Thursday, October 1, 2026

Court Okays PSKY Settlement With State AGs


A federal judge on Wednesday approved Paramount Skydance’s settlement with 12 state attorneys general, clearing the last major legal barrier to its roughly $110 billion acquisition of Warner Bros. Discovery and putting David Ellison on track to close the deal as soon as next week.⁠

U.S. District Judge Araceli Martínez-Olguín signed off on the consent decree, writing that the agreement is a “fair, reasonable, and good faith” way to address the competition harms alleged in the states’ lawsuit and does not violate the law or public policy. Paramount has tentatively aimed to complete the purchase around Oct. 6, when its Class B shares are expected to begin trading on the New York Stock Exchange after a planned move from Nasdaq on Oct. 5. Ellison had said after the Sept. 21 settlement that the merger could close in about two weeks.⁠

The California-led coalition—Arizona, Colorado, Connecticut, Massachusetts, Minnesota, Nevada, New Jersey, New Mexico, New York, Oregon, and Washington—sued in July to block the combination of two major studios, Paramount+ and HBO Max, and news brands including CBS and CNN. Federal regulators and overseas authorities had already cleared the transaction. The states and the Writers Guild of America settled last week, lifting a court pause that had kept the deal from closing. The timing also helps Paramount avoid a “ticking fee” of about $7 million a day that would have been owed to Warner shareholders if the deal slipped past Sept. 30.⁠

Judge Martínez-Olguín
Under the five-year, court-enforceable settlement, the combined company must release at least 30 theatrical films a year for the first two years and 32 a year for the next three, including wide releases and a share of higher-budget titles, plus a minimum number of independent films. It pledged to spend at least $1.5 billion more on U.S. production over five years than the companies spent in 2025—about $300 million extra per year—and agreed not to sell or close its major Los Angeles studio lots. A $47.5 million workforce fund is meant to help employees affected by the merger. Failure to meet film-release terms can trigger penalties, including possible divestiture of Miramax.⁠

The decree also requires separate negotiations for Paramount and Warner basic-cable channels, an independent monitor, and editorial-independence boards of journalists for CNN and CBS News. California Attorney General Rob Bonta called the result a strong antitrust outcome for workers and consumers but said it was “not a vote of support” for the merger itself. Ellison said the company now had “complete clearance” and framed the commitments as a way to put more films into theaters and production work in the United States.⁠

The takeover, after a year-long fight that included a bidding war that displaced an earlier Warner agreement with Netflix, would create one of the largest media companies in the world—and leave the combined firm with an estimated $80 billion in debt. Closing now shifts the story from whether Ellison can buy Warner Bros. Discovery to how he runs it.⁠

PSKY Names Ynon Kreiz As Co-CEO

Ynon Kreiz

Ynon Kreiz, who is stepping down as chairman and CEO of Mattel after eight years, will join Paramount as co-CEO of the company formed by its pending acquisition of Warner Bros. Discovery, Paramount announced Wednesday.⁠

Kreiz will start Oct. 5 and join the board. As co-CEO he will oversee day-to-day operations and the integration of the combined businesses. David Ellison will remain chairman and CEO and lead strategy, creative, and technology, including talent relationships, partnerships, technology, and capital allocation. Company executives will report to both.⁠Markets.

Paramount called the split “a pairing that joins complementary skillsets to amplify results.” Ellison said the merger is “a transformational moment” that requires strategic vision, operational depth, and public-company experience, and that Kreiz brings all three. Kreiz said he was excited to partner with Ellison to build “the next-generation media and entertainment company.”⁠

The appointment comes as Paramount Skydance moves to close a roughly $110 billion–$111 billion deal for Warner Bros. Discovery, expected around Oct. 6 after a federal judge approved an antitrust settlement with state attorneys general. The combined company will unite studios, streaming services including Paramount+ and HBO Max, and networks such as CBS and CNN.⁠

Mattel said Wednesday that Kreiz would leave effective Oct. 2 for a senior role at another public company. Roger Lynch, CEO of Condé Nast and a Mattel board member, will succeed him, with the transition expected by early November. Mattel shares fell about 4% on the news.⁠

At Mattel since 2018, Kreiz pushed a brand-and-IP strategy that included the Barbie movie and other entertainment projects. Earlier he led Maker Studios, which Disney acquired, and served as CEO of Endemol and Fox Kids Europe. Ellison framed the hire as the next step after pursuing both Paramount and Warner Bros. Discovery: bring in an operator to integrate and run the combined company.

TV Ratings: As Fox News Approaches 30, The Five Makes History


  • FOX News Paces Towards its Highest-Rated Midterm Year with Total Day Viewers
  • ‘The Five’ Makes History: 20 Consecutive Quarters as Most-Watched Show in Cable News
  • ‘Special Report with Bret Baier’ and ‘FOX & Friends’ Continue to Lead CBS in Major Markets

During the third quarter of 2026, FOX News Channel (FNC) dominated CBS with weekday primetime viewers ahead of its 30th anniversary on October 7, according to Nielsen. Averaging 2.4 million weekday primetime viewers, FNC led CBS (two million viewers) for the quarter, while continuing to lead CBS year-to-date with weekday primetime viewers. 

Ratings Graphics Courtesy of RoadMN

Additionally, FNC continued to lead all of cable with primetime and total day viewers as well as CNN and MS NOW combined with viewers. Notably, FNC is pacing towards its highest-rated midterm election year in network history with total day. Meanwhile, FNC’s The Five continues to make history marking the 20th consecutive quarter it has been the highest-rated show in cable news. CBS also marked a number of historic lows dating back to the 1990s during the quarter including 60 Minutes which had its lowest-rated season premiere of the 21st century in September.

For the full quarter, FNC delivered 1.3 million total day viewers and in primetime, FNC notched 2.1 million viewers. FNC commanded 57% of the audience in primetime and 56% in total day. It also secured the top spot in cable among Hispanic, Asian and upscale audiences in total day for the third quarter. In September, FNC delivered 2.1 viewers in weekday primetime leading CBS who saw two million viewers. In Monday - Sunday total day, FNC commanded 1.3 million viewers and in primetime FNC drew 2.1 million viewers.

Additionally, CBS continued its downward trajectory collapsing to 2.1 million viewers and 439,000 in the 25-54 demo, its worst quarter dating back to 1994 among total viewers. CBS Evening News with Tony Dokoupil delivered back-to-back quarters under four million viewers, while CBS Mornings saw its lowest-rated quarter ever with 1.6 million viewers and 256,000 in the 25-54 demo. Additionally, ABC marked its worst quarter of the 21st century in the weekday primetime demo with 531,000 A25-54.

Ratings Graphics Courtesy of RoadMN


Several of FNC’s programs also continued to outperform broadcast programs throughout the quarter. At 5 PM/ET, FNC’s The Five extended its historic run as the first non-primetime program to rank as the most watched show in cable news for 20 consecutive quarters. The program secured 3.1 million viewers. The Five led CBS’ The Big Ten on CBS (3 million viewers), NBC’s Password (2.9 million viewers) and ABC’s 20/20 Friday (2.8 million viewers).

FNC’s flagship newscast, Special Report with Bret Baier (6 PM/ET), garnered more than 2.3 million viewers. During the quarter, Special Report beat CBS Evening News in 11 major markets including Chicago, Philadelphia, Atlanta, Orlando and Detroit and others while continuing to close the gap with CBS Evening News.


In 3Q 2026, FNC delivered 13 of the top 15 shows in cable news with viewers. At 7 PM/ET, The Ingraham Angle led the competition with 2.2 million viewers. Jesse Watters Primetime drew than 2.8 million viewers in the 8 PM/ET hour, leading ABC’s RJ Decker (2.7 million viewers) and Press Your Luck (2.6 million). At 9 PM/ET, Hannity dominated the competition with 2.3 million viewers, easily surpassing the Monday edition of MS NOW’s The Rachel Maddow Show (1.9 million viewers). At 11 PM/ET, FOX News @ Night with Trace Gallagher averaged 1.3 million viewers.

Late-night sensation Gutfeld! continued to soar drawing in 2.5 million viewers during the 10 PM/ET hour. Easily outpacing its cable news competition, Gutfeld! also outranked all broadcast and late-night television, including ABC’s Jimmy Kimmel Live! (1.8 million viewers) and NBC’s The Tonight Show with Jimmy Fallon (1.4 million viewers), Late Night with Seth Meyers (806,000 viewers) and CBS’ Comics Unleashed (728,000 viewers).


During daytime, America’s Newsroom (9 - 11 AM/ET) with Dana Perino and Bill Hemmer lead its timeslot with 1.6 million viewers. At 11 AM/ET, The Faulkner Focus, anchored by Harris Faulkner, drew the largest audience with 1.6 million viewers. At 12 PM/ET, Outnumbered also saw 1.6 million viewers. From 1-3 PM/ET, America Reports with John Roberts and Sandra Smith was the most-watched program in its timeslot, averaging 1.5 million viewers, while The Story with Martha MacCallum drew 1.6 million viewers. At 4 PM/ET, FNC’s The Will Cain Show averaged 1.8 million viewers. Each daytime program surpassed NBC’s Today with Jenna and Sheinelle (1.4 million viewers), ABC’s GMA3 (1.3 million viewers) and NBC News Daily (1.4 million viewers).

TV Ratings: FNC Posts Week-To-Week Growth


  • FNC Leads All of Cable in Total Day and Total Viewers for 37th Consecutive Week
  • CBS Evening News Delivers Under 4M Total Viewers, Sees Week-to-Week Decline 25-54

FOX News Channel (FNC) concluded the week of September 21st with nearly 2 million weekday primetime viewers, according to Nielsen Media Research Big Data + Panel. In Monday – Sunday primetime, FNC secured 1.7 million viewers and, markedly, posted week-to-week growth in total viewers, the 25-54 demo and the 18-49 demo. In Monday – Sunday total day, FNC drew nearly 1.1 million viewers. FNC also led all of cable in total day and total viewers for the 37th consecutive week. Notably, CBS Evening News delivered under 4 million total viewers and saw a 17% week-to-week decline in the 25-54 demo, averaging 497,000 viewers.

Ratings Graphics Courtesy of RoadMN

The Five led cable news with total viewers, landing 2.6 million viewers. During the 6 PM/ET hour, Special Report with Bret Baier averaged 2 million viewers and at 7 PM/ET, The Ingraham Angle secured nearly 1.9 million viewers. In the 8 PM/ET hour, Jesse Watters Primetime claimed 2.3 million viewers and at 9 PM/ET, Hannity saw 1.8 million viewers.

FNC’s Gutfeld! (10-11 PM/ET) continued to notch wins in late-night, averaging more than 2 million total viewers, and outranking NBC’s The Tonight Show (1.4 million viewers), NBC’s Late Night with Seth Meyers (844,00 viewers) and the airings of CBS’ Comics Unleashed (718,000 viewers).

Ratings Graphics Courtesy of RoadMN


FNC’s daytime programs continued to outrank broadcast competition. The Will Cain Show (4-5 PM/ET) garnered 1.5 million viewers, outpacing ABC’s GMA3 and NBC’s Today with Jenna & Sheinelle, which both posted under 1.4 million viewers. America’s Newsroom (9-11 AM/ET) and The Faulkner Focus (11 AM-12 PM/ET) each drew 1.4 million viewers, while Outnumbered (12-1 PM/ET), The Story with Martha MacCallum (3-4 PM/ET) and America Reports (1-3 PM/ET) notched 1.3 million viewers.

Broadcast News: ABC, NBC 1-2 For Week


“World News Tonight with David Muir” opened the 2026-2027 season ranked as the No. 1 program in Total Viewers (8.388 million) on all of broadcast and cable (excluding sports) for the week of Sept. 21, 2026, based on Live+Same Day Big Data Plus Panel Program Ratings from Nielsen Media Research.

Graphic Courtesy of RoadMN

“World News Tonight” posted its most-watched premiere week in 6 years — since the 2020-2021 season — and has ranked as the No. 1 program for the last 24 weeks.
  • “World News Tonight” stood as the No. 1 newscast in all of broadcast and cable in Total Viewers (8.388 million), Adults 25-54 (1.153 million) and Adults 18-49 (687,000) during premiere week for the seventh year in a row — since the 2020-2021 season. Further, “World News Tonight” was the most-watched evening newscast during the opening week of the season for the 11th year in a row — since the 2016-2017 season.
  • “World News Tonight” outdelivered “NBC Nightly News” (6.495 million, 970,000 and 721,000, respectively) in Total Viewers (+29%/+1.893 million), Adults 25-54 (+19%/+183,000) and Adults 18-49 (+20%/+146,000).
  • “World News Tonight” increased its Total Viewer lead over its year-ago premiere lead by double digits (+28% – 1.893 million vs. 1.480 million) to its largest in 34 years — since the 1992-1993 season. In addition, “World News Tonight” widened its year-to-year premiere margins over the NBC program by triple digits in both Adults 25-54 (+281% – 183,000 vs. 48,000) and Adults 18-49 (+329% – 146,000 vs. 34,000).
  • “World News Tonight” saw gains over the previous week in Total Viewers (+3%/+219,000 million – 8.388 million vs. 8.169 million), Adults 25-54 (+2,000 – 1.153 million vs. 1.151 million) and Adults 18-49 (+1%/+11,000 – 867,000 vs. 856,000), hitting 4-week highs in both key Adult demos — since w/o 8/24/26. In addition, “World News Tonight” stood as the only evening newscast to grow week to week across the board.

NBC Nightly News Delivers Double-Digitg Growth: Ranks as the #2 Most-Watched Program in All of TV

Week of Sep 21 Highlights: 
  • Nightly News grows across the board vs. last year by double-digit percentages, including +14% in total viewers, +20% in A25-54 & +30% in A18-49
  • Nightly News ranks #2 in total viewers for the week with 6.5 million total viewers, excluding specials, sports & syndication
  • Nightly News scores its 34th consecutive week of across-the-board growth vs. last year
  • Nightly News delivers its best streak of year-over-year growth on record

NFL Ratings: Strong Performances For MNF


Monday Night Football’s Week 3 matchup between the Philadelphia Eagles and Chicago Bears delivered 22.6 million viewers across ABC, ESPN, ESPN Deportes and NFL+, the second largest Week 3 crowd in the ESPN era (since 2006). Monday’s telecast is only topped by Detroit Lions-Baltimore Ravens in 2025 with 22.8 million viewers, last season’s most-watched Monday Night Football game overall.

Week 3’s Eagles-Bears telecast also lands among the largest audiences Monday Night Football has ever produced, ranking as the sixth-most-watched game across ESPN’s 21 seasons of the franchise — joining Week 1’s Denver Broncos-Kansas City Chiefs opener among the largest crowds ever.

Three weeks into the Super Bowl LXI season, Monday Night Football is up 20% compared to the same point in 2025, averaging 21.8 million viewers. The season-opening Broncos-Chiefs telecast and Week 2’s New York Giants-Los Angeles Rams matchup each set records of their own, becoming the most-watched Week 1 and Week 2 games, respectively, in the ESPN era — positioning the franchise for one of its strongest starts on record.

ESPN’s Super Bowl LXI season continues


Three weeks in, Monday Night Football’s record-setting audiences underscore the strength of ESPN’s most expansive NFL season to date, a 29-game slate that builds toward Super Bowl LXI. Week 4 brings NFL Network’s regular season debut from London for Indianapolis Colts-Washington Commanders on Sunday, followed by Atlanta Falcons-New Orleans Saints on ESPN’s Monday Night Football, honoring the 20th anniversary of the Saints’ return to the Superdome following Hurricane Katrina.

In 2025, Monday Night Football aired four games during the season’s first three weeks, including a Week 2 doubleheader. In 2026, Monday Night Football aired three games through the season’s first three weeks. Records are based on Monday Night Football telecasts played on Monday nights only; games played on non-Monday nights, including Week 18, are excluded from all comparisons.

Source: Nielsen Big Data + Panel

Carr Says Taxpayer-Funded Ads Do Not Warrant FCC Review


FCC Chair Brendan Carr said Wednesday that taxpayer-funded television ads featuring President Donald Trump are not improper and do not warrant FCC review, dismissing criticism that the spots amount to government-funded political promotion five weeks before the midterm elections.⁠

“There’s nothing in there that strikes me to merit any sort of FCC review or any liability for any broadcaster for running a regular, normal public service announcement,” Carr, a Republican appointed by Trump in January 2025, told reporters after an FCC meeting. He said the ads were “the types of PSAs that the government naturally and normally runs” and that “Republicans and Democrats routinely” air similar government spots.⁠

The comments came as ethics experts and lawmakers from both parties have criticized three nationally broadcast ads celebrating a “golden age of America.” Democratic lawmakers said the White House moved about $20 million in Homeland Security Department funds for the campaign; ad-tracking firm AdImpact has estimated that airtime alone has already cost at least $2.5 million, with money coming from Customs and Border Protection.⁠

One spot features Trump declaring that “America will never be a communist country” while a chorus repeats “love me.” Another pairs Mount Rushmore imagery with Trump praising a “golden age of America.” A third, titled “The Final Battle,” closely tracks a 2024 Trump campaign ad, showing him walking a hallway as he vows to “demolish the deep state” and “expel the warmongers from our government,” ending with the line “Paid for by the U.S. government.” The ads have run on broadcast networks, Fox News, “Saturday Night Live,” Sunday news programs, and college and NFL games.⁠

Public Citizen filed complaints with the FCC, FTC, Government Accountability Office, and Office of Special Counsel, arguing the spots violate the longstanding ban on using federal funds for “publicity or propaganda,” related appropriations restrictions, and the Hatch Act. The group said the ads do not describe a government program and instead boost Trump’s image shortly before Election Day. Former Bush White House ethics lawyer Richard Painter called the effort potentially “an impeachable offense.” Republican Sen. John Kennedy of Louisiana said spending public money on “private ads” for any official was “probably” illegal.⁠

The White House has said the announcements are not campaign ads because Trump is not on the November ballot and the spots contain no call to action. Officials described them as reminders for Americans “to love their country and know why it’s worth defending at home, at the border, and abroad.” Carr separately accused groups such as Public Citizen of trying to “weaponize the FCC’s license renewal process.” The FCC’s lone Democrat, Anna Gomez, said that as a private citizen she understood why people viewed the spots as political ads and expected more questions from Congress, which controls appropriations.⁠

Broadcasters Urged to Stop Airing Trump Taxpayer Funded Ad


Public Citizen has filed federal complaints alleging that two new taxpayer-funded television ads promoting President Trump violate laws against government propaganda and the Hatch Act, and it is urging broadcasters to pull the spots immediately.

The ads began airing over the weekend on broadcast and cable networks in two media markets that include key midterm election districts. Both carry the disclaimer “Paid for by the U.S. government.” Advocacy groups and legal experts say the spots appear to use public money to promote the president rather than to convey official government information.

Public Citizen asked the FCC, the FTC, and individual stations to stop carrying the ads. It also filed a second complaint with the Government Accountability Office and the Office of Special Counsel, arguing the commercials misuse government resources and violate ethics rules. The group had already complained after a similar government-funded ad appeared last week.

“That the Trump administration not only failed to acknowledge and investigate last week’s illegal ad, but instead doubled down and released a second piece of taxpayer funded political propaganda during the mass-viewing moment of Sunday football is appalling and alarming,” said Lisa Gilbert, co-president of Public Citizen. “These illegal ads should immediately be pulled from the air, and the White House’s many apparent violations of the law should be investigated.”

Craig Holman, a government ethics expert at Public Citizen, said the pattern “is an affront to taxpayers and our democracy” and that oversight agencies must act if the rules are to have any force.

In a letter to broadcasters, Public Citizen warned that stations that knowingly air ads they believe are illegal still have a duty to keep a public political file and that failing to meet those obligations can put a broadcast license at risk.

Listeners Cite "Deceived" With AI Hosted Podcasts


Two-thirds of weekly podcast listeners would react negatively if their favorite host used an AI-generated version of themselves to run the show, according to new Edison Podcast Metrics questions fielded in the first quarter of 2026.⁠

Edison Research at SSRS asked weekly podcast consumers how they would feel if a favorite host started using an AI stand-in. Sixty-six percent chose at least one negative reaction. About one-third said they would feel deceived, and about one-third said they would feel upset. Thirty-two percent said they would be skeptical, and 28 percent said they would feel betrayed.⁠

Positive reactions were far less common. Only 27 percent selected any favorable emotion: 14 percent said they would be impressed, 12 percent optimistic, and 10 percent fascinated. Eighteen percent said they would feel indifferent. Respondents could choose more than one emotion.
⁠
To Enlarge: Right Click to 'More Tools'

The finding fits a broader pattern in Edison’s 2026 podcast research. In The dast Consumer 2026, weekly listeners were relatively open to AI behind the scenes—69 percent approved of using it for research and for brainstorming ideas, and 64 percent approved of AI-generated social graphics. Approval collapsed for an AI-generated voice as host, the lowest-rated use on the list. Sixty-two percent also called AI at least somewhat of a threat to podcast credibility, and 59 percent saw it as a threat to creativity.⁠

Edison has long argued that the host-listener bond is central to podcasting, including parasocial loyalty and a willingness among some fans to pay creators directly. Earlier qualitative work found listeners more willing to accept AI for research, editing, or production than as the voice on the mic. By 2025, about 22 percent of U.S. weekly podcast consumers said they had already heard an AI-narrated show. The new emotion data suggests that familiarity has not translated into comfort with replacing a favorite human host.

For publishers and platforms experimenting with synthetic voices, the survey’s message is blunt: listeners may tolerate AI as a tool, but many would treat an AI version of a trusted host as a breach of the relationship, not a feature.

PA Radio: WHHY Philly Completes Acquisition Of WPSU


WHYY has acquired WPSU under an agreement finalized Wednesday, giving the central Pennsylvania public media station a path forward after it faced possible closure earlier this year.

The deal expands WHYY’s audience across State College and about two dozen counties while keeping WPSU on the air as a PBS and NPR affiliate. WHYY CEO Bill Marrazzo called the outcome a win for both organizations. “At ‘HYY, we believe in the fundamental right of any citizen in our country to have access to a free, trustworthy media experience,” he told WHYY News. “And WPSU fits that bill.”

Penn State Senior Vice President for Finance and Business Sara Thorndike said the university was relieved the station would remain open. “We are very pleased that the more than 1.5 million people across central and northern Pennsylvania will continue to benefit from this vital public media service,” she said in a statement.

WPSU, founded in 1953 as a student radio station and expanded to television in 1965, produces original TV, radio and digital content in addition to national programming. Its television signal reaches 24 counties; radio covers 12. The station also supports education and community engagement and has won awards for original work.

It had 44 employees last year. More than a dozen left amid uncertainty about the station’s future. WHYY is retaining about 70% of those who remained, including newsroom staff and other content producers. Most others are retiring or moving to other university or outside jobs; a small number of positions were eliminated. WHYY plans to add staff, especially in fundraising and development.

Retained WPSU employees will work for WHYY but continue producing local content for central and northern Pennsylvania, Marrazzo said. He also said the station’s focus will broaden beyond the State College area. “As a member of a large university like Penn State, understandably a lot of WPSU’s focus has been in and around the State College zip code,” he said. “Our intention is to grow it in a more meaningful way up through the rest of central Pennsylvania and across northern Pennsylvania.”

NBC Is Observing Its 100th Anniversary


NBCUniversal is marking the 100th anniversary of the NBC Network with a yearlong “NBC100: A Century Together” campaign that culminates in a live three-hour primetime special on Dec. 10 from the Dolby Theatre in Los Angeles.⁠

The special, scheduled for 8–11 p.m. ET, is designed as a star-studded variety show honoring a century of radio, television, news, sports, and entertainment. Advertisers including Allstate, Capital One, Purina Dog Chow, Smucker’s, Volkswagen, and Xfinity have signed on as sponsors, part of a strategy NBCUniversal used after the Saturday Night Live 50th-anniversary special.⁠

The network traces its founding to Nov. 15, 1926, when RCA launched NBC as the first major U.S. radio network with a four-hour broadcast from New York. Television followed in the late 1930s and 1940s. The centennial branding, unveiled during the 2026 Winter Olympics and Super Bowl, uses a special NBC100 logo and spots that begin with radio waves before moving through famous lines and scenes from later NBC hits.⁠


In New York, the Paley Museum opened NBC100: A Century Together on Sept. 18. The three-floor exhibit features more than 75 costumes and artifacts from Friends, Seinfeld, The Office, Saturday Night Live, Law & Order, The Tonight Show, TODAY, NBC News, and NBC Sports, plus photo moments at replica sets. It is scheduled to run through Nov. 20, around the anniversary of the first broadcast.

NBCUniversal has framed 2026 as both a look back and a showcase of live events, saying it is carrying about 40 percent of the industry’s major tentpoles this year, including Super Bowl LX, the Milan Cortina Winter Olympics, the FIFA World Cup on Telemundo, Sunday Night Football, the 100th Macy’s Thanksgiving Day Parade, and the Emmy Awards. TODAY and other NBC programs have been running archival segments and a countdown clock to the December special.⁠Nbcuniversal

Company executives describe the anniversary as a chance to sell advertisers “bespoke” moments across sports and entertainment while reminding viewers that NBC helped invent national broadcasting—from early radio networks and the first televised World Series to Meet the Press, TODAY, The Tonight Show, and later hits that defined sitcoms, late night, and must-see TV. The official line of the campaign is that the next century starts now.

Boston Radio: Legendary WMEX Has Signed-Off..Perhaps Forever


WMEX is one of Boston radio’s most storied radio stations with iconic call signs signed off Wednesday: The station originated as a Depression-era independent that became the city’s first true rock ’n’ roll Top 40 station, a launching pad for legendary personalities, a pioneer of listener-call-in talk, and, after decades of format and call-letter churn, a revived oldies/classic-hits outlet on the South Shore.⁠

Founding and Early Years (1934–1957)

WMEX signed on October 18, 1934, founded by brothers Bill and Al Pote. It began on 1500 kHz with modest power—about 250 watts by day and 100 watts at night—from Powder Horn Hill in Chelsea, with studios in Boston’s Hotel Manger near North Station. In December 1934 it received a full commercial license. Studios later moved to 70 Brookline Avenue.

Programming in the 1930s mixed classical and jazz, news, horse racing, live remotes, and ethnic shows. In 1940 the transmitter and studios moved to Quincy along the Neponset River. Daytime power rose to 5,000 watts. In March 1941, under the North American Regional Broadcasting Agreement, the station shifted to 1510 kHz, where it has remained.⁠

Notable early voices included organist John Kiley (later of Fenway Park and Boston Garden), who hosted request shows, jazz critic Nat Hentoff, who broadcast live from Storyville with Billie Holiday, Charlie Parker, Ella Fitzgerald and others, and future record-industry executive Joe Smith.

R.I.P.: Ruth Weisberg, Longtime Philly R/TV News Anchor

Ruth Weisberg (1956-2026)
Ruth Weisberg, a longtime Philadelphia radio, television, and online news anchor, features reporter, and talk-show host who was also the voice of Shadow Traffic, died Wednesday, Sept. 2, of ovarian cancer at an assisted living center in Sarasota, Fla. She was 70.

Weisberg, formerly of Philadelphia, spent nearly 50 years as a media personality in Pennsylvania and Florida. She was the radio voice of Shadow Traffic in the late 1970s and early 1980s, then anchored news and reported features at WXTU, WCAU, WIFI, WPEN, and WSNI in the mid-1980s. From the late 1980s until recently, she hosted radio, television, and online talk shows.

In 1988 and 1989 she hosted Frank Talk With Frank Rizzo on WCAU radio. Working with the former Philadelphia mayor, she told The Inquirer in 1989, was like flying a “careening aircraft for three hours.” She later hosted Storytime and Show ’n Tell with Miss Ruth on local cable television and online in 2015, and Funny You Should Ask, a Florida radio show and podcast about comedy, in 2023.

She also worked as a voice-over artist for Bell Telephone and other clients, taught voice-over, and performed as a writer, speaker, pianist, art model, actor, volunteer, and stand-up comedian. She was Miss Greater Philadelphia 1980.

She graduated from Northeast High School and Pennsylvania State University, where she studied special education and began producing radio and television programs. As a senior exchange student in England, she cohosted a local rock-and-roll radio show. “All of the sudden,” she told The Inquirer in 1989, “I had this new-found love of radio. I never pursued it. It just came calling.”

Radio History: Oct 1


➦In 1909...Everett H. Sloane born in NYC (Died – August 6, 1965). He was a character actor who worked in radio, theatre, films and television. He was also a songwriter and theatre director.

Sloane's radio work led him to be hired by Orson Welles to become part of his Mercury Theatre. Sloane recorded one program with The Mercury Theatre on the Air and became a regular player when the show was picked up by a sponsor and became The Campbell Playhouse

In the 1940s, Sloane was a frequent guest star on the radio theater series Inner Sanctum Mysteries and The Shadow, and was in The Mysterious Traveler episode "Survival of the Fittest" with Kermit Murdock.

Reportedly depressed over the onset of blindness, Sloane committed suicide in 1965 at age 55.

WJZ - 1922

➤In 1921...WJZ Radio signed-on. WJZ was the present day WABC in New York City. The original Westinghouse Electric Corporation, whose broadcasting division is a predecessor to the current broadcasting unit of CBS Corporation, launched WJZ in 1921, and was located originally in Newark, New Jersey.

WJZ was sold in 1923 to the Radio Corporation of America, who moved its operations to New York City, and on January 1, 1927, WJZ became the flagship station for the NBC Blue Network.

NBC Blue would become the American Broadcasting Company in 1942.  In 1953, ABC merged with United Paramount Theatres, and changed the call letters of their New York area stations to WABC.  Today, the WJZ call sign is assigned to 1300 AM in Baltimore.  It is owned by Entercom and airs  CBS Sports Radio.

➦In 1922...“The Radio Digest,” a daily news program got started on WBAY in New York City, which is now WFAN 660 AM.

➦In 1942…'People Are Funny' host Art Baker was replaced by Art Linkletter on the NBC Radio Network.  Linkletter remained with the show on radio until 1960 and hosted a TV version of the program on CBS from 1954 to 1960.

➦In 1952...'This Is Your Life' which aired on NBC radio from 1948 to 1952 began airing on NBC TV (until 1961).  Each show began with Edwards surprising some unsuspecting person. The show would then be present their life story, complete with friends and relatives.

➦In 1962...Johnny Carson made his debut as host of The Tonight Show.   Carson began his broadcasting career in 1950 at WOW radio and television in Omaha. Carson soon hosted a morning television program called The Squirrel's Nest. One of his routines involved interviewing pigeons on the roof of the local courthouse that would report on the political corruption they had seen. Carson supplemented his income by serving as master of ceremonies at local church dinners, attended by some of the same politicians and civic leaders whom he had lampooned on the radio.

The wife of one of the Omaha political figures Carson spoofed owned stock in a radio station in Los Angeles, and in 1951 referred Carson to her brother, who was influential in the emerging television market in Southern California. Carson joined CBS-owned Los Angeles television station KNXT.

Carson
In 1953, comic Red Skelton—a fan of Carson's "cult success" low-budget sketch comedy show, Carson's Cellar (1951 to 1953) on KNXT—asked Carson to join his show as a writer. In 1954, Skelton accidentally knocked himself unconscious during rehearsal an hour before his live show began. Carson then successfully filled in for him. In 1955, Jack Benny invited Carson to appear on one of his programs during the opening and closing segments. Carson imitated Benny and claimed that Benny had copied his gestures.

Carson hosted several shows besides Carson's Cellar, including the game show Earn Your Vacation (1954) and the CBS variety show The Johnny Carson Show (1955–1956). He was a guest panelist on the original To Tell the Truth starting in 1960, later becoming a regular panelist from 1961 until 1962.

After the primetime The Johnny Carson Show failed, he moved to New York City to host ABC-TV's Who Do You Trust? (1957–1962), formerly known as Do You Trust Your Wife? On Who Do You Trust?, Carson met his future sidekick and straight man, Ed McMahon. Although he believed moving to daytime television would hurt his career, Who Do You Trust? was a success. It was the first show where he could ad lib and interview guests,[15] and because of Carson's on-camera wit, the show became "the hottest item on daytime television" during his six years at ABC.

NBC's Tonight was the late-night counterpart to its early-morning show Today. Originating in 1954 with host Steve Allen, Tonight was somewhat experimental at the time, as the only previous network late-night program was NBC's Broadway Open House which starred Jerry Lester and Dagmar. Tonight was successful, and when Allen moved on to primetime comedy-variety shows in 1956, Jack Paar replaced him as host of Tonight. Paar left the show in 1962.

➦In 1975...Seattle radio station KOL changed its call letters to KMPS,surrendering forever the three-letter call that had served the Puget Sound well for nearly 50 years. While the modern incarnation of 1300 AM uses KOL as its ID, the official call sign is KKOL.

➦In 1979...the RKO Radio Network began operation.

Wednesday, September 30, 2026

NY State Radio: Pamal Broadcasting to Acquire Galaxy Media


Pamal Broadcasting has agreed to buy Galaxy Media, the Syracuse- and Utica-based radio group founded by Ed Levine, for an undisclosed price, pending FCC approval.

The Albany-area company will take over day-to-day operations of Galaxy’s stations on Oct. 1 under a local marketing agreement, running programming and management while the sale moves through the FCC. Galaxy operates about 10 stations — often counted as a larger cluster of signals when simulcasts and translators are included — in the Syracuse and Utica-Rome markets. 

Those brands include K-Rock in both cities, classic rock TK99/TK105, classic hits Sunny 102, Mix 102.5, variety-hits Tony FM, and ESPN Radio outlets in Syracuse and Utica.-Rome.

Pamal, a family-owned group based in Latham and led by President and CEO Jim Morrell, already owns clusters in the Capital Region, Hudson Valley, Glens Falls and Rutland, Vermont. 

Morrell said the deal would stretch the company’s footprint from New York City, Long Island and northern New Jersey through the Hudson Valley and Capital District to Lake George, and now into Utica and Syracuse. “We have had a few meetings with the Galaxy employees, and we are excited to work with them, learn from them, and continue in the strong tradition of supporting our communities, entertaining our listeners and helping our advertising partners grow their businesses,” he said.

AI Techies Sign-Up for Self-Policing


President Donald Trump and leading technology executives signed a voluntary, “morally binding” accord on artificial intelligence safety at the White House on Tuesday after a lunch with industry leaders including Meta CEO Mark Zuckerberg, NVIDIA CEO Jensen Huang, SpaceX and Tesla CEO Elon Musk, and Google CEO Sundar Pichai. Trump said the companies should regulate themselves rather than face new government rules.
⁠
“There’s a belief that there should be tremendous self-regulation and we automatically have regulation with the Department of Justice, the FBI, all of that,” Trump told reporters. “But the self-regulation’s very important.” He later described the document as having a “tremendous self-policing aspect” and compared it to “almost like a constitution.” 

Morning Show Topic: McDonald's Using AI to Set Prices


McDonald’s is using an artificial-intelligence pricing engine to recommend “optimal” prices for menu items at individual restaurants across the United States and some overseas markets, a system that estimates how much local customers are willing to pay and has widened price gaps between nearby stores, Reuters reported Tuesday.⁠

The tool analyzes millions of daily transactions from nearly 14,000 restaurants and generates location-specific prices for items ranging from Big Macs to senior coffee discounts. Screenshots of the franchisee interface reviewed by Reuters include messages such as “Your restaurant is showing MEDIUM SENSITIVITY to Price,” based in part on “customer willingness to pay in your area.” The platform also pulls public menu prices from nearby competitors such as Wendy’s and Burger King.⁠

College Student Radio Stations Are Disappearing


Cleveland State University administrators transferred control of student-run campus station WCSB 89.3 FM to public media conglomerate Ideastream on Oct. 2, 2025, in a closed-door agreement. The next morning, campus police escorted student staff from the station. Protests followed the same day — World College Radio Day.

Students had operated the independent station for nearly 50 years.

Attorney Brian Bardwell, who represents former student staff and alumni, said administrators mishandled the deal and more. A January lawsuit accuses the university of stripping students’ free-speech rights and making the Ideastream decision without public comment or debate.

Ellison Makes First Major Executive Choice For Paramount


Paramount Chief Executive David Ellison has chosen HBO content chief Casey Bloys to run streaming operations for the combined company after Paramount’s acquisition of Warner Bros. Discovery, according to people familiar with the matter. Paramount streaming head Cindy Holland is leaving immediately, clearing the way for Bloys.⁠

The appointment is Ellison’s first major executive decision ahead of the planned deal, which values WBD at about $81 billion in equity and $110 billion in enterprise value and would put HBO and HBO Max under Paramount. Holland, the former Netflix programming executive Ellison installed about a year ago to run Paramount+ and related direct-to-consumer platforms, told staff Tuesday was her last day. In a memo she wrote that Ellison was “optimizing for HBO stability” in the next chapter and that she fully supported the choice. Ellison praised her as “a force of nature whose impact on Paramount over the past year has been significant.”⁠

Casey Bloys
The choice ends months of industry speculation over whether Bloys or Holland would lead the merged streaming business or whether they would share it. People familiar with Bloys’s thinking said he was not interested in a co-leadership arrangement. Ellison was concerned that losing Bloys would damage the HBO brand, a central piece of the combined company’s streaming strategy. Bloys has led HBO programming since 2016 after joining the network in 2004 and is associated with series including Succession, The White Lotus, The Last of Us, House of the Dragon, Veep, Euphoria, and Hacks. Holland was a principal architect of Netflix originals such as Stranger Things, House of Cards, and The Crown; at Paramount she oversaw subscriber and engagement gains, live-sports deals, and a Pluto TV overhaul.⁠

Ellison has said Paramount+ and HBO Max will eventually be combined into a single service with more than 200 million subscribers worldwide, though no timeline has been set. Discovery+ would also sit under the same corporate roof. The companies have discussed consolidating technology stacks and cutting costs while keeping HBO creatively distinct.⁠

The leadership change comes as Paramount awaits a federal judge’s approval of last week’s settlement with 12 Democratic state attorneys general who had sued to block the merger on antitrust grounds.

NFL Ratings: Sunday's Rio Game Sets A Record For CBS


CBS’s Ravens-Cowboys game from Rio de Janeiro averaged 24.9 million viewers Sunday, the most-watched NFL international game on record dating to the late 1980s and CBS’s most-watched Week 3 game since 2014.

The network released the figures late Tuesday, adding another data point to the NFL’s viewership rebound after a 13% drop in Week 1. The Brazil game was scheduled in the national late-Sunday afternoon window — typically the league’s strongest U.S. slot — rather than the early-morning or primetime windows used for most overseas games. Rio’s one-hour difference from Eastern time made that placement easier than games in Europe or Australia.

The rest of Week 3 was mostly strong as well. 

  • Amazon Prime Video averaged 16.8 million for Thursday Night Football (Falcons-Packers), up 2% from the comparable 2025 game and Amazon’s best start since it took exclusive TNF rights in 2022. 
  • Fox averaged 17.9 million in the early Sunday window, led in part by Chargers-Bills — the highest figure in that slot and up 11% year over year. 
  • Through three weeks, CBS is averaging 19 million viewers for NFL games, up 6% from the same stretch of a record 2025.

NBC was the exception: Sunday Night Football (Broncos-Rams) averaged 20.8 million, down 18% from last year’s Week 3 Giants-Chiefs matchup. Still, each of NBC’s first four NFL games this season has topped 20 million for the third straight year.

Full Week 3 audience data is due Thursday.

Trump Government Commercials Draw Critics


A recording artist and a government watchdog on Tuesday demanded that taxpayer-funded television ads featuring President Donald Trump be taken off the air, adding to bipartisan criticism that the spots amount to political advertising paid for with public money five weeks before the midterm elections.

Attorneys for Christian Berishaj, who performs as JMSN, sent the White House a cease-and-desist letter saying his song “Love Me” was used without permission in one of the nationally broadcast commercials. Public Citizen separately filed complaints with federal regulators, arguing the ads are campaign spots that should not be produced or aired with taxpayer resources and urging broadcasters to stop running them.

Democratic Sens. Patty Murray and Chris Murphy asked Homeland Security Secretary Markwayne Mullin to explain the campaign, saying the administration diverted $20 million from the agency to pay for it. “This administration’s defense of using Americans’ tax dollars to air these ads is as absurd as it is offensive,” they wrote.

Norfolk Radio: Tiffany McCormick Named GM


Saga Communications has promoted Tiffany McCormack to general manager of Hampton Roads Media Group in Norfolk, Virginia. She will oversee Active Rock WNOR-FM and Classic Rock WAFX (106.9 The Fox).

McCormack succeeds Carol Commander, who has left the company after more than 25 years. Commander had been general manager since November 2022.

Public Radio Fans Increasing Their Support

To Enlarge: Right Click 'More Tools'

Public radio’s core listeners are increasing their financial support despite household economic strain, according to early findings from Jacobs Media’s 18th Public Radio Techsurvey. 

About 72% of respondents said the current political climate is leading them to give more, up from 64% in 2025 and far above the roughly 42% average recorded from 2019 through 2024.⁠

After A Decade: Miley Cyrus Has A No. 1 Album


Miley Cyrus has earned her first No. 1 album on the Billboard 200 in more than a decade, as Bass Persuades debuts atop the chart dated Oct. 3 with 61,000 equivalent album units in the United States for the week ending Sept. 24.⁠

The 10th studio album, released Sept. 18 through Atlantic Records and billed under the mononym Miley, is her sixth Billboard 200 leader and 16th top 10 set, counting work credited to Miley Cyrus and her Hannah Montana soundtracks. She last topped the tally in October 2013 with Bangerz.⁠

Good Morning It's Wednesday! Check The Pulse For Sep 30


Radio Broadcasting

NY State Radio: Pamal Broadcasting has agreed to buy Galaxy Media, the Syracuse- and Utica-based radio group founded by Ed Levine, for an undisclosed price, pending FCC approval. MORE

Saga Promotion: Tiffany McCormack to general manager of Hampton Roads Media Group in Norfolk, Virginia. She will oversee Active Rock WNOR-FM and Classic Rock WAFX (106.9 The Fox). MORE

Wolves Return: The Minnesota Timberwolves and Audacy’s 830 WCCO (WCCO-AM) today announced an exclusive radio and streaming partnership beginning with the 2026-27 Timberwolves season. MORE

How About Some Commercials With Those Fries?


McDonald’s is launching a Media Network that will sell third party advertising space on its digital restaurant screens and other platforms, a business the company hopes can eventually generate $1 billion in revenue.

The fast-food chain announced the plan during its Investor Day presentation on Sept. 23. Global Chief Marketing Officer Morgan Flatley said the company wants the media network to grow into a $1 billion business.

McDonald’s began testing the concept in August 2026 at 450 company-owned U.S. restaurants. Franchise locations, which are independently owned and operated, are not part of the pilot.

The test places third-party ads on digital drive-thru menu boards after customers place their orders, according to CNBC. McDonald’s showed an example of a Geico ad occupying part of a drive-thru screen.

The broader McDonald’s Media Network could later expand to nearly every digital screen in restaurants, including indoor menu boards and self-order kiosks.