Monday, March 31, 2014

Co-Host Kerri Kasem Leaves Sixx Sense Show

Kerri Kasem
Premiere Networks has announced that Kerri Kasem has stepped down as co-host of Sixx Sense with Nikki Sixx and The Side Show Countdown with Nikki Sixx in order to pursue other endeavors.  A replacement is expected to be named Wednesday.

Kasem broke the news to their listeners last Friday night, explaining that her decision to leave the shows stemmed from the time commitment necessary to join Sixx on the road for Mötley Crüe's final tour.

"This was not an easy decision," Kasem said. “I’ve had so much fun with Sixx Sense and The Side Show Countdown over the past four years. It was an amazing experience to work with Nikki and the Premiere team on both of these programs, and I'm so proud of their continued growth and success. I wish everyone the best of luck!"

Nikki Sixx commented, "It's been great having Kerri as a co-host for the past four years. I'm so proud of the work Sixx Sense has done to provide two top-level Rock radio programs to millions of listeners worldwide. Although she will be missed, I fully support her new endeavors."



Kasem recently launched business, Good Vapor of Beverly Hills, her philanthropic efforts, include The Kasem Cares Foundation. Based on her own challenging experiences with her bedridden father, Casey Kasem, Kerri has been actively lobbying for a Visitation Bill that would provide reasonable rights for adult children who want to visit their ailing parents and/or give children access to information about their parents' health.

LA Radio: Wango Tango Line-Up Announced


102.7 KIIS FM's Ryan Seacrest announced the line-up Friday for "WANGO TANGO," the station's highly anticipated annual pop music festival that will take place at StubHub Center in Carson on Saturday, May 10.

This year's chart-topping artist lineup includes Maroon 5, Shakira, Paramore, Ed Sheeran, One Republic, B.o.B, Kid Ink, A Great Big World featuring a special performance with Christina Aguilera, Rixton and closing the show, Tiesto! More artists will be announced at a later date.

Ryan Seacrest and the entire KIIS FM Air Staff will host the show, with special celebrity guest host appearances to be announced.

Tickets for Wango Tango go on sale to KIIS CLUB VIP MEMBERS on Friday, April 4, at 10:00 a.m. PST. This is an internet only pre-sale and the link and password will be provided to KIIS CLUB VIP members only. To become a KIIS CLUB VIP, register for FREE at www.kiisfm.com to receive the link and password for the Wango Tango VIP pre-sale.

If tickets are still available after the pre-sale, the remaining tickets will go on sale to the public on Saturday, April 5, at 10:00 a.m.  Listeners can win tickets immediately from 102.7 KIIS FM every morning this week between 6AM and 10AM.

MA Radio: High Winds Knock 3 Stations Off-Air


A strong gust of wind is being blamed for knocking down two communications towers on Florida Mountain in North Adams in northern Berkshire County, Massachusetts.

One communications tower fell on another soon after midnight Sunday, knocking out most cell phone coverage as well as emergency communication methods for fire, police and ambulance in the area.

The two towers are now mangled, destroyed and flat on the ground. The two towers are fairly tall, each over 150 feet high, 25 and 50 years old respectively.  Silenced was cell phone service or a number of local providers,  Oldies WUPE 100.1 FM, non-com WNNI 98.9 FM and translator W226AW (WFCR New England Public Radio).

The owner of the tower, Corydon Thurston of North Adams Tower Company, vows to rebuild.

Until then temporary communication measures have been put in place. They’ve moved emergency communications equipment to nearby temporary antennas that they put up after the main towers fell down.

WUPE-FM STL Dish
VIEW MORE PHOTOS: Click Here.

WUPE 100.1 FM (1.3Kw) 60dBu Coverage
WUPE FM at 100.1 posted on its Whoopee Facebook Page that the station remains off-air due to damage at its broadcast tower location.  Engineer Paul Thurst expects to have WUPE back on-air sometime Monday afternoon at reduced power.  WUPE 1110 AM, which usually simulcasts the FM format, continues on-air.

Syracuse Radio: Two Long-Time Talkers OUT At WSYR

George Kilpatrick
George Kilpatrick's 20-year run on WSYR 570 AM/106.9 FM came to an end on Sunday morning one day after another longtime host on the Syracuse radio station said goodbye to his listeners, according to syracuse.com.

Kilpatrick wouldn't comment on why his 7 a.m. show is ending, but said he looks forward to expanding his WHEN 620 AM Power program and podcast, "New Inspiration for the Nation."

He also said he's looking forward to sleeping past 5 a.m. on Sunday morning for the first time -- with a few exceptions -- in 15 years.

Terry Ettinger

Kilpatrick's departure follows that of Terry Ettinger, who hosted "The Weeder's Digest" on WSYR for more than two decades until Saturday.

Ettinger said he was told by WSYR on Thursday that his show was being canceled and that the station was going in a different direction.

"I've sort of been expecting this for a couple years," Ettinger said Saturday after his final show. "All media is struggling to find their way. I understand it's a business. You have to make a profit."

Every Saturday morning, Ettinger fielded questions from loyal listeners about everything from lawns, landscaping and trees, to vegetable gardens, houseplants and flowers. Over the years, the show developed a following of listeners. For Ettinger, a lifelong horticulturalist, the experience of becoming a radio show host was surreal.

"It was a great ride," he said. "Never in a million years could I imagine having a radio show."

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Omaha Radio: FCC Fines KOMJ Owner $17K For Violations

The owner of Omaha AM radio station KOMJ 1490 AM has been fined $17,000 by the Federal Communications Commission for failing to operate and staff a main studio with a public inspection file, according to omaha.com.

Wyoming-based Cochise Broadcasting was ordered to pay the fine after the FCC last year filed an enforcement action, saying it tried and failed to locate the studio and the owner's head office.

KOMJ plays commercial-free popular music, mostly from the 1960s and 1970s. There are no disc jockeys and only occasional taped station promotional announcements.

The FCC doesn't approve of stations that dispense with studios, studio staff and an opportunity for the public to view the station's federal license and other documents.

Cochise, the FCC said in a filing last month, “willfully and repeatedly violated the commission's rules by failing to maintain and staff a main studio, and make available the station's public inspection file.”

The FCC filing last month said Cochise had until March 20 to file a statement saying it has established a studio and public inspection file for KOMJ.

Cochise's Virginia lawyer, Anne Crump, said the company has filed a timely response to the FCC in which it reported a new main studio and public file location. Crump did not disclose the location.

According to the FCC filing last month, Cochise in 2007 and 2008 rented studio space from Omaha's Journal Broadcast Group. That agreement lapsed, the filing said, to include only some storage space for Cochise files.

Cochise owner Ted Tucker told The World-Herald last year that he responded to the initial FCC inquiries and that he would not comment further. According to news reports from Arizona, Tucker has developed a reputation as a music aficionado who has digitized a large record collection and who buys small stations, spruces them up and sometimes sells them for a large profit.

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Orlando Radio: Ashley Replaces Ashley At WWKA

AJ & the New Ashley
Ashley may have departed Country WWKA 93.2 FM's Morning Showm but there's a new Ashley ready to step-up.

According to OM Stevie DeMann, K92's midday personality Dakota will be going to mornings and working with AJ Maguire beginning today.She is taking the spot of Ashley Figueroa who decided recently to return to Nashville, her hometown.

and as it turns out, Dakota's real name is Ashley Stegbauer and due to the exit of "the other Ashley," she can now use her real name.

According to DeMann, “The reason the name Dakota came about on K92 was because we already had an Ashley (Figueroa).  AJ and Ashley (Dakota) are expected to have some light-hearted fun on-air with this week to make the audience aware and then we will be off and running!

Stegbauer has been on middays since last year when she came over from Top 40 WPOI/Tampa. She will continue working middays after her morning shift until a replacement can be found.  Her background also includes working promotions at Top 40 WAPE/Jacksonville.

WWKA 92.3 FM (99Kw) 60dBu

Report: Spotify Has Target On Its Back

Google’s YouTube is prepping a Spotify-style subscription music service this summer as part of a redesign of the popular online video hub, sources told The NY Post.

After several delays, YouTube is poised to launch the service through its Music Pass app for Android mobile devices, according to sources.

The subscription service would be Google’s second grab at the all-you-can-eat music market. Google Play, its two-year-old online entertainment store, already offers an All Access offering that competes with Spotify, Pandora and other streaming services.

YouTube’s Music Pass will likely charge $10 a month for a commercial-free option — on par with Spotify’s paid service — and $5 a month for an ad-supported version, one source said.

Considering YouTube’s huge user base — more than 1 billion unique visitors a month — Spotify has reason to be nervous.

But Google isn’t the only one ramping up the competition with Spotify.

Apple is said to be in talks with record labels over launching a streaming subscription offering under its iTunes brand.

Amazon is also reportedly in talks with music labels about a streaming service for its Prime subscribers.

Spotify is also fighting off land grabs from Jimmy Iovine’s Beats Music, which has spent millions on advertising and has signed up 28,000 new users in its first free month, according to Bloomberg News.

Anthony Bay, the CEO of Rdio, which has an alliance with Cumulus stations to help boost its subscription music service, told The Post: “It’s very early days for music streaming. There are over 1 billion mobile users and 30 million music subscribers in the world.”

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Report: Media Habits of Mobile-Ad Friendly Shoppers

Consumers may be generally receptive to the concept of mobile marketing, but, according to Marketing Charts, not all are as favorable to advertising.


According to new data released by Scarborough, about half of smartphone and tablet owners are willing to receive ads on their devices in exchange for services. Coupled with the finding that roughly one-quarter have shopped on their devices in the past year, Scarborough deduces that 13% of mobile Americans are “mobile ad-friendly shoppers.” So how to reach these shoppers?

Given that they skew young, it’s not surprising to see that this group can be reached by social media. About two-thirds use social networking sites on their smartphones and 35% on their tablets. They’re 26% more likely than mobile Americans (adults who own a smartphone or tablet) to spend at least 5 hours per day social networking, 35% more likely to say social media is very important for finding out about products and services, and 28% more likely to say social media is very important for showing support for their favorite companies or brands.

There are various ways to reach this group through traditional media, too.

According to the research, mobile ad-friendly shoppers’ top newspaper daily sections are:
  • Main news/front page section (51%)
  • Local news section (47%)
  • Advertising circulars/inserts/flyers (35%)
On the radio, their top formats are:
  • Pop contemporary hit (39%)
  • Country (26%)
  • Adult Contemporary (25%)
  • Hot AC (25%)
Finally, on TV, the types of programs they typically watch are most likely to be:
  • Movies (74%)
  • Comedies (73%)
  • Dramas (49%)
In other demographic details offered in the report, Scarborough notes that mobile ad-friendly shoppers skew higher-income than the average mobile owner and are 20% more likely than average to identify as black.

March 31 In Radio History

Earle C. Anthony
In 1922...KFI-AM, Los Angeles, California, began broadcasting.

In 1922 Earle C. Anthony was the founder and owner of what eventually became 50,000 watt KFI- AM 640 radio, a station he controlled until his death in 1961.

From 1929 to 1944, he also owned KECA-AM 790, now KABC. The E.C.A. in KECA stood, of course, for Earle C. Anthony.

He was an early president of the National Association of Broadcasters and, during his term, oversaw the establishment of the organization's first paid staff.

He was also a founder of one of the earliest television stations in Los Angeles, KFI-TV, channel 9, and KFI-FM, both of which were disposed of in 1951.


The original KFI station used a 50-watt transmitter and was made out of a crank telephone. Early on, Anthony operated the station from his garage, and later from atop his Packard automobile dealership. In its early days, it was typically on the air for only four and a half hours a day.

This is the original KFI 50 kW transmitter, an RCA 50B. Installed in 1931, it served as the main until a Continental 317B was installed in 1959. 

From the time of its inception in 1926, the National Broadcasting Company (NBC) operated two networks, the Red Network and the Blue Network. The Red Network carried the commercial programs, while the Blue Network carried the sustaining ones (those without commercial sponsors). The red and blue designations came from the colors of the U.S. flag.

Being an NBC affiliate, Anthony operated two radio stations to carry both networks. KFI-AM, 640 kHz, carried the Red Network, and KECA-AM, 790 kHz, carried the Blue.

KFI helped to keep the calm during the dark days of World War II by airing President Franklin D. Roosevelt's "Fireside Chats." Later, it carried "Monitor (NBC Radio)," the network's very successful weekend radio service.

As a side note to KFI's participation in World War II, there is a bullet hole in the ceiling of the transmitter building, located in La Mirada, California, where a National Guardsman accidentally discharged his rifle on December 10, 1941, three days following the attack on Pearl Harbor. The bullet hole is still there to this day, preserved as a monument to KFI's wartime service.

The "FI" segment of its call sign was an abbreviation of "farmer's information." Every winter evening between 1924 and 1956, KFI would deliver a frost report at 8 pm that would tell citrus farmers whether to turn on wind machines or light "smudge pots" to keep their orange and lemon groves from freezing. The frost warnings moved to 7 pm until the late 1970s when they were removed from the schedule.

After the end of radio’s golden age, KFI-AM moved toward a full-service format of music, sports and local news.  Cox Broadcasting purchased the station in 1973.

It moved KFI into a Top 40 format in the mid 1970s. That playlist softened in the early 1980s as KFI moved toward a more adult contemporary format.


By the mid 1980s, KFI had slipped in the ratings.  By 1988, KFI dropped music and focused on issue-oriented talk radio.  Chancellor Media acquired the station in 1999.  Clear Channel Communications assumed control in 2000. KFI continues to broadcast a news/talk format.


In 1925...WOWO-AM, Ft. Wayne, Indiana, began broadcasting.

Established in 1925, WOWO began broadcasting at 500 watts of power on 1320 kHz on March 31, 1925 and was owned by Chester Keen of Main Auto Supply Company; the station was originally located upstairs of the Main Auto. The station's callsign was chosen to start with the letter "W" as required by the FCC for all stations in the United States at the time.

During the 1920s, the FCC permitted either three- or four-letter callsigns, with three-letter call signs being preferred for brevity. By choosing WOWO for easy pronunciation as a two-syllable word, in some measure WOWO had a callsign that exhibited even more brevity than even the three-letter callsigns.

Despite this, disk jockeys on WOWO were prohibited from calling the station "woe-woe" on the air until the late 1960s, when a contest was introduced to identify songs in which the "woe" sound appeared. The WOWO callsign was later backfilled as a tongue-in-cheek acronym: "Wayne Offers Wonderful Opportunities". In 1927, WOWO was made a pioneer station of CBS radio network and remained a CBS affiliate until 1956.

In 1928, Keen sold WOWO to Fred Zieg. In 1929, Zieg received FCC approval to move WOWO to 1190 kHz with a power of 10,000 watts and establish WGL on WOWO's former 1320 kHz. Until WOWO's purchase by Westinghouse Broadcasting in 1936, Zieg managed the advertising sales of both WOWO and WGL through WOWO-WGL Sales Service, Inc.



On July 4, 1929, the station's studio building caught fire. No casualties were reported, and operations were moved to a nearby location.

During August 1936, WOWO was acquired by Westinghouse Broadcasting as its first owned and operated radio station. Westinghouse built new studios for WOWO at 925 South Harrison Street in Fort Wayne, which were completed on May 1, 1937. On that same date WOWO joined the NBC Blue radio network, while maintaining its CBS network affiliation, as multiple network affiliations were common for NBC-Blue affiliates. On March 29, 1941 Westinghouse completed the FCC licensing of WOWO's famous clear-channel broadcasting on 1190 kHz. During and after World War II, these clear-channel broadcasts made WOWO a popular radio super-station of sorts throughout the eastern United States.  WOWO's clear-channel license and resulting large audience permitted various owners over the years to consider WOWO their flagship station.


On April 30, 1952, WOWO's studio and offices were relocated to the upper floors of 128 West Washington Blvd. It was here that the station began its famous "fire-escape" weather forecasts, involving obtaining weather conditions from the fire escape ledge. In 1977, WOWO's studios moved to the fourth floor of the Central Building at 203 West Wayne Street in Fort Wayne, where it would remain for the next fifteen years. When the station relocated to the Central Building, the old fire escape was cut into small pieces, encapsulated in lucite and distributed as a promotional paper weight.

Programming for the station changed several times. After dropping its network affiliations in 1956, the station played modern (for the time) music. During its heyday, WOWO was one of North America's most listened-to Top 40 music stations. WOWO continued playing the hits until 1988, when the station resumed playing oldies. In 1992 the format changed to adult contemporary, and then in 1996, the station switched to a news-talk format which remains to this day.

From 1941 to 1995 WOWO was well-known, in both Indiana and areas to the east, as one of the clear-channel AM stations. This was due to the station broadcasting continuously at 50,000 watts of power both during daylight and nighttime hours. From sunset to sunrise, WOWO's directional antenna was configured to protect only KEX, Portland, Oregon. The nighttime broadcasts were branded as WOWO's Nighttime Skywave Service, the "voice of a thousand Main Streets". During the 1970s, the station's hourly ID (required by the FCC) stated: "50,000 watts on 1190, WOWO, Fort Wayne, Group W, Westinghouse Broadcasting." Listen to WOWO Top Of the Hour Station IDs: Click Here.

WOWO's clear-channel license permitted WOWO's radio personalities to gain some degree of fame throughout the eastern United States. Announcer Bob Sievers, Farm Director, commentator and folk-philosopher Jay Gould, News Director Dugan Fry, meteorologist Earl Finckle, the "In a Little Red Barn (on a farm down in Indiana)" de facto theme song of WOWO, the Penny Pitch charity fund raisers, sports director Bob Chase's Komet Hockey broadcasts, the weather reports from WOWO's personnel taking a smoking break out on its studio's "world-famous fire escape", and husband-wife hosts of The Little Red Barn Show, music director Sam DeVincent and wife Nancy of "Nancy Lee and the Hilltoppers", all were listened to by a total of millions of people from the Great Lakes to the United States' East Coast over the years from the 1940s to the 1990s. Other memorable on-air personalities include Ron Gregory, Chris Roberts, Jack Underwood and Carol Ford.

Because WOWO's Nighttime Skywave Service caused WLIB, also 1190 kHz, in New York City to cease broadcasting at sunset each day and resume broadcasting at sunrise, Inner City Broadcasting bought WOWO in 1994 so that they could reduce WOWO's Class A clear-channel license to Class B, and WLIB, owned by Inner City Broadcasting could thereby increase its class from Class D to Class B.


This reduced WOWO's potential audience—referred to as WOWOland—from much of the eastern United States to a much smaller local region in northern Indiana, northwestern Ohio, and south-central Michigan. Before the power reduction, when WLIB signed off at night, WOWO's air signal came booming through the speakers into the WLIB air studio.


 In 1949…After nine years of development, RCA Victor introduced the first 45 rpm record, a 7-inch wonder promising better sound and easier playability than the current standard, the 10" 78 rpm record. It was also designed to compete with the Long Playing record introduced by Columbia a year earlier.

The first 45 rpm released was "Texarkana Baby" by country & western singer Eddy Arnold. The disc was made of green vinyl, part of an early plan to color-code singles according to the genre of music they featured. Others included yellow for children's songs and red for classical music.


In 2004...Air America Radio began broadcasting, the first radio network for liberals, led by Al Franken, comedian and author.

March 30 In Radio History

In 1922...KGY-AM, Olympia, Washington, began broadcasting.


KGY has a long history in Olympia, going back to Saint Martin’s College (now Saint Martin’s University). It was there that Benedictine monk Father Sebastian Ruth began experimenting with radio, and when the FCC first started licensing radio stations, KGY was one of the first stations in Washington State to be licensed. “In fact, the three letter call stations are a heritage, the oldest around,” Kerry said.

In 1939 Nick Kerry’s great-grandfather Tom Olsen, an Olympia native, purchased the business. In 1960 KGY moved to its current location on Marine Drive overlooking Budd Inlet and neighbor to Swantown Marina and Hearthfire Grill. It was built on pilings and has dramatic views of Budd Inlet and the Olympic Mountains. “This was the perfect location for an AM tower. The radials went into the saltwater which they believed created a stronger signal,” said Kerry.

Barbara Olsen Kerry ran the stations until the mid-2000s and today the family continues to remain owners, the majority of whom live in Olympia.



In 1922...WWL-AM, New Orleans, Louisiana, began broadcasting.

After receiving permission from the Vatican, the Jesuits at Loyola University started WWL on March 31, 1922, with a piano recital and a three-minute request to listeners to support construction of a new classroom building on campus.  The advertisement above says the 10-watt transmitter was “made from $400 worth of spare parts from a Goverment War Surplus Ship.  The studio audience — 20 Loyola students —- gave a spontaneous cheer at [the] conclusion of [the] historic broadcast.”

The advertisement also claims other firsts.  For instance, the 1922 broadcast of a recording of John McCormack singing “When Irish Eyes Are Smiling” is claimed as the first music broadcast in the South.

Over the years, WWL moved to different positions on the dial and steadily increased its power.  In 1938, WWL boosted its signal to 50,000 watts, sending the sounds of New Orleans across much of North America.

WWL became a CBS affiliate in 1935.  During World War II, Loyola University offered WWL’s facilities to train soldiers in radio operations. The station also produced wartime radio programs.  WWL again allowed the government to use its facilities in 1962 during the Cuban Missile Crisis.

WWL-AM avoided the turn toward rock in the 1950s and became well known in the region for its broadcasts of local Dixieland jazz bands and big band music.  The Leon Kelner Orchestra was popular for its broadcasts from the Roosevelt Hotel’s Blue Room.  The broadcasts were heard far and wide over WWL’s 50,000-watt signal. The LPB radio history site says comment cards were received from as far away as Finland.

In 1971, the station started a long-running overnight country music show targeted at long-haul truck drivers called “The Road Gang.”


Loyola sold the WWL stations to separate companies in 1989.  WWL-AM and WLMG-FM are owned by Entercom.-Faded Signals

In 1941...The Great AM Frequency Re-alignment.

The North American Radio Broadcasting Agreement, usually referred to as NARBA, is a treaty that took effect in March 1941 and set out an international bandplan and interference rules for mediumwave AM broadcasting in North America. NARBA accommodated much of the U.S. bandplan of 1928, with accommodation to Canada and Mexico.

Listen: A commercial explaining the changes in dial position of radio stations which took place on March 29, 1941. Click Here.

Although mostly replaced by other agreements in the 1980s, the basic bandplan of NARBA has remained to the present day. Among its major features were the extension of the broadcast band from its former limits of 550 kHz to 1500 kHz to its 1941 limits of 540 kHz to 1600 kHz to its present limits of 540 kHz to 1700 kHz and the shift of most existing AM stations' frequencies to make room for additional clear-channel station allocations for Canada and Mexico.

The agreement eventually governed AM band use in the United States, Canada, Mexico, Cuba, the Dominican Republic, and Haiti. In accordance with the treaty, clear channel frequencies were set aside across, roughly, the lower half of the radio dial (with a few regional channels thrown in), and regional channels across, roughly, the upper half of the radio dial (with a few clear channels thrown in).

The replacement 1230, 1240, 1340, 1400, 1450, and 1490 kHz local channels (formerly 1200, 1210, 1310, 1370. 1420 and 1500 kHz) were reserved for local channel stations (these are regional channels if located outside the North American continent, in which case regional channel stations could be allocated to those channels).


The agreement also officially reduced the "same market" minimum channel spacing from 50 kHz to 40 kHz, although Mexico elected to enforce a 30 kHz "same market" channel spacing, unless such reduced spacing was in conflict with an abutting nation's "border zone" allocations, in which case 40 kHz was enforced.

It required that most existing AM stations change frequencies according to a well-defined "table", which attempted to conserve the electrical height of the extant vertical radiator(s) and thereby controlling possible interference, while resulting in a wholesale yet predictable shuffling of radio station dial positions.

There were about 100 stations which were not changed according to the "table" and in these cases every attempt was made to move an existing clear channel station to a possibly distant clear channel (and not to a regional channel) and to move an existing regional channel station to a possibly distant regional channel (and not to a clear channel); local channel stations were not moved outside of the "table" as the "table" accommodated every eventuality, including even the cases of stations on the two highest local channels, 1420 and 1500 kHz, an 80 kHz spacing, as the new "same market" spacing of 40 kHz accommodated this case (these moved stations would be allocated to 1450 and 1490 kHz, a 40 kHz spacing).


Gabriel Heater
In 1972...Radio newsman/commentator (Mutual Broadcasting System, from the late 1930s to the early 1960s)/author (There's Good News Tonight) Gabriel Heatter, who appeared as himself in the 1951 motion picture "The Day the Earth Stood Still," died of pneumonia at age 81.


In 1985...Actor (Blondie, Willy, The Great Gildersleeve, Gildersleeve's Bad Day, Gildersleeve on Broadway, Gildersleeve's Ghost, Clambake, Seven Days' Leave, Look Who's Laughing, Here We Go Again, Comin' Around the Mountain, Country Fair, Port of Hell, Outlaw Queen, Invisible Diplomats) Harold Peary, the radio voice of "The Great Gildersleeve," died after a heart attack at 76.


In 1992...WNSR NYC changed call sign to WMXV

In 2012...America's two actors unions – the Screen Actors Guild and the American Federation of Television and Radio Artists – merged to become SAG-AFTRA.