Americans are divided in what they consider the most positive and negative attribute of the news media, and much of that divide follows party lines: Conservative Republicans and liberal Democrats stand far apart in their views of what the media do best and worst.
Conservative Republicans, for example, are more likely to say that reporting biased news is the most negative thing the media do, while liberal Democrats single out poor choices in the news they cover or how they cover it, according to a Pew Research Center survey conducted Jan. 12-Feb. 8, 2016, in association with the John S. and James L. Knight foundation.
The survey asked Americans to volunteer what they thought was the single most positive and negative thing the news media do.
As far as the most positive thing the media do, Americans are mostly split between two traits. Three-in-ten describe the media’s most positive attribute as simply doing their job of reporting the news, whether in general or on a specific topic. (Weather and traffic tops the list of subject areas, named by 11% of U.S. adults.)
Nearly as many say the news media provide a service to the public (25%), such as informing people or acting as a watchdog. The other most positive traits mentioned, though by no more than one-in-ten Americans, are the media’s reports on uplifting or positive stories (8%) and their practice of high journalistic standards (6%). Additionally, 8% say the news media do nothing positive.
There is also a lack of consensus over the news media’s most negative trait. About two-in-ten Americans (22%) say the most negative thing the media do is report biased news, while 18% point to a failure to make good choices in what or how to report the news, such as too narrow a scope or reporting on things that aren’t newsworthy. An additional 16% think the worst thing they do is lie, mislead or sensationalize, and 14% highlight too many reports on negative stories, such as guns and crime.
Since 2010: Now 68.2M+ Page Views, Edited by Tom Benson, News Tips, Feedback: pd1204@gmail.com
Friday, September 30, 2016
Megyn Kelly Most-Watched Cable News Anchor 25-54
In the just-completed third quarter of 2016, Bill O’Reilly had the most-watched cable news program, while Megyn Kelly was most-watched among the audience that advertisers of news like: the A25-54 demo, according to TVNewser.
O’Reilly has now been No. 1 for 66 consecutive quarters, and was up 13 percent vs. Q3 2015, while The Kelly File delivered its most-watched quarter ever. Hannity also had its most-watched quarter since moving into the 10 p.m. timeslot in 2013, finishing No. 2 in the demo. O’Reilly was third.
Other Fox News shows to deliver their highest-rated quarters ever in total viewers include America’s Newsroom, Happening Now, Shepard Smith Reporting, The Five, MediaBuzz and Justice with Judge Jeanine. Fox News had all Top 10 spots among total viewers.
MSNBC’s The Rachel Maddow Show was the most-watched cable news program not on Fox: No. 8 in the demo and No. 11 in total viewers. Anderson Cooper 360 was CNN’s top show ranking No. 5 in the demo and No. 17 in total viewers, and up a massive 81 percent from Q3 2015.
Q3 '16 cable news program ranker (A25-54) by tvnewser on Scribd
Nielsen To Expand The PPM To TV Measurements
Nielsen has announced that as part of its ongoing effort to advance television measurement, it will expand the use of its Portable People Meter™ (PPM) technology to provide direct persons measurement for local TV ratings.
The addition of PPM panelists to the local TV service will effectively double the sample size and provide local clients with ratings that reflect precise measurement of local viewing behaviors and insights, and boost ratings fidelity. Nielsen will begin to introduce PPM measurement for in-home and out-of-home viewing in 2017.
PPM is used today for Nielsen’s market-leading audio measurement service and will be extended for use in local TV ratings, which will now include viewing from over 75,000 PPM panelists across 44 local TV markets. This enhancement is estimated to lead to a 40% decrease in zero audience estimates, providing local TV clients with increased opportunities to monetize their in-home and out-of-home viewing audiences.
“As part of our overall local market enhancement measurement strategy, Nielsen is maximizing the strengths of various data sets, including PPM data and return path data, to help our local clients understand their total audience by capturing all sources of viewing. Additionally, we are providing them with the tools needed to maximize their audience and grow their business,” said Megan Clarken, President, Nielsen Product Leadership. “The media industry is in the midst of an important transition and people have endless options for viewing their favorite content. We are the only measurement provider that can directly measure the out-of-home television audience.”
Additionally, in the first quarter of 2017, Nielsen will release a stand-alone service that gives local clients in the 44 designated market areas the ability to see incremental audience provided by out-of-home viewing. The portability of the PPM technology will measure TV viewing in locations including bars, offices, hotel rooms, and other places outside of the home where TV is watched. Impact data for out-of-home measurement combined with PPM measurement of in-home viewing is expected in the third quarter of 2017.
The inclusion of PPM measurement into the Nielsen Local TV service will bring additional stability and depth to local TV ratings. The integration will advance Nielsen’s ability to provide clients more granular data while measuring consumers wherever they watch.
The addition of PPM panelists to the local TV service will effectively double the sample size and provide local clients with ratings that reflect precise measurement of local viewing behaviors and insights, and boost ratings fidelity. Nielsen will begin to introduce PPM measurement for in-home and out-of-home viewing in 2017.
PPM is used today for Nielsen’s market-leading audio measurement service and will be extended for use in local TV ratings, which will now include viewing from over 75,000 PPM panelists across 44 local TV markets. This enhancement is estimated to lead to a 40% decrease in zero audience estimates, providing local TV clients with increased opportunities to monetize their in-home and out-of-home viewing audiences.
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| Megan Clarken |
Additionally, in the first quarter of 2017, Nielsen will release a stand-alone service that gives local clients in the 44 designated market areas the ability to see incremental audience provided by out-of-home viewing. The portability of the PPM technology will measure TV viewing in locations including bars, offices, hotel rooms, and other places outside of the home where TV is watched. Impact data for out-of-home measurement combined with PPM measurement of in-home viewing is expected in the third quarter of 2017.
The inclusion of PPM measurement into the Nielsen Local TV service will bring additional stability and depth to local TV ratings. The integration will advance Nielsen’s ability to provide clients more granular data while measuring consumers wherever they watch.
iHM, Ad Age To Produce Advertising Podcast
Advertising Age and iHeartMedia have announced a partnership to hand the microphone over to the most creative people in the businesses of advertising, marketing and communications to let the rest of us listen as they talk openly and honestly about their craft.
Tagline will give listeners an insider’s perspective on what the world that influences pop culture is really all about. The new podcast series will air twice a month on iHeartRadio and Advertising Age and feature a rotating series of the most talented and entertaining people in the business tackling everything from the most pressing questions to the most annoying trends. The content and the participants will evolve organically as each episode concludes with this week’s Tagline host tagging the next guests via an unprompted phone call.
“We are excited and a little scared to turn the mic over to our friends in advertising, to create the most honest, inspiring and entertaining dialogue on the industry, ” said Gayle Troberman, Chief Marketing Officer of iHeartMedia. “Everything sound is exploding, radio, streaming and podcasts are all up significantly year over year, so the time is right to create an original audio series for the advertising community. We suspect there will be no shortage of talent or opinions to keep the content and listeners flowing.”
“Every day, people in the marketing community are whispering about what’s happened and what’s next – and now Tagline will let people all across the industry listen to those otherwise private conversations,” said Josh Golden, Publisher of Advertising Age. “Our audience wants to hear about the real conversations, frustrations, insights and resolutions that happen in the conference rooms late at night and this partnership with iHeart will expose exactly that.”
Produced by iHeartRadio, iHeartMedia’s digital music and streaming radio service with more than 90 million registered users and over a billion downloads, the first season of Tagline will launch in November and include 24 podcasts and special edition episodes corresponding with select industry events. The audio collaboration will be available for listeners via iHeartRadio, which is now available on 90 unique device platforms spanning in-home entertainment, wearables, gaming, mobile and auto, as well as on AdAge.com.
Tagline was announced last night during Advertising Week by Bob Pittman, Chairman and CEO of iHeartMedia at an exclusive VIP event hosted by iHeartMedia and the Ad Council, which also featured an intimate performance with recording artist John Legend.
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| Gayle Troberman |
“We are excited and a little scared to turn the mic over to our friends in advertising, to create the most honest, inspiring and entertaining dialogue on the industry, ” said Gayle Troberman, Chief Marketing Officer of iHeartMedia. “Everything sound is exploding, radio, streaming and podcasts are all up significantly year over year, so the time is right to create an original audio series for the advertising community. We suspect there will be no shortage of talent or opinions to keep the content and listeners flowing.”
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| Josh Golden |
Produced by iHeartRadio, iHeartMedia’s digital music and streaming radio service with more than 90 million registered users and over a billion downloads, the first season of Tagline will launch in November and include 24 podcasts and special edition episodes corresponding with select industry events. The audio collaboration will be available for listeners via iHeartRadio, which is now available on 90 unique device platforms spanning in-home entertainment, wearables, gaming, mobile and auto, as well as on AdAge.com.
Tagline was announced last night during Advertising Week by Bob Pittman, Chairman and CEO of iHeartMedia at an exclusive VIP event hosted by iHeartMedia and the Ad Council, which also featured an intimate performance with recording artist John Legend.
CBS Prepares To Sell Historic Radio Division
NPR's Robert Siegel talks to radio historian Frank Absher about the heyday of CBS Radio, which is now up for sale. CBS was one of the first networks to truly realize the power of news and develop its use.
R.I.P.: Massena NY Radio Host Sandy Cook
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| Sandy Cook |
“It’s, you know a little bit of a shock. I think especially for listeners. Sandy was on the radio for 42 years. Huge part of the community,” said WMSA 1340 AM Program/Operations Director Todd Truax. “It’s a sad day.”
Cook was well known as the host for the “The Extravaganza” morning show.
In 2001, Cook was elected to a four-year term as Massena town supervisor. He was also a frequent contributor to sporting events, often singing The Star Spangled Banner before games and covering announcer duties.
Cook was removed from the airwaves earlier in the year following his arrest for drug possession. Following a Feb. 12 raid on Cook’s residence, he and Edward Slade, 24, were each charged with seventh-degree criminal possession of a controlled substance after narcotics were seized, police said at the time.
September 30 Radio History
In 1912...singer Kenny Baker was born in Monrovia Calif. He broke into bigtime radio with Jack Benny in 1935, and appeared in movies & radio for the next 20 years, including his own daytime radio variety show “Glamor Manor” in the mid-1940’s. Baker died Aug. 10 1985 at age 72 after a heart attack.
In 1922...actor/director Lamont Johnson was born in Stockton Calif. He became an active member of the Los Angeles radio acting pool. As well as playing scores of supporting roles he starred as Tarzan in the 1951 syndicated half-hour series, and was one of several actors to play Archie Goodwin in The New Adventures of Nero Wolfe, opposite Sydney Greenstreet on NBC Radio. He had a key continuing role on the daytime drama Wendy Warren and the News on CBS Radio. A director in TV he was nominated for eleven Emmys, winning twice, and for eight Directors Guild Awards, winning four times, for Profiles in Courage (1965), My Sweet Charlie (1971), That Certain Summer (1972), and Lincoln (1988), which also won him an Emmy. He died of heart failure Oct. 24 2010 at age 88.
In 1929… “The National Farm and Home Hour,” a rustic variety series which first aired locally for a year on KDKA Radio in Pittsburgh, made its national debut on the NBC Blue network (later known as ABC), sponsored by the Montgomery Ward department stores. Don Ameche and Raymond Edward Johnson were featured, along with music and entertainment by The Cadets male quartet, Jack Baus and The Cornbusters and Mirandy of Persimmons Holler. In 1945 the “Hour” moved to NBC Radio where it continued until early 1958.
In 1930…The radio anthology series "Death Valley Days," stories based on actual events, began its 15-year run on the NBC Blue network. The television version of the program, hosted by Stanley Andrews as "The Old Ranger," then Ronald Reagan, Robert Taylor, and Dale Robertson, aired from 1952 to 1975.
In 1933...WLS (then 870 AM) radio in Chicago's popular program The National Barn Dance, one of the first country music radio programs, goes national with a move to NBC radio.
In 1935…The police drama series "The Adventures of Dick Tracy" made its debut on the Mutual Radio Network after being heard on CBS four times a week earlier that year. The serial had a long run on radio, starting in 1934 on NBC's New England stations and ending on the ABC Network in 1948.
In 1940...the kids’ radio serial “Captain Midnight”, already a hit locally on WGN Chicago, went coast to coast on Mutual. The Captain flew his single-engine plane all over the place fighting crime. Ovaltine dropped its sponsorship of Little Orphan Annie to climb on board with Captain Midnight.
In 1950...WSM Radio's "Grand Ole Opry" was first broadcast on television.
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| Original Home Ryman Theater |
On December 10, 1927 the phrase 'Grand Ole Opry' was first uttered on-air. That night Barn Dance followed the NBC Red Network's Music Appreciation Hour, a program of classical music and selections from Grand Opera presented by classical conductor Walter Damrosch. That night, Damrosch remarked that “there is no place in the classics for realism,” In response, Opry presenter George Hay said:
"Friends, the program which just came to a close was devoted to the classics. Doctor Damrosch told us that there is no place in the classics for realism. However, from here on out for the next three hours, we will present nothing but realism. It will be down to earth for the 'earthy'."Hay then introduced DeFord Bailey, the man he had dubbed the "Harmonica Wizard", saying
"For the past hour, we have been listening to music taken largely from Grand Opera. From now on, we will present the 'Grand Ole Opry'."Bailey then stepped up to the mic to play "The Pan American Blues", his song inspired by the Pan American, an L&N Railroad express/passenger train.
In 1951...the Red Skelton Show debuted on NBC-TV (almost 10 years to the day after Red first got his own radio show). America’s “Clown Prince of Comedy” was a hit for years on radio and an even bigger one on TV. Later, he would move to CBS-TV where he remained a television fixture for a total of 20 years.
In 1967...the British Broadcasting Corporation (BBC) began its own Pop music radio station. The first song on Radio One was “Flowers in the Rain” by The Move. Former Radio Caroline DJ Tony Blackburn was the first presenter on air. Second song was “Massachusetts” by the Bee Gees.
In 1978...The Hot 100...The classic "Kiss You All Over" by Exile moved to #1, tapping "Boogie Oogie Oogie" by A Taste of Honey on the shoulder to move. Olivia Newton-John remained in the third position with "Hopelessly Devoted To You" and it had been six weeks since the Commodores were at #1 with "Three Times a Lady" but they were still at #4.
The rest of the Top 10: "Summer Nights" by Olivia Newton-John & John Travolta, Boston's "Don't Look Back", Nick Gilder edged up with "Hot Child in the City", the Little River Band was up to 8 with "Reminiscing", John Paul Young reached the Top 10 with "Love Is in the Air" and Andy Gibb closed out the list with "An Everlasting Love".
In 1996...Charlie Greer, 77 WABC died.
Charlie Greer (1923-1996) was a radio personality at WAKR in Akron, Ohio before moving to New York City's WABC on December 7, 1960, where he did middays and overnight.
Given WABC's 50 thousand watt clear channel signal, Greer became a popular all-night disc jockey heard on more than 38 states punching his way through famous tongue twister commercials for an all night clothing store called Dennison's in Union, New Jersey.
Greer also spent time with New York City's WCBS-FM in 1973, then and became part of WCBS-FM's Rock and Roll Radio Greats Weekend in the eighties and nineties.
He moved to Philadelphia's WIP in 1969 and then back to the New York area to WRKL in New City for a short while, and later worked at WHAM (AM) in Rochester, before returning to Akron. (Ted David, Moderator, New York Broadcasting History Board)
In 1997...Al “Jazzbeaux” Collins, WNEW, WINS passed away
The name "Jazzbo" derived from a product Collins had seen, a clip-on bowtie named Jazzbows. Just as Martin Block created the illusion that he was speaking from the Make Believe Ballroom, Collins claimed to be broadcasting from his inner sanctum, a place known as the Purple Grotto, an imaginary setting suggested by radio station WNEW's interior design, as Collins explained:
Collins grew up on Long Island, New York. In 1941, while attending the University of Miami in Florida, he substituted as the announcer on his English teacher's campus radio program, and decided he wanted to be in radio. He began his professional career as the disc jockey at a bluegrass station in Logan, West Virginia. By 1943, Collins was broadcasting at WKPA in Pittsburgh, moving in 1945 to WIND in Chicago and in 1946 to Salt Lake City's KNAK. In 1950, he relocated to New York where he joined the staff of WNEW and became one of the "communicators" on NBC's Monitor when it began in 1955. Two years later, NBC-TV installed him for five weeks as the host of the Tonight show when it was known as Tonight! America After Dark in the period between hosts Steve Allen and Jack Paar.
He officially changed the spelling of his name to Jazzbeaux when he went to Pittsburgh's WTAE in 1969. He moved to WIXZ in Pittsburgh (1973) before heading back to the West Coast three years later.
In 1976 Al Collins returned to San Francisco working at KMPX, followed by a three-year all-night run at KGO which drew callers throughout the West Coast. He always opened with Count Basie's "Blues in Hoss flat". He also worked a late night shift at KKIS AM in Pittsburg, CA in 1980. After returning to New York and WNEW (1981), he was back in San Francisco at KSFO (1983) and KFRC (1986). Then came one more run at WNEW (1986–90), and then he joined KAPX (Marin County, California) in 1990, and from 1993 until his death, Jazzbeaux did a weekly jazz show at KCSM (College of San Mateo, California).
He died on September 30, 1997, at the age of 78, from pancreatic cancer.
In 2012...Bob Vernon 'with a V' WNBC 660 AM died at the age of 70
Vernon grew up in Ohio and dreamed of being an artist, until a trusted high school teacher told him to make it a hobby. He launched a career in radio and went on to work for WNBC in New York on the show “Vernon with a V.”
After radio, his news career carried him back to Ohio where he switched to TV, and moved around to several different newsrooms.
Vernon worked as the noon news anchor at WRAL-TV in Raleigh, NC from 1989-1995.
Robert Vernon Cosart Jr., passed away in Parker, Colorado, after suffering blood complications.
Thursday, September 29, 2016
Sumner Redstone Urges Viacom, CBS Boards To Explore Merger
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| Sumner Redstone |
As anticipated Wednesday, Sumner Redstone's National Amusements Inc on Thursday urged the boards of Viacom Inc and CBS Corp to explore a combination.
National Amusements owns 80 percent of the voting shares of both media companies, which separated from each other 10 years ago.
The optimal deal structure would be an all-stock transaction in which the stockholders of each company would receive shares in the combined company of the same class as they currently hold, National Amusements said in a letter to the companies' boards.
Reuters reported on Wednesday that National Amusements, owned by media baron Redstone and his daughter Shari Redstone, could contact CBS and Viacom as soon as this week to ask them to form independent board committees to discuss a potential merger.
Here is the complete letter from Sumner Redstone:
Members of the Boards:
We believe that a combination of CBS and Viacom might offer substantial synergies that would allow the combined company to respond even more aggressively and effectively to the challenges of the changing entertainment and media landscape.
As a result, we would like both companies’ boards to consider a potential combination of the companies. Our tentative view is that the optimal structure would be an all-stock transaction in which the stockholders of each company would receive shares in the combined company of the same class as they currently hold.
We therefore request the board of each company take the appropriate steps to consider the proposed transaction. We believe that any transaction should be the result of full and fair deliberation and negotiation, and that any transaction would proceed only if it is approved by each board. None of Sumner M. Redstone, Shari E. Redstone or David R. Andelman will vote as directors on the consideration of this matter by either company’s board, and none will participate in any of the related deliberations.
To avoid any doubt, National Amusements is not willing to accept or support (i) any acquisition by a third party of either company or (ii) any transaction that would result in National Amusements surrendering its controlling position in either company or not controlling the combined company. We believe moving forward expeditiously, but with due care, is important and we are prepared to be of assistance to the two companies as they explore this possibility.
Thank you.
Sincerely,
NATIONAL AMUSEMENTS, INC.
By: /s/ Sumner M. Redstone
Chief executive officer
Report: Les Moonves 'Skeptical' Of Viacom, CBS Corp. Merger
Coming a decade after Sumner Redstone split the two companies from each other, the proposed reunion of Viacom and CBS Corporation would be effectively an admission that the 10-year-old divorce, which was originally intended to free Viacom’s then fast-growing cable channels from the drag of CBS’s old-school broadcast assets, didn’t pan out as intended.
The Wall Street Jounral reportsViacom’s 26 U.S. cable networks—many of which are small or have had significant viewership declines—now look vulnerable in an era when consumers are cutting the pay-TV cord and signing up for slimmed-down bundles of cable channels. CBS, meanwhile, has been a prime-time ratings juggernaut and has boosted its position in the market by carrying big sports events like professional football and college basketball.
Viacom has been struggling with underperforming assets like its Paramount Pictures studio and cable channels MTV and Comedy Central, which has led to a slide in its stock price. The company has $12 billion in debt and has been under pressure to improve its operating performance. Moody’s Investors Service recently downgraded its credit rating to the lowest level of investment grade.
A merger could provide a strong leader for Viacom in the form of CBS CEO Leslie Moonves, a favorite of media investors.
Ms. Redstone broached the topic of a Viacom-CBS merger with Mr. Moonves several months ago, a person familiar with the matter said. However, there have been no serious talks since then or since Mr. Dauman agreed in August to step down as Viacom’s chairman and CEO.
CBS said Wednesday that, “As we’ve said before, the CBS Corp. will always act in the best interest of all of its shareholders.”
Mr. Moonves has previously expressed skepticism about a merger of the companies, and he said at a recent investor conference that there were no active talks between CBS and Viacom.
People close to Viacom and CBS think Mr. Moonves won’t be sold on a deal unless CBS is valued at a premium to Viacom and he has the same level of autonomy he currently enjoys at CBS. His contract allows him to leave if the composition of the board changes.
Read More Now (Paywall)
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| Shari Redstone |
Viacom has been struggling with underperforming assets like its Paramount Pictures studio and cable channels MTV and Comedy Central, which has led to a slide in its stock price. The company has $12 billion in debt and has been under pressure to improve its operating performance. Moody’s Investors Service recently downgraded its credit rating to the lowest level of investment grade.
A merger could provide a strong leader for Viacom in the form of CBS CEO Leslie Moonves, a favorite of media investors.
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| Les Moonves |
CBS said Wednesday that, “As we’ve said before, the CBS Corp. will always act in the best interest of all of its shareholders.”
Mr. Moonves has previously expressed skepticism about a merger of the companies, and he said at a recent investor conference that there were no active talks between CBS and Viacom.
People close to Viacom and CBS think Mr. Moonves won’t be sold on a deal unless CBS is valued at a premium to Viacom and he has the same level of autonomy he currently enjoys at CBS. His contract allows him to leave if the composition of the board changes.
Read More Now (Paywall)
Nielsen Releases PPMs For Portland, Vegas, Orlando, 9 Other Markets
Nielsen on Wednesday 09/28/16 Released the third batch of September 2016 PPM Data for the following markets:
23 Portland Or

24 Charlotte-Gastonia-Rock Hill NC
26 Pittsburgh
27 San Antonio
28 Sacramento
29 Salt Lake City-Ogden-Provo UT
30 Cincinnati
31 Las Vegas
32 Cleveland
33 Orlando
34 Kansas City
37 Columbus OH
Click Here to view Topline Numbers for subscribing Nielsen stations.
23 Portland Or

24 Charlotte-Gastonia-Rock Hill NC
26 Pittsburgh
27 San Antonio
28 Sacramento
29 Salt Lake City-Ogden-Provo UT
30 Cincinnati
31 Las Vegas
32 Cleveland
33 Orlando
34 Kansas City
37 Columbus OH
Click Here to view Topline Numbers for subscribing Nielsen stations.
Fewer Problems Reported During National EAS Test
There’s been no official word yet from the Federal Emergency Management Agency or the Federal Communications Commission about how successful Wednesday’s national Emergency Alert System test was. But, according to InsideRadio, early indications are there were fewer problems than five years ago when the last national EAS test was held. That’s not to say there weren’t a few glitches.
For nearly all of the stations that RadioWorld reached out to, engineers described the audio as “excellent” and “fantastic,” with others describing the video crawl as “clear.”
In Philadelphia several stations had no problem getting the alert tones on the air but rather than air the “this is a test” message, the stations instead relayed an interview about a Sioux City, IA radio station that opted to go all-‘80s music—including a clip of A-ha’s hit “Take On Me”—that was airing on Philly’s “Local Primary” or LP-1 alert station WHYY (90.9). One of the several that aired it was AC “101.1 More FM” WBEB, where program director Chuck Knight says it lasted about a minute until his team hit the release button tones themselves.
What went wrong isn’t entirely clear—the problem may have been at WHYY or further upstream. WHYY didn’t respond to an email seeking comment. Stations that aired the alert correctly could have grabbed the alert from the LP-2 station—“Classic Rock 102.9” WMGK—or even the CAP server that relies on a web-based message distribution system. But stations also point out the Pennsylvania statewide distribution network appeared to have been slowed.
Meanwhile, posts on social media websites also hinted at some minor problems in a few markets including St. Louis and San Antonio. Figuring out what went wrong will be the job of FEMA and the FCC in the coming months.
FEMA officials said at last week’s Radio Show they expected 4%-5% of stations would run into problems during Wednesday’s national test. But rather than point fingers, officials said the goal was to see where the weak links in the EAS chain remain.
For nearly all of the stations that RadioWorld reached out to, engineers described the audio as “excellent” and “fantastic,” with others describing the video crawl as “clear.”
In Philadelphia several stations had no problem getting the alert tones on the air but rather than air the “this is a test” message, the stations instead relayed an interview about a Sioux City, IA radio station that opted to go all-‘80s music—including a clip of A-ha’s hit “Take On Me”—that was airing on Philly’s “Local Primary” or LP-1 alert station WHYY (90.9). One of the several that aired it was AC “101.1 More FM” WBEB, where program director Chuck Knight says it lasted about a minute until his team hit the release button tones themselves.
What went wrong isn’t entirely clear—the problem may have been at WHYY or further upstream. WHYY didn’t respond to an email seeking comment. Stations that aired the alert correctly could have grabbed the alert from the LP-2 station—“Classic Rock 102.9” WMGK—or even the CAP server that relies on a web-based message distribution system. But stations also point out the Pennsylvania statewide distribution network appeared to have been slowed.Meanwhile, posts on social media websites also hinted at some minor problems in a few markets including St. Louis and San Antonio. Figuring out what went wrong will be the job of FEMA and the FCC in the coming months.
FEMA officials said at last week’s Radio Show they expected 4%-5% of stations would run into problems during Wednesday’s national test. But rather than point fingers, officials said the goal was to see where the weak links in the EAS chain remain.
SiriusXM Launching Music Talk Radio Channel
SiriusXM announced today the launch of VOLUME, the first-ever 24/7 talk radio channel dedicated to music -- its latest news, raging controversies, and non-stop debates – as the focus of the conversation.
This new channel will cover all genres of popular music. VOLUME will deliver a mixture of live daily shows, artist interviews, weekly specials, a music trivia game show, album reviews, and several in-depth docuseries hosted by the most respected, knowledgeable, and passionate people in music today – including artists themselves. VOLUME will debut live October 17 at 7 am.
VOLUME's live daily programs will include Feedback, a three-hour morning talk-show from 7-10 am ET/PT featuring the latest music news, celebrity guests and scoop on trending topics. Lady Gaga will be a featured guest on Feedback's debut program. Legendary DJ Eddie Trunk will host mid-days from 2 pm to 4 pm ET, and Debatable, hosted by MTV VJ Mark Goodman and author Alan Light, will air each weekday from 4 pm to 7 pm ET, and focus on the great debates fans often have about music.
Other featured shows upon launch include Rolling Stone Music Now, the popular weekly podcast from the editors at Rolling Stone that will now also appear on VOLUME. Author, TV producer and commentator Bill Flanagan will host Written in My Soul, a new series of interviews with legendary musicians including Robert Plant, who will be a guest during the show's premiere. In addition, Melissa's Basement hosted by Melissa Etheridge where she gathers her favorite singer-songwriters to share their stories and get together at her Los Angeles-area home for musical collaborations. David Crosby will appear on Melissa's debut show on October 18. And journalist and TV producer Elliott Wilson will host Rap Radar Report, bringing some of the biggest names in hip hop together for discussions about the musical genre.
"Sirius XM has millions of loyal music fans nationwide, and now we are giving those fans a place where they can talk about the music they love," said Scott Greenstein, SiriusXM's President and Chief Content Officer. "VOLUME will have a deep all-star roster of talent bringing that conversation only to SiriusXM. It's yet another example of SiriusXM delivering unique and exciting content to our subscribers. Roger Coletti is the Executive Producer of this channel and his extensive music expertise makes him the ideal person for this ground-breaking channel."
"VOLUME is sports radio for music fans. It will be a must-listen for fans to stay connected to the music they love," said Coletti, VOLUME's executive producer, and former radio programming veteran at MTV, VH1, and CMT. "It will be the ultimate place for fans to hear stories, share memories, discover new artists, and uncover the truth about their favorite artists, songs, albums and more. The channel is full of passionate, respected, and entertaining personalities that the audience will love, respect, and trust."
VOLUME will be on SiriusXM channel 106 and available through the SiriusXM app as well as online at siriusxm.com. Music fans will be able to join the discussion on social media via Twitter @SiriusXMVolume on Facebook at SiriusXM Volume.
VOLUME's programming line-up will include:
This new channel will cover all genres of popular music. VOLUME will deliver a mixture of live daily shows, artist interviews, weekly specials, a music trivia game show, album reviews, and several in-depth docuseries hosted by the most respected, knowledgeable, and passionate people in music today – including artists themselves. VOLUME will debut live October 17 at 7 am.
VOLUME's live daily programs will include Feedback, a three-hour morning talk-show from 7-10 am ET/PT featuring the latest music news, celebrity guests and scoop on trending topics. Lady Gaga will be a featured guest on Feedback's debut program. Legendary DJ Eddie Trunk will host mid-days from 2 pm to 4 pm ET, and Debatable, hosted by MTV VJ Mark Goodman and author Alan Light, will air each weekday from 4 pm to 7 pm ET, and focus on the great debates fans often have about music.
Other featured shows upon launch include Rolling Stone Music Now, the popular weekly podcast from the editors at Rolling Stone that will now also appear on VOLUME. Author, TV producer and commentator Bill Flanagan will host Written in My Soul, a new series of interviews with legendary musicians including Robert Plant, who will be a guest during the show's premiere. In addition, Melissa's Basement hosted by Melissa Etheridge where she gathers her favorite singer-songwriters to share their stories and get together at her Los Angeles-area home for musical collaborations. David Crosby will appear on Melissa's debut show on October 18. And journalist and TV producer Elliott Wilson will host Rap Radar Report, bringing some of the biggest names in hip hop together for discussions about the musical genre.
"Sirius XM has millions of loyal music fans nationwide, and now we are giving those fans a place where they can talk about the music they love," said Scott Greenstein, SiriusXM's President and Chief Content Officer. "VOLUME will have a deep all-star roster of talent bringing that conversation only to SiriusXM. It's yet another example of SiriusXM delivering unique and exciting content to our subscribers. Roger Coletti is the Executive Producer of this channel and his extensive music expertise makes him the ideal person for this ground-breaking channel."
"VOLUME is sports radio for music fans. It will be a must-listen for fans to stay connected to the music they love," said Coletti, VOLUME's executive producer, and former radio programming veteran at MTV, VH1, and CMT. "It will be the ultimate place for fans to hear stories, share memories, discover new artists, and uncover the truth about their favorite artists, songs, albums and more. The channel is full of passionate, respected, and entertaining personalities that the audience will love, respect, and trust."
VOLUME will be on SiriusXM channel 106 and available through the SiriusXM app as well as online at siriusxm.com. Music fans will be able to join the discussion on social media via Twitter @SiriusXMVolume on Facebook at SiriusXM Volume.
VOLUME's programming line-up will include:
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