Friday, March 22, 2024

Tennessee First State To Protect Artists From Being Ripped-Off By AI

Tennessee Governor Bill Lee signed a bill into law on Thursday that aimed to protect artists including musicians from unauthorized use by artificial intelligence.

Reuters reports the legislation is called the Ensuring Likeness Voice and Image Security (ELVIS) Act.

WHY IT IS IMPORTANT

While the presence of AI, opens new tab in music-making can be traced back to the 1950s, recent groundbreaking, opens new tab advances in generative AI, with robots now making music as digital pop stars, have divided opinions in the industry. Many experts say AI raises legal and ethical concerns.

Made popular last year by the ChatGPT language system, generative AI is capable of creating content including original sounds, lyrics or entire songs on its own, but artists often use simpler AI to enhance their sound.

KEY QUOTES

The Tennessee legislation updates Tennessee's personal rights protection law to include "protections for songwriters, performers, and music industry professionals' voice from the misuse of artificial intelligence," the governor's office said in a statement, opens new tab.

Tennessee's music industry supports more than 61,617 jobs across the state, contributes $5.8 billion to gross domestic product, and fills over 4,500 music venues, according to the governor's office.

Tennessee's preexisting law protected name, image, and likeness, but it did not specifically address new, personalized generative AI cloning models and services that enable human impersonation and allow users to make unauthorized fake works in the image and voice of others.

A Monday hearing in a Manhattan courtroom could determine a trial date for former U.S. President Donald Trump, who faces New York State criminal charges of falsifying business records to hide hush money payments to an adult film star.

CONTEXT

More broadly, the rise of AI has fed, opens new tab a host of other concerns as well, including the fear that it could be used to disrupt the democratic process, turbocharge fraud or lead to job loss. Europe is ahead, opens new tab of the U.S. on regulations around AI, with lawmakers there drafting rules.

Democratic U.S. President Joe Biden's administration is pressing lawmakers for AI regulation, but a polarized U.S. Congress, where Republicans control the House of Representatives and Democrats control the Senate, has made little headway in passing effective regulation.

Forecast: $11.1 Billion in 2024 Political Ad Spend


In the realm of political advertising, the forecast for 2024 is remarkably robust. 

According to BIA, political spending in 2024 is projected to reach $11.1 billion, marking a 24% increase over 2022 and a 15.5% rise compared to 202012. Traditional advertising still holds sway, accounting for 70.2% of political ad spend in 2024, although this is down from 77.9% in 2020. 


Let’s delve into the specifics:
  • Over-the-Air TV (TV OTA): Expected to receive the lion’s share of political ad dollars locally, with an estimated $4.6 billion in forecast spending.
  • TV Digital: When combined with TV OTA, the total rises to $4.9 billion.
  • PC/Laptop: Anticipated to be the second-highest at $1.3 billion.
  • Cable TV: Expected to reach $1.1 billion, although it is the only media channel forecasted to decline from 2020 by nearly $183 million.
  • Over-the-Air Radio: Holding steady at $536 million in 2024, representing a 16% increase from 2020.
Interestingly, digital advertising is on the rise, with a 28% jump in spending during the 2024 general election cycle compared to 20203. As the political landscape evolves, so do the strategies for reaching voters. Whether through traditional channels or digital platforms, political ads continue to shape the discourse and influence public opinion. 

Radio History: March 22


➦In 1922...WLW in Cincinnati signed-on.

In July 1921, radio manufacturer Powel Crosley Jr. (above) began 20-watt tests from his College Hill home, broadcasting "Song of India" continuously under the callsign 8CR. Powell already owned a number of enterprises, including the Crosmobile and a refrigerator-freezer company, and for many years, he held ownership of the Cincinnati Reds baseball club. Powell was innovative, personally inventing or funding the development of many then–cutting edge technological advances in his ventures which he placed in the able hands of his younger by two years brother, Lewis Crosley who was a graduate engineer from the University of Cincinnati.

On March 22, 1922, Crosley and his Crosley Broadcasting Corporation began broadcasting with the new callsign WLW and 50 watts of power. Crosley was a fanatic about the new broadcasting technology, and continually increased his station's capability. The power went up to 500 watts in September 1922, 1000 watts in May 1924, and in January 1925 WLW was the first broadcasting station at the 5000 watt level. On October 4, 1928, the station increased its power to 50 kilowatts.

Again it was the first station at this power level, which still is the maximum power currently allowed for any AM station in the United States.

At 50 kilowatts, WLW was heard easily over a wide area, from New York to Florida. But Crosley still wasn't satisfied. In 1933 he obtained a construction permit from the Federal Radio Commission for a 500 kilowatt superstation, and he spent some $500,000 ($9.11 million in 2014) building the transmitter and antenna.

It was the first large amplifier used in the United States for public domestic radio broadcasting and was in operation between 1934 and 1939. It was an experimental amplifier and was driven by the radio station's regular 50 kW transmitter. It operated in class C with high-level plate modulation. The amplifier required a dedicated 33 kV electrical substation and a large pond complete with fountains for cooling. It operated with a power input of about 750 kW (plus another 400 kW of audio for the modulator) and its output was 500 kW.

In January 1934 WLW began broadcasting at the 500 kilowatt level late at night under the experimental callsign W8XO. In April 1934 the station was authorized to operate at 500 kilowatts during regular hours under the WLW call letters.

On May 2, 1934, President Franklin D. Roosevelt pressed a ceremonial button that officially launched WLW's 500-kilowatt signal. As the first station in the world to broadcast at this strength, WLW received repeated complaints from around the United States and Canada that it was overpowering other stations as far away as Toronto. In December 1934 WLW cut back to 50 kilowatts at night to mitigate the interference, and began construction of three 50 ft. tower antennas to be used to reduce signal strength towards Canada.

Thursday, March 21, 2024

DOJ Claims iPhone Ecosystem Is A Monoply


The Department of Justice sued Apple on Thursday, saying its iPhone ecosystem is a monopoly that drove its “astronomical valuation” at the expense of consumers, developers and rival phone makers.

CNBC reports Federal antitrust enforcement and 16 attorneys general also say that Apple’s anti-competitive practices extend beyond the iPhone and Apple Watch businesses, citing Apple’s advertising, browser, FaceTime and news offerings.

“Each step in Apple’s course of conduct built and reinforced the moat around its smartphone monopoly,” the complaint filed in the District of New Jersey said. Apple shares fell over 2% during trading on Thursday.

The Justice Department said in a release that to keep consumers buying iPhones, Apple moved to block cross-platform messaging apps, limited third-party wallet and smartwatch compatibility and disrupted non-App Store programs and cloud-streaming services.

The challenge represents a significant risk to Apple’s walled-garden business model. The company says that complying with regulations costs the company money, could prevent it from introducing new products or services, and could hurt customer demand.

The lawsuit could force Apple to make changes in some of its most valuable businesses: The iPhone, in which Apple reported over $200 billion in sales in 2023, the Apple Watch, part of the company’s $40 billion wearables business, and its profitable services line, which reported $85 billion in revenue.

“If left unchallenged, Apple will only continue to strengthen its smartphone monopoly,” Attorney General Merrick Garland said in the release.

Apple said in a statement that it disagreed with the premise of the lawsuit and that it would defend against it.

Fox Sports' Heavy Hitters Ready For New Season


As teams prepare to take the field, FOX Sports announces a roster of revered play-by-play announcers, versatile hosts, decorated analysts and distinguished reporters for its 29th season of Major League Baseball.

ALL-STAR BOOTH


Joe Davis, John Smoltz and Ken Rosenthal open the season with an American League showdown as the New York Yankees face the Houston Astros on Saturday, March 30 at 7:00 PM ET on FOX. Among this season’s highlights, the lead crew will call one of the most highly anticipated matchups between the Los Angeles Dodgers and New York Yankees on Saturday, June 8; and in addition to reporter Tom Verducci, will soundtrack FOX Sports’ coverage of baseball’s crown jewel events.

As he turns the page on a storied playing career, former St. Louis Cardinals ace Adam “Waino” Wainwright makes his debut as a regular season game analyst on Saturday, May 4, during BASEBALL NIGHT IN AMERICA, alongside Adam Amin. The pair reunite with analyst A.J. Pierzynski and Verducci across the pond for the 2024 MLB World Tour: London Series on Saturday, June 8.

Throughout the regular season, announcers Davis, Amin, Jason Benetti, Kevin Kugler and Kenny Albert team up with analysts Smoltz, Wainwright, Verducci, A.J. Pierzynski, Eric Karros and Dontrelle Willis in the booth.

LEGENDARY STUDIO LINEUP

Led by veteran host Kevin Burkhardt, FOX MLB’s on-site studio desk is flanked by names that have shaped a generation of baseball’s history, including World Series Champion Alex Rodriguez and Hall of Famers David Ortiz and Derek Jeter. In addition to covering the network’s special events, this season the show will travel to Yankee Stadium on Saturday, June 8 and provide coverage throughout a unique slate of programming on FOX – beginning with the New York Mets and Philadelphia Phillies in the 2024 MLB World Tour: London Series, the 2024 Belmont Stakes at Saratoga Race Course and a convergence of stars in the Los Angeles Dodgers-New York Yankees primetime matchup.

In studio, Burkhardt, Chris Myers and Mike Hill host pregame and postgame coverage alongside a rotation of analysts including Karros and Willis.

Apollo Makes Offer for Paramount Studios


Private-equity firm Apollo Global Management has made an $11 billion offer to buy Paramount Global’s film and TV studio, according to The Wall Street Journal citing people familiar with the situation.

The bid comes as an independent committee of the company’s directors is reviewing another offer from Skydance Media to merge with all of Paramount, which also owns CBS, Nickelodeon and a number of other cable networks.

Paramount’s studio has long been an acquisition target. Netflix was among a number of companies that expressed interest over the past few years in buying the studio, which is behind such movies as “Top Gun: Maverick” and “A Quiet Place,” according to other people familiar with the situation.  

Apollo could join with other companies to finance a deal.

But Paramount Global’s controlling shareholder, Shari Redstone, and other board members have resisted selling the studio, which they consider the crown jewel of the company. Redstone, who is open to selling Paramount in its entirety, would have to agree to breaking up the company and allowing a sale of the studio to proceed.

Shari Redstone
Apollo’s offer is more than the entire market capitalization of Paramount Global, which is currently around $7.7 billion. While the studio business is attractive, given its vast library and the demand for fresh programming in the streaming industry, Paramount’s TV networks are declining as the cable business contracts.

Meanwhile, Skydance Media, the production company run by David Ellison, has made an offer to buy Paramount parent National Amusements and merge Skydance into Paramount. 

Redstone controls National Amusements, which owns almost 80% of the voting shares of Paramount.

TV Ratings: FOX News Remains Most-Watched News Network


It was a return to Earth for the cable news networks as the huge numbers they enjoyed during the busy news week of March 4, which featured two political-heavy events were nowhere to be found. That week contained coverage of Super Tuesday and President Joe Biden’s State of the Union address. Fox News, as usual, led the cable news networks, but each of them including MSNBC and CNN, saw double-digit drops in both measured categories (total viewers and Adults 25-54) and in both dayparts (primetime and total day).

TV Newser citing Nielsen live plus same-day data for the week of March 11 reports FNC average 2.056 million total viewers and 222,000 A25-54 viewers during primetime. The network was down in total viewers by -21% and -37% in the A25-54 demo, relative to the week prior (week beginning March 4).

Among all basic cable networks, Fox News maintained its No. 1 position in total primetime viewers and fell two spots from the previous week to land in the No. 4 position in the primetime demo. In total day, the network was once again the only cable network to cross one million total viewers, holding its No. 1 position but falling to the No. 4 position in the total day demo for the week of March 11.

MSNBC in primetime averaged 1.207 million total viewers and 115,000 viewers from the A25-54 demo for the week of March 11. It declined by -26% in total viewers and -44% in the A25-54 demo from what the network averaged the week prior.   CNN averaged 563,000 total primetime viewers and 114,000 A25-54 viewers in primetime for the week of March 11. The news net was down -26% in total viewers and dropped -37% in the A25-54 demo compared to the prior week.

Fox had 10 out of the 15 most-watched cable news shows of the week, led once again by The Five (2.885 million viewers at 5 p.m. ET).  Meanwhile, Gutfeld! reclaimed its top spot as the most-watched cable news program among Adults 25-54, averaging 310,000 A25-54 viewers at 10 p.m. ET. 

Fox News again led the way with 13 of the top 15 cable news shows in the demo overall. MSNBC occupied the remaining spots, with the Rachel Maddow/Alex Wagner 8 p.m. ET timeslot landing at the No. 11 spot, with 160,000 viewers. The other MSNBC show in the top 15 was The Last Word with Lawrence O’Donnell at 10 p.m. ET at No. 13 with 147,000 viewers.

FCC Investigating Sale Of Illegal Electronics


The FCC is investigating Amazon and other retailers for the alleged marketing and selling of unlawful electronic devices, an FCC spokesperson told Reuters on Wednesday.

"We have several ongoing investigations into retailers, including Amazon, for potential violations of Commission rules related to the marketing and sale of equipment without proper FCC authorization," said Jonathan Uriarte, Director of Strategic Communications at the FCC.

NBC News had earlier reported that several online retailers and drone technology companies were marketing the sale of radio frequency jammers as drone deterrence or privacy tools, sidestepping federal laws that prohibit such devices from being offered for sale in the country.

NBC News said it found nine independent sellers on Amazon recently selling "jammer" devices that can be used disable security cameras and block Wi-Fi networks.

Long Island Radio: 103.1 FM Flips to Country Branding As The Wolf


After more than two years without Country music on the FM band around New York City, Long Island is welcoming back the format with the launch of Connoisseur Media’s 103.1 The Wolf (WWWF). 

 Farmingdale-based WBZO/103.1 FM (aka “MAX”) switched from classic rock to country Wednesday morning at 10:31.  

The station's Westport, Connecticut-based operator, Connoisseur Media, sent out notice to advertisers Tuesday afternoon.  Connoisseur noted that “after doing our research, we saw an opportunity to meet a growing demand for country music. Nationally, it’s the hottest format, with an incredible number of artists recording new country music and cross-over titles for fans of all genres.” The release added, “the station will play mainstream country music featuring artists like Morgan Wallen, Luke Bryan, Carrie Underwood, Blake Shelton, Kenny Chesney, and Luke Combs, plus emerging stars like Jelly Roll and Hardy.”

Connoisseur CEO Jeffrey Warshaw was aAsked whether the station will have DJs — MAX has been without them since 2022 — he said, “There are some things that will be revealed over time! You’ll need to listen!”

Ariana Grande Rules Hot 100 Songwriters & Producers Charts


Ariana Grande is the queen of the Billboard charts this week. She sits at No. 1 on both the Billboard 200 and Hot 100–the two most competitive tallies in the U.S. Forbes reports the singer doesn’t just dominate the Hot 100 songs ranking with a new leader–she sends almost her entire new album to the list, and in doing so, she ties another one of the most popular women in the music industry.

On the current Hot 100, Grande scores 11 debuts. She fills 12 spots on the 100-rung ranking of the most-consumed songs in the U.S., as her total includes the single “Yes, And?,” which was released in January and became a quick No. 1. With 11 new placements on the tally, Grande is now tied with Beyoncé for the third-most Hot 100 hits among solo women.

Grande and Beyoncé have both accrued 85 appearances on the Hot 100 throughout their respective careers. Of course, Beyoncé also landed a number of hits as a member of Destiny’s Child before she broke out on her own. She and her husband Jay-Z also teamed up to form a short-lived superduo named The Carters, which likewise reached the ranking several years ago. Those songs don’t count towards Beyoncé’s sum for the purposes of this historic ranking

Taylor Swift continues to lead all women when looking at those who have reached the Hot 100 most frequently. The singer-songwriter has thus far pushed 232 tracks to the chart. That sum will surely increase next month when her new album The Tortured Poets Department is scheduled to be released.

3/21 WAKE-UP CALL: Bibi Commits To Eradicating Hamas


Israeli Prime Minister Benjamin Netanyahu told Senate Republicans he's committed to eradicating Hamas as the Israel-Hamas war stretches into its seventh month, and as Israel has drawn increasing criticism from some American lawmakers. Netanyahu also said he wasn't happy with Senate Majority Leader Chuck Schumer's call last week for elections in Israel. Senate Republicans repeatedly hammered the New York lawmaker following the meeting where the Israeli leader appeared via video conference Wednesday.

Republicans' reactions reflected a deepening divide in the Senate over the politics of the war between Israel and Hamas. Democrats are aiming to thread the needle between supporting Israel while condemning its killing of Palestinian civilians, and Republicans allege their Democratic counterparts are undermining Israel's efforts to eliminate Hamas.

 ➤BIDEN PICKS-UP UNION SUPPORT: Less than a week after President Joe Biden came out in opposition of the planned sale of U.S. Steel to Japanese-based Nippon Steel Corporation, the company’s union has endorsed his 2024 reelection bid. “With his track record of supporting working people, we're eager for his administration's continued progress on our core issues,” the union announced in a Tweet Wednesday. The United Steelworkers union, which also backed Biden in 2020, represents 850,000 workers in steel mills, manufacturing plants, mines, rubber plants and railyards as well as nursing homes, legal clinics, social agencies, call centers and credit unions, among other sectors.

➤JUDGE ALLOWS TRUMP APPEAL: A judge ruled Wednesday that Donald Trump and eight other defendants in the Georgia election fraud case can proceed with an emergency appeal of his decision last week allowing Fulton County District Attorney Fani Willis to stay on the prosecution despite her affair with the special prosecutor she hired to oversee it. Defense lawyers for Trump and the others filed the emergency appeal Monday, notifying Fulton County Superior Court Judge Scott McAfee that his March 15 decision "is of such importance to the case that immediate review" should be conducted. Such a request under Georgia law requires the judge's approval, and McAfee granted it Wednesday without significant comment.

In their request asking McAfee to grant a certificate of immediate review, the lawyers said his decision didn't go far enough. They not only want Willis and her entire office thrown off the case, but the charges dismissed altogether, as some of them petitioned in their initial court motions back in January. McAfee's approval means that Trump and the others can now formally appeal his ruling to the Georgia state Court of Appeals, which must agree to hear the case in order for the appeal to go forward.

➤POWELL..FEDS EXPECT 'BUMPY' INFLATION DECLINE: Fed officials still see three interest-rate cuts this year, despite solid growth and firmer-than-anticipated inflation in recent months. The central bank also held steady its benchmark federal-funds rate in a range between 5.25% and 5.5%, a 23-year high. Fed Chair Jerome Powell said that officials had expected the inflation decline might be “bumpy” and that it was too soon to say if the recent trajectory of lower inflation had stalled or reversed. All three major U.S. stock indexes closed at records after the Fed’s announcement. Investors had worried that recent inflation data could prompt the central bank to dial back its likely 2024 rate cuts.

➤DOJ CONSIDERS ASSANGE PLEA: The Justice Department is considering whether to allow Julian Assange to plead guilty, according to people familiar with the matter. That could lead to a deal releasing the WikiLeaks founder from a British jail. Assange is fighting extradition to the U.S. to face trial for publishing thousands of confidential U.S. military records and diplomatic cables around 2010. Assange has spent some five years behind bars, after seeking asylum in the Ecuadorean Embassy in London in 2012. U.S. prosecutors face diminishing odds that he would serve much more time even if he were convicted stateside.

CBS Hires Chief Misinformation Editor


Rhona Tarrant has been named the executive editor of CBS News Confirmed, which focuses on debunking misinformation. She starts April 1 and will report to Claudia Milne, senior VP, CBS News and Stations and head of standards and practices.

Tarrant has been head of editorial, US, at news and intelligence agency Storyful since 2019, reports NextTV.com.

“Rhona Tarrant is one of the leading journalists and editors working in and breaking new ground in the area of verifying information,” said Milne. “She has developed new tools to uncover misinformation and disinformation and has worked across multiple platforms. Her experience and leadership will be an asset to CBS News Confirmed.”

CBS News Confirmed is a new initiative that brings together a team of journalists who use data and technology to verify and fact-check questionable videos and reports and ensure that CBS News reporting is as accurate as possible. 

“The rise of generative AI and online misinformation has made the role of journalists more critical than ever,” said Tarrant. “I am thrilled to join the exceptional team at CBS News to lead this new unit dedicated to visual verification and fact-checking. Together, we’ll support CBS News’ unwavering commitment to journalistic excellence and empower our audience to sort fact from fiction.”

At Storyful, Tarrant built a team of a dozen journalists who verified social media footage for a newswire. She was selected for a fellowships at Harvard, where she researched disinformation and AI. 

Radio History: March 21


The Ritz Theater 1937

➦In 1921...Broadway's The Walter Kerr Theatre opened at 219 West 48th Street in NYC.  One of the smaller auditoriums in the Theater District, it seats 975. Designed by Herbert J. Krapp for the Shubert family, it operated as the Ritz Theatre from 1921 to 1990, when it was renamed for playwright and critic Walter Kerr.  ABC operated it as a radio and then television studio between 1943 and 1965.

➦In 1922...KGW-AM, Portland, Oregon signed-on.

The Oregonian newspaper created KGW-AM (now Sports KPOJ 620 AM RipCity, owned by iHeartMedia) by purchasing an existing transmitter from the Shipowners Radio Service. The U.S. Department of Commerce licensed the station, and it began broadcasting on March 21, 1922

The studio was housed on the 11th floor of The Oregonian Building Tower at Sixth & Alder Streets. The transmitter was located on the 13th floor. The antenna consisted of a 70-foot, four-wire inverted "L"-type flattop, suspended between a 60-foot mast on top of the building and a 95-foot tower on the nearby Northwestern Bank Building.

R.G. Calvert supervised the operation and Richard “Dick” Haller was the program director. Their aim was to give their listeners news fresh from the press with the best music and outstanding speakers. KGW’s early announcers and writers were usually former newspaper employees, and the first engineers and technicians came from the ranks of former maritime wireless radio operators.

When the station first went on the air, 5,000 radio sets were said to have tuned in. Speakers included The Oregonian’s Editor, Edgar Piper and Mayor George Baker. There was also an opera singer, a novelist and a live musical presentation. Dick Haller became known as KGW’s “Million-Dollar Voice” and his broadcasts were very popular. He would go on to a successful career with NBC in San Francisco.

As an early radio station experiencing tremendous popularity, KGW implemented many innovative new broadcasting ideas. KGW set itself apart from the other stations by having the first radio variety show in the nation, the first audience participation show, the first quiz program, the first library program, the first radio debate, the first in-school listening program and the first singing commercial. In 1925, on-air advertising became a source of KGW’s operating revenue. KGW produced the first-ever singing commercial for Sears, Roebuck and Company in the late 1920s.

KGW was the first station in Oregon to affiliate with a national broadcasting service when they carried the inaugural program of the National Broadcasting Company’s Orange Network on April 5, 1927. The Orange Network was known as the NBC Pacific Coast Network.

The nationally famous Hoot Owls, officially known as "The Order of Hoot Owls Roosting in the Oregonian Tower" aired from 1923 to 1933 as a 2-1/2 hour variety show that was broadcast to over one million listeners. Their slogan soon became "Keep Growing Wiser," whose initial letters represented the KGW call letters.

One of the performers on the Hoot Owls program, Mel Blanc, achieved fame as the author of cartoon characterization in later years in Hollywood where he became the nation’s voice for cartoon characters such as Elmer Fudd and Bugs Bunny. Blanc, who received his high school education in Portland, joined the program in 1927. Nicknamed "The Grand Snicker" on the Hoot Owls, Blanc became well known for his comedy, as well as his skills as a storyteller, ad-libber, musician, vocalist, and, later, orchestra pit conductor.

Blanc left KGW in 1933 and moved down the hall to perform on sister station KEX in the popular "Cobwebs and Nuts" program, before moving to Hollywood in 1935.

➦In 1924...The first foreign language broadcast aired on WJZ 770 AM, New York City.

The WJZ call sign was first used on what is now WABC in New York City. The original Westinghouse Electric Corporation, whose broadcasting division is a predecessor to the current broadcasting unit of CBS Corporation, launched WJZ in 1921, located originally in Newark, New Jersey. WJZ was sold in 1923 to the Radio Corporation of America, who moved its operations to New York, and in 1926 WJZ became the flagship station for the NBC Blue Network.

In the 1929 movie The Cocoanuts the station was name-checked by Chico Marx in a sequence of running gags between Chico and Groucho: Chico uses the station's call-sign as the punchline of a punning joke based on his confusion over the meaning of the word "radius", which he confuses with 'radios', leading to the mention of the station's call-sign. NBC Blue would become the American Broadcasting Company in 1942. ABC later established WJZ-FM and WJZ-TV at the same time in 1948.

In 1953 ABC merged with United Paramount Theatres, and changed the call letters of their New York area stations to WABC, WABC-FM (now WPLJ) and WABC-TV. Four years later, Westinghouse Broadcasting acquired Baltimore television station WAAM (channel 13) and changed its call letters to WJZ-TV, which remained an ABC affiliate until 1995 when the station switched to CBS.

Lowell Thomas
➦In 1925...Lowell Thomas was first heard on radio as a guest on KDKA, Pittsburgh PA talking about “man’s first flight around the world".

In 1930, he became a broadcaster with the CBS Radio network, delivering a nightly news and commentary program. After two years, he switched to the NBC Radio network but returned to CBS in 1947. In contrast to today's practices, Thomas was not an employee of either NBC News or CBS News. Prior to 1947, he was employed by the broadcast's sponsor Sunoco.

He returned to CBS to take advantage of lower capital-gains tax rates, establishing an independent company to produce the broadcast which he sold to CBS. He hosted the first-ever television news broadcast in 1939 and the first regularly scheduled television news broadcast (even though it was just a camera simulcast of his radio broadcast) beginning on February 21, 1940 over local station W2XBS (now WNBC) New York.

Wednesday, March 20, 2024

Gannett, McClatchy Drop AP News


The Gannett and McClatchy news chains, publishers of more than 230 outlets including USA Today and the Miami Herald, have said they will stop using journalism from the Associated Press amid continued financial pressures for the news industry.

The Gannett shift marks the end of a relationship that has spanned over a hundred years.

“This move allows for increased investment in our own news operations,” stated Gannett’s Lark-Marie Anton. Gannett’s vast network, consisting of over 200 newspapers, accounts for the largest collection in the AP’s US membership base.

According to UBJ.com citing a memo from Gannett’s head of content, Kristin Roberts, which The Associated Press received and The New York Times first reported on, the company’s editors will discontinue the use of AP’s written reports, videos, and pictures as of March 25th.

Lauren Easton, a spokesperson for The Associated Press, expressed surprise and disappointment at the decision and noted that discussions with Gannett were positively ongoing. Easton held out hope that Gannett might still support AP post their membership term, which concludes at the end of 2024.

Gannett did not disclose the financial details of their arrangement with AP.

The media giant has stated that it struck a deal with Reuters to get access to global news content across formats including video, a strategic move according to Roberts to expand the audience for their journalism work.

ESPN, College Football Playoff Extend Media Rights


  • ESPN Retains Exclusive Worldwide Rights to All Rounds of the Expanded College Football Playoff, the Second Largest Annual Sporting Event in the U.S.
  • Starting in 2026-27, the College Football Playoff National Championship Will Be Broadcast on ABC in Addition to ESPN’s Signature MegaCast Presentation
  • Extension Includes Broad College Football Playoff Distribution Rights for Walt Disney Company Linear and Direct-to-Consumer Platforms and Offerings, Expanded Sales and Sponsorship Program for Disney Advertising

ESPN and the College Football Playoff (CFP) have reached a pair of media agreements that ensures ESPN will continue as the exclusive, worldwide rightsholder to college football’s premier postseason event through the 2031-32 season. The exclusive home of the CFP since its inception in 2015, ESPN will expand its current package for the final two years (through the 2025-26 season), adding all four of the new First Round games each year to ESPN’s existing New Year’s Six (now Quarterfinals and Semifinals) and the CFP National Championship rights in the new 12-team playoff that will launch this Fall.

In addition, ESPN has secured a new, six-year agreement – beginning in the 2026-27 season – for the entire CFP, which includes exclusive rights to all rounds of the expanded playoff – first round, quarterfinal, semifinal and National Championship, as well as continued exclusive rights to all ancillary programming connected to the playoff, such as the CFP Selection Show, weekly Top 25 Rankings Shows and more.

Baltimore Radio: WBAL, Ravens Renew Broadcast Partnership


The Baltimore Ravens have extended their current Television and Radio agreements with Hearst Television's WBAL-TV, WBAL NewsRadio 1090 AM/101.5 FM, and 98Rock (WIYY 97.9 and 97.9 HD 2), continuing a strong media partnership. The Television and Radio properties will remain the official broadcast partners for the Baltimore Ravens through the 2030 season.

WBAL-TV will continue televising preseason games, as well as their weekly season-long "Ravens Wrap-Up" program each Sunday following Sunday Night Football. In addition, each week WBAL-TV will also air in-season programing created by the team's broadcasting group, Ravens Productions. 98Rock and WBAL NewsRadio 1090 AM/101.5 FM will continue to air both the pre-season and regular season games, as well as the post-season contests.

The new deal marks the fourth contract extension between the Ravens and the premiere broadcast organizations, following an initial agreement in 2006.

Oxnard/Ventura Radio: Cumulus, Dodgers Extend Broadcast Partnership


Cumulus Media announces that Contemporary Hit Radio station 106.3 The Vibe/KYVB-FM in Oxnard/Ventura, CA, has renewed its longtime broadcast partnership with the Los Angeles Dodgers baseball franchise. 

The station will continue as the Dodgers’ official broadcast partner for Ventura Country and Santa Barbara. 106.3 The Vibe broadcasts all L.A. Dodgers games live on-air.

Sommer Frisk, Vice President/Market Manager, Cumulus Oxnard/Ventura, said: “With so much excitement surrounding the 2024 Dodgers season, it was an easy decision to make to continue our long-standing partnership with the Dodgers franchise. It’s a thrill to continue giving the fans of Ventura County and Santa Barbara what they’ve been asking for; a solid-sounding broadcast with no blackout dates.”

Dave Daniels, Operations Manager, Cumulus Oxnard/Ventura commented: "There is nothing like listening to Dodgers baseball live on the radio. 106.3 The Vibe is excited to be Ventura County's home for all the exciting action this season in FM stereo.”

For more information on the L.A. Dodgers’ 2024 season, visit: https://www.1063thevibe.com/

R.I.P.: Geno Michellini, Former KLOS Personality

Gino Michellini (1947-2024)

Geno Michellini, a familiar voice to Los Angeles rock fans as the afternoon DJ during the ’80s and ’90s on KLOS, died March 2 at age 77.

Variety reports an official obituary written by friends David Forman and Frank Martin said he “passed peacefully at home of natural causes with his beloved cat Bud Bud by his side.” Michellini’s death follows by about five months that of fellow L.A./San Francisco DJ Dusty Street, with whom he was said to be especially close, helping care for her before her passing.

Michellini held down the afternoon spot on album-rock giant KLOS from 1984-94. He also hosted a syndicated program called “Power Cuts” on the Global Satellite Network. “You can’t really believe it’s happening,” he was quoted as saying of his sudden ascent in a top market. “I went from being out of work to the number one station in Southern California and a national radio show all in the same day.”


His signature phrase, “How Ya Doin'” — inspired by his friend Joe Walsh) — was emblazoned in KLOS’ familiar rainbow-surrounded bumper stickers. “Bang the Drum” was another catchphrase, coming off his ritual playing of Todd Rundgren’s “Bang the Drum All Day” to begin his program every Friday at 4.

A seven-minute comedy segment called “The 5 O’Clock Funnies” was a key part of his program during drive time, and Tim Allen credited his first appearances on the show in early 1989 as giving him his big break. After playing seven minutes of Allen’s standup for the first time, “in 24 hours, the station got 500 calls,” the DJ said.