Monday, January 11, 2021

The State of Talk Radio 2021

 by Jim Watkins, Affiliate Relations Manager at Salem Radio Network


Every year about this time I do a self-check on the state of the Talk Radio format. 

I ask myself the following: what impact will Talk Radio have with listeners this year? Will there be more people listening or less? How will the COVID 19 pandemic continue to affect local business hard-hit by retail lockdowns, which, in turn, has slowed local ad dollars? Is there burnout expected, or continued engagement?

Even in our darkest hour of recent memory, 9/11, such a horrible time blighted America. We were on edge, we didn’t know how safe we were and our lives changed. But things did get better. And 9/11 showed us that people become more engaged when they see danger, not less. There is certainly a sense of foreboding danger in the present, even political uncertainty. We also can’t forget that, because of Covid, people are more isolated than before, so that comforting voice, that real-time conversation is vital for many people who need to feel connected and reassured. Radio does this better than any medium and always has.

Talk Radio, a mostly conservative medium, is the only major national medium that does provide entertainment and information to a majority of conservative and politically interested listeners. We also know that at least 80 million people of them voted for Republican, and most of them are probably listening to your Talk station. 

Will they continue to support the format? and if they do, how do you convert that loyalty into ad revenue? Will Madison Avenue finally reverse its course and embrace Talk Radio, or will it continue to distance itself (and its media buyers) from your P1’s for ideological reasons? After all, talk radio listeners eat, drink and buy things too. 

From where I sit, Talk Radio is evolving and will be even more important to its base of P1’s in the coming several years for a number of reasons.

WHAT COMES DOWN MUST GO UP

First, most are confident we will get a handle on the virus and we will get back to normal sooner than later, and in the meantime, news and information in real time guarantees continued high listenership. The economy will come back, as cycles of history show, which guarantees marketing and promotional dollars will increase. Radio is a great way to let people know your business is open. 

From a political perspective the conservative movement is now firmly galvanized; they will continue to be engaged, and since most other media tends to lean Left, this only provides more refuge for those 80,000,000 Americans who support the format. 

We also know that, just as it was during the Obama years, there will continue be racial and gender conflicts as well as other social issues driving the news cycle. With social unrest here at home, and as China and other despotic countries assert themselves, there will be much to watch and plenty to talk about to be sure.

So the News cycle will continue to spin in a furious manner. All of which makes for compelling Talk Radio and keeps the audience coming back for more.

If I was a betting man, I would bet that Talk Radio stations will have a good year in 2021 both in strong listenership and more robust advertising as the economy gets back on track in a post-covid world, and we can expect an even better year in 2022 as we (I hate to say it too soon) head into the next election, now less than two years away.

I can help you navigate through all of this and provide solutions if you are considering a format change to Spoken Word, and I have great confidence good times are ahead.

I’ll give it an 8+ confidence vote that Talk Radio will continue to be the dominant radio format in 2021. What do you think?

(Editor's note: To get in touch with Jim, click on the name/link above.  This article first appeared in LinkedIn and was reposted with permission)

NFL Drops Promos So Nets Can Air More Commercials


The National Football League is allowing CBS, NBC and Fox to sell an additional two minutes of commercials during the playoff games leading up to the Super Bowl, according to The Wall Street Journal citing network and league officials.

That will mean several million dollars of new revenue for the networks, as NFL postseason games are among the most sought-after content for advertisers. A spot usually runs as high as $1 million during the early playoff rounds and can top $2 million for the conference championships that determine who plays in the Super Bowl, network executives said.

The extra ad inventory will be for all the playoff games but doesn’t include the Super Bowl, which will air on ViacomCBS Inc.’s CBS on Feb. 7. CBS is seeking as much as $5.5 million per commercial for the Super Bowl, people with knowledge of the matter have said.

The league agreed to the additional ad inventory after requests from the broadcast networks, which had already sold the bulk of commercial time for the playoffs and wanted to capitalize on strong demand from advertisers.

Sectors spending heavily on the NFL of late include insurance and technology, more than picking up the slack left from Hollywood’s cutting out much of its advertising as the coronavirus pandemic keeps the bulk of U.S. theaters shut.

To create the two minutes of new inventory, the NFL and the networks are each giving up one promotional spot, totaling one minute, and the league is allowing another minute of commercial time to be created.

In a typical game, the networks have just over nine minutes a quarter for commercials and promotions through four commercial breaks. The networks and league believe two more minutes of commercials spread throughout four quarters won’t overwhelm the audience.

The broadcast networks have endured one of their toughest years in recent memory. The pandemic has severely affected their ability to produce new episodes of entertainment programming for the fall TV season, leading to substantial declines in network ratings and the value of their commercial inventory.

Philly Flyers: Color Analyst Bill Clement Retires

NBC Sports Philadelphia is in the market for a color commentator for Flyers broadcasts after Bill Clement announced his retirement a week before the season is set to begin, reports The Philly Business Journal.

NBC Sports Philadelphia released the following statement:

“Bill Clement has been a tremendous representative of NBC Sports Philadelphia for many years, and his contributions to our coverage of the Flyers are countless. His skill, passion and dedication to his role as analyst has made him a favorite of Flyers fans, and a valued colleague and friend to many at the network. Bill’s impact on the Flyers’ and hockey community will be lasting. We want to thank him sincerely for the many years of service and wish him well in retirement and the future.”

Clement, 70, played 11 seasons in the NHL and was twice named an all-star. He spent the first four years of his career with the Flyers, where he won two Stanley Cup championships as part of the “Broad Street Bullies” teams of 1974 and 1975. He went on to play for the Washington Capitals and the Flames, both in Atlanta and Calgary.

After hanging up his skates in 1982, Clement became a hockey broadcaster, calling games with play-by-play men Gary Thorne and Mike “Doc” Emerick at ESPN. He went on to call multiple Stanley Cup finals and five different Olympic Games. He also became a pitch man for the likes of Chevrolet and Budweiser and was the in-game announcer on EA Sports’ NHL video games.

Clement called Flyers games between 1989 and 1992 before focusing on more national work, but he returned to NBC Sports Philadelphia in 2007, where he has remained until now. He served as a pre-game and postgame analyst and a fill-in when color commentator Keith Jones was called up to work national broadcasts for NBC Sports.

Parler Gets the Boot For Role In Capitol Riot

Parler, a fast-growing social media app with a large base of right-wing users, underwent a sudden reversal on Saturday after Amazon announced that it could no longer use Amazon’s web-hosting service as of Sunday night because of repeated violations of the tech giant’s rules, reports The Wrap.

“Recently, we’ve seen a steady increase in this violent content on your website, all of which violates our terms,” Amazon Web Services’ team wrote an email to Parler obtained by BuzzFeed. “It’s clear that Parler does not have an effective process to comply with the AWS terms of service.”

Both Google and Apple have suspended Parler from their app stores, with Apple accusing the upstart app on Saturday of not taking “adequate measures” to address “threats of violence and illegal activity” that have cropped up in user comments in the wake of Wednesday’s attack on the U.S. Capitol.

“We have always supported diverse points of view being represented on the App Store, but there is no place on our platform for threats of violence and illegal activity,” Apple’s statement reads. “Parler has not taken adequate measures to address the proliferation of these threats to people’s safety. We have suspended Parler from the App Store until they resolve these issues.”

Parler, which had rocketed to be the No. 1 app on Apple’s App Store earlier on Saturday, must now scramble to find a way to remain online.

On Friday, BuzzFeed News reported that Apple had threatened to permanently ban Parler from the App Store unless it created a “moderation improvement plan” after complaints about “objectionable content” including users’ attempts “to plan, coordinate, and facilitate the illegal activities in Washington D.C. on January 6, 2021 that led (among other things) to loss of life, numerous injuries, and the destruction of property.”

Apple’s App Review Board sent a letter to the Parler development team Saturday, which was obtained by TheWrap, saying it had “determined that the measures you describe are inadequate to address the proliferation of dangerous and objectionable content on your app.”

Parler CEO Pissed



Parler CEO Mark Matze said Sunday that the “devastating” Big Tech ban of the right-wing app could put the company out of business, calling it “an assault on everybody,” reports The NY Post.

His comment came a day after Amazon kicked the booming app off its web hosting services.

“It’s devastating is what it is,” Matze said on Fox News. “They all work together to make sure at the same time we would lose access to not only our apps, but they’re actually shutting all of our servers off tonight, off the internet.”

“They made an attempt to not only kill the app, but to actually destroy the entire company,” he said. “And it’s not just these three companies.

“Every vendor from text message services to email providers to our lawyers all ditched us too on the same day,” Matze said.

The social networking service had become a favorite of right-wingers and supporters of President Trump after popular sites like Twitter and Facebook began blocking or adding disclaimers to some posts, including Trump’s tweets.

But critics complain that Parler, which had nearly 1.5 million downloads this weekend alone, was increasingly home to violent rhetoric, including prior to the siege of the US Capitol last week by extremists and Trump supporters.

SiriusXM Radio: Lawmaker Believes "Something Else Was Going On"

House Majority Whip James Clyburn is calling for an inquiry into how rioters at the U.S. Capitol knew where to find his office space.

Joe Madison
In an interview with SiriusXM Radio's Joe Madison, the South Carolina Democrat said Friday that he had never seen such a failure of law enforcement leadership before and suggested "something else is going on here." 

"My office, if you don't know where it is, you aren't going to find it by accident," he said. "The one place where my name is on the door, that office is right on Statuary Hall. They didn't touch that door. But they went into that other place where I do most of my work. They showed up there, harassing my staff."

"How did they know to go there? Why didn't they go where my name was?"  he asked. "Then, where you won't find my name, but they found where I was supposed to be."

"Something else is going on untoward here," he said. "We need to have an extensive investigation to find out."


Clyburn said he supports the men and women of the Capitol Police, but the agency's leaders failed to do their jobs. He also wondered why videos posted on social media appeared to show officers opening barriers and taking selfies with those who made it inside the building. 

"Why were they out there waving people on to the grounds? Why were they allowing people through those doors?" he asked. 

Donnie Simpson To Host Syndicated Weekend Show

Donnie Simpson
Reach Media has announced that radio icon Donnie Simpson will host The Donnie Simpson Weekend Show, a two-hour program featuring music and interviews from the legendary DJ’s archives, reports Billboard.

Co-hosted by Tony Perkins, The Donnie Simpson Weekend Show launches this weekend (Jan. 9-10) from Reach Media and will play every weekend thereafter on a total of nine affiliate stations including WAMJ-HD2 in Atlanta; WWIN in Baltimore; WOSL in Cincinnati; WZAK in Cleveland; WXMG in Columbus; WPPZ in Philadelphia; WFXC in Raleigh; WKJS in Richmond; and WMMJ in Washington D.C. Each episode will center around a specific music theme.

Over a career spanning 51 years, Simpson has hosted radio programs for stations including WJLB in Detroit and WKYS and WMMJ in Washington, D.C., where he and Perkins currently co-host afternoons. On TV, he also served as a VJ/host for BET’s Video Soul. He was recently inducted into The Radio Hall of Fame Class of 2020.

“People around the country got to watch me on Video Soul for many years, but didn’t get to check me out on my first Love, radio. Only Detroit and DC would suffer that experience,” said Simpson in a statement. “So I’m really excited for the rest of the country to finally hear what I do ON THE RADIO.”

Reports: Fox News Positioning As MAGA Safe Space



The imminent end of the Trump presidency has presented a challenge to the enormously popular, enormously profitable Fox News Channel, reports The NY Times.   FNC is the crown jewel of Rupert Murdoch’s American empire — whose conservative stars yoked themselves to Donald Trump more tightly than any other mainstream pundits over the past four years.

Prime-time hosts like Tucker Carlson and Sean Hannity spoke darkly of possible voter fraud and irregularities. But privately, senior figures at the network acknowledged a struggle to thread the needle between the president’s bogus fraud claims, and the demands of an audience that was increasingly confused at the discrepancies between Mr. Trump’s lies and the reporting on Fox News, which declared Joseph R. Biden Jr. the president-elect on Nov. 7.

Executives at Fox News are unfazed by the lamentations of liberal critics, but the defection of conservative viewers to fringier pro-Trump outlets like Newsmax was more concerning, according to the Times.

Now, in the wake of violence at the Capitol and Trump’s increasing isolation within his own party, Fox News is finding a path forward: sympathize with the grievances of a Trump-adoring audience that has finally acknowledged its tribune has fallen. Become a MAGA safe space.

“Tens of millions of Americans have no chance; they’re about to be crushed by the ascendant left,” Carlson claimed. “These people need a defender. You need a defender.” It was not hard to deduce whom he had in mind.

Anyone expecting an about-face from Fox News — or an apology, as some liberals might daydream — has not studied its history or that of its owner, Murdoch, whose ability to adapt to political change is matched only by his reluctance to kowtow to critics.

OR-WA Radio: KXLE's Steve Scellick Hangs Up His Headphones



KXLE 95.3 FM on-air personality Steve Scellick has retired as of Christmas Eve 2020.   He has seen the industry go from spinning vinyl to compact discs to computer generated music in the 30 years he’s been in business.  

“I consider myself an entertainer. I would play the music and interact in between,” Scellick told the The Daily Record News recently. “There is inter-community involvement with promotions and events and that was enjoyable.

“I never talked politics, tended to keep things light.”

The small town market demands meeting the musical needs of the faithful followers, providing news and weather reports. In essence, being the guy people go to be informed, and better still, entertained.

Accountability is everything, KXLE station manager Brad Tacher said.

“I think at the end of each day Steve gave people a thought to think about,” Tacher said. “The most important thing in people’s lives is entertainment and our job is to entertain people with humor or music or a combination of both.

“He had the ability to leave people with a smile, and if you can do that, I would say we’re doing our job.”

Like everything, the radio industry has evolved and changed over the course of time, whether it’s the artists or the way the music is presented or better still, the way it’s delivered on air. Corporations control the delivery, what gets played, how it gets played for better marketability.

Even with all that, Scellick made it personal, made it fun, keeping his finger on the pulse of the community.

“In the last years, I got pretty laid back and tried to interject some humor,” Scellick said. “I don’t talk politics. I found that something would come in and I’d feel the need to put it out there right away, only to find out it’d been on Twitter for the past 12 hours. Social media changed things and began to take over the news cycle.”

SiriusXM Radio: Stream Listeners Now Have Access to NBA Game Audio


The National Basketball Association and SiriusXM have expanded their agreement to include additional streaming rights starting with the 2020-21 NBA season. 
The multi-year agreement will provide SiriusXM subscribers with the SiriusXM Premier Streaming Package access to live audio broadcasts for every NBA game. Subscribers with either a SiriusXM Premier or SiriusXM Essential Streaming Package will also get the exclusive 24/7 talk channel, SiriusXM NBA Radio.

SiriusXM streaming subscribers can access NBA content on the SiriusXM app on their mobile devices, at SiriusXM.com, and on connected devices and smart speakers. Fans with the Premier Streaming Package will now have access to 30 additional play-by-play channels on the SiriusXM app and at SiriusXM.com, each dedicated to carrying the official radio broadcast for each NBA team, making it easy for fans to find and listen to their favorite team's announcers for every game. Schedules can be found at SiriusXM.com/NBAschedule.

Consumers with either the SiriusXM Premier Streaming or SiriusXM Essential Streaming Package can now access the 24/7 SiriusXM NBA Radio channel. The channel offers extensive and in-depth coverage of the NBA with a daily lineup of shows hosted by many former coaches and players as well as SiriusXM's roster of insiders. Fans can stream SiriusXM NBA Radio programming anytime they want.

Streaming access to NBA programming will continue to be available to SiriusXM subscribers with the SiriusXM All Access satellite service, who can listen on their SiriusXM radio in-vehicle and on the SiriusXM app.

Right now, SiriusXM is offering new eligible customers their first 3 months of the Premier Streaming Package for $1. Fees and taxes apply. See Offer Details and sign up at SiriusXM.com/NBATrial.

McCain's Return To 'The View' Has Been Rough



Meghan McCain has been back to work at The View barely a week since returning from maternity leave and it's already off to a rough start, as the Republican realizes she 'doesn't have the job security that she once did,' sources exclusively claimed to DailyMail.com.

The talk show's resident conservative returned to work on Monday after giving birth to her first child, daughter Liberty Sage, in September and being hospitalized with eclampsia.

But the time away didn't do much to cool the prior tension she had with co-hosts Joy Behar and Whoopi Goldberg, getting into a heated spat with Behar on Tuesday.

The 36-year-old interrupted Behar while she was explaining why the Republican party was facing trouble following the 2020 election, ending with Behar, 78, telling McCain point blank that she did not miss her while she was on maternity leave.

The next day, the antics continued when McCain kept pressing Georgia Senator-elect Raphael Warnock on a question, leading Goldberg to snap 'hey listen' at her, before tossing to commercial.

The incident had McCain rattled for a good portion of the show and during a later segment, she became so flustered that she couldn't finish her train of thought and asked if they could move on to someone else.

At the close of the day's show, executive producer Brian Teta appeared for an awkward explanation for the 'technical issues' and claimed Goldberg was telling producers to listen, not McCain.



Meanwhile, Yahoo! News reports a source told E! News that not being able to film the daytime talk show in person is contributing to a sense of increased tension, especially as Meghan McCain returns from maternity leave. The insider explains, "There has always been a sense of family behind the scenes at The View, but it has been harder to maintain that camaraderie amongst the show's hosts while producing the show remotely."

Prior to the pandemic, the insider says Joy Behar, Whoopi Goldberg, Sunny Hostin, Sara Haines and Meghan were prevented from "hiding from each other" on the Manhattan set, which the source describes as "much smaller than similar studios."

"The women typically start their mornings together in hair and make-up before passionately sharing their opinions," the source continues. "Then once the show goes off the air, the panelists all walk off set together, and there is almost always a post-show meeting—allowing the hosts to smooth over any tension that may have bubbled over during the day's episode."

The Reason Why Vinyl Sales Just Skyrocketed Record Levels



Album sales decreased in 2020 across digital and physical. During the year everything else seemed to be in free fall, vinyl sales shot up by a staggering 46.2% according to MRC Data’s 2020 year-end report, reports Forbes.

Vinyl sales have been steadily increasing for the past 15 years. The trend continued in 2020, and vinyl had its biggest year in units sold since MRC Data started keeping track in 1991.

Despite constant growth in sales, there are two reasons why vinyl sales growth appears so big in 2020: Record Store Day and accurate reporting.

The first Record Store Day took place in 2008, starting a legacy and tradition of celebrating the unique culture of record stores and everyone in them. Usually, on the day of, music lovers and vinyl aficionados come out and support indie record stores while getting their hands on special releases.

In 2020, the community rallied to show indie stores extra support during a time when small businesses struggled intensely under the toll of the pandemic. While Record Store Day is usually an event in April and November, it became a four-part series in 2020. This helped drive sales.

“Record Store Day by and large brought vinyl back from the dead in 2008, so we are widely known by music fans as the best source for getting vinyl today,” Record Store Day co-founder Michael Kurtz said in MRC Data’s year-end report.

In 2019, there were 18.8 million U.S. vinyl sales. In 2020, there were 27.5 million. According to MRC Data, Black Friday and holiday shopping also set record highs for weekly sales and helped contribute to the overall sales increase.

Another huge influence on the leap in vinyl sales is the fact that indie record stores often under report sales numbers to avoid attracting competition from bigger, corporate sellers who could take their business. With foot traffic down, the pandemic forced a focus on digital sales, which led stores to report more accurate numbers. Because of this, it’s likely the real figure is less than the 46.2% sales increase.

2020’s top three vinyl artists include Harry Styles, Billie Eilish and Queen—and in that order. Based on total album sales, Styles’s Fine Line was the No. 4 album, while Bille Eilish’s When We All Asleep, Where Do We Go? placed No. 5, according to MRC Data. Queen’s Greatest Hits was 2020’s No. 1 rock album.

Swifties Keep Taylor At Number 1

For a fifth time, Taylor Swift has secured the top-selling album of the year in the U.S., according to Billboard.

Swift’s 2020 hit album “Folklore” reportedly sold 1.276 million copies between its release on July 24 and Dec. 31.

FOX Business reports her four other albums to reach this milestone achievement include her 2019 album “Lover,” which sold 1.09 million; her 2017 album “Reputation,” which sold 1.9 million; her 2014 album “1989,” which sold 3.66 million; and her 2009 album “Fearless,” which sold 3.22 million.

Swift’s latest album, “Evermore,” was released on Dec. 11 and has sold 283,000 copies as of Thursday – making it the number 10 top-selling album of 2020. It is not immediately clear if the album will gain momentum as time goes on.

The other eight top sellers for 2020 were “Map of the Soul: 7” by BTS. “After Hours” by The Weeknd, “Fine Line” by Harry Styles, “When We All Fall Asleep, Where Do We Go?” by Billie Eilish, “Chromatica” by Lady Gaga, “Legends Never Die” by Juice WRLD, “Manic” by Halsey and “Music to be Murdered By” by Eminem.

In the last decade, Adele has given Swift, who is 31, a run for her money with the British songstress having been honored with the top-selling album title three times.

Overall, Swift has produced nine studio album and sold more than 50.1 million copies. This number is not factoring in sales or downloads for Swift’s live albums, compilation albums or extended plays.

As of early January, Forbes estimated Swift’s net worth is around $365 million.

January 11 Radio History



➦In 1927...The Bernard B. Jacobs Theatre opened.  It was formerly called the Royale Theatre and the John Golden Theatre, and is located at 242 West 45th Street (George Abbott Way) in Midtown Manhattan, New York City.

It opened with a musical entitled Piggy. Produced by William B. Friedlander, Piggy had a weak script, but the popular comedian Sam Bernard played the starring role and carried the show for 79 performances. Bernard died soon after the show closed.  Built as part of a three theater complex, alongside the 800-seat Theatre Masque, the 1,600-seat Majestic, and the Lincoln Hotel (now the RowNYC Hotel and previously the Milford Plaza Hotel), the theater features an ornate stone facade, with vaulted large windows above the street frontage. With a seating capacity just over 1,100, the theater has been home to both plays and musical productions in its 93-year history.

Producer John Golden leased the theatre and renamed it for himself from 1932 to 1937. The Shubert Organization then assumed ownership and initially leased the theatre to CBS Radio as the CBS Radio Playhouse. In 1940, the Royale was restored to use as a legitimate theater under its original name. On May 9, 2005, it was renamed for longtime Shubert Organization president Bernard B. Jacobs.


➦In 1947... “The Amazing Mr. Malone” (aka “Murder and Mr. Malone”) debuted on ABC radio. The half-hour weekly program starred Frank Lovejoy.


➦In 1964...‘Louie Louie’ by Seattle’s The Kingsmen was the number one song on the Cash Box music chart. For a while, the record was banned by a handful of US radio stations because of its indecipherable lyrics, which were rumored to contain some naughty words. Even the FBI investigated the song, but finally concluded that they could find nothing wrong.


➦In 1973...actress Isabel Randolph died at age 83.  She was best known as the prickly Mrs. Abigail Uppington on NBC Radio’s “Fibber McGee & Molly” in the 30’s & 40’s.  She played similar recurring characters in the TV sitcoms “Meet Millie,” “Our Miss Brooks,” “December Bride” & “The Dick Van Dyke Show,” plus dozens of guest spots.


➦In 2006...Mancow sidekick Cowboy Ray Hoffstatter died from injuries sustained in a hit-and-run accident in November. The driver, described as a woman who appeared to be drag racing a black Honda Civic, has never been found.

The crew on Mancow's Morning Madhouse on Q101 mostly had fun at Ray's expense because he was mentally handicapped, but he was often the funniest part of the show. After the accident, Mancow offered $5,000 of his own money as a reward for the arrest of the driver.



➦In 2013…Pittsburgh/Los Angeles radio deejay Jimmy O’Neill, the host of ABC-TV’s Shindig in the 1960’s, lost his long battle with a diabetes-related heart condition and died three days after his 73rd birthday.

O'Neill was born in Enid, Oklahoma.  After taking a broadcasting class at Enid High School, he began his career in radio at WKY in Oklahoma City, OK. One year later O'Neill landed a job at KQV in Pittsburgh, PA at age 19.  He also worked at WCAE. He was hired at KRLA in Los Angeles, CA a year after working at KQV.

O'Neill was the first voice heard on KRLA-AM when it switched from a country-western format to top 40.  He worked at KRLA-AM from 1959-1962, then moved to KFWB from 1963 to 1967. He spent two years at KDAY from 1969 to 1971. He also hosted The Jimmy O'Neill Show on KCOP-TV.

After O'Neill moved to Los Angeles, Chuck Barris, then-ABC daytime programming executive, green-lit the pilot for Shindig!. The nationally syndicated show ran from 1964-1966.  He and his show were depicted on The Flintstones television animated sitcom in the season six episode "Shinrock A Go-Go," which originally aired on December 3, 1965. This episode featured O'Neill, as "Jimmy O'Neillstone", hosting the Bedrock analogue of Shindig, called "Shinrock"; that program featured as one of the guest performers The Beau Brummels (as "The Beau Brummelstones") performing their recent hit, Laugh, Laugh.

In the 1970s, he worked at KOB in Albuquerque, then it was on to Omaha, Nebraska, radio stations WOW (now KSXP) and KOIL. He returned to Los Angeles for two more stints at KRLA from 1984-1985 and from 1990-1993.

He retired in the mid 1990s and lived in West Hollywood, California. O'Neill died in his West Hollywood home five days after his 73rd birthday.


Ben Freedman
➦In 2013...Ben Freedman, owner of the oldest continuously operated radio ID jingle company, died  in Plano, TX at age 64.   Freedman was recovering from an October heart attack when he died.  He was also forced to cope with injuries sustained in a car accident a few years previously.

Freedman established WAY Productions and started producing jingles when he was just 14-years-old in his hometown of Buffalo, NY.

Ben had formed an admiration for the truly great jingle companies PAMS, Pepper and CRC, while serving as a "go-for" at WKBW 1520 AM with the famous jocks including Joey Reynolds, Dan Neaverth, Rod Roddy, Jay Nelson, Jeff Kaye, Stan Roberts and others.

In 1966, he landed his first air shift at Gordon McLendon’s WYSL FM in Buffalo under direct supervision of the Old Scotsman himself.

He first visited Texas in the late 70s and formed a new marketing association with several other audio producers including International Programming Services in Los Angeles, Tommy Calandra Productions in Buffalo, House Q Studios in Buffalo and ATB Productions in London. The new association is called Creative Productions Marketing Group or CPMG Incorporated for short.


➦In 2013...Cumulus Media took control of WFME 94.7 FM with simulcast of WPLJ in NYC

The 94.7 FM frequency signed on in 1947 as WAAT-FM, and was owned by the Bremer Broadcasting Company along with sister station WAAT (970 AM, now WNYM).

On January 6, 2012, Family Radio applied to the FCC  to change the license of WFME from noncommercial to commercial. This move followed the sales by Family Radio of stations in the Philadelphia (WKDN-FM, now WKVP) and Washington-Baltimore (WFSI, now WLZL) markets, and quickly prompted conjecture from radio industry monitors that WFME would be sold next. The application was approved on February 7, 2012.

The sale rumors were confirmed on October 16, 2012, when Family Radio announced that it would sell WFME to Atlanta-based Cumulus Media; the originally undisclosed price was later confirmed to be $49.5 million. In addition, Family Radio acquired Cumulus' WDVY 106.3 FM in Mount Kisco, NY. The FCC approved the sale/station trade January 4, 2013, making 94.7 FM a sister station to Cumulus' two existing New York market stations, WABC and WPLJ. Four days later, on January 8, 2013, Cumulus completed the purchase of WFME.  Family Radio programming on 94.7 FM ended on January 11, 2013; prior to signing off of the frequency, station manager Charlie Menut stated that the network's programming would be transferred to 106.3 FM, which became the new WFME on January 15, and that efforts to acquire an AM frequency that would cover the New York City area were being made.  Family Radio would announce in 2014 its acquisition of WQEW 1560 AM, the former East Coast flagship of Radio Disney, which is set to end terrestrial distribution.)

WNSH 94.7 FM (23.5 Kw) Red=60dBu Coverage Area
On January 11, 2013, under Cumulus's new ownership, 94.7 FM began a simulcast of WPLJ, which broadcasts a HotAC format. The frequency's call sign was changed three days later to WRXP, a call sign previously used on the 101.9 FM facility in New York City under two different owners and two different stints as an alternative rock station. The WPLJ simulcast ended on January 18 in favor of stunting with a self-described "Wheel of Formats."

The stunting continued until January 21, when WRXP adopted a new country music format branded as Nash FM 94.7.  The first song on "Nash FM" was "How Country Feels" by Randy Houser.  Today, the station continues to air a Country format and is owned by Entercom Communications.

🎂HAPPY BIRTHDAY:
  • Actor Mitchell Ryan (“Dharma and Greg”) is 87. 
  • Actor Felix Silla (Cousin Itt on “The Addams Family,” ″Buck Rogers in the 25th Century”) is 84. 
  • Amanda Peet is 49
    Director Joel Zwick (“My Big Fat Greek Wedding”) is 79. 
  • Country singer Naomi Judd is 75. 
  • Musician Robert Earl Keen is 65. 
  • Actor Phyllis Logan (“Downton Abbey”) is 65. 
  • Guitarist Vicki Peterson of The Bangles is 63. 
  • Actor Kim Coles (“Living Single”) is 59. 
  • Former child actor Dawn Lyn (“My Three Sons”) is 58. 
  • Guitarist Tom Dumont of No Doubt is 53. 
  • Singer Mary J. Blige is 50. 
  • Musician Tom Rowlands of The Chemical Brothers is 50. 
  • Actor Amanda Peet is 49. 
  • Actor Rockmond Dunbar (“Heartland,” “Soul Food”) is 48. 
  • Actor Aja Naomi King (“How To Get Away With Murder”) is 36. 
  • Reality star Jason Wahler (“Laguna Beach,” ″The Hills”) is 34. 
  • Singer Cody Simpson is 24.