Monday, July 28, 2025

Trump Admin Looks To Reshape Broadcast Media


President Donald Trump and FCC Chair Brendan Carr are pushing for major changes in American broadcast media, starting with CBS. 

On Thursday, the FCC approved an $8.4 billion merger between CBS parent Paramount Global and Skydance Media by a 2-1 vote, with conditions to eliminate bias in CBS news and entertainment, hire an ombudsman for two years to handle complaints, and end diversity programs. Carr, speaking to CNBC, signaled a broader effort to address perceived liberal bias in mainstream media, leveraging the FCC’s public interest standard for broadcast outlets. Trump has criticized networks for biased coverage and urged license revocations.

Anna Gomez
Democratic FCC Commissioner Anna Gomez called the merger conditions a violation of First Amendment rights, accusing Paramount of yielding to Trump. 

Paramount recently settled a $16 million lawsuit with Trump over a “60 Minutes” interview with Kamala Harris, prompting some Democrats, like Rep. Frank Pallone, to label it a bribe and pledge investigations. Carr has also revived complaints against ABC News for its debate moderation and NBC for Harris’s “Saturday Night Live” appearance, with ongoing scrutiny of “60 Minutes.”

Carr told Reuters Thursday the FCC is not closing its investigation into the "60 Minutes" interview.

Trump Calls NBC 'Pawn' Of Democratic Party


President Donald Trump posted over the weekend on Truth Social, criticizing NBC News for what he described as "terrible" programming and accusing the network of being a "pawn" of the Democratic Party. 

In his posts, he claimed NBC's management was biased and suggested that their broadcast licenses should be revoked due to their alleged political alignment. 

He specifically wrote, "Networks aren’t allowed to be political pawns for the Democrat Party. It has become so outrageous that, in my opinion, their licenses could, and should, be revoked! MAGA."

His call to revoke NBC’s licenses echoes similar threats made during his first term and the 2024 campaign, where he suggested the FCC should strip licenses from networks like CBS over edited interviews or ABC over debate moderation. However, the FCC does not directly license national networks like NBC; it regulates individual broadcast stations, many of which are network affiliates.

Revoking licenses based on content is legally challenging due to First Amendment protections, as noted by former FCC Chairman Ajit Pai in 2017 and ex-Chairwoman Jessica Rosenworcel in 2024, who both emphasized that the FCC cannot revoke licenses over editorial content or political disagreements.

The feasibility of Trump’s threat is limited. 

Current FCC Commissioner Brendan Carr, a Trump appointee and current chairman, has supported investigating media bias but acknowledged that revoking licenses is "essentially impossible" under current law due to high legal standards and First Amendment barriers. Despite this, Trump’s rhetoric and the FCC’s recent actions under Carr, such as reinstating complaints against NBC, CBS, and ABC for alleged bias, suggest an intent to pressure media through regulatory scrutiny, potentially creating a chilling effect on coverage.

Hurricane Season Warning: Brace For Dangerous August


Weather watchers are expecting a forecast shift in the 2025 Atlantic hurricane season, predicting increased activity starting in August, according to USAToday.

Despite a relatively quiet start with only three named storms—Andrea, Barry, and Chantal—the season is poised for a significant uptick, driven by several meteorological factors.

🌩Key Warning Signs for an Active August

Favorable Tropical Environment: Meteorologists, including Phil Klotzbach from Colorado State University and Michael Lowry from WPLG-TV, note that the tropical environment in the Atlantic is becoming more conducive for hurricane activity. Conditions such as reduced wind shear and enhanced large-scale rising motion are expected to support storm development in the coming weeks.

The Madden-Julian Oscillation (MJO), an eastward-moving disturbance of clouds, rainfall, winds, and pressure, is expected to cross into the Atlantic in August, enhancing conditions for storm formation, particularly in the second and third weeks.

Increased Tropical Wave Activity: Tropical waves originating from Africa, which often seed major Atlantic storms, have become more robust. Long-range forecast models indicate a busier outlook for early August, with stronger waves emerging in the Central Atlantic and potential development near the Caribbean Islands.


Historical Climatology:
August typically marks the beginning of the peak hurricane season, with the first hurricane forming on average around August 11. Over 95% of major hurricane activity and 93% of Accumulated Cyclone Energy (ACE)—a measure of storm intensity and duration—occur after early August.

The article emphasizes that hurricanes are rare in June and July due to atmospheric hurdles like dry air and high wind shear, but these barriers diminish in August, allowing storms to form rapidly.

Ocean and Atmospheric Conditions: Above-average Atlantic Ocean temperatures set the stage for an active season, as noted by NOAA’s 2025 Atlantic Hurricane Season Outlook. Warmer waters provide the heat energy needed for storm intensification.

Carr's Agenda: Vendetta Or Accountability?


While FCC Chairman Brendan Carr did not explicitly state an interview last week that the FCC would censor comedians like Stephen Colbert for hurting President Donald Trump's feelings, his recent statements and actions have sparked concerns.

The concerns are about potential censorship, particularly in the context of CBS's cancellation of The Late Show with Stephen Colbert. 

In a Fox News interview last week, Carr discussed the cancellation of Colbert’s show, which CBS announced would end in May 2026, citing financial losses of approximately $40 million annually. Carr framed the cancellation as part of a broader "course correction" for legacy media, suggesting that outlets need to return to "unbiased, trustworthy journalism" to avoid economic fallout, as seen with Colbert’s show. 

He criticized what he called the "partisan circus" of media, implying that shows like Colbert’s, which he described as acting like a "loyal DNC spokesperson," face consequences due to market forces rather than direct government intervention.

When directly asked by Fox News host Bill Hemmer whether Trump played a role in Colbert’s cancellation, Carr gave a non-committal response, saying, “Look at what is happening. NPR has been defunded, PBS has been defunded, Colbert is getting canceled,” and attributed these outcomes to Trump’s broader challenge against "legacy media gatekeepers." He avoided confirming or denying Trump’s direct involvement, which some interpreted as implying political influence without evidence.

Carr’s comments, combined with his role in approving the Paramount-Skydance merger have fueled speculation about political motivations. 

Critics, including Democratic lawmakers and media watchdogs, have raised concerns that Carr’s rhetoric aligns with Trump’s agenda to target media outlets critical of him. For instance, Carr’s support for Skydance’s commitment to eliminate diversity, equity, and inclusion (DEI) initiatives and install an ombudsman to address bias at CBS News has been seen as aligning with a broader push against perceived liberal bias in media.

Additionally, Carr’s posts on X and public statements have emphasized enforcing the FCC’s "public interest" obligations for broadcasters, which some fear could be used to pressure networks over content. His remarks about The View being potentially “in the crosshairs” after co-host Joy Behar’s criticism of Trump further heightened concerns about targeting outspoken critics. However, no direct evidence from the interview or other sources confirms that Carr explicitly threatened censorship of comedians for hurting Trump’s feelings. Instead, his comments focus on economic and regulatory pressures, which critics argue could indirectly chill free speech.

Critics like Jamie Raskin and groups like Free Press have accused Carr of using his position to advance Trump’s vendettas against media, citing his investigations into news content (e.g., CBS’s 60 Minutes) and his advocacy for regulating tech and media for perceived bias. However, Carr’s defenders argue he is addressing public distrust in media and promoting accountability, not censorship.

Trump: Prosecute Beyoncé, Oprah For Campaign Payouts

Beyonce, Oprah

President Donald Trump posted on Truth Social Sunday, alleging that former Vice President Kamala Harris and celebrities including Beyoncé, Oprah Winfrey, and Rev. Al Sharpton should be prosecuted for what he claimed were illegal campaign finance violations during the 2024 presidential election.

Trump asserted that Harris’s campaign paid $11 million to Beyoncé, $3 million in “expenses” to Oprah, and $600,000 to Sharpton for endorsements, calling these payments “totally illegal” and improperly reported. He argued that paying for endorsements violates campaign finance laws and demanded legal action, stating, “Kamala and all of those who received Endorsement money BROKE THE LAW.”

However, The NY Post reports these claims lack evidence. Federal Election Commission (FEC) records show Harris’s campaign paid $165,000 to Beyoncé’s Parkwood Production Media LLC for event production, not an endorsement fee, with Beyoncé’s mother, Tina Knowles, denying any personal payment and confirming Beyoncé covered her own travel costs. 

Oprah’s Harpo Productions received $1 million for a Michigan town hall event, with Oprah stating she took no personal fee, only production costs were covered. Sharpton’s National Action Network received $500,000 for voter outreach, not an endorsement. The Harris campaign and its spokesperson, Adrienne Elrod, denied paying for endorsements, emphasizing payments were for event logistics, which are legal under FEC rules.

FEC regulations do not prohibit paying for endorsements, but campaigns must disclose such payments, and event-related expenses like production or travel are standard and permissible. 

No evidence supports Trump’s figures, particularly the $11 million claim for Beyoncé. A New York Times investigation confirmed that Harris campaign spending on rallies with celebrities like Beyoncé, Oprah, Lady Gaga, and Katy Perry covered support staff and production, not direct payments to the celebrities.

The Late Night Talk Shows: Therapy For Liberals


The Late Show with Stephen Colbert on CBS had become a "nightly therapy session for liberals" due to its frequent booking of left-leaning guests. 

The NY Post published a story Sunday was based on a study by Fox News Digital, highlighted that Colbert hosted left-wing journalists, politicians, and media figures over 200 times during his tenure.
 
Notable frequent guests included Anderson Cooper (20 appearances), Jake Tapper, Rachel Maddow, and others like Jon Favreau, Jon Lovett, and Tommy Vietor from Pod Save America. The piece suggested the show’s guest list skewed heavily progressive, aligning with its critical stance on figures like Donald Trump, which contributed to its reputation as a haven for liberal viewers. 

It also noted the show’s cancellation by CBS in May 2026, citing financial losses of $40-50 million annually, though some speculated political motivations tied to Paramount’s merger with Skydance and a $16 million settlement with Trump over a 60 Minutes dispute.


Analysis:

📺The Late Show with Stephen Colbert (CBS):
  • Political Lean: The Post article, noted over 200 appearances by left-leaning journalists, politicians, and media figures (e.g., Anderson Cooper, Rachel Maddow, Jon Favreau). Colbert’s monologues frequently target conservative figures, notably Donald Trump, which the article suggests made the show a "safe space" for liberal viewers. This aligns with Colbert’s background in political satire from The Colbert Report.
  • Guest Profile: Features a heavy emphasis on political and government figures compared to competitors, with early guests like Joe Biden, Bernie Sanders, and Elizabeth Warren. However, it also includes entertainment and music guests (e.g., Bad Bunny, Sabrina Carpenter).
📺The Tonight Show Starring Jimmy Fallon (NBC):
  • Political Lean: Fallon tends to avoid heavy political content, focusing on lighthearted comedy, celebrity interviews, and viral sketches. X posts suggest Fallon remains “middle-ish” politically, less partisan than Colbert or Kimmel.
  • Guest Profile: Emphasizes A-list celebrities, musicians, and apolitical figures to appeal to a broad audience. Guests often participate in games or skits (e.g., musical impressions, lip-sync battles), prioritizing entertainment over political discourse.
📺Jimmy Kimmel Live! (ABC):
  • Political Lean: Kimmel leans left, often addressing political issues in monologues, particularly healthcare and gun control, alongside Trump critiques. The Post’s narrative suggests Kimmel’s show also caters to liberal audiences, though less explicitly than Colbert’s.
  • Guest Profile: Balances political figures with Hollywood stars and musicians. Recent guests include actors like Steve Buscemi and politicians like Governor Josh Shapiro, similar to Colbert but with less frequent political bookings.
📺Late Night with Seth Meyers (NBC):
  • Political Lean: Meyers is overtly progressive, with sharp political commentary in his “A Closer Look” segments. A conservative-leaning group, @center_amrights, criticized Meyers alongside Colbert for featuring 106 liberal guests collectively with other hosts.
  • Guest Profile: Mixes political commentators, journalists, and entertainers, but with a stronger focus on comedy and satire than celebrity fluff. Guests often align with Meyers’ liberal perspective, though he includes diverse voices.
📺Gutfeld! (Fox News):
  • Political Lean: Greg Gutfeld’s show is explicitly conservative, offering a counterpoint to the liberal tilt of network late-night shows. It blends comedy with political commentary, targeting progressive policies and figures. X posts, like @DontWalkRUN and @LimbaughLegacy, highlight its ratings dominance, framing it as a rebuke to Colbert’s approach.
  • Guest Profile: Features conservative commentators, comedians, and occasional celebrities, often aligning with its right-leaning audience. The format prioritizes panel discussions over traditional celebrity interviews.
  • Liberals dismiss Gutfeld! as niche for Fox News viewers, with some X users mocking its 10 PM slot as not “true” late-night. However, its ratings success suggests it resonates with a significant audience.
Ratings and Viewership (Q2 2025)
  • Colbert: Averaged 2.417 million viewers, leading the 11:35 PM slot, with 219,000 in the 18-49 demo. Despite a 1% increase from Q1, viewership dropped from 3.1 million in 2017-18 to 1.9 million in 2024-25, with an older skew (mostly over 65).
  • Kimmel: Second in the 11:35 PM slot with 1.772 million viewers, but edged out Colbert in the 18-49 demo (220,000). Viewership fell from 2019-20 levels.
  • Fallon: Third with 1.188 million viewers and 157,000 in the 18-49 demo, showing significant declines and struggling to compete with Colbert and Kimmel.
  • Meyers: Led the 12:37 AM slot with 751,000 viewers and 181,000 in the 18-49 demo, strong for its later time but not competing with 11:35 PM shows.
  • Gutfeld!: Dominated overall with 3.289 million viewers and 238,000 in the 18-49 demo, outpacing all network shows for 21 months. Its 10 PM slot likely aids its numbers. Gutfeld! continues to dominate other late night programs. When Late Show drew 2.4 million viewers less than a week after news of its cancellation, Gutfeld drew 3.1 million viewers. For the year thus far, the show has averaged 3.1 million viewers and nearly 400,000 in the key demo. Since the announcement of Late Show’s cancellation, Gutfeld has posted 11% and 4% gains in overall viewers and the key demo.

Late Night Fallout: Who Could Be Next?


CBS’s cancellation of The Late Show with Stephen Colbert has sparked two theories. 

One views it as a unique move tied to Paramount’s $8.4 billion merger with Skydance Media, approved by the FCC on July 24, 2025, after prolonged delays. The other sees it as the start of late-night TV’s decline. The fate of Disney’s Jimmy Kimmel Live!, with Kimmel’s contract expiring in 2026, will clarify the genre’s future. 

Unlike Colbert, Kimmel’s show, a staple since 2003, doubles as a marketing platform for Disney’s Marvel, Star Wars, and animated projects, with its 20 million YouTube subscribers (compared to Fallon’s 32 million, Colbert’s 10 million, and Meyers’ 5 million) amplifying its reach. 

Kimmel’s roles hosting the Academy Awards, ABC’s Who Wants to Be a Millionaire, and Disney’s Upfronts may make him more vital to Disney than Colbert was to CBS. Still, Colbert’s exit highlights the pressures on traditional TV and raises doubts about late-night’s viability in a shifting media landscape.

Chuck E. Cheese Arrrested In Florida


Social media erupted with photos and videos of Tallahassee Police Department officers arresting Jermell Jones, dressed as Chuck E. Cheese, at the restaurant while children and families watched. Some questioned why police didn’t wait until Jones was out of costume, but a later photo showed him unmasked, with the mascot head on the squad car.

TPD confirmed the arrest, charging Jones with three felonies. 

Spokesperson Alicia Hill said police responded to a stolen credit card report on July 3 in the Chuck E. Cheese parking lot. The victim, who hosted a party at the restaurant in June, reported $100 in fraudulent charges from unfamiliar locations. 

She traced the activity to an employee at the Sharer Road location. Initially identified as the employee checking stamps at the door, Jones was later found in the Chuck E. Cheese costume when police returned to arrest him, according to the Palm Beach Post.

Reports: ESPN Close To Deal With NFL Media


The NFL is close to finalizing a deal with ESPN, where the NFL would acquire up to a 10% stake in ESPN (currently 80% Disney, 20% Hearst). In return, ESPN would fully own NFL Network and NFL RedZone and potentially acquire or partner on select assets like NFL Films, NFL.com, the NFL App, and NFL+. The deal, valued at up to $2 billion, aims to bolster ESPN’s upcoming $29.99/month streaming service, launching in fall 2025, and secure its NFL broadcast rights through 2033.

Key NFL Media Assets

Launched in 2003, NFL Network is a cable and satellite television channel fully owned by the NFL. It broadcasts seven regular-season games annually, typically international matchups or late-season Saturday games, alongside studio programs like Good Morning Football and The Insiders. It’s available in approximately 56 million U.S. households (compared to ESPN’s 82 million).

  • Role: Provides exclusive NFL content, including live games, analysis, and news, enhancing fan engagement. It’s a cornerstone of NFL Media’s direct-to-consumer offerings.
  • Strategic Value: Offers exclusive game broadcasts and studio content, valuable for partners like ESPN looking to bolster their sports programming. In the potential ESPN deal, NFL Network would be fully acquired by ESPN.

Launched in 2009, NFL RedZone is a premium pay-TV channel providing live, whip-around coverage of Sunday afternoon NFL games, focusing on scoring plays and key moments. It’s popular among fantasy football players and sports bettors.

  • Role: Enhances viewer engagement by delivering real-time highlights across multiple games, capitalizing on the rise of legal sports betting and fantasy football.
  • Strategic Value: Its high engagement makes it a key asset for streaming platforms. ESPN would fully acquire RedZone in the proposed deal, boosting its upcoming $29.99/month direct-to-consumer streaming service.

NFL Films is the league’s award-winning production company, known for creating high-quality documentaries, highlight reels, and archival content, such as Hard Knocks and A Football Life. It manages the NFL’s vast video archive, including millions of clips from over a century of football history.

  • Role: Produces premium content for broadcast, streaming, and marketing, preserving the NFL’s history and enhancing its brand.
  • Strategic Value: While not fully included in the ESPN deal, select NFL Films assets may be acquired or partnered on, offering rich content for ESPN’s streaming platform and potential collaborations with studios like Skydance Sports.

NFL.com: The NFL’s official website provides news, schedules, stats, scores, video highlights, fantasy football tools, and more. It serves as a central digital hub for fans.

  • Role: Drives fan engagement through real-time updates, exclusive content, and fantasy football integration, supported by a robust digital infrastructure.
  • Strategic Value: In the ESPN deal, NFL.com is not expected to be fully acquired but may involve partnership agreements, enhancing ESPN’s digital offerings with NFL’s fan database and content.

Cincy Weekend Brawl Covered by Local Media


On July 26, 2025, a viral video surfaced on Facebook showing a multi-person fight in Downtown Cincinnati, catching the attention of city officials and law enforcement. The post claims the incident occurred at Fourth and Elm streets on the night of Friday, July 25, during the Cincinnati Music Festival, which drew thousands to the area.



The Cincy Enquirer reports Cory Bowman, a mayoral candidate and JD Vance’s half-brother, reposted the video, criticizing the current administration’s handling of crime. 

Cincinnati Police Chief Teresa Theetge issued a statement at 6 p.m. on July 26, expressing outrage: "I am utterly disgusted by the viral video circulating. The behavior is cruel and wholly unacceptable. Our investigators are working to identify all individuals involved in this violence."Theetge clarified that the fight was unrelated to the Cincinnati Music Festival, describing it as a spontaneous conflict sparked by a verbal dispute. As of 4 p.m. on Sunday, July 27, Cincinnati police spokesman Jonathan Cunningham reported that the investigation remains ongoing, with no updates on arrests or hospitalizations.

Several Cincinnati news outlets have covered the downtown brawl: The Cincinnati Enquirer reported on the incident, noting the viral video and its context amid crime debates, with comments from police and a mayoral candidate.
  • WCPO 9 News covered the story, with Cincinnati Police Chief Teresa Theetge describing the brawl as “nothing short of cruel.”
  • FOX19 (WXIX) reported on the police investigation, including statements from the Cincinnati Fraternal Order of Police and City Council member Mark Jeffreys.
  • Local 12 (WKRC-TV) published details about the investigation, highlighting the violent nature of the fight captured in the viral video.
  • WLWT News 5 reported on the Cincinnati Police Department’s investigation, noting at least two injuries from the assault.
  • WLW Radio: Notably coverage of the brawl is missing from the iHM website as of Sunday Afternoon. However, the station posted several social media accounts on X
Thus, at least five Cincinnati news outlets—The Cincinnati Enquirer, WCPO 9 News, FOX19, Local 12, and WLWT News 5—have covered the brawl. Other local outlets, such as CityBeat, Spectrum News 1, or WVXU, did not have specific coverage of this incident based on the provided information, though they reported on other local news during the same period.

R.I.P.: Lisa Chase, Senior Editor, Co-Founder of Radio Online


Lisa Chase, Senior Editor and Co-Founder of RADIO ONLINE and radioonline.com, passed away Sunday, July 27, following complications from pneumonia after an eight-year battle with cancer. She was 67.

Earlier in the week, Lisa suffered cardiac arrest and remained in a coma. After a brain scan showed minimal activity, she was removed from life support while surrounded by loved ones.

Lisa Chase (1957-2025)
Lisa began her broadcasting and journalism career in 1977 while attending West Texas State University in Canyon, TX. In 1979, she met her future husband and business partner Ron Chase during an interview with the San Diego Chicken. The couple married later in 1980 and she joined KGNC-AM & FM in Amarillo. They then relocated to Memphis in 1981, where Lisa worked at WMC-FM (FM100) under Gary Guthrie and later at the legendary WDIA-AM under Viacom executive Bill Figenshu.

In 1984, Ron and Lisa launched Supertraxx Production-Services, producing radio and television commercials for concert promoters across the U.S.  Their shared interest in early online communication led to the launch of RADIO ONLINE in 1989 -- one of the first digital trade services serving the radio broadcasting community.

As Senior Editor, Lisa was instrumental in producing RADIO ONLINE's Daily Show Prep and developing the widely used Promotional Planner, a tool relied upon by thousands of radio professionals around the world.

Beyond her work in broadcasting, Lisa was a published comic book creator, known for several independent titles and even appearing as a character in a Batman comic under her own name. She was an avid gamer, a passionate scienc fiction fan, and a devout Christian.

Lisa is survived by her husband of 45 years, Ron Chase, as well as extended bfamily in Amarillo & Dallas and her two cherished cats, Leo and Rey.

Memorial details and arrangements will be announced at a later time.

Radio History: July 28


➦In 1941
...In Indianapolis, WTLC-AM began operation in 1941 as WISH. In 1947, principal owner C. Bruce McConnell sold WISH to Frank H. McKinney and associates for a "stripped price of approximately $500,000."

The owners of WISH radio also started a television station with the same call letters on Channel 8 in Indianapolis. In late 1963 the radio station, along with is sister FM operation, was sold to STAR Broadcasting (Don W. Burden) who changed the call letters to WIFE and WIFE-FM.

WIFE was the ratings leader during the mid and late sixties, sometime garnering as much of a forty share of the Indianapolis radio audience. The station built this audience for "Lucky 13" by playing Top40 along with heavy and frequent contesting such as, "The 100 Thousand Dollar Dream Home", "The 100 Thousand Dollar Cash and Car Give-A-Way", just to name a few.


The hands-on owner, Don W. Burden, hired some major on-air personalities and developed others, dubbed the "WIFE Good Guys" – Big Jack Armstrong, Roger W. Morgan, Reb Porter, Jay Reynolds (later WABC), Joe Light, Jay Hawkins, Buddy Scott, Jim Fox, T.J. Byers, Scott Wheeler, Mike O'Brien, Dan Summers, Steve Miller.

The 24 hour news department was home of news announcers Lyle Dean (later WLS) , Bob Schuman, Dean Sheppard and Paul Casey. During these years, the station was infamous for a billboard near Indianapolis' Weir Cook Airport (now Indianapolis International Airport) which told passing motorists, "While you're away, we'll be here with your WIFE".

After Burden later ran afoul of the FCC, Star Stations of Indiana was denied its license renewal application for WIFE in 1976. The station was ordered off the air, forcing a sale to new ownership and management. An era of frequent call letter changes (WMLF, WTUX, WTLC) and formats (Music of Your Life, Adult Standards, and Urban Oldies) began in 1984 and continued into the 1990s.

In late 1997, then-owner Panache sold the frequency to Emmis Communications and the new owners settled on Urban Gospel. For a two-year period the majority of programming was syndicated from Sheridan Broadcasting and branded as "The Light".

In January 2001, the station was purchased from Emmis by Radio One.

Dinah Shore
➦In 1974...NBC-TV removed the daily Dinah’s Place from its programming roster. The move brought Dinah Shore’s 23-year association with the Peacock Network to a close.

Born Frances Rose Shore (February 29, 1916 – February 24, 1994) was an American singer, actress, radio/television personality, and the top-charting female vocalist of the 1940s. She reached the height of her popularity as a recording artist during the Big Band era of the 1940s and 1950s, but achieved even greater success a decade later, in television, mainly as hostess of a series of variety programs for Chevrolet.

She had a string of 80 charted popular hits, spanning the years 1940 to 1957, and after appearing in a handful of feature films went on to a four-decade career in American television, starring in her own music and variety shows from 1951 through 1963 and hosting two talk shows in the 1970s. TV Guide magazine ranked her at #16 on their list of the top fifty television stars of all time. Stylistically, Shore was compared to two singers who followed her in the mid-to-late 1940s and early 1950s, Doris Day and Patti Page.

1947
Shore made her radio debut on Nashville's WSM-AM radio station. Shore decided to return to pursuing her career in singing, moving to New York City to audition for orchestras and radio stations. In many of her auditions, she sang the popular song "Dinah." When disc jockey Martin Block could not remember her name, he called her the "Dinah girl," and soon after the name stuck, becoming her stage name.  Shore eventually was hired as a vocalist at radio station WNEW, where she sang with Frank Sinatra. She recorded and performed with the Xavier Cugat orchestra, and signed a recording contract with RCA Victor Records in 1940.

In March 1939, Shore debuted on national radio on the Sunday afternoon CBS radio program, Ben Bernie's Orchestra. In February 1940, she became a featured vocalist on the NBC Radio program The Chamber Music Society of Lower Basin Street, a showcase for traditional Dixieland and Blues songs.

Shore soon became a successful singing star with her own radio show in 1943, Call to Music. She continued appearing in radio shows throughout the 1940s, including Birds Eye-Open House and Ford Radio Show. In early 1946, she moved to another label, Columbia Records.

➦In 1982...Dan Seymour died (Born - June 28, 1914). He was an announcer in the era of old-time radio and in the early years of television and later became an advertising executive

Dan Seymour
Seymour was once recognized as "Radio's best announcer." An obituary noted, "Seymour was best known as the deep-voiced announcer who startled Americans with a convincing but fictional account of Martians landing on Earth in the War of the Worlds broadcast in 1938."

His first job in radio—announcing came in 1935 at WNAC in Boston, Massachusetts, after his college graduation. While at the station, he was also an announcer for the Yankee Network. In 1936, he resigned and joined CBS in New York City. His first major assignment there was announcing for Major Bowes Amateur Hour.

A significant assignment early in his career was becoming the announcer on We the People, a job that led to a position with the program's advertising agency, Young and Rubicam.

Other programs on which Seymour worked as announcer were The Henry Morgan Show, The Aldrich Family, Songs by Jack Smith, Aunt Jenny's Real Life Stories, Sing It Again, Bobby Benson, and Original Gillette Community Sing.

Seymour was one of the producers of You and the News.

➦In 2003...singer-actor-comedian Bob Hope died of pneumonia at his home in Toluca Lake, California at the age of 100.