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Saturday, April 5, 2025
S-F Radio: KNBR and MLB Giants Announce Broadcast Extension
TV Ratings: Downs and Ups Of Women's Basketball
The 2025 NCAA Women's Basketball Tournament has shown a notable shift in TV ratings through the Elite Eight, reflecting both a decline from the exceptional 2024 season and sustained growth compared to earlier years.
The tournament has averaged 967,000 viewers across its first four rounds, according to data compiled by Sports Media Watch. This figure represents a 31% decrease from the 1.4 million average at the same point in 2024, a year marked by unprecedented viewership driven largely by the "Caitlin Clark effect."
However, it also marks a 47% increase over the 2023 tournament’s average at this stage, underscoring that interest in women’s college basketball remains robust even without last year’s record-breaking momentum.
The 2024 tournament set a high bar, culminating in a championship game between South Carolina and Iowa that averaged 18.9 million viewers, peaking at 24.1 million, making it the most-watched basketball game—college or professional—since 2019. That year’s Elite Eight averaged 6.2 million viewers, buoyed by marquee matchups like Iowa vs. LSU (12.3 million), a rematch of the 2023 final. In contrast, the 2025 Elite Eight averaged 2.9 million viewers, a 53% drop from 2024’s 6.2 million but a 34% rise from 2023’s 2.2 million, positioning it as the second-most-watched Elite Eight on record. Key games this year included UCLA vs. LSU (3.4 million) and South Carolina vs. Duke (3.1 million), both on ABC, showing that while viewership has cooled, it still outpaces pre-2024 norms.Several factors explain these trends. The 2024 surge was fueled by Caitlin Clark, whose historic scoring and Iowa’s deep runs drew massive audiences—her games alone averaged over 10 million viewers across the tournament. Her departure to the WNBA, alongside stars like Angel Reese and Kamilla Cardoso, left a void in 2025.
The broader context shows women’s basketball sustaining its upward trajectory. The 2025 Sweet 16 averaged 1.7 million viewers, down 29% from 2024’s 2.4 million but up 39% from 2023’s 1.2 million, making it the second-most-watched Sweet 16 ever. Regular-season ratings also reflect growth, with ESPN reporting a 3% increase over 2024 and a 41% jump from 2022-23, the highest since 2008-09. Networks like ABC and ESPN have capitalized on this, with games like Texas vs. Tennessee (2.9 million) and Notre Dame vs. TCU (2.5 million) on ABC driving viewership. Posts on X and industry analyses suggest that while 2025 won’t match 2024’s peaks, the sport’s “floor” has risen significantly, supported by new stars and increased media exposure.
South Carolina and Connecticut will face each other in the championship game Sunday (3 pm ET, ABC). On the men's side, the Final Four begins tomorrow, with the Florida Gators taking on the Auburn Tigers (6:09 pm ET, ABC) and the Houston Cougars taking on the Duke Blue Devils (8:49 pm ET, ABC).
Bruce Springsteen To Release Seven 'Lost' Albums
Bruce Springsteen announced yesterday the upcoming release of “Tracks II: The Lost Albums,” a box set featuring seven previously unreleased albums, including 83 songs—74 of them never heard before. Spanning recordings from 1983 to 2018, the collection includes material that was fully recorded but ultimately shelved. The album, a follow-up to his 1998 “Tracks” box set, is set for release June 27.
Springsteen, often called "The Boss," is known for his gritty voice, anthemic rock, and themes of working-class life. He rose to fame with the 1975 breakthrough album “Born to Run” and has since released 21 studio albums, including “Born in the USA,” which produced seven top 10 US singles—among them its often-misinterpreted title track.
The 75-year-old has sold more than 140 million records worldwide and performed thousands of live shows, including marathon concerts lasting up to four hours. He has won 20 Grammy Awards, an Academy Award, and a Tony Award, and was inducted into both the Rock & Roll Hall of Fame and the Songwriters Hall of Fame in 1999.
R.I.P.: Mimi Griswold, Longtime CNY Radio Personality
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| (1957-2025) |
Born on June 30, 1957, in Brockton, Massachusetts, she eventually settled in the Central New York area, though the Cape was never far from her heart.
A graduate of Syracuse University, Mimi spent more than 25 years in the radio industry at Galaxy Media. She was a pioneer for women in the industry and mentored many young women throughout the years.
As an on-air host and program director, Mimi's fierce passion for music touched the lives of Central New Yorkers. For decades, her mainly acoustic, highly eclectic "Blue Moon Café" radio show on TK99 and WOUR was a part of the Sunday morning routine for listeners far and wide. She cherished the connections and community that came along with it.
When the mics turned off, you would find Mimi on a "right turn only" road trip, conjuring up a new hobby, sipping a cup of coffee in nature, working on the family's passion project "Queen V's Bees" or taking her kayak on an adventure to the Adirondacks.
Radio History: April 5
➦In 1922…KOB-AM Albuquerque, New Mexico signed-on.
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| Ralph Goddard |
In 1948, Tom Pepperday, owner and publisher of the Journal, signed on KOB-TV, the first television station between the Mississippi River and the West Coast. The stations passed to Time-Life in 1952 and to Hubbard Broadcasting in 1957. Hubbard Broadcasting sold the radio stations in 1986. In order to trade on the well-known KOB calls, the new owners simply added an extra "K" to the radio station's call letters.
KOB was involved in a 38-year-long dispute with New York City station WABC (originally WJZ) over the use of the 770 kHz frequency. KOB was moved there from 1030 to make room for WBZ in Boston. While the Federal Communications Commission requested that WJZ install a directional antenna to allow the stations to interoperate over large areas, the station refused to comply, encroaching on the range KOB was intended to cover. Only after reaching the U.S. Supreme Court was the issue settled, when the FCC assigned KOB to a new license class. KKOB and WABC became sister stations when Citadel Broadcasting purchased ABC Radio in 2007; Citadel merged with Cumulus Media on September 16, 2011.➦In 1922…WDZ-AM, Decatur, Illinois signed-on.
WDZ started in the office of the James Bush grain elevator in Tuscola, Illinois. The original call sign was 9JR and the original intent of the station was to broadcast grain reports, making it the first radio station to do so. The station later started mixing some music in with the grain reports.
The radio station's power was increased to 1000 watts in 1939 with a new 252-foot (77 m) tower. During that time, WDZ used remote broadcasts that was unique for a rural station. The station started the use of remote broadcasting equipment which included a truck called, the "WDZ 'White Relay Truck"', equipped with a 100-watt transmitter to relay broadcasts from area locations, and some two-watt, battery operated transmitters that could be worn on the backs of assistants when a program originated from remote sites. The station was on 1020 kHz in 1941, but changed to 1050 kHz, and has remained there since.1050 kHz has been a Mexican Clear Channel since 1941 (was a U.S. Clear Channel before 1941), and U.S. operations on Mexican Clear Channels was restricted to 1,000 watts and to daytime operations, only, until the "Rio" treaty took effect in the late 1980s (before 1941, 1020 kHz was a U.S. Clear Channel and that, too, was restricted). After "Rio" took effect, it was a simple matter for WDZ to add night operations with as little as 250 watts, and today the station is indeed operating with its pre-"Rio" maximum daytime power and its post-"Rio" minimum nighttime power. Anything more than 1,000 watts days and 250 watts nights very likely would require installation of a directional antenna system at great capital expense. WDZ is diplexed (i.e., it uses the very same vertical radiator) with co-owned WSOY.
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| WDZ Performer's Studio |
In 1949, the station moved from Tuscola to Decatur. The relocation of WDZ from Tuscola to the west and to Decatur greatly facilitated the eventual allocation of a station on 1080 kHz in Oak Lawn, suburban Chicago, IL.
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| WDZ Transmitter Studio |
On March 31, 2008, the station switched to a sports radio format as part of the Fox Sports Radio network. Within a year the station switched programming from Fox Sports Radio to ESPN Radio.
WDZ and its sister stations WCZQ 105.5 FM Monticello and WDZQ 95.1 FM, 1340 WSOY 1340 AM and WSOY 102.9 FM Decatur, were sold to Neuhoff Media in February 2009.
Today, WDZ 1050 AM, powers with 1000 Kw-Day, 250 watts Night. and airs ESPN Sports.
➦In 1927...The NBC Orange Network started distributing programs. Also known as the NBC Pacific Coast network it was a National Broadcasting Company radio network in the western United States from 1927 to 1936, before two-way broadcast-quality communications circuits reached the West to relay the larger NBC Red Network and NBC Blue Network.
The Orange Network had its own production and performance staffs on the West Coast. In addition to producing original West Coast works, the Orange Network also had duplicate productions of many eastern shows until the end of 1928. In December 1928, a single broadcast-quality line was completed to San Francisco, and the Orange Network could then carry eastern programming directly, but only one program at a time; from then until 1936, Orange Network fed some programs from Red and some from Blue.
In 1936, a second broadcast-quality circuit was completed, this time to Los Angeles. This circuit also allowed the direction of amplification to be reversed in under 15 seconds, allowing Los Angeles, with its easy access to talent during the Golden Age of Hollywood, to feed broadcast-quality sound to the eastern networks as well. With the opening of the second circuit, the need for the Orange Network disappeared, and the stations on the old Orange Network became the Pacific Coast Red Network, fed by KPO (AM), except KGO (AM), which itself fed a new Western Blue Network made up of stations on the short-lived former NBC Gold Network.
➦In 1958...the first Greatest Hits album ever , Johnny’s Greatest Hits, featuring Johnny Mathis on Columbia Records, made it onto the Billboard LP chart for the first time. The album remained on the charts for 490 weeks.
➦In 1982…Record World magazine ended publication after 36-years. It was one of the three main music industry trade magazines in the United States, along with Billboard and Cash Box. It was founded in 1946 under the name Music Vendor, but in 1964 it was changed to Record World, under the ownership of Sid Parnes and Bob Austin. It ceased publication on April 10, 1982.
Friday, April 4, 2025
Surprise! Iger Drops-In On ABC News Editorial Meeting
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| file photo |
Walt Disney Company CEO Bob Iger made an unexpected appearance at ABC News’ daily editorial meeting in New York City on Thursday, where he voiced serious concerns about President Donald Trump’s newly enacted “Liberation Day” tariffs. According to Oliver Darcy’s Status newsletter, Iger warned of the potential fallout not only for Disney but for the broader U.S. economy.
The Wrap reports Iger told staffers that shifting overseas manufacturing to the U.S. on short notice is unfeasible and emphasized that the public largely misunderstands how tariffs function. Anonymous attendees interpreted this as a nudge for ABC News to better educate its audience on the issue.
The visit followed Trump’s signing of an executive order on Wednesday, which introduced sweeping tariffs targeting over 180 countries and U.S. trade partners. Trump hailed the move as “Liberation Day,” though economists and industry figures, including Hollywood executives, are increasingly apprehensive about its consequences.Throughout the closed-door discussion, Iger remained actively engaged, offering candid insights, per Darcy’s account. He expressed particular worry about Disney’s cruise division, noting that two new ships under construction could face higher steel costs, potentially forcing the company to cut back on investments. On the topic of relocating production, Iger pointed out the logistical challenges, citing the thousands of specialized workers—such as those at Apple’s Foxconn facilities in China—who would need to be replaced and retrained in the U.S.
Iger’s presence at the meeting suggests growing unease with the Trump administration’s policies, a sentiment echoed by Thursday’s market reaction: the U.S. stock market saw its sharpest decline since 2020. The tariffs are set to roll out in phases, starting with a 10% levy on all countries this Saturday, followed by steeper, tailored tariffs on nations with significant U.S. trade deficits beginning April 9.
Local Radio Remains A Top 5 Advertising Platform
Local radio continues to maintain a strong presence in the U.S. advertising landscape, securing its position as the fifth-largest advertising medium within the $171 billion local ad marketplace, as reported by BIA Advisory Services.
This ranking highlights radio's enduring relevance amid a rapidly evolving media environment, where it competes with both traditional and digital platforms for advertising dollars.
According to BIA's latest U.S. Local Advertising Forecast for 2025, local radio is projected to generate $12.3 billion in advertising revenue, encompassing both over-the-air (OTA) and digital channels. This figure reflects a slight adjustment from 2024 estimates, with a forecasted decline of 4.9% year-over-year when including political spending, and a 6% drop for OTA revenue alone. Despite this dip, radio’s ability to hold its top-five spot underscores its resilience and adaptability, particularly as it integrates digital innovations with its traditional broadcasting strengths.
The forecast points to significant growth in digital radio ad spending, driven by key sectors such as financial services, insurance, and quick-service restaurants (QSRs), each expected to invest over $95 million in 2025. Hospitals are also emerging as a notable spender in local radio advertising, reflecting the medium's appeal to diverse industries seeking to connect with local audiences. This blend of traditional and digital revenue streams enables radio to remain a vital tool for advertisers, especially in rural and remote communities where it retains strong cultural and practical relevance.BIA Advisory Services emphasizes that local radio's transformation—merging compelling content with digital capabilities—positions it to offer unique value to advertisers. This adaptability ensures it continues to compete effectively within the broader $171 billion local advertising marketplace, trailing only larger mediums like digital ads, television, direct mail, and newspapers, though the exact rankings of the top four are not specified in the provided context.
Forecast: YouTube To Become World’s Largest Media Company
YouTube is poised to overtake Disney as the world’s largest media company by revenue in 2025, a remarkable milestone for a platform that began just 20 years ago.
According to a recent report by MoffettNathanson analyst Michael Nathanson, YouTube generated $54.2 billion in revenue in 2024, trailing Disney’s media revenue (excluding its parks and experiences divisions) by just $5.5 billion, with Disney at $59.7 billion. Nathanson predicts that YouTube’s growth trajectory will see it surpass Disney by the end of 2025, earning it the title of the “new king of all media.”
This projection hinges on YouTube’s explosive growth across multiple revenue streams: advertising, subscriptions, and its virtual MVPD service, YouTube TV.
In 2024, YouTube’s ad revenue hit $36.15 billion, up 15% year-over-year, with a record-breaking $10.5 billion in Q4 alone. Subscription services like YouTube Premium and YouTube Music, boasting over 125 million global subscribers as of March 2025, contributed an estimated $18.1 billion in “other revenue.” YouTube TV, with over 8 million subscribers despite a price hike from $73 to $83 per month in December 2024, further bolsters its earnings. Nathanson forecasts that by 2027, YouTube could reach over $75 billion in annual revenue, driven by continued subscriber growth and enhanced monetization.
Fox News Has Best Quarter Ever on YouTube
Americans continue to rely on Fox News for information and analysis across multiple platforms.
Fox News finished the first quarter of 2025 with over one billion video views on YouTube for its best quarter in history, according to Emplifi.
Fox News finished the historic quarter as the No. 1 news brand on YouTube with a staggering 1.2 billion views. It was the second consecutive quarter that Fox News finished atop the news competitive set, surpassing the nearest competitor, MSNBC’s 945 million views, by 26%.
CNN managed only 489 million views, while NBC News delivered 391 million views, ABC News followed with 357 million views and CBS News trailed with only 172 million views.Fox News finished No. 1 with a 26% increase compared to the fourth quarter of 2024, which was previously the best quarter the network ever had on YouTube.
Fox Business also secured 326 million YouTube views in the first quarter compared to just under 90 million for CNBC and under 30 million for Bloomberg. As a result, Fox Business has finished No. 1 among the business news competitive set for the 13th straight quarter, according to Shareablee.
Fox News Digital finished 2024 as the top news brand with multiplatform views and minutes while seeing yearly growth across all metrics, according to Comscore. The momentum has carried over to 2025 as Fox News Digital dominated the news-heavy month of February, finishing as the No. 1 news brand in multiplatform views and minutes.
The digital success comes as Fox News Channel had the highest-rated quarter among weekday total viewers in cable news history during the first quarter of 2025, also topping broadcast competition in key measurables along the way.
Consumers Rush To Make Pricey Purchases
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| Would you pay $2,300 for an iPhone? |
U.S. consumers have been increasingly motivated to make expensive purchases ahead of anticipated price hikes driven by President Donald Trump’s “Liberation Day” tariffs, which were enacted via an executive order on Wednesday. These tariffs, set to impose a 10% levy on imports from all countries starting Saturday, followed by higher reciprocal tariffs on nations with significant U.S. trade deficits beginning April 9, 2025, have sparked a rush to buy big-ticket items before costs rise.
This consumer behavior is particularly evident in the automotive sector. In the first quarter of 2025, U.S. auto sales surged, with buyers snapping up pickup trucks, SUVs, and other vehicles. The looming tariffs, expected to increase vehicle prices by thousands of dollars due to their reliance on imported parts and materials, have driven this preemptive spending. Consumers are acting on expert advice to purchase now rather than face steeper prices later, a sentiment echoed across various industries reliant on overseas manufacturing.
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| The rush to make purchases |
Most of the 200 million iPhones Apple produces each year are made in China. Of the consumer goods affected by the 54% tariff, iPhones could take the biggest hit from the sharp hike.
Apple, which commands high profit margins, would have to either absorb the costs and pass them onto investors or raise prices and pass them on to consumers. If Apple were to do the latter, consumers could see prices jump as much as 43%, analysts estimated Thursday.
Even the cheapest new iPhone – the iPhone 16e – would see a big jump in price from $600 to $858 – a risky strategy when inflation-weary consumers are reeling from high prices and cutting back on pricey purchases.
Some consumers are “doom spending”. The current wave of pricey purchases reflects a strategic move to beat tariff-induced inflation. However, not all are participating; many Americans, frustrated by prices already 19% above pre-pandemic levels as of early 2024, are trading down to cheaper alternatives or cutting back on non-essentials.
Sactown Radio: Tom Sullivan To Step Away From Daily Show
Tom Sullivan, a veteran talk radio host, is stepping down from his daily afternoon show on iHeartMedia’s NewsRadio KFBK in Sacramento, where he has been a mainstay for over four decades.
His final broadcast is scheduled for Friday, May 30, 2025, marking the end of a significant chapter in his career and for the station. Sullivan’s show, airing weekdays from 3:00 p.m. to 6:00 p.m. ET, has also been nationally syndicated through Talk Media Network, reaching listeners across multiple markets.
Sullivan began his broadcasting career at KFBK in 1980, initially as a financial editor, and became the station’s top-rated talk host by July 1998. Known for his smart, opinionated, and inclusive style, he built a loyal audience in Sacramento while expanding his reach nationally.
In 2007, he relocated to New York to join Fox Business Network as an anchor and Fox News Talk Radio for syndication, continuing his KFBK show remotely. After leaving Fox in 2017, he partnered with Talk Media Network to maintain his syndicated presence, originating from KFBK (1530 AM and 93.1 FM).His career highlights include being named to Talkers magazine’s Heavy Hundred, a nomination for Radio & Records News/Talk Personality of the Year, and years as a fill-in host for Rush Limbaugh’s program.
His retirement announcement came on April 2, 2025, framed as a “semi-retirement” by KFBK, suggesting he’s not fully exiting the media landscape. Sullivan, now in his mid-70s, plans to shift focus to a new podcast, allowing him to stay connected with listeners in a less demanding format.
Influential Columnist Exits WaPo
Eugene Robinson, a Pulitzer Prize-winning columnist, announced his departure from The Washington Post on April 3, 2025, after 45 years with the newspaper, citing a “significant shift” in the paper’s mission under its billionaire owner, Jeff Bezos.
Robinson’s exit is the latest in a series of high-profile resignations triggered by Bezos’ recent changes to the Post’s opinion section, which he outlined in February 2025. Bezos declared that the section would focus exclusively on defending “personal liberties and free markets,” excluding viewpoints that oppose these principles—a move that has stirred controversy and prompted a broader exodus of veteran staffers.
Robinson, who joined The Washington Post in 1980 and began writing for the opinion pages in 2005, expressed his decision in an email to colleagues, stating, “The announced ‘significant shift’ in our section’s mission has spurred me to decide that it’s time for my next chapter.” He wished the paper well, adding, “I won’t be a stranger, and I’ll be reading your unparalleled work every single day.”His departure follows a career that included roles as a city hall reporter, foreign correspondent, and assistant managing editor, culminating in a 2009 Pulitzer Prize for his commentary on Barack Obama’s 2008 presidential campaign. Beyond the Post, Robinson has been a prominent political analyst on NBC News and MSNBC, often critiquing President Donald Trump, whom he once called a “weak, narcissistic man” and accused of trampling the Constitution.
The changes have also impacted the Post’s readership, with over 75,000 digital subscribers canceling in the 48 hours following Bezos’ initial announcement, though the paper later reported gaining 400,000 new subscribers. Robinson had hinted at his unease earlier, telling MSNBC’s Morning Joe in February that the shift was a “fork-in-the-road moment” for many staffers, as it deviated from the independent journalism they signed up for.
FCC Commissioners Taking Active Role At NAB Show
Commissioners Anna Gomez and Nathan Simington of the FCC are set to lead significant policy discussions at the National Association of Broadcasters (NAB) Show 2025, taking place April 5–9 at the Las Vegas Convention Center. Their appearances highlight the FCC’s engagement with pressing regulatory and technological issues facing the broadcast industry.
Anna Gomez, a Democratic commissioner sworn in September 2023, will host a Q&A session on Monday, April 7, from 3:00 to 4:00 p.m. in room W219 as part of the Broadcast Management Track.
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| Anna Gomez |
At the NAB Show, her session, moderated by Wall Street Journal reporter Joe Flint, will likely cover regulatory priorities, the challenges and opportunities for broadcasters in today’s media landscape, and her push against government overreach in media affairs. Given her background—12 years at the FCC, including as Deputy Chief of the International Bureau, and leadership roles at the National Telecommunications and Information Administration (NTIA)—expect her to emphasize digital equity, broadband access, and the FCC’s role in serving the public.
Nathan Simington, a Republican commissioner confirmed in 2020, will deliver keynote remarks on Tuesday, April 8, from 11:45 a.m. to 12:30 p.m. in Theater 2 (room W2631) during the session “Overcoming Hurdles to Full ATSC 3.0 Deployment.”
CRS Accepting Applications For 2026 Agenda Committee
Country Radio Broadcasters (CRB) is currently accepting applications for the Country Radio Seminar (CRS) 2026 Agenda Committee.
The volunteer team plays a pivotal role in shaping the educational programming for CRS 2026, an annual event that serves as a key gathering for country music and radio industry professionals. The deadline for applications is Friday, April 18, 2025, and the seminar itself is scheduled to take place March 18–20, 2026, in Nashville.
The CRS Agenda Committee is composed of industry volunteers from various sectors, including country radio, streaming services, and the broader music industry. Their primary responsibility is to design and plan the educational content—such as panels, sessions, and discussions—that will address the evolving needs and trends in country radio and music. This includes tackling topics like programming, digital innovation, streaming, and industry challenges, ensuring the seminar remains a vital resource for professionals seeking to stay ahead in a rapidly changing landscape.
Leading the 2026 Agenda Committee is Chair Shelley Hargis from BMG/BBR Music Group, who brings continuity from her role in previous years. She is joined by Co-Vice Chairs Krista Hayes-Pruitt, also of BMG/BBR Music Group, and Kevin Callahan, Programming Executive at Pamal Broadcasting, with Callahan stepping into the leadership team this year. Their combined expertise spans label operations and radio programming, promising a balanced perspective in curating the agenda.
Applicants must commit to attending in-person planning meetings in Nashville from July 21–23, 2025, at the Virgin Hotel, as well as the full CRS 2026 event in March. While committee members receive free registration for the seminar, they are responsible for their own travel and lodging expenses.
Mother's Day Coming. So Is Edison's Women's Audio Report
Edison Research, in collaboration with SiriusXM Media, is set to release the Women's Audio Report, a detailed study focusing on women's audio consumption habits in the United States.
The report will be unveiled through a two-part webinar series scheduled for April 15 and April 29, 2025, at 2 PM ET. The initiative reflects Edison Research's ongoing commitment to exploring audio trends and listener behaviors, particularly within specific demographic groups.
The webinars will provide insights into key aspects of how women engage with audio content, including listener demographics, content preferences, discovery habits, and their interaction with advertising. The presentations will be led by Megan Lazovick, Vice President at Edison Research, and Melissa Paris, Vice President of Sales Research at SiriusXM Media, offering a blend of research expertise and industry perspective.
Expanding on the significance of this report, it’s worth noting that women represent a substantial portion of audio consumers, yet their specific preferences and behaviors are not always fully understood or highlighted in broader industry analyses. The report is expected to cover how women discover audio content, whether through podcasts, music streaming, or spoken-word formats like audiobooks and radio.
It may also explore how factors such as age, lifestyle, or cultural background shape their choices. Additionally, the inclusion of advertising engagement suggests the study will offer practical insights for marketers looking to reach female audiences more effectively through audio channels.The decision to present the findings in a two-part webinar series indicates a depth of data that goes beyond a single report. The first session on April 15 might focus on foundational findings—demographics and consumption patterns—while the second on April 29 could delve into more nuanced topics like content preferences or actionable takeaways for the industry.
As streaming platforms, podcasts, and smart speakers continue to grow, companies are eager to refine their approaches to different listener groups. The Women's Audio Report could reveal shifts in how women use audio compared to men or highlight emerging trends, such as the rise of female-driven podcast genres like true crime or wellness. For SiriusXM Media, a partner in this project, the findings could inform programming and advertising strategies across its vast network, which includes satellite radio and streaming services.
Social Media Flack Still Aimed At CBS, Lesley Stahl
Lesley Stahl, a journalist from 60 Minutes, is receiving criticism for her interview with Keith Siegel, a former Hamas hostage, as social media users express outrage, claiming she showed sympathy toward the terrorist organization.
Stahl faced online condemnation after questioning Siegel about whether Hamas intentionally starved him or simply lacked food to provide. "Do you think they starved you because or they just didn’t have food?" she asked Siegel, following his account of how his captors grew harsher after his wife, Aviva, was freed.
I can't believe my eyes. Lesley Stahl had the audacity to ask a Jewish hostage, who was tortured and starved by Hamas, if Hamas really meant to starve him or if they just didn't have enough food.
— Vivid.🇮🇱 (@VividProwess) March 31, 2025
Is this a joke? How the hell can she even ask him that?pic.twitter.com/utofSTtbk8
Multiple pro-Israel X accounts have highlighted the interaction, accusing Stahl of justifying the actions of the Islamic terrorists. The "Jew Fight Back account" posted, "Shame on 60 Minutes. Shame on CBS. And shame on every apologist who still can’t admit that Hamas is pure evil."
Ari Hoffman, a conservative journalist, also weighed in, stating, "Lesley Stahl & CBS should be ashamed of themselves. Throughout the interviews with the released hostages, Stahl used Hamas data & talking points... She should ask the Nazis if they meant to starve the Jews in the Holocaust or didn't have enough aid."



































