Saturday, October 18, 2025

Radio History: Oct 19


Bern Bennett
➦In 1921...Announcer Bern Bennett born (Died at age 92 – May 29, 2014). For nearly sixty years, beginning in 1944, Bennett was a staff announcer at CBS Radio and television. In the 1940s and 1950s, he was closely associated with Bud Collyer, as announcer on three Collyer-hosted game shows, Winner Take All, Beat the Clock, and To Tell the Truth, all produced by Mark Goodson and Bill Todman.

Other radio programs for which Bennett was the announcer included This Is Broadway, School of the Air and Breakfast With Burrows. In 1960, he was host of Upbeat Saturday Night, a 30-minute program featuring live jazz music on CBS radio.

In 1937...the radio classic, “Big Town“, made its debut on CBS radio. Star reporters at the Illustrated Press, Steve Wilson and Lorelei Kilbourne, were played by Edward G. Robinson and Claire Trevor. In 1942 they were succeeded by Edward Pawley and Fran Carlon, who carried the show for most of its 14 year run.

Julius LaRosa
In 1953...Julius LaRosa was fired live on-air by Arthur Godfrey.

La Rosa was on Godfrey's shows from November 19, 1951 to October 19, 1953. When Archie Bleyer, Godfrey's bandleader, formed Cadence Records in 1952, the first performer signed was La Rosa. Cadence's first single, which was also La Rosa's first recording, was "Anywhere I Wander." It reached the top 30 on the charts, and his next recording, "My Lady Loves To Dance", was a moderate success.

After La Rosa's third recording, and a dispute with Godfrey over his failure to attend a Godfrey-mandated dance class required of all cast members, La Rosa hired his own agent and manager: Tommy Rockwell.

With hit recordings and his appearances on Godfrey's shows, La Rosa's popularity grew exponentially. At one point, La Rosa's fan mail eclipsed Godfrey's. A year after La Rosa was hired, he was receiving 7,000 fan letters a week.  Godfrey did not react well to LaRosa hiring Rockwell as his manager. After consulting with CBS President Frank Stanton, on the morning of October 19, 1953 (in a segment of the show broadcast on radio only), after La Rosa finished singing "Manhattan" on Arthur Godfrey Time, Godfrey fired La Rosa on the air, announcing, "that was Julie's swan song with us." La Rosa tearfully met with Godfrey after the broadcast and thanked him for giving him his "break".

In 1970, he became a very successful and amiable disc jockey at one of America's biggest radio stations in the top market, Metromedia's WNEW 1130 AM in New York City.

In 1958...Brenda Lee, still weeks short of her 14th birthday, recorded a Johnny Marks song destined to become a seasonal classic, ‘Rockin’ Around the Christmas Tree.’ Floyd Cramer played piano for the Nashville session, Boots Randolph was on sax.

In 1975...Phillips Haynes Lord died at age 73 (Born - July 13, 1902). He was a radio program writer, creator, producer and narrator as well as a motion picture actor, best known for the Gang Busters radio program that was broadcast from 1935 to 1957.

His thirty-minute program ran on Wednesday nights at 10:00 p.m. on CBS radio and opened with the portentous sounds of machine gun fire, police whistles screaming and tires screeching, causing the phrase "coming on like gangbusters" to be coined. Copied years later by the television show America's Most Wanted, each episode of Gang Busters had up-to-the-minute reports of criminals wanted by the FBI or other law enforcement officials, many of whom were later arrested due to tips from listeners.

The Gang Busters radio show was an enormous long-running success with 1,008 radio broadcasts over twenty-one years from July 20, 1935, to November 20, 1957.  In 1998, Gang Busters was part of the 30-hour audio cassette called CBS's 60 Greatest Old-Time Radio Shows.

In 1985...the very first Blockbuster video rental store opened in Dallas, Texas. At its peak, Blockbuster had over 9,000 stores worldwide. Today, just one remains in Bend, Oregon.

In 1991...Grant Turner, WSM-AM Nashville and Grand Ole Opry announcer for 49 years, died at the age of 79.

Cumulus Media Sues Nielsen


Cumulus Media Friday filed a federal antitrust lawsuit against The Nielsen Company in the U.S. District Court for the Southern District of New York, accusing the ratings giant of wielding its monopoly power through “coercive conduct, strong-arm tactics, and restrictive terms” that harm radio broadcasters and stifle competition in the audience measurement market.

Core Allegations:

The lawsuit centers on Nielsen’s September 2024 “Tying Policy,” which ties access to national radio ratings to mandatory purchases of local ratings data in every market where a broadcaster operates. For Cumulus, this means that if even one of its local stations opts out of Nielsen’s local data product, the entire market is excluded from Westwood One’s national ratings. 

This forces Cumulus into a dilemma: overpay for unwanted data or risk losing advertising revenue and market share, threatening the viability of its Westwood One network.

Cumulus calls this a “textbook abuse of monopoly power,” alleging Nielsen uses its dominance—100% market share in 75 of Cumulus’s 80 local markets and a total monopoly on national ratings—to impose “supracompetitive prices” and block competitors like Eastlan Ratings. 

Eastlan, the only rival in some local markets, offers lower prices and methodological improvements but struggles against Nielsen’s control over essential ratings data.

The complaint cites a July 25, 2025, call where Nielsen Audio Managing Director Rich Tunkel reportedly admitted that national ratings without full geographic coverage would be “Swiss cheese” and not a “useful” product, underscoring the tying arrangement’s intent. After Cumulus sent a cease-and-desist letter on August 18, Nielsen’s September 16 response allegedly offered two hollow options: a Nationwide product at nearly ten times the current price or limited market access at prohibitive costs.

Cumulus calls this “window dressing” designed to maintain the anticompetitive status quo.

Broader Impacts: Price Hikes and Declining Quality

Cumulus alleges Nielsen has raised prices without justification, including a 36% increase on national ratings in 2022 and consistent local ratings fee hikes. Meanwhile, service quality has declined, with over 50 reported issues in 2025, including delayed data, unrecorded intervals, and reissued reports. 

The lawsuit also criticizes Nielsen’s 2022 “Subscriber First Policy,” which excludes non-subscribing stations from summary-level data, deceiving advertisers and agencies who expect comprehensive market insights. 

Why It Matters:  The lawsuit highlights Nielsen’s alleged stranglehold on radio ratings, which Cumulus says inflates costs, suppresses innovation, and harms broadcasters and advertisers. By targeting competitors like Eastlan, Nielsen’s tactics threaten market choice. The case could reshape how audience measurement operates, with implications for the broader media industry.

Strike At Pittsburgh Post-Gazette Reaches 3 Years


Three years ago today, journalists and newsroom staff at the Pittsburgh Post-Gazette (PG), represented by the Newspaper Guild of Pittsburgh (TNG-CWA Local 38061), walked off the job in an unfair labor practice strike.

Theaction was in solidarity with production, distribution, advertising, and other non-newsroom unions that had already struck earlier that month after the company unilaterally terminated their health insurance benefits on October 1, 2022. The Guild's strike specifically protested the company's bad-faith bargaining, illegal unilateral changes to working conditions (starting as early as July 2020), and violations of federal labor law under the National Labor Relations Act. 

At the time, about 60 of the Guild's roughly 95 members participated, though some chose to continue working while others crossed the picket line (the union maintains a public "scab list" of those individuals).

The strike stemmed from a contract dispute that began in 2017, when the previous agreement expired. Negotiations dragged on for years amid accusations of stalling tactics by PG management. In 2020, the company declared an impasse and imposed its "last, best offer," slashing benefits like health care premiums, vacation time, and seniority protections—moves later ruled illegal by the National Labor Relations Board (NLRB). 

The Guild filed ULP charges, leading to hearings before an administrative law judge in September-October 2022, who ruled in January 2023 that the PG had bargained in bad faith for over five years.

The Newspaper Guild of Pittsburgh represents about 100 newsroom professionals, including reporters, editors, photographers, artists, designers, and page designers. 

Initially, five unions struck together, representing over 100 workers across departments. However, by March 2025, production and advertising unions (CWA Locals 14842 and 14827, and the Printing Packaging & Production Workers Union) accepted buyouts—26 weeks of severance plus extras for commission-based staff—dissolved their locals, and ended their strikes, eliminating 31 jobs as the PG outsourced printing to the Butler Eagle. The Teamsters (distribution) settled similarly in April 2024. As of October 2025, only the Guild's ~30 remaining strikers (down from ~120 total initial strikers across unions) are still on the line, making this the longest ongoing strike in the U.S.

Journalists Finding Second Life On Substack


On Friday, TheWrap, highlighted a growing trend: prominent TV journalists—once bound by corporate newsrooms, rigid schedules, and editorial oversight—are thriving on Substack by building direct, subscriber-funded businesses. This "second life" allows them to scale their personal brands into full media operations, often with more authenticity and flexibility than traditional cable news offered. It's part of a broader media exodus driven by declining TV ratings, layoffs, and frustrations with network politics, especially amid post-2024 election shifts like conservative-leaning appointments at major outlets.

Viewers increasingly turn to podcasts, influencers, and newsletters for unfiltered takes. Substack's politics category—its most lucrative—has boomed with anti-Trump content, as audiences seek voices uncompromised by "both-sides" mandates.

On Substack, creators own their content, audience lists, and revenue (after a 10% platform fee). No more "pancake makeup" in sterile studios; many now broadcast from home setups, fostering intimacy that builds loyalty.

Several high-profile exits have turned into Substack wins, with many adopting a "video-first" approach to leverage their on-air charisma. Here's a rundown of notable transitions:


These aren't isolated cases. Others like Megyn Kelly (independent podcaster with Substack ties) and Chris Matthews (video-forward posts) are porting audiences, while veterans like Dan Rather have long earned $500K+ annually on the platform through steady, reflective writing.

Norfolk Radio: The Wordens Exit WNOB-FM

Eric, Julianne Worden

Longtime Norfolk radio personalities Eric and Julianne Worden were let go from Sinclair Communications on Thursday, as part of widespread budget cuts impacting multiple staff members. 

The husband-and-wife duo, who shaped the Hampton Roads airwaves for nearly four decades, were informed immediately after Eric’s morning show on 93.7 BOB FM (WNOB) that it would be their last day. Nick Chappell, Program Director and afternoon host at Alternative WROX-FM (96X), will take over WNOB’s morning slot.

Eric, a second-generation broadcaster, hosted mornings on WNOB for over 35 years, blending classic hits with humor that made him a local icon. Julianne, who joined Sinclair in 1988, served as General Sales Manager for the Norfolk cluster and Program Director for news/talk stations 790 WNIS and WTAR/W243EK. 

Their abrupt departure follows the death of Sinclair owner Bob Sinclair Sr. in May 2025, which left the company, now led by Bob Sinclair Jr., navigating financial strain and transition.

Remote News Service Expands Network with New Affiliate Groups


Remote News Service (RNS), a leading provider of high-quality broadcast news, has significantly expanded its reach by adding six new affiliate groups to its rapidly growing network. 

This strategic expansion strengthens RNS's presence across diverse markets in the United States, delivering localized and state-level news coverage through trusted anchors and partnerships with prominent media companies.

New Affiliates and Anchors
  1. Palm Springs, CA – Connoisseur Media Connoisseur Media’s Palm Springs market has joined the RNS network, with stations KNWZ AM, KPSI FM, and KDGL FM now featuring news coverage anchored by John Cruz. This addition brings RNS’s professional news delivery to Southern California listeners, enhancing local programming with timely and relevant updates.
  2. Sheboygan, WI – Midwest Communications In Sheboygan, Wisconsin, Midwest Communications’ WHBL AM/FM has partnered with RNS to provide news updates anchored by Stace Keen. This collaboration ensures that listeners in the Sheboygan area receive comprehensive and engaging news content tailored to their community.
  3. Waukesha, WI
    – Civic Media Civic Media’s WAUK AM in Waukesha, Wisconsin, has welcomed RNS CEO and veteran anchor Lesley Lotto as its State News Anchor. Lotto’s expertise bolsters WAUK’s state-wide news coverage, offering listeners in-depth reporting on Wisconsin’s most pressing issues. Chris Moreau, Civic Media’s Regional President for Southern Wisconsin, praised the partnership, stating, “Lesley and Remote News have been instrumental in expanding our state coverage and elevating our on-air presence. By seamlessly integrating our needs into their operations, RNS has become an invaluable resource and asset to WAUK and Civic Media’s growing news platform.”
  4. Fredericksburg, VA – Telemedia In Fredericksburg, Virginia, Telemedia’s WGRX FM and WGRQ FM have joined the RNS network, with news anchor Kristie King (McIntyre) delivering updates to listeners. This partnership enhances Telemedia’s ability to provide high-quality, localized news to the Fredericksburg community.
  5. Reading, PA – Treese Media Group RNS has expanded into Reading, Pennsylvania, through a partnership with Treese Media Group’s WEEU AM. Anchor Freddi Hammer will provide news coverage, bringing RNS’s signature professionalism and reliability to listeners in the Reading market.
  6. Monticello, NY – Bold Gold Media RNS CEO Lesley Lotto will also return to anchoring duties with Bold Gold Media, this time in Monticello, New York. Lotto will deliver news across four stations: WDNB FM, WSUL FM, WVOS FM, and WVOS AM. This marks a continued collaboration between RNS and Bold Gold Media, further solidifying their shared commitment to quality journalism.
A Growing Network with a Focus on Customization Remote News Service’s expansion reflects its dedication to providing tailored news solutions that meet the unique needs of its affiliate stations. By combining experienced anchors with cutting-edge technology, RNS ensures that its partners can deliver high-quality, localized news content to their audiences. 

The addition of these six affiliate groups underscores RNS’s commitment to growth and innovation in the broadcast news industry.

For More Information For inquiries about Remote News Service or to explore partnership opportunities, contact Lesley Lotto, CEO of Remote News Service, at lesley@remotenewsservice.com.

Apple Poaches Formula One Racing From Disney


Apple has secured a five-year deal for the U.S. broadcast rights to Formula One races, expanding its live sports offerings on Apple TV. 

Starting in 2026, races will be streamed on the platform, with F1 TV Premium, Formula One’s own streaming service, also available to U.S. subscribers via Apple TV.

Financial details were not disclosed, though The Wall Street Journal reported Apple’s bid could reach $150 million annually. 

Brad Pitt
“We share a vision to bring this incredible sport to U.S. fans and attract new audiences through live broadcasts, engaging content, and a year-round approach to keep them engaged,” said F1 CEO Stefano Domenicali. The announcement came ahead of the U.S. Grand Prix in Austin, Texas.

Apple’s investment in Formula One follows its 2025 Brad Pitt film F1, which grossed nearly $630 million worldwide. The company previously signed a 10-year, $2.5 billion deal with Major League Soccer in 2022 and holds rights to select Major League Baseball games. 

Unlike traditional sports rights deals, Apple prefers full control over a sport’s broadcast. “We’d like to own a sport, end to end,” said Eddie Cue, Apple’s senior VP of services, on The Town podcast, emphasizing a seamless viewing experience without blackouts or fragmented rights.

The current F1 broadcasting agreement with ESPN, valued at approximately $90 million per year, concludes after the 2025 season. ESPN encouraged F1 to explore other partners when its exclusive negotiation period ended in 2024.

And The Daytime Emmy Winners Are...


The 52nd Annual Daytime Emmy Awards took place Friday, at the Pasadena Civic Auditorium in Pasadena, California, hosted by Mario Lopez of Access Hollywood. The ceremony honored excellence in daytime television, including soap operas, talk shows, lifestyle programming, and documentaries.

This year marked several milestones: it was a single-night event (no separate Creative Arts ceremony), introduced three new categories, and saw historic wins, such as Sir David Attenborough becoming the oldest-ever Emmy winner at age 99, surpassing Dick Van Dyke's record from 2024.


General Hospital dominated the night with a leading seven awards, repeating as Outstanding Daytime Drama Series.  Here are the key winners:


Other top winners included The Secret Lives of Animals and The Drew Barrymore Show (three awards each), Disney Parks Magical Christmas Day Parade, Black Barbie, and Live with Kelly and Mark (two each). Deborah Norville received the Lifetime Achievement Award for her 30-year tenure anchoring Inside Edition. The event streamed live on The Emmys app and watch.TheEmmys.tv.


Other Notable Wins
  • Outstanding Daytime Personality/Hosted Program: The Drew Barrymore Show.
  • Outstanding Informational Series: The Secret Lives of Animals (three wins total).
  • The ceremony ended early by 10 minutes and featured multilingual speeches, tributes to Days of Our Lives' 60th anniversary, and discussions on industry challenges like AI and job losses.

Edison Research: Q3 Top 50 Podcasts


Edison Research announces the Top 50 Podcasts in the U.S. based on reach for Q3 2025 among weekly podcast consumers ages 13+. The list ranks podcasts based on total audience reach from Edison Podcast Metrics.

The top four podcasts remain in the same rank order as Q2 2025: The Joe Rogan Experience, Crime Junkie, The Daily, and Call Her Daddy. SmartLess moves up one spot from Q2 to round out the top five. The rankings below show rank changes noted in parentheses.

  1. The Joe Rogan Experience  
  2. Crime Junkie  
  3. The Daily 
  4. Call Her Daddy   
  5. SmartLess (+1)
  6. This Past Weekend w/Theo Von (-1)  
  7. New Heights with Jason & Travis Kelce (+3)
  8. Dateline NBC (-1)
  9. Morbid (+9)
  10. Stuff You Should Know (-2)

In the Top 20 for the first time: The Meidas Touch Podcast (#14) enters the Top 20 for the first time. Meidas Touch did overtake The Joe Rogan Experience in the YouTube podcast rankings at one point this quarter — note that the YouTube chart is ranked by watch time, not by reach. The Charlie Kirk Show (#17) sees a 32-rank increase from #49 in Q2. Since Kirk’s passing on September 10, the show has continued to release new episodes.

In the Top 50 for the first time: On Purpose with Jay Shetty enters the Top 50 for the first time at #42, perhaps buoyed by his 9/11 appearance on The Today Show.

Other notable moves: New Heights with Jason & Travis Kelce gets a bump from the Taylor Swift guest appearance. Candace (#28) rises at least partially because of her return from a maternity break in late June. The Pat McAfee Show hits an all-time high ranking of #26, up from #39 in Q2, while another sports-focused pod, The Bill Simmons Podcast, increases rank position to #36 from #67, timed with the start of football season. Bubbling under the Top 50 are Diary of a CEO (#51) and Giggly Squad (#52).

Interviews were conducted continuously throughout the quarter in English and Spanish. Rankings are based on average weekly consumption over the full period. All respondents reported listening to a podcast or watching a podcast in the last week.  

MTV's Potential Shift to a Streaming-Only Future


MTV, the iconic cable network launched in 1981 as a 24/7 music video destination, is undergoing a dramatic transformation driven by the streaming revolution and Paramount Global's cost-cutting measures.

While it's not becoming a standalone "streaming channel" in the vein of a new Netflix-style service, recent announcements indicate a high possibility that MTV's traditional linear broadcast operations could largely dissolve by the end of 2025, with content migrating fully to streaming platforms like Paramount+ and Pluto TV. 

This move reflects broader industry trends where cable viewership has plummeted—down over 20% year-over-year in 2024—while streaming accounts for 40% of U.S. TV consumption. Analysts estimate a 70-80% likelihood of MTV completing this pivot within the next 12-18 months, as maintaining niche cable channels becomes financially unsustainable.

The Catalyst: Shutdown of MTV's Music Channels

In October 2025, Paramount Global confirmed the closure of five MTV-branded music channels—MTV Music, MTV 80s, MTV 90s, Club MTV, and MTV Live—across Europe, the UK, and international markets by December 31, 2025. 

This affects millions of subscribers and marks the end of linear music video programming in those regions, where channels once drew peak audiences in the 1990s and 2000s but now attract fractions of that (e.g., MTV Music UK averaged just 1.3 million monthly viewers in July 2025). 

The U.S. flagship MTV HD channel will persist, but with a sharpened focus on reality TV staples like Geordie Shore and Naked Dating UK, sidelining music entirely.  Observers predict similar cuts in Asia, Latin America, and the Middle East soon, as Paramount reallocates $500 million in savings to streaming infrastructure. 

As one analyst noted, "MTV is being reimagined for a streaming-first era," with the shutdown symbolizing how platforms like YouTube and TikTok have "killed" traditional music TV.


Streaming Integration: Already Underway, But Expanding 

MTV isn't vanishing—it's evolving into a digital-first brand. Content is already available via:

✔Paramount+: Full episodes of reality hits, VMAs archives, and exclusive music docs, bundled with CBS and Nickelodeon for $5.99/month (ad-supported).

✔Pluto TV: Free, ad-supported linear streams of MTV classics, mimicking a "virtual channel" experience.

✔Live TV Streamers: Services like Hulu + Live TV ($76.99/month), YouTube TV ($72.99/month), and Philo ($25/month) carry MTV's live feed alongside 70+ channels.This hybrid model allows MTV to reach cord-cutters without the overhead of cable carriage fees, which cost networks billions annually.

CRS Accepting Applications For Scholarship Program


Country Radio Broadcasters is now accepting applications for the Rusty Walker Scholarship Program for CRS 2026, scheduled for March 18-20 in Nashville. Three selected recipients will receive free registration, hotel accommodations, and airfare to the conference. Scholars will also be honored during the event.

The scholarship commemorates Rusty Walker, a Country Radio Hall of Fame inductee and former CRS board member. 

Launched in 2012 after his passing, it supports emerging radio professionals, continuing his legacy.

Eligible applicants must be full-time radio station employees attending CRS for the first time. They must submit an online application, including an essay of 500 words or less explaining their candidacy, by Wednesday, November 12. The application form is available on the Rusty Walker Scholarship page.

Additionally, CRS is accepting nominations for the 2026 Tom Rivers Humanitarian Award, honoring the late broadcaster Tom Rivers for his 17-year career and dedication to community and industry service. This award recognizes a country radio professional exemplifying generosity and community service.

Radio History: Oct 18


In 1922…The British Broadcasting Corporation (BBC) was established to monitor the development of the radio in Great Britain.

In 1928...Keith Max Jackson born in Roopville, GA.(Died at age 89 – January 12, 2018). Jackson was a sports commentator, journalist, author and radio personality, known for his career with ABC Sports (1966–2006). While he covered a variety of sports over his career, he is best known for his coverage of college football from 1952 until 2006, and his distinctive voice, "a throwback voice, deep and operatic. A voice that was to college football what Edward R. Murrow's was to war. It was the voice of ultimate authority in his profession. His trademark expression?  “Whoa Nelly!”

Keith Jackson
The son of a dirt farmer, Jackson was born in Roopville, Georgia and grew up on a farm outside Carrollton, near the Alabama state line.  He was the only surviving child in a poor family and grew up listening to sports on the radio. After enlisting and serving as a mechanic in the United States Marine Corps, he attended Washington State University in Pullman under the G.I. Bill.[8] Jackson began as a political science major, but he became interested in broadcasting.He graduated in 1954 with a degree in speech communications.

Though best known for his college football broadcasts, Jackson announced numerous other sports for ABC throughout his career, including Major League Baseball, NBA basketball, boxing, auto racing, PGA Tour golf, the USFL, and the Olympic Games. He briefly worked college basketball with Dick Vitale. Jackson also served as the pregame, halftime, and postgame anchor for ABC's coverage of Super Bowl XXII in 1988. During his on-air tenure, he is credited with nicknaming the Rose Bowl as "The Grandaddy of them All" and Michigan Stadium as "The Big House".

Jackson began his career as a broadcaster in 1952, when he called on radio a game between Stanford and Washington State. He then worked for KOMO radio in Seattle, and later for KOMO-TV from 1954 to 1964 as co-anchor for their first news team.

Jackson became a radio news correspondent for ABC News Radio and sports director of ABC Radio West in 1964 before joining ABC Sports in 1966.

In 1931…Inventor Thomas Alva Edison died at age 84 (Born February 11, 1847). He has been described as America's greatest inventor. He developed many devices in fields such as electric power generation, mass communication, sound recording, and motion pictures. These inventions, which include the phonograph, the motion picture camera, and the long-lasting, practical electric light bulb, have had a widespread impact on the modern industrialized world.  He was one of the first inventors to apply the principles of organized science and teamwork to the process of invention, working with many researchers and employees. He established the first industrial research laboratory.

Edison was raised in the American Midwest; early in his career he worked as a telegraph operator, which inspired some of his earliest inventions. In 1876, he established his first laboratory facility in Menlo Park, NJ, where many of his early inventions were developed. He later established a botanic laboratory in Fort Myers, FL in collaboration with businessmen Henry Ford and Harvey Firestone, and a laboratory in West Orange, New Jersey that featured the world's first film studio, the Black Maria. He was a prolific inventor, holding 1,093 US patents in his name, as well as patents in other countries. Edison married twice and fathered six children. He died of complications of diabetes.

In 1943...Perry Mason was first heard on CBS Radio Network. The 15-minute continuing series aired weekdays until December 30, 1955. Geared more towards action than courtroom drama, it mixed mystery and soap opera, with attorney Perry Mason sometimes even exchanging gunfire with criminals.

Erle Stanley Gardner's literary success with the Perry Mason novels convinced Warner Bros. to try its hand, unsuccessfully, with some motion pictures. However, the Perry Mason radio show stayed on the air for 12 years.  Mason was played by Barlett Robinson, Santos Ortega, Donald Briggs and finally & most memorably by John Larkin as Perry Mason and Joan Alexander as Della Street. Larkin played the role the longest and was reportedly very disappointed when Raymond Burr got the role for TV in 1957.



In 1954…Six years after Bell Laboratories developed the first prototype, Texas Instruments announced the first production model of a transistor radio.  The small portable radio receiver used transistor-based circuitry. The mass-market success of the smaller and cheaper Sony TR-63, released in 1957, led to the transistor radio becoming the most popular electronic communication device of the 1960s and 1970s. Transistor radios are still commonly used as car radios. Billions of transistor radios are estimated to have been sold worldwide between the 1950s and 2012.

The pocket size of transistor radios sparked a change in popular music listening habits, allowing people to listen to music anywhere they went. Beginning in the 1980s, however, cheap AM transistor radios were superseded by devices with higher audio quality such as portable CD players, personal audio players, boomboxes, and (eventually) smartphones.

Friday, October 17, 2025

CBS News Standards Chief is Bari Weiss’ First Scalp


Claudia Milne, who has led standards and practices at CBS News since 2021, is leaving the network, marking the first major executive departure since Bari Weiss was named editor-in-chief. 

The exit coincides with broader changes following Skydance’s acquisition of Paramount Global, which included an FCC-mandated commitment to appoint an ombudsman. Kenneth R. Weinstein, former president of the right-leaning Hudson Institute, has been selected for that role.

In a memo to staff, Milne reflected on the challenges facing journalism today, writing, “We live in complicated times—for our company, our industry, and our country. And it’s times like this that what we do matters most.” 

Claudia Milne
She emphasized the role of journalists in holding power to account, urging her colleagues to continue questioning political leaders, social media giants, healthcare companies, and educational institutions, regardless of political affiliation. “Keep asking those tough questions, challenge those in authority, and keep informing the audience,” she wrote, defending CBS News’ commitment to fair, balanced, and unbiased reporting.

Weiss’ appointment, given her background as a New York Times opinion writer and founder of the center-right outlet The Free Press, has sparked speculation about the future direction of CBS News.  Milne’s memo subtly addressed these concerns, reinforcing the network’s journalistic integrity.

Milne joined CBS News in 2019 as managing editor of CBS This Morning, later taking on breaking news duties. In 2023, she co-led CBS News Confirmed, a unit focused on combating AI-generated deepfakes and misinformation. 

Cable News Maintain Strong Revenue, Led By FNC


In September 2025, major U.S. cable news networks—Fox News, CNN, and MSNBC—collectively generated an estimated $208 million in national television advertising revenue, according to data from EDO Ad EnGage, a leading analytics firm tracking ad performance. 

Despite evolving media consumption trends and growing competition from digital platforms, these networks continue to command significant advertising dollars, underscoring their enduring influence in the news landscape. 

Fox News led the pack, capturing more than half of the total revenue among the three, with an estimated $105.5 million in ad earnings for the month. The remaining revenue was split between CNN and MSNBC, though specific figures for these networks were not detailed in the estimates.

Breakdown of Revenue Performance

✔Fox News: The conservative-leaning network dominated the advertising market, pulling in $105.5 million. This performance aligns with Fox News's consistent lead in cable news viewership, often attributed to its loyal audience base and high-profile primetime hosts like Sean Hannity and Laura Ingraham. The network’s ability to attract advertisers is bolstered by its strong ratings, particularly during high-stakes news cycles such as election seasons or major national events.

✔CNN and MSNBC: While exact figures for CNN and MSNBC were not provided, the two networks shared the remaining $102.5 million. CNN, known for its global reporting and investigative journalism, and MSNBC, a hub for progressive commentary with hosts like Rachel Maddow, continue to draw advertisers targeting politically engaged audiences. Their revenue, while substantial, reflects their competitive but secondary positions relative to Fox News in the cable news ad market.

Each network caters to distinct ideological demographics—Fox News to conservative viewers, MSNBC to progressive audiences, and CNN to a more centrist or international base. Cable news audiences skew older, which limits appeal to advertisers targeting younger consumers. Pharmaceutical and financial services ads dominate, reflecting the 50+ demographic.

Fox News Digital Reaches Unique Visitors Milestone


FOX News Digital led all news brands with total desktop/mobile unique visitors (94.1 million) during the third quarter for the first time ever, according to Comscore.* Meanwhile, FOX News Digital continued to lead all news brands with both multiplatform views (13th consecutive quarter) and minutes (18th consecutive quarter). During the third quarter, FOX News Digital secured 11.4 billion total multiplatform minutes (up 10% over Q3 2024) and 5.6 billion total multiplatform views (up 5% over Q3 2024).*

Notably, FOX News Digital also surpassed broadcast networks NBC News, CBS News and ABC News across the board during the third quarter. CNN once again saw declines across the board with multiplatform views (down 44% vs. Q3 2024), multiplatform minutes (down 54% vs. Q3 2024) and average total desktop unique multiplatform visitors (down 29% vs. Q3 2024). The FOX News Mobile app drew 6.5 million average unique viewers during the quarter. ** Additional highlights include:

On YouTube, FOX News notched 1.1 billion video views for the quarter, according to Emplifi. FOX News led nearest competitor MSNBC by more than 200 million video views and also topped NBC, ABC and CBS combined. Year-over-year, FOX News was up 45% with YouTube video views and led competitors including MSNBC (848 million views), CNN (627 million views), NBC News (424 million views), ABC News (359 million views) and CBS News (163 million views). This marks the fourth consecutive quarter that FOX News surpassed all news brands on YouTube. FOX Business nabbed 166 million views on YouTube during the quarter.

In the month of September, FOX News Digital led news brands with multiplatform views and minutes.* Marking year-over-year gains across the board, FOX News Digital commanded 3.9 billion multiplatform minutes, 1.9 billion multiplatform views and 102 million total desktop/mobile multiplatform unique visitors in September.

FOX News was once again the most engaged brand on social media in the competitive set in Q3’25 driving 506 million interactions across Facebook, X, Instagram and TikTok, according to Emplifi. In fact, this was FOX News’ best quarter ever with social media interactions and video views. On TikTok, FOX News drew 2.2 billion engagements, an increase of 75% compared to the prior quarter, according to Shareablee. FOX News also drove 283 million interactions on Facebook (up 616% versus Q3’24), 97.9 million Instagram interactions (up 40% versus Q3’24) and 19.4 million X interactions (up 99% versus Q3’24).

FOXBusiness.com delivered a strong quarter with 634 million multiplatform minutes and 26 million average multiplatform unique visitors. The business network also drove 374 million multiplatform views, surpassing CNN Business and Forbes.com for the 14th and 16th consecutive quarters respectively.***

CRTC Deregulates Radio Broadcast Licenses


The Canadian Radio-television and Telecommunications Commission (CRTC)—Canada's independent regulatory authority for broadcasting and telecommunications—has announced a major modernization of radio processes, eliminating expiration dates for radio broadcast licenses. 

This deregulation, detailed in Broadcasting Regulatory Policy CRTC 2025-265, replaces the previous seven-year license renewal cycle with indefinite terms, shifting oversight to periodic compliance audits. 

The CRTC emphasized that this change will "save stations time and money on renewals," freeing broadcasters to focus on content creation and community service rather than administrative paperwork.

The decision stems from CRTC's broader effort to implement the modernized Online Streaming Act (Bill C-11), which updated Canada's Broadcasting Act in 2023. 

Input from broadcasters, music industry groups, and the public highlighted the renewal process's burdens: stations had to submit applications a full year before expiry, involving extensive documentation on programming, finances, and compliance. 

With most stations already in good standing—based on historical compliance data—the CRTC determined that routine audits would suffice to ensure adherence to rules like Canadian content quotas (e.g., 35% for popular music on commercial stations) and emergency alerting.

CRTC Chair Vicky Eatrides stated: "Radio helps keep communities informed, entertained, and connected. The CRTC is reducing the administrative burden on radio stations so that they have more time to deliver news and music to their communities." This aligns with global trends toward lighter-touch regulation, echoing U.S. Federal Communications Commission (FCC) discussions on easing ownership rules and public interest obligations.

Gilmore Girls' 25th Anniversary: A Surging Streaming Viewership


Gilmore Girls, the beloved WB dramedy created by Amy Sherman-Palladino, premiered on October 5, 2000, chronicling the fast-talking, coffee-obsessed lives of single mom Lorelai Gilmore (Lauren Graham) and her precocious daughter Rory (Alexis Bledel) in the quirky town of Stars Hollow. 

Known for its whip-smart dialogue packed with pop culture references, heartfelt mother-daughter dynamics, and autumnal vibes—think falling leaves, cozy sweaters, and endless mugs of joe—the show ran for seven seasons until 2007. 

A 2016 Netflix revival miniseries, A Year in the Life, extended its legacy, but it's streaming that truly revived and amplified its audience, turning it into a cultural phenomenon far surpassing its original broadcast success.

As the series marks its 25th anniversary in October 2025, it's experiencing a fresh wave of popularity, fueled by nostalgic rewatches, fan events, and new merchandise. But the real story lies in its streaming dominance, where it consistently ranks as a top comfort watch, especially during fall. 

Here's a break down of the current streaming audience trends:


📺Audience Demographics: Young, Female, and Devoted

✔The streaming crowd skews distinctly: Gender: Two-thirds female, aligning with the show's focus on intergenerational female relationships—from Lorelai and Rory's banter to Emily's (Kelly Bishop) sharp wit.

✔Age: Heavily 18-34 (35-56% of watch time), with a surge among Gen Z via TikTok trends like "Gilmore Girls autumn rewatches." This younger demo discovered the series through streaming, often bonding over it with parents or as a "cozy escape."

✔Engagement Style: Annual fall binges are ritualistic—fans debate start dates (Sept. 1 for back-to-school vibes or Oct. 1 for spooky-season coziness) on Reddit and Facebook.

Kim Komando To Host Radio Hall Induction Ceremony


The Museum of Broadcast Communications announced today that Kim Komando, 2021 RADIO HALL OF FAME inductee and one of America’s most successful self-syndicated radio hosts and digital media entrepreneurs, will be the Master of Ceremonies for the 2025 Radio Hall of Fame induction ceremony. The Radio Hall of Fame will recognize its 2025 class of inductees at the 2025 Radio Hall of Fame induction ceremony on Thursday, October 30, 2025, at the Swissotel Hotel, 323 E. Wacker Dr., Chicago, IL.

Tickets are on sale now at: www.radiohalloffame.com. A portion of ticket purchases is a tax-deductible charitable donation to the Museum of Broadcast Communications.

For more than 30 years, Kim Komando has been a trusted source for digital-lifestyle and technology news and conversation that helps improve individuals’ daily lives. Kim is best known for hosting her popular self-titled program, The Kim Komando Show, the largest weekend radio show in the country which airs across 420 radio stations to an estimated six million plus listeners. Kim is also host of the Daily Tech Update and Digital Life Hacks reports, heard on 390 radio stations across the U.S.

Kim Komando
Kim hosts a tech-business oriented radio show each week on SiriusXM. With more than 700,000 subscribers, The Current — Kim’s daily newsletter — commands one of the highest open rates in digital media. She has also been a columnist for USA Today since February 2002, and with the Daily Mail online and print publication since 2020.

Dennis Green, Co-Chair of the Radio Hall of Fame, said: “We are delighted to have Kim Komando serve as our MC for this year’s Radio Hall of Fame induction ceremony. Kim has been a visionary, trend-setter, and entrepreneur in the digital space before the explosion of all things digital. She has informed and educated audiences across the country like no one else in the genre and her Hall of Fame career shows no signs of slowing down. Kim was inducted in Chicago, and we are honored to have her back to host this year’s show.”

Kraig T. Kitchin, Co-Chair of the Radio Hall of Fame, said: “We’re grateful to Kim Komando for helping us to create a most special evening for each of our 2025 inductees. She knows the hard work and dedication it takes to achieve the recognition of such an induction.”

The Radio Hall of Fame was founded by the Emerson Radio Corporation in 1988. The Museum of Broadcast Communications took over operations of the Hall in 1991.

Trump Refiles $15B Defamation Lawsuit Against NYT


President Donald Trump filed a 40-page amended complaint in a U.S. District Court in Florida, reviving his $15 billion defamation lawsuit against The New York Times (NYT), book publisher Penguin Random House, and three NYT reporters: Russ Buettner, Susanne Craig, and Peter Baker. 

The refiling came exactly 28 days after U.S. District Judge Steven Merryday dismissed the original suit on September 19, 2025, for being excessively lengthy and non-compliant with federal pleading rules. 

The amended version adheres to Merryday's order limiting it to 40 pages and requiring a "professional and dignified manner."

Trump initially filed the lawsuit on September 12, 2025, in the U.S. District Court for the Middle District of Florida in Tampa, accusing the defendants of defamation through two 2024 NYT articles and a book titled The Making of a Myth: Trump's Empire and the American Dream, authored by Buettner and Craig and published by Penguin Random House. 

The suit alleged these publications, released in the lead-up to the 2024 presidential election, falsely portrayed Trump as building his fortune through fraud, suspect tax maneuvers, and ties to organized crime, thereby sabotaging his campaign and damaging his reputation as a businessman. Trump sought at least $15 billion in compensatory damages, plus punitive damages, calling the coverage a "decades-long pattern" of "intentional and malicious defamation."

The original 85-page complaint was criticized for including excessive praise of Trump, unrelated grievances, and political rhetoric—such as references to other media lawsuits and claims that the NYT acted as a "mouthpiece" for Democrats—before reaching the core defamation counts on pages 80 and 83. 

MSNBC's Rebecca Kutler Reveals Breast Cancer Diagnosis


Rebecca Kutler, the 46-year-old president of MSNBC, has publicly revealed that she has been diagnosed with breast cancer. 

She shared the news during an internal editorial call with MSNBC staff, after first informing network executives and top anchors like Rachel Maddow and Nicolle Wallace. 

Rebecca Kutler
Kutler, a mother of three, described her prognosis as good and anticipates being away from work for only a few weeks following surgery scheduled for next month (November 2025). 

She emphasized to her team the importance of prioritizing health amid a relentless news cycle, saying it was a reminder to "take care of themselves and their health."

Kutler, a veteran media executive, joined MSNBC in 2022 as senior vice president of content strategy after a long tenure at CNN, where she held roles in programming and digital strategy. She was appointed president in February 2025, succeeding Rashida Jones, who had led the network since 2021. 

Under her leadership, MSNBC has navigated significant changes, including a planned spinoff from NBCUniversal into a new entity called Versant by the end of 2025. As part of this, the network is set to rebrand as "MS NOW" (My Source for News Opinion and the World) starting October 20, 2025, to establish a distinct identity from NBC News and drop the peacock logo.

SiriusXMs Country Host Dallas Wayne Discloses Cancer Treatment

Dallas Wayne
Dallas Wayne, the beloved country singer-songwriter and SiriusXM radio host on Willie’s Roadhouse and Outlaw Country, recently opened up to fans about a personal health challenge. 

Wayne revealed he has been diagnosed with multiple myeloma, a blood cancer affecting plasma cells in the bone marrow.

His publicist announced that Wayne will temporarily step away from his radio duties to undergo an autologous stem cell transplant, a procedure where doctors use a patient’s own healthy stem cells to replace cancerous bone marrow.

In a message to fans, Wayne shared, “In the spirit of transparency, I want to let you all know I was diagnosed with multiple myeloma some time ago. I’ve been in treatment, and while there’s no cure, I’m on a promising path toward remission. My outlook is hopeful.” He added, “In the coming weeks, I’ll take a break from my radio show for an autologous stem cell transplant. I’m in the hands of an exceptional medical team, and I trust their expertise fully. I’ll need some time to rest and recover.”

Wayne expressed gratitude for his fans’ support, closing with, “Thank you for your understanding. I can’t wait to be back on the air and on the road soon! As we say daily on the radio, ‘Be safe, and be good to each other; it’s the right thing to do.’”

NOAA Climate Prediction Center: Seasonal Winter


The National Oceanic and Atmospheric Administration (NOAA) is a U.S. federal agency under the Department of Commerce responsible for understanding and predicting changes in the Earth's environment, including weather, oceans, and climate. 

Within NOAA, the Climate Prediction Center (CPC) serves as the primary hub for long-range climate forecasting. Based in College Park, Maryland, the CPC is a division of the National Weather Service (NWS) and employs a team of meteorologists, climatologists, and scientists—often referred to as "federal forecasters"—who analyze vast datasets from satellites, weather stations, ocean buoys, and computer models to produce probabilistic outlooks for temperature, precipitation, and drought conditions months in advance.

These forecasters use advanced tools like ensemble climate models (e.g., from the North American Multi-Model Ensemble) and monitor global drivers such as El Niño-Southern Oscillation (ENSO), the Madden-Julian Oscillation (MJO), and stratospheric polar vortex behavior. Their work helps sectors like agriculture, energy, water management, and emergency planning prepare for seasonal risks. 

The CPC updates its seasonal outlooks monthly, but the annual winter outlook is a flagship product released each October, covering the meteorological winter period of December through February (DJF).

The winter outlook is part of the CPC's broader seasonal forecast suite, which provides a "climatological perspective" rather than day-to-day predictions. It assigns probabilities (e.g., 40-60% chance) for above-, near-, or below-average conditions across the U.S. and beyond, based on historical patterns and current climate signals. Unlike short-term weather forecasts, it doesn't predict specific storm tracks, snowfall totals, or exact temperatures—those are too variable beyond 7-10 days. Instead, it highlights regional trends to guide preparedness.