He is best known for his influential work in the 1960s and
the introduction of girl group The Shangri-Las to the pop music world.
Growing up in Brooklyn , New York , and then Hicksville, Long
Island , he formed a doo-wop group, the Marquees, at school. He
became friendly with Ellie Greenwich, and did drop-in visits to her and her
writing partner (later husband) Jeff Barry when they were working at New York songwriters' 'Mecca ',
the Brill Building .
In 1964, he wrote and produced "Remember (Walking In
The Sand)" with a long-shot, unknown girl-group local club act that he
admired, The Shangri-Las (according to Morton, with the then-unknown Billy Joel
on piano in the demo recording and offered the demo recording to established
industry guru Jerry Leiber who was then setting up Red Bird Records.
The recording "Remember (Walking In The Sand)" by
the Shangri-Las reached #3 on the US pop charts in 1964, and was a
worldwide teen recording hit that launched the Shangri-Las as a chart-topping
recording group.
Morton was transformed overnight from a credential-less
industry 'wannabe' into a teen recording songwriter and recording producer
sensation—a pop recording industry 'wunderkind'—one of pop recording industry's
often-told, long-odds 'success stories'.
In 1967, his production of Janis Ian's "Society's
Child" finally became a hit record. Janis was 16-years-old.
The same year, he discovered a group called the Pidgeons,
who became Vanilla Fudge, and produced their first three albums, which included
their hit containing "You Keep Me Hangin' On."
In the 1970s he worked with Iron Butterfly, and even though
the group gave an interview to Mix Magazine crediting Morton with producing the
hit track "In-A-Gadda-Da-Vida".
In later years, Morton, who underwent treatment for
alcoholism in the mid-1980s and remained sober to the end of his life, had a
second career as a designer of golf clubs.
He never abandoned songwriting. At his death, Krakow
said, Mr. Morton had more than 300 songs to his credit, most unrecorded.
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