In 1949...KQW-AM, San Francisco, California changed its call letters to KCBS-AM.
Charles Herrold |
Herrold used a variety of different radio call signs in the early days, including FN, SJN, 6XF and 6XE. In the very beginning, Herrold used a simple greeting like "San Jose calling."
That greeting and the initial FN sign (which was an inverted abbreviation of "National Fone") reflected the fact that he had been partially working on the idea of a radiotelephone.
On December 9, 1921, Herrold received a commercial license under the callsign KQW. It was the 21st licensed radio station in the United States and the 11th in the state of California.
Original KQW Transmitter (courtesy of The Radio Historian) |
There is at least one authentic broadcast recording chronicling this early history. On November 10, 1945, KQW presented a special program called "The Story of KQW," commemorating Herrold's early broadcasts. It includes a brief recorded statement by Herrold, just before his 70th birthday. During the introduction to the program, a KQW announcer explains that the program was produced to mark the 25th anniversary of the broadcasting industry as well as the 36th anniversary of KQW. The announcer then goes on to say that KQW was the first radio station in the world to operate on a regular schedule. The major events in Herrold's work are then dramatized.
In 1926, station manager James Hart bought KQW's license and facilities, eventually buying the station itself in 1930. A series of power boosts brought the station's effective radiated power to 5,000 watts by 1935. It served as the San Jose affiliate of the Don Lee Broadcasting System from 1937 to 1941; during the time, that it was owned by Julius Brunton & Sons, the station's operations being co-located with KJBS at 1470 Pine Street in San Francisco.
However, in 1942 CBS offered to move its San Francisco affiliation to KQW after KSFO (560 AM) turned down CBS' offer to buy the station. KQW jumped at this offer, having been without a source of network programming for over a year. CBS moved its affiliation to KQW later that year, with an option to buy the station outright. KJBS Broadcasters then sold the station and KQW moved to a lavish CBS-owned studio at the Palace Hotel in San Francisco. For all intents and purposes, it became a San Francisco station, though it continued to be licensed in San Jose.
At the end of World War II, KQW found itself in a battle with KSFO for its longtime home on 740 AM, the last Bay Area frequency that was authorized to operate at 50,000 watts. When CBS affiliated with KSFO in 1937, it cut a deal with KQW to swap frequencies with KSFO, which would then boost its power to 50,000 watts. The change was awaiting Federal Communications Commission (FCC) approval when World War II broke out.
By 1945, however, KQW had become San Francisco's CBS affiliate, and CBS was obviously not about to give up the advantage of having the last 50,000-watt frequency in the Bay Area. While the FCC granted the frequency to KSFO, its owners, Associated Broadcasters, later decided to concentrate on plans for its new television station, KPIX-TV (channel 5). Eventually, Associated Broadcasters traded 740 back to CBS in return for KPIX getting the CBS television affiliation for the Bay Area.
CBS exercised its option to buy KQW in 1949, changing the calls to KCBS (the KCBS callsign predates the use on the CBS-owned television station (then KNXT) in Los Angeles by over 30 years, and KCBS-FM there as well). The station also officially changed its city of license to San Francisco after seven years. In 1951, KCBS signed on at 50,000 watts for the first time from an elaborate multi-tower facility in Novato originally intended for KSFO. However, the station is a class B station, not a Class A (clear-channel).
In 1968, KCBS became one of the first all-news stations in the country. However, it already had a long history in news dating back to World War II, when it was the center of CBS' newsgathering efforts in the Pacific Theater.
In 1959…The British Broadcasting Corporation banned the Coasters' recording of "Charlie Brown" because of its reference to "spitballs." The ban was lifted two weeks later.
In 1978...Mutual Broadcasting System moved the "Larry King Show" from Miami to Washington, D.C.
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