Radio HIstory: Aug 24

➦In 1911...Durward Kirby born (Died at age 88 – March 15, 2000).  He was a radio, TV announcer/host, best remembered for The Garry Moore Show in the 1950s and Candid Camera, which he co-hosted with Allen Funt from 1961 through 1966.

Durward Kirby

By 1936, Kirby was an announcer for WLW in Cincinnati, Ohio. In 1937, an Associated Press news story reported that Kirby "made a name for himself" with his reporting on the Ohio River flood of 1937. He also worked at radio stations in Chicago and Indianapolis before the war.

Following the war, Kirby hosted Club Matinee in Chicago with Garry Moore on the NBC Blue radio network before moving to television in 1949 as an announcer. He also worked on Meet Your Navy and Honeymoon in New York on network radio.

Kirby also appeared as a host, announcer, or guest on other television programs, including serving as one of NBC Radio's Monitor.

➦In 1917...Dennis James born (Died of lung cancer at age 79 – June 3, 1997). 

Dennis James

He was a TV personality, philanthropist, and commercial spokesman. Up until 1976, he had appeared on TV more times and for a longer period than any other television star. Often referred to as "The Dean of Game Show Hosts", he is credited as the host of television's first network game show, the DuMont Network's Cash and Carry (1946). James was also the first person to host a telethon (raising over $700,000,000 for United Cerebral Palsy throughout his career), the first host to appear in a television commercial, first to emcee a variety show, and first to appear on video tape.

Born in Jersey City, New Jersey, James began his career in radio with WNEW (now WBBR) and moved to television in 1938, working for the soon-to-become-DuMont Television Network station WABD (now WNYW), which helped to found the DuMont network in 1946. James became the host of many game shows, such as the ABC version of Chance of a Lifetime (1952–53) and served as commentator for DuMont's wrestling and boxing shows, such as Boxing From Jamaica Arena (1948–49) and other DuMont boxing and wresting shows such as Amateur Boxing Fight Club (1949–50). He hosted the DuMont daytime variety show Okay, Mother (1948–51) with Julia Meade.

➦In 1950...the summer replacement radio show for Suspense, titled "Somebody Knows", was heard for the final time on CBS Radio. The program offered a reward of $5,000 for information that led to the solving of crimes. Somebody Knows began with the introduction, “You out there. You, who think you have committed the perfect crime — that there are no clues, no witnesses — listen. Somebody knows.”

➦In 1999...actress Mary Jane Croft, who frequently appeared in Lucille Ball’s TV & film projects, died of natural causes at age 83. She was a much-in-demand Hollywood radio regular from the 1940′s through the 70′s, with supporting roles in dozens of series such as One Man’s Family, Suspense, Sam Spade, Our Miss Brooks and Sears Radio Theatre.

WLW's Dale Summers

➦In 2012...Bruce Dale Sommers died (Born - November 26, 1943). He was best known by his nickname "The Truckin' Bozo" and for his long-running country music show geared toward truck drivers.

Dale Summers

Sommers hosted the overnight show from Cincinnati, Ohio-based clear-channel station WLW from 1984 to 2004, and it was carried by a small network of similarly high-powered stations across the United States. Sommers discontinued playing music on his nightly show, focusing on general and truck news, and talk from his listeners. Sommers announced his retirement from radio in 2004, but XM Satellite Radio was successful in getting him to do an afternoon truck show.

Born Glen Council in Humboldt, Tennessee, Sommers moved to Cincinnati with his family at the age of 15. The next year (1959), be began working for WAEF. Sommers worked for other local radio stations in Cincinnati, as well as in Evansville, Indianapolis, Seattle, San Diego, Miami, and Kansas City, before settling back at WLW in 1984.

Jay Thomas

➦In 2017...Jay Thomas died from throat cancer (Born Jon Thomas Terrell -  July 12, 1948).  He was an actor, comedian, and radio personality. He was heard in New York from 1976-79 on Top 40 station 99X, and later on Rhythmic CHR station WKTU, and in Los Angeles beginning in 1986 on KPWR "Power 106", where he hosted the station's top-rated morning show until 1993.

iHeartMedia Shares Surge

iHeartMedia’s stock price (IHRT) surged Friday by more than 7%, closing at $2.335, nearing its year-to-date high of $2.84, as shown in the finance card above. 

This marks the highest price since January 2025, when it traded at $2.22. The surge follows a 38% increase in the past week, driven by a significant insider purchase by Chairman and CEO Bob Pittman.

Reasons for the Stock: On August 14, 2025, Pittman acquired 117,371 shares of iHeartMedia Class A Common Stock at a weighted average price of $2.1894, totaling $256,972. This increased his direct ownership to 4,558,760 shares, signaling strong confidence in the company’s future. Insider buying, especially by a CEO, often boosts investor sentiment, as it suggests the stock may be undervalued or that positive developments are expected.

Financial Performance: iHeartMedia reported solid Q2 2025 results, with consolidated revenues of $933.65 million, surpassing estimates of $912.35 million. The Digital Audio Group, particularly podcasting, drove growth with a 13.4% revenue increase to $323.9 million, including a 28.5% surge in podcast revenue to $134.3 million. Despite a 5.4% revenue decline in the Multiplatform Group due to broadcast advertising challenges, the company’s overall performance exceeded expectations, contributing to positive market sentiment.

Market and Technical Factors: The stock’s recent rise follows a period of volatility, with IHRT climbing 15.97% over the past month and 41.77% over the last year, as noted in the finance card and web sources. Technical indicators suggested oversold conditions prior to the surge, potentially attracting investors seeking undervalued opportunities. The stock’s 6.02% volatility and a market cap of $336.32 million also indicate active trading interest.

Strategic Developments: iHeartMedia’s focus on digital transformation, including ad tech platform enhancements and partnerships (e.g., with Bloomberg Media and Qatar’s Government Communications Office for podcasting), underscores its adaptability in the evolving media landscape. These initiatives may have bolstered investor confidence in its long-term growth potential.

iHeartMedia Restructures Regional Leadership

iHeartMedia has restructured its Markets Group leadership, announcing promotions and two departures.

John Karpinski is now President of iHeartMedia Community Markets, reporting to COO Bernie Weiss, with Shosh Abromovich reporting to him. Karpinski, previously Division President since October 2024, was EVP/Sales and Operations for strategic partnerships and EVP/Automotive Business Development.

Dave Carwile, former Carolina Region Metro President, is promoted to Division President of the new Midwest & Southeast Division, overseeing Charlotte, Raleigh/Durham, Greensboro, Pittsburgh, Cincinnati, and St. Louis. With iHeartMedia since 1993, Carwile held leadership roles in Norfolk, Richmond, Charlotte, and regional management in Virginia and the Carolinas.

Aaron Hyland, Washington DC Market President, is elevated to Division President, managing Washington, Baltimore, Philadelphia, Boston, and Hartford. Hyland joined iHeart in 2013 as VP/Sales, became Baltimore Market President in 2018, and led the Washington cluster since 2019. He previously managed markets for Cumulus in Fort Walton Beach, FL, and Hudson Valley, NY.

Exiting the company are Division Presidents Dan Lankford and DJ Hodge. Lankford, after 26 years, oversaw 43 markets across 14 states, with prior roles in Allentown/Harrisburg/Williamsport, Akron, Mansfield, Sandusky, and New Castle, PA, and experience at Great Scott Broadcasting and WXRV Boston. 

Hodge, who oversaw Cincinnati and Pittsburgh, joined in 2013 as General Sales Manager, later SVP/Sales, and became Cincinnati Market President in 2017, adding Pittsburgh in 2022. He previously worked with Learfield Sports and Sysco Foods.

Reports: Paramount Planning Layoffs

Paramount Global’s planned layoffs, expected to impact 2,000 to 3,000 employees by early November 2025, are a key component of the company’s post-merger restructuring following its $8 billion acquisition by Skydance Media. 

The layoffs are part of a strategic effort to achieve over $2 billion in cost savings, as outlined by Skydance founder and new Paramount CEO David Ellison and President Jeff Shell during recent investor communications.

The layoffs follow the completion of Paramount’s merger with Skydance Media in July 2025, a deal aimed at stabilizing the company amid financial challenges in its traditional TV and streaming businesses. Skydance, known for producing films like Top Gun: Maverick, took control of Paramount, with Ellison assuming leadership to steer the company toward profitability.

Jeff Shell

Paramount has faced declining revenues in its linear TV business (e.g., CBS, MTV, Nickelodeon) due to cord-cutting and a challenging advertising market. Its streaming service, Paramount+, has struggled to achieve consistent profitability, with losses reported at $424 million in Q2 2025, despite growing to 71 million subscribers. These pressures have necessitated aggressive cost-cutting measures.

Previous Layoffs: This is not Paramount’s first round of layoffs. In 2024, the company reduced its workforce by approximately 15%, affecting around 2,000 employees. Earlier in 2025, an additional 3.5% cut impacted several hundred workers. The upcoming layoffs are described as a “final” significant reduction to avoid ongoing, smaller cuts that disrupt operations.

Affected Divisions: The cuts will span multiple sectors of Paramount’s operations, including:Theatrical: Paramount Pictures, which has seen mixed box office performance, will likely see reductions in administrative and support roles.
Streaming: Paramount+ and Pluto TV staff may face cuts as the company seeks to streamline its digital operations.
Linear TV: Networks like CBS, MTV, and Nickelodeon, which are grappling with declining viewership, are expected to see significant reductions.

Veteran News Anchor Chris Wallace Joins RedBird Capital Partners

Veteran news anchor Chris Wallace has joined RedBird Capital Partners as a senior advisor, focusing on news and media investments.

This move follows his departure from CNN in November 2024, after his contract expired. The 77-year-old Wallace, the son of legendary “60 Minutes” journalist Mike Wallace, will work on the business side of RedBird, reporting directly to founder Gerry Cardinale. 

His role involves advising on strategy for RedBird’s media assets, such as The Daily Telegraph and Front Office Sports, with potential input into CBS News still to be determined. 

Chris Wallace

RedBird is a major investor in Skydance Media, which recently acquired Paramount Global, CBS’s parent company, in an $8 billion merger. Wallace has spoken several times with Skydance’s David Ellison, the new Paramount CEO, expressing his desire to assist in any way possible. 

He has publicly dismissed concerns about CBS News shifting politically under Ellison’s leadership, emphasizing Ellison’s commitment to maintaining the network’s journalistic integrity in the tradition of Walter Cronkite and Edward R. Murrow. Wallace’s extensive career spans CBS, NBC, ABC, Fox News (where he hosted Fox News Sunday for 18 years), and CNN, earning him three Emmy Awards and a Peabody Award. 

He has indicated that returning to on-camera roles is unlikely, finding a behind-the-scenes advisory role more compelling at this stage.

Top U-S News Websites In July Unveiled

In July 2025, bbc.com saw a 15% decline in US website visits, totaling 100.2 million, according to Similarweb. 

The Press-Gazette reports the drop pushed the British public service broadcaster from seventh to twelfth in the platform’s top-50 US news website rankings, with a 16% year-on-year decline. The decrease coincided with the BBC’s introduction of a dynamic paywall for US users at the end of June, priced at $8.99 monthly or $49.99 annually. The paywall activates based on visit frequency and duration, aiming to offer a premium experience for loyal users, while select global breaking news stories remain freely accessible.

Among the 50 largest US news websites, the BBC’s month-on-month decline was the third steepest, behind Reuters (down 24% to 39.3 million visits) and the Associated Press (down 16% to 85.2 million). Overall, 29 of these top sites experienced month-on-month traffic drops, and 44 saw fewer visits compared to July 2024. The most significant annual declines included Forbes (down 50% to 63 million visits), Daily Mail (down 44% to 76.8 million), NBC News and HuffPost (both down 42% to 74.4 million and 38.5 million, respectively), and Washington Post and US News (both down 40% to 69.4 million and 23.5 million).

Three outlets bucked the trend with double-digit year-on-year growth: India Times surged 46% to 26.7 million visits, Substack rose 40% to 75.4 million, and aggregator Newsbreak climbed 24% to 30.4 million. 

The BBC’s paywall strategy, while aiming to monetize its most engaged US audience, appears to have contributed to its traffic decline, reflecting broader challenges in the digital news landscape.

Music Streaming Market Shares Remain Steady

In 2025, the U.S. streaming market remains dominated by Spotify, Apple Music, and Amazon Music, which together hold over 90% of subscribers, according to Digital Music News Pro’s Streaming Music Subscriber Market Share database. 

This resource, updated with data from major industry players, tracks the top-10 DSPs’ U.S. market positions.

As of May 2025, Spotify leads with a 37% share (53.8 million subscribers), followed by Apple Music at 31.5% (45.9 million), Amazon Music at 21.6% (31.5 million), YouTube at 7.1% (10.3 million), and Pandora Premium at 1.8% (2.6 million). 

The top five services account for 98.9% of U.S. subscribers.  DMN estimates subscriber counts using multipliers: 1 for Individual plans, 2 for Spotify Duo, 3 for Family plans, and 0.5 for Student tiers.

Market shares have been stable from December 2024 to May 2025, with Spotify gaining 0.8%, Apple Music dipping 0.13%, Amazon Music falling 1.5%, and YouTube rising nearly 1%. Notable tier-specific growth includes Spotify’s Individual (+646,000) and Duo (+355,000) plans, and Apple Music’s Family plan (+799,000). YouTube Premium/Music added roughly 480,000 Family subscribers. Despite speculation about a shift toward Spotify’s group plans, the data suggests no major trend, though Apple Music benefits from Apple’s hardware ecosystem.

Where MLB Stands With Media Rights Deals

Major League Baseball (MLB) is finalizing a series of agreements to reallocate media rights relinquished by ESPN in February 2025, reshaping its broadcasting landscape for the 2026–28 seasons.

Front Office Sports outlines the key developments:

NBC Sports and Peacock Secure Sunday Nights and More: NBC Sports is poised to sign a three-year, approximately $600 million deal to take over Sunday night MLB coverage, previously held by ESPN, with games airing on NBC and its streaming platform, Peacock. The agreement may also include postseason inventory, including discussions for NBC to acquire rights to the wild-card playoff round, per Front Office Sports. Sources note the final deal could expand to include additional rights and higher financial terms.

Revamped ESPN Partnership: ESPN, a 35-year MLB partner, is set to maintain its relationship with the league through a restructured agreement, a priority for ESPN chairman Jimmy Pitaro. The new deal centers on licensing MLB.TV, the league’s out-of-market streaming package, and distributing local broadcast rights for five teams under MLB’s production model: the Arizona Diamondbacks, Cleveland Guardians, San Diego Padres, Colorado Rockies, and Minnesota Twins. Additionally, ESPN will secure a new midweek national game package, moving away from its traditional Sunday night slot, as reported by The Athletic.

Netflix to Stream Home Run Derby: Netflix is nearing a deal to acquire rights to the Home Run Derby, potentially valued at over $35 million annually, according to The Wall Street Journal. This aligns with Netflix’s event-driven sports strategy and leverages existing ties between MLB, Netflix, and T-Mobile, the Derby’s title sponsor, to amplify the contest’s reach.

Apple’s Friday Night Status Quo: Despite speculation that Apple’s MLB partnership, centered on Friday night games, might end early in favor of NBC, sources indicate Apple is likely to retain its existing rights. This stability comes amid the broader reshuffling of MLB’s media portfolio.

The situation remains dynamic, with potential adjustments as negotiations wrap up in the coming days. These agreements, spanning 2026–28, set the stage for MLB commissioner Rob Manfred’s vision of a more centralized, nationalized media strategy post-2028. The deals reflect MLB’s push to diversify its broadcast partners while maintaining long-standing relationships, ensuring broad accessibility and enhanced fan engagement across traditional and streaming platforms.

Money for L.A. County Voting Machines Ended Up in Bribery Fund

Federal prosecutors have charged three executives of Smartmatic, a U.K.-based election technology firm, with allegedly overbilling Los Angeles County for voting machines used in the 2020 election, diverting the excess funds into a “slush fund” to bribe government officials. 

The accusations, detailed in a Florida federal corruption case, target Smartmatic co-founder Roger Alejandro Piñate Martinez and two other company officials, alleging that bribery was a core component of the company’s business practices, according to the Los Angeles Times.

The charges claim Smartmatic inflated the cost of voting machines in multiple regions, including Los Angeles County, to create illicit funds for securing political favors. In L.A. County, where Smartmatic secured a $282 million contract for the 2020 election—the largest election technology contract in U.S. history—prosecutors allege the company used taxpayer money to establish a slush fund, though they have not specified which officials, if any, benefited. 

Dean Logan, L.A. County’s top voting official, has acknowledged regular meetings with Piñate, a Boca Raton resident who was previously charged in 2024 with bribery and money laundering related to a separate case in the Philippines.

Smartmatic gained national attention in 2020 when Fox News falsely claimed the company, alongside Dominion Voting Systems, manipulated the U.S. presidential election against Donald Trump. While Dominion’s machines were used in roughly two dozen states, Smartmatic’s technology was limited to L.A. County. Dominion’s subsequent defamation lawsuit against Fox News resulted in a $787.5 million settlement. Smartmatic filed a similar defamation suit in 2021, seeking $2.7 billion. 

In its defense, Fox News has scrutinized the relationship between Logan and Smartmatic, alleging that L.A. County is withholding critical records. 

Fox News declined to comment further on the lawsuit’s allegations.

The case underscores broader concerns about the integrity of election technology contracts and the potential misuse of public funds, with implications for trust in electoral processes. As the trial approaches, the evidence presented could shed further light on Smartmatic’s operations and the oversight of major election contracts in the U.S. and abroad.

Bozeman Radio: Michelle Wolf To Sign-Off The Moose AM Show

Michelle Wolfe, a long-time radio host and Brand Manager at country KMMS 94.7 The MOOSE in Bozeman, Montana, has announced her departure from the station after nearly three decades of service. 

Her exit marks the end of a significant chapter for the station, where she hosted the popular MOOSE Morning Show and contributed to the community through storytelling and engagement. 

According to a post on mooseradio.com, Wolfe’s last day on air was scheduled for Friday, August 29, 2025. 

The station planned a special on-air tribute to honor her career, featuring memorable moments, guest messages, and a retrospective of her contributions, with details to be shared on mooseradio.com and social media.

Wolfe’s tenure at KMMS spanned over 20 years, with some sources noting 26 or even 30 years of involvement in Bozeman’s radio scene. She's  a beloved figure, known for her deep connection to the Gallatin Valley, where she lived and worked, often engaging with listeners about local events, music, and culture. 

Her morning show included regular segments like news updates from the Montana News Network and winter ski and avalanche condition reports.

Townsquare Media Bozeman, the station’s parent company, announced that a familiar voice to MOOSE listeners would take over Wolfe’s morning and programming duties to ensure the station’s legacy continues, though no specific replacement was named in the available information.

Broadcast Gala to Launch NBC Centennial Celebration

On November 14, 2025, the Library of American Broadcasting Foundation (LABF) will launch NBC’s centennial celebration at the Giants of Broadcasting & Electronic Arts gala in New York City’s Gotham Hall, nearly 99 years after NBC’s first radio broadcast on November 15, 1926. 

Founded by RCA, NBC pioneered the nation’s first permanent radio network with a four-hour, 26-station coast-to-coast broadcast. Its Blue and Red networks shaped broadcast syndication, with the Red Network evolving into today’s NBC, a cornerstone of modern mass media.

The centennial will be honored alongside industry leaders at LABF’s annual awards. Kristen Welker, moderator of Meet the Press—the longest-running U.S. broadcast program, debuting on radio in 1945 and moving to television in 1947—will accept the Giants of Broadcasting award for NBC. 

LABF Co-Chairs Heidi Raphael and Jack Goodman lauded NBC’s 100-year legacy in innovation, journalism, and entertainment.

Other 2025 honorees include David Muir (ABC World News Tonight), Lynn Beall (retired TEGNA EVP), Rick Dees (radio personality), John Feore Jr. (communications attorney), Dick Ferguson (former Cox Radio Group EVP), Gary Sandy (WKRP in Cincinnati), and Lesley Visser (pioneering sportscaster).

Steven Portnoy, ABC News White House Correspondent, will receive the LABF Excellence in Broadcast Preservation Award for his work preserving broadcast journalism history.

R.I.P.: Ron Gregory, Longtime WOWO Radio Personality

Ron Gregory, a cherished former host of WOWO-AM and fondly known as the "Radio Ambassador for the Summit City," passed away Thursday in Fort Wayne, Indiana, at the age of 77. His warm, engaging presence made him feel like a close friend to listeners, transcending the role of a typical broadcaster and leaving an indelible mark on the community.

Ron joined WOWO in March 1973, quickly becoming a beloved figure in Fort Wayne. His broadcasting career, spanning over 45 years, showcased his versatility and passion for radio. In addition to his iconic tenure at WOWO, Ron lent his voice and talent to stations such as Sunny 106.3 FM, WLPL-FM Radio in Baltimore, and WMYQ/WBZQ AM, serving Fort Wayne, Huntington, and Warsaw. 

Even after retiring from full-time broadcasting, Ron remained active in the community, working part-time with the Allen County Voter Registration Department, where his dedication to civic engagement shone through.

(1948-2025)

A celebrated figure in the industry, Ron was a finalist for Billboard Magazine's "Air Personality of the Year," a testament to his captivating on-air presence. His connection with listeners earned him the title of "Favorite Local Radio Personality" by Fort Wayne's Journal Gazette in both 2003 and 2004. Beyond radio, Ron’s vibrant personality extended to other passions—he was a proud member of the Washington Redskins Marching Band and an ardent Chicago Cubs fan, never missing a chance to cheer for his team.

In his later years, Ron faced health challenges, including a battle with dementia, yet his enthusiasm for communication endured. He remained active in amateur radio online groups, connecting with fellow enthusiasts until his health declined further. His resilience and love for radio were evident even in his final days.

Ron Gregory’s legacy lives on through his profound contributions to broadcasting and the Fort Wayne community. His ability to forge genuine connections with listeners, coupled with his professional achievements, made him a true icon. WOWO plans to honor Ron with heartfelt tributes on "Fort Wayne’s Morning News" with Kayla Blakeslee, as announced on the station’s website. These tributes will celebrate his life, his voice, and the warmth he brought to countless homes across the airwaves.

Ron is survived by his family, friends, and a community that cherished his contributions. A memorial service is being planned, with details to be shared by WOWO and local outlets. In lieu of flowers, the family requests donations to a local dementia support organization in Ron’s honor, reflecting his enduring commitment to making a difference. He will be deeply missed, but his voice will echo in the hearts of those who tuned in to hear him.

R.I.P.: Ken Meyer, Beloved Boston Radio Broadcaster

Ken Meyer ('45-'25)

Ken Meyer, a beloved Boston radio broadcaster, passed away peacefully Thursday.  Meyer's carrer included stints at WBZ-AM, Newsradio WEEI and others.  He also was producer of evening talkmaster Larry Glick's radio show on WBZ in the 1970's. He was 79-years-of age.

His passion for radio, sparked in youth, fueled a distinguished career, earning him a 2011 induction into the Massachusetts Broadcasters Hall of Fame as one of the industry’s notable producers. A graduate of the New York State School for the Blind, Ken demonstrated the power of sound to transcend visual impairment.

He cherished reading, time with his dogs, extra bleu cheese on everything, and being first in line for roller coasters. 

A devoted Boston sports fan, Ken loved home life with his wife, Terrie. He is survived by Terrie, children Janet and David, mother-in-law Mary, school family. In lieu of flowers, donations are requested to the Perkins School for the Blind in Ken’s memory. He will be deeply missed by all who knew him.

Radio History: Aug 23

Art Van Harvey, Clarence Hartzell, Bernadine Flynn, Billy Idelson

➦In 1883...Radio actor Art Van Harvey was born in Chicago.  He is best known for playing the role of  Vic in the memorable daytime radio series Vic & Sade.

Vic and Sade was an American radio program created and written by Paul Rhymer. It was regularly broadcast on radio from 1932 to 1944, then intermittently until 1946, and was briefly adapted to television in 1949 and again in 1957.

During its 14-year run on radio, Vic and Sade became one of the most popular series of its kind, earning critical and popular success: according to Time, Vic and Sade had 7,000,000 devoted listeners in 1943. For the majority of its span on the air, Vic and Sade was heard in 15-minute episodes without a continuing storyline. The central characters, known as "radio's home folks", were accountant Victor Rodney Gook (Art Van Harvey), his wife Sade (Bernardine Flynn) and their adopted son Rush (Bill Idelson). The three lived on Virginia Avenue in "the small house halfway up in the next block

Van Harvey died Sept. 7 1957 at age 74.

➦In 1923....Billy Jones and Ernie Hare, “The Happiness Boys”, first aired on New York’s WEAF radio.  The two were billed as radio’s first comedians and were also credited with creating and performing the first singing commercial.

They began on radio October 18, 1921 on WJZ (Newark, New Jersey), where they were sponsored by the chain of Happiness Candy stores. Listeners mailed in their comments about the singers on cards supplied to retailers by Happiness Candy.

The Happiness Boys aired on WEAF, moving to NBC from 1926 to 1929. The duo sang popular tunes, mostly light fare and comic songs, and they engaged in humorous repartee between numbers. Their theme song was "How Do You Do" (1924). However, only the words to this song were new at that time. The melody had been used for a variety of other songs in the past and is still used in the camp favorite "If You're Happy and You Know It (Clap Your Hands)".

By 1928, Jones and Hare were the highest paid singers in radio, earning $1,250 a week. The partnership ended with Ernie Hare's death on March 9, 1939.

➦In 1989...The music faded away on the Big 89 WLS in Chicago.

In June , WLS 890 AM had announced they were going all talk by the end of the summer. Many expected that to happen on September 1.

By 1988, WLS was airing adult contemporary music, liberally laced with oldies and standards, with talk programming at night.  Air personalities were becoming more talk intensive anyway and midday talk was added as well.

Then with no warning, on August 23, 1989 at 7 pm, WLS stopped playing music altogether. Phil Duncan was the last DJ to play music on WLS, and as Phil finished up his show.  The last song was "Just You 'n' Me" by Chicago.

NBCU Closing In On A $600M Pact With MLB

Comcast’s NBCUniversal is in advanced negotiations with Major League Baseball (MLB) for a three-year deal valued at approximately $200 million per year to broadcast games on NBC and stream them on the Peacock platform, according to The Wall Street Journal citing sources familiar with the discussions. 

Separately, Netflix is nearing an agreement to stream MLB’s “Home Run Derby” for more than $35 million annually, with the contract extending through 2028, other sources confirmed. Both sets of talks remain ongoing, and the agreements are not yet finalized. Additional elements in the negotiations could significantly increase the overall financial scope of these deals.

MLB expects these new media agreements to generate higher revenue than its previous contract with ESPN, which has been a long-standing broadcast partner, according to another insider. 

If the NBCUniversal deal is completed, the company would air MLB games on its broadcast network, NBC, primarily on Sunday nights during periods when it is not televising NFL football or NBA basketball games, for which it also holds Sunday night rights. Additional MLB games would be streamed on Peacock, further bolstering the platform’s robust sports portfolio, which already includes events like NFL games, Premier League soccer, and the Olympics.  NBCUniversal would also secure rights to select postseason baseball games, adding to the deal’s value.

Netflix, which has recently intensified its pursuit of live sports and event programming, would gain streaming rights to the Home Run Derby, a highlight of MLB’s All-Star Week held annually in July. This move aligns with Netflix’s growing investment in live content, as seen in its recent deals for events like NFL games and WWE programming, positioning the platform as a competitor in the sports streaming market.

In addition, Disney’s ESPN is engaged in advanced talks with MLB, focusing primarily on securing rights to local games. 

As part of these discussions, ESPN is exploring the integration of MLB.TV, the league’s out-of-market streaming service, into its forthcoming direct-to-consumer streaming platform, set to launch as a standalone offering. This deal could also encompass some in-market games, allowing ESPN to broadcast local matchups, as well as a limited number of national games, according to a source familiar with the negotiations.

The combined impact of these potential agreements signals MLB’s strategy to diversify its media partnerships and maximize revenue through a mix of traditional broadcast, cable, and streaming platforms. While the deals with NBCUniversal, Netflix, and ESPN are still being finalized, they reflect the growing competition among media companies to secure premium sports content in a rapidly evolving entertainment landscape.

Wichita Radio: KNSS’ “Steve and Ted” Celebrate 7,000 Shows

Wichita’s award-winning “Steve and Ted” morning show on KNSS-AM/FM, an Audacy station, will celebrate its 7000th broadcast on August 26. Hosts Steve McIntosh and Ted Woodward, who have been on air together since 1998, are recipients of the Edward R. Murrow Award and a NAB Marconi Award. McIntosh will be retiring at the end of the year, concluding the beloved duo’s celebrated 27-year run.

“It’s been a professional and personal pleasure to work with Ted for nearly 28 years,” said McIntosh. “Thank you to all our loyal listeners and advertisers.”

Steve & Ted

“The road to our 7,000th show has been a long journey for me, nearly half my lifetime,” said Woodward. “What a cherished gift, as listeners have invited us into their homes, cars, phones, computers, devices, and AI microchip implants (maybe?) for 27+ years. It’s been our honor, and we’re truly blessed!”

With a career spanning over 55 years, McIntosh is a broadcasting legend whose name is synonymous with Wichita radio. He has served in key leadership roles, including News Director and Program Director for influential stations like KEYN, KFH and his long-time home, KNSS. His dedication to professional journalism has earned him numerous prestigious honors, including a Marconi Award, multiple Murrow awards and induction into the Kansas Association of Broadcasters Hall of Fame.

🎧Listeners can tune in to KNSS (KNSS-AM/FM) in Wichita on air and nationwide on the Audacy app and website. Fans can also connect with the station via X, Facebook and Instagram.

Report: The Real Reason for The MSNBC Rebrand

NBC executives, seeking to distance themselves from the left-leaning MSNBC, forced the cable network into a rebrand, revealed Puck Media. 

The network unveiled its new identity, shifting from MSNBC to MSNOW, a move that has sparked confusion and ridicule, with some critics noting the logo’s resemblance to “KMS NOW,” implying “kill myself.”

MSNBC president Rebecca Kutler and Mark Lazarus, backed into a corner, had no choice but to rebrand as NBCUniversal and NBC News executives severed ties with MSNBC ahead of its split from parent company NBCUniversal. 

While NBC distanced itself from MSNBC, it continued supporting the CNBC brand (Consumer News and Business Channel).Kutler and Lazarus framed the rebrand as “an opportunity to chart our own path forward,” emphasizing the importance of retaining “MS” in the name for viewer continuity in channel guides. 

MSNOW’s stylized branding will debut later this year.

In an internal memo, Kutler stated, “This new branding underscores our mission: to serve as a destination for breaking news and best-in-class opinion journalism, all rooted in accurate and reported facts.” She acknowledged the emotional weight of the change for long-time staff, noting the decision followed significant debate.

Lazarus and Kutler embraced the rebrand as “a chance to forge our own future,” seeking positives despite the mandate. A source close to Kutler revealed to Puck Media that retaining “MS” in the name was her top priority. Keeping “MS” ensures continuity for viewers navigating channel guides, minimizing brand confusion.

FCC Anna Gomez Vows To Fight Any Removel Attempt

At the Technology Policy Institute’s Aspen Forum, FCC Commissioner Anna Gomez delivered a pointed critique of increasing political pressure from the Trump Administration, signaling her readiness to resist if targeted for removal. 

In a fireside chat, Gomez addressed proposals to place the FCC under executive branch control, such as within the National Telecommunications and Information Administration. She argued that Congress intentionally designed the FCC as an independent agency to avoid partisan dominance, stating, “Congress rejected having the FCC be part of the executive branch because it thought it was too important… We’ve seen what happens when the FCC acts at the behest of this administration. What you lose is too critical.”

Radio Ink reports her remarks follow speculation that former President Donald Trump, if re-elected, might attempt to restructure the FCC, similar to his recent dismissal of two Democratic commissioners at the Federal Trade Commission. 

In an interview with Law360 at the forum, Gomez asserted that any attempt to remove her would be “illegal and against the will of Congress.” She added, “If I was fired, I would join other commissioners who have litigated and appealed their firings.”

Regarding the two vacant FCC seats, previously held by Democrat Geoffrey Starks and Republican Nathan Simington, Gomez said she has no insight into the White House’s plans or potential nominees.

YouTube’s Growth Surges In U-K

A recent YouGov survey of U.K. social media users highlights YouTube’s continued dominance, with 28% of respondents reporting increased usage compared to last year. This outpaces Instagram (25%), TikTok (21%), and X (15%). The platform’s growth is particularly pronounced among two key demographics: 38% of Gen Z and a striking 53% of Baby Boomers say they’re using YouTube more in 2025 than in 2024, underscoring its broad appeal across generations.

Capitalizing on this momentum, YouTube is launching an innovative tool to enhance its Shorts platform, specifically targeting a common pain point in creator-driven marketing campaigns. The new Partnership Ads format, designed exclusively for Shorts, introduces co-branded vertical video ads that credit both the content creator and the partnering brand. This addresses a persistent issue in short-form video ecosystems like Shorts and TikTok: when brands post creator content, the creator’s identity—and their audience connection—can get lost, diminishing the campaign’s impact.

With Partnership Ads, YouTube ensures that both the creator’s personal brand and the advertiser’s message are prominently featured, fostering authenticity and recognition. For example, a creator with a loyal following can maintain their visibility even when their content is shared through a brand’s channel, bridging the gap between organic creator influence and commercial objectives. This format is poised to drive mutual growth, enhancing engagement for brands while empowering creators to leverage their audience loyalty more effectively.

The rollout of Partnership Ads reflects YouTube’s broader strategy to refine Shorts as a competitive alternative to TikTok, prioritizing creator-brand collaboration and capitalizing on the platform’s growing user base. As short-form video continues to dominate social media consumption, this move positions YouTube to strengthen its ecosystem, ensuring creators and advertisers alike can maximize reach and impact in a crowded digital landscape.

Anthology: The Beatles Are Back

The Beatles’ iconic eight-part Anthology series, originally released 30 years ago, is set for a global re-release, with an expanded version debuting on Disney+ in November. 

Unlike traditional music documentaries, the series features John Lennon, Paul McCartney, George Harrison, and Ringo Starr narrating their own story, chronicling their rise from Liverpool and Hamburg to Beatlemania, their U.S. breakthrough, their 1960s counterculture leadership, and their breakup.

Restored and remastered by Apple Corps, Peter Jackson’s Wingnut Films, Park Road Post, and Giles Martin, the series includes new audio mixes for most tracks. A new ninth episode, featuring previously unseen 1994-1995 footage of Paul, George, and Ringo working on The Anthology and reflecting on their Beatles journey, has been added.

The Anthology’s musical component, curated by George Martin and remastered by Giles Martin, will be released as three double albums on November 21. 

A new Anthology 4 includes 13 unreleased demos, session recordings, and rare tracks, plus fresh mixes of “Free As A Bird” and “Real Love,” revitalized by Jeff Lynne using de-mixed John Lennon vocals. 

These four volumes offer deep insight into the evolution of The Beatles’ timeless hits.On October 14, Apple Corps Ltd. and Chronicle Books will release the 25th Anniversary Edition of The Beatles Anthology book. 

This 368-page volume features candid recollections from John, Paul, George, and Ringo, alongside insights from colleagues like Neil Aspinall, George Martin, and Derek Taylor. Illustrated with over 1,300 photos, documents, and memorabilia from the band’s archives, the book is available for pre-order now.

Boston TV: Kate Merrill Sys WBZ-TV Lawsuit Is About Fairness

Kate Merrill, a former WBZ-TV anchor, spoke out on social media Wednesday about her $4 million federal lawsuit against the station, CBS, Paramount, and four ex-colleagues, alleging racial and gender discrimination. 

Merrill, who left WBZ in 2024 after 20 years, claimed she was unfairly targeted to “advance a DEI agenda,” according to the August 5 filing in Boston’s US District Court.

In her post, Merrill expressed “profound sadness” over the lawsuit but said it was necessary to ensure fairness at WBZ. The 57-page complaint details her tenure since 2004, rising to morning show co-anchor, and alleges discriminatory treatment after two Black co-workers complained about her. 

The lawsuit claims Paramount investigated her but ignored a sexually suggestive comment and a verbal confrontation by meteorologist Jason Mikell, who allegedly yelled at her over a private text correcting his pronunciation of “Concord.”

Merrill emphasized her pride in two decades of inclusive journalism, mentoring diverse reporters, and covering Boston’s stories. “I poured my heart into this work because I believe in journalism’s power to inform, connect, and uplift,” she wrote. She clarified that her lawsuit supports diverse newsrooms but opposes “unjustifiable” exclusion to meet agendas.

The suit aims to ensure no one is unfairly sidelined, she said, adding, “Boston is my home. Telling this city’s stories has been my greatest privilege.” Merrill hopes the legal process upholds fairness and accountability. She previously filed, then withdrew, discrimination charges with the Massachusetts Commission Against Discrimination and the Equal Employment Opportunity Commission to pursue the lawsuit.

L-A Radio: Citing Management Tension, Nicole Alvarez Exits KROQ

Radio personality Nicole Alvarez is departing KROQ 106.7 FM after over 20 years, citing tensions with the station’s leadership. 

Alvarez announced her exit on Wednesday via Instagram and a farewell letter in The Hollywood Reporter, following her final broadcast on July 30, 2025. Having joined KROQ in September 2003, she was a staple of weekday programming.

In her letter, Alvarez described her departure as an emotional and abrupt decision, triggered by a “heated exchange” with her boss, though she did not elaborate on the conversation. She emphasized that her exit reflects broader issues, stating, “Leaving KROQ is the hardest thing I have ever done.” 

Nicole Alvarez

Alvarez noted the station’s legacy in alternative rock, having showcased bands like Nirvana, U2, Linkin Park, and Mumford & Sons during her tenure.

She expressed frustration with the station’s shift toward a corporate, “spreadsheet-driven” culture, lamenting that its current leadership prioritizes professional milestones over passion. Alvarez, who declined a contract extension, clarified she would not speak negatively about KROQ but criticized the broader state of radio and its management. 

“Staying would have been a slow death,” she wrote, referencing alleged disrespect from an executive.

Alvarez urged KROQ to reclaim its “world-famous” identity by taking risks and rediscovering its roots. She thanked colleagues, listeners, and artists, including her “holy trinity” of former KROQ figures Kevin Weatherly, Lisa Worden, and Gene Sandbloom. 

Addressing executives, she challenged them to infuse “humanity” into their corporate approach.A spokesperson for Audacy, KROQ’s parent company, declined to comment to The Times. Alvarez concluded with hope for radio’s future, writing, “In the right hands, it will always matter.”

L-A Radio: UCLA Moves Sports to 790 KABC

Cumulus Media’s Talk Radio 790 KABC announces that it has signed a multi-year agreement with the UCLA Bruins to be the new official radio broadcast home of UCLA Bruins football and men’s basketball. Per the terms of the deal, 790 KABC will be the flagship station of the UCLA Bruins Audio Network. Broadcasts will also be available on SiriusXM and the KABC app.

In addition to the full football and men’s basketball schedules, 790 KABC will also air four UCLA women’s basketball games in the Winter and a total of 28 episodes of the “Bruin Insider Show” on Thursdays at 7:00pm. The “Bruin Insider Show” provides exclusive interviews and insight on UCLA Football and Men’s Basketball, along with other UCLA sports.

KABC 790 AM (6.6 Kw)

790 KABC serves all Southern California with its powerful 6,600-watt signal. As Los Angeles’ first talk radio station, the historic 790 KABC brand brings sports fans the ultimate in breaking sports news, talk, and live action play-by-play from L.A.’s top local and nationally recognized on-air hosts and commentators. 790 KABC also provides local news, weather, sports, and traffic reports around the clock and has won numerous Golden Mike broadcast journalism awards for excellence in reporting.

Luis Segura, Program Director, 790 KABC, said: “With KABC’s powerhouse signal and UCLA’s legacy teams, Southern Californians will get some of the best in sports programming starting Fall 2025! We are tremendously excited to partner with UCLA as the new official broadcast home of Bruins football and men’s basketball and look forward to turning up the volume on Bruins coverage for our passionate 790 KABC listeners and Southern California sports fans.”

🎧For more information or to stream 790 KABC, visit: https://www.kabc.com/. For the UCLA Bruins football schedule, visit: https://uclabruins.com/sports/football/schedule.