Friday, November 1, 2019

USRN's The Sandy Show Adds 3 New Affiliates


Fresh off of the announcement as one of United Stations’ new DAYPARTS ON DEMAND programs, The Sandy Show has added three (3) new affiliates.

The program, which features veteran air personality Sandy McIlree teamed with his wife, Tricia, started broadcasting earlier this year through the auspices of United Stations, and the announcement of these new affiliates comes from Stefan Jones, the company’s SVP/Content and Affiliation based in New York.

The newest additions to The Sandy Show lineup are:

  • Alpha Media’s Adult Hits KLAK-FM in Dallas, TX, in mornings 5-9 am.
  • American General Media’s Hot AC KRTZ-FM in Cortez, CO (in the Albuquerque market) middays 9am-2pm
  • Wallingford Communication’s Adult Contemporary WLFX-FM in Berea, KY  (Lexington, KY market) afternoons 3-7 pm

The Sandy Show is the creation of its anchor, Sandy McIlree, who has been an on-air radio morning show personality for nearly three decades. Sandy is best known as half of “The JB and Sandy Show,” which aired on KAMX (Mix 94.7) Austin for 17 years, consistently dominating ratings in the morning drive time. McIlree was named Austin’s Best Radio Personality by The Austin Chronicle five times and nominated for induction into the Texas Radio Hall of Honor. He is joined on the show by his wife, Tricia, who balances Sandy’s big-hearted optimism by being pragmatic, strongly opinionated and very organized. She has been a regular contributor on McIlree’s radio shows for years.

As demonstrated by the variety of new Sandy Show affiliates, the program can fit on multiple formats ranging from Hot Adult Contemporary and Top 40 to Classic Hits. United Stations’ Stefan Jones commented, “Radio Stations are discovering how user-friendly The Sandy Show and its hosts can be. That, along with Sandy’s killer content, is getting the show to a point where it’s really starting to take off!”

CBS News Poaches Catherine Herridge From Fox

Catherine Herridge
Veteran journalist Catherine Herridge is joining CBS News as a senior investigative correspondent based in Washington, D.C., it was announced Thursday.

Herridge has reported on intelligence issues from the nation’s capital and around the world for the past three decades, in addition to conducting newsmaking interviews and consumer investigations. In her new role at CBS News, which begins in November, she will report original investigations and cover national security and intelligence matters that affect the country.

“Catherine Herridge is a skilled investigative correspondent who has consistently brought depth and originality to her reporting,” said Christopher Isham, Vice President and Washington Bureau Chief. “We are very excited that she will be joining the outstanding team at the Washington Bureau.”

“CBS News has always placed a premium on enterprise journalism and powerful investigations,” said Herridge. “I feel privileged to join a team where facts and storytelling will always matter.”

Throughout her career, Herridge has reported on some of the biggest national and international security stories of our time, including the 9/11 terrorist attacks from New York City, military trials for the architects of the attack at Guantanamo Bay, and more. Herridge has covered news from various hot spots all over the world including Afghanistan, Iraq, Qatar, Israel, Northern Ireland and the former Yugoslavia.

Prior to joining CBS News, Herridge was the chief intelligence correspondent for FOX News Channel (FNC), covering the intelligence community, the Justice Department, and the Department of Homeland Security. While at FOX News, she was also a New York-based correspondent for the newsmagazine “Fox Files,” where she led investigations into Medicare fraud, prescription drug abuse and child prostitution. Earlier this year, she interviewed President Trump after the Special Counsel ended its investigation.


She began her career as a London-based correspondent for ABC News before joining FOX News in 1996.

Herridge’s national security reporting was recently recognized by the Congressional Medal of Honor Society with the “Tex” McCrary Award for excellence in journalism.

TV Ratings: MLB W-S Game 7 Scores For Fox

The Nationals: World Champs
According to Nielsen live-plus-same-day data, Game 7 of the MLB World Series on Wednesday night averaged 23 million viewers and a 13.1 household rating, making it the 20th most-watched broadcast of 2019.

AdAge reports the ratings spike brought the full series average to 13.9 million linear TV viewers and an 8.1 rating, while generating north of $400 million in total ad sales revenue for Fox.

Along with being the series’ biggest draw, Game 7 was also the youngest-skewing broadcast, with Fox reaching an audience with a median age of 55.3 years. Over the course of the seven games, Fox’s median age was 56.9 years, up a smidgen vs. last season’s 56.2. Baseball draws a decidedly older crowd than the other marquee sporting events; for example, CBS’s coverage of Super Bowl LIII posted a median age of 47 years, while the 2019 NBA Finals on ABC delivered a series average of 47.4 years during its six-night run.

To put the Game 7 ratings deliveries in perspective, the broadcast currently stands as the sixth highest-rated program since the 2019-20 season began on Sept. 23, trailing four of Fox’s national NFL windows and the Sept. 29 installment of “Sunday Night Football,” which featured the league’s two top draws in Dallas and New Orleans.

From a historical standpoint, the 2019 World Series now ranks as the fourth lowest-rated MLB title tourney since Nielsen’s been monitoring the data; the additional 575,000 viewers per game that watched via streaming platforms and the Spanish-langue channel Fox Deportes gave this year’s set a leg up over the 2014 Giants-Royals championship, while the vanilla linear TV ratings easily surpassed the lowly 2008 and 2012 events.

In terms of the dollar demo, the Nats-Astros series averaged a 3.4 rating, which works out to around 4.44 million adults 18-49. Season-to-date, the general-entertainment/non-sports program that has come anywhere near to serving up that many advertiser-coveted viewers is Fox’s own “The Masked Singer,” which through four episodes is averaging a 2.2 rating, or on the order of 2.85 million adults 18-49. Game 7 served up 7.92 million viewers from that same age range.

SiriusXM Radio: Wharton School Launching Morning Show


One of the nation’s premiere business schools is launching a new morning radio show that will feature interviews with some of the economy’s most powerful influencers and a deep bench of in-house experts.

The Wharton School at the University of Pennsylvania announced Thursday that it will debut Wharton Business Daily on November 4 on satellite radio station SiriusXM Channel 132.

Veteran broadcaster Dan Loney hosts. The show will feature topical news stories and emerging trends with an emphasis on their impact on both consumers and the business world.

Loney’s upcoming guests include Wharton dean Geoff Garrett; former AOL chairman Steve Case, Facebook head of external affairs Robert Traynham; Ezekiel Emanuel, Penn’s bioethics chair and an author of the Affordable Care Act; and Netflix co-founder Marc Randolph.

What will make Wharton Business Daily "unique is the way we offer listeners both serious macro-economic topics like healthcare and trade wars while also airing show segments that reflect everyday pocketbook issues,” said Loney in a statement. “Our goal is to inform, surprise, entertain and educate, sometimes all at once.”

Loney said he also plans interviews with Wharton professors who will provide insights on government policy changes, market shifts, innovation, and consumer trends. The show debuts Monday at 10 a.m.

R.I.P.: Paul Palmer, Former San Diego Radio Broadcaster

Paul Palmer
The 76-year-old man who died in a wrong-way crash in Del Mar earlier this week has been identified

Longtime radio station executive Paul Palmer, who also served a dozen years at the helm of a nonprofit geared toward guiding kids, died in a auto accident near San Diegos last weekend.

Palmer was the former chief executive officer of Big Brothers Big Sisters of San Diego County, part of the nation’s largest donor- and volunteer-supported mentoring network. During Palmer’s 12-year tenure, the local chapter increased the number of children mentored in the region from 230 to 1,700, according to a 2014 column in the Union-Tribune.

Before holding the top job at Big Brothers Big Sisters between 2002 and 2014, Palmer spent more than two decades as general manager of KFMB radio.

According to police reports, Palmer was driving his Honda CRV north and swerved into the southbound lanes. The Honda sideswiped a Toyota RAV4, then slammed head-on into a Toyota van.

Paramedics started life-saving measures, but Palmer died at the scene, according to the Medical Examiner’s Office.  The others involved suffered minor injuries.

Sheriff’s traffic deputies said alcohol and drugs were not suspected to be factors in the collision.

Paul's robust radio career included on-air personality, account executive, and sales manager. Eventually, Paul ended up in San Diego as the VP and General Manager of KFMB AM and FM radio stations. For 22 years he lead these 2 major radio properties to a top-ranked position in both ratings and revenue.

R.I.P. Allan Kalish, Iconic Philly Radio Ad Man

Allan Kalish
Iconic Philadelphia-based ad man Allan Kalish has died.

He was 94-years-of age of complications from Parkinson's  disease, according to The Philadelphia Inquirer.

“I remember Allan well,” said fellow Philadelphia adman Elliott Curson. “He was a dynamo in the business. A great people person with an amazing mind for marketing. He could sell anything.”

After selling the agency to Earle Palmer Brown in 1984, Mr. Kalish advised Fortune 500 companies on sales and marketing strategies.

In 2002, he and partner Rick Mosenkis launched WorkZone, a software company that allows ad agencies and other firms to manage projects with clients online.

Kalish was successful, Mosenkis said, because of the way he interacted with people. “He was a great listener. He thought bigger for CEOs than they did for themselves. Helping people was his greatest joy.”

Born in Pittsburgh, he never knew his father. Until age 11, he lived in a farmhouse across the Allegheny River from Kittanning. “Depression home with 16 adults, and me, and only one bathroom,” he blogged.

He graduated from high school in Reading, where his mother had moved, and enrolled in Lafayette College. He served in World War II for 30 months, including at the Battle of the Bulge, and was honorably discharged before turning 21.

He started his career in sales at Philadelphia Magazine and in 1954 turned to broadcasting at WCAU Radio. “In his heart, he was always a radio man,” his family said.

“Ended up in the ad agency business & loved it,” he blogged in 2012.

Mr. Kalish was a former president of the Philadelphia Advertising Club and was inducted into the Broadcast Pioneers of Philadelphia Hall of Fame in 1994.

R.I.P.: Ron Fairly, MLB Player & Sportscaster

Ron Fairly, a two-time All-Star during his 21-year playing career and longtime broadcaster for three teams with a folksy style of calling games, has died.

He was 81, according to The Associated Press.

Fairly spent 50 years in baseball as a player and broadcaster, appearing in four World Series during his playing career before moving on to work as a broadcaster with the Angels, Giants and Mariners.

Fairly started in the majors in 1958 with the Los Angeles Dodgers. He won three championships with the Dodgers during parts of 12 seasons in Los Angeles. He spent parts of six seasons with the Montreal Expos, where he was an All-Star in 1973. He was an All-Star again in 1977 playing for Toronto and finished his career a year later with the Angels.

Fairly also played for St. Louis and Oakland. In 2,442 games, Fairly had a batting average of .266 with 215 home runs and 1,044 RBIs. He appeared in more than 1,000 games as both an infield and outfielder. Fairly grew up in Southern California, helping USC win the College World Series in 1958.

After his playing career ended, Fairly began a lengthy career in the broadcast booth. He worked on Angels broadcasts between 1979-86. Fairly joined the San Francisco broadcast team in 1987 and remained there before joining Seattle's broadcast in 1993. Fairly spent 14 seasons with the Mariners as an analyst and occasional play-by-play voice before retiring from full-time duties in 2006. He worked a handful of games on Mariners' broadcasts in 2007, 2010 and 2011.

November 1 Radio History


➦In 1880...Sportswriter Grantland Rice was born in Murfreesboro Tennessee.  He was with the NY Herald Tribune when he was pressed into service as a broadcaster; he was at the mike for the first World Series game which aired on  KDKA in 1921 and the first complete World Series WJZ in 1922. He died July 13 1954 at age 73.


➦In 1894…Billboard Advertising, a 10-cent trade publication dealing with billboard advertising, began publication. After a few years, it started to focus on the entertainment shows advertised by billboards, and by the 1930s Billboard, as it came to be known, was covering radio and sales of a new medium, juke box records.

➦In 1937..."Hilltop House" first aired on CBS Radio. It's stories centered around Bess Johnson and the struggles that she faced as the person in charge of Hilltop House Orphanage. Children were integral to the plots, and the stories usually dealt with the youngsters' interactions with adults.

Financial problems and conflicts between the staff and members of the orphanage's board of directors also arose frequently. Sponsored by Palmolive soap, this version was broadcast on both CBS and Mutual beginning on November 1, 1937. It left Mutual in 1938 but remained on CBS until March 28, 1941. It was replaced by a spinoff, then was re-launched twice, with its final episode coming on July 30, 1957.

➦In 1937…"Terry and the Pirates," a radio serial based on the popular comic strip, debuted on NBC's Red network.

When the late afternoon series began, it was heard at 5:15pm, three times a week, sponsored by Dari-Rich, airing on NBC Red Network from November 1, 1937 to June 1, 1938. It switched to NBC Blue Network on September 26, 1938, continuing until March 22, 1939. Absent from the airwaves for over two years, it returned shortly before the Attack on Pearl Harbor, heard in the Midwestern United States on the Chicago Tribune's WGN. That series, sponsored by Libby's, aired five days a week from October 16, 1941 to May 29, 1942.

With increasing popularity during the World War II years, the show next took off at a fast pace on Blue Network, airing daily for 15 minutes on weekday afternoons beginning February 1, 1943. The Quaker Puffed Wheat and Puffed Rice "shot from guns" commercials often had a patriotic pitch.

After 1945, with no wartime villains for Terry and his pals to fight, ratings began to drop in the post-World War II period until the final episode on June 30, 1948.

➦In 1946...The following ad appeared November 1 in the NY Times heralding a change in call letters from WEAF to WNBC. Also, WABC became WCBS-AM

➦In 1955...The R&B group the Famous Flames entered studios at WIBB in Macon, GA to record a demo of their first song, "Please, Please, Please." The result, featuring lead singer James Brown pleading into a single microphone while standing on an overturned wooden Coca-Cola case, was rejected by several record labels before finally being picked up by Cincinnati-based Federal Records, a subsidiary of King Records.

➦In 1959...WOV 1280 AM in NYC changed call letters to WADO.

This station was launched as WGL on January 30, 1927, and was owned by the International Broadcasting Corporation. WGL president Colonel Lewis Landes stated on the inaugural broadcast, "The International Broadcasting Corporation's aim is to adhere to truth, to be free of partisanship, religious or political."

WGL was the first station to protest the frequency allocations of the Federal Radio Commission in May 1927. WGL was authorized to move to 1170 AM, but wanted to go to 720, then occupied by WOR. When WOR was awarded the 710 frequency, both stations went to court, with WOR eventually winning the case. Finally in June 1927, WGL moved to 1020 AM and shared time with Paterson station, WODA.

On September 16, 1928, WGL changed calls to WOV and was sold to Sicilian-born importer John Iraci. The WGL call sign was then picked up by a Fort Wayne station, which uses them to this very day.


WOV's initial programming was aimed at a general audience, but by the mid-1930s, it strengthened its ethnic ties and expanded its Italian-language programming to fill the daytime hours. WOV soon became the dominant Italian voice in the Northeast through its affiliation with share-time station WBIL and Iraci's WPEN in Philadelphia.  Eventually, the station moved to its current 1280 AM spot.

DeeJay Peggy Lloyd (undated)
The station was owned by WOV Broadcasting until 1959, when it was sold to Bartel Broadcasters, at which time the station was renamed WADO.  The station was sold to Command Broadcasting in 1979. In 1986, Heftel bought the station, and over the next three years, moved to a Spanish language adult contemporary and talk format. By the early 1990s, WADO was a Spanish news and talk station.

In March 1996, Command bought WPAT and put a Spanish MOR format there. In 1997, Heftel restructured into Hispanic Broadcasters. They sold WPAT to Multicultural, and acquired WNWK from Multicultural. The brokered shows from WNWK went to WPAT and WCAA went to a Spanish Tropical format. WADO remained News and Talk.

In the 1990s the FCC began to entertain the idea of power increases on the formerly 'regional' channels like 1280. Application was made to raise day power from 5,000 watts on two towers to 50,000 watts on a four tower system. This remained on file, and was periodically amended as the ownership changed. In 1998 the FCC granted a CP for days at 50,000 watts. While planning the rebuilt site, DoE David Stewart hit on the idea of a night power increase using the proposed extra day towers. CP was granted for 7,200 watts.

In 2002, Hispanic Broadcasting was sold to Univision, making WADO and WCAA Univision-owned and operated stations

➦In 1993...Atlantic Radio - a collection of 20 radio stations - became American Radio Systems.

CBS Corp. completed the $2.6-billion acquisition of American Radio Systems Corp.'s 98 stations in 1998.  At the time, Mel Karmazin, chairman and chief executive officer of the CBS Station Group, commented: "The acquisition of American Radio is financially and strategically attractive for CBS. This investment will significantly strengthen CBS's position in the fast growing radio industry.  It will enable CBS Radio to expand into new top 50 markets and increase its position in its existing major markets.  American Radio's stations are located in very attractive radio revenue growth markets where the Company expects to further consolidate its position."

➦In 2005...pianist & bandleader Skitch Henderson died at age 87. On radio he was a sometime musical director for Frank Sinatra and Bing Crosby; he was the original orchestra leader on the NBC TV Tonight Show with Steve Allen, went with Steve to his prime time shows, and returned to Tonight for Johnny Carson‘s early years.

Charlie O'Donnell
➦In 2010...Radio, TV announcer Charlie O’Donnell, who worked the Wheel Of Fortune, The Newlywed Game, The Dating Game, American Bandstand and the Gong Show, died in his sleep of heart failure at age 78. He also announced the American Music Awards, the Emmy Awards and the Academy Awards.

O'Donnell, a native Philadelphian, began his career as a teenager at WCHA in Chambersburg, PA. In 1956, he worked as program director at WHAT, a 250-watt R&B station in Philadelphia, where he discovered and launched the career of future Philadelphia radio legend Hy Lit.

When WIBG 990 AM became Top40 in 1957, O'Donnell was named news director.

In 1958, he became the sidekick of Dick Clark on WFIL-TV6's afternoon dance program, American Bandstand. This led to several stints as a disc jockey on Los Angeles radio (most notably on legendary Pasadena station KRLA, 1964–67), and later as news anchorman and staff announcer on Los Angeles television station KCOP-TV. KCOP was the home of The Joker's Wild and Tic-Tac-Dough during its initial syndicated reigns.

He is also featured on the Simon and Garfunkel song "7 O'Clock News/Silent Night" as the news announcer.

Thursday, October 31, 2019

SiriusXM Revenue Surges 37 Percent


SiriusXM today announced third quarter 2019 operating and financial results. Total revenue of $2.0 billion increased 37% compared to the prior year period, boosted by the acquisition of Pandora Media on February 1, 2019.

On a pro forma basis, revenue climbed 7% from $1.9 billion in the third quarter of 2018. The Company's net income totaled $246 million in the third quarter, compared to $343 million in the prior year period. Net income per diluted common share was $0.05 and $0.07 in the third quarter and the prior year period, respectively.

The decline in net income was primarily driven by refinancing expenses associated with SiriusXM's July redemption of its 6.00% senior notes due 2024, in addition to non-recurring tax benefits in the prior year period. The Company's effective tax rate for the third quarter 2019 was 22.2%, compared to 3.3% in the prior year period.

Adjusted EBITDA grew 12% to $657 million in the third quarter and resulted in an adjusted EBITDA margin of 32.6%, growing approximately 160 basis points from 31.0% in the third quarter 2018. The adjusted EBITDA margin in the quarter was driven primarily by revenue growth across the business and cost efficiencies in subscriber acquisition costs and revenue share and royalties.

Jim Meyer
"SiriusXM's robust third quarter saw strong results across the board. Total net additions benefited from continuing strength in the auto sector, and our adjusted EBITDA hit an all-time quarterly record of $657 million. Things have never been more exciting at the company as we continue to invest in our brands, content, products and expanded OEM distribution. With two months left in the year, we are raising 2019 guidance for revenue, adjusted EBITDA and free cash flow and we are confident in our expectations for self-pay subscriber growth," said Jim Meyer, Chief Executive Officer, SiriusXM.

"We officially opened our new Hollywood studio complex with a special series of shows by Howard Stern. Howard is at the top of his game and was welcomed to LA by an array of stars and special live performances by Adam Levine and Green Day, all from our state-of-the-art street level performance space we call The Garage. Howard's broadcast followed a month of special shows, interviews, and performances in LA exclusively for us by Carrie Underwood, Julia Roberts, Dave Matthews and breakout artist Billie Eilish, to name a few. Re-establishing ourselves in the Entertainment Capital of the world, and being closer to compelling talent and brands, bolsters the value of our programming for our subscribers," added Meyer.

SIRIUSXM
  • Self-Pay Subscribers Top 29.6 Million. SiriusXM added 302,000 net new self-pay subscribers in the third quarter to end with more than 29.6 million self-pay subscribers. Total net subscriber additions in the third quarter were 210,000, resulting in more than 34.6 million total SiriusXM subscribers at the end of the period. Paid promotional subscribers decreased due to declines in shipments from automakers offering paid promotional subscriptions. Self-pay monthly churn for the quarter was 1.7%, compared to 1.8% in the third quarter of 2018.
  • SiriusXM Revenue of Nearly $1.6 Billion. Third quarter revenue of $1.6 billion grew 7% compared to the prior year period. This growth was driven by a 3% increase in total SiriusXM subscribers and 3% growth in SiriusXM's average revenue per user (ARPU) to $13.90.
  • Gross Profit Grows 7%. Total cost of services at SiriusXM increased 6% to $596 million in the third quarter, driven primarily by higher revenue share and royalties and programming and content expenses. Gross profit at SiriusXM in the quarter totaled $970 million, increasing 7% over the third quarter of 2018, and produced a gross margin of 62%, flat compared to the prior year period.
PANDORA
  • Advertising Revenue Hits All-Time High. Ad revenue at Pandora reached a record $315 million, growing 8% over the third quarter of 2018. Ad revenue was driven by strong third quarter monetization of $85 per thousand hours, growing 10% over the third quarter 2018. Strength in traditional audio advertising, boosted by video programmatic and engagement-based video, as well as the expansion of off-platform efforts and fees generated on the AdsWizz platform drove revenue growth. Total revenue for Pandora grew 7% to $447 million in the quarter, aided in part by a 5% increase in subscriber revenue to $132 million.
  • Total Ad Supported Listener Hours of 3.32 Billion. Monthly Active Users (MAUs) at Pandora were 63.1 million at the end of the third quarter, down from 68.8 million in the prior year period. Total ad supported listener hours were 3.32 billion in the period, down from 3.59 billion in the third quarter of 2018.
  • Self-Pay Net Adds of 33,000. Pandora added 33,000 net new self-pay subscribers in the third quarter to end with nearly 6.3 million self-pay subscribers. In the third quarter, a one-year paid promotional subscription trial with T-Mobile ended, resulting in approximately 700,000 paid promotional trials being retired. This brought total Pandora subscribers to over 6.3 million at the end of the period, which included a paid promotional subscriber base of 45,000.
  • Gross Profit Grows 19%. Total cost of services at Pandora in the third quarter 2019 of $278 million increased 1% compared with the third quarter 2018. This resulted in gross profit at Pandora of $169 million, up 19% over the third quarter 2018, and produced a gross margin in the quarter of 38%, growing approximately 400 basis points from 34% in the prior year period. This expansion was driven primarily by lower revenue share and royalties and customer service and billing expenses as a percentage of revenue.

Day 3: October '19 PPMs Out for Portland, Orlando, 10 Other Markets

Nielsen on Wednesday, October 30, 2019 released the third batch of October 2019 PPM data for the following markets:

   22  Portland OR

   23  Chatlotte-Gastonia-Rock Hill NC

   25  San Antonio

   27  Sacramento

   28  Pittsburgh

   29  Salt Lake City-Ogden-Provo


   30  Las Vegas


   31  Orlando

   32  Cincinnati

   34  Cleveland


   35  Kansas City

   36  Columbus OH


Click Here to view Topline Numbers for subscribing NielsenAudio stations.

NYC Radio: Francesa, Kay Ratings War Heats Up


Mike Francesa is not admitting defeat, but he seems to be acknowledging it is possible, according to nj.com.

The WFAN 660 AM / 101.9 FM host, down big early to WEPN 98.7 FM ESPN Radio New York’s “The Michael Kay Show” in the Autumn 2019 ratings book, fired a shot across his arch-nemesis’ bow on Twitter early Wednesday morning.


Francesa’s afternoon drive domination may be in its death throes. Kay has a 7.4 to 6.0 lead in the coveted men ages 25-54 demographic after the first month of the book.

The truly scary part for Francesa: That is a real 1.4-point deficit, not one engineered the selective ESPN math the station has used to claim dubious ratings wins in the last two competitive books. The 7.4-6.0 spread includes all WFAN streaming numbers. ESPN has previously tried to claim Kay should be considered the winner with a higher terrestrial radio rating, even though Francesa’s streaming number has pushed him past Kay on aggregate.

The issue: Entercom, WFAN’s parent company, sells ads separately on its terrestrial and streaming broadcasts, so it has two ratings figures. ESPN sells the same ads on both platforms and has one number.

Chicago Radio: JRDN Lands Evenings At WKSC

JRDN
WKSC 103.5 KISS FM Chicago announced Wednesday that JRDN has been named Night Host. JRDN will broadcast weekday nights from 7 p.m. to 12 a.m.

“He brings a level of energy to events that no one can match,” said James Howard, Senior Vice President of Programming for iHeartMedia Chicago and 103.5 KISS FM Program Director. “Through his charisma and passion for both music and radio, JRND creates inviting and exciting experiences for listeners on the air and in person.”

“I’m really excited and honored to be taking on this role,” said JRDN. “It’s something I’ve worked towards for a while now, so I can’t wait to serve Chicago some great times and good laughs.”

An Upstate New York native, JRND, most recently served as overnight and fill-in host on 103.5 KISS FM. Prior to joining iHeartMedia Chicago four years ago, JRDN was a songwriter and rapper. He is a graduate of Syracuse University.

Cumulus Names Robert Berju As VP/Finance & Strategy

Robert Berju
CUMULUS MEDIA has announced Robert Berju as their first VP, Finance and Strategy. In this newly created position, Berju will lead financial planning and analysis, budgeting and forecasting, capital management, and modeling of strategic initiatives, while having financial oversight of Westwood One, the largest audio network in the U.S. Berju is based in New York City.

Berju comes to CUMULUS MEDIA from Clever Devices, where he was SVP, Finance and Accounting. He has spent most of his career in the media business, serving as VP, Corporate Finance at iHeartMedia and as VP, Finance and Operations for AMC Networks. In addition, Berju was VP, Corporate Finance for Rainbow Media Holdings. Earlier, he held multiple finance positions within Cablevision Systems Corporation.

“Robert is a highly accomplished media veteran with over two decades of finance, accounting, and strategic planning experience,” said Suzanne Grimes, EVP Marketing, CUMULUS MEDIA and President, Westwood One. “He will play an important role in building upon the success of Westwood One and propelling the organization to new heights in 2020 and beyond.”

John Toohey, Vice President of Finance, CUMULUS MEDIA, said: “As a former colleague of Robert’s at Rainbow, I am excited to have him join the CUMULUS MEDIA finance team and put his proven leadership to work.”

Berju said: “I am truly honored to join CUMULUS MEDIA, and am ready to guide the finance group and offer our leadership team new strategies that will fortify Westwood One’s growth initiatives and business goals.”

Philly Radio: WHYY Employees Vote To Unionize


Journalists and other content producers at WHYY have voted to unionize with SAG-AFTRA, a union that represents more than 160,000 media workers, including those at NPR and other public media stations.

The vote, tallied Wednesday evening, was 70-1, reports The Philadelphia Inquirer.

“We’re thrilled by our strong showing,” the union said in a statement. “We look forward to beginning a democratic process to hear from our members about what they would value most from a contract with management.”

Now that the union is official, the next step is negotiating the first collective bargaining agreement, the contract for the entire union. It’s an important period as it sets the stage for future contracts and the relationship between the union and management.

“It’s an important outcome,” CEO Bill Marrazzo said of the vote, “but it isn’t going to change our commitment to ensuring that we continue to grow WHYY and do so in a way where we can reach more and more people in the Delaware Valley.”

He said he was not concerned about any changes that the formation of a union might bring to the station. “WHYY,” he said, “is not for or against organized labor and we respect our employees’ right to seek unionization.”

Earlier this month, WHYY workers went public with their intent to unionize, citing “untenable working conditions” that they say have led to high turnover at one of the only growing local media outlets in the region.

Representatives of the WHYY union declined to elaborate on reasons for unionizing, saying that they preferred to discuss the issues while negotiating their first contract. But media workers across the country have said they unionized to fight for pay equity, benefits like paid parental leave, and other job protections in an industry rife with layoffs and consolidation.