Friday, January 2, 2026

TV Newsrooms Hit Hard With Lay-Offs


Local ABC, CBS, FOX, and NBC affiliates nationwide are slashing newsroom staff and operations as of January 2026, driven by plunging revenues and shifting viewer habits.

The most significant cuts are hitting TEGNA-owned stations, which operate about 64 outlets across the major networks. The company has begun eliminating positions effective January 2026, including high-profile roles like the sports director at Minneapolis NBC affiliate KARE 11. 

TEGNA has also centralized weather coverage and reduced local marketing and production teams in recent restructuring.


Similar reductions are widespread across the industry: 
  • Nexstar Media Group, the largest station owner, cut roughly 2% of its workforce in late 2024/early 2025.
  • Gray Television, E.W. Scripps, and Sinclair Broadcast Group have all implemented layoffs or closed local news operations at multiple stations in 2024–2025.

These moves contributed to more than 17,000 media job losses in 2025, with local TV newsrooms among the hardest hit.

Broadcasters cite declining traditional advertising (especially in non-election years), cord-cutting, competition from streaming platforms, and flattening retransmission fees as the primary causes. Many stations are shifting to centralized national or regional content to cut costs.

Critics warn the changes are creating “news deserts,” reducing in-depth coverage of local government, schools, and emergencies. Industry leaders argue the adjustments are essential for survival amid ongoing economic pressures in traditional media.

2025 Rough Year For Media Workers


2025 marked one of the deadliest years on record for journalists worldwide, with 126 media workers killed by early December — matching the full-year total for 2024, according to the Committee to Protect Journalists (CPJ). 

In the United States, journalists faced a sharp rise in violence, recording 170 assaults — nearly as many as the previous three years combined — with 160 perpetrated by law enforcement, per the U.S. Press Freedom Tracker. The year also saw escalating attacks on the press from the Trump administration.

Many deaths occurred in conflict zones, including Gaza (linked to Israeli military actions), Sudan, Ukraine, Mexico, and the Philippines. CPJ data highlighted ongoing impunity, with increases in killings in several regions. 

Other organizations reported varying totals for the full year, such as the International Federation of Journalists at 128 and Reporters Without Borders at around 67 work-related killings, reflecting differences in criteria.

Domestically, assaults often took place during coverage of protests against the Trump administration's immigration and deportation policies. No U.S. journalists were killed, but the surge underscored heightened risks on American soil.

The Trump administration intensified restrictions on media access and operations, including limiting the Associated Press's coverage after it declined to rename the Gulf of Mexico, defunding public broadcasting, and other measures described by PEN America's Tim Richardson as "probably the most aggressive" assault on the press in modern times. Critics framed these as efforts to intimidate and punish journalists.

Despite the challenges, the AP article noted cautious optimism, suggesting public pressure could counter divisive forces and support press freedom.

TV Ratings: Lions-Vikings Sets Most-Watched Record


The Detroit Lions-Minnesota Vikings game on Netflix emerged as the most-watched NFL matchup of Christmas Day 2025, averaging 27.5 million U.S. viewers and setting a new record as the most-streamed NFL game in U.S. history, according to Nielsen Big Data + Panel measurements.

This mid-afternoon contest, which saw the Vikings defeat the Lions 23-10, outperformed the day's other games: Netflix's earlier Dallas Cowboys-Washington Commanders matchup (19.9 million U.S. viewers) and Amazon Prime Video's primetime Denver Broncos-Kansas City Chiefs game (21.06 million viewers).

The figure includes comprehensive viewing across platforms—out-of-home watching, local CBS broadcasts in team markets, NFL+ streaming, and mobile/web access on Netflix—with U.S. viewership peaking at over 30 million. 

Globally, the game drew an average minute audience of 30.5 million across more than 200 countries and territories.

Adding to its draw, Snoop Dogg’s Holiday Halftime Party during the game averaged 29 million U.S. viewers and contributed to peak engagement.

The performance edged out last year's top Netflix Christmas game (27.2 million for Ravens-Texans) and solidified Netflix's hold on the top three most-streamed NFL games ever in the U.S., highlighting the growing appeal of streaming for major live sports events despite slightly lower domestic totals compared to traditional broadcast Christmas games in prior years.

ESPN Delivered Large Average NBA Christmas Audience


ESPN delivered its largest average NBA Christmas audience since 2018 across its platforms, according to Nielsen Big Data + Panel. The five-game slate on Thursday, December 25, averaged 5.5M viewers, up four percent from 2024. The Christmas games reached 47.2M fans, up 45 percent from 2024. It is the largest audience reach for ESPN’s Christmas NBA games since 2010, excluding the season-opening Christmas day in 2011.

Christmas NBA action tipped off with the Cleveland Cavaliers vs. New York Knicks game, which generated an average audience of 6.4M viewers. It is the most-watched noon Christmas game ever and up 27 percent from last year’s San Antonio Spurs vs. Knicks matchup. The game peaked at 2:45 p.m. ET with 8.2M viewers. ESPN’s Dunk the Halls – its animated alt-cast of the Cavaliers vs. Knicks game, contributed 280K viewers, up 25 percent from the inaugural Dunk the Halls alt-cast last Christmas.

Several-year highs
...The San Antonio Spurs vs. Oklahoma City Thunder game in the 2:30 p.m. window became ESPN’s most-watched NBA Christmas game in the timeslot since 2017 (Cleveland Cavaliers vs. Golden State Warriors NBA Finals rematch). The Western Conference showdown averaged 6.7M viewers, up 51 percent from last year’s Minnesota Timberwolves vs. Dallas Mavericks game. The Spurs vs. Thunder audience peaked with 7.4M viewers at 4:15 p.m.

In the nightcap, the Minnesota Timberwolves vs. Denver Nuggets game averaged 3.6M viewers, making it the second most-watched late game (10:30 p.m. start) on Christmas ever.

The Dallas Mavericks vs. Golden State Warriors game averaged 6.1M viewers and is the most-watched Christmas game in the 5 p.m. timeslot since 2019. Viewership peaked at 6 p.m. with an average audience of 6.6M. Viewership was up 16 percent from last year’s comparable game.

Additionally, the Houston Rockets vs. Los Angeles Lakers game averaged 5.4M viewers at 8 p.m.

2025: Fox News Dominates All Cable Channels

In 2025, a non-election year following the high-viewership 2024 cycle, Fox News Channel overwhelmingly dominated cable news ratings, delivering its highest-rated non-election year in history and frequently outperforming broadcast networks in primetime viewership.
Primetime averages: 
  • Fox News averaged around 2.72 million total viewers (up 14% from 2024) and 287,000 in the key Adults 25-54 demographic.
  • Fox often ranked as one of the top networks across all television, occasionally surpassing NBC, ABC, or CBS on weekdays.
  • Competitors experienced significant post-election declines.
MSNBC (rebranded to MS NOW mid-year) and CNN saw sharp drops, particularly in the advertiser-coveted demo.

Ratings Graphics Courtesy of RoadMN


Fox News swept the top 12 most-watched cable news programs in total viewers for 2025, marking a historic non-election year with record-breaking dominance and frequent outperformance against broadcast networks.

Leading the pack was The Five at 5 p.m. ET, averaging 4.1 million viewers—its highest ever—and claiming the No. 1 spot for the fourth straight year as the most-watched cable news show.

Jesse Watters Primetime (8 p.m. ET) followed closely with 3.6 million viewers, emerging as the top-rated program in primetime cable news.Hannity (9 p.m. ET) averaged 3.2 million viewers, while Special Report with Bret Baier drew over 3.1 million, and The Ingraham Angle (7 p.m. ET) hit 3 million, making Laura Ingraham the highest-rated female host in cable news.

Gutfeld! (10 p.m. ET) also posted strong numbers, delivering record demo performance and outdrawing major broadcast late-night shows.

The full top 12 included:
  • The Will Cain Show
  • Outnumbered
  • The Faulkner Focus
  • America’s Newsroom
  • The Story with Martha MacCallum
  • America Reports
Fox News aired the top 1,080 cable news telecasts of the year, with many programs posting double-digit year-over-year growth. This lineup fueled the network's overall primetime average of 2.72 million viewers (up 14% from 2024), solidifying its unrivaled leadership in cable news.

The network also achieved record YouTube views (4.3 billion, up 57% from 2024).While all networks faced overall viewership softness compared to the 2024 election year, Fox News bucked the trend with gains or smaller losses, solidifying its position as the clear leader in cable news.

The Five: Undisputed King of Cable News


The Five solidified its position as the undisputed king of cable news in 2025, marking its fourth consecutive year as the most-watched program in the genre and delivering its highest ratings ever in a non-election year.

The show averaged 4.1 million total viewers across the full year, with approximately 382,000 viewers in the key Adults 25-54 demographic (Nielsen data). This performance not only dominated cable news rivals but frequently outperformed broadcast network programs in the 5 p.m. ET slot, beating shows like CBS's Hollywood Squares and The Neighborhood or ABC's Who Wants to be a Millionaire.

Ratings and Popularity

"The Five" has consistently ranked among the top cable news programs, becoming the most-watched non-primetime show by 2022 with averages of 3.3–3.5 million viewers. It hit a peak of 5.5 million viewers on July 15, 2024, amid major events like the attempted assassination of Donald Trump. By Q1 2024, it averaged 3.04 million, marking it as the first non-primetime show to lead cable for ten consecutive quarters. 

Its growth—up 97% since 2011—stems from a lighter cultural focus post-Trump era and strong advertiser appeal, adding over 200 new ones in 2020. In 2023, it topped cable news for the second year with 2.9 million average viewers, even after network shake-ups like Carlson's firing.


Consistent post-summer strength

The show's non-primetime slot (5 p.m. ET) makes its viewership particularly impressive, as it routinely outdrew primetime competitors on MSNBC and CNN while contributing heavily to Fox News's overall primetime average of 2.72 million viewers (up 14% from 2024).

Notable change: Jeanine Pirro departed in May 2025 after being appointed U.S. Attorney for the District of Columbia by President Trump. 

Why It Succeeds

The Five thrives on its unique positioning: a pre-primetime "happy hour" of news commentary that's entertaining yet informative. In a fragmented media landscape, its consistent outperformance (capturing a significant share of Fox's audience) underscores viewer loyalty to personality-driven content.  It also benefits from Fox News's broader dominance, holding 64% of cable news viewership in 2025.

Critics note occasional viewer backlash to certain panelists (e.g., complaints about liberal voices), but overall, the mix keeps debates engaging and ratings sky-high. As Fox News's flagship daytime-to-primetime bridge, The Five played a pivotal role in the network's record non-election year.

New CBS Evening News Anchor: Make Me Earn Your Trust


Just days before Tony Dokoupil's debut as the new anchor of the CBS Evening News on Monday — CBS News published a prominent statement from him emphasizing his commitment to earning viewer trust amid widespread skepticism toward media.

In the piece titled "Tony Dokoupil: Don't just trust me. Make me earn it," he declared: "You come first. Not advertisers. Not politicians. Not corporate interests — including the new owners of CBS."

Thestatement positions audiences as the priority in his approach to the flagship evening newscast. It reflects broader efforts under CBS News editor-in-chief Bari Weiss to rebuild public confidence in journalism, following Dokoupil's appointment announced in December 2025.

Dokoupil, previously a co-host on CBS Mornings, is set to launch his tenure with a cross-country tour broadcasting from various U.S. cities, aiming to connect directly with Americans. This New Year's Day message serves as a direct appeal to viewers ahead of his first broadcast.

Report: MS NOW Suffers Sharp Ratings Decline in 2025


Fox News posted its highest ratings ever in a non-election year in 2025, averaging 2.72 million primetime viewers—up 14% from 2024—and 287,000 in the key Adults 25-54 demographic, up 18%, according to Nielsen Media Research data released December 15.

In stark contrast, the newly rebranded MS NOW (formerly MSNBC) averaged just 923,000 primetime total viewers, down 25% year-over-year, and a mere 81,000 in the demo—a 39% plunge. CNN fared slightly better but still declined, with 580,000 total viewers (down 15%) and 105,000 in the demo (down 29%).

According to Front Page Magazine, MS NOW edged out CNN in total viewers but fell behind in the younger demographic, despite younger audiences generally leaning left.

The rebrand to MS NOW—standing for "My Source for News, Opinion and the World"—took effect November 15, 2025, as part of Comcast's spin-off of cable assets into the new company Versant. Critics mocked the name for evoking multiple sclerosis or outdated Microsoft portals, but the network insisted programming and mission would remain unchanged.

Comcast is divesting these cable properties, including MS NOW and others, into Versant—a move seen by some as a graceful exit for declining linear networks amid cord-cutting and streaming shifts. Similar pressures affect CNN, though analysts suggest MS NOW's steeper losses make its long-term viability more precarious.

NewsNation Starts 2026 With Ratings On The Rise


NewsNation, the upstart cable news network owned by Nexstar Media Group, is closing out 2025 with its strongest performance to date, posting record-high ratings in both prime time and total day viewership amid double-digit growth since its 2021 launch.

According to Nielsen data analyzed in year-end reports, NewsNation's prime-time average reached 108,000 total viewers year-to-date—a 218% increase from its debut levels—while the key adults 25-54 demographic grew 117%, averaging 13,000 viewers. 

The network also saw broad gains across its lineup, with every prime-time program improving year-over-year.

Flagship show CUOMO, hosted by Chris Cuomo, remained NewsNation's top-rated program and delivered a 16% rise in total viewers. Meanwhile, the afternoon block NewsNation Live (hosted by Connell McShane) emerged as the fastest-growing, surging 51% in viewership.

These milestones mark NewsNation's best year since rebranding from WGN America and expanding to full-time news coverage, reflecting steady audience gains in a competitive landscape.

However, the network's overall numbers remain modest compared to established rivals. Fox News Channel continues to dominate cable news ratings, often drawing millions in prime time, while the recently rebranded MS NOW (formerly MSNBC) and CNN attract significantly larger audiences.

NewsNation has occasionally outperformed CNN and MS NOW in specific hours or demographics during major events, such as coverage of high-profile stories in 2025, but trails broadly in total reach. Executives attribute the growth to the network's emphasis on unbiased reporting, positioning it as an alternative in a polarized market.

Nick Shirley Lashes Out At MSM


A 23-year-old conservative YouTuber, Nick Shirley, lashed out at mainstream media on Wednesday, calling them the "enemy of the people" amid growing skepticism over his viral video alleging widespread fraud in Minnesota's government-funded child care programs.

In a post on X, Shirley wrote: "Mainstream media is more mad at me then [sic] they are at the FACT that billions of YOUR dollars are being used for fraudulent business." He added, "I am not an enemy of the people, they are. I’m with you, they are against you. Remember that."

Shirley's 42-minute video, posted the day after Christmas, has amassed over 100 million views across platforms. It shows him visiting several Minneapolis day care centers—many Somali-owned—that he claims appeared empty or abandoned despite receiving millions in taxpayer funds through the state's Child Care Assistance Program. Shirley alleged uncovering more than $110 million in potential fraud in a single day, tying it to broader claims of billions lost in state programs.

The video drew swift praise from conservative figures, including Vice President JD Vance and FBI Director Kash Patel, and prompted federal actions like a freeze on Minnesota child care payments by the Department of Health and Human Services.

Major outlets like CBS News, NPR, CNN, and local Minnesota media have approached the claims cautiously. 

Shirley, a self-described independent journalist with a history of politically charged content, has defended his work as exposing corruption overlooked by traditional media, while accusing outlets of focusing more on discrediting him than investigating the allegations.

What's Next for Music Streaming Services


As 2026 starts,  the music streaming industry faces pivotal shifts driven by AI integration, evolving monetization, and global expansion amid plateauing growth in mature markets. Experts predict 2026 will reveal clues about "post-streaming" models, with AI reshaping creation, detection, and personalization while platforms experiment with new tiers and fan-focused features.

AI's Transformative Impact
AI dominates predictions, from generative tools enabling on-demand custom tracks to advanced fraud detection combating billions in losses from manipulated streams. Platforms may introduce labeling for AI vs. human music, with ethical licensing deals setting precedents. However, "AI slop" flooding catalogs risks alienating listeners, prompting calls for human-only filters or dedicated AI sections.

Pricing and Monetization Evolutions
  Rising subscription prices and "superfan" tiers offering exclusives, merch, or direct artist support emerge as responses to stalled subscriber growth. Hybrid models—including microtransactions, tipping, and bundles with telcos or non-music services—gain traction, alongside "Streaming 2.0" artist-centric payouts prioritizing engagement over volume.

Enhanced Personalization and Fan Engagement  Hyper-personalized recommendations using mood, location, and activity data become standard, alongside community features like shared listening rooms and interactive sessions. Discovery shifts toward better algorithms and social integration, with superfans driving revenue through coordinated streaming and exclusive access.

Audio Quality and Technological Advances  Lossless and high-fidelity audio finally rolls out widely (Spotify's long-delayed tier launched in 2025), competing with rivals offering hi-res for years. Spatial audio and cross-device seamless experiences also advance.

According to Forbes,  2026 marks a transition: streaming matures with AI-driven innovation and fan empowerment, but risks like fraud, content overload, and creator income debates could spur disruption or new platforms.

TikTok Most Popular Social News Source For Gen Z


TikTok has become the top social media platform for news consumption among U.S. adults ages 18 to 29, overtaking YouTube, Facebook, and Instagram for the first time, according to a Pew Research Center survey.

The data shows 43% of these young adults regularly get news on TikTok, compared to 41% on YouTube and Facebook, 40% on Instagram, 21% on X, and 18% on Reddit.


This marks a significant shift: Last year, YouTube and Instagram tied as leaders, while TikTok has seen the sharpest rise—from 32% in 2023 to 43% in 2025—driven by the appeal of short-form, creator-led content that feels organic and less polished.

Overall, 76% of 18- to 29-year-olds prefer getting news from social media, far outpacing traditional news websites (60%) or email newsletters (28%).

Major outlets like The Washington Post, The New York Times, CNN, MSNBC, and NPR have joined TikTok with short videos targeting younger audiences, but independent creators remain more popular with Gen Z.

Examples include the news account @UnderTheDeskNews, led by creator V Spehar, with nearly 4 million TikTok followers and 1 million on Instagram. Before his assassination in September 2025, conservative personality Charlie Kirk had over 7 million TikTok followers.

TikTok has introduced tools like footnotes for factual clarity and partnered with fact-checkers in 130 markets to combat misinformation.

However, the rise of AI-generated content has heightened concerns about misinformation and propaganda spreading on the platform.

Forbes Out With List Of Top Paid Musicians


The Weeknd topped Forbes' list of the highest-paid musicians in 2025, earning an estimated $298 million pre-tax from a blockbuster tour, his album Hurry Up Tomorrow, and a landmark catalog partnership with Lyric Capital reportedly valued in the $1 billion range.

Six artists earned nine figures this year, with the top 25 collectively hauling in $1.9 billion (median: $52 million). Four of the other top earners—Beyoncé ($148 million), Coldplay, Shakira, and Kendrick Lamar—were driven largely by massive tours, while Taylor Swift ($202 million) dominated through record-breaking sales of her album The Life of a Showgirl and related ventures.

The Weeknd's innovative catalog deal—covering his masters and publishing through 2025—allows him to retain ownership, a stake, and creative control, excluding future recordings. The artist, whose real name is Abel Tesfaye, has also signaled that Hurry Up Tomorrow (released January 2025) and its companion film mark the end of his stage persona, paving the way for a potential shift to releasing music under his own name.

Swift, meanwhile, reclaimed full ownership of her first six albums' masters in a May deal with Shamrock Capital (estimated around $360 million originally paid by Shamrock), ending a long-running saga—while her 2025 music consumption hit 14.7 million equivalent units, dwarfing the field.

Beyoncé joined the billionaire club in 2025, fueled by her critically acclaimed Cowboy Carter era and the year's highest-grossing tour.

According to Forbes' annual ranking released on December 30, 2025, these are the top 10 highest-earning musicians of the year (pre-tax earnings):
  1. The Weeknd - $298 million...Fueled by his record-breaking After Hours Til Dawn Tour (surpassing $1 billion in gross), the album Hurry Up Tomorrow, and a landmark $1 billion catalog partnership with Lyric Capital.
  2. Taylor Swift - $202 million...Driven by massive sales and streaming of her album The Life of a Showgirl (the best-selling album of 2025), ongoing Eras Tour revenue, and a Disney+ documentary deal.
  3. Beyoncé - $148 million...Powered by the highest-grossing tour of the year (Cowboy Carter Tour), merchandise, sponsorships, and her music catalog—helping her reach billionaire status overall.
  4. Kendrick Lamar - $109 million...Primarily from high-grossing touring.
  5. Coldplay - $105 million...From extensive global touring.
  6. Shakira - $105 million...Boosted by major tour earnings.
  7. Drake - $78 million
  8. Chris Brown - $74 million
  9. Zach Bryan - $70 million
  10. Bad Bunny - $66 million
The top 25 musicians collectively earned $1.9 billion in 2025, with touring remaining the dominant revenue source for most, alongside streaming, album sales, and strategic deals. Six artists crossed the $100 million mark this year.

R.I.P.: Mike Stevens, Revered WNEP 'On The Road' NEPA Reporter


Mike Stevens, a beloved longtime feature reporter and storyteller for WNEP-TV (Newswatch 16) in northeastern and central Pennsylvania, passed away Tuesday, at the age of 81.

He was best known for his iconic segment "On the Pennsylvania Road", which ran for about 40 years.

In it, he traveled back roads to highlight everyday people, local quirks, crafts, and heartwarming stories across the region. Viewers loved his warm, distinctive voice and gentle storytelling style as he introduced them to "interesting people doing interesting things."

Stevens joined WNEP in 1975, starting as a beat reporter before creating "On the Pennsylvania Road." He also narrated the popular PhotoLink Library viewer photo segments (calling viewers his "dear viewers"), contributed to shows like Home & Backyard and Pennsylvania Outdoor Life, and was a frequent guest speaker at community events.

He semi-retired around 2019, passing the "On the Pennsylvania Road" torch to Jon Meyer, but continued contributing until recently to spend more time with his wife Judy and family.

His death was announced by WNEP Wednesday, with tributes pouring in from colleagues, viewers, and local media describing him as a "local TV legend" whose work warmed homes and captured the spirit of Pennsylvania life for decades. He is remembered as a kind, professional gentleman who became family to many through the screen.