Saturday, February 7, 2026

Radio History: Feb 8


➦In 1922...President Warren G. Harding had the first radio installed in The White House.

➦In 1924...From a banquet hall at the Congress Hotel in Chicago one man could be heard simultaneously in New York, Jacksonville, Denver, San Francisco, and even Havana, Cuba. This was the first coast-to-coast radio broadcast and it was accomplished less than a decade after the first coast-to-coast telephone call was placed in 1915. The future of broadcasting had arrived.






General John J. Carty, a vice president at Bell Telephone Company, spoke from Chicago, addressing by name the various telephone managers in each city where he was being heard. Only about 10% of Americans had a radio set in 1924, but "millions" of others also heard the broadcast, all tuning in with the new radio sets which were quickly becoming quite a coveted new piece of tech for American homes.

➦In 1929...KOY-AM, Phoenix signed-on.

KOY was the first radio station in the state of Arizona, signing on in 1921 as Amateur Radio station 6BBH on 360 meters (833 kHz). Earl Neilsen was the holder of the 6BBH callsign (there were no country prefixes for hams prior to 1928). At that time, broadcasting by ham radio operators was legal.

In 1922, the station received its broadcast license, under the Neilsen Radio & Sporting Goods Company business name, with the callsign KFCB. While the KFCB call letters were sequentially assigned, the station adopted the slogan "Kind Friends Come Back" to match the callsign.

A Phoenix teenager and radio enthusiast named Barry Goldwater was one of the new station's first employees.

When the AM broadcast band was opened in 1923 by the Department of Commerce, KFCB moved around the dial, as did many stations at the time. It was on 1260, 1230, 1310, and 1390 before moving to its long-time home of 550 kHz in 1941. KFCB became KOY on February 8, 1929.  Today the station is owned by iHeaertMedia and is branded as "93.7 El PatrĂ³n", simulcasting on an FM translator.

Dick Clark
➦In 1960... U.S. Congressional investigators began exploring the influence of payola in the radio and record industries. Alan Freed and “American Bandstand” host, Dick Clark, among others, were called to testify.

The term Congressional Payola Investigations refers to investigations by the House Subcommittee on Legislative Oversight into payola, the practice of record promoters paying DJs or radio programmers to play their labels' songs. Payola can refer to monetary rewards or other types of reimbursement, and is a tool record labels use to promote certain artists.

Alan Freed
Other forms of payola include making arrangements to purchase certain amounts of advertising in exchange for staying on a station's playlist, forcing bands to play station-sponsored concerts for little or no money in order to stay in a station's good graces, and paying for stations to hold "meet the band" contests, in exchange for air time for one of the label's newer, lesser-known bands.

Alan Freed, who was uncooperative in committee hearings, was fired as a result. Dick Clark also testified before the committee, but survived, partially due to the fact that he had divested himself of ownership interest in all of his music-industry holdings.

After the initial investigation, radio DJs were stripped of the authority to make programming decisions, and payola became a misdemeanor offense. Programming decisions became the responsibility of station program directors.

➦In 1985...actor Marvin Miller died at age 71 after a heart attack.  He was best known as the Signal Oil announcer on CBS Radio’s memorable series The Whistler, and as Michael Anthony, the man who passed out a weekly cheque on CBS-TV’s hit series The Millionaire in the late 1950’s.

Marvin Miller 1958
For the Mutual Broadcasting System, he narrated a daily 15-minute radio show entitled The Story Behind the Story, which offered historical vignettes. He also served as announcer on several Old Time Radio shows of the 1940s and 1950s, including The Jo Stafford Show and the long-running mystery series The Whistler.

In 1945–47, he was the announcer for Songs by Sinatra.

In 1952, Miller had a one-man program, Armchair Adventures, on CBS. He did "all voices and narration" in the 15-minute dramatic anthology. He also recorded 260 episodes of a program described in a 1950 trade publication as "Marvin Miller: Famous radio voice in series of five minute vignettes about famous people." The program was syndicated via electrical transcription by The Cardinal Company.

He also won Grammy Awards in 1965 and 1966 for his recordings of Dr. Seuss stories.

➦In 1994...Barry Manilow launched a $28M dollar lawsuit against Los Angeles radio station KBIG over its pledge to not play his music and its TV ad campaign in support of the “No Manilow” policy.  Hastings, Clayton & Tucker, a Nevada-based entertainment firm that owned the promotional and marketing rights to Barry Manilow's name, filed suit in Orange County Superior Court against Utah-based Bonneville International Corp.  The station used Manilow's name in promos for its  "No Manilow" music policy.  The legal action was dropped a few days later after KBIG agreed to withdraw the promotional spot.

➦In 1996...the "Telecommunications Act of 1996" de-regulated Radio ownership.

Apple To Launch CarPlay Upgrade


Apple is preparing to allow third-party AI chatbots—such as OpenAI's ChatGPT, Google's Gemini, and Anthropic's Claude—to integrate directly with CarPlay through an upcoming software update, according to a Bloomberg report citing people familiar with the matter.

This change would let drivers use voice commands to interact hands-free with these advanced AI tools while on the road. For instance, users could ask ChatGPT for nearby restaurant recommendations, have Gemini search for affordable flight options, or query other chatbots for complex or open-ended questions that go beyond Siri's current capabilities.

The feature is expected to roll out within the coming months, potentially aligning with broader iOS updates. However, Apple is maintaining strict controls: these third-party chatbots will not replace Siri as the default assistant, and the Siri button on CarPlay interfaces cannot be removed or reassigned. Instead, drivers will need to open the specific third-party AI app (via voice or other controls) to access it. App developers can optimize their experiences so that launching the app automatically initiates a voice-based chat mode for smoother in-car use. The AI apps will handle queries but won't control core vehicle functions or iPhone features.

Until now, CarPlay voice interactions have been limited exclusively to Siri. This move represents a notable shift for Apple, which has traditionally restricted CarPlay to approved categories like navigation, media, and communication, while opening the door to more powerful generative AI options amid competition from rivals.

In related CarPlay developments, Apple launched CarPlay Ultra, the next-generation version that extends the interface across all vehicle displays for deeper integration, last year. It currently remains exclusive to select high-end Aston Martin models, but is expected to expand to certain Hyundai and Kia vehicles later in 2026. Separately, Tesla is reportedly working to add support for standard CarPlay (not the Ultra version) in a potential future software update.

NBC, Peacock Provide ColorfulOpening Ceremony Coverage


The Winter Olympics, the 2026 Milano Cortina Games in Italy, officially began with their opening ceremony on Friday at Milan's San Siro Stadium (with simultaneous events in Cortina, Livigno, and Predazzo).

NBC provided U.S. coverage through live streaming on Peacock starting around 2 p.m. ET and a primetime broadcast on NC at 8 p.m. ET. Hosting duties featured Mary Carillo and Terry Gannon, joined by former Olympic snowboarder Shaun White (particularly during the Parade of Nations). 

Savannah Guthrie was originally scheduled to co-host but was absent due to a family emergency—the ongoing search for her missing 84-year-old mother, Nancy Guthrie, who disappeared in Arizona.  Carillo stepped in on short notice, and the team addressed Guthrie's absence on air with messages of support and prayers. 

NBC aimed to address past viewer criticisms (such as excessive commentary during the 2024 Paris Summer Games), and the broadcast was seen by some as an improvement despite logistical challenges. However, viewer reactions remained mixed, with many American audiences expressing frustration over elements like pacing, filler content during the Parade of Nations, or overall presentation.

The Good

  • Hosts and additions: Shaun White brought an athlete's perspective and enthusiasm (though he overused words like "amazing" early on). Mary Carillo and Terry Gannon provided solid commentary. Some praised NBC for being nimble with last-minute host changes and for a broadcast seen as an improvement over the cluttered Paris 2024 one.
  • Ceremony highlights captured well: Performances like Andrea Bocelli's thrilling "Nessun Dorma," Mariah Carey's "Volare" (with no lip-sync issues this time), tributes to Italian culture (e.g., Armani fashion homage, Canova sculpture-inspired dances), and energetic segments (like Sabrina Impacciatore's clown routine and time-travel production number) were engaging. NBC's coverage included expert insights and avoided some past pitfalls.
  • Overall event vibe: Many appreciated the ceremony's playful, Italian flair—elegant yet over-the-top, celebrating art, music, and culture in a sleek way.

The Bad

  • Constant commercial interruptions: This was the biggest complaint. Viewers slammed the broadcast as "unwatchable" due to frequent ad breaks cutting into the ceremony, making it feel disjointed and frustrating compared to the live Peacock feed or international broadcasts.
  • Commentators talking over moments: Some fans begged NBC to "stop talking" or "let us just watch," feeling the narration interrupted the spectacle unnecessarily.
  • U.S.-centric elements: Shaun White's promotion of his Snow League (with Saudi ties) came off as mild sportswashing to some. The broadcast focused heavily on American angles, which is typical but drew ire.

The Ugly

  • Censorship/editing suspicions: Multiple reports noted that NBC's feed downplayed or muted crowd boos directed at U.S. Vice President JD Vance (and Usha Vance) when shown on the Jumbotron—despite clear audible reactions in stadium and on other broadcasts (like CBC). Commentators simply said his name neutrally as boos rang out elsewhere. This sparked accusations of sanitizing political moments for U.S. audiences, with Americans questioning why it was audible on foreign feeds but not NBC's.
  • General viewer fatigue: Online reactions (e.g., Reddit, social media) called parts "boring" or overly long, with ads exacerbating the issue. Some compared it unfavorably to more controversial ceremonies (like Paris 2024), though others found it classy and sophisticated.

NBC Sports to Use 145 Cameras During The Super Bowl Telecast


NBC Sports has detailed the massive scale of its production for Super Bowl LX—featuring a rematch between the Seattle Seahawks and New England Patriots—set for Sunday, at Levi's Stadium in Santa Clara, California.

The network is mobilizing an on-site team of more than 700 people, supported by 145 cameras (81 for the game itself, including fixed pylon cameras, plus 64 for pregame), 130 microphones, 75 miles of cable, 22 mobile units, and a wide array of additional equipment and resources.

TV Technology has released a list oc NBC Sports’ coverage of Super Bowl LX “by the numbers”:
  • 1st Super Bowl play-by-play assignment for Mike Tirico
  • 2 SkyCams used by NBC Sports to cover the game (including “High Sky”)
  • 2nd Seahawks-Patriots Super Bowl matchup presented by NBC Sports (Super Bowl XLIX)
  • 3 Super Bowl games as a referee for NBC Sports rules analyst Terry McAulay
  • 6th Super Bowl as game analyst for Cris Collinsworth (fifth featuring the New England Patriots)
  • 9 Locations of NBC Sports’ hosts, analysts, and commentators around the Bay Area and Levi’s Stadium on Super Bowl Sunday
  • 11 Combined Super Bowl victories among NBC Sports Super Bowl LX Pregame Show teammates Tony Dungy (XIII as a player with the Steelers, XLI as head coach of the Colts), Rodney Harrison (XXXVIII and XXXIX with the Patriots), Jason Garrett (XXVII, XXVIII, and XXX as a player with the Cowboys), Devin McCourty (XLIX, LI, and LIII with the Patriots), and guest analyst and former Los Angels Rams defensive tackle Aaron Donald (LVI)
  • 16.5 Hours of combined Super Bowl LX and Winter Olympics coverage on NBC and Peacock on Sunday, Feb. 8
  • 21 Hosts, analysts, and commentators around the Bay Area and Levi’s Stadium for Super Bowl Sunday
  • 22 Mobile units on-site at Levi’s Stadium
  • 23 Years between assignments as Super Bowl sideline reporter for Melissa Stark
  • 75 Miles of camera and microphone cable
  • 130 Microphones
  • 145 Cameras used for Super Bowl (81, including fixed cameras on pylons, etc.) and pre-game (64) coverage
  • 700 + NBC Sports employees on site in the Bay Area
  • 396,000 feet of camera and microphone cable
  • $10+ million Record cost of a 30-second advertisement during Super Bowl LX
Overall, NBCUniversal will deliver more than 90 hours of Super Bowl-related programming this week across its platforms, including NBC, Telemundo, Peacock, and Universo.This event anchors NBCUniversal's self-proclaimed “Legendary February,” which also encompasses coverage of the Milan Cortina 2026 Winter Olympic Games and the NBA All-Star Weekend.

On February 8, the schedule brings together Super Bowl LX and the Winter Olympics in a historic convergence across NBCUniversal outlets. Viewers can follow pregame buildup, the full game with kickoff at 6:30 p.m. ET, the presentation of the Lombardi Trophy in Santa Clara, and several gold medal events from Milan and Livigno—all woven into the day's extensive live coverage.

NFL Open To Live Games Outside of Core Media


The NFL is actively exploring deals to sell live game rights to non-traditional media companies and digital platforms, beyond its core broadcast and streaming partners.

NFL Media chief Hans Schroeder told CNBC Sport on Friday that the league will hold conversations with interested parties, including those who are smaller partners or emerging players in the media space wanting to become NFL live game partners."We're going to have those conversations," Schroeder said from Radio Row ahead of Super Bowl LX in San Francisco. 

"We want to understand all our options and how to think about the best model for us, for our fans, for our teams going forward."

He described the high level of interest as fortunate and said the league will listen carefully to potential suitors.

Schroeder did not name specific companies, but the move builds on prior experiments like last season's sale of a Week 1 game to YouTube for about $100 million—a one-off approach that could be repeated.

He highlighted the shift to streaming, noting that major digital platforms now reach broadcast-level audiences, creating more "optionality" compared to traditional TV, which has long been the league's preferred model due to its broad reach.

The NFL's current media partners—Disney, Paramount Global, Comcast’s NBCUniversal, and Amazon—are expected to begin talks later this year on new rights deals, four years ahead of the existing agreement's opt-out clause, according to people familiar with the matter. Schroeder supported Commissioner Roger Goodell's earlier comments that the league is open to early discussions.

The league is also expanding internationally, planning a record nine games next season. Schroeder said the NFL may sell a new package of some international games to a media partner as early as next year, calling it one of the options under consideration.

Guthrie Case: Clues, No Known Suspects


Nancy Guthrie, the 84-year-old mother of NBC's "Today" show co-anchor Savannah Guthrie, remains missing, following her suspected abduction from her home in the Catalina Foothills area near Tucson, Arizona, on the night of January 31. Authorities believe she was taken against her will, with evidence including her blood on the porch and a missing front door camera. No suspects or persons of interest have been publicly identified, but the investigation has expanded regionally.

The most recent development involves authorities investigating a new message related to her disappearance. The Pima County Sheriff's Department and FBI confirmed they are actively examining the message's authenticity after it was sent to a local Tucson news station (KOLD). 

Details of the message have not been released, and it is unclear if it is connected to prior ransom notes or demands. This follows earlier reports of ransom-related communications, including at least one impostor demand that led to an arrest.

President Trump commented Friday that investigators have "very strong clues" and that "answers could come out very soon," though no official breakthrough has been confirmed.

The case continues to draw widespread attention, with ongoing searches, forensic analysis, and public appeals. Anyone with information is urged to contact the FBI or Pima County Sheriff's Department.

Cincy Radio: Trey Dolle New VP/MM For Cumulus Cluster


Cumulus Media announces that it has appointed 30-year Cincinnati media veteran Trey Dolle as Vice President/Market Manager for Cumulus Cincinnati. Cumulus Media serves the Cincinnati market through five powerful audio brands across its radio and digital platforms : 96 Rock/WFTK‑FM, 103.5 WGRR/WGRR‑FM, 94.1 WNNF/WNNF‑FM, 92.5 The Fox/WOFX‑FM, and Warm 98/WRRM‑FM — and also offers a range of digital marketing services for local advertisers.

Dolle, a lifelong Cincinnatian, was previously Vice President/General Sales Manager for Bally Sports/Fox Sports Ohio for 11 years. Prior to that, he was National Sales Manager for Fox Sports Ohio for three years. Dolle has also held roles as National/Local Sales Manager and Account Executive for Hearst Television Cincinnati’s WLWT-TV NBC. He started his career in radio as Account Executive for WUBE-FM and WKRQ-FM in Cincinnati. Dolle holds a B.A. degree in Communication Arts from Hillsdale College.

Trey Dolle
Dave Milner, President, Operations, Cumulus Media, said: “Trey Dolle brings to Cumulus Cincinnati three decades of media sales and management experience in the Queen City. We are pleased to have him at the helm of our vibrant Cumulus Cincinnati station cluster and know he will drive growth and create value for our partners and listeners with his deep understanding of the market and connection to the community.”

Dolle commented: “I am thrilled to join Cumulus Media Cincinnati. With our powerful brands and strong digital marketing service options, we have the ability to drive incredible results for our clients and I look forward to working with our talented team to do just that!"

Dolle is active in the Cincinnati community and has served as Board Advisor of the Southwest Ohio Council on Child Abuse, and was athletic commission president, Cardinal Pacelli School, and football coordinator for three area grade schools. He resides in the Cincinnati area with his wife and has four adult children.

Cincy Radio: The Fred Show Launches On KISS 107.1


iHeartMedia's KISS 107.1 in Cincinnati is launching a major morning show shake-up by bringing the nationally syndicated The Fred Show to its highly competitive 6–10 a.m. weekday slot, starting Monday,'

The popular program, originating from iHeartMedia's WKSC (103.5 KISS FM) in Chicago and hosted by Christopher “Fred” Frederick along with his ensemble cast of quirky on-air personalities, will now air on Cincinnati's top-rated hit music station (WKFS). 

This move introduces a proven, high-energy morning show to one of the market's most listened-to dayparts.

The Fred Show is renowned for its fast-paced humor, personality-driven bits, pop culture commentary, daily games, and strong listener interaction,  elements that have built it a loyal following and helped it stand out in the crowded CHR (contemporary hit radio) format. Syndicated through Premiere Networks, the show delivers consistent laughs and engagement while playing the biggest current hits.

For KISS 107.1, already Cincinnati's #1 hit music station featuring artists like Justin Bieber, Olivia Rodrigo, The Weeknd, and more, this programming change represents a deliberate strategy to deepen its appeal to younger listeners (especially millennials and Gen Z) and solidify its dominant position in the Cincinnati radio market.

The addition replaces whatever previous local or different morning programming was in place, aiming to inject fresh national appeal and entertainment value into the crucial morning drive time. Listeners can tune in starting February 9 at 6 a.m. ET on 107.1 FM, via the iHeartRadio app.

WaPo Looking To Break Even this Year


The Washington Post is undergoing massive staff cuts, culling hundreds of journalists, as owner Jeff Bezos pushes to halt annual losses of about $100 million and achieve break-even status by the end of 2026.

According to a Financial Times report citing sources familiar with the matter, Bezos hopes these drastic reductions will stem the bleeding and refocus the struggling newspaper. People close to management indicated that reaching break-even could unlock fresh funding from Bezos, who would be more willing to invest in a self-sustaining operation. One source described it as a "clear path now to break even this year and to get fresh capital to grow."

The Post, acquired by Bezos in 2013 for $250 million, has faced ongoing financial pressures, with reported losses around $100 million annually in recent periods (including 2024 figures cited in related coverage). Recent strategic decisions—such as declining to endorse a candidate in the 2024 election and shifts in opinion coverage—have contributed to subscriber declines and audience shrinkage, exacerbating the challenges.

The layoffs, described in broader reporting as affecting up to one-third of staff across departments (not just the newsroom), include eliminations in areas like sports, international, and metro coverage. Former editor Marty Baron and others have criticized Bezos's role in the paper's troubles, while staff and unions have expressed betrayal and called for sustained investment in journalism.

Bezos remains committed to the Post and has rejected past offers to sell, per sources in the FT piece. The moves reflect a broader "strategic reset" amid industry-wide headwinds for legacy media, as rivals like The New York Times report stronger performance.

Radio History: Feb 7


Bill Johnstone
➦In 1908
... one of the busiest actors in the Golden Age of Radio Bill Johnstone was born in Brooklyn.

Perhaps best remembered as the actor who succeeded Orson Welles as The Shadow (1938-43), Johnstone could also be heard as Inspector Cramer opposite Sydney Greenstreet in Nero Wolfe; Lt. Ybarra on Philip Marlowe; and in the title role on The Whistler. 

From 1950 to 1953, he starred as Lt. Ben Guthrie in the CBS radio police procedural The Lineup.  He died Nov. 1 1996 at age 88.

➦In 1915...comic actor Eddie Bracken was born in Astoria NY.  After becoming a film star in the 40’s he made frequent appearances on network radio, and had two short-lived series under his own name.  On TV he was seen in guest roles over more than 40 years, including serious drama series like Studio One & Playhouse 90.  He died after surgery Nov 14, 2002 at age 87.

➦In 1915...First train-to-station radio message, Binghamton, NY.

➦In 1963...B. Mitchel Reed started at WMCA 570 AM NYC.

Born Burton Mitchel Goldberg in Brooklyn, New York, Reed held a B.S. degree in journalism and an M.A. in political science at the University of Illinois. After serving in the U.S. Air Force, he entered the world of radio while teaching political science at his alma mater.

Reed hosted the all-night Birdland Jazz Show at WOV (AM) in New York in 1956. A year later, he landed a job at KFWB in Los Angeles, playing jazz and calling himself "The Boy on the Couch." On January 2, 1958, KFWB became a pioneering Top 40 station known as "Color Radio/Channel 98," and the DJ's were known as "The Seven Swinging Gentlemen." The lineup included Bruce Hayes, Al Jarvis, Joe Yocam, Elliot Field, Bill Ballance, Ted Quillin, and Gene Weed. Reed held the 6-9 P.M. time slot. Under Program Director Chuck Blore, KFWB became the number one radio station in LA.

He was known as "The Fastest Tongue in the West," for the speed in which he spoke to his audience. He left KFWB for WMCA in his home state of New York on February 7, 1963. He soon became part of a team of disc jockeys known as "The Good Guys," among them Jack Spector, a fellow alum from Boys High School in Brooklyn who had graduated two years ahead of him.

➦In 1963… the Vee-Jay label released the first Beatles single in the U.S. “Please Please Me.”

Vee-Jay's early releases were at first unsuccessful, but quickly became huge hits once the British Invasion took off in early 1964, selling 2.6 million Beatles singles in a month. Cash flow problems caused by Ewart Abner's tapping the company treasury to cover personal gambling debts led to the company's active demise; Vee-Jay had been forced to temporarily cease operations in the second half of 1963, leading to royalty disputes with the Four Seasons and EMI. The Four Seasons then left Vee-Jay for Philips Records, and EMI's Capitol Records picked up the U.S. rights for both the Beatles and Frank Ifield.

Dick Biondi,  at WLS 890 AM in Chicago at the time and a friend of Vee-Jay executive Ewart Abner, played the song on the radio as early as February 8, 1963.   "Please Please Me" peaked at #35, but did not show up on any of the major national record charts. The label re-issued the single in January 1964 to a much better result: it peaked at #3 on the Billboard Hot 100, just behind the group's "I Want to Hold Your Hand" and "She Loves You" released on Capitol Records.





➦In 1964...Pan Am Yankee Clipper flight 101 from London Heathrow lands at New York’s Kennedy Airport as more than 3,000 fans jammed the airport launching Beatlemania in the U.S. The Beatles, John Lennon, Paul McCartney, George Harrison and Ringo Starr arrived for their first U.S. visit (including an appearance two days later on “The Ed Sullivan Show”). The “Fab Four” controlled the top spot on the pop music charts for the next 15 weeks and owned the top of the album charts for 10 weeks.

The “Fab Four”–dressed in mod suits and sporting their trademark pudding bowl haircuts–were greeted by 3,000 screaming fans who caused a near riot when they stepped off their plane and onto American soil.

Two days later, Paul McCartney, age 21, Ringo Starr, 23, John Lennon, 23, and George Harrison, 20, made their first appearance on the Ed Sullivan Show. Although it was difficult to hear the performance over the screams of teenage girls in the studio audience, an estimated 73 million U.S. television viewers, or about 40 percent of the U.S. population, tuned in to watch. Sullivan immediately booked the Beatles for two more appearances that month.

Friday, February 6, 2026

Radio Programmer Responds To 'Pay For Play' Op-Ed

Gene Simmons

A California-based Program Director has responded to a recent opinion column in the LA Times. The Op-Ed was writtewn by Gene Smoons, a founding member of the band KISS.  Simmon called for U.S. radio stations to pay artists for airplay.  

K.M. Richards has sent a rebuttal in the form of a letter to Editor.  Richards, is program director for the syndicated radio format The Eighties Channel, whose flagship station is KRKE in Albuquerque.  

The letter reads:

"As a radio programmer with more than 50 years of experience, and knowing that guest contributor Gene Simmons is not uninformed, I found his opinions to be incomplete at best (“Radio should be required to pay performers for their music,” Jan. 30).

"The key fact that he failed to be completely open about is that he, and other performing artists who are also songwriters, are already among those who receive a royalty from radio via the music publishing rights companies such as ASCAP and BMI — an arrangement that precedes my personal history in the industry by more than two decades. Simmons receives those royalty payments every time anyone (be it his band or another artist) performs a song on the radio that he at least co-wrote.

K M Richards
"In fact, two of the best-known KISS songs, “Rock and Roll All Nite” and “Shout It Out Loud,” show his name as the songwriter, and several more songs by his band also carry his authorship imprint. If that sounds like he is making an argument here for “double dipping,” I cannot disagree with that perception.

"Further, the up-and-coming artists who he purports to be worried about also, in overwhelming proportions, tend to write or co-write their own material and receive the same songwriting credits. And the streaming services that he admits many now use to discover new music are already subject to performance royalties, as he has himself acknowledged.

"Those same alternative platforms have decreased radio listening, resulting in the profit margins for stations being much lower than when I started in the business. Give us yet another mandated fee to pay, and the result will be counter to the intent: More stations will drop music formats in favor of royalty-free spoken-word formats. Is that what he wants?"

Sheriff: Nancy Guthrie Presumed Alive


Investigators in Arizona believe 84-year-old Nancy Guthrie, the mother of NBC "Today" show co-anchor Savannah Guthrie, is still alive and "out there" five days after her suspected abduction from her Tucson-area home, despite no suspect or proof of life yet identified.

Authorities, including the Pima County Sheriff's Office and FBI, have ramped up the search with additional personnel, forensic analysts, and digital experts analyzing cell phone, bank, and social media data. They confirmed blood found on the porch steps belongs to Nancy Guthrie via DNA testing and described the scene as "alarming," prompting homicide detectives' early involvement even without a body.

A purported ransom note—sent to media outlets and treated as credible due to specific details like references to an Apple Watch and flood light—demanded millions in cryptocurrency. It set a 5 p.m. Thursday deadline (which passed without further contact) and a second for Monday. 

No direct communication has occurred with the family or authorities, unusual for typical kidnapping cases, FBI Special Agent Heith Janke said.

The family remains hopeful but urgent: Nancy's son Camron Guthrie posted a video Thursday evening pleading for the captor(s) to contact them directly and provide proof of life, stating, "We need you to reach out... so we can move forward. But first we have to know that you have our mom." 

Savannah Guthrie released a similar emotional video Wednesday, saying, "We need to know without a doubt that she is alive... Please, reach out to us. We are ready to listen."

Nancy Guthrie, frail and reliant on daily medication that could prove fatal if withheld, was last seen January 31 after family dropped her off post-dinner. Her doorbell camera was disabled and pacemaker app disconnected in predawn hours February 1, when investigators believe the abduction occurred. 

Due to limited mobility, she could not have left voluntarily.

Timeline of Nancy Guthrie's disappearance
  • Jan. 31 at 5:32 p.m. Guthrie traveled to her family's house for a game night.
  • Jan. 31 at 9:48 p.m. Her family dropped her back at home, and the garage door opened.
  • Jan. 31 at 9:50 p.m. The garage door closed.
  • Feb. 1 at 1:47 a.m. Doorbell camera in front of Guthrie's home disconnected.
  • Feb. 1 at 2:12 a.m. Software for the smart home detected a person on the camera, but no video is available.
  • Feb. 1 at 2:28 a.m. Guthrie's pacemaker app shows it was disconnected from her phone.
  • Feb. 1 at 11:56 a.m. The family checks on her.
  • Feb. 1 at 12:03 p.m. Family calls 9-1-1 to report her missing.
  • Feb. 1 at 12:15 p.m. Patrol cars arrive.
The FBI offers a $50,000 reward for information leading to her recovery or arrests. One person was arrested for a separate fake "impostor" ransom demand sent to family. Janke urged captors: "You still have time to do the right thing before this becomes a much worse scenario for you."

Radio's Challenge? Deciding The Primary Benefit


A new industry survey reveals that radio's greatest challenge is not shrinking audiences, but rather its struggle to effectively convey its true value to advertisers and listeners.

Ahead of Sunday's New England Patriots-Seattle Seahawks game, DMR/Interactive polled radio executives with a hypothetical: If the industry spent $10 million on a single ad during the big game, what should the message be?

The top proposed tagline — one that many respondents said could jolt even skeptics — claims: more people will wake up and listen to radio the next day than will watch the championship game itself.

The survey exposes a paradox: Radio reaches more people weekly than any other medium, including major digital platforms, yet it battles outdated perceptions in a fragmented media landscape.

Andrew Curran, President and CEO of DMR/Interactive, attributes this to radio's very ubiquity — it's free, local, always accessible, and ever-present in cars, workplaces, and homes — making its massive, consistent impact easy to overlook.


Responses clustered around three key messaging angles:
  • Free & Everywhere (38%) - Radio's unmatched accessibility across devices and environments
  • Fun & Companionship (32%) - The emotional connection and human presence of local radio personalities
  • Advertisers & Reach (30%) - Radio's unrivaled weekly reach and marketing effectiveness
The survey also identified a message that would resonate with P1s and current advertisers and prompt skeptics to verify the claim. "Tomorrow, more people will get up and listen to the radio than are watching the game tonight."

Many executives blended these themes, underscoring radio's power at the intersection of broad reach, local relevance, and emotional connection.

Ultimately, the findings indicate radio's real hurdle is reclaiming mindshare amid digital distractions — not defending its existence, but reminding everyone it's still a daily habit for millions during commutes, workdays, and routines.

NYC Radio: No Rush At WFAN Name Permanent Overnight Host


WFAN's program schedule revamp, sparked by Craig Carton's return to afternoons on January 5, remains unfinished: the station still lacks a permanent overnight host, drawing significant listener attention and questions.

Audacy New York market president and chief business officer Chris Oliviero told Newsday that the reaction to this gap has been surprisingly strong, even more than to Carton's high-profile comeback."

So it's funny," Oliviero said. "I think I hurt Craig's feelings when I said recently that we got more reaction for not naming an overnight host than for him. I said it tongue in cheek, obviously. But what I wanted to communicate was people are so passionate about this radio station, the fact that we did not announce a permanent overnight host got a lot of attention... We got a ton of questions on it. Which I love because, again, it's a metric of passion. People care about all 24 hours in the day."

Chris Oliviero
Oliviero emphasized WFAN's firm commitment to staying live and local during overnights, no syndicated filler, and promised a permanent host will be named eventually.

"If you put FAN on now at 3 o'clock in the morning, you're going to have a live local overnight host," he said. "What we haven't done is declared a permanent full-time host. So you're hearing a few various people those shifts after Tommy Lugauer's shift ends... But the commitment to live and local overnights is there. We will see if and when—and it's a question of when, it's not a question of if—we feel we have found the right person to do that permanently."

Currently, fill-ins including Al Cintron, Gordon Damer, and Pete Hoffman rotate through the post-midnight/2 a.m. (depending on games) slot following Lugauer's "After Hours" show.

The overnight slot carries unique demands: fewer commercial breaks, no 20/20 sports updates (phased out last year except for mornings), and long stretches of talk between caller interactions. This setup has historically served as a proving ground, helping talents like Steve Somers, Joe Benigno, Tony Paige, Jody McDonald, John Jastremski, and Sal Licata sharpen their skills before moving to better shifts.

Former overnight host Chris McMonigle, now co-hosting "The Carton Show" in afternoons, described the relief of escaping the grueling hours: "It’s going to be a heck of a lot easier to find sleep now. I was pretty much a zombie."

News Corps Growth Fuels Revenue Increase


News Corp reported higher revenue in its fiscal second quarter ended Dec. 31, 2025, driven by growth across its Dow Jones, HarperCollins book publishing, and digital real-estate services divisions, slightly beating Wall Street expectations.

The company posted total revenue of $2.36 billion, up 6% (or 5.5% in some reports) from the prior year, with segment EBITDA rising 9% to $521 million. Adjusted earnings per share came in at 40 cents, surpassing analysts' consensus estimate of 37 cents.

CEO Robert Thomson highlighted a positive outlook, stating the company sees “favorable signs for the second half of our fiscal year.”

Key divisional gains included:

  • Dow Jones (publisher of The Wall Street Journal, MarketWatch, and Barron’s): Revenue rose 8% to $648 million, with segment earnings up 10% to $191 million. Advertising revenue increased 10%, led by 12% growth in digital ads. Digital-only WSJ subscriptions grew to 4.29 million from 4.22 million the prior quarter, while total subscriptions (including print) averaged 4.68 million, up from 4.61 million.
  • HarperCollins Publishers: Revenue increased 6% to $633 million, boosted by top titles such as “Wicked: The Official Visual Companion” by Gregory Maguire and “How to Test Negative for Stupid” by Sen. John Kennedy (R., La.).
  • Digital real-estate services: Revenue climbed 8% to $511 million, with segment earnings up 11% to $206 million.
Net income from continuing operations declined 21% to $242 million (or 34 cents per share from 40 cents), largely due to the absence of prior-year gains from an asset sale. Net income attributable to stockholders fell 10% to $193 million.

The results reflect continued strength in digital subscriptions, advertising recovery at Dow Jones, and resilience in real-estate and book publishing amid broader media industry challenges.

Good Morning! Let's Check The Pulse for Friday, Feb 6


Radio Broadcasting

The U.S. radio broadcasting industry is showing signs of resilience:  Amid broader media challenges, with a focus on digital integration, audience measurement improvements, and regulatory debates. The sector is projected to experience a modest decline of just 0.9% in overall ad revenue, while streaming audio surges ahead with 9.2% growth, highlighting radio's pivot to hybrid models. Public radio, despite federal funding cuts of $500 million in 2025, has largely avoided station closures, with audience ratings rebounding due to increased commuting and listener contributions—Morning Edition, for instance, added over a million listeners in spring 2025. 

One-Year Update on Nielsen's 3-Minute Qualifier: Nielsen implemented its 3-minute qualifier (3MQ) for Portable People Meter (PPM) radio ratings in January 2025, reducing the quarter-hour listening threshold from five minutes to three. A full-year review (January-December 2025 vs. 2024) shows substantial gains: average audiences rose 14% across all demographics, daily cume expanded, and time spent listening increased by 12%. This modernization captured 23% more listening occasions (three to four minutes) that were previously uncredited, leading to higher ad impressions and improved stability for stations. Nielsen executives expressed satisfaction, noting it provides a more realistic view of radio consumption, with benefits across formats, dayparts, and demographics—ranging from 13-15% audience lifts. Spring 2025 results alone showed a 19% AM/FM audience increase, validating the change's impact on inventory value and advertiser appeal.

SiriusXM's Subscriber Demand for On-Demand Content:  SiriusXM reported a surprise uptick in self-pay subscribers in Q4 2025, adding 110,000 net users—its first quarterly gain after three periods of losses—fueled by demand for exclusive on-demand content, including sports, podcasts, and shows from high-profile hosts. This reversed analyst expectations of a 30,000-subscriber drop, boosted by features like "Continuous Service" auto-renewals and "Companion Subscriptions" for family sharing. Podcast ad revenue jumped 41% for the full year, with programmatic demand up 92% in Q4, reflecting strong appetite for on-demand audio amid a portfolio reaching 170 million monthly listeners. However, annual self-pay subscribers declined by 301,000 overall in 2025, ending at 31.3 million paid users, with churn improving slightly to 1.5%. The company emphasized refocusing on core in-car audiences and expanding its ad network, positioning on-demand as a key growth driver in a competitive landscape.

Radio Programmer Responds to Gene Simmons' 'Pay for Play' Op-Ed: Gene Simmons, KISS co-founder, published an op-ed in the Los Angeles Times on January 30, 2026, advocating for the American Music Fairness Act (AMFA) to require AM/FM radio to pay performers royalties for airplay, calling the current loophole "criminal" and worse than slavery-era treatment. He highlighted radio's $14 billion in annual ad revenue while artists like Elvis or Taylor Swift receive nothing for broadcasts (unlike songwriters), drawing from his December 2025 Senate testimony. In response, radio programmer and industry commentator Mike McVay (of McVay Media) critiqued Simmons' stance during a February 2026 webinar on Nielsen changes, arguing that mandating payments could cripple smaller stations already facing ad declines, and that airplay provides invaluable promotion—potentially harming emerging artists more than helping.

Media Industry

Broadcast Ownership and Regulation:  The Senate Committee on Commerce, Science, and Transportation, chaired by Sen. Ted Cruz, announced a February 10, 2026, hearing titled "We Interrupt This Program: Media Ownership in the Digital Age." It will examine FCC broadcast ownership rules, including the 39% national TV household reach cap, in light of streaming and social media dominance. Discussions may address whether rules need updates for competition and diversity, or if statutory changes via Congress are required. Concerns include potential impacts on local voices and conservative media representation.

Layoffs and Media Business Pressures:  The Washington Post announced layoffs of more than 300 journalists in early February 2026, affecting local, international, and sports coverage and reducing the workforce by about 30%. This reflects ongoing challenges in legacy media amid digital shifts and cost pressures.

Advertising and Super Bowl Trends:  Media executives noted declining celebrity pay for 2026 Super Bowl ads, with VaynerMedia CEO Gary Vaynerchuk calling it "good" due to AI's growing role in creative production. Broader ad trends highlight AI integration and creator marketing events like the ANA Creator Marketing Conference (Feb 23-25).

U-S News

Nuclear Talks Commence in Oman Amid Heightened Tensions:  U.S. and Iranian delegations began negotiations in Muscat, Oman, centered on Iran's nuclear program, following weeks of brinkmanship including U.S. warnings for citizens to leave Iran, a military buildup (with the USS Abraham Lincoln carrier group in the region), and Iran's nationwide protests. Secretary of State Marco Rubio described the talks as exploratory in a "certain format," with the U.S. pushing to prevent Iran from reconstituting nuclear capabilities while criticizing the regime. Analysts view this as a critical effort to avert potential conflict, though skepticism remains high due to "maximalist demands" and recent incidents like Iran intercepting tankers in the Strait of Hormuz.

Search for Nancy Guthrie (Mother of NBC's Savannah Guthrie) Enters Sixth Day: Investigators released a detailed timeline of 84-year-old Nancy Guthrie's disappearance from her Tucson-area home on January 31, 2026, including evidence of foul play (blood on the porch matching hers, missing front door camera), and an apparent abduction. Pima County Sheriff Chris Nanos held a press conference emphasizing belief she is alive despite no suspects identified yet; she lacks critical medication. The FBI announced a $50,000 reward and addressed a ransom note (with deadlines passed or upcoming), plus an arrest tied to an "imposter ransom demand." Family pleas continue, drawing widespread attention due to the celebrity connection and the case's emotional stakes, featured prominently on CNN, Fox News, and PBS.

One Year Later: Nielsen's 3-Minute Qualifier


Nielsen's shift to the 3-minute qualifier (3MQ) in PPM radio measurement delivered significant audience gains in 2025, revealing larger audiences, reviving undervalued dayparts, and boosting inventory value for sellers and advertisers.

In a full-year analysis presented this week by Nielsen Senior Director Jon Miller during a February 2026 RAB webinar, average quarter-hour (AQH) audience rose 14% in 2025 compared to 2024 across PPM markets. Gains were consistent across demographics, ranging from 13% to 15% by age and ethnicity groups.

Daily cume increased about 7% at the station level, while time spent listening grew, and zero-quarter-hour instances declined as more short listening events received credit.

The change—reducing the quarter-hour listening requirement from five minutes to three—better captured modern listening habits, especially shorter sessions common among younger users and competitors' platforms. "It modernized the way we credit radio listening and PPM," Miller said, adding benefits like more ad impressions, higher average audiences, greater daily cume for stability, and expanded advertiser choices across dayparts and formats.

Afternoon drive posted the largest gain in the key 25-54 demographic at 15%, but weekends showed notable increases as radio's away-from-home strength emerged, helping revive a traditionally undervalued daypart.

Format highlights included:




  • Adult Contemporary, Hot AC, CHR, and Classic Hits leading in daily audience and reach.
  • Spanish-language (Mexican Regional, Spanish Contemporary), Sports, and News formats topping time spent listening.
  • Contemporary Christian as the fastest-growing format in 25-54 PPM markets, with shares up over 30% in three years.
  • Alternative showing resurgence after declines, with double-digit gains in 25-54.The holiday period (year-end book) also grew 14% year-over-year.
Looking ahead, Miller cautioned that 2026 growth would likely moderate to historical norms without major events, as the 3MQ impact is now baseline rather than incremental.

Nielsen also updated its mSurvey initiative for diary markets in 2026. The mobile app will let respondents log listening in real time, choose digital incentives, and get immediate rewards instead of mailed payments. It targets younger households first to boost participation, with final production readiness analysis underway and announcements expected soon.

SiriusXM Posts Surprise Subscriber Growth For On Demand Conent


SiriusXM's shares surged more than 11% in early trading Thursday after the audio entertainment company reported a surprise gain in self-pay subscribers for the fourth quarter of 2025, reversing recent losses and highlighting the strength of its exclusive content strategy.

The Manhattan-based provider added approximately 110,000 self-pay subscribers in the quarter ended December 31, 2025, its first increase in this key segment after three straight quarters of declines. This beat analyst expectations from Visible Alpha, which had forecasted a loss of around 30,000 subscribers.

The rebound was fueled by strong demand for exclusive programming, including sports rights and popular hosts, as well as new initiatives like the "Continuous Service" feature (which prevents subscription lapses during vehicle changes) and an earlier-than-planned rollout of "Companion Subscriptions" (allowing full-price members to add free extra accounts for family or additional vehicles).  The latter contributed roughly 80,000 incremental self-pay adds.

Recent high-profile moves bolstered the lineup: 
  • In December 2025, radio icon Howard Stern renewed his contract for three more years, and the company launched a new channel featuring journalist Megyn Kelly.
Revenue for the quarter reached $2.19 billion, slightly topping analyst estimates of $2.17 billion (compiled by LSEG) and remaining essentially flat year-over-year.

SiriusXM ended 2025 with about 33 million total paid subscribers (including 31.3 million self-pay), though the full year saw a net loss of 301,000 self-pay subscribers overall. Monthly churn improved modestly to 1.5% from 1.6% in 2024.

The company continues to benefit from partnerships with automakers that provide free trial subscriptions for in-car access, alongside a diversified distribution model via mobile apps, connected devices, and satellite radio.

For 2026, SiriusXM guided to revenue of approximately $8.5 billion—largely in line with analyst expectations of $8.55 billion—with a focus on stability, cost efficiencies, and continued free cash flow growth (targeting around $1.35 billion).

The results underscore SiriusXM's reliance on premium, exclusive content to differentiate itself in a competitive audio market dominated by streaming services. Investors appeared to prioritize the subscriber momentum and cash flow outlook over mixed elements like a reported EPS miss in some metrics.

Top Editor: Bezos Remains Committed To WaPo Amid Layoffs


The Washington Post's executive editor, Matt Murray, blocked the newspaper's own media desk from publishing a pre-written story about the historic layoffs that affected hundreds of staffers this week, according to sources familiar with the matter.

The decision to spike the article came despite internal lobbying from media desk reporters to allow coverage of the sweeping cuts, which represent one of the most significant staff reductions in the Post's modern history.

The layoffs, announced by Murray during a company-wide Zoom call on Wednesday impacted approximately one-third of the entire workforce—hundreds of employees overall, including more than 300 in the roughly 800-person newsroom. Entire sections were eliminated or drastically reduced, including the sports desk (shuttered in its current form, with some staff reassigned to features), the books section, several foreign bureaus, and parts of local (metro) coverage. 

The flagship daily podcast Post Reports was suspended, and editing roles were significantly cut across the board.

Murray described the moves as a painful but necessary "strategic reset" to adapt to financial pressures, evolving reader habits, new technologies like AI, and ongoing losses, aiming to position the Post for long-term sustainability and growth. He emphasized in staff communications and subsequent interviews that owner Jeff Bezos remains supportive of efforts to make the institution "bigger, relevant, and thriving."


The cuts drew sharp internal criticism and external backlash, with some current and former staff describing the day as among the darkest in the paper's history and likening the atmosphere to a "bloodbath" or "shock to the system." Morale had already been low amid rumors of impending reductions, and the layoffs compounded feelings of instability.

In a notable twist, the media desk—tasked with covering the news media industry, including developments at rival and peer organizations—prepared a story on the Post's own layoffs but was prevented from running it under Murray's direction. This move has raised questions about internal transparency and self-coverage at the paper during a moment of major upheaval.

The Washington Post, owned by Jeff Bezos since 2013, has faced repeated financial challenges in recent years, including subscriber fluctuations and broader industry headwinds. These latest reductions follow earlier rounds of cost-cutting and come as the outlet seeks to refocus resources, particularly on core areas like politics and national security.

NYTimes Rejects DHS Ad Highlighting ICE Arrests


The New York Times has rejected a full-page advertisement proposed by the Department of Homeland Security (DHS) that would have highlighted ICE arrests from Operation Metro Surge in Minnesota, according to DHS. No specific reason was provided for the denial, and the newspaper has not yet supplied formal justification despite requests.

The proposed ad featured 30 mugshots of individuals arrested during the operation, focusing on those with prior convictions for crimes including domestic violence, rape, and homicide. It stated in all capital letters: “These are some of the 10,000 criminals ICE law enforcement has risked their lives to arrest in Minnesota.” 

It accused sanctuary cities like Minneapolis of protecting criminals rather than cooperating with ICE, and ended with the tagline: “ICE saves innocent lives.”DHS, via emails reviewed by The Daily Wire dated January 26, reported that the Times informed a media placement service it was “not able to accept the ad in its current form.” 

A follow-up request for an official letterhead explanation was denied, with the Times indicating that feedback is typically provided via email. The newspaper receives a high volume of ad submissions and usually takes one to two business days to review them fully. As of this report, no detailed explanation has been given, and The Daily Wire's outreach to the Times for comment was not detailed in available information.

Assistant Secretary for Homeland Security Tricia McLaughlin criticized the decision sharply, telling The Daily Wire: “The media’s blackout is undeniable: they refuse to report on the vital work ICE is doing to remove dangerous public safety threats—murderers, rapists, gang members, and child predators—from Minneapolis streets and communities nationwide.” She added that the Times' refusal to run “a straightforward ad showing the violent criminals” that ICE officers risk their lives to deport represents “deliberate suppression of public safety information” that “should outrage every American” and “betrays the public trust and endangers lives.”

The Times has previously accepted controversial full-page ads, including one from an 80-year-old man urging Donald Trump to resign and another from Walmart heiress Christy Walton supporting anti-Trump “No Kings” protests, as well as a satirical ad from The Onion criticizing Congress and the Trump administration.