Monday, January 6, 2020

NBCUniversal's Peacock Hatching In April


Comcast’s NBCUniversal will make its official entry into the streaming wars in April, when it rolls out direct-to-consumer service Peacock.

While Peacock’s debut will come after Disney and Apple introduced their own versions, Peacock is positioned to stand out, reports The Philly Biz Journal.

Unlike its subscription-based competitors, which are commercial-free, Peacock will be ad-based and offered free to existing Comcast customers. Subscription options, including a no-ad version, will be available for non-customers as well.

Executives are hoping Peacock’s unique structure — even Hulu charges for its ad-based version — and the more than 50 million customers Comcast has around the world will help scale the platform quickly.

Peacock's also being tied to Comcast's new streaming device, Flex. Comcast launched Flex a year ago but began offering a free Flex box to customers this past fall as a way to give them access to some streaming services, including Peacock, as well as its popular voice-controlled remote.

Customers can also subscribe to video services through Flex, which can automatically then operate like one of Comcast's next-generation X1 set-top boxes. How well Peacock and Flex are received over the next year could indicate how well the company will be able to navigate the brave new digital media world.

“It’s a moment in time, and consumers are making their choices of apps and viewing habits, and you want to be aggressive to get in there and make sure that your service is one of the consumers’ handful of favorite services,” said outgoing NBCUniversal head Steve Burke during the company’s third quarter earnings call.

Geraldo Apologizes To Fox News Radio Talker Brian Kilmeade


Not too long after Fox News personality Geraldo Rivera tore into “Fox & Friends” co-host Brian Kilmeade early Friday morning over his support of the drone strike that eliminated Iranian general Qasem Soleimani, the mustachioed trash-talker apologized, after which the two returned to arguing as usual, hilariously enough, reports Bizpac Review.

“First, let me say that I love you, I admire you, I have tremendous respect for you,” his remorseful apology began later that morning on Fox News Radio’s “The Brian Kilmeade Show.”

He then explained how his wife had convinced him that it wasn’t proper for him to yell at Kilmeade the way normal Americans yell at CNN’s Jim Acosta:

“My wife, Erica, called and said I was mean in speaking with you on ‘Fox & Friends.’ And she said the first thing you do when you talk to Brian or you see him next is apologize.”

Next came the actual apology.


In short, while he still maintains his opposition to President Donald Trump’s elimination of Soleimani, he admits that his disagreement in opinion with Kilmeade didn’t warrant him acting like angry climate change zealot Greta Thunberg.

“Geraldo, no problem,” Kilmeade promptly replied, accepting Rivera’s apology. “I know it’s never personal. We had an argument on the air. If you missed on FOX & Friends this morning, which I don’t know why you would ever miss the show. Geraldo agrees with Tulsi Gabbard and says that the American forces should not have taken out Soleimani.”

Car Makers: Consumers Want Bigger Displays, Despite Distractibility

A product specialist for Fiat Chrysler demonstrates the 12-inch touchscreen display in a Ram 4x4 pickup truck during the 2020 San Diego International Auto Show Saturday. (San Diego Union-Tribune photo)
There’s one similarity among the hundreds of shining new cars and trucks on display at the San Diego International Auto Show: their dashboard displays are getting bigger, reports The Union-Tribune.

Automakers from Ford and Fiat Chrysler to Lexus and Subaru are rolling out models loaded with driver-facing screens measuring nearly 12 inches. But the size — and increasing complexity — of these screens have sparked debate about whether large displays are more or less safe for drivers.

On the showroom floor of the San Diego Convention Center this past Saturday, the largest of these touch-screen displays was Ford’s Mustang Mach-E, which features a 15.5-inch display — bigger than many laptop screens today. In terms of size, the Mach-E is dwarfed only by one maker: Tesla, whose vehicles sport 17-inch screens.

Sean Downey, the display manager for Ford, said the larger screens have become the trend of the industry this year. The company’s newest Ford Explorer features a 10.1-inch screen now, while older models only had 8-inch displays.

Toyota’s Lexus division, BMW, and Fiat Chrysler have all produced recent models with display screens measuring 12-inches or more. And Subaru’s new Outback wagon and Impreza sedan have 11.6-inch displays available in all but the base models.

For Jason Douglas, a San Diego resident attending the auto show Saturday, the automakers using bigger screens are doing it right.

“I love the bigger screens; you’ve got to have them nowadays,” Douglas said. “We’re so used to technology getting bigger and bigger, so you kind of expect it out of the cars. Especially if you’re paying $40,000 or $50,000 for the car.”

Despite their popularity, in-console “infotainment systems” have inspired questions about safety and driver distractibility. A study by AAA and the University of Utah, published in July, found that these touch-screen systems can be distracting, especially for older drivers.

On average, older drivers (ages 55-75) using dashboard displays removed their eyes from the road for eight seconds longer than younger drivers (ages 21-36), doing things such as tuning the radio or setting up navigation.

But many automakers are betting that supersized displays will lower distractibility and increase safety. After all, drivers won’t be forced to peer at small text or maps while driving.

“A lot of automakers have done eye-tracking studies and found that looking down at a smaller screen is more distracting,” said Marler.

That’s why infotainment screens have gotten larger and higher in the field of vision, she said, to keep things like navigation in the line of sight.

CBC Lobbies for Less Canadian Content


With large streaming services evading Canadian-content quotas, the public broadcaster is asking Ottawa for permission to put less Canadian content over its airwaves, reports the Winnipeg Free Press.

That has the media advocacy group Friends of Canadian Broadcasting calling on Ottawa to impose onto streaming giants the requirements conventional broadcasters already face.

The Canadian Broadcasting Corp. recently asked the Canadian Radio-television and Telecommunications Commission to drop its quota of primetime TV content from nine hours of Canadian content to seven.

The CBC wants to lower the quota of local content from 14 to 12 hours a week, with similar reductions for its French-language service, Radio-Canada.

CBC officials argued this accounts for the uptick in Canadian content it streams online.

"The manner in which the corporation provides its services is changing to meet the needs and interests of Canadians and in response to the evolution in how that content is being consumed," reads the network's November proposal to the CRTC.

Like all large broadcasters, CBC already files regular, detailed accounts to the CRTC of what content it airs on TV and radio, and how much it pays for original productions.

Yet the broadcaster doesn’t provide detailed information on its online offerings to the regulator.

That’s because of a 1999 order that counts online transmission of video and sound as separate from radio and television.

The CRTC’s 1999 order also exempts streaming giants like Netflix, Amazon, Apple and Disney from quotas for broadcasting Canadian content and funding its creation.

After years of coaxing web giants into voluntarily funding Canadian content, the Liberals say they now plan to beef up the rules for streaming services and social media.

However, the government is waiting for an international report to be finalized this summer on how countries can levy taxes on global Internet giants.

Heritage Minister Steven Guilbeault promised last month his government will "quickly modernize pre-Internet laws so that web giants can offer more Canadian content, contribute to its creation, promote it and make it easier to find," though he did not say how.

The government is also set to receive a massive report on overhauling the Broadcasting Act and telecommunications rules.

Little Rock Radio: Eric Sullivan OUT At Sports KABZ-FM

Eric Sullivan
 A Little Rock sports radio personality is out of a job after being accused of stealing money from a woman’s purse.

Eric Sullivan had worked for Sports KABZ 103.7 The Buzz since 2016. As of Friday night, he’s no longer listed on their website, reports KNWA TV.

Sullivan is accused of taking money from a worker at a restaurant.

Surveillance video shows a man believed to be Sullivan take a purse and steal cash from it.

The woman filed a police report, saying she had left her purse on a table while she went to the bathroom.

Sullivan has not been criminally charged, though the woman says she plans to press charges.

Philly Radio: Jazz DJ Bob Perkins Returns To WRTI After A Stroke

Bob Perkins
For 50 years Bob Perkins has been one of the great voices of Philadelphia radio, starting in 1969 with a nearly 20-year stint as a news and editorial reader for WDAS, known in those days as The Voice of the Black Community.

“My dad was my radio school,” the 86-year-old remembered during an interview with The Inquirer. “He loved radio programming, and since I was the last kid at home, we listened together to all the great voices — John Facenda and Edward R. Murrow — anything that was on the radio, from Jack Benny to the Philadelphia Athletics games. I knew the Athletics’ batting averages like they were my own name.

His older brother had introduced him to the music of Duke Ellington, which sparked a lifelong love of big band and jazz music. He wanted to share his obsession. Not quite content as a newsman, in the late ‘70s he volunteered for a moonlighting job as a weekend music DJ with WHYY, where he coined his on-air moniker: “BP with the GM” — Bob Perkins with the Good Music.

When WHYY dropped its music programming to concentrate on news and information, Perkins moved uptown. Over the last 20-some years, BP with the GM has become an icon of the Philadelphia airwaves, holding down a prime, three-hour early evening time slot Monday through Thursday on WRTI 90.1 FM. The station, run by Temple University, plays classical music during the day and transforms in the evenings into one the country’s premier jazz music broadcasters. He throws in a four-hour show on Sunday mornings for good measure.

One day in late summer last year, his familiar and congenial voice went silent. Perkins had suffered a stroke.

Maureen Malloy, the director of jazz programming at WRTI, says there was “an insane amount” of listener response to Perkins’ unexplained absence. “We weren’t sure at first when he’d be back, so we didn’t say anything.” Finally, in mid-November, a post went up on the WRTI web page. It was typically BP in tone.

“I’ve got high mileage on my odometer,” Perkins wrote. “BP and ‘Father Time’ have been having a continuous battle over the last several years and I’m trying not to let him win the battle! I’m waiting for my doc to give me clearance to return to work so that I can keep putting out that good GM …. I look forward to you lending me your finely tuned ears very soon."

Perkins has made it back on the air this past Thursday, despite some lingering effects of his stroke.


“Music,” said BP about the GM. “That’s our savior, man.”

Russians Prank Maxine Waters

'Auntie Maxine'
The call starts innocently enough: Rep. Maxine Waters (D-Calif.) warmly greets the voices on the line, whom a staffer identifies as Greta Thunberg and her father, Svante, reports The Washington Post. They share a laugh about Waters’s nickname, “Auntie Maxine.” The congresswoman praises her young caller for her climate change activism.

“You have made quite a big, big, big, big thunder on this issue. I am really, really very proud of you and the work that you’re doing,” Waters is heard saying.

The congresswoman and her staff thought they had connected with Thunberg, the 17-year-old Swedish climate activist who was recently named Time magazine’s “Person of the Year.” In reality, two 30-something Russians, Vladimir “Vovan” Kuznetsov and Alexei “Lexus” Stolyarov, were on the other end of the line. The duo describe themselves as comedians and pranksters, but they are widely suspected of having ties to the Russian government.



Audio from the call with Waters was posted to the pair’s YouTube page on Thursday, along with a cartoon animating the approximately 10-minute interaction as part of their comedy video series called “Stars Save the Earth.”

It’s unclear when exactly the call took place. Waters’s office did not respond to questions seeking details about how the call was arranged or whether her office has screening or security protocols for phone calls. Waters waved off the incident on Saturday, telling The Washington Post in an email statement:

“This was just another stupid prank by the same Russian operatives who have targeted many U.S. elected officials, including Rep. Adam B. Schiff, Sen. Lindsey O. Graham, Sen. Mitch McConnell, and late-Senator John McCain, and international heads of state such as Emmanuel Macron. The end.”

Meat Loaf Goes Vegan, But No...He Won't Do That


Rock artist Meat Loaf has gone vegan for Veganuary but he won't be changing his name to a plant-based alternative, fans may be relieved to know, reports Insider.

The 'Bat out of Hell' singer, whose real name is Marvin Lee Aday, refused to rebrand himself as "Veg Loaf" while ditching meat as part of a Frankie & Benny's restaurant campaign.

The 72-year-old agreed to promote the chain's new range, which includes a vegan hot dog, calzone and "cheesy" potato skins.

However, he told the Daily Star: "When Frankie & Benny's first approached me to rebrand to Veg Loaf I said no way in hell.

"But, I'd do anything for our planet and dropping meat for veg, even for just one day a week, can make a huge difference."

The man who penned 'I would do anything for love' is no stranger to plant-based diets, having previously renounced meat for 11 years.

He told the Mirror a harrowing restaurant experience in 1981 changed his attitude to food for more than a decade.

"I ordered rabbit and they served it with its head on, no ears and its eyes closed," he said.

"I said, 'Take this away and I want vegetables and a salad,' and from that moment I became vegetarian for maybe 11 years."

'1917', 'Once Upon A Time' Win Big At The Golden Globes


The 77th Golden Globe awards kicked off awards season Sunday night. They were hosted live by Ricky Gervais, his fifth time in the hot seat, from the Beverly Hilton, and aired on NBC. 1917 and Once Upon a Time in Hollywood emerged the big winners on the movie side with Best Director and Best Picture, and Best Screenplay, Best Picture and Best Supporting Actor respectively, but Joker performed well too, bringing home two awards.

Joaquin Phoenix won Best Actor, Motion Picture, Drama for Joker, while Renee Zellweger won Best Actress, Motion Picture, Drama for Judy. Taron Egerton took home Best Actor, Musical or Comedy for his work in Rocketman, while Awkwafina won the award for Best Actress, Musical or Comedy for her role in The Farewell.

On the TV side, Succession won Best Drama, Fleabag won Best Musical or Comedy.


Going in, Netflix led in all nominations with 34, thanks to films like Noah Baumbach’s Marriage Story and Martin Scorsese’s The Irishman, with six and five nominations each. Both were shut out. On the TV side, The Crown and Unbelievable snagged four nods each for the streamer, with HBO’s Chernobyl also earning four.

Read More Here.

Host Ricky Gervais Scorches Celebs

Ricky Gervais
Ricky Gervais, host of the 77th annual Golden Globe awards, took a swing at his fellow celebrities during his opening monologue, reports The Washington Examiner.

While cracking a few jokes about the films and televisions shows nominated for Sunday night's awards show, the actor and comedian gave Apple a nod for entering the streaming service game with its hit show A Morning Show starring Jennifer Aniston and Reese Witherspoon.


"A superb drama about the importance of dignity and doing the right thing made by a company that runs sweat shops in China," he quipped before taking aim at the stars in attendance. "Well, you say you’re woke, but the companies you work for, I mean, unbelievable, Apple, Amazon, Disney. If ISIS started a stream service, you would call your agent, wouldn’t you?"

Gervais, 58, told a handful of other jokes at their expense, including references to reporter Ronan Farrow, who uncovered ex-Hollywood mogul Harvey Weinstein's abuse, and deceased billionaire predator Jeffrey Epstein, who was friends with many of the rich and famous.

"In this room are some of the most important TV and film executives in the world, people from every background. But they all have one thing in common. They’re all terrified of Ronan Farrow. He’s coming for you. He’s coming for you," he said.

After claiming Jeffrey Epstein "didn't kill himself," Gervais then scolded the crowd for groaning at the joke, saying, "Shut up. I know he’s your friend, but I don’t care you had to make your own way here, your own plane, didn’t you?"

The comedian went on to warn the winners against using their acceptance speeches as a platform to make political statements, telling them, "You know nothing about the real world" and are in "no position to lecture."

January 6 Radio History


➦In 1838...Morse Code privately demonstrated

➦In 1912...actor/comedian Danny Thomas was born Amos Muzyad Yahkoob in Deerfield Michigan.  His broadcast credits began in radio with Baby Snooks, the Bickersons (Drene Time) & The Big Show.  Besides his own successful TV sitcom Make Room for Daddy (later renamed the Danny Thomas Show) he had a hand in producing the Dick Van Dyke Show, the Andy Griffith Show, and the Mod Squad.  He founded St. Jude Children’s Research Hospital in Memphis.

He died Feb 6, 1991 after a heart attack, at age 79.


➦In 1939...producer/journalist Carlton E Morse, premiered 'I Love A Mystery', which aired afternoon's on NBC's West Coast radio Network.

He is best known for his creation of the radio serial One Man's Family, which debuted in 1932 and ran until 1959 as one of the most popular as well as long-running radio soap operas of the time.

Carlton E Morse
A radio legend, he experimented with television and published three novels. Morse is considered by many to be one of the best radio scriptwriters.

After losing his newspaper job, Morse brought several scripts he had written throughout the 1920s to an interview with NBC. He soon was offered a job at KGO, the San Francisco outlet of NBC's Blue Network, and began his radio career scripting House of Myths. Morse began work on NBC Mystery Serial, which included such episodes as "Captain Post: Crime Specialist" and "Case of the One-eyed Parrot". Other mysteries scripted by Morse included The Witch of Endor, The City of the Dead, Captain Post: Crime Specialist, The Game Called Murder and Dead Men Prowl.

He also did four programs based on San Francisco Police Department files: Chinatown Squad, Barbary Coast Nights, Killed in Action and To the Best of Their Ability. Morse worked closely with San Francisco Police Chief William J. Quinn, who narrated all four series.

"One Man's Family" was a daily soap opera, targeted at housewives, and "I Love a Mystery" was an adventure serial for adolescents and lovers of the macabre. Both are regarded by radio historians as two of the all-time best radio serials.

➦In 1941...a young actor appeared for the first time in a new program on CBS Radio, 'Home of the Brave'. This marked Richard Widmark‘s professional acting debut.  His first film appearance was 6 years later.

➦In 1945...a new mystery drama ‘The Saint’ based on the Leslie Charteris novels, began a Saturday evening run on NBC radio. Vincent Price did not come to the lead role of Simon Templar until 1947 on CBS.



➦In 1957…Elvis Presley made his third and final appearance on CBS-TV’s Ed Sullivan Show, performing seven numbers over a 20-minute segment. Among them were “Peace in the Valley” and “My Blue Moon Turns to Gold Again.” Sullivan called Presley a “fine boy” and said he was easy to work with.

Sullivan demanded that the cameramen shoot Elvis only from the waist up this time. Presley sang seven songs: "Hound Dog," "Don't Be Cruel," "Love Me Tender," "Heartbreak Hotel," "Peace in the Valley" (at the request of the network), "Too Much," and "When My Blue Moon Turns to Gold Again."

Joe O'Brien
➦In 1969...NYC personality Joe O'Brien started at WNBC 660 AM.  A Yonkers native, O'Brien began his career in 1935 when he got his first radio job with WMCA 570 AM in NYC. He worked at the station for 34 years and became one of the Good Guys team of DJs in the late 1960's. They played Top 40 hits and became nearly as popular as the music they played.

For a time, O'Brien was the No. 1 morning man in New York City.

O'Brien handled morning duties until he was replaced by Don Imus in 1972. Mr. O'Brien then went to WHUD in Peekskill, N.Y. He retired in 1986, but continued to do weekend specials for WHUD until 2000.

He died in a car accident in 2005 at age 90.



➦In 1971...WJRZ 970 AM sold to Pacific Southern.  It changed its call letters on May 16 and became WWDJ, known on the air as "97-DJ", attempting to take on WABC and replace WMCA as the New York market's second Top 40 outlet.

For a brief time, program director Mark Driscoll began imaging the station as "9-J", giving rise to a recorded parody of the station called "Nine" produced by a group that included future disk jockeys Howard Hoffman and Randy West.

The station was hampered by a directional signal that covered Manhattan and parts of New Jersey well but suffered in the rest of the Five Boroughs and was virtually nonexistent on Long Island and western New Jersey. Eventually, FM competition from WCBS-FM and adult top 40 station WXLO (now WEPN-FM), and an evolution to adult Top 40 by WNBC (now WFAN), began to eat into WWDJ's ratings. In November 1973 it was ranked 15th in the Arbitron ratings.

E G Marshall
➦In 1974...CBS returned to dramatic radio programming at night with the first broadcast of the CBS Radio Mystery Theater, hosted by E.G. Marshall. The program debuted on 218 CBS stations and ran for nine years.

➦In 2008...one of the last surviving announcers of bigtime radio, Bob LeMond died of complications from dementia at age 94.

He was best known as the voice who announced for the television shows Leave It to Beaver and Ozzie and Harriet. LeMond was also the announcer for the first radio sitcom by Lucille Ball, My Favorite Husband, as well as for the first television pilot episode of I Love Lucy. The peak of his announcing career spanned from the 1930s well into the 1960s.

LeMond first became involved in radio announcing during the 1930s. He was selling advertising for the Los Angeles Herald-Examiner when his brother-in-law asked him to read a commercial for a radio show that his advertising agency was sponsoring. This audition was performed live on the air, and LeMond was hired on the spot for a salary of $20 a week. He worked at KEHE (later KECA) in Los Angeles in 1937-38 and at KYA in San Francisco in 1938-39 before being hired by CBS as one of its main announcers.

Bob LeMond
In 1942, LeMond was the announcer for The Second Mrs. Burton and Hollywood Showcase on radio. An October news report indicated that he would be the announcer for Lights Out, but military service intervened.

He continued to announce even after entering the U.S. Army during World War II, where he worked for Armed Forces Radio from 1942 until 1946. He ran the Mosquito Network, which broadcast to United States military personnel throughout the South Pacific. After the Japanese surrendered, he was named manager and officer in charge of Radio Tokyo.

LeMond returned to work at CBS after World War II, where he enjoyed the peak of his career. His most famed work came as the announcer for Lucille Ball's radio sitcom My Favorite Husband from 1948 until 1951. He continued to work with Ball as the announcer for the pilot episode of the television show which eventually became I Love Lucy.


LeMond's other blossoming television and radio credits during the 1940s, 1950s and 1960s included Leave It to Beaver, The Red Skelton Show, Red Skelton, Bat Masterson, Our Miss Brooks, My Friend Irma, Spike Jones, Edgar Bergen's Do You Trust Your Wife? and Life with Luigi. He also announced for countless television special events including the Academy Awards (for sponsor General Motors' Oldsmobile division) and the Tournament of Roses Parade.

He officially retired from show business in 1971.

➦In 2012...WFME 94.7 FM NYC (now Entercom-owned Country WNSH) license changed from non-commercial to commercial.