May Court House, NJ. He was a composer and conductor who received an Emmy Award nomination for "Individual Achievements in Music" for his work on the television series, The Bell Telephone Hour.

Donald Voorhees
Starting in 1926, Voorhees' orchestra recorded prolifically for Columbia, Edison, Pathe, Perfect, Cameo, and Hit of the Week, playing the piano in early recordings. His recording career mostly ended in 1931, when he approached the bigger opportunities radio offered at the time. His first broadcast work was NBC Radio's The Texaco Fire Chief Show, which starred comedian Ed Wynn. Other of the programs he worked for was the Maxwell House Showboat, appearing in a 1933 "picturization", the short Captain Henry's Show Boat.

From 1935 to 1941, and from 1949 to 1953 (with Ardon Cornwell), Voorhees was the musical director and conductor for the radio and television show, Cavalcade of America.

Voorhees also served as conductor of the Bell Telephone Hour orchestra for 26 years, from its first broadcasts on radio in 1942 until its final television episode in 1968. He was nominated for an Emmy Award in 1966 for "Individual Achievements in Music" for his work on the series.

➦In 1921...Jean Parker Shepherd Jr. born (Died – October 16, 1999). He was a storyteller, radio and TV personality, writer and actor. He was often referred to by the nickname Shep. With a career that spanned decades, Shepherd is known for the film A Christmas Story (1983), which he narrated and co-scripted, based on his own semi-autobiographical stories.

Jean Shepherd

After military service, Shepherd began his broadcast radio career in early 1945 on WJOB in Hammond, Indiana, later working at WTOD in Toledo, Ohio, in 1946. He began working in Cincinnati, Ohio, in January 1947 at WSAI, later also working at Cincinnati stations WCKY and WKRC the following year, before returning to WSAI. From 1951 to 1953, he had a late-night broadcast on KYW in Philadelphia, PA, after which he returned to Cincinnati for several shows on WLW. After a stint on television, he returned to radio. "Shep," as he was known, settled in at WOR 710 AM in New York Cit at the end of February 1955, and on an overnight slot in 1956, where he delighted his fans by telling stories, reading poetry (especially the works of Robert W. Service), and organizing comedic listener stunts.

When he was about to be released by WOR in 1956 for lack of sponsors, he did a commercial for Sweetheart Soap, not a sponsor, and was immediately fired. His listeners besieged WOR with complaints, and when Sweetheart offered to sponsor him he was reinstated. Eventually, he attracted more sponsors than he wanted.

His last WOR broadcast was on April 1, 1977. His subsequent radio work consisted of short segments on several other stations, including crosstown WCBS 880 AM, and occasional commentaries on NPR's All Things Considered. His final radio gig was the Sunday night radio show "Shepherd's Pie" on WBAI in the mid-1990s, which had him reading his stories uncut, uninterrupted and unabridged. The show was one of WBAI's most popular of the period.

Throughout his radio career, he performed entirely without scripts. His friend and WOR colleague Barry Farber marveled at how he could talk so long with so few notes.

He died Oct. 16 1999 at age 78.  In 2005 he was posthumously inducted into the National Radio Hall of Fame.

➦In 1944...The New York Times took-over ownership of WQXR AM & FM in NYC.

➦In 195?...WCBS 101.1 FM NYC PD Jim Ryan was born.

Friday, July 25, 2025

FCC Gives Final Approval For Skydance-Paramount $8B Deal


The FCC has granted approval for Skydance Entertainment’s high-profile merger with Paramount Global, valued at over $8 billion, paving the way for the deal’s closure in August.

The decision marks the culmination of a multiyear negotiation process fraught with twists and turns, likened by industry observers to a dramatic soap opera. The merger unites Skydance, a prominent movie and television production company, with Paramount Global, the parent company of Paramount Pictures, the CBS television network, and a portfolio of well-known cable channels including MTV, Nickelodeon, and Comedy Central.

The merger is a strategic response to the entertainment industry’s need to consolidate in order to compete with tech giants like Apple, Amazon, and Netflix, which have increasingly dominated the market with their own studios and streaming platforms. 

By combining Skydance’s production expertise with Paramount’s extensive media assets, the deal aims to create a more formidable player in the rapidly evolving media landscape.

As part of the FCC’s approval process, Skydance CEO David Ellison made significant commitments to address concerns raised by FCC Chairman Brendan Carr. In a letter filed with the agency, Ellison pledged that CBS News, a cornerstone of Paramount’s portfolio, would adhere to principles of unbiased journalism. Specifically, he assured that the network’s editorial decision-making would reflect the diverse ideological perspectives of American viewers. To reinforce this commitment, Skydance announced the creation of an ombudsman position at CBS News, tasked with investigating complaints of bias or other editorial concerns.

Additionally, Skydance confirmed to Carr that all diversity, equity, and inclusion (DEI) initiatives at Paramount Global have been discontinued, and the merged company will not implement such programs moving forward. Carr, who has prioritized eliminating DEI practices in media and telecom industries, praised Skydance’s commitments, stating, “Americans no longer trust the legacy national news media to report fully, accurately, and fairly. It is time for a change. That is why I welcome Skydance’s commitment to make significant changes at the once-storied CBS broadcast network.”

The merger’s approval comes amid recent controversies involving CBS. Earlier in July 2025, Paramount Global agreed to pay $16 million to settle a lawsuit filed by President Donald Trump, who alleged that CBS’s “60 Minutes” program deceptively edited an interview with Democratic presidential candidate Kamala Harris to present her more favorably. CBS denied any wrongdoing or manipulation of the interview. Additionally, Trump claimed on Truth Social that Skydance Media would provide $20 million in advertising and public service ad commitments, though Skydance has not publicly confirmed these remarks.In a separate development, CBS announced last week that it would cancel “The Late Show with Stephen Colbert” after the host’s contract expires in 2026, citing financial reasons. 

Jeff Shell
Following the merger’s closure, Skydance is expected to swiftly implement its leadership structure.

Former NBCUniversal and Fox executive Jeff Shell will assume the role of president of the combined company, while Cindy Holland, a respected former Netflix programming executive, is slated to oversee the streaming business. George Cheeks, a current co-CEO of Paramount Global and head of CBS, is expected to remain with the new entity, while Brian Robbins, another co-CEO and head of Paramount’s movie operations, is likely to depart.

The FCC’s review was required due to CBS’s ownership of nearly 30 broadcast television stations, necessitating agency approval for any change in control.

Gomez: Merger Approval 'Cowardly Capitulation' To Trump


FCC Commissioner Anna M. Gomez, the sole Democrat on the three-member FCC, dissented in a 2-1 vote approving the $8.4 billion Paramount-Skydance merger. 

Her dissent centered on concerns that the FCC, under Chairman Brendan Carr, exerted undue pressure on Paramount and Skydance to secure the deal, compromising press freedom and violating First Amendment principles.

Gomez criticized Paramount for agreeing to a $16 million settlement with President Donald Trump over a "60 Minutes" interview with Kamala Harris, which Trump claimed was deceptively edited. She called this settlement a “desperate move” to appease the administration and gain FCC approval, setting a “dangerous precedent” for press freedom.

She argued that the FCC used its regulatory power to pressure Paramount into brokering this private legal settlement, which she viewed as an erosion of editorial independence.

Gomez described the FCC’s actions as “unprecedented,” specifically highlighting conditions imposed on the merger, such as:
  • Elimination of DEI Programs: Skydance committed to ending diversity, equity, and inclusion (DEI) initiatives at Paramount, aligning with the Trump administration’s stance against such programs. Gomez argued this overstepped the FCC’s authority, as employment matters fall under other agencies’ jurisdiction.
  • Newsroom Oversight: Skydance agreed to appoint an ombudsman at CBS News to evaluate complaints of editorial bias for at least two years. Gomez saw this as an imposition of “never-before-seen controls” over newsroom decisions, violating First Amendment protections.
She contended these concessions were extracted under pressure from the Trump administration, facilitated by FCC Chairman Brendan Carr.

FCC Chairman Hints 'The View' May Face Scrutiny


FCC Chairman Brendan Carr appeared on Fox News Thursday, where he discussed issues related to the television program The View. 

During the segment, when asked if The View was in the "crosshairs" of the Trump administration, Carr responded, "It's entirely possible there are issues over there ... the consequences aren't quite finished." 


This statement was made in the context of his broader agenda as FCC Chairman, which has included a focus on investigating media outlets for perceived bias and promoting free speech by addressing what he describes as a "censorship cartel." 

The term "censorship cartel" is a phrase used by FCC Chairman Brendan Carr to describe a perceived coordinated effort among certain entities—primarily Big Tech companies, media outlets, and other organizations—to suppress or control information, particularly content they deem objectionable or harmful. While the term is not formally defined in legal or academic contexts, Carr has employed it to criticize what he sees as systematic bias in content moderation practices that stifle free speech, especially conservative viewpoints.

Carr has suggested that some media outlets and fact-checking organizations collude with tech platforms to flag or suppress content, often under the guise of combating misinformation. He has criticized groups like NewsGuard, which rates news sources for reliability, as part of this ecosystem.

Meanwhile, Carr expressed approval later Thursday with Skydance’s pledge to implement “serious changes” at CBS as part of its proposed $8 billion merger with Paramount, which awaits regulatory approval.

“I’m very pleased with Skydance’s filing, which commits to significant changes at CBS if the merger proceeds. I believe that’s positive,” Carr stated during a press conference following the FCC’s Open Commission meeting on Thursday. 

“They’ve promised to tackle bias, prioritize fact-based journalism, and either eliminate or avoid extending discriminatory DEI practices. These are substantial commitments, and we’ll carefully consider them in our review process.”

It Is July Afterall: 'The View' Is Taking Some Time Off


On Thursday’s episode of The View, co-host Joy Behar revealed that the show is going on a “hiatus,” stating, “We only have one more show after this before we go on hiatus.” 

The 82-year-old made the comment in a playful, conspiratorial tone, checking off-camera, “I’m allowed to say that, right?” Co-host Alyssa Farah Griffin quipped, “Too late now.” At the episode’s close, Whoopi Goldberg clarified that The View would return for a new season in September.

A source confirmed the hiatus is part of the show’s annual summer break, consistent with its usual practice of taking time off, such as the recent week-long Fourth of July break, with the hosts returning on July 7. ABC did not respond to requests for comment.

The announcement came a day after the Trump administration called for the show’s cancellation, following Behar’s on-air claim that President Trump was “jealous” of former President Barack Obama. 

A White House spokesperson retorted, “It’s no surprise that The View’s ratings hit an all-time low last year. [Behar] should reflect on her own jealousy of President Trump’s historic popularity before her show is the next to be pulled off air,” labeling Behar “an irrelevant loser.”

Fox News Outpacing CNN by Nearly 2M Viewers


Fox News Channel has solidified its position as the top-rated network across broadcast and cable, averaging 2.4 million viewers in primetime (Monday through Sunday) for the week of July 14-20, according to Nielsen Media Research. 

The network outperformed major competitors, including NBC (2.17 million viewers), CBS (1.96 million viewers), and ABC (1.91 million viewers), continuing its summer-long dominance. In stark contrast, CNN lagged significantly with just 498,000 viewers, trailing even HGTV’s 586,000.

Fox News’s late-night program Gutfeld! further underscored the network’s strength, particularly on July 17 and 18, amid CBS’s announcement to retire The Late Show franchise. On those nights, Gutfeld! drew 3 million and 2.8 million viewers, respectively, surpassing The Late Show with Stephen Colbert’s 1.96 million viewers for the week. Notably, Gutfeld! attracted 365,000 viewers in the coveted 25-54 age demographic on July 17, followed by 262,000 the next night. 

Fox News has commanded the highest ratings among broadcast and cable networks in primetime since Memorial Day, averaging nearly 3 million viewers. Last week, it captured 62% of the cable news audience in both primetime and total day viewing. The network’s dominance extends beyond the summer, having held the top spot in basic cable for eight consecutive years and remaining the most-watched television news channel for over 23 years. 

Nielsen data indicates that Fox News attracts nearly 70% of the cable news viewing audience, reinforcing its unparalleled reach in the competitive media landscape.

L-A Radio: ESPN 710 Resigns Mason & Ireland


ESPN has announced a multi-year agreement with Steve Mason and John Ireland, co-hosts of the long-running KSPN ESPN Los Angeles (710 AM) show Mason & Ireland. The duo, who have worked together for more than 30 years, will continue delivering afternoon drive entertainment to Southern California sports fans through Super Bowl LXI, which will air on ESPN and ABC. Mason & Ireland is a flagship program on ESPN LA, the radio home of the Lakers, USC, Kings, LAFC, and Angels.

Since arriving to ESPN LA in 2005, the duo have remained a cornerstone of the Los Angeles sports media landscape, known for its candid commentary, celebrity guests and deep connections to local teams. The show showcases Mason’s passionate fandom and Ireland’s insight from his longtime role as the Los Angeles Lakers’ radio play-by-play voice.

“We’re thrilled to continue our partnership with Steve and John,” said David Roberts, ESPN Executive Vice President, Executive Editor, Sports News and Entertainment. “They bring energy, humor, and perspective that resonate with listeners across Los Angeles. There’s nothing quite like Mason & Ireland in the market or in sports radio.”

 “I’m incredibly grateful to continue this amazing ride with ESPN and our loyal listeners,” said Steve Mason. “It’s an honor to do what I love every day with people I respect and a city I love.”

"I'm incredibly thankful to continue our run.  If you would have told me 20 years ago that Mason and I would get to talk sports, on ESPN Radio, in Los Angeles, for more than two decades--I would have called you crazy,” added John Ireland. “Those kind of runs rarely happen in radio.  But my dad used to tell me: "you have Irish luck--take advantage of it."  And the truth is, we've been ridiculously lucky to work here with people we love, and to do it for a great audience."

Mason & Ireland airs weekdays from 12 to 3 p.m. PT on ESPN LA, streaming on the ESPN LA app. The show is also simulcasted on YouTube on the ESPN LA feed.

Boston TV: WBZ Announces Buyouts Amid Staff Changes


WBZ-TV has offered voluntary buyouts to several photographers and engineers, the International Brotherhood of Electrical Workers (IBEW) Local 1228 confirmed on Thursday. 

The announcement follows the high-profile layoff of Emmy-winning health reporter Dr. Mallika Marshall and coincides with veteran reporter Beth Germano’s decision to retire next month after nearly three decades at the station.

The Boston Globe reports Fletcher Fischer, business manager and financial secretary for IBEW Local 1228, revealed that the buyouts target six photographers and three engineering department employees. The union currently represents 36 workers at WBZ, a smaller presence compared to other Boston stations like WHDH-TV (95 workers) and WCVB-TV (90 workers). 

Employees have until August 15 to accept the buyout offers, with departures expected in September. Fischer expressed uncertainty about whether the station plans to eliminate these positions permanently or replace them with lower-cost or younger staff. 

Beth Germano
The buyouts come during a period of upheaval for WBZ’s parent company, CBS News, and its parent, Paramount Global. On Thursday, the FCC approved Paramount’s $8 billion merger with Skydance Media, a deal long in the making. Paramount has also faced recent scrutiny, including a $16 million settlement with former President Donald Trump over an edited 60 Minutes segment and the cancellation of The Late Show with Stephen Colbert. 

Fischer speculated that the buyouts may be tied to the merger and broader corporate challenges, though neither WBZ nor Paramount responded to requests for comment.

Meanwhile, Beth Germano, a WBZ reporter since 1996, announced her retirement, effective August 15. The 64-year-old emphasized that her decision was voluntary and unrelated to the buyouts. “This is entirely my choice,” Germano said in an interview, describing the timing as coincidental. 

“Life is a series of chapters, and I feel it’s time to start a new one.” Germano, who has covered regional stories as a roving reporter and previously worked at WCVB-TV, New England Cable News, Monitor Cable Channel, WLVI-TV, and WGBH-TV, reflected on her career with gratitude, calling it “the most wonderful” experience.

NPR and PBS Donations Surge


The public broadcasting system in the United States last week was hit with a monumental upheaval when Congress voted to eliminate approximately $535 million in annual federal funding for the Corporation for Public Broadcasting (CPB), which supports PBS, NPR, and hundreds of local public radio and television stations nationwide. 

The decision, representing a near-total defunding of the CPB, has sent shockwaves through the public media landscape, threatening the financial stability of stations that rely on these grants to deliver educational, cultural, and journalistic programming to communities across the country.

In response, a remarkable outpouring of public support has emerged, with listeners and viewers rallying to bolster public media through a surge in grassroots donations. Over the past three months, as the threat of funding cuts loomed, an estimated 120,000 new donors have stepped forward, contributing roughly $20 million in annualized giving, according to Michal Heiplik, president and chief executive of the Contributor Development Partnership, a firm specializing in public media fundraising data. 

Overall, donations committed to public media for the year have risen by approximately $70 million compared to the previous year, reflecting a significant increase in public engagement.

While these figures are heartening, Heiplik cautioned that they fall far short of closing the $535 million gap left by the federal cuts. For many stations, particularly those in rural or underserved areas, CPB grants constitute a critical portion of their operating budgets, often funding essential services like local news, educational programming, and community outreach. Without this support, scores of stations may face severe financial strain, with some at risk of reducing services, laying off staff, or even ceasing operations entirely.“It’s an encouraging start, but we’re nowhere near replacing the lost federal funding,” Heiplik said.

 “The next few weeks will be critical in determining whether this momentum can grow to sustain the system.”

Some stations reported unprecedented giving in the immediate aftermath of the cuts. Amanda Mountain, president and chief executive of Rocky Mountain Public Media, a PBS and NPR member network serving Colorado, reported that her organization received 6,620 donations between Friday and Sunday alone, including 1,000 from first-time contributors. Among these was a transformative $500,000 gift from a single donor, underscoring the depth of commitment among public media supporters.

This wave of generosity reflects the unique role public broadcasting plays in American life. PBS and NPR stations are often trusted sources of in-depth journalism, educational content, and cultural programming, from investigative reports and documentaries to children’s shows like Sesame Street.

MPR’s Parent Announces Layoffs Due to Funding Cuts


American Public Media Group (APMG), the parent organization of MPR News, announced Thursdayplans to reduce its workforce by 5 to 8 percent and implement additional cost-saving measures in response to a $6 million budget shortfall triggered by significant cuts in state and federal funding.

APMG, which employs approximately 500 people, described the layoffs as part of a broader strategy to address financial challenges while maintaining its commitment to public media.

In a staff meeting and subsequent statement to MPR News, APMG leadership outlined the difficult steps ahead. “While we are in a relatively strong financial position compared to other public media organizations, these cuts are substantial,” said Roycie Eppler, APMG’s chief people and culture officer.

“We are implementing cost-saving measures, including reductions in employee benefits and a strategic reduction in force over the coming weeks. We are approaching these decisions with care and respect and will keep our team informed as details are finalized.”

The budget deficit stems from two major funding reductions. First, a federal bill eliminated $1.1 billion in previously allocated funding for the Corporation for Public Broadcasting, which provides approximately 6 percent of MPR’s annual budget. 

Additionally, Minnesota’s state budget slashed $1 million annually from MPR’s allocation for cultural heritage and legacy programming, reducing the total to $2 million through June 2027, down from $4 million in the prior budget cycle.In fiscal year 2023, the most recent year with available financial data, APMG reported operating expenses of $117 million against revenue of $108 million, relying in part on restricted endowment accounts to bridge the gap. The new funding cuts exacerbate this financial strain, prompting the organization to evaluate cost reductions across its operations.

APMG oversees a diverse portfolio, including MPR News, radio stations like The Current and YourClassical, and the nationally syndicated business program Marketplace. Leadership indicated that it is still determining which departments and roles will be affected by the layoffs, with notifications expected by mid-August. Impacted employees will be offered severance packages and outplacement services to support their transition.

Trump Signs Public Media Defunding Bill Into Law


President Donald Trump Thursday signed three significant pieces of legislation into law, with one of the most notable being the 2025 rescission package. 

This long-anticipated package aims to reduce federal spending by rescinding previously appropriated funds, aligning with the administration’s broader fiscal policy objectives. The rescission package, passed by Congress earlier in July 2025, targets funding for several programs, most prominently the United States Agency for International Development (USAID) and the Corporation for Public Broadcasting (CPB), which supports public radio and television outlets such as National Public Radio (NPR) and the Public Broadcasting Service (PBS).

The 2025 rescission package is a key component of the Department of Government Efficiency’s aggressive cost-cutting measures, designed to streamline federal expenditures and reduce budgetary waste. By canceling funds that Congress had previously allocated, the package reflects a strategic effort to reallocate resources and prioritize fiscal restraint. Among the cuts, the legislation significantly reduces funding for USAID, an agency responsible for administering civilian foreign aid and development assistance globally. 

Additionally, the package eliminates $1 billion in funding for the Corporation for Public Broadcasting, a move that has sparked debate due to its impact on publicly funded media organizations that provide educational, cultural, and informational programming across the United States.

The rescission package’s passage through Congress earlier this month was met with both support and criticism. Proponents argue that the cuts are necessary to address inefficiencies in federal spending and redirect resources to higher-priority areas. Critics, however, contend that defunding programs like USAID could undermine U.S. global leadership in humanitarian aid and development, while slashing CPB funding may jeopardize access to independent, publicly supported media, particularly in underserved communities.

'Static' Revenue Forcing Buyouts At Gannett


Gannett Co. Inc., the largest U.S. newspaper publisher and parent company of USA Today and over 200 other publications, including The Arizona Republic, The Detroit Free Press, and The Indianapolis Star, is offering voluntary buyout packages to employees.

In a Thursday memo to staff, obtained by Deadline Detroit, CEO Mike Reed stated, “Given our static revenue trends, we need to adjust our organization to meet current business needs and ensure sustainable growth, leveraging AI and automation for efficiencies.” 

Gannett’s revenue has steadily declined, dropping from $3.21 billion in 2021 to $2.51 billion in 2024.

Reed noted that the voluntary severance package aims to reduce costs while pursuing revenue growth.

Eligible employees must accept the offer by July 30 and work through September 5. Gannett did not immediately provide details on the buyout terms to TheWrap.

The company’s workforce has already shrunk significantly, with 8,900 employees at the end of 2024, an 11% decrease from the previous year and a 20% drop from 2022. Chief Communications Officer Lark-Marie Antón reinforced Reed’s focus on innovation, stating, “As Gannett pursues revenue growth, we’re making strategic decisions to embrace automation and adapt our cost structure. This voluntary severance provides flexibility to drive improvement while valuing our employees.”

News Agencies Express Concern for Journalists In Gaza


BBC News, alongside leading news agencies Agence France-Presse (AFP), Associated Press (AP), and Reuters, issued a joint statement expressing grave concern for journalists in Gaza, who are struggling to feed themselves and their families amid dire conditions.

The statement highlighted that these local journalists, serving as “the world’s eyes and ears” in Gaza for months, now face starvation and the same hardships as the people they report on. It noted that Israel bars foreign media, including BBC News, from entering Gaza, making international outlets dependent on local reporters. 

The statement read: “We are desperately concerned for our journalists in Gaza, who are increasingly unable to feed themselves and their families. They endure many deprivations in warzones, and we are deeply alarmed that starvation is now among them. We urge Israeli authorities to allow journalists in and out of Gaza and ensure adequate food supplies reach the population.”

This follows warnings from over 100 aid organizations and human rights groups about mass starvation in Gaza. Separately, Médecins Sans Frontières (MSF), Save the Children, and Oxfam reported that their staff and the communities they serve are “wasting away.” 

Israel, which controls aid entry into Gaza, has accused these charities of “serving the propaganda of Hamas.”

Texas Hall of Fame Unveils 2025 Finalists


The Texas Radio Hall of Fame (TRHOF) has unveiled the fifty finalists eligible for induction into its 2025 Class, alongside a new slate of honorees to be inducted under its newly introduced Lonestar Legacies category. The announcement marks the beginning of the final voting process, which is now open to TRHOF voting members at www.TRHOF.net and will continue through midnight on Thursday, August 7.

This year's ballot was narrowed down from more than 160 broadcast professionals who were nominated for consideration. The TRHOF's Internal Review Committee evaluated the submissions and recommended the final fifty nominees, from which voting members will select twenty individuals to be honored at the annual Induction Ceremony on November 1 at the Texas Broadcast Museum in Kilgore.

In a new tradition launching this year, the Hall of Fame has introduced the Lonestar Legacies designation to recognize late broadcasters whose contributions to Texas radio continue to resonate. TRHOF Executive Director Doug Harris explained the importance of keeping the memory of these influential voices alive.

"With the passing of each year," Harris said, "the voting membership's familiarity with some of the most accomplished and influential figures in Texas Radio history fades a bit more. Our Lonestar Legacies, selected by an ad hoc committee of TRHOF board members and advisors from our 2025 submissions, have earned their rightful place on the diadem of our Hall of Fame crown."

The inaugural Lonestar Legacy inductees are:Alberto Alegre Calvo
  • Randy Lemmon
  • Gary Mason (Aycock)
  • Susan O'Donnell
  • Tom Perryman
These five honorees will be inducted alongside the twenty individuals selected through member voting.